{"title":"Microphone Bundles","description":null,"products":[{"product_id":"aea-r84-matched-pair","title":"AEA R84 Ribbon Microphone - Matched Pair","description":"\u003cp\u003eBased on the character of the legendary R44, the \u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e provides classic tonality with extended top-end and reduced proximity effect for medium and close range recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. The result was the R84, which includes the best of the 44 series in a lower cost, three-pound package.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84 and original RCA 44 (now the R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA WORKHORSE RIBBON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84A retains the same sonic character of the R84 but offers an additional 12 dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA MODERN CLASSIC\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin vocals. It’s a mic that works well on practically any voice or musical instrument, making it useful tool in both recording and broadcast studios.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218461799,"sku":"1664","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r84_pair_zoom.jpg?v=1787088188"},{"product_id":"akg-c-414-xl-ii-st","title":"AKG C 414 XL II\/ST Studio Condenser Mic - Matched Pair","description":"\u003cp\u003e\u003cspan class=\"MainText\"\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality.  They also require performance consistency and accurate localisation from the pair of microphones.  Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method.  The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"MainText\"\u003e\u003cbr\u003e\r\n\u003cp\u003eThe matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode.  The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.\u003cbr\u003e\u003cbr\u003eUsing this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama. \u003cbr\u003e \u003cimg src=\"https:\/\/vintageking.com\/site\/files\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"20\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218756711,"sku":"13199","price":2599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c-414xl2-st-23_13199_1_1.jpg?v=1787088189"},{"product_id":"akg-c-414-xls-st","title":"AKG C 414 XLS\/ST Studio Condenser Mic - Matched Pair","description":"\u003cp\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair of the \u003cstrong\u003eAKG C 414 XLS\u003c\/strong\u003e has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\r\n\u003cp\u003eThe matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode. The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218822247,"sku":"13196","price":2599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c-414-xls-st-pair.jpg?v=1787088190"},{"product_id":"akg-rhythm-pack","title":"AKG Rhythm Pack","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAKG Rhythm Pack Includes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eD 112 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm dynamic microphone for bass instruments \u003c\/li\u003e\n\u003cli\u003eExtremely high SPL capability \u003c\/li\u003e\n\u003cli\u003eClassic microphone for stage and studio applications \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eD 40 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic microphone designed for drums and percussions, wind instruments and guitar amps\u003c\/li\u003e\n\u003cli\u003ePatented AKG Varimotion diaphragm technology \u003c\/li\u003e\n\u003cli\u003eCustom built capsule mounting \u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter H440 \u003c\/li\u003e\n\u003cli\u003eSpring steel wire-mesh cap \u003c\/li\u003e\n\u003cli\u003eRugged all-metal body withstands typical tough handling on stage \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eC 430 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMiniature condenser microphone for cymbal and overhead miking \u003c\/li\u003e\n\u003cli\u003ePhantom or battery powering options \u003c\/li\u003e\n\u003cli\u003eMounts securely on all commercial microphone stands \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePackage Content: \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x C 430, 2 x SA 60, 2 x W 32 \u003c\/li\u003e\n\u003cli\u003e3 x D 40; 3 x H 440 \u003c\/li\u003e\n\u003cli\u003e1 x D 112; 1 x SA 60\u003c\/li\u003e\n\u003cli\u003eAluminum flight case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449219248231,"sku":"11905","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_rhythm_pack_1_2.jpg?v=1787088192"},{"product_id":"audix-dp5a","title":"Audix DP5A 5 Drum Mic Package","description":"\u003cp\u003eThe \u003cstrong\u003eAudix DP5a\u003c\/strong\u003e, which is identical to the DP7 except for the condenser mics, is a perfect compliment of microphones for a five-piece kit.  All mics perform equally well whether it be on a live stage or in the studio. \u003cbr\u003e\u003cbr\u003eIncluded in the DP5a drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, and the i5 for snare. \u003cbr\u003eAlso included are four D-Vice rim mount clips for every mic except the D6 kick drum mic, which comes with a heavy duty tension fit mic clip.  Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003eThe Mics: \u003c\/strong\u003e\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003eD6 for kick drum\u003c\/strong\u003e\u003cbr\u003eThe D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern.  The D6 is designed to sound good in any position and it is not dependent on finding the \"sweet spot\" of the drum.  The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ei5 for snare\u003c\/strong\u003e\u003cbr\u003eThe i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage.  With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be used for a wide variety of applications and for all genres of music.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003e2 D2s for toms\u003c\/strong\u003e\u003cbr\u003eFor bringing out the real, dynamic sound of your drum toms and congas, nothing beats the D2!  The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct \"boom\" that can mar recording.  The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eD4 for floor tom\u003c\/strong\u003e\u003cbr\u003eMake sure your sound's low-end has that propulsive kick!  The D4 really puts that extra \"oomph\" in your kick drum, bass amp, and other low instruments thanks to its flat, linear response.  Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003ch4\u003eWhat's In The Box:\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOne D6 for kick drum\u003c\/li\u003e\r\n\u003cli\u003eOne i5 for snare\u003c\/li\u003e\r\n\u003cli\u003eTwp D2s for toms\u003c\/li\u003e\r\n\u003cli\u003eOne D4 for floor tom\u003c\/li\u003e\r\n\u003cli\u003eFour DVICE gooseneck clips\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":44449219379303,"sku":"14324","price":825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audix_dp5a.jpg?v=1787088192"},{"product_id":"avenson-audio-sto-2","title":"Avenson Audio STO-2 Small Diaphragm Condenser Mic - Pair","description":"\u003cp\u003eThese exceptionally accurate Omni directional microphones are perfect for capturing instruments that need no flattery, and room sounds that bring the listener very close to feeling like they're actually in the room with the instrument(s).  