{"title":"Headphone Systems","description":null,"products":[{"product_id":"furman-ha-6ab","title":"Furman HA-6AB","description":"\u003cp\u003eThe \u003cstrong\u003eHA-6AB Headphone\/Monitor Amplifier \u003c\/strong\u003eis a unique combination of a headphone amp and a conventional power amp.  This combination of functions can save the expense of an extra power amp in many recording studios.\u003c\/p\u003e\n\u003cp\u003eThe HA-6AB is basically an economical 20 watt per channel stereo amplifier.  Unlike a conventional power amp, however, it has six headphone outputs (stereo phone jacks) on the front panel, each with an associated volume control.  When used for overdubbing or rehearsal, this provides more than adequate loudness in all headphones (even older low-impedance models), and allows each musician to set his or her own comfortable volume level.  When the overdubbing is complete and the musicians remove their headphones, the HA-6AB can power the tape playback through either (or both) of two sets of studio monitor speakers, selected by pressing front panel pushbuttons.  Without the HA-6AB, a separate amp would be needed for the studio speakers.\u003c\/p\u003e\n\u003cp\u003eThe HA-6AB also features a convenient input level control on the left side of the front panel.  A pair of yellow LED's-one for each channel-light up whenever signal is present (threshold -28 dBu).  Another pair of red LED's show an overload condition in either channel.\u003c\/p\u003e\n\u003cp\u003eThe Furman HA-6AB's 20 watts-per-channel make it ideal as a low distortion headphone driver for the most critical listening situations.  While most headphone amps provide half a watt or less per headphone channel, the HA-6AB's higher power can drive headphones of any impedance to their full rated listening level, and do so with minimal noise and distortion.  Its power capacity is also just right for the small \"cube\" reference speakers used in most recording studios as a comparison with the main control room monitors-it can power them without overpowering them.  On the studio floor, a set of small monitor speakers driven by the HA-6AB can make a session progress more efficiently by giving the musicians a chance to hear a playback without needing to disconnect themselves from their equipment and walk into the control room.\u003c\/p\u003e\n\u003cp\u003eThe HA-6AB utilizes an efficient toroidal power transformer for silent operation and low magnetic leakage, as required in a studio environment.  It is fully protected against thermal overload, and it can withstand a short circuit on any or all outputs for an indefinite time without damage.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccessory: Model HR-2 Headphone Remote Station: A compact, unobtrusive box that clamps to a mike stand or belt, providing two headphone jacks, each with its own volume control.  Any number of HR-2 stations may be connected to a HA-6A using standard microphone cables.  Comes with snap-on, snap-off mike stand clamp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261486183,"sku":"1092","price":529.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_ha6ab_1.jpg?v=1787088351"},{"product_id":"furman-hds-16","title":"Furman HDS-16","description":"\u003cp\u003eFollowing up on the tremendous success of its HDS-6\/ HR-6 Headphone\/Audio Distribution System, Furman introduces an enlarged and enhanced system, the \u003cstrong\u003eHDS-16\/HRM-16 Headphone\/Audio Distribution System\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe HDS-16 Headphone\/Audio Distribution System and HRM-16 Headphone\/Audio Remote Mixer are the logical extension to Furman's very popular headphone amp\/audio distribution lineup.  These models are designed to function equally well for both live (in-ear or stage monitors) and studio applications, allowing greater flexibility and ease for both the user and the engineer.\u003c\/p\u003e\n\u003cp\u003eThe HDS-16\/HRM-16 Headphone\/Audio Distribution System cleanly routes eight mono and four stereo signals to remote mixing locations via Centronics 50 pin cables.  Up to eight HRM-16's can be connected directly or daisy chained to a single HDS-16, allowing as many as sixteen users (two per each HRM-16) to customize eight different mixes.  A unique talkback system allows each user to communicate with other users and the main mixing location.  Additionally, a SOLO system allows the engineer to mute all but one stereo send from the mix location -- very handy for reviewing recent takes or rough mixes.  Additional HRM-16 features include local effects send\/return, line out, overall bass\/treble controls, talkback level, and a master level control.\u003c\/p\u003e\n\u003cp\u003eThe double rack-space HDS-16 provides full patching functions on its front panel via 1\/4\" and TT input jacks, and is intended to be installed at the mixing console location.  The HDS-16 provides power and signal conditioning to drive the HRM-16 Remote Mixers.  There is no power cord or wall wart required for the HRM-16's. In addition, it includes two 1\/4\" jacks for the two-way talkback functions, and a Solo Remote switch with an indicator that allows muting of all but one stereo feed at all HRM-16's. This comes in handy for isolating tracks for critical listening without having each HRM-16 user turn down all but one channel.  The Solo function also includes a 1\/4\" jack so actuation can be done with a footswitch. Front panel indicators include Power On and Solo On.  The rear panel includes six Centronics 50 pin connectors to link up to six HRM-16's (more if daisy chaining is used), and the standard Furman On\/Off and Grouned Lift switches.\u003c\/p\u003e\n\u003cp\u003eThe unique talkback system is extremely versatile.  It can be configured two different ways by moving a jumper on the circuit board in the HDS-16.One way allows the talkback mic on each HRM-16 to be fed to all of the other HRM-16 units as well as the HDS-16.  The other configuration allows communication to the HDS-16 only. This is particularly useful for stage use where the user's talkback mic should not feed into all of the monitors (including the user's own monitor).