{"title":"Small Diaphragm Condensers","description":null,"products":[{"product_id":"akg-c430","title":"AKG C 430 Small Diaphragm Cardioid Condenser Microphone","description":"\u003cp\u003eSpecifically designed for cymbal and overhead miking, the frequency response of the \u003cstrong\u003eC 430\u003c\/strong\u003e ensures a uniquely crisp sound.  With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218855015,"sku":"11907","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c430.jpg?v=1787088190"},{"product_id":"akg-c-451-b","title":"AKG C451 B Small Diaphragm Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C451 B\u003c\/strong\u003e is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218953319,"sku":"854","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c451-b-21_854_1_1f31b955-3cde-41d4-8720-13e37528cd65.jpg?v=1787088190"},{"product_id":"akg-c-451-b-st","title":"AKG C451 B\/ST Small Diaphragm Condenser Microphone - Matched Pair","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C451 B\u003c\/strong\u003e is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449218920551,"sku":"855","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg-c451-b-21_855_1.jpg?v=1787088190"},{"product_id":"akg-c-5","title":"AKG C 5","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C 5\u003c\/strong\u003e professional condenser vocal microphone will make your voice cut through the loudest mix - on any stage.  Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. \u003cbr\u003e\u003cbr\u003e The gold plated transducer case does not only give the microphone a sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity.  The result is superior audio performance.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449219051623,"sku":"11344","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c5.jpg?v=1787088190"},{"product_id":"akg-c-535-eb","title":"AKG C 535 EB","description":"\u003cp\u003eThe professional vocal\/instrument microphone from AKG for stage and studio use, the \u003cstrong\u003eAKG C 535 EB\u003c\/strong\u003e provides the ultimate combination of excellent, highly detailed audio and exceptional ruggedness.  Perfect weight distribution ensures fatigue-free handling – another asset for discriminating vocalists!  Bass cut\/rolloff filters and a switchable preattenuation pad let you match the frequency response and output level to the most diverse recording and onstage miking situations.  The C 535 EB is one of the great, legendary microphones.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449219018855,"sku":"11345","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c535eb.jpg?v=1787088190"},{"product_id":"avantone-ck-1-fet-pencil-mic","title":"Avantone CK-1 FET Pencil Mic","description":"\u003cp\u003eThe Avantone “Cabernet (C-series)” mics from Avantone Elevtronics are designed to offer true professional performance.  They will meet or surpass the performance and specifications of much higher priced mics. \u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eAvantone CK-1\u003c\/strong\u003e is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics but at a fraction of their cost!  The rugged CK-1 microphone body and capsule assembly are precision machined of brass.  Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly.  The high quality FET circuitry will yield pleasing professional results comparable to much more expensive designs. \u003cbr\u003e\u003cbr\u003e Any studio can proudly offer the CK-1 for instrumental and percussion miking.  It exudes class visually as well as sonically.  The CK-1 is equally at home on the stage for drum overheads, acoustic instruments and piano. The CK-1 includes three 19mm (3\/4\") interchangeable capsules to provide unlimited miking possibilities!  Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.  The rugged CK-1 mic is able to produce professional results with a clean sonic character.  The three capsules (cardioid, omni, and hyper-cardioid) offer versatility for accommodating virtually any miking task.  The included SSM Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic.  This isolation allows for superior professional results.\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":44449219477607,"sku":"9948","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avantone_ck-1_microphone.jpg?v=1787088193"},{"product_id":"avantone-cv-28-tube-mic","title":"Avantone CV-28 Small-Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eThe Avantone “Cabernet (C-series)” mics from Avant Electronics are designed to offer true professional performance.  They will meet or surpass the performance and specifications of much higher priced mics.   \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAvantone CV-28 Tube Microphone \u003c\/strong\u003eis truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950s \u0026amp; 1960s but at a fraction of their cost!  Our rugged CV-28 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.  The transformer coupled tube circuitry offers a modern-day, affordable solution to the desire to capture the character of famous European and American vintage designs.  Any studio can proudly offer the CV-28 as a primary acoustic instrument mic.  It exudes class visually as well as sonically.  Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.  The versatile CV-28 mic is able to produce professional results with a warm, pleasing sonic character.  The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.  Three-Pattern Tube Microphone w\/ interchangeable 19mm gold sputtered thin Mylar capsule assemblies.  Military-grade -15 dB pad \u0026amp; 80 Hz LF roll off switches \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eUses Include: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic guitar\u003c\/li\u003e\n\u003cli\u003eMandolin\u003c\/li\u003e\n\u003cli\u003eDrum overheads\u003c\/li\u003e\n\u003cli\u003ePercussion\u003c\/li\u003e\n\u003cli\u003ePiano mic\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":44449219641447,"sku":"9349","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avantone_cv-28_microphone.jpg?v=1787088194"},{"product_id":"avenson-audio-sto-2","title":"Avenson Audio STO-2 Small Diaphragm Condenser Mic - Pair","description":"\u003cp\u003eThese exceptionally accurate Omni directional microphones are perfect for capturing instruments that need no flattery, and room sounds that bring the listener very close to feeling like they're actually in the room with the instrument(s).  The STO-2 are only sold in matched pairs so stereo is no problem.  Whether you employ a \u003ca href=\"http:\/\/www.mercenary.com\/jososstermic.html\"\u003eJecklin disk\u003c\/a\u003e or spaced pair - it will sound like you are there.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSTO-2\u003c\/strong\u003e is a pressure transducer. So are your ears.  No coincidence. Avenson started out looking for a natural sounding mic and this is what they came up with.\u003c\/p\u003e\n\u003cp\u003eSold in matched pairs, (two ears right?) the STO-2's are perfect for capturing instruments that need no flattery.  With a matched pair, stereo is no problem - Jecklin disk or spaced pair - it will sound like you are standing there.\u003c\/p\u003e\n\u003cp\u003eMade in the USA from solid aluminum, the mics are built to withstand the rigors of the studio or the road.  At only 5\" long and 1\" around they are easy to position and fit in standard mic clips.\u003c\/p\u003e","brand":"Avenson Audio","offers":[{"title":"Default Title","offer_id":44449219739751,"sku":"1654","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avenson_sto2.jpg?v=1787088194"},{"product_id":"beyerdynamic-mc-930-stereo-set","title":"beyerdynamic MC 930 Cardioid Condenser Mic - Stereo Set","description":"\u003cp\u003eThis high-quality, universal condenser microphone features an exceptional price\/performance ratio.  Features of the \u003cstrong\u003eMC 930\u003c\/strong\u003e are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB.\u003cspan\u003e  The MC 930 is suitable for miking choirs, orchestras and solo instruments.  Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels.  The switchable bass roll-off filter with 6 dB\/Octave at 250 Hz compensates for proximity effects.  With the WS 101 wind screen the MC 930 can be used for vocal applications and speech.  The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations.  Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear.  It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e Studio, home recording, live applications, vocals, choirs, overhead, instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449220755559,"sku":"5830","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyerdynamic_mc930_stereo.jpg?v=1787088195"},{"product_id":"dpa-3503","title":"DPA 3503","description":"\u003cp\u003eComplete \u003cstrong\u003e4003 Stereo Kit \u003c\/strong\u003ewith two carefully factory-matched omnidirectional hi-voltage (130 V) condenser microphones.  Included is also the Hi-Voltage Microphone Amplifier Type HMA5000, a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all packed with cables in a handy carrying case with a foam insert.\u003c\/p\u003e\n\u003cp\u003eThe specially selected microphones are matched within 1 dB on both frequency range, sensitivity and self noise.  The maximum phase response difference from 50 Hz to 20 kHz is 10°.  