The STO-2 are only sold in matched pairs so stereo is no problem.  Whether you employ a \u003ca href=\"http:\/\/www.mercenary.com\/jososstermic.html\"\u003eJecklin disk\u003c\/a\u003e or spaced pair - it will sound like you are there.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSTO-2\u003c\/strong\u003e is a pressure transducer. So are your ears.  No coincidence. Avenson started out looking for a natural sounding mic and this is what they came up with.\u003c\/p\u003e\n\u003cp\u003eSold in matched pairs, (two ears right?) the STO-2's are perfect for capturing instruments that need no flattery.  With a matched pair, stereo is no problem - Jecklin disk or spaced pair - it will sound like you are standing there.\u003c\/p\u003e\n\u003cp\u003eMade in the USA from solid aluminum, the mics are built to withstand the rigors of the studio or the road.  At only 5\" long and 1\" around they are easy to position and fit in standard mic clips.\u003c\/p\u003e","brand":"Avenson Audio","offers":[{"title":"Default Title","offer_id":44449219739751,"sku":"1654","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avenson_sto2.jpg?v=1787088194"},{"product_id":"beyerdynamic-mc-930-stereo-set","title":"beyerdynamic MC 930 Cardioid Condenser Mic - Stereo Set","description":"\u003cp\u003eThis high-quality, universal condenser microphone features an exceptional price\/performance ratio.  Features of the \u003cstrong\u003eMC 930\u003c\/strong\u003e are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB.\u003cspan\u003e  The MC 930 is suitable for miking choirs, orchestras and solo instruments.  Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels.  The switchable bass roll-off filter with 6 dB\/Octave at 250 Hz compensates for proximity effects.  With the WS 101 wind screen the MC 930 can be used for vocal applications and speech.  The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations.  Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear.  It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e Studio, home recording, live applications, vocals, choirs, overhead, instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449220755559,"sku":"5830","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyerdynamic_mc930_stereo.jpg?v=1787088195"},{"product_id":"coles-4038-stereo-matched-pair","title":"Coles 4038 Studio Ribbon Microphone - Stereo Matched Pair","description":"\u003cp\u003eThe \u003cstrong\u003eColes 4038 Studio Ribbon Microphone\u003c\/strong\u003e is a British Broadcasting (BBC) design for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential. The 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.\u003c\/p\u003e\r\n\u003cp\u003eFrequency response of the 4038 is exceptionally flat from 30 Hz to 15 kHz and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural sonic quality with smooth frequency response.\u003c\/p\u003e\r\n\u003cp\u003eEach microphone comes in a foam lined rigid plastic carrying case with 4071B three-pin signal to XLR adapter, and a soft cloth protective bag for safe keeping. Also included is the rigid microphone stand adapter for mounting on standard 5\/8\" mic stands.\u003c\/p\u003e","brand":"Coles Microphones","offers":[{"title":"Default Title","offer_id":44449221345383,"sku":"474","price":3524.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coles-4038-pair-22_474_1.jpg?v=1787088199"},{"product_id":"dpa-3503","title":"DPA 3503","description":"\u003cp\u003eComplete \u003cstrong\u003e4003 Stereo Kit \u003c\/strong\u003ewith two carefully factory-matched omnidirectional hi-voltage (130 V) condenser microphones.  Included is also the Hi-Voltage Microphone Amplifier Type HMA5000, a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all packed with cables in a handy carrying case with a foam insert.\u003c\/p\u003e\n\u003cp\u003eThe specially selected microphones are matched within 1 dB on both frequency range, sensitivity and self noise.  The maximum phase response difference from 50 Hz to 20 kHz is 10°.  The two 4003 microphones are acoustically identical with the studio standards Type 4006 and even have an extended low frequency handling capability (-2 dB at 10 Hz) which also is supported by the ultra-transparent Microphone Amplifier HMA5000.\u003c\/p\u003e\n\u003cp\u003eThe high sensitivity, the low noise-floor and the extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes 3529-A the ultimate choice for all professional A-B Stereo recordings.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221509223,"sku":"5288","price":6850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3503_1.jpg?v=1787088199"},{"product_id":"dpa-3530-a","title":"DPA 3506","description":"\u003cp\u003eThe \u003cstrong\u003eType 3506\u003c\/strong\u003e is a complete 4006 Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The 3530-A also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert.  The specially selected microphones Type 4006 are matched within 1 dB on both frequency range, sensitivity and self noise.  The maximum phase response difference from 50 Hz to 20 kHz is 10°.  The high sensitivity, the low noise-floor and the extremely linear frequency response from 20 Hz to 20 kHz (±2 dB) of the microphone pair makes the 3530-A the perfect choice for all professional A-B Stereo recordings.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221574759,"sku":"5289","price":6299.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3506.jpg?v=1787088199"},{"product_id":"dpa-3511","title":"DPA 3511","description":"\u003cp\u003eThe \u003cstrong\u003e3511\u003c\/strong\u003e is a complete stereo kit for a broad range of recording applications using two 4011 cardioid microphones, carefully matched within 1 dB on frequency response, sensitivity and self-noise.  These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible.  The 4011s handle very high SPL and will therefore allow close placement as well as more distant. 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With an SPL rating of 139 dB, the SR30\/HC delivers exceptional reproduction of without distortion.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIdeal for acoustic string instruments, brass, woodwinds, piano and drums.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449223737447,"sku":"5779","price":1849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-sr30mc-mp_5779_1.jpg?v=1787088209"},{"product_id":"earthworks-sr30mp","title":"Earthworks SR30MP Cardioid Instrument Condenser Mic - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks SR30\u003c\/strong\u003e is a multi-purpose cardioid condenser microphone designed for instrument miking in live performance and studio recording environments.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA natural performer, the SR30 delivers a transparent, true to life sound no matter what the instrument. Sonic timbre and frequency response stay uniform across the entire front of the microphone capsule, helping capture the true character of your instrument.