{"title":"Shotgun Microphones","description":null,"products":[{"product_id":"akg-c-568-b","title":"AKG C 568 B","description":"\u003cp\u003eHigh directivity and wide frequency response in a relatively short shotgun make this microphone a perfect tool for theater, sound reinforcement and film\/TV applications.\u003c\/p\u003e\n\u003cp\u003eDue to its compact and lightweight design, the \u003cstrong\u003eAKG C 568 B\u003c\/strong\u003e is ideal for camera mount applications.   Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz the acoustic interference tube introduces increasing directivity.  A switchable 12 dB\/octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged, all-metal body contains the built-in preamp.  Phantom powering (9–52 V) required; foam windscreen and stand adapter included.\u003c\/p\u003e\n\n","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218986087,"sku":"11348","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c568b.jpg?v=1787088190"},{"product_id":"akg-ck-69","title":"AKG CK 69 ULS","description":"\u003cp\u003eTwo shotgun capsules in one, with quick and easy conversion from long to short shotgun applications, from hypercardioid to directional polar patterns.  In its long shotgun configuration, the \u003cstrong\u003eAKG CK 69-ULS\u003c\/strong\u003e will deliver perfect results for film\/TV outdoor applications or indoor front of stage recording from approximately 6 to 8 m (20 to 24 ft.).  If you unscrew the front half of the interference tube, the same capsule becomes a short shotgun for use in TV, film and video close-up work.  Additionally, the short shotgun mode is ideal for interviews in noisy environments. \u003cbr\u003e\u003cbr\u003e The CK 69-ULS operates flawlessly in high humidity environments and windscreens are provided for both long and short configurations. \u003cbr\u003e\u003cbr\u003e For use with the preamplifier C 480 B-ULS.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449219084391,"sku":"11350","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_ck69_1.jpg?v=1787088190"},{"product_id":"akg-ck-98","title":"AKG CK 98","description":"\u003cp\u003eThe \u003cstrong\u003eAKG CK 98\u003c\/strong\u003e combines high sensitivity and controlled directivity.  It offers excellent reach, thanks to a very tight polar pattern and exceptionally low self noise.  Small size and low weight make the CK 98 ideal for boom applications.  The smooth, wideband frequency response makes it a superb choice for edge-of-stage and ceiling placement in theaters.  Includes foam windscreen.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449219117159,"sku":"11349","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_ck98_b835a438-cb67-43ac-930f-024772922f5d.jpg?v=1787088191"},{"product_id":"dpa-4017-hyper-cardioid-shotgun-microphone-48v","title":"DPA 4017 Shotgun Microphone","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDPA 4017\u003c\/span\u003e is a short and exceptionally lightweight shotgun microphone, offering a very directional pickup pattern with the typical natural DPA clarity maintained.\u003c\/p\u003e\n\u003cp\u003eThe 4017 has been designed for a broad range of uses, from camera systems to fixed positions at sports facilities and for booming in ENG, broadcast, and film applications.\u003c\/p\u003e\n\u003cp\u003eDue to its remarkable clarity, wide dynamic range, and excellent rejection characteristics, the 4017 is equally at home in the recording studio and when used for sound reinforcement and live music miking.\u003c\/p\u003e\n\u003cp\u003eAt just 210 mm (8.3 in) in length and 71 g (2.5 oz) in weight, the 4017 is compact in size and among the lightest boom microphones available.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221967975,"sku":"11139","price":1998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_4017.jpg?v=1787088201"},{"product_id":"neumann-kmr-81i-shotgun-microphone-nickel","title":"Neumann KMR 81i Shotgun Microphone - Nickel","description":"The Neumann KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency.\u003cbr\u003e\u003cbr\u003eThe advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003cbr\u003e\u003cbr\u003eApplications\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.\u003cbr\u003e\u003cbr\u003eTypical applications are film and video recordings, where the microphone should not appear in the picture.\u003cbr\u003e\u003cbr\u003eThe KMR 81 has been specifically designed for electronic news gathering.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\n\u003c\/ul\u003eAcoustic Features\u003cbr\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003cbr\u003e\u003cbr\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003cbr\u003e\u003cbr\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003cbr\u003e\u003cbr\u003ePolar Patterns\u003cbr\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic.\u003cbr\u003e\u003cbr\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003cbr\u003e\u003cbr\u003eFilter and Attenuation\u003cbr\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading.\u003cbr\u003e\u003cbr\u003eA second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003cbr\u003e\u003cbr\u003eUse on Location\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level.\u003cbr\u003e\u003cbr\u003eIts low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location.\u003cbr\u003e\u003cbr\u003eSmall dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003cbr\u003e\u003cbr\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case.\u003cbr\u003e\u003cbr\u003eFor mobile use a handle and an elastic suspension are available.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44449228980327,"sku":"11140","price":1795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kmr-81i_11140_1.jpg?v=1787088224"},{"product_id":"neumann-kmr-82i-shotgun-microphone-nickel","title":"Neumann KMR 82i Shotgun Microphone - Nickel","description":"The Neumann KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency.\u003cbr\u003e\u003cbr\u003eThe advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003cbr\u003e\u003cbr\u003eApplications\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.\u003cbr\u003e\u003cbr\u003eTypical applications are film and video recordings, where the microphone should not appear in the picture.\u003cbr\u003e\u003cbr\u003eThe KMR 82 is very often used on stage.\u003cbr\u003e\u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e45°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 250 g\u003c\/li\u003e\n\u003c\/ul\u003e Acoustic Features\u003cbr\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003cbr\u003e\u003cbr\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003cbr\u003e\u003cbr\u003eThe KMR 82 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003cbr\u003e\u003cbr\u003ePolar patterns\u003cbr\u003eThe KMR 82 is a shotgun microphone with a very directional characteristic.\u003cbr\u003e\u003cbr\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 82 has a frequency independent directivity within a pickup angle of 45° for audio signals that determine the tonal balance of the program material.\u003cbr\u003e\u003cbr\u003eFilter\u003cbr\u003eBetween 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources. This may overemphasize any sibilance if the microphone is used close-up. Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies.\u003cbr\u003e\u003cbr\u003eThe KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz ( - 3 dB) with a built-in two-position slide switch.\u003cbr\u003e\u003cbr\u003eUse on Location\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level.\u003cbr\u003e\u003cbr\u003eIts low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tool for news gathering on location.\u003cbr\u003e\u003cbr\u003eSmall dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003cbr\u003e\u003cbr\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case.\u003cbr\u003e\u003cbr\u003eFor mobile use a handle and an elastic suspension are available.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44449229078631,"sku":"11141","price":1995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann_kmr82i_nickel.jpg?v=1787088224"},{"product_id":"pearl-microphone-labs-ms2","title":"Pearl Microphone Labs MS2","description":"The \u003cb\u003ePearl MS2\/MS 8\u003c\/b\u003e are stereo condenser microphones specifically made for MS recording of TV, Video and Film production. They are very light - an advantage for using on a pole, and are available in many versions such as different sensitivity. The MS 8 \"M\" and \"S\" channels are output independently for external processing. The MS 2 has an internal matrix to produce a L and R output.","brand":"Pearl Microphone Labs","offers":[{"title":"Default Title","offer_id":44449230880871,"sku":"8463","price":2132.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pearl_ms2.jpg?v=1787088231"},{"product_id":"pearl-microphone-labs-ms8","title":"Pearl Microphone Labs MS8","description":"The \u003cb\u003ePearl MS2\/MS 8\u003c\/b\u003e are stereo condenser microphones specifically made for MS recording of TV, Video and Film production. They are very light - an advantage for using on a pole, and are available in many versions such as different sensitivity. The MS 8 \"M\" and \"S\" channels are output independently for external processing. The MS 2 has an internal matrix to produce a L and R output.","brand":"Pearl Microphone Labs","offers":[{"title":"Default Title","offer_id":44449230979175,"sku":"8464","price":2012.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pearl_ms8.jpg?v=1787088231"},{"product_id":"pearl-microphone-labs-msh10","title":"Pearl Microphone Labs MSH10","description":"The \u003cb\u003ePearl MSH10\u003c\/b\u003e, specifically designed for MS recording of TV, Video and Film Production, is a short, shotgun, figure eight capsule microphone. It weighs only eight ounces, has independent output of mono and stereo channels for external processing, and requires phantom power. LED illuminates when phantom power is connected.","brand":"Pearl Microphone Labs","offers":[{"title":"Default Title","offer_id":44449230946407,"sku":"8461","price":2102.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pearl_msh10.jpg?v=1787088230"},{"product_id":"pearl-microphone-labs-msh20","title":"Pearl Microphone Labs MSH20","description":"The Pearl MSH10, specifically designed for MS recording of TV, Video and Film Production, is a short, shotgun, figure eight capsule microphone. It weighs only eight ounces, has independent output of mono and stereo channels for external processing, and requires phantom power. LED illuminates when phantom power is connected. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePearl MSH20\u003c\/b\u003e is the same as the MSH10, but with an internal MS matrix to produce left and right outputs negating the need for external MS decoding.","brand":"Pearl Microphone Labs","offers":[{"title":"Default Title","offer_id":44449231011943,"sku":"8462","price":2237.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pearl_msh20.jpg?v=1787088231"},{"product_id":"peluso-microphone-lab-cemc6-stereo-kit","title":"Peluso Microphone Lab CEMC-6 Pencil Condenser Mic Stereo Kit","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso CEMC-6\u003c\/strong\u003e is a solid-state small diaphragm condenser microphone. The CEMC-6 ships with a fixed cardioid pattern capsule with a 20mm gold sputtered diaphragm. The capsule is easily swapped with additional capsules (not included) that provide omni-directional, cardioid, wide cardioid, or hyper-cardioid patterns. The CECM-6 features a 10 dB and 20dB pad switch and a two-position high pass filter with 75hz and 150hz settings. This is a very versatile microphone used in the studio for vocals and acoustic instruments to drum overheads. For the remote recorder this is a great mic for orchestras and live audience tapers. You'll always get great results from one of the most versatile, best sounding small diaphragm mics on the market.