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bold_text\"\u003eOptions:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel HDS-16E:\u003c\/strong\u003e \"E\" suffix version is for use in countries with 220\/240 VAC mains. Since HRM-16 units derive their power from the HDS-16, no special HRM-16 model is needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHRM-CABL:\u003c\/strong\u003e Replacement 25 foot (7.7m) Centronics cable for linking or daisy-chaining HRM-16's, or for extending existing cables. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHRM-16EX:\u003c\/strong\u003e Extension adapter which allows two HRM-CABLs to be joined together to create extended cable lengths. Up to eight HRM-CABLs may be joined, making a total length of up to 200 feet (62m), using one HRM-16EX adapter per cable segment (see Cable Specifications below). \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHRM-THRU:\u003c\/strong\u003e Wallmount kit consisting of two Centronics connectors linked with an 18 inch flat cable. Includes two wall plates and gaskets. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHRM-RAW:\u003c\/strong\u003e Raw HRM-16 cable, priced per foot, for those desiring to make their own cables in exact, custom lengths. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHRM-CONN:\u003c\/strong\u003e Cable-mount Centronics connector, for making custom cables.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261584487,"sku":"1093","price":1089.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_hds16_1.jpg?v=1787088351"},{"product_id":"furman-hds-6","title":"Furman HDS-6","description":"\u003cp\u003eThe \u003cstrong\u003eFurman HDS-6 \/ HR-6 Audio Distribution System \u003c\/strong\u003eoffers a great-sounding, cost effective and flexible way to provide custom mixes for up to sixteen people in recording and live sound environments.  The combination of unique functions add unprecedented functionality and convenience to any multiple-user audio application.\u003c\/p\u003e\n\u003cp\u003eThe system consists of two components: the rackmount HDS-6 Audio Distribution System, and one or more HR-6 remote mixers (please note that the HR-6 remote mixers are sold separately).  Linking the distribution unit and remote mixers is as easy as plugging in cables -- multiple HR-6's are simply daisy-chained together.  A pair of 25 foot linking cables is included with each HR-6, and other lengths are easily obtained at your local computer store or through mail order.  For applications where daisy-chaining is not practical, a twelve port or larger ethernet patch panel can be wired to allow multiple HR-6 units to connect from a central location.  Up to eight HR-6 remote mixers can be linked to an HDS-6, and two pairs of headphones may be plugged into each HR-6.\u003c\/p\u003e\n\u003cp\u003eThe HDS-6 rackmount distribution system connects to the mixer\/console to provide interface and power supplies to drive a group of HR-6 remote mixers.  Trimpots are provided on the HDS-6's front panel to match the console output levels to the HDS-6's inputs.\u003c\/p\u003e\n\u003cp\u003eThe HDS-6 is ideal as a low distortion headphone driver for the most critical listening situations.  In addition to providing high current differential buffered signals, it also provides power and ground to the HR-6 remote mixers.\u003c\/p\u003e\n\u003cp\u003eThe HR-6 is a compact six-channel, five-pot remote mixer that clamps to any mic stand.  When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board.\u003c\/p\u003e\n\u003cp\u003eThe HR-6 provides four mono pots and one stereo pot.  The four mono pots allow each user to create a custom mix of four console channels or busses.  The stereo pot will most often be used for a main control room mix, or for a stereo effects return.\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261617255,"sku":"1094","price":299.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_hds6_1.jpg?v=1787088351"},{"product_id":"furman-hr-6","title":"Furman HR-6","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFurman HDS-6 \/ HR-6 Audio Distribution System\u003c\/span\u003e offers a great-sounding, cost effective and flexible way to provide custom mixes for up to sixteen people in recording and live sound environments.  The combination of unique functions add unprecedented functionality and convenience to any multiple-user audio application.\u003c\/p\u003e\n\u003cp\u003eThe system consists of two components: the rackmount HDS-6 Audio Distribution System, and one or more HR-6 remote mixers (please note that the HR-6 remote mixers are sold separately).  Linking the distribution unit and remote mixers is as easy as plugging in cables -- multiple HR-6's are simply daisy-chained together.  A pair of 25 foot linking cables is included with each HR-6, and other lengths are easily obtained at your local computer store or through mail order.  For applications where daisy-chaining is not practical, a twelve port or larger ethernet patch panel can be wired to allow multiple HR-6 units to connect from a central location.  Up to eight HR-6 remote mixers can be linked to an HDS-6, and two pairs of headphones may be plugged into each HR-6.\u003c\/p\u003e\n\u003cp\u003eThe HDS-6 rackmount distribution system connects to the mixer\/console to provide interface and power supplies to drive a group of HR-6 remote mixers.  Trimpots are provided on the HDS-6's front panel to match the console output levels to the HDS-6's inputs.\u003c\/p\u003e\n\u003cp\u003eThe HDS-6 is ideal as a low distortion headphone driver for the most critical listening situations.  In addition to providing high current differential buffered signals, it also provides power and ground to the HR-6 remote mixers.\u003c\/p\u003e\n\u003cp\u003eThe HR-6 is a compact six-channel, five-pot remote mixer that clamps to any mic stand.  When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board.\u003c\/p\u003e\n\u003cp\u003eThe HR-6 provides four mono pots and one stereo pot.  The four mono pots allow each user to create a custom mix of four console channels or busses.  