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. With over 30dB of off-axis rejection, the SR30 is ideally suited for capturing audio in highly ambient environments and near monitor speakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a lighting fast transient response, the SR30 handles sharp attacks with ease, while still capture all of the subtle nuances and softest dynamics of your playing. With an SPL rating of 139 dB, the SR30 delivers exceptional reproduction of without distortion. Ideal for acoustic string instruments, brass, woodwinds, piano and drums.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449223770215,"sku":"5777","price":1738.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-sr30mp_5777_1.jpg?v=1787088209"},{"product_id":"earthworks-tc20mp","title":"Earthworks TC20MP Omnidirectional Condenser Mic - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks TC20\u003c\/strong\u003e (same as SRO) is our least expensive general-purpose omni with high frequency response to 20kHz.  Its sound and performance is similar to the TC30 or TC25 and covers the same range of applications.  For live sound the TC-20 can be used for close miking instrument amps, drums or brass.  A TC20 under the strings of a standup bass or inside a kick drum will produce amazing sound.   A pair of TC20s connected to a stereo recorder will provide great results for recording rehearsals and performances.  The TC20 is great for general studio use and is an exceptional value.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency response: 9 Hz - 20 kHz ±1 dB\u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: omnidirectional\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: 8mV\/Pa (-42 dBV\/Pa)\u003c\/li\u003e\r\n\u003cli\u003ePower requirements: 24 - 48 V phantom, 10mA\u003c\/li\u003e\r\n\u003cli\u003eMax acoustic input: 150 dB SPL\u003c\/li\u003e\r\n\u003cli\u003ePeak output voltage: 10 V\u003c\/li\u003e\r\n\u003cli\u003eOutput: XLR intended to drive a balanced input (Pin 2+)\u003c\/li\u003e\r\n\u003cli\u003eMin output load: 600 Ohms between pin 2 and pin 3\u003c\/li\u003e\r\n\u003cli\u003eNoise: 27 dB SPL equivalent (A weighted)\u003c\/li\u003e\r\n\u003cli\u003eDimensions (L x D): 160 mm x 22 mm; 6.25\" x .86\"\u003c\/li\u003e\r\n\u003cli\u003eWeight: 90 g; 0.2 lb\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449223835751,"sku":"5811","price":869.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-tc20-pair_5811_1.jpg?v=1787088209"},{"product_id":"earthworks-tc25mp","title":"Earthworks TC25MP Omnidirectional Condenser Mic - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks TC25\u003c\/strong\u003e is an omnidirectional microphone designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a whopping SPL rating of 150 dB the TC25 has plenty of headroom, so there is no need to worry about distortion, even with the loudest instruments. And there is no proximity effect, so you can get the TC25 as close as you want to the sound source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an extended 9 Hz – 25 kHz ruler-flat frequency response, the result is a more accurate representation of the original sound. Its transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. The TC25 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449223966823,"sku":"5809","price":998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-tc25-mp_5809_1.jpg?v=1787088210"},{"product_id":"earthworks-tc30kmp","title":"Earthworks TC30MP Omnidirectional Condenser Mic - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks TC30\u003c\/strong\u003e is an omnidirectional microphone designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a whopping SPL rating of 150dB the TC30 has plenty of headroom, so there is no need to worry about distortion, even with the loudest instruments. And there is no proximity effect, so you can get the TC30 as close as you want to the sound source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an extended 9 Hz – 30 kHz ruler-flat frequency response, the result is a more accurate representation of the original sound. Its transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. The TC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned for recording louder sources such as drums, percussion, amplified instruments and loud sound effects.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449224032359,"sku":"5807","price":1298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-tc30mp_5807_1_1.jpg?v=1787088210"},{"product_id":"electro-voice-pl-dk4","title":"Electro Voice PL DK4","description":"\u003cp\u003e\u003cspan style=\"color: #333333; font-size: small;\"\u003e\u003cspan id=\"internal-source-marker_0.22840709650437296\" style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe Electro-Voice PL DK4 \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eis  a ready-for-the-gig microphone solution for a 4-piece drum kit  containing (1) PL33 dynamic supercardioid kick drum mic and (3) PL35 dynamic  supercardioid tom\/snare mics, all packaged in a high-quality  firm-exterior 600 Denier nylon gig bag with shoulder strap. The PL33  dynamic supercardioid kick drum mic delivers tight, low end and  punctuation for kick drums and low frequency instruments, and the PL35  dynamic supercardioid tom \u0026amp; snare mic, with its unique body design,  integrated swivel and drum rim clamp is voiced for exceptionally natural  tom and snare sounds.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e(1) PL33\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eTight, low-end, and super-fast transient response for a full, powerful sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eEnhanced isolation for superior off-axis rejection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency response: 20 Hz - 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLow impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e(3) PL35s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eUnique body design eliminates the need for right-angle XLR connectors to minimize cable clutter over the drum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eIncludes DRC-1 snap-on drum rim clamp that mounts the mic directly to just about any brand drum rim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVoiced for exceptionally natural tom and snare content, with superior isolation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency response: 50 Hz - 16 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLow impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFirm and durable 600 Denier nylon exterior\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eForm cutouts for up to 10 PL drum mics\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Voice","offers":[{"title":"Default Title","offer_id":44449224425575,"sku":"12082","price":379.