\u003c\/p\u003e\n\u003cp\u003eThis kit features a pair of acoustically matched CEMC-6 microphones. We individually test and graph the frequency response for every microphone we make. Stereo matched pairs are hand selected to have identical frequency responses across the audible spectrum (±1dB).\u003c\/p\u003e\n\u003cp\u003eAdditional capsules with omni-directional, cardioid, wide cardioid, and hyper-cardioid patterns available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements: Important\u003c\/strong\u003e - This unit requires phantom power at 48 volts, +\/- 4 volts. Each unit has been thoroughly checked before shipping, so if you hear no sound, check the cables, and that the phantom power on your mixer or separate power supply is switched on. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eType: condenser pressure gradient w\/ 20mm capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 19Hz\/25kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: cardioid w\/ removable capsule\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: 10 mv\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpedance: 200 ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPL: 156 dB w\/ 20dB pad switch engaged\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise: 14 dB(A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower Requirements: phantom - 48v ± 4v\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent Consumption: \u0026lt; 3.0 MA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 22mm x 164mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 134 g \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231470695,"sku":"9793","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1peluso-cemc-6_9793_1_f70ce043-1a3a-4231-8e68-307b28fb9dfe.jpg?v=1787088233"},{"product_id":"schoeps-microphones-supercmit-2u","title":"Schoeps SuperCMIT 2U Shotgun Microphone","description":"The Schoeps SuperCMIT defines a new category of shotgun microphone, with directivity that goes beyond anything previously known. It offers the recording engineer entirely new possibilities.\u003cbr\u003e \u003cbr\u003e The SuperCMIT can be a problem-solver wherever diffuse sources of noise (such as street noise, wind noise, room sound, or audience and passers-by) might interfere with a recording. Unwanted noise is greatly reduced in level – even at low frequencies – without altering the tone color of front-arriving direct sound. Even a shotgun with a long tube can’t do that. This makes the SuperCMIT ideal for complex film sound applications and for sports events. The SuperCMIT also increases the “reach” of indoor recordings.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eNew type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5\u003c\/li\u003e\n\u003cli\u003eDiffuse sound is suppressed to an extraordinary degree\u003c\/li\u003e\n\u003cli\u003eCompletely new operating principle with two transducers\u003c\/li\u003e\n\u003cli\u003eUses digital signal processing algorithms from ILLUSONIC (patent pending)\u003c\/li\u003e\n\u003cli\u003eTwo-channel output, with SuperCMIT signal in channel 1 and (direct, single-transducer) CMIT signal in channel 2\u003c\/li\u003e\n\u003cli\u003eSchoeps sound quality: transparent sound\u003c\/li\u003e\n\u003c\/ul\u003e How does the SuperCMIT achieve this directivity?\u003cbr\u003e Digital signal processing in the SuperCMIT recognizes sound energy arriving from various directions, and determines whether that sound has a discrete, persistent direction of arrival or not.\u003cbr\u003e It uses this information to suppress diffuse sound and to focus on discrete sound. This allows the “reach” of the shotgun microphone to be increased significantly, without causing the usual sound-coloring artifacts. The SuperCMIT is the first microphone in the world to combine such high directivity with high sound quality.\u003cbr\u003e \u003cbr\u003e The SuperCMIT has three push-buttons which control the filters and presets of the microphone. The two filters are identical to those of Schoeps’ CMIT 5 analog shotgun microphone:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eHigh-frequency boost (+5 dB at 10 kHz) compensates for losses due to windscreens.\u003c\/li\u003e\n\u003cli\u003eSteep low-cut (18 dB\/oct. below 80 Hz) suppresses low-frequency wind and boom noise.\u003c\/li\u003e\n\u003c\/ul\u003e The second output channel always carries the signal of the regular shotgun. The “Preset” button controls the directivity for the signal on the first output channel (SuperCMIT). Two settings are available:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003ePreset 1: moderate directivity increase (green LED); ca. 11 dB reduction in diffuse sound (5 dB greater than a Schoeps CMIT or channel 2 of the SuperCMIT)\u003c\/li\u003e\n\u003cli\u003ePreset 2: strong directivity increase (red LED); ca. 15 dB diffuse sound reduction. This setting is reserved for special applications since sonic artifacts can occasionally be heard.\u003c\/li\u003e\n\u003cli\u003eBy pressing each of the three push-buttons two times each quickly in succession, the gain can be increased by +30 dB and reset again to the standard value.\u003c\/li\u003e\n\u003cli\u003eAlso by disconnecting the microphone from its power supply, the gain setting is reset to the initial value (0 dB).