The stereo pot will most often be used for a main control room mix, or for a stereo effects return.\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261650023,"sku":"1096","price":159.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_hr6_1.jpg?v=1787088352"},{"product_id":"furman-hrm-16-headphone-system","title":"Furman HRM-16 Headphone System","description":"\u003cp\u003eFollowing up on the tremendous success of its HDS-6\/ HR-6 Headphone\/Audio Distribution System, Furman introduces an enlarged and enhanced system, the \u003cstrong\u003eHDS-16\/HRM-16 Headphone\/Audio Distribution System\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe HDS-16 Headphone\/Audio Distribution System and HRM-16 Headphone\/Audio Remote Mixer are the logical extension to Furman's very popular headphone amp\/audio distribution lineup.  These models are designed to function equally well for both live (in-ear or stage monitors) and studio applications, allowing greater flexibility and ease for both the user and the engineer.\u003c\/p\u003e\n\u003cp\u003eThe HDS-16\/HRM-16 Headphone\/Audio Distribution System cleanly routes eight mono and four stereo signals to remote mixing locations via Centronics 50 pin cables.  Up to eight HRM-16's can be connected directly or daisy chained to a single HDS-16, allowing as many as sixteen users (two per each HRM-16) to customize eight different mixes.  A unique talkback system allows each user to communicate with other users and the main mixing location.  Additionally, a Solo system allows the engineer to mute all but one stereo send from the mix location -- very handy for reviewing recent takes or rough mixes.  Additional HRM-16 features include local effects send\/return, line out, overall bass\/treble controls, talkback level, and a master level control.\u003c\/p\u003e\n\u003cp\u003eThe double rack-space HDS-16 provides full patching functions on its front panel via 1\/4\" and TT input jacks, and is intended to be installed at the mixing console location.  The HDS-16 provides power and signal conditioning to drive the HRM-16 Remote Mixers.  There is no power cord or wall wart required for the HRM-16's.  In addition, it includes two 1\/4\" jacks for the two-way talkback functions, and a Solo Remote switch with an indicator that allows muting of all but one stereo feed at all HRM-16's.  This comes in handy for isolating tracks for critical listening without having each HRM-16 user turn down all but one channel.  The Solo function also includes a 1\/4\" jack so actuation can be done with a footswitch.  Front panel indicators include Power On and Solo On.  The rear panel includes six Centronics 50 pin connectors to link up to six HRM-16's (more if daisy chaining is used), and the standard Furman On\/Off and Ground Lift switches.\u003c\/p\u003e\n\u003cp\u003eThe unique talkback system is extremely versatile.  It can be configured two different ways by moving a jumper on the circuit board in the HDS-16.  One way allows the talkback mic on each HRM-16 to be fed to all of the other HRM-16 units as well as the HDS-16.  The other configuration allows communication to the HDS-16 only. This is particularly useful for stage use where the user's talkback mic should not feed into all of the monitors (including the user's own monitor).\u003c\/p\u003e\n\u003cp\u003e**The HDS-16 and HRM-16 are sold separately.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bold_text\"\u003e\u003cstrong\u003eOptions:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel HDS-16E:\u003c\/strong\u003e \"E\" suffix version is for use in countries with 220\/240 VAC mains. Since HRM-16 units derive their power from the HDS-16, no special HRM-16 model is needed.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261682791,"sku":"1097","price":749.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_hrm16_1.jpg?v=1787088352"},{"product_id":"furman-hr-2","title":"Furman HR-2","description":"\u003cp\u003eFurman \u003cstrong\u003eHR-2 Headphone Remote Stations\u003c\/strong\u003e (sometimes called satellites) are passive devices intended for use with the Furman HA-6A Headphone\/Monitor Amplifier, to increase the number of headphone stations beyond the six provided, and\/or to locate them more conveniently.  With the use of a simple adaptor, HR-2's may also be used successfully with any stereo power amplifier of 50 watts per channel or less to convert them to use as headphone distribution amplifiers.  (The Furman SP-20A Half Rack 20 Watt\/channel Power Amplifier has the required adaptor built in.)  Each HR-2 box can accommodate two sets of headphones, each with its own volume control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSING THE HR-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn rehearsals, headphones are often used to keep sound levels down to avoid disturbing neaighbors.  In the recording studio, headphones are most often used in the overdubbing process, where new musical tracks are recorded in synchronization with previously recorded tracks.  The musicians doing the overdub hear the already recorded tracks in their headphones, and play along with them. Because of the presence of open microphones, headphones are much preferred to speakers for cueing overdubs.\u003c\/p\u003e\n\u003cp\u003eIn many situations, it may be sufficient to plug all headphones directly into an HA-6A or other headphone amp.  However, in a larger studio, or when each musician must have easy access to his or her headphone volume control, it is more practical to use several HR-2 Remote Stations at strategic locations around the room. In this case, the HA-6A (or the stereo power amplifier substituting for it) would most likely be installed in the control room.\u003c\/p\u003e\n\u003cp\u003eThe HR-2 Remote Stations connect in \"daisy chain\" fashion to the SPEAKER B-SATELLITE\/REMOTE output on the rear panel of the HA-6A.  This output is a male three-pin XLR connector, so that ordinary microphone cables can be used.  The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and so on.  If low impedance headphones are used, up to twelve HR-2's may be chained together.  If medium or high impedance headphones are used, 25 or more Remote Stations may be chained.