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electro_voice_pl_dk4_1.jpg?v=1787088212"},{"product_id":"electro-voice-pl-dk4-plus","title":"Electro Voice PL DK4 PLUS","description":"\u003cp\u003e\u003cspan id=\"internal-source-marker_0.22840709650437296\" style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe \u003cstrong\u003e Electro Voice PL DK4 PLUS\u003c\/strong\u003e is a ready-for-the-gig microphone solution for a 4-piece  drum kit containing (1) PL33 dynamic supercardioid kick drum mic, (3) PL35  dynamic supercardioid tom\/snare mics, and (1) PL37 condenser cardioid  overhead\/hi-hat mic. A high-quality, firm-exterior 600 Denier nylon gig  bag with shoulder strap is included for packing them to the gig.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe  PL33 dynamic supercardioid kick drum mic delivers tight low end and  punctuation for kick drums and low frequency instruments. The PL35  dynamic supercardioid tom \u0026amp; snare mic, with its unique body design,  integrated swivel and drum rim clamp is voiced for exceptionally natural  tom and snare sounds. And the PL37 condenser cardioid overhead mic is  designed and voiced for overhead drums, cymbals, hi-hats and percussion,  and crisply captures all the performance nuances with superior  transient response.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePL35 supercardioid dynamic microphone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eUnique body design for clean cable management\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eIntegrated swivel and DRC-1 drum rim clamp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVoiced for open and natural tom and snare sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eSupercardioid polar pattern for excellent off-axis rejection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePowerful Neodymium magnet structure\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFine mesh Memraflex grille\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePL33 Supercardioid dynamic microphone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency contoured for \"dialed-in\" kick drum sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eUltra-fast transient response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePL37 cardioid condenser microphone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVoiced for overhead cymbals, high-hat, and percussion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eCrisp frequency response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFast transient response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eTight cardioid polar pattern for isolation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eand superb rejection of off-axis information\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eHigh-output, self-biased condenser element\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Voice","offers":[{"title":"Default Title","offer_id":44449224458343,"sku":"12083","price":459.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electro_voice_pl_dk4_plus_1_1.jpg?v=1787088212"},{"product_id":"electro-voice-pl-dk5","title":"Electro Voice PL DK5","description":"The \u003cb\u003eElectro Voice PL DK5\u003c\/b\u003e is a ready-for-the-gig microphone solution for a five-piece drum kit containing one PL33 dynamic, supercardioid, kick drum mic, and four PL35 dynamic, supercardioid, tom\/snare mics. The PL DK5 is packaged in a high-quality, firm-exterior 600 Denier nylon gig bag with shoulder strap. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures \u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cspan class=\"Apple-style-span\" style=\"font-weight: normal; \"\u003eThe PL33 dynamic, supercardioid, kick drum mic delivers tight low-end and punctuation for kick drums and low-frequency instruments, and the PL35 dynamic, supercardioid, tom\/snare mic, with its unique body design, integrated swivel, and drum rim clamp, is voiced for exceptionally natural tom\/snare sounds.\u003c\/span\u003e\u003c\/b\u003e","brand":"Electro Voice","offers":[{"title":"Default Title","offer_id":44449224523879,"sku":"12084","price":459.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electro_voice_pl_dk5_1_1.jpg?v=1787088212"},{"product_id":"electro-voice-pl-dk7","title":"Electro Voice PL DK7","description":"\u003cp\u003e\u003cspan style=\"font-size: small; color: #333333;\"\u003e\u003cspan id=\"internal-source-marker_0.22840709650437296\" style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eElectro Voice PL DK7\u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e is a ready-for-the-gig microphone solution for a 5-piece drum set  containing (1) PL33 dynamic supercardioid kick drum mic, (4) PL35 dynamic  supercardioid tom\/snare mics, and (2) PL37 condenser cardioid  overhead\/hi-hat mics. The PL33 dynamic supercardioid kick drum mic  delivers tight low-end and punctuation for kick drums and low frequency  instruments. The EV PL35 dynamic supercardioid tom and snare mic, with  its unique body design, integrated swivel and drum rim clamp is voiced  for exceptionally natural tom and snare sounds. And the PL37 condenser  cardioid overhead mic is designed and voiced for overhead drums,  cymbals, hi-hats and percussion, and crisply captures all the  performance nuances with superior transient response.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e(1) PL33\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eTight, low-end, and super-fast transient response for a full, powerful sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eEnhanced isolation for superior off-axis rejection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency response: 20 Hz - 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLow impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e(4) PL35s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eUnique body design eliminates the need for right-angle XLR connectors to minimize cable clutter over the drum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eIncludes DRC-1 snap-on drum rim clamp that mounts the mic directly to just about any brand drum rim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVoiced for exceptionally natural tom and snare content, with superior isolation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency response: 50 Hz - 16 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e(2) PL37s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eCrisply captures all the performance nuances with superior transient response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eTight cardioid pattern enhances isolation for a clean mix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eHigh SPL capacity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency response: 50 Hz - 16 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eRequires 11 - 52 VDC phantom power\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Voice","offers":[{"title":"Default Title","offer_id":44449224556647,"sku":"12085","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electro_voice_pl_dk7_1.jpg?v=1787088213"},{"product_id":"gefell-m930-cardioid-xy-set","title":"Gefell M 930 Condenser Microphone Stereo XY Pair - Nickel","description":"\u003cp\u003eThe \u003cstrong\u003eGefell M930\u003c\/strong\u003e is a compact, large diaphragm microphone that combines the latest Gefell M9 gold evaporated capsule with an optically isolated capsule amplifier for low self-noise, excellent dynamic handling and the added benefit of greater placement ease.  