\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr style=\"font-weight: bold;\"\u003e Included accessories:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eWooden case\u003c\/li\u003e\n\u003cli\u003eSG 20 stand adapter\u003c\/li\u003e\n\u003cli\u003eW 170 foam windscreen for moderate wind and boom motion\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449354580071,"sku":"17000","price":5409.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-supercmit-2u_17000_1.jpg?v=1787088678"},{"product_id":"schoeps-cmit-5u","title":"Schoeps CMIT 5U  Shotgun Microphone - Blue","description":"Shotgun mic","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449422901351,"sku":"11142","price":3045.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-5u_11142_1.jpg?v=1787088931"},{"product_id":"schoeps-supercmit-2u-with-mini-da42","title":"Schoeps SuperCMIT 2U Shotgun Microphone with MINI-DA42","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps SuperCMIT 2U with MINI-DA42\u003c\/strong\u003e packages the SuperCMIT Digital Shotgun Microphone with the MINI-DA42 power box. The SuperCMIT incorporates a unique design and approach to minimizing extraneous noise, increasing range and retaining the transparency and integrity of the source audio. The SuperCMIT features a dual output signal, coupled with digital signal processing for excellent noise diffusion and pristine transparency.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn addition the microphone features a low-frequency roll-off switch, high frequency gain switch and increased directivity switch for maximizing range. The Schoeps SuperCMIT is at home on a boompole or pistol grip mount, and is very well suited for ENG \/ EFP, broadcast applications, audio for video and motion picture, sound design applications and more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe MINI-DA42 serves for powering digital microphones and for converting their output signals to analog. It offers the ability to operate digital microphones at devices which only offer analog inputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInputs include: AES42, Mode 1 (XLR-3F, 110 Ohms, black label)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOutputs (available through included Sub-D breakout cable) include: AES3 (XLR-3M, 110 Ohms, blue label) \u0026amp; 2 × analog (XLR-3M, yellow and red label), balanced, referring to ground, maximum cable length: 300 m.  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In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. 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This design provides both acoustical andelectrical symmetry and is the most powerful way to eliminate transducer nonlinearityand accompanied harmonic and intermodulation distortion. Their uniquesymmetrical construction enables the MKH microphones to pick up subtleties inthe music lost to other microphones—for instance, the subtle harmonics in anunaccompanied choir, the complex sound patterns of a 12-string guitar andmuch more.\u003c\/p\u003e\u003cp\u003eWhile the inherentnoise in conventional microphones tends to mask quieter sounds and thuslimits the dynamic range, the MKH microphones employ the unique principle ofthe radio-frequency condenser microphone, resulting in an outstandingly lowself-noise. The special capsule design reflects the frequency-dependent responseof the human hearing, and provides an excellent signal-to-noise ratio in thefrequency range where the human ear is most sensitive to noise. This resultsin small-diaphragm MKH microphones being quieter even than most large diaphragmcondenser microphones.\u003c\/p\u003e\u003cp\u003eThe acousticproperties of the MKH capsule design enable the high-frequency response tobe extended beyond the limits of the standard audio CD format, enabling thesemicrophones to fully utilize the potential of digital recording formats with highersampling rates.\u003c\/p\u003e\u003cp\u003eAll directional patterns havebeen carefully designed for minimal deviation from the ideal patterns over theentire frequency range. The unique technical design characteristics of the MKHsymmetrical microphone series means that the designer no longer has to makecompromises between frequency response, polar pattern and low noise—nowhe can have it all: wide frequency response, ultra low noise and a polar responseclose to the theoretical ideal.\u003c\/p\u003e\u003cp\u003eAll MKH 8000 Series microphones and accessoriesare coated with black Nextel®, ensuring that there will be no disturbing reflectionseven in the brightest of film and television lights.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449915469927,"sku":"50544","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheiser-mkh-8070-1_491d086c-7e46-48a1-a52d-422df5b25c9b.jpg?v=1787090938"},{"product_id":"sennheiser-mkh70-p48","title":"Sennheiser MKH70-P48 Long Shotgun Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser MKH 70\u003c\/strong\u003e is a lightweight long gun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound coloration from off-axis sound sources.\u003c\/p\u003e \u003ch3\u003eProfile\u003c\/h3\u003e \u003cp\u003eSuper-cardioid\/lobar (long gun) interference tube microphone with infra-sonic cut-off filter, switchable pre-attenuation, switchable roll-off filter and switchable treble emphasis. Frequency response 50 – 20,000 Hz, sensitivity (free field, no load) 50 (15) mV\/Pa at 1 kHz, nominal impedance 150 Ω, min. terminating impedance 1 kΩ, equivalent noise level Aweighted 5 (13) dB, CCIR-weighted 16 (24) dB, max. SPL 124 (132) dB at 1 kHz, phantom powering 48 ± 4 V, supply current 2 mA, dimensions Ø 25 x 410 mm, weight 180 g. Values in parentheses with attenuator switched on (–10 dB).