{"title":"500 Series Preamps","description":null,"products":[{"product_id":"purple-audio-pants","title":"Purple Audio Pants 500 Series Microphone Preamp","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePurple Audio Pants\u003c\/span\u003e uses a unique dual-bobbin input transformer from Cinemag unlike any other. The smooth Gain control helps you dial in the sound you want. If the output level is too high, you can ride the level down with the separate Level control. Pressing the \"High\" switch changes the feedback network to provide an insane 78dB of clean gain, a great match for very low output mics.\u003cbr\u003e\u003cbr\u003eWith different Gain, High mode switch, and Level settings the Pants can produce many different tones with the same amount of output level. The front panel DI goes through a FET buffer into the input transformer, adding an extra dimension to the sound of the preamp. The DI load switch gives you two options, making it even easier to get the best direct tone for your instrument. Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping.\u003cbr\u003e\u003cbr\u003eFor easy serviceability and tweaking, the Purple discrete op amps can be replaced with any standard discrete op amp or a DIP-8 IC. The Pants uses our custom output transformer which provides two isolated outputs (when supported by the chassis). \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eMaximum output level +33dBu \u003c\/li\u003e\n\u003cli\u003eFrequency response 10hz – 60kHz +\/- 1db \u003c\/li\u003e\n\u003cli\u003eTransformer input: \u003cul\u003e \u003cli\u003e Mic mode \u003cul\u003e \u003cli\u003eMaximum gain 72dB in normal mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 78dB in high mode \u003c\/li\u003e\n\u003cli\u003eLine mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 40dB in normal mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 42dB in high mode \u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eDirect input: \u003cul\u003e \u003cli\u003eMic mode \u003cul\u003e \u003cli\u003eMaximum gain 60dB in normal mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 64dB in high mode \u003c\/li\u003e\n\u003cli\u003eLine mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 25dB in normal mode \u003c\/li\u003e\n\u003cli\u003eMaximum gain 30dB in high mode \u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449236156519,"sku":"9161","price":775.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple_audio_pants_1_1.jpg?v=1787088254"},{"product_id":"a-designs-audio-em-gold","title":"A Designs Audio EM-Gold 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eThe EM-Gold’s combination of EM-Silver and EM-Red transformers make for the perfect sounding floor tom. It’s also the preamp you should reach for when you want that speaker-moving, low-mid thump from heavy guitars. The EM-Gold is ideal for fattening up thin-sounding sources; on mics lacking low mids or upper bass warmth; and mid transients, such as percussion and drums. It also shines on vocals, bass, and even drum machines. If you’re going to move air (the secret of a big sound), go for the Gold—the \u003cstrong\u003eA-Designs Audio EM-Gold\u003c\/strong\u003e.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449236287591,"sku":"9255","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_gold.jpg?v=1787088254"},{"product_id":"a-designs-audio-em-blue","title":"A Designs Audio EM-Blue 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eEquipped with a nickel custom-wound output transformer for accentuated highs, the \u003cstrong\u003eA-Designs EM-Blue\u003c\/strong\u003e is the brightest sounding of the EM Series. It produces a much more airy, top-end-present tone than its EM- Series brothers and sisters. Many aspects of recording can be counter-intuitive, and in many cases, you’ll want to pair opposites. For example, when used with a dark-sounding microphone or an alto vocalist, the brighter EM-Blue can produce a heavenly sound. You will also find this pre useful for providing a crisp “crack” when recording a snare drum. And if you use the DI you just might fall in love with what an electric guitar sounds like going thru its nickel transformers. As with all of A-Designs’ 500-Series preamps, the EM- Blue has a -20dB pad that enables you to get down and dirty with an electric guitar. Just switch in the pad and crank the gain for a slight growl.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449236320359,"sku":"6799","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_blue.jpg?v=1787088254"},{"product_id":"burl-audio-b1-mic-pre","title":"BURL Audio B1 500 Series Mic Preamp\/DI","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals. \u003cbr\u003e\u003cbr\u003e The B1 comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. \u003cbr\u003e\u003cbr\u003e Use the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449236385895,"sku":"10461","price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_b1_front.jpg?v=1787088255"},{"product_id":"grace-design-m501","title":"Grace Design m501 500 Series Microphone Preamp","description":"\u003cp\u003ePresenting the \u003cstrong\u003eGrace Design m501\u003c\/strong\u003e, the 500 series module version of the venerable m101 mic preamplifier.  Now the signature transparency and detail of Grace Design's circuit designs is available for your 500 series frame.