Available in choice of cardioid (M930) or hypercardioid (M940) models, these \"Gefell gems\" are also available in stereo matched kits complete with choice of XY or ORTF mounting hardware.\u003c\/p\u003e\n\n\u003cp\u003eLarge diaphragm condenser mic providing stellar sonic performance in a compact design, making placement easy in the most demanding applications. Exceptionally low self-noise and extreme dynamic range make the M930 perfect for high sample-rate digital recording.  Ideal for voice, instrument and percussion in both studio or live environments.  Comes with clip and deluxe wood case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShock mount: EH93 \u003c\/li\u003e\n\u003cli\u003eSwivel adaptor: MH93 \u003c\/li\u003e\n\u003cli\u003eWindscreen: W76 \u003c\/li\u003e\n\u003cli\u003ePop screen: PO70 \u003c\/li\u003e\n\u003cli\u003eCable: RNM25 Mogami Neglex 25ft \u003c\/li\u003e\n\u003cli\u003ePower supply: N200 Dual 48V\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449225539687,"sku":"4717","price":2330.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_m930_cardioid_xy.jpg?v=1787088217"},{"product_id":"gefell-m940-hypercardioid-xy-set","title":"Gefell M 940 Condenser Microphone Stereo XY Pair - Nickel","description":"\u003cp\u003eFactory matched pair of \u003cstrong\u003eM940\u003c\/strong\u003e microphones.  Features precise laser-etched angle markers.  Hypercardioid mics provide greater rear rejection than cardioid mics for a more focused sound. Comes with SH93S X-Y stand adapter, clips and large deluxe wood case.  Mic pairs are frequency and phase matched in an anacoic chamber to ensure identical on and off axis tonal balance.  Satin nickel finish.\u003c\/p\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449225572455,"sku":"835","price":2330.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_m940_cardioid_xy.jpg?v=1787088217"},{"product_id":"josephson-c42-cardioid-fet-matched-pair","title":"Josephson C42 Cardioid FET Condenser Mic - Matched Pair","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eJosephson Engineering C42\u003c\/span\u003e is an all-purpose cardioid condenser microphone suitable for multiple recording applications including spot miking acoustic and amplified instruments, drums and drum overheads, ensemble and choir pickups, concert recording, sound effects and vocals. Standard C42 microphones are satin machined stainless steel for years of rugged use.\u003cbr\u003e \u003cbr\u003e C42 electronics feature a selected discrete FET driving a fully balanced symmetrical transformerless discrete class-A output stage. The output impedance is low enough that very long cable runs may be used without signal degradation. Although the microphone is specified for full P48 phantom power, it will function with phantom power as low as 24 volts, with some limitation in maximum SPL.\u003cbr\u003e \u003cbr\u003e A stereo kit, the C42MP, includes a matched pair of C42 microphones in matte black chrome finish and a protective hard shell case.\u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":44449226031207,"sku":"601","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/josephson_c42_cardioid_fet_pair_1_a666334c-d73c-4691-a8f6-cc046949d350.jpg?v=1787088219"},{"product_id":"mojave-ma-100sp","title":"Mojave Audio MA-100SP","description":"\u003cp\u003eThe \u003cstrong\u003eMojave Audio MA-100\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003eis a small diaphragm, vacuum tube condenser microphone with interchangeable cardioid and omnidirectional capsules. The latest in a linage of successful microphone designs by David Royer, the MA-100s ‘cathode follower’ design allows use on high SPL instruments such as drums and guitar amplifiers, as well as the more common applications of a small diaphragm, vacuum tube condenser microphone, such as acoustic instruments, cymbals, stereo pairs and pianos. \u003cbr\u003e \u003cbr\u003e Featuring hand selected three-micron capsules, high quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-100 performs at a level reminiscent of some of the best loved classic small diaphragm tube condenser microphones. The MA-100 power supply can be set for either 115v or 230v via an external switch. Each MA100 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSmall Diaphragm – Big Sound!\u003c\/strong\u003e \u003cbr\u003e Why choose a small diaphragm microphone? Because small diaphragm microphones offer some distinct advantages over their larger brethren:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMore consistent polar pattern\u003c\/li\u003e\n\u003cli\u003eBetter transient response\u003c\/li\u003e\n\u003cli\u003eEase of placement\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy choose an MA-100?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended low-frequency response\u003c\/li\u003e\n\u003cli\u003eHigh SPL handling capability – try putting your large-diaphragm mic on a snare drum!\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eRecommended applications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic instruments\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eGuitar amplifiers\u003c\/li\u003e\n\u003cli\u003ePiano\u003c\/li\u003e\n\u003cli\u003eStereo pairs (X\/Y, MS, etc.)\u003c\/li\u003e\n\u003cli\u003eDecca tree\u003c\/li\u003e\n\u003cli\u003eOrchestral recording\u003c\/li\u003e\n\u003cli\u003eChoral recording\u003c\/li\u003e\n\u003cli\u003eVoice-overs and broadcast\u003c\/li\u003e\n\u003cli\u003ePercussion\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mojave Audio","offers":[{"title":"Default Title","offer_id":44449228423271,"sku":"9832","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mojave_ma100sp_1.jpg?v=1787088222"},{"product_id":"neumann-skm-184-mt","title":"Neumann KM 184 MT - Matched Pair (Black)","description":"The Neumann KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.\u003cbr\u003e\u003cbr\u003eThe KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. \u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. \u003cbr\u003e\u003cbr\u003eThis difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances. \u003cbr\u003e\u003cbr\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.\u003cbr\u003e\u003cbr\u003eElectrical features\u003cbr\u003eThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: \u003cbr\u003e\u003cbr\u003eCompared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. \u003cbr\u003e\u003cbr\u003eThe microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. \u003cbr\u003e\u003cbr\u003eThe output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003cbr\u003e\u003cbr\u003eEconomy\u003cbr\u003eThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. \u003cbr\u003e\u003cbr\u003eThe mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44449229373543,"sku":"5281","price":1599.