\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449945583719,"sku":"58573","price":1750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheiser-mkh70-p48-1_db1af97e-57fb-4c01-a58f-fb44f4245919.jpg?v=1787091048"},{"product_id":"sennheiser-mkh60-p48","title":"Sennheiser MKH60-P48 Short Shotgun Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser MKH 60\u003c\/strong\u003e is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449945616487,"sku":"58572","price":1500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheiser-mkh-60-p48-1_ef9b9119-e983-4fe8-b765-f4ff3a3c400a.jpg?v=1787091048"},{"product_id":"sennheiser-me66-k6pcombo","title":"Sennheiser ME66\/K6P Combo Modular Shotgun Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser ME 66 \/ K6P\u003c\/strong\u003e is a shotgun modular microphone system powered by phantom. The system combines the K6P powering module with the ME 66 shotgun capsule. It is especially suited to vocal and speech applications. Matte black, anodized, scratch-resistant finish.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449947811943,"sku":"58557","price":499.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheiser-me66-k6p-1_d8d7bc93-b4da-4e30-be0e-420b40dcf806.jpg?v=1787091058"},{"product_id":"schoeps-cmit-5uag","title":"Schoeps CMIT 5U Shotgun Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT 5\u003c\/strong\u003e is Schoeps' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449954332775,"sku":"59363","price":3129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-5u-1_d6ca2731-3047-43e0-a0e1-2cc808582ac7.jpg?v=1787091087"},{"product_id":"schoeps-cmit-ws416-set","title":"Schoeps CMIT WS416 Shotgun Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT WS416 Set\u003c\/strong\u003e includes the CMIT 5U shotgun microphone, the Rycote Windshield Kit 416, wood box, W 140 foam windscreen, and SG21 stand clamp.\u003c\/p\u003e   \u003cp\u003e   \u003c\/p\u003e\u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eCMIT 5\u003c\/h3\u003e  \u003cp\u003eThe CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to the recording situation:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eHigh-frequency emphasis (+5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens\u003c\/li\u003e \u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise\u003c\/li\u003e \u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off.\u003c\/p\u003e  \u003cp\u003eThe capsule and amplifier of the CMIT 5 U are built as a single unit, unlike microphones of the SCHOEPS ”Colette” series.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUnusually low coloration of off-axis sound\u003c\/li\u003e \u003cli\u003eSuitable for music recording as well as dialogue\u003c\/li\u003e \u003cli\u003eRotationally symmetrical polar pattern\u003c\/li\u003e \u003cli\u003eEven greater immunity to wind noise than a SCHOEPS supercardioid\u003c\/li\u003e \u003cli\u003eVery lightweight, robust all-metal housing\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3\u003eRycote Windshield System\u003c\/h3\u003e  \u003cp\u003eRycote windshield \/ suspension systems are the original, iconic systems used by audio professionals around the world since 1969. Rycote has applied numerous industry-leading engineering developments, evolving this system to maintain its status as the gold standard over the past decades.\u003c\/p\u003e  \u003cp\u003eThe Modular Windshield is a lightweight, durable basket made from flexible grey plastic netting with a screening material attached. Designed for use with the Modular Suspension, this system provides excellent wind-noise reduction of up to 30 dB with minimal High-Frequency loss.\u003c\/p\u003e  \u003cp\u003eThe modular nature allows the fitting of extension pieces to lengthen the windshield so that several microphones can be used by one kit. Various lengths of windshields and extensions are available.\u003c\/p\u003e  \u003cp\u003eA Modular Windshield is comprised of: A Windshield body, two end caps, and in some cases extension pieces. The twist and turn locking end caps provide easy, secure and rattle-free access on both ends of the windshield. Both end caps can be removed facilitating easy placement of the microphone inside the basket.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44450008236135,"sku":"59360","price":2955.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-ws416-set-1_53b1d7c0-0eb6-4644-95fc-a3c403707c91.jpg?v=1787091303"},{"product_id":"schoeps-cmit-ws4-set","title":"Schoeps CMIT WS4 Shotgun Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT WS4 Set\u003c\/strong\u003e includes the CMIT 5U shotgun microphone, Rycote Modular Windshield 4 Kit, wood box, W 140 foam windscreen, and SG21 stand clamp.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eCMIT 5\u003c\/h3\u003e  \u003cp\u003eThe CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to the recording situation:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eHigh-frequency emphasis (+5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens\u003c\/li\u003e \u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise\u003c\/li\u003e \u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off.\u003c\/p\u003e  \u003cp\u003eThe capsule and amplifier of the CMIT 5 U are built as a single unit, unlike microphones of the SCHOEPS ”Colette” series.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUnusually low coloration of off-axis sound\u003c\/li\u003e \u003cli\u003eSuitable for music recording as well as dialogue\u003c\/li\u003e \u003cli\u003eRotationally symmetrical polar pattern\u003c\/li\u003e \u003cli\u003eEven greater immunity to wind noise than a SCHOEPS supercardioid\u003c\/li\u003e \u003cli\u003eVery lightweight, robust all-metal housing\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3\u003eRycote Windshield System\u003c\/h3\u003e  \u003cp\u003eRycote windshield \/ suspension systems are the original, iconic systems used by audio professionals around the world since 1969. Rycote has applied numerous industry-leading engineering developments, evolving this system to maintain its status as the gold standard over the past decades.