\u003cbr\u003e \u003cbr\u003e While the 500 series market has plenty of colored mic preamplifier options, the natural, musical clarity of the m501 makes it a welcome addition to the field.  This circuit is for engineers confident with the quality of the source, mic section and placement, and wish to capture it with as little coloration or distortion as possible.\u003cbr\u003e \u003cbr\u003e The m501 module is a balanced, transformerless design, with 48V phantom, a 75Hz HPF and a 1\/4” HI-Z instrument input.  Also standard is our exclusive ribbon mic mode, which raises the mic input impedance, bypasses the input decoupling capacitors and deactivates 48V phantom to protect delicate ribbon mics from damage.\u003cbr\u003e \u003cbr\u003e Large diaphragm, vintage ribbon or trusty dynamic - the m501 brings out the very best in any microphone and takes the guesswork out of your input chain.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44449236418663,"sku":"13172","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace_m501_1.jpg?v=1787088255"},{"product_id":"buzz-audio-elixir","title":"Buzz Audio Elixir 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eStanding out from the crowd, the \u003cstrong\u003eBuzz Audio Elixir\u003c\/strong\u003e Class A microphone preamp offers exciting and vibrant tones in the 500 Series format. It features an all-discrete signal path using True Class A BE40 amplifiers at the input and BE50 high current line drivers to excite the Lundahl LL1517 output transformer. The topology is quite different to most other mic preamps in that it is balanced from input to output. The instrument input features Buzz Audio's BE43 \"bootstrapped FET\" high impedance interface that really pumps as a bass DI.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eMOJO, NOT MUD\u003c\/h3\u003e\r\n\u003cp\u003eThe Elixir is an ideal complement to other 500 series preamps that feature a dark or muddy sound. The wide frequency response and fast transient response plus color from the output transformer generate a \"warm sweet liquid\" sound quality that sets it apart from that crowd. These attributes make the Elixir particularly good at recording percussion, drums (you need to hear it on snare), vocals and stringed instruments. When used at high gains and high output levels the sound of the Elixir does not turn \"dirty\" unlike preamps with poor slew rate performance thereby generating dynamic distortions.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eSPECS THAT MATTER\u003c\/h3\u003e\r\n\u003cp\u003eAs with all Buzz preamps, the Elixir noise floor is as low as possible under the laws of physics and there is plenty of gain for low output ribbon and dynamic microphones. The output headroom at +34 dBu is outstandingly unique in the 500 series format, and adds a feeling of real effortlessness to the sound quality. The transformer-less mic input presents a \"non-reactive\" load to the microphone which means you hear exactly what the microphone manufacturer intended, without the unpredictable nature of an input transformer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCONTROLS AND FUNCTIONS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eGAIN: 41 detented pot that sets gain between +22 to +70 dB\u003c\/li\u003e\r\n\u003cli\u003ePOLARITY: normal or reverse polarity switched at the input inverts the signal 180 degrees, used to match spaced microphones such as top and bottom snare drum\u003c\/li\u003e\r\n\u003cli\u003e20 dB PAD: introduces a 20 dB pad right at the mic input for high level signals, because it is part of the input circuit network, using the pad does not change the sound of the preamplifier\u003c\/li\u003e\r\n\u003cli\u003eIMPEDANCE: selects high or low input impedance; for the mic input it is 3 kOhms or 1kOhms - there is no right or wrong setting for this function but it can change the tone of dynamic and ribbon microphone, when using the DI input it is switched 1 mOhms or 20 kOhms, which may similarly alter the tone of bass or guitar pickups\u003c\/li\u003e\r\n\u003cli\u003e+48V: switches on the phantom power for condenser microphones and powered DI boxes\u003c\/li\u003e\r\n\u003cli\u003eMETER: four leds give visual indication of peak output level\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3 id=\"toc_3\"\u003eRACK COMPATIBILITY\u003c\/h3\u003e\r\n\u003cp\u003e\u003cem\u003eEach Elixir module occupies one 500 series module slot and draws 150 mA ±15 - 18 volts DC, as supplied by frame power supply in which it is fitted. This is generally higher than most modules available from API and other manufacturers.  At this time, it is recommended that only two modules are fitted into the API Lunchbox frame along with other modules. The API V500 rack with LP200 external supply will easily power 10 modules.  The older API 10 space rack with internal power supply is not suitable for the elixir modules.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe OSA Trackpack and Powerack with the large external supply will easily power a full fit out of elixir modules. Power supply compatibility with other frame manufacturers is not fully known at this time.