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann_skm184mt_mp_black.jpg?v=1787088225"},{"product_id":"royer-labs-r122-matched-pair","title":"Royer Labs R-122 - Matched Pair","description":"The \u003cb\u003eRoyer R-122\u003c\/b\u003e is a compact, monaural, phantom powered ribbon \nmicrophone - the first ribbon microphone of its kind. Sonically similar \nto our R-121, the R-122 exhibits a flat frequency response and a well \nbalanced, panoramic soundfield, but it is 13 dB more sensitive, its \ntransient response is faster and its electronics provide an optimum \nload to the ribbon element at all times. Like the R-121, its ability to \nwithstand high SPL’s makes it ideal for applications that were previ- \nously considered off limits to ribbon microphones.\n\u003cbr\u003e\u003cbr\u003e \nThe R-122’s active electronics produce an output comparable to \nstudio condenser microphones and provide an optimum impedance \nto the ribbon element, preventing overdamping of the ribbon element \nand assuring consistent microphone performance. The high gain and \nlow output impedance of the R-122 allow it to operate with any micro- \nphone preamplifier with phantom power, including those of nominal gain and input \nimpedance characteristics. It is also well suited for use with long cable runs, which \ncan be helpful in live situations. \n\u003cbr\u003e\u003cbr\u003e\nThe R-122 utilizes a low mass, 2.5-micron, pure (99.99%) aluminum ribbon \nelement. The R-122's unique, patented offset-ribbon transducer assembly incorpo- \nrates rare earth Neodymium magnets in a specially designed flux frame, which \nforms a powerful magnetic field while reducing unwanted stray magnetic radiation. \nThe smooth frequency response and phase linearity of the R-122, coupled with its \nsophisticated active electronics system, enable the R-122 to deliver a consistent \nnatural acoustic performance with stunning realism. Frequency response is excel- \nlent regardless of the angle of sound striking the ribbon, and off-axis coloration is \nnegligible. \n\u003cbr\u003e\u003cbr\u003e\nThe R-122’s offset-ribbon design positions the ribbon element toward the front of \nthe microphone body, which allows for high SPL handling on the front (logo) side \nand the option of a slightly brighter response when recording lower SPL sound \nsources on the back side (3 feet and closer; phase reversed in this position). \n\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cb\u003eRecommended Applications\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eClose and distant miking \n\u003c\/li\u003e\n\u003cli\u003eElectric and acoustic guitar \n\u003c\/li\u003e\n\u003cli\u003eVocals, commercial broadcast, voiceover \n\u003c\/li\u003e\n\u003cli\u003eBrass, horn sections \n\u003c\/li\u003e\n\u003cli\u003eDrum overheads, kick drum (see manual for position), room miking \n\u003c\/li\u003e\n\u003cli\u003ePercussion instruments \n\u003c\/li\u003e\n\u003cli\u003eStrings - solo \u0026amp; sections \n\u003c\/li\u003e\n\u003cli\u003eAcoustic piano, harp \n\u003c\/li\u003e\n\u003cli\u003eLive events - recording and sound reinforcement\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":44449231700071,"sku":"849","price":3575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/royer_r-122_pair_zoom.jpg?v=1787088235"},{"product_id":"schoeps-microphones-cardioid-st","title":"Schoeps CMC 64 Cardioid Condenser Microphone Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 64 Microphone Stereo Set\u003c\/strong\u003e is a complete cardioid condenser microphone stereo set including two CMC amplifiers, two MK 4 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 4 Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 4 has been a reference microphone for years in a wide variety of recording situations.\u003c\/p\u003e  \u003cp\u003eDue to its transparent sound character and excellent attenuation of rear-incident sound, it reproduces sound sources very naturally. This has given the MK 4 a reputation as a universal \"problem solver\" even in difficult recording situations.\u003c\/p\u003e  \u003cp\u003eIts flat frequency response, and the constancy of its directional pattern for all frequencies, are the basis of the MK4’s sound quality. Even in the diffuse sound field its frequency response is flat, with a slight increase at 10 kHz compensating for high-frequency losses in the room.\u003c\/p\u003e  \u003cp\u003eThus the sound image is transparent for direct-arriving sound, for sound arriving from the side, and for diffuse sound in the room (reverberation).\u003c\/p\u003e  \u003cp\u003eThe MK 4 is a classic small-diaphragm microphone with all the advantages of this microphone type. Its frequency response and the consistency of its polar diagram from low to high frequencies are exemplary.\u003c\/p\u003e  \u003cp\u003eLike all SCHOEPS capsules, the MK 4 achieves its flat frequency response solely by its mechanical architecture, without any electronic filtering.\u003c\/p\u003e  \u003cp\u003eAs a pressure gradient transducer, the MK 4 has a single diaphragm that is exposed to the sound from both the front and rear. The side sound inlets must therefore never be covered.\u003c\/p\u003e  \u003cp\u003eThe “reach” (distance factor) of a classic cardioid such as the MK 4 is about 1.7 times that of an omnidirectional microphone. Thus even at greater distances from the sound source, direct sound can be obtained. The advantages of the MK 4 are shown especially when mixing several microphone signals - pickup of sound from the side is reduced in level but not subject to coloration.\u003c\/p\u003e  \u003cp\u003eAt 90° the attenuation of the MK 4 is 6 dB, and at 180°, some 20 to 30 dB. Diffuse-incident sound is picked up 4.8 dB lower in level than front-arriving sound.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCardioid pattern\u003c\/li\u003e \u003cli\u003eThe best-selling Schoeps capsule\u003c\/li\u003e \u003cli\u003eDirectivity is highly independent of frequency\u003c\/li\u003e \u003cli\u003eUniversally applicable; preferred use as spot microphone, for acoustic instruments, and in conference recording\u003c\/li\u003e \u003cli\u003eOften used in the main microphone pair for XY, ORTF and MS stereo recordings\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232093287,"sku":"15877","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-64-stereo-set_15877_1_cb68fa5b-d264-42bc-a8b7-f5ef2b54e738.jpg?v=1787088236"},{"product_id":"schoeps-microphones-near-field-omni-st","title":"Schoeps CMC 62 Omnidirectional Condenser Microphone Set","description":"Schoeps MK 2 Omni Capsule\u003cbr\u003e This capsule type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radius, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOmnidirectional pattern\u003c\/li\u003e\n\u003cli\u003eVery flat frequency response\u003c\/li\u003e\n\u003cli\u003eCorrected for a free sound field\u003c\/li\u003e\n\u003cli\u003eFor use close to the sound source (frontal sound\u003c\/li\u003e\n\u003cli\u003eOften preferred for relatively close miking of instruments, vocalists, etc.\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232257127,"sku":"15842","price":3914.