\u003c\/p\u003e  \u003cp\u003eThe Modular Windshield is a lightweight, durable basket made from flexible grey plastic netting with a screening material attached. Designed for use with the Modular Suspension, this system provides excellent wind-noise reduction of up to 30 dB with minimal High-Frequency loss.\u003c\/p\u003e  \u003cp\u003eThe modular nature allows the fitting of extension pieces to lengthen the windshield so that several microphones can be used by one kit. Various lengths of windshields and extensions are available.\u003c\/p\u003e  \u003cp\u003eA Modular Windshield is comprised of: A Windshield body, two end caps, and in some cases extension pieces. The twist and turn locking end caps provide easy, secure and rattle-free access on both ends of the windshield. Both end caps can be removed facilitating easy placement of the microphone inside the basket.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44450008268903,"sku":"59359","price":2975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-ws4-1_0421486a-36d5-4e34-aed6-3108c1d1aef7.jpg?v=1787091303"},{"product_id":"schoeps-cmit-ssm-set","title":"Schoeps CMIT SSM Shotgun Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT SSM Set\u003c\/strong\u003e includes the CMIT 5U shotgun microphone, the Rycote Medium Super-Shield Kit, wood box, W 140 foam windscreen, and SG21 stand clamp.\u003c\/p\u003e   \u003cp\u003e   \u003c\/p\u003e\u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eCMIT 5\u003c\/h3\u003e  \u003cp\u003eThe CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to the recording situation:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eHigh-frequency emphasis (+5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens\u003c\/li\u003e \u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise\u003c\/li\u003e \u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off.\u003c\/p\u003e  \u003cp\u003eThe capsule and amplifier of the CMIT 5 U are built as a single unit, unlike microphones of the SCHOEPS ”Colette” series.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUnusually low coloration of off-axis sound\u003c\/li\u003e \u003cli\u003eSuitable for music recording as well as dialogue\u003c\/li\u003e \u003cli\u003eRotationally symmetrical polar pattern\u003c\/li\u003e \u003cli\u003eEven greater immunity to wind noise than a SCHOEPS supercardioid\u003c\/li\u003e \u003cli\u003eVery lightweight, robust all-metal housing\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3\u003eRycote Medium Super-Shield Kit\u003c\/h3\u003e  \u003cp\u003eThis complete windshield \/ shock-mount system has a unique pod designed for fast microphone access while maintaining Rycote’s professional, flexible levels of wind protection set in place by the Modular Windshield system. This design integrates the same lightweight, flexible, robust plastic netting and screening material for professional performance and reliability.\u003c\/p\u003e  \u003cp\u003eUsing Rycote’s Lyre Technology®, this clever suspension design enables the suspensions to snap in place quickly to attain the perfect position and balance for the microphone. With the included windjammer and Pistol-Grip, the system is ready to go wherever the next broadcast, sports, or news event takes you.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUnique pod design for fast microphone access\u003c\/li\u003e \u003cli\u003eSnap-in, pinch-release Lyre suspensions for perfect balance and fit\u003c\/li\u003e \u003cli\u003eFlexible, robust plastic netting with attached screening material\u003c\/li\u003e \u003cli\u003eExcellent wind protection with minimal high-frequency loss\u003c\/li\u003e \u003cli\u003eIncluded Windjammer for multiple levels of wind isolation\u003c\/li\u003e \u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44450008301671,"sku":"59358","price":2725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-ssm-set-1_81e2f6b8-995a-4fa7-a9d1-7042599ffe28.jpg?v=1787091303"},{"product_id":"schoeps-cmit-ssft-set","title":"Schoeps CMIT SSFT Shotgun Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT SSFT Set\u003c\/strong\u003e includes the CMIT 5U shotgun microphone, the Rycote 15 cm Super-Softie (19\/22) Windshield, Rycote InVision INV-7HG mkIII shock mount, wood box, W 140 foam windscreen, and SG21 stand clamp.\u003c\/p\u003e   \u003cp\u003e   \u003c\/p\u003e\u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eCMIT 5\u003c\/h3\u003e  \u003cp\u003eThe CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to the recording situation:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eHigh-frequency emphasis (+5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens\u003c\/li\u003e \u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise\u003c\/li\u003e \u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. Even in darkness the user can read the settings and see that the microphone is operational. The settings are retained when the microphone is switched off.\u003c\/p\u003e  \u003cp\u003eThe capsule and amplifier of the CMIT 5 U are built as a single unit, unlike microphones of the SCHOEPS ”Colette” series.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUnusually low coloration of off-axis sound\u003c\/li\u003e \u003cli\u003eSuitable for music recording as well as dialogue\u003c\/li\u003e \u003cli\u003eRotationally symmetrical polar pattern\u003c\/li\u003e \u003cli\u003eEven greater immunity to wind noise than a SCHOEPS supercardioid\u003c\/li\u003e \u003cli\u003eVery lightweight, robust all-metal housing\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3\u003eRycote Super Softie\u003c\/h3\u003e  \u003cp\u003eThe Super-Softie® is a completely new approach to the slip-on windshield. Unlike conventional slip-on fur windshields, the Super-Softie® sports a unique aerodynamic shape with specially designed 3D-Tex® material. This introduces a new level of wind performance reduction with unparalleled durability, ease of maintenance and long-term reliability.