\u003c\/p\u003e\n\u003cp\u003eThe HR-2 Remote Stations are compact boxes which easily attach with a thumbscrew to any microphone stand.  Each HR-2 has two stereo volume controlsand two headphone jacks, to accommodate two listeners.  There are also two XLR connectors, one male and one female, for use in daisy-chaining units together.  If desired, the clip on an HR-2 box may be hung on a belt if no microphone stand is convenient.  Or, the clip itself may be popped off the box for tabletopuse.\u003c\/p\u003e","brand":"Furman","offers":[{"title":"Default Title","offer_id":44449261715559,"sku":"1095","price":104.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/furman_hr2.jpg?v=1787088352"},{"product_id":"hear-technologies-hear-back-4-pack","title":"Hear Technologies Hear Back 4 Pack","description":"\u003cp\u003eA basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables.  A single Hub supplies signal and power to a maximum of eight Mixers.  That’s one for you and everybody in the band.  If that’s not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size.  The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and\/or direct outputs. \u003cbr\u003e\u003cbr\u003e The ADAT input can come from digital audio workstations, digital recorders, or digital mixers.  For front of house or remotely located digital mixers, we also have the Extreme Extender ADAT In\/Out that converts ADAT optical, which has very limited distance, to the HearBus for transmission of up to 500 feet. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hear Technologies","offers":[{"title":"Default Title","offer_id":44449261813863,"sku":"1235","price":1549.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/hear_technologies_hear_back_4_pack.jpg?v=1787088352"},{"product_id":"mytek-digital-private-q-5-station-headphone-system","title":"Mytek Digital Private Q 5-Station Headphone System","description":"\u003cp\u003eThe \u003cstrong\u003eMytek Digital Private Q 5-Station Headphone System\u003c\/strong\u003e includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5x mixing stations\u003c\/li\u003e\n\u003cli\u003e1x distribution rack\u003c\/li\u003e\n\u003cli\u003e5x 20' DL to DL-station cables\u003c\/li\u003e\n\u003cli\u003e1x 20' DL to XLR-input cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449261977703,"sku":"1429","price":6240.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_private_q_5_station.jpg?v=1787088353"},{"product_id":"hear-technologies-hear-back-hub","title":"Hear Technologies Hear Back Hub","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThree switch selectable eight-channel input sources:\r\n\u003cul\u003e\r\n\u003cli\u003eADAT Optical\u003c\/li\u003e\r\n\u003cli\u003eAnalog\u003c\/li\u003e\r\n\u003cli\u003eHearBus\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e24 bit A\/D converters\u003c\/li\u003e\r\n\u003cli\u003eDigital inputs: 44.1KHz and 48 KHz sample rates\u003c\/li\u003e\r\n\u003cli\u003eLess than 1.5 milliseconds system delay\u003c\/li\u003e\r\n\u003cli\u003eThree-LED four-level metering\u003c\/li\u003e\r\n\u003cli\u003eStandard CAT5E - 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\u003cbr\u003e\u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaster Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 2 stereo and 12 mono TRS outputs \u003c\/li\u003e\n\u003cli\u003e Switch selectable meter\/headphone monitoring \u003c\/li\u003e\n\u003cli\u003e 2 stereo TRS balanced effect returns \u003c\/li\u003e\n\u003cli\u003e Switch assignable FX1\/FX2 returns to the 12 mono masters \u003c\/li\u003e\n\u003cli\u003e Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix” \u003c\/li\u003e\n\u003cli\u003e Buss inputs permit stacking of multiple mixers \u003c\/li\u003e\n\u003cli\u003e Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom\/slate output \u003c\/li\u003e\n\u003cli\u003e Relay contact when the talk back intercom switch is pressed \u003c\/li\u003e\n\u003cli\u003e 16 button talkback remote connects using standard CAT5e cable \u003c\/li\u003e\n\u003cli\u003e 16 channels of ADAT and HearBus output \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOther Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Universal internationally approved internal power supply \u003c\/li\u003e\n\u003cli\u003e 11u chassis \u003c\/li\u003e\n\u003cli\u003e All analog inputs and outputs are balanced\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hear Technologies","offers":[{"title":"Default Title","offer_id":44449300250727,"sku":"9092","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/hear_technologies__mix_back.jpg?v=1787088462"},{"product_id":"hear-technologies-mix-back-talkback-remote","title":"Hear Technologies Mix Back Talkback Remote","description":"\u003cp\u003eWith the \u003cstrong\u003eHear Technologies Mix Back Remote Control\u003c\/strong\u003e, the talkback mic preamp is assignable to stereo masters 1 and 2, mono outputs 1 - 12, and the balanced intercom\/slate output.  Connects up to 500 feet with a standard CAT5e cable.\u003c\/p\u003e","brand":"Hear Technologies","offers":[{"title":"Default Title","offer_id":44449300447335,"sku":"9105","price":109.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/hear_technologies__mix_back_remote_5dec98a2-f90b-49f9-876f-dd8103e034b5.jpg?v=1787088463"},{"product_id":"spl-phonitor-2-silver","title":"SPL Phonitor 2 - Silver","description":"\u003cp\u003e\u003cspan\u003eSPL is uber-happy to introduce the successor of their legendary Phonitor headphone preamp. 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This resulted in their measurement gear being in a class of its own.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eNEW in Phonitor 2\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003ePreamplifier\/Monitor Controller functionality\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eSuited for all headphones and impedances\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eVolume remotely controllable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003eSpecial Features\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eThe Reference ─ the Phonitor2 sets new technical and sound standards.