The two 4003 microphones are acoustically identical with the studio standards Type 4006 and even have an extended low frequency handling capability (-2 dB at 10 Hz) which also is supported by the ultra-transparent Microphone Amplifier HMA5000.\u003c\/p\u003e\n\u003cp\u003eThe high sensitivity, the low noise-floor and the extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes 3529-A the ultimate choice for all professional A-B Stereo recordings.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221509223,"sku":"5288","price":6850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3503_1.jpg?v=1787088199"},{"product_id":"dpa-3530-a","title":"DPA 3506","description":"\u003cp\u003eThe \u003cstrong\u003eType 3506\u003c\/strong\u003e is a complete 4006 Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The 3530-A also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert.  The specially selected microphones Type 4006 are matched within 1 dB on both frequency range, sensitivity and self noise.  The maximum phase response difference from 50 Hz to 20 kHz is 10°.  The high sensitivity, the low noise-floor and the extremely linear frequency response from 20 Hz to 20 kHz (±2 dB) of the microphone pair makes the 3530-A the perfect choice for all professional A-B Stereo recordings.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221574759,"sku":"5289","price":6299.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3506.jpg?v=1787088199"},{"product_id":"dpa-3511","title":"DPA 3511","description":"\u003cp\u003eThe \u003cstrong\u003e3511\u003c\/strong\u003e is a complete stereo kit for a broad range of recording applications using two 4011 cardioid microphones, carefully matched within 1 dB on frequency response, sensitivity and self-noise.  These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible.  The 4011s handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums.\u003c\/p\u003e\n\u003cp\u003eThe kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221607527,"sku":"5290","price":5295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3511_0b8cd210-c66f-4758-837a-7a5a6bc7ff5d.jpg?v=1787088199"},{"product_id":"dpa-3552","title":"DPA 3552","description":"\u003cp\u003eThe \u003cstrong\u003e3552\u003c\/strong\u003e is a complete stereo kit with two carefully matched (within 1 dB) 4052 Compact Omni Microphones.  Together with the accessories, this kit is designed especially for low profile mounting directly inside a piano.  The goosenecks can also be mounted directly on microphone stands for various A-B stereo applications such as a full orchestra in a concert hall, choirs and other ambient recordings.  With the A-B stereo principle, time differences will act as stereo cues to enable the listener to \"capture the space\" in the recording, and experience a vivid stereo image of the complete sound-field with a full bass response.  The complete kit is supplied in a sturdy carrying case and includes 2 Gooseneck Mounts, 2 Magnet Bases for mounting on metal surfaces and 2 Nose Cones.  The Nose Cone will give the microphone a perfect omnidirectional response across the whole audio frequency range.\u003c\/p\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221640295,"sku":"5305","price":3899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_3552_1_1e42718d-2dbb-4661-8acc-2dc4823700e3.jpg?v=1787088200"},{"product_id":"dpa-4003-omnidirectional-130v","title":"DPA 4003 Omnidirectional 130v","description":"\u003cp\u003eThe \u003cstrong\u003eType 4003\u003c\/strong\u003e is an omnidirectional hi-voltage (130 V) condenser microphone with extremely linear frequency response and extended low frequency handling capability (-2dB at 10Hz).  The high sensitivity and the low noise-floor of the 4003 makes the microphone the perfect choice for all professional recordings.  The Type 4003 is acoustically identical with the studio standard Type 4006, but differs in the powering system.  The hi-voltage system enables the 4003 to handle app. 10dB higher SPL than the 4006.  The impressive dynamic range of the 4003, together with the wide range of acoustic pressure equalizers and protection grids puts the 4003 in top league of studio quality microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional characteristics: Omnidirectional \u003c\/li\u003e\n\u003cli\u003eFrequency range: On-axis: 10Hz - 20kHz ±2dB \u003c\/li\u003e\n\u003cli\u003eSensitivity: Nominally 40mV\/Pa; -27dB re. 1V\/Pa unloaded (at 250Hz) \u003c\/li\u003e\n\u003cli\u003eEquivalent noise level A-weighted: Typ. 15dB(A) re. 20 µPa (max. 17dB(A)) \u003c\/li\u003e\n\u003cli\u003eEquivalent noise leve l CCIR 468-1: Typ. 27dB (max. 29dB) \u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure level: 154dB SPL peak (f\u0026lt; 4kHz) \u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: 129dB SPL peak (\u0026lt;0.5% THD) \u003c\/li\u003e\n\u003cli\u003eCable drive capability: With HMA4000: Up to 300m (984ft) \u003c\/li\u003e\n\u003cli\u003ePhase response: Phase matching between any two microphones: ±10° \u003c\/li\u003e\n\u003cli\u003eCartridge lower limiting frequency (-3db): 3 to 5Hz \u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt;75 Ohm \u003c\/li\u003e\n\u003cli\u003eWeight: 150g (5.29oz) \u003c\/li\u003e\n\u003cli\u003eMicrophone length: 165mm (6.5in) \u003c\/li\u003e\n\u003cli\u003eMicrophone diameter: 19mm (0.75in)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221673063,"sku":"5185","price":2429.