\u003c\/p\u003e  \u003cp\u003eThe shape \u0026amp; structure of the Super-Softie® improves upon standard slip-on windshield designs with an entirely new shape and structure. Superb wind attenuation performance along with improved attenuation with extreme low-frequencies and infrasonic frequencies protects captured audio where wind noise is at its greatest.\u003c\/p\u003e  \u003ch3\u003eRycote INV-7HG\u003c\/h3\u003e  \u003cp\u003eRycote’s InVision Broadcast \u0026amp; Film products are designed for discreet, low-profile boom mounted use in broadcast environments where full basket wind-shielding is not required. Professional isolation utilizing Lyre suspension systems provide industry-leading shock and handling isolation for broadcast \u0026amp; film applications.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44450008334439,"sku":"59357","price":2589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-ssft-set-1_5e84545a-013d-43c0-b0bd-7d209a01e06b.jpg?v=1787091304"},{"product_id":"schoeps-cmit-softie-set","title":"Schoeps CMIT Softie Shotgun Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMIT Softie Set\u003c\/strong\u003e includes the CMIT 5U shotgun microphone, the Rycote 12 cm Classic-Softie (19\/22) Windshield, Rycote Duo-Lyre Mount with Pistol Grip Handle, wood box, W 140 foam windscreen, and SG21 stand clamp.\u003c\/p\u003e   \u003cp\u003e   \u003c\/p\u003e\u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eCMIT 5\u003c\/h3\u003e  \u003cp\u003eThe CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. In addition to this, the microphone's sound level decreases softly yet steadily for off-axis sounds, allowing these to be recorded neutrally as well as reducing the effects of movement during boom operation. The CMIT 5 also has a much stronger directionality than one might expect from a microphone of its length. If required, the CMIT 5 can also be used for music recordings, for example opera recordings.\u003c\/p\u003e  \u003cp\u003eThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.\u003c\/p\u003e  \u003cp\u003eThree pushbutton-activated filters allow the microphone to adapt to the recording situation:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eHigh-frequency emphasis (+5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens\u003c\/li\u003e \u003cli\u003eA steep low-cut filter (18 dB\/oct. below 80 Hz) suppresses wind and boom noise\u003c\/li\u003e \u003cli\u003eA gentle low-frequency rolloff (6 dB\/oct. below 300 Hz) compensates for proximity effect\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePairs of LEDs next to each pushbutton indicate the status of the filters. 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All Cyclone models are now covered in our new, more advanced 3D-Tex® for even better performance. This durable windshield system possesses outstanding, consistent performance while being easy to maintain as it does not use fur. The Cyclone is truly evolutionary, and now it has been taken it a step further.\u003c\/p\u003e  \u003cp\u003eRycote uses its industry-leading Lyre® microphone suspension to reduce the bulk of shock and handling noise, but they have taken shock and handling isolation within the Cyclone design to a new level with the exclusive, Floating Basket Suspension.\u003c\/p\u003e  \u003cp\u003eAny structure can transmit mechanical vibrations and radiate them as acoustic noise. Moreover, natural resonances, dependent on materials and mass, will amplify certain frequencies and give this a characteristic spectrum. 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With an acceptance angle of 45° and minimal off-axis coloration the KMR 82i can be used to record individual instruments in an orchestra without problems. The KMR 82i offers high sensitivity with low power consumption and is lightweight for easy handling.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLEAR AND FOCUSED SOUND FROM A DISTANCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe KMR 82i is a shotgun microphone with a very high directivity for situations that require the microphone to be kept at a greater distance from the source. This is often the case in electronic news gathering (ENG) and in theaters, where microphones ought to remain invisible. The KMR 82i can also be used to obtain a clear and focused sound in noisy environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTechnically speaking, the KMR 82i combines a pressure gradient condenser capsule with a long interference tube to achieve a very narrow acceptance angle of 45˚ and excellent rejection of unwanted sound. Unlike many other shotgun microphones, the Neumann KMR 82i’s lobe shaped pickup pattern is frequency-independent. In other words, off-axis sound is picked up at reduced level but without unwanted coloration. The KMR 82i therefore sounds uncommonly natural for a long shotgun microphone and is easy to combine with other microphones, without unwanted side effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompared to other shotgun microphones, the Neumann KMR 82i offers a superior sound balance. Its frequency response is highly linear up to 2 kHz, while a broad treble lift compensates for high frequency losses that occur when recording at greater distances. The KMR 82i offers very low self-noise of only 12 dB-A and a high sensitivity of 21 mV\/Pa, which can be reduced by 10 dB to protect the microphone input from overload. The KMR 82i itself can handle high SPLs of up to 128 dB without audible distortion. A high pass filter suppresses subsonic interference, such as wind and handling noise. For use at shorter distances, the filter frequency can be shifted to 120 Hz using the low cut switch to compensate for the proximity effect. To avoid sibilance problems in cases when the KMR 82i is used for close speech, a second switch activates an electronic filter which compensates for the capsule’s treble boost.