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_near_field_omni_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-open-cardioid-st","title":"Schoeps CMC 622 Open Cardioid Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 622 Microphone Stereo Set\u003c\/strong\u003e is a complete open cardioid microphone stereo set including two CMC amplifiers, two open MK 22 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 22 Capsule\u003c\/h3\u003e  \u003cp\u003eThe \"Open Cardioid\" pickup pattern was introduced by SCHOEPS in 2008. It lies between the classic cardioid and the wide cardioid, achieving both a fair amount of directivity and very natural sound quality. Many years' experience of professional recording engineers with the range of Schoeps cardioids has played a large role in the development process. Meanwhile the MK 22 has become a preferred soloist and spot microphone, thus becoming an alternative to the \"classic\" MK 4.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eOptimal combination of directionality (MK 4 cardioid) and warm sound characteristics (MK 21 wide cardioid)\u003c\/li\u003e \u003cli\u003eNatural sound quality, due to highly consistent polar diagram across the frequency range\u003c\/li\u003e \u003cli\u003ePopular for use as a spot or soloist's microphone, as the mid microphone for M\/S, or as a main microphone pair e.g. at a spacing of 21 cm, angle ±55°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232388199,"sku":"15876","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-622-stereo-set_15876_1.jpg?v=1787088238"},{"product_id":"schoeps-microphones-supercardioid-st","title":"Schoeps Microphones CMC641 ST - Supercardioid ST","description":"Schoeps MK 41 Supercardioid Capsule\u003cbr\u003e The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eSupercardioid with highly consistent directionality throughout its frequency range\u003c\/li\u003e\n\u003cli\u003eFor music and speech\u003c\/li\u003e\n\u003cli\u003eHigh directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies\u003c\/li\u003e\n\u003cli\u003eOften preferred for use in film sound recording and as a spot microphone in orchestras\u003c\/li\u003e\n\u003c\/ul\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232355431,"sku":"15878","price":3439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_super_cardioid_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-switchable-pattern-st","title":"Schoeps Switchable-pattern ST","description":"Schoeps MK 5 Omni\/Cardioid Capsule\u003cbr\u003e The MK 5 offers two selectable directional patterns, but uses only one membrane – a no-compromise approach. The fact that full response is maintained to the highest audible frequencies is unusual for a switchable-pattern microphone.\u003cbr\u003e \u003cbr\u003e In its omnidirectional setting the MK 5 is a true pressure transducer with smooth, extended low-frequency response, low sensitivity to most wind and breath noise, handling noise or mechanical vibration, and no proximity effect.\u003cbr\u003e \u003cbr\u003e Unlike conventional, dual-diaphragm multi-pattern microphones, its cardioid setting retains its full directionality even at very low frequencies. The benefits of this design in purity and clarity of sound are immediately audible.\u003cbr\u003e \u003cbr\u003e The MK 5 has a slight high-frequency emphasis as compared with the corresponding single-pattern omni (MK 2) and cardioid (MK 4).\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOmni and cardioid patterns, mechanically switchable\u003c\/li\u003e\n\u003cli\u003eBroad range of applications\u003c\/li\u003e\n\u003cli\u003ePreferred uses similar to those of the MK 2 or MK 2S and the MK 4:\u003c\/li\u003e\n\u003cli\u003eIn the cardioid setting: for use with singing or speaking voices or most instruments, as a spot microphone, and for stereo recording with coincident, ORTF or M\/S microphone arrangements\u003c\/li\u003e\n\u003cli\u003eIn the omni setting: for recording instruments, singers, etc. at relatively close range\u003c\/li\u003e\n\u003c\/ul\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232420967,"sku":"15879","price":5068.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_switchable_pattern_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-universal-omni-h-st","title":"Schoeps CMC 62H Omnidirectional Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 62H Microphone Stereo Set\u003c\/strong\u003e is a complete omnidirectional microphone stereo set including two CMC amplifiers, two MK 2H omnidirectional capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 2H Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 2H, like the MK 2S, is ideal for natural-sounding pickup of instruments and orchestras in spaces with well-balanced reverberance. The choice between the two capsule types is essentially a matter of personal preference. At a given miking distance the MK 2H might be described as more ”balanced and round” sounding while the MK 2S would give a slight additional brilliance. However, one might also choose the MK 2H for slightly closer placement or the MK 2S for slightly more distant placement – and then these two capsule types would have very similar sound quality, with the main difference being the balance of direct to reverberant sound which is picked up.\u003c\/p\u003e  \u003cp\u003eThe gold-plated ring reduces the size of the acoustic opening of the MK 2H. This results in an acoustic elevation above 6 kHz. The MK 2H is a capsule often described as balanced and round.\u003c\/p\u003e  \u003cp\u003eIt features a mild high-frequency response elevation at 0°, which compensates high frequency losses caused by a slightly increased diffuse field amount at medium recording distance.\u003c\/p\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232453735,"sku":"15857","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-62h-stereo-set_15857_1_838859eb-c878-4132-aa66-6234b783a616.jpg?v=1787088238"},{"product_id":"schoeps-microphones-universal-omni-s-st","title":"Schoeps CMC 62S Omnidirectional Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 62S Microphone Stereo Set\u003c\/strong\u003e is a complete omnidirectional condenser microphone stereo set including two CMC amplifiers, two MK 2S omnidirectional capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 2S Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. This frequency response characteristic falls between that of the MK 2 and the MK 2XS, making the capsule suitable for a wide range of applications.\u003c\/p\u003e  \u003cp\u003eThe MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. \u003c\/p\u003e  \u003cp\u003eIts somewhat brighter sound (compared to the MK 2 and MK 2H) makes it ideal for use as a main microphone or room microphone, especially in larger rooms.\u003c\/p\u003e  \u003cp\u003eIt features a moderate high-frequency response elevation at 0°, which compensates high frequency losses caused by the increased diffuse field amount when used near the reverberation radius.