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_4003.jpg?v=1787088200"},{"product_id":"dpa-4004-hi-spl-omnidirectional-130v","title":"DPA 4004 Hi-SPL Omnidirectional 130v","description":"\u003cp\u003eThe T\u003cstrong\u003eype 4004\u003c\/strong\u003e is an omnidirectional hi-voltage (130 V) close miking specialist with an extended on-axis frequency response from 10Hz to 40kHz (±2dB).  The 4004 is a condenser microphone specially designed to handle extremely high sound pressure levels - up to 168dB SPL before clipping occurs. It has an unbeatable dynamic range of 124dB from the noise floor to 1% THD and an extended headroom of 20dB up to clipping level due to the special hi-voltage powering system.  The 4004 is acoustically identical with the reference microphone Type 4007, but differs in the powering system and the fact that the 4004 has a transformerless output.  4004 is totally transparent and is the perfect choice in all close miking recording situations regardless of the sound source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional characteristics: Omnidirectional \u003c\/li\u003e\n\u003cli\u003eFrequency range: On-axis: 10Hz - 40kHz ±2dB up to 152dB SPL peak \u003c\/li\u003e\n\u003cli\u003eSensitivity: Nominally 10mV\/Pa; -40dB re. 1V\/Pa unloaded (at 250Hz) \u003c\/li\u003e\n\u003cli\u003eEquivalent noise level A-weighted: Typ. 24dB(A) re. 20 µPa (max. 26dB(A)) \u003c\/li\u003e\n\u003cli\u003eEquivalent noise leve l CCIR 468-1: Typ. 36dB (max. 38dB) \u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure level: 168dB SPL peak (f\u0026lt; 4kHz) \u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: 142dB SPL peak (\u0026lt;0.5% THD) \u003c\/li\u003e\n\u003cli\u003eCable drive capability: With HMA4000: Up to 300m (984ft) \u003c\/li\u003e\n\u003cli\u003ePhase response: Phase matching between any two microphones: ±5° (50 Hz to 20kHz) \u003c\/li\u003e\n\u003cli\u003eCartridge lower limiting frequency (-3db): 3 to 5Hz \u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt;75 Ohm \u003c\/li\u003e\n\u003cli\u003eWeight: 150g (5.29oz) \u003c\/li\u003e\n\u003cli\u003eMicrophone length: 165mm (6.5in) \u003c\/li\u003e\n\u003cli\u003eMicrophone diameter: 19mm (0.75in)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":44449221705831,"sku":"5182","price":2429.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dpa_4006.jpg?v=1787088200"},{"product_id":"dpa-4006-omnidirectional-p48-tl","title":"DPA 4006-TL Omnidirectional Microphone, P48, Transformerless","description":"\u003cp\u003eDPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed andnatural reproduction. 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All components in this construction are very carefully selected to fulfill the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music.\u003c\/p\u003e\n\u003cp\u003eThe applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech\/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution.\u003c\/p\u003e\n\u003cp\u003eWith the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. 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Their patented pick-up pattern allows an orator to move up to 90 degrees off-axis and still be heard with exceptional intelligibility and sound quality.  This is a real advantage for church, civic and corporate podium speech applications. As an added plus, the Flex Mics smooth off-axis response will provide more gain before feedback.  The flexible neck allows adjustment of microphone positioning with no handling noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlex Mics are intended for podium use, however they can also be used as hanging choir or orchestra microphones.  Their sound quality is comparable to our other high quality cardioids for a variety of applications such as vocals, piano, acoustic instruments and even drums.  They are flat from 20 Hz to 20 kHz within +2 dB at 6 inches and will handle up to 145 dB SPL.  In addition to smooth frequency response (on and off-axis), they have impressive impulse response, diaphragm settling time and pristine sound quality that is not usually available in podium microphones. 