\u003c\/em\u003e\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"Default Title","offer_id":44449236549735,"sku":"7578","price":900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/buzz-elixir-21_7578_1.jpg?v=1787088256"},{"product_id":"burl-audio-b1d-mic-pre","title":"BURL Audio B1D 500 Series Mic Preamp\/DI","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1D\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX4 iron output transformer, the B1D Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\r\n\u003cp\u003eThe B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\r\n\u003cp\u003eThe B1D comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\r\n\u003cp\u003eUse the B1D’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT.  Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449236582503,"sku":"10987","price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_b1d_front_b8b338f8-aea4-4171-85b8-e44e1af187a7.jpg?v=1787088256"},{"product_id":"great-river-mp-500nv","title":"Great River MP-500NV 500 Series Microphone Preamp\/DI","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreat River MP-500NV\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles.\u003cspan\u003e \u003c\/span\u003eModern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options.\u003cspan\u003e \u003c\/span\u003eAll microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications.\u003cspan\u003e \u003c\/span\u003eAll specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out - 125ma current draw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449236648039,"sku":"8888","price":716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great-river-mp500nv-23_8888_1.jpg?v=1787088256"},{"product_id":"lachapell-audio-583e","title":"LaChapell Audio 583e 500 Series Tube Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eLaChapell Audio Model 583E\u003c\/strong\u003e features the same amplifier stage found on the 583S including the Jensen JT-115k input transformer coupled with an ultra-clean transformer-less three-band EQ section with fully sweeping frequency controls and cut\/boost settings of +\/- 8dB. 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Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e\u003ch3\u003eQUALITY CONSTRUCTION\u003c\/h3\u003e\u003cp\u003eThe BAE 312A includes a remote power supply with a four-foot cable, making it easy to mount anywhere in your studio. BAE’s custom power supplies are capable of delivering four times the current required by the preamps for optimum sound quality. The BAE 312A features easy-access XLR input and outputs on the back for connecting microphones and other devices, as well as a high-quality instrument on the front for connecting guitars and synthesizers. Even the switches on the BAE 312A are high quality with gold contacts to ensure they last a lifetime.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449236713575,"sku":"9546","price":860.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-312-a-module_9546_1_1279c891-7cc8-4b2c-8556-0271da89015a.jpg?v=1787088256"},{"product_id":"purple-audio-biz","title":"Purple Audio Biz Mk 500 Series Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449236811879,"sku":"5631","price":775.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple-audio-biz-mk_5631_1_1_5ae25ead-2b51-4dfc-ad4a-d24405969539.jpg?v=1787088257"},{"product_id":"helios-type-69-500","title":"Helios Type 69-500 - 500 Series Mic Pre\/EQ","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eHelios Type 69-500\u003c\/span\u003e 500 Series module holds true to the original Dick Swettenham design, but with a number of modern updates such as 5db steps on the mic preamp gain switch as opposed to the original 10db steps, additional 16khz EQ frequency selection for today's high-bandwidth digital recordings, and a balanced output for easy interfacing with any digital converter.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eHelios Type 69 Mic Pre\/EQ Module\u003c\/strong\u003e is reborn!\u003cbr\u003e\u003cbr\u003eRe-manufactured classic three-band mic pre\/EQ. Discrete. Switchable lo\/mid. Fixed top. Hi-pass. Unlike anything you have ever used (especially if you are stuck in API-Neve land). You will find the Type 69 a unique departure. These hand-built units have a Sowter input transformer based on the highly desirable Lustraphone (Olympic) transformer models. The mids are so funky and sweet – guitars and snare drums from heaven; woody and sweet! 700 to 2k to die for! Lows are reminiscent of Pultecs.  Highs are sweet and musical. An extremely open mic pre; in mic shootouts, these are as open as the king daddy Telefunken V76m. Transform your life!\u003cbr\u003e\u003cbr\u003eThe legendary Helios Electronics Ltd. has resurrected with much anticipation and patience, the Olympic Type 69 Series EQ as used by the Beatles, Rolling Stones, Bob Marley, Led Zeppelin and so many others.  In its heyday, Helios became known as the musician's choice of recording consoles.\u003cbr\u003e\u003cbr\u003eBrought in line with modern expectations, these units are built to military specifications with supervision of gear fanatic and music producer Tony Arnold. Endorsed by the late Dick Swettenham, of the original Helios Electronics Ltd., to maintain and service all of the original consoles, Tony later purchased the original company, including all of its circuits and parts.\u003c\/p\u003e\r\n\u003cp\u003eThe modern circuit is similar to the original, aside from one vast improvement - the build quality and reliability.  The openness and clarity has been upheld, with the addition of EQ frequency selections. Tony Arnold explains, \"We asked many of the original users of the Helios desks what they felt was missing and if we could make any improvements.  