\u003c\/p\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232486503,"sku":"15874","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-62s-stereo-set_15874_1.jpg?v=1787088239"},{"product_id":"schoeps-microphones-wide-cardioid-st","title":"Schoeps CMC 621 Wide Cardioid Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 621 Microphone Stereo Set\u003c\/strong\u003e is a complete wide cardioid condenser microphone stereo set including two CMC amplifiers, two wide MK 21 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 21 Capsule\u003c\/h3\u003e  \u003cp\u003eThe directivity of the wide cardioid lies between the omni and the cardioid. The idea behind their development is to combine the advantages of these two patterns. The low-frequency behavior of the Schoeps MK 21 is better than that of the cardioid, and proximity effect is less pronounced. The wide cardioid polar pattern is extremely consistent across the frequency range. Laterally-arriving direct sound and reflections are picked up without added coloration. The MK 21 is a very well-liked capsule. It is preferred when a slight directional effect and a warm, natural sound image are desired. Over the years it has become an integral part of the audio engineer's toolkit.\u003c\/p\u003e  \u003cp\u003eWhen used as a spot microphone, the distance from the sound source should be slightly smaller than when using a cardioid due to lower directivity index.\u003c\/p\u003e  \u003cp\u003eThe low directivity of this capsule type prevents it from generating large enough level differences for X\/Y use, though MS and near-coincident spacings are often successful.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWide cardioid polar pattern\u003c\/li\u003e \u003cli\u003ePreferred uses: as a soloist microphone or main microphone\u003c\/li\u003e \u003cli\u003eExtremely consistent polar response leads to a very natural sound\u003c\/li\u003e \u003cli\u003eCombines the advantages of the omni (warm sound) and the cardioid (directivity)\u003c\/li\u003e \u003cli\u003ePopular as a main microphone pair e.g. at a spacing of 30 cm, angle ±45°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232552039,"sku":"15875","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-621-stereo-set_15875_1.jpg?v=1787088239"},{"product_id":"se-electronics-se4400a-sp","title":"sE Electronics sE4400A Dual-Diaphragm Condenser Mic Pair","description":"The\u003cspan style=\"font-weight: bold;\"\u003e sE Electronics SE4400a\u003c\/span\u003e is the latest in a lineage of mics started 6 years ago with our sE2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a rarity… a true all-rounder.\u003cbr\u003e\u003cbr\u003eIt has 4 polar patterns, Cardioid, Hypercardioid, Figure of 8 and Omni. 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small… very small, but still manages to house a twin diaphragm 1” capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest mic of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3\/4” and fits neatly in the palm of your hand.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz-20KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 14.1mv\/pa-37db ± 1dB\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid, Figure 8, Omni, supercardioid\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 50 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 17dB(A weighted)\u003c\/li\u003e\n\u003cli\u003eMax SPL for 0.5% THD@1000Hz: 130dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Phantom power 48V±4V\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin\u003c\/li\u003e\n\u003c\/ul\u003esE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.\u003cbr\u003e\u003cbr\u003eFinally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.\u003cbr\u003e\u003cbr\u003eIt comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. It also comes with a full, steel re-enforced, black aluminium, signature sE flight case.\u003cbr\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":44449233174631,"sku":"12940","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se_electronics_se4400a_sp_f4a4e507-f2e3-44b2-8ebe-e8a81e6c070f.jpg?v=1787088241"},{"product_id":"sennheiser-mkh-8040-stereo-pair","title":"Sennheiser MKH 8040 Cardioid Condenser Mic Stereo Pair","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser MKH 8040\u003c\/strong\u003e is suitable for almost any application. It considerably reduces pick-up of a reverberant room. This is very helpful in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449234321511,"sku":"10425","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheiser_mkh8040_pair_e11baa80-3013-4103-83c7-03c8d52c0d86.jpg?v=1787088245"},{"product_id":"akg-perception-drumset-groove-pack","title":"AKG Perception Drumset Groove Pack","description":"\u003cp\u003eThe AKG Groove Pack is a start-up kit for drummers.\u003cbr\u003e It contains six microphones from the new Perception live series:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x P 2 bass microphone\u003c\/li\u003e\n\u003cli\u003e2x P 17* for overheads \u003c\/li\u003e\n\u003cli\u003e3x P 4 for toms and snare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis complete set comes in a protective aluminum carrying case.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e AKG P 2\u003cbr\u003e Rugged all metal microphone for bass instruments such as bass drum, trombone or bass amplifier. The P2 delivers powerful sound with a high energy low-end.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic microphone designed for low-pitched instruments\u003c\/li\u003e\n\u003cli\u003ePowerful sound with great bass range\u003c\/li\u003e\n\u003cli\u003eHandles highest sound pressure levels\u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter\u003c\/li\u003e\n\u003cli\u003eRugged all-metal body withstands typical tough stage use\u003c\/li\u003e\n\u003cli\u003eHumbucking coil rejects EMC noises\u003c\/li\u003e\n\u003cli\u003eComplete with carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAKG P 17\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCondenser overhead microphone\u003c\/li\u003e\n\u003cli\u003eSwitchable 20 dB attenuation pad\u003c\/li\u003e\n\u003cli\u003eTrue condenser cardioid capsule\u003c\/li\u003e\n\u003cli\u003eAll metal construction\u003c\/li\u003e\n\u003cli\u003e1\/2\" small-diaphragm instrumental microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAKG P 4\u003cbr\u003e The P 4 microphone with its solid metal case will stand up to typical stage use. An integrated stand adapter and a mounting bracket for tom tom, etc., make this microphone highly versatile for use on drums, percussion, wind instruments and guitar amps.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic microphone designed for drums and percussion, wind instruments and guitar amps\u003c\/li\u003e\n\u003cli\u003eResponse tailored for neutral reproduction of instrument sounds\u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter and external bracket\u003c\/li\u003e\n\u003cli\u003eRugged all-metal body withstands typical tough stage use\u003c\/li\u003e\n\u003cli\u003eHumbucking coil rejects EMC noises\u003c\/li\u003e\n\u003cli\u003eComplete with carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*P 17 is technically identical to P 170 and not available as a single unit.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449345634407,"sku":"16779","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_perception_groove_pack_1.jpg?v=1787088643"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-microphones-microphone-bundles.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}