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eDual-channel 120 Volt amp for headphones and active loudspeakers or power amps\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eFor dynamic and balanced headphones\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eOptimallyy suited for low-impedance headphones starting from 10 Ohm (40 Ohm for balanced headphones)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eRemote volume control with motor potentiometer\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHigh-resolution laterality correction compensates right\/left hearing differences\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eSwitchable level adjustment (consumer to professional level, 1:1, +6dB, +12 dB)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003eApplications\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eStereo preamplification and headphone amplification for three sources\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHigh-quality music playback at home\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eCentral monitoring unit with phase reverse L\/R , solo L\/R, mono switch functions\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eLaterality control to compensate hearing imbalances\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHeadphone amplifier for all headphone systems and impedances (from 10Ω)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eLoudspeaker simulation with headphones\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eMonitoring alternative in studios and mobile units\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eAdjustment of headphone playback to match familiar monitor speakers\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eMobile reproduction of usual monitoring conditions\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInputs: XLR connectors, electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eImpedance: bal. ca. 20 kΩ, unbal. ca. 10 kΩ\u003c\/li\u003e\r\n\u003cli\u003eMax. 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SPL has also revisited the 120-Volt technology to make sure the Phonitor 2 is able to perform at the highest possible levels. 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Input Level: +32,5 dBu\u003c\/li\u003e  \u003cli\u003eOutputs: Monitor\/Line Outputs: XLR connectors, electronically balanced\u003c\/li\u003e  \u003cli\u003eFrequency Range: 4 Hz to 480 kHz ( -3 dB)\u003c\/li\u003e  \u003cli\u003eCMR: -82 dBu (at 1 kHz, 0dBu input level and unity gain)\u003c\/li\u003e  \u003cli\u003eCrosstalk at 1 kHz: -106 dB\u003c\/li\u003e  \u003cli\u003eTHD\u0026amp;N at 1 kHz: 0,00085 % (at 0dBu input level and unity gain)\u003c\/li\u003e  \u003cli\u003eNoise: Unweighted -101,87 dB; A-weighted -104,76 dB; CCIR: -96,1 dB\u003c\/li\u003e  \u003cli\u003eDynamic Range: 134,37 dB\u003c\/li\u003e  \u003cli\u003eHeadphone Output:\u003c\/li\u003e  \u003cli\u003e6.3-mm TRS connector\u003c\/li\u003e  \u003cli\u003ePin wiring: Tip = Left, Ring = Right, Sleeve = GND\u003c\/li\u003e  \u003cli\u003eImpedance: 0,18 Ω\u003c\/li\u003e  \u003cli\u003eAttenuation Factor: 180 @ 40Ohm\u003c\/li\u003e  \u003cli\u003eFrequency Range: 4 Hz to 480 kHz ( -3 dB)\u003c\/li\u003e  \u003cli\u003eCMR: -106 dBu (at 1 kHz, 0dBu input level and unity gain)\u003c\/li\u003e  \u003cli\u003eCrosstalk at 1 kHz: -106 dB\u003c\/li\u003e  \u003cli\u003eTHD\u0026amp;N at 1 kHz: 0,00091 % (at 0dBu input level and unity gain)\u003c\/li\u003e  \u003cli\u003eNoise: Unweighted -101,12 dBu; A-weighted - 103,98 dBu; CCIR -95,02 dBu\u003c\/li\u003e  \u003cli\u003eDynamic Range: 133,62 dB\u003c\/li\u003e  \u003cli\u003eMax. Output Power: \u003cbr\u003e  \u003cul\u003e  \u003cli\u003e65m W (+20 dBm) at 1 kHz and 600 Ω connected impedance\u003c\/li\u003e  \u003cli\u003e560 mW (+20 dBm) at 1 kHz and 40 Ω connected impedance\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/li\u003e  \u003cli\u003eVoltages: 230 V AC, 50 Hz \/ 120 V AC, 60 Hz\u003c\/li\u003e  \u003cli\u003ePower Consumption: max 23,7 VA\u003c\/li\u003e  \u003cli\u003eFuses: 100-120 V AC: T 1 A \/ 200-240 V AC: T 630 mA\u003c\/li\u003e  \u003cli\u003eHeight x Width x Depth: 99 x 277 x 305 mm \/ 3.9 x 10.9 x 12 in\u003c\/li\u003e  \u003cli\u003eWeight: 4.3 kg \/ 9.5 lbs\u003c\/li\u003e  \u003cli\u003e0 dBu = 0.775 V\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449385873511,"sku":"39151","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_phonitor_2_black_front_1.jpg?v=1787088806"},{"product_id":"kurzweil-pc2r-used","title":"Kurzweil PC2R (Used)","description":"\u003cp\u003eDesigned for anyone in search of the best sound quality and great sounding effects, the \u003cstrong\u003eKurzweil PC2R\u003c\/strong\u003e rack brings the much sought after PC2 Series sound and other capabilities to a compact 1U rack module design.\u003cbr\u003eOutstanding New Sounds\u003cbr\u003e\u003cbr\u003eThis  is a songwriter's dream palette! It provides impeccable high quality  new sounds including a brand new super dynamic stereo grand piano,  stereo strings, Take 6 vocals, brass section, classic electric pianos  (FM, Wurlitzer and Rhodes), organs, harpsichord, Clavinet, vibes,  marimba, electric and acoustic basses (with and without layered ride  cymbal), guitars, drums, percussion and synth sounds. It also features  Kurzweil's KB-3 modeled tone wheel organ mode, giving you  ultra-realistic tone wheel organ programs with programmable drawbar,  vibrato\/chorus, percussion settings, and more. Orchestral Sounds include  String Sections, Solo Strings, Woodwinds, Orchestral Brass, Jazz Brass,  Orchestral Ensembles, Choir, Organ, Harp, Nylon String Guitar,  Orchestral Percussion, and Ethnic Percussion.\u003cbr\u003e\u003cbr\u003eThe PC2R comes with  400 fantastic sounding preset programs (256 regular programs, 128  Orchestral ROM programs, and 16 KB3 programs). All programs can be  edited, allowing for changes to timbre, envelopes, and LFOs. They can  then be stored to any of the 256 user locations (128 for regular  programs and 128 for KB3 programs). And with 64 voices of polyphony,  expandable to 128 voices, you'll never run out of polyphony for playing  all of the marvelous sounds.