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Their patented pick-up pattern allows an orator to move up to 90 degrees off-axis and still be heard with exceptional intelligibility and sound quality.  This is a real advantage for church, civic and corporate podium speech applications. As an added plus, the Flex Mics smooth off-axis response will provide more gain before feedback.  The flexible neck allows adjustment of microphone positioning with no handling noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlex Mics are intended for podium use, however they can also be used as hanging choir or orchestra microphones.  Their sound quality is comparable to our other high quality cardioids for a variety of applications such as vocals, piano, acoustic instruments and even drums.  They are flat from 20 Hz to 20 kHz within +2 dB at 6 inches and will handle up to 145 dB SPL.  In addition to smooth frequency response (on and off-axis), they have impressive impulse response, diaphragm settling time and pristine sound quality that is not usually available in podium microphones. 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Their patented pick-up pattern allows an orator to move up to 90 degrees off-axis and still be heard with exceptional intelligibility and sound quality.  This is a real advantage for church, civic and corporate podium speech applications. As an added plus, the Flex Mics smooth off-axis response will provide more gain before feedback.  The flexible neck allows adjustment of microphone positioning with no handling noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlex Mics are intended for podium use, however they can also be used as hanging choir or orchestra microphones.  Their sound quality is comparable to our other high quality cardioids for a variety of applications such as vocals, piano, acoustic instruments and even drums.  They are flat from 50 Hz to 20 kHz within +2 dB at 6 inches and will handle up to 145 dB SPL.  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Their patented pick-up pattern allows an orator to move up to 90 degrees off-axis and still be heard with exceptional intelligibility and sound quality.  This is a real advantage for church, civic and corporate podium speech applications. As an added plus, the Flex Mics smooth off-axis response will provide more gain before feedback.  The flexible neck allows adjustment of microphone positioning with no handling noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlex Mics are intended for podium use, however, they can also be used as hanging choir or orchestra microphones.  Their sound quality is comparable to our other high-quality cardioids for a variety of applications such as vocals, piano, acoustic instruments and even drums.  They are flat from 50 Hz to 20 kHz within +2 dB at 6 inches and will handle up to 145 dB SPL.  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It has a flat frequency response, fast impulse response and exceptional polar characteristics.  The M23 is an improved version of the SMAARTMIC previously offered by EAW. Requires 48 V phantom power.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449222885479,"sku":"9623","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-m23_9623_1.jpg?v=1787088205"},{"product_id":"earthworks-m23-mp","title":"Earthworks M23MP Omnidirectional Measurement Mic - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks M23\u003c\/strong\u003e is a cost effective reference microphone for SMAART, MLSSA, Spectrafoo, TEF \u0026amp; RTA, and all \"audio band\" measurements.  It has a flat frequency response, fast impulse response and exceptional polar characteristics.  The M23 is an improved version of the SMAARTMIC previously offered by EAW. Requires 48 V phantom power.\u003c\/p\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449222918247,"sku":"9622","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks-m23-pair_9622_1.jpg?v=1787088205"},{"product_id":"earthworks-m30","title":"Earthworks M30 Omnidirectional Measurement Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks M30\u003c\/strong\u003e is a precision engineered 30 kHz omnidirectional measurement microphone ideally suited for acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePERFORMANCE\u003c\/h3\u003e\r\n\u003cp\u003eAccuracy, consistency, and reliability have made the Earthworks M30 measurement microphone the first choice of live sound professionals, acousticians, and researchers all over the world for nearly twenty years. Used on countless full-scale concert tours, as well as in scientific research laboratories, tropical rainforests, and rocket testing facilities, the M30 and its M-Series siblings have proven to be lab-grade audio instruments that can handle any environment.