Most wanted the 30Hz added to the Low EQ.  In order to meet today’s CD standards, some wanted a tight high frequency around 16k, which has been added without changing the original Helios sound whatsoever.\"\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"WON'T GET FOOLED AGAIN was recorded on the  Stones mobile using 69s. These modules are the ones that re-create the  sound I remember. On acoustic guitar a little 10k and 2.4, and a slight  bass cut with a Neumann U87 and there is Glyn Johns 1970. Straight out  of the box. It's spooky.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003ePete Townshend\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449236877415,"sku":"13195","price":1325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/helios_type_69_front.jpg?v=1787088257"},{"product_id":"a-designs-audio-p-1","title":"A Designs Audio P-1 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eThe P-1 has the highest fidelity of all the A-Designs Audio 500 preamps, capturing the mojo of its older and larger sibling, the extremely popular Pacifica. While not an exact replica, it sounds as close to Pacifica as is possible for its smaller size. It has a big low end, slightly forward midrange, and extended highs. If you’re a fan of Quad Eight or API, you’ll love the \u003cstrong\u003eA-Designs Audio P-1\u003c\/strong\u003e. The P-1 shines on vocals, instruments, room mics, piano, and on instruments with sharp transients, such as drums and various percussion instruments. And if you’re building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit along with the sizzle of the cymbals.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449236942951,"sku":"6796","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_p1.jpg?v=1787088257"},{"product_id":"lachapell-audio-583s-mk2","title":"LaChapell Audio 583s mk2 500 Series Tube Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eLaChapell Audio Model 583S mk2\u003c\/strong\u003e is the latest example of LaChapell's legendary 583 vacuum tube preamplifier for the 500 series format. Based largely on the popular 992EG, the 583s mk2 is the perfect solution for those looking to add that extra warmth and character to their “lunch box” in a manner that only a properly powered 12AX7 vacuum tube can provide.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePower Supply: The 583S mk2, was built to meet API\/VPR certification requirements. Using multiple internal DC|DC converters, the 583’s vacuum tube enjoys proper power for both plate (250 volts) and filament (12 volts). The tube of voltages are not starved in any way. And, since this all occurs within the 583 module, there is no worry of harming your 500 series power supply.\u003c\/p\u003e\r\n\u003cp\u003eComponents: The 583s mk2 features the CineMag CMMI-10 microphone input transformer and Jensen’s best line output transformer; the JT-11. Typical preamplifier controls are available as well including 48v, a 20dB pad and polarity reverse. The mk2 also sports an auto-switching, transformer-less Hi-Z input for instruments.\u003cbr\u003e \u003cbr\u003e Controls: In operation, the user has individual control over the input and output gain stages via 41-position potentiometers. This, like its 992 older brother, provides total flexibility to explore the 583s’ broad sonic pallet; enhancing its versatility for all of your recordings. 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The EM-Red has the extra kick you need when you have a mic that lacks present mids (such as the mid-scooped Chinese capsules), or if you want to bring an instrument forward in the mix. The upfront mids of the EM-Red make it ideal for drums, guitar, bass guitar, and acoustic instruments. In fact, you will find the EM-Red particularly useful when recording acoustic guitar with a condenser microphone. It’s also great for bringing out the resonance and character of rack toms and floor toms.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449237106791,"sku":"6798","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_red.jpg?v=1787088258"},{"product_id":"shadow-hills-mono-gama-mic-pre","title":"Shadow Hills Industries Mono GAMA Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. 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In fact, the 501’s transformers are made by Electrodyne’s original supplier to exacting factory specifications.\u003cbr\u003e \u003cbr\u003e The new preamp’s active DI circuit presents an almost immeasurable load (over six megohms) to sensitive musical instrument outputs allowing incredibly accurate capture of the instrument’s true tone.  Furthermore, the output of the DI circuit is designed to directly connect and interact with the mic input transformer to permit an extremely broad spectrum of tonal options. \u003cbr\u003e \u003cbr\u003e The faceplate of the Electrodyne 501 features a large rotary gain control offering up to 68dB of gain – adjustable over 50dB in 2dB steps with two ranges via a 20dB pad switch – and a smaller output level pot infinitely adjustable from 0 (off) to +6dB over unity.  Additional switches for impedance selection (50 or 200 ohms), phase reverse, +48V phantom power and DI (with 1\/4\" input jack) are also present, as well as a clip LED that monitors all three amp stages and illuminates when any stage is 3dB from clipping.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain:\u003c\/strong\u003e 68db – adjustable over 50db in 2db steps with two ranges using 20db pad \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput level control:\u003c\/strong\u003e Infinitely adjustable from 0 (off) to +6db over unity \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e Microphone, 50 \/ 200 ohms selectable. 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The L-609’s clean signal path contains no integrated circuits (IC) or capacitors and the unit has a 2-step custom input transformer as well as a transformerless, low impedance output.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"500 Series\" Format\u003c\/li\u003e\n\u003cli\u003eFundamental, discrete, design based on patented 'Lipinski Square' circuitry\u003c\/li\u003e\n\u003cli\u003eNo capacitors in the signal path\u003c\/li\u003e\n\u003cli\u003eNo Integrated Circuits (IC's) in the signal path\u003c\/li\u003e\n\u003cli\u003e2 step custom input transformer\u003c\/li\u003e\n\u003cli\u003eTransformerless, low impedance output\u003c\/li\u003e\n\u003cli\u003ePad doesn't degrade signal quality, it only eliminates one stage of amplification\u003c\/li\u003e\n\u003cli\u003eLow power LED meter that does not affect preamp performance\u003c\/li\u003e\n\u003cli\u003eSwitchable VU\/Peak meter\u003c\/li\u003e\n\u003cli\u003e220K guitar input impedance\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lipinski Sound","offers":[{"title":"Default Title","offer_id":44449237631079,"sku":"13173","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lipinski_l-609.jpg?v=1787088261"},{"product_id":"a-designs-audio-em-silver","title":"A Designs Audio EM-Silver 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs Audio EM-Silver\u003c\/strong\u003e has a darker tone than the P-1, EM-Red, and EM-Blue. Its sound is based on a custom-wound steel output transformer, which makes it an excellent match for ribbon microphones since steel transformers were widely used in the early days of recording and broadcast. It was the combination of steel transformer and ribbon mic that gave broadcasters and singers that “voice of god” sound that has defined vocal recording and the amplified spoken word for decades. The EM-Silver is a great preamp for bass guitar and keyboards. And in the world of percussion, it’s a great choice for kick drum. For brighter sound sources, the EM-Silver is the preamp of choice when you want less top end or a vintage-type sound. For a true vintage sound, use the EM-Silver with ribbon mics, or on modern, brighter condensers to smooth out top end. If you like vintage Neve, you’ll love the EM-Silver.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449237696615,"sku":"6797","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_silver.jpg?v=1787088261"},{"product_id":"roll-music-systems-rms5a7-tubule","title":"Roll Music Systems RMS5A7 Tubule 500 Series Mic Preamp","description":"\u003cp\u003eRoll Music Systems Inc introduces new \u003cstrong\u003eRoll Music Systems RMS5A7\u003c\/strong\u003e tube microphone preamplifier or \"Tubule\" in 500-series modular format. Roll Music Systems, manufacturer of the popular RMS216 Folcrom passive summing device and the acclaimed RMS755 Super Stereo compressor, are set to release their next innovative new product. \u003cbr\u003e\u003cbr\u003eWith the explosion of new modular products for the 500-series frames sold by various manufacturers, user requests for a tube-based module have been met almost universally with claims by designers and engineers that it couldn't be done. Roll Music Systems has proven it can be done, and be done well. \u003cbr\u003e\u003cbr\u003eThe Tubule is a real transformer-coupled tube mike preamp, getting all its amplification from a standard dual triode tube. It uses sophisticated modern power management circuitry to generate the high-voltage plate supply and the high-current heater supply to power the tube. Careful design of this high-efficiency power management circuitry has allowed for a preamp that fits within the space and power consumption limitations of a single module. \u003cbr\u003e\u003cbr\u003eThe Tubule features switches for -20dB input pad, polarity inversion, and phantom power, a 12-position gain control switch that ranges from 33 to 66dB in 3dB steps, and a continuously-variable input attenuator that ranges from 0 to -10dB for very accurate gain settings that can be easily recalled.\u003c\/p\u003e","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":44449237762151,"sku":"10074","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roll-rms5a7_10074_1.jpg?v=1787088261"},{"product_id":"api-512c","title":"API 512c 500 Series Microphone Preamp","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449237958759,"sku":"312","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-512c-mic-pre_7ac04072-8e0d-4d6d-9eb1-cfa01c086233.jpg?v=1787088262"},{"product_id":"bae-dlb-2-channel-desktop-500-series-lunchbox-w-1x-bae-312a","title":"BAE DLB 2 Channel Desktop 500 Series Lunchbox with One 312A","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBAE 312A\u003c\/span\u003e \"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end.  The sound is in your face and they don't compress transients.  The low end is tight with good attack. They are excellent for drums and percussion.  