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAPPLICATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe KMR 82i is an excellent microphone for theater and broadcast applications, such as stage dialogue, and for ENG in noisy environments. The KMR 82i is very lightweight and has a balanced center of gravity, making it a pleasure to use, even after several hours. Due to its low power consumption and its low sensitivity to wind and handling noise, the KMR 82i is perfect for on-location work. Thanks to its natural sound and excellent off-axis behavior, the KMR 82i can also be used as a problem solver in critical recording situations, e.g. to pick up a soloist in front of an orchestra.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44450273132647,"sku":"51915","price":1995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kmr-82i_51915_1_b5e274c7-82f6-4024-8962-85e66f932829.jpg?v=1787092407"},{"product_id":"neumann-kmr-81-i-short-shotgun-microphone-matte-black","title":"Neumann KMR 81i Short Shotgun Microphone - Matte Black","description":"\u003cp\u003eThe \u003cstrong\u003eNeumann KMR 81i\u003c\/strong\u003e is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The KMR 81i offers high sensitivity with low power consumption and is lightweight for easy handling.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA PROBLEM SOLVER WITH A TOUCH OF CLASS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe KMR 81i is a shotgun microphone with a high directivity for situations that require the microphone to be kept at a distance from the source. This is often the case in electronic news gathering (ENG) and film dialogue recording, where the microphone must remain invisible. The KMR 81i can also be used to obtain a clear and focused sound in noisy environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTechnically speaking, the KMR 81i combines a pressure gradient condenser capsule with a medium-length interference tube to achieve a narrow acceptance angle of 90˚ and excellent rejection of unwanted sound. Unlike many other shotgun microphones, the Neumann KMR 81i’s lobe shaped pickup pattern is frequency-independent. 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A second switch activates a 200 Hz low cut to compensate for the proximity effect when the KMR 81 i is use at short distances.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAPPLICATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe KMR 81i is primarily designed for film and broadcast applications. It is an excellent microphone for movie dialogue both in the studio and on location. The KMR 81 i is very lightweight and has a balanced center of gravity, making it a pleasure to use, even after several hours. Due to its low power consumption and its low sensitivity to wind and handling noise, the KMR 81i is excellently suited for on-location work. Thanks to its natural sound and excellent off-axis behavior, the KMR 81i can also be used as a problem solver in critical recording situations, e.g. to pick up a soloist in front of an orchestra.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44450273263719,"sku":"51914","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kmr-81i_51914_1_c7e543e4-b50d-48ce-8d3a-5c84de2238e5.jpg?v=1787092407"},{"product_id":"neumann-kmr-81i-shotgun-microphone-nickel-demo-deal","title":"Neumann KMR 81i Shotgun Microphone - Nickel (Demo Deal)","description":"The Neumann KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency.\u003cbr\u003e\u003cbr\u003eThe advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003cbr\u003e\u003cbr\u003eApplications\u003cbr\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level.\u003cbr\u003e\u003cbr\u003eTypical applications are film and video recordings, where the microphone should not appear in the picture.\u003cbr\u003e\u003cbr\u003eThe KMR 81 has been specifically designed for electronic news gathering.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic\u003c\/li\u003e\n\u003cli\u003eInterference\/pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\n\u003c\/ul\u003eAcoustic Features\u003cbr\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003cbr\u003e\u003cbr\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003cbr\u003e\u003cbr\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003cbr\u003e\u003cbr\u003ePolar Patterns\u003cbr\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic.\u003cbr\u003e\u003cbr\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003cbr\u003e\u003cbr\u003eFilter and Attenuation\u003cbr\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading.\u003cbr\u003e\u003cbr\u003eA second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003cbr\u003e\u003cbr\u003eUse on Location\u003cbr\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level.\u003cbr\u003e\u003cbr\u003eIts low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location.\u003cbr\u003e\u003cbr\u003eSmall dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003cbr\u003e\u003cbr\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case.\u003cbr\u003e\u003cbr\u003eFor mobile use a handle and an elastic suspension are available.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44450358984807,"sku":"109606","price":1440.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kmr-81i_11140_1_1_84305237-354f-49a7-a6a0-64e0ea77ecde.jpg?v=1787092734"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-microphones-shotgun-microphones.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}