\u003c\/p\u003e\r\n\u003cp\u003eThe M30’s audio performance is unparalleled. It has a flat frequency response that extends from 3 Hz to 30 kHz, an exceptionally consistent omnidirectional polar response, 140 dB SPL rating without distortion and no handling noise. With temperature compensated electronics, the M30 was built to deliver repeatable results no matter what the environment.\u003c\/p\u003e\r\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M30 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART, SIM, REW, Electroacoustics Toolbox, FuzzMeasure and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\r\n\u003cp\u003eEvery M30 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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The small element yields an omni-directional pattern resulting in a wide pick up area at the front and sides of the microphone capsule.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe M30BX is a precision engineered battery-powered 30 kHz omnidirectional measurement microphone ideally suited for on-location acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required and portability is important or a power source is not readily available.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned for remote use, the M30BX body opens for replaceable battery access, with a battery life of 300 hours. This M30BX requires 6 V Lithium or 4 LR44 alkaline batteries.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe M30BX’s audio performance is unparalleled. It has a flat frequency response that extends from 9 Hz to 30 kHz, an exceptionally consistent omnidirectional polar response, 140 dB SPL rating without distortion and no handling noise. With temperature compensated electronics the M30BX was built to deliver repeatable results no matter what the environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M30BX ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART, SIM, REW, Electroacoustics Toolbox, FuzzMeasure and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery M30BX is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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The small element yields an omni-directional pattern resulting in a wide pick up area at the front and sides of the microphone capsule.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe M30BX is a precision engineered battery-powered 30 kHz omnidirectional measurement microphone ideally suited for on-location acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required and portability is important or a power source is not readily available.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned for remote use, the M30BX body opens for replaceable battery access, with a battery life of 300 hours. This M30BX requires 6 V Lithium or 4 LR44 alkaline batteries.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe M30BX’s audio performance is unparalleled. It has a flat frequency response that extends from 9 Hz to 30 kHz, an exceptionally consistent omnidirectional polar response, 140 dB SPL rating without distortion and no handling noise. With temperature compensated electronics the M30BX was built to deliver repeatable results no matter what the environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M30BX ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART, SIM, REW, Electroacoustics Toolbox, FuzzMeasure and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery M30BX is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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Used on countless full-scale concert tours, as well as in scientific research laboratories, tropical rainforests, and rocket testing facilities, the M30 and its M-Series siblings have proven to be lab-grade audio instruments that can handle any environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe M30’s audio performance is unparalleled. It has a flat frequency response that extends from 3 Hz to 30 kHz, an exceptionally consistent omnidirectional polar response, 140 dB SPL rating without distortion and no handling noise. With temperature compensated electronics, the M30 was built to deliver repeatable results no matter what the environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtremely fast impulse response and linear phase response make the M30 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART, SIM, REW, Electroacoustics Toolbox, FuzzMeasure and others, as well as for use in PA system alignment and loudspeaker design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery M30 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. 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