These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449238220903,"sku":"15733","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_dlb2_channel_desktop_500_series_lunchbox_w_1x_bae_312a_bd5a40ad-9355-4ba9-9d94-075c99bc60f3.jpg?v=1787088264"},{"product_id":"bae-dlb-2-channel-desktop-500-series-lunchbox-w-2x-bae-312a","title":"BAE DLB 2 Channel Desktop 500 Series Lunchbox with Two BAE 312A","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBAE 312A\u003c\/span\u003e \"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end.  The sound is in your face and they don't compress transients.  The low end is tight with good attack. They are excellent for drums and percussion.  These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449238286439,"sku":"15734","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_dlb2_channel_desktop_500_series_lunchbox_w_2x_bae_312a.jpg?v=1787088264"},{"product_id":"prodigy-engineering-bella","title":"Prodigy Engineering Bella","description":"\u003cb\u003eThe Prodigy Engineering Bella Features\u003c\/b\u003e: \u003cul\u003e\n\u003cli\u003eFirst-ever remote controllable 500-series mic preamp\u003c\/li\u003e\n\u003cli\u003eOriginal amplifier design \u003cb\u003e(NOT\u003c\/b\u003e another vintage clone)\u003c\/li\u003e\n\u003cli\u003eInput\/Output transformer balanced for the best possible CMRR in even the most demanding situations \u003c\/li\u003e\n\u003cli\u003eRelay stepped gain from 18 to 60dB in 1dB increments,\u003c\/li\u003e\n\u003cli\u003eSwitchable: High-Pass Filter (f-3 @ 78Hz) Phantom (+48V), Polarity (0 or 180 degrees), Pad (-22dB), and Mute\u003c\/li\u003e\n\u003cli\u003eSeamlessly integrates with industry standard DAW, Digidesign \u003cbr\u003e Pro Tools® | HD, and control surfaces like the ICON®\u003c\/li\u003e\n\u003cli\u003eSoftware remote control application to work alongside any DAW (OSX only)\u003c\/li\u003e\n\u003cli\u003eCross-channel selection and grouping\u003c\/li\u003e\n\u003cli\u003eFast, precision 3-LED headroom metering\u003c\/li\u003e\n\u003cli\u003eInnovative stainless steel industrial design\u003c\/li\u003e\n\u003cli\u003ePowered by \"500 Series\" racks\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prodigy Engineering","offers":[{"title":"Default Title","offer_id":44449238450279,"sku":"15655","price":875.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prodigy_engineering_bella.jpg?v=1787088265"},{"product_id":"radial-engineering-powerpre","title":"Radial Engineering PowerPre 500 Series Preamp","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRadial PowerPre\u003c\/span\u003e is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components to deliver up to 70dB of gain and employs a ‘vintage’ Hammond broadcast output transformer for warmth and exceptionally smooth tone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand selected 100% discrete electronics\u003c\/li\u003e\n\u003cli\u003eHammond broadcast transformer output\u003c\/li\u003e\n\u003cli\u003eAccuState™ low-noise input circuit\u003c\/li\u003e\n\u003cli\u003e3-position Vox control for added air or punch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the Power Pre is equipped with the newly developed AccuState™ input stage that automatically optimizes signal-to-noise at all levels and is supported with a full 10 segment LED for accurate signal monitoring..\u003cbr\u003e \u003cbr\u003e The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState™ input stage that automatically optimizes signal-to-noise at all levels and is supported with a full 10 segment LED for accurate signal monitoring.\u003cbr\u003e \u003cbr\u003e To add extra character; a 3-position Vox control lets you set the PowerPre to ‘breath’ for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The ‘punch’ setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the requirements of the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering instruments.\u003cbr\u003e \u003cbr\u003e Ultra quiet, low noise and an exceptionally warm sounding… The PowerPre makes spectacular audio easy.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449238712423,"sku":"14619","price":549.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_engineering_powerpre_1.jpg?v=1787088266"},{"product_id":"true-systems-pt2-500","title":"True Systems PT2-500","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eTrue Systems PT2-500\u003c\/span\u003e is an API™ 500 series compatible module that incorporates our new-technology Type 2 circuit design. Our Type 2 design provides the traditional ultra-resolution musicality of our original design preamps, but adds serious analog depth and warmth. In short: It sounds BIG!\u003cbr\u003e \u003cbr\u003e The new DI circuit calms piezo transducers and provides a THRU jack for easier re-amping and multi-effects. 70dB of gain, high-headroom, low-noise, amazing sonics. If you haven’t heard TRUE preamps before, you might want to start here!\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI™ 500 series format\u003c\/li\u003e\n\u003cli\u003eUltra-resolution combined with serious analog depth and warmth\u003c\/li\u003e\n\u003cli\u003e70dB of gain (dual range), exceptional headroom, low noise\u003c\/li\u003e\n\u003cli\u003eIN and THRU jacks for signal splitting applications\u003c\/li\u003e\n\u003cli\u003eInsensitive to ground noise and EMI\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"True Systems","offers":[{"title":"Default Title","offer_id":44449251000423,"sku":"14100","price":649.