\u003cbr\u003e\u003cbr\u003eThe Orchestral ROM block comes with 2  banks of 128 programs. Our own unique programs are installed in the  Flash ROM. A General MIDI bank is also available, which can be loaded  into the User bank. Or, if desired, you can install the GM bank of  sounds as presets into the Flash ROM, and then load our unique bank of  sounds into the User bank.\u003cbr\u003e\u003cbr\u003eUp to 4 programs can be layered\/split  to create full, rich, and expressive sounds and combinations called  setups. The PC2R ships w ith 32 great sounding setups with room for 128  user created setups as well. It's easy and quick to make setups with  layered and split sounds which are impossible to create on other rack  modules.\u003cbr\u003e\u003cbr\u003eBeyond the wealth of built-in factory progams, the PC2R  has room for an additional expansion ROM block, the Classic Keys ROM,  which add 128 fantastic new preset programs and 32 new preset Setups  into ROM memory.\u003cbr\u003eFantastic Effects\u003cbr\u003e\u003cbr\u003eThe PC2R includes dual  effects processors which feature preset effects of the same quality as  found in our highly regarded KDFX for the K2500\/K2600 series  instruments. A multiple bus architecture allows separate send levels per  MIDI channel for an effect level, and a reverb level. Effects include  reverb, chorus, delays, distortion, rotary, phasor, flanging, dynamics  processing, and much more.\u003cbr\u003eControl At Your Fingertips\u003cbr\u003e\u003cbr\u003ePC2R  MIDI Setups offer 4 independent zones, transmitting on up to 4 different  MIDI channels, providing a great deal of control over a live  performance rig. Four programmable front panel rotary knobs are  available for real-time control and customization. Each zone can be set  to play the PC2R's own sounds, or an external MIDI device, or both. Of  course, you can set the note range for each zone to create splits and  layers, as well as customizing velocity response per zone. All  controllers can be scaled both positively and negatively and can have  offset values as well as entry and exit values to set their 'state' upon  program or setup selection.\u003cbr\u003eHigh Quality Audio Output\u003cbr\u003e\u003cbr\u003eThe  PC2R gives you pristine quality audio, with both balanced analog (24-bit  DACs) and digital audio outputs. Digital audio is sent at a rate of  48kHz. It can be switched between Pro (AES\/EBU) and Consumer (S\/PDIF)  formats and can be switched between 16, 18, 20, and 24 bit resolution. \u003c\/p\u003e","brand":"Kurzweil","offers":[{"title":"Default Title","offer_id":44449451212903,"sku":"22454","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_kurzweil_pc2r.jpg?v=1787089006"},{"product_id":"manley-hp-101-studio-headphone-system","title":"Manley HP-101 Studio Headphone System","description":"We subtitle the \u003cb\u003eManley HP-101 Headphone Mixer\u003c\/b\u003e \"THE MORE ME BOX\" because this is possibly its most important feature. Along with the typical cue mix or the control room mix, the engineer can offer each musician a fader dedicated to their own instrument. Experience teaches us that each musician always wants to hear more of themselves and that trying to meet this demand with several musicians and with too few aux sends is quite a mind bending challenge. As long as each musician's headphone is plugged into a separate station, each can have their own custom mix within arms reach. This frees up the engineer to concentrate on recording and getting the best sound and allows the producer to focus on performances because the musicians’ monitoring needs are met quickly and easily. It also frees up console aux sends so that they may be used for effect sends. With this station you will be able to offer musicians a better sounding headphone amp than most major studios and be able to provide some significant improvements over basic stereo cue boxes or any other headphone system we know of. \u003cbr\u003e\u003cbr\u003e Each HP-101 station provides 8 x balanced inputs: four mono channels with FADER and PAN plus two stereo feeds with rotary switches providing stereo, mono and SIM processing. This cool SIM setting monos the bass which makes it sound more like listening to real speakers.  \u003cbr\u003e\u003cbr\u003e Channel one has a PHASE switch, intended primarily for the vocalist. Voice is heard through the bones in the head as well as the phones. You may not hear much difference switching the phase in the control room but the person at the mic certainly will. Polarity gets inverted all the time in studios which may explain why sometimes the vocal is so loud in the phones or sounds different on playback to the singer. Our PHASE switch sure does come in handy. \u003cbr\u003e\u003cbr\u003e The 8 inputs appear on ELCO multi-connectors, wired to ADAT standard, making linking or daisy-chaining several stations easy. We approach cable making as a custom order which means prices depend on length and quantity and connector choice.\u003cbr\u003e\u003cbr\u003e Additionally, a 12 channel version is available, the HP-112. All features are the same as the HP-101 8 channel model except there are 4 more mono inputs. Yes the HP-101 8 channel units and the HP-112 12 channel units can be mixed in the same installation as far as the ELCO cabling is concerned however, the 8 channel units won't receive signal channels 9-12 from the 12 channel units. (Duh.) All the rest of the functions (talkback, logic, Interrupt, Mic etc.) are 100% compatible between both models.\u003cbr\u003e\u003cbr\u003e The Mute controls the Power Amps directly and steps through ON, MUTE, LEFT MUTE and RIGHT MUTE then back to ON. Each station also has bass and treble EQ controls carefully optimized for headphones. The master stereo volume control feeds the built-in power amps which produce peak voltage (equivalent to) well over a hundred watts per channel to drive up to 4 headsets at any volume the musician may choose. No weeny little beetles like you’d find in your walkman here! \u003cbr\u003e\u003cbr\u003e The two features that impress the musicians the most are the easy communication with one button and the fabulous sonic quality even at extreme levels. Ever clever, the ELCO connectors also provide pins used for several other communication and monitoring functions, including TALK and INTERRUPT. There are also hidden features on the ELCO’s such as the ability for the control room to monitor each station’s headphone mix or the to hear the unswitched \"always-on\" individual station microphone.\u003cbr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e Inputs:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAll inputs on ELCO\/EDAC 56-pin connectors 40 kOhm input Z\u003c\/li\u003e\n\u003cli\u003eChannels 1 - 4: Balanced line-level mono with 60 mm fader and pan pot\u003c\/li\u003e\n\u003cli\u003eChannels 5 - 6: Balanced line-level stereo with 60 mm fader switchable Mono, Stereo or Stereo Image Manipulation (SIM)\u003c\/li\u003e\n\u003cli\u003eCMRR greater than 70dB with source Z\u0026lt; 150 Ohm\u003c\/li\u003e\n\u003c\/ul\u003eHeadphone Outputs:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFour 1\/4\" stereo headphone jacks connected in parallel\u003c\/li\u003e\n\u003cli\u003ePeak to peak voltage: typically 50 volts into 100 Ohms\u003c\/li\u003e\n\u003cli\u003ePower output: 3 watts RMS into any load from 4 to 100 Ohms\u003c\/li\u003e\n\u003cli\u003eOutput impedance less than 0.1 Ohm Built-in protection against overvoltage, undervoltage, overloads, shorts to the supplies or outputs, thermal runaway, and most other catastrophes\u003c\/li\u003e\n\u003cli\u003eNo power-down \/ power-up thumps, pops, or DC\u003c\/li\u003e\n\u003cli\u003eMulti-mode MUTE button (\"panic button\")\u003c\/li\u003e\n\u003cli\u003eTHD + Noise: \u0026lt; .03% (-70dB)\u003c\/li\u003e\n\u003cli\u003eTone controls \u0026gt; ±12 dB @ 100 kHz \u0026amp; 10 kHz (gentle slope)\u003c\/li\u003e\n\u003c\/ul\u003eCommunication:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMultimode TALKBACK. \"TALK\" over music, \"INTerrupt\" kills music\u003c\/li\u003e\n\u003cli\u003eDC control voltage enables individual stations to receive TalkBack signal\u003c\/li\u003e\n\u003cli\u003eBuilt in MIC and TALK button, 2 LEDs show TalkBack mode\u003c\/li\u003e\n\u003cli\u003eMIC and SWITCHED MIC signal available via ELCO input\u003c\/li\u003e\n\u003c\/ul\u003ePower Supply:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDedicated external PSU per station\u003c\/li\u003e\n\u003cli\u003ePower consumption (120\/240VAC): 13 watts\u003c\/li\u003e\n\u003cli\u003eFactory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer re-wiring via switch and fuse value change\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~ 60Hz\u003c\/li\u003e\n\u003c\/ul\u003eGeneral Info:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDimensions: 11 1\/4\" x 7 3\/4\" x 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 9 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449467203687,"sku":"302","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_hp-101_studio_headphone_system_32c6a090-d54b-45c7-b1c7-c9b4c99755c2.jpg?v=1787089064"},{"product_id":"aphex-headpod-4","title":"Aphex HeadPod 4","description":"\u003cp\u003eIf the headphone output on your existing gear just isn’t loud and clear enough, or you need multiple headphone outputs with independent level controls, the \u003cstrong\u003eAphex HeadPod 4\u003c\/strong\u003e delivers.\u003cbr\u003e\u003cbr\u003eBut the HeadPod 4 gives you more than just volume. It’s designed to deliver clean, clear, undistorted sound at any level – ideal for long periods of listening without fatigue.\u003cbr\u003e\u003cbr\u003eThe input signal can be fed from separate balanced connections, a single extension from your existing headphone output or digitally via S\/PDIF. Since it places no load on your existing headphone output, your audio will actually sound better through the HeadPod 4.\u003cbr\u003e\u003cbr\u003eFour fully independent amplifiers ensure maximum efficiency with minimum crosstalk and distortion, even when all four outputs have completely different sets of headphones connected. 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It allows up to four pairs of stereo headphones to be driven from   the same audio power amplifier.\u003cbr\u003e\u003cbr\u003eEach output has its own   custom-made high-quality stereo volume control. These power rated   potentiometers, are made with noise free conductive plastic, and   therefore provide superior performance to wirewound potentiometers. A   three-position switch selects from left, right, or stereo mix. This   feature facilitates the use of separate mixes which are selectable by   the artist.\u003cbr\u003e\u003cbr\u003eMultiple CB-4s can be daisy-chained to facilitate   virtually any number of headphones. Either one of the stereo XLR   \"Input\/Output\" connectors (which are internally connected in parallel),   can be used to connect the CB-4 to the amplifier. The remaining   connector can serve as the connection to additional cue boxes. The CB-4   is a passive system that works in a masterslave configuration with an   audio power amp. This arrangement actually provides more headroom and   less-distorted audio at higher volumes than most active headphone   distribution systems.\u003cbr\u003e\u003cbr\u003eThe CB-4 is designed to operate with most   modern recording studio headphones. 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It’s designed to deliver clean, clear, undistorted sound at any level – ideal for long periods of listening without fatigue.\u003cbr\u003e\u003cbr\u003eThe input signal can be fed from separate balanced connections, a single extension from your existing headphone output or digitally via S\/PDIF. Since it places no load on your existing headphone output, your audio will actually sound better through the HeadPod 4.\u003cbr\u003e\u003cbr\u003eFour fully independent amplifiers ensure maximum efficiency with minimum crosstalk and distortion, even when all four outputs have completely different sets of headphones connected. 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Two additional digital audio sources can also be connected to the remote.","brand":"Grimm Audio","offers":[{"title":"Default Title","offer_id":44449541914727,"sku":"32811","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grimm_ls1_remote_1f5e33a9-016b-4f4f-a53f-6291a17015c0.jpg?v=1787089383"},{"product_id":"spl-phonitor-used","title":"SPL Phonitor (Used)","description":"Very clean example of this unit. Serviced, with a 1 year warranty.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449605943399,"sku":"15650","price":1550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_15650_1_c9f902f7-ccd4-4b19-8c21-c209cdc83bce.jpg?v=1787089662"},{"product_id":"spl-phonitor-mini","title":"SPL Phonitor Mini","description":"\u003cp\u003e\u003cspan\u003eThe outstanding technical and sonic characteristics of the Phonitor 2 were translated into a more compact and less-expensive format to create the \u003cstrong\u003eSPL Phonitor Mini\u003c\/strong\u003e. Its ease-of-use, small and sturdy housing and affordable price make the Phonitor Mini the perfect headphone amp for home studios, hi-fi enthusiasts and mobile recording and mixing. The Phonitor Mini is SPL's high-end\/low-size version of a premium headphone amplifier. It features the Phonitor Matrix too, to recreate speaker-like working conditions, plus the developments of the second generation of our 120V amplifier technology.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eXLR connectors, electronically balanced\u003c\/li\u003e\n\u003cli\u003eImpedance:    bal. ca. 20 kΩ,  unbal. ca. 10 kΩ\u003c\/li\u003e\n\u003cli\u003eMax. Input Level: +32,5 dBu\u003c\/li\u003e\n\u003cli\u003eRCA connectors, unbalanced\u003c\/li\u003e\n\u003cli\u003eImpedance: ca. 10 kΩ\u003c\/li\u003e\n\u003cli\u003eMax. Input Level: +20 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cspan lang=\"en-US\"\u003eConsidering that the RCA input is raised from -10dBV to +4dBu (approx. 12.7dB), the input level is comparable to that of the XLR inputs: +20dB + 12.7dB = 32.7dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eHeadphone Output\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6,3-mm TRS connector \u003c\/li\u003e\n\u003cli\u003ePin wiring: Tip = Left, Ring = Right, Sleeve = GND\u003c\/li\u003e\n\u003cli\u003eImpedance: 0,18 Ω\u003c\/li\u003e\n\u003cli\u003eAttenuation Factor: 180 @ 40Ohm\u003c\/li\u003e\n\u003cli\u003eFrequency Range: ‹10 Hz bis ›300 kHz ( -3 dB)\u003c\/li\u003e\n\u003cli\u003eCMR: -106 dBu (at 1 kHz, 0dBu input level and unity gain)\u003c\/li\u003e\n\u003cli\u003eCrosstalk at 1 kHz: -88 dB\u003c\/li\u003e\n\u003cli\u003eTHD\u0026amp;N: 0,00052  % (at 24dBu input level and unity gain, 1kHz, 100 kOhm load)\u003c\/li\u003e\n\u003cli\u003eNoise: Unweighted -100 dB; A-weighted - 103 dB, CCIR -94 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 133,62 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003eMax. Output Power:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x 1 W (+30 dBu) at 1 kHz and 600 Ω connected impedance\u003c\/li\u003e\n\u003cli\u003e2x 2 W (+30 dBu) at 1 kHz and 300 Ω connected impedance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltages: 230 V AC, 50 Hz \/ 115 V AC, 60 Hz\u003c\/li\u003e\n\u003cli\u003ePower Consumption: max. 15 W \u003c\/li\u003e\n\u003cli\u003eFuses: 100-120 V AC: T 1 A \/220-240 V AC: T 500 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eMeasurement \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight x Width x Depth: 99mm x 277mm x 305mm (1.72\" x 5.76\" x 10.12\")\u003c\/li\u003e\n\u003cli\u003eWeight: 2,03 kg (4.48 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003cem\u003e0 dBu = 0.775 V. Specifications subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449639596135,"sku":"39240","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_phonitor_mini_front_6724eec7-e267-4012-82a5-627d91cf3094.jpg?v=1787089790"},{"product_id":"audeze-single-ended-cable","title":"Audeze Single Ended Cable","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAudeze Singe Ended Cable\u003c\/strong\u003e is an 8.2 ft (2.5 m) four conductor flexible, lightweight ribbon cable is comprised of very fine multi-stranded audio-grade copper and suited to achieve the most sonic perfection from a entry-level LCD cable.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach LCD2 ships with an ADZ6SE terminated with a standard quarter-inch and mini-XLR gold-plated professional grade connector.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWire Construction:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLength: 2.5 meters or 8.2 feet with an 8 inch split\u003c\/li\u003e\n\u003cli\u003eWeight: ADZ6SE - 110 g\u003c\/li\u003e\n\u003cli\u003eMulti-stranded high purity audio-grade copper\u003c\/li\u003e\n\u003cli\u003e20 AWG for very low impedance, high current capacity, with extended high frequency range\u003c\/li\u003e\n\u003cli\u003eFlexible, tangle free construction\u003c\/li\u003e\n\u003cli\u003eNon-microphonic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eConnectors:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional ¼ inch gold plated stereo plug for input signal\u003c\/li\u003e\n\u003cli\u003eProfessional gold plated latching four pin mini XLR connectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eElectrical Specifications:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDielectric strength:  500V AC\u003c\/li\u003e\n\u003cli\u003eResistance: 170 milliohms for returned path of 2.5m long cable; this includes the contact resistance of our mini XLR connector on LCD2 housing\u003c\/li\u003e\n\u003cli\u003eCapacitance: 250 pF, including mini XLR connector on LCD2 housing\u003c\/li\u003e\n\u003cli\u003eResponse: -3dB @ 12.7 MHz\u003c\/li\u003e\n\u003cli\u003eInductance: 1.8 microH\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Audeze","offers":[{"title":"Default Title","offer_id":44449651163239,"sku":"31018","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audeze_single_ended_b369a77a-f2fa-4def-a2cd-14e12ee084f5.jpg?v=1787089841"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-monitoring-headphones-headphone-systems.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}