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/true_systems_pt_500_1.jpg?v=1787088314"},{"product_id":"aml-5003d","title":"AML 5003D 500 Series Microphone Preamp","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAML 5003D\u003c\/span\u003e is a Class A microphone amplifier using Carnhill input and output transformers.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain - 10dB to 65dB switchable\u003c\/li\u003e\n\u003cli\u003eTrim - 0dB to -10dB\u003c\/li\u003e\n\u003cli\u003eSwitchable input impedance\u003c\/li\u003e\n\u003cli\u003ePhantom and phase switches\u003c\/li\u003e\n\u003cli\u003eFor use in API (and compatible) Lunchbox and VPR500 racking systems\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AML","offers":[{"title":"Default Title","offer_id":44449251033191,"sku":"14119","price":742.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aml_5003d_1_zoom.jpg?v=1787088314"},{"product_id":"neve-1073lb","title":"Neve 1073LB 500 Series Mic Preamp","description":"\u003cp\u003eDropped on the studio world in 1970, Neve's 1073 Audio Preamplifier immediately made its bones on the recording studio scene. Renowned for its ability to capture, complement and create a uniquely great sound no matter the source, the 1073 has been the go-to recording preamp of leading artists and producers from hit recordings too numerous to mention. If you think of any famous recordings of the past 45 years, chances are more than good that the artists' voices, instruments or illegal activities first saw tape through a Neve 1073.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd now it is available in the 500 series format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073LB\u003c\/strong\u003e is still manufactured in Great Britain to the exacting specs of Neve's classic 1073 preamp. Featuring painstakingly recreated original spec hand-wound input and output transformers, matched components, as well as specially recreated tantalum coupling caps, the 1073LB bathes your ears in vintage Neve glory. With a build quality the British Admiralty would approve, the 1073LB's massive input level switch contacts are gold-plated to withstand decades of marathon tracking sessions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs magical as owning a rare piece of vintage kit can appear, the lack of modern conveniences can ultimately detract from the recording experience. That's why the boffins at Neve gave the 1073LB switchable microphone input impedance, signal presence LED and intelligent protected switching on the front combi-XLR input connector so you don't accidentally fry a line-level device with 48v. The new Fine Trim control lets you squeeze the maximum level of sparkling clean signals or crank the gain for some Revolution distortion. The 1073LB Preamp's smart Audio Processing Input design and Lunchbox Insert architecture allows you to create a classic Neve 1073 channel strip when used with a Neve 1073LB Series EQ.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd all this sonic potential installs in an empty slot of your compatible 500 series rack, ready to inject your microphone or line level signals into that legendary universe of Neve sound.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The Neve 1073LB will not work with the A-Designs 500HR 2-slot rack or the Empirical Labs EL500 2-slot rack.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003ca href=\"\/neve-1073-mic-pre\" target=\"_blank\"\u003eClick here to learn more about the history of the Neve 1073 Preamplifier.\u003c\/a\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449343701095,"sku":"16264","price":1285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-1073lb_16264_1_1.jpg?v=1787088634"},{"product_id":"daking-mic-pre-500","title":"Daking Mic Pre 500","description":"\u003cp\u003eDerived from the company's Mic Pre One freestanding unit, the \u003cspan style=\"font-weight: bold;\"\u003eDaking Mic Pre 500\u003c\/span\u003e is designed for installation in 500 Series format equipment.  The mic pre features switchable phase, 20 dB mic input pad, +48V phantom power, and a selectable quarter-inch line\/hi-z instrument input.\u003cbr\u003e \u003cbr\u003e Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking's popular Mic Pre IV.  The front panel controls include a variable high-pass filter (0-200 Hz) as well as continuously variable input gain.  It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak is included.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449344094311,"sku":"16363","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_micpre_500_1.jpg?v=1787088636"},{"product_id":"millennia-hv-35","title":"Millennia HV-35 500 Series Microphone Preamp","description":"\u003cp\u003eThis might be music's purest preamp. It's no wonder the iconic \"HV-3\" first dazzled engineers who worked with classical and acoustic music, where each and every single detail matters. But, more and more engineers from all genres have discovered the magic of the HV-3's musically transparent circuitry. The fact is, you can never \"undo\" the color your microphone preamplifier adds. In contrast to preamps that lay on lots of color, the Millennia HV-3 is meticulously crafted to give you the full, authentic voice of your microphone. That way, you're not committed from the start, and you can easily sculpt your sound later with the exact character you want. Hear the detail today with the Millennia HV-3.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/li\u003e\r\n\u003cli\u003ePure, musical, incredibly smooth preamplifier\u003c\/li\u003e\r\n\u003cli\u003ePreserves your sound for later processing\u003c\/li\u003e\r\n\u003cli\u003eKnown to save you time with EQ\u003c\/li\u003e\r\n\u003cli\u003eMillennia gear is made for detail\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIt's here, the iconic HV-3 topology in a format perfect for your 500 Series rack. While Millennia was reworking the HV-3 to fit the form factor, they went ahead and incorporated all the push buttons that HV-3 fans had been asking for over the years. The easy-access buttons include a 15dB pad, a polarity flip, 48V phantom power, a 10dB switch for ribbon mics, a highpass filter, and switch for the front-panel hi-Z instrument input.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePure, musical, incredibly smooth preamplifier\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe HV-3 is there, but it's not there. And that's exactly how you want it. Built to offer the most transparent path from your microphone to the rest of your signal chain, the HV-3 features a transformerless input, balanced audio path, and minimal amplifier design. Aficionados of classical and acoustic-based music may have first discovered the promise of the HV-3's honest approach to preamplification, but the preamp is rapidly making its way into studios of all genres. Once you've heard it, you'll realize that no color is a color, too. What you give the HV-3, you get.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePreserves your sound for later processing\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMuch of our gear is soaked with character and personality. It's easy to overdo it. The Millennia HV-3 is ideal for the engineer who wants to try on color, without committing to one sound from the start. When you've recorded with the HV-3, you know you're starting from square one, so you can precisely dial in the tone, flavor, and character you want from your outboard gear or plug-in processors. To put it another way, if you were deciding what sculpture to make, you'd most likely want to start with an unchiseled piece of stone. The HV-3 translates the sound of the performance and the voice of your microphone, without getting in the way.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKnown to save you time with EQ\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhen you're used to processing colored audio from the start, working with an HV-3 preamplifier will be a change. But, it's an easy workflow to get into. In particular, engineers who have used the HV-3 often note that tracks are somehow easier to EQ. With the right mic, in the right place, the HV-3 delivers a smooth, natural response that seems to require less tinkering. Without the heavy hand of a preamp, tracks seem to fall together into place.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMillennia gear is made for detail\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFounder and chief designer John LaGrou takes the same approach to his exceptional audio gear as he does to the wine he cultivates in the California countryside. Detail matters, it's everything. Whether in a vintage of wine or your multi-track mix, taken together, those details can make a major difference in the end result. Millennia equipment celebrates those fine, subtle points, bringing you gear that's built with uncompromising quality to deliver purity in music.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44449351073895,"sku":"16387","price":855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/millenia-hv35-23_16387_1_1_a2ac48cf-e866-4fa6-8ce8-61770b4550ab.jpg?v=1787088662"},{"product_id":"rupert-neve-designs-portico-517","title":"Rupert Neve Designs 517 500 Series Microphone Preamp","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a single-slot 500 Series module. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMP AND INSTRUMENT AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe 517's mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBLENDED USE\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eBased around a LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVARI-PHASE\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517's vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSILK\u003c\/h3\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. This enhances the source’s harmonic content by utilizing the custom Rupert Neve Designs output transformer.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449356120167,"sku":"16391","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-517_16391_1.jpg?v=1787088686"},{"product_id":"api-512c-demo-deal","title":"API 512C (Demo Deal)","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449358020711,"sku":"14554","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_512c_cat_1.jpg?v=1787088693"},{"product_id":"vintech-573","title":"Vintech 573 500 Series Microphone Preamp\/DI","description":"The \u003cspan style=\"font-weight: bold;\"\u003eVintech 573\u003c\/span\u003e 500 Series\r\npreamp is class A, all discrete, transformer balanced and is based on\r\nthe 1073 circuit. The unit also features a new discrete high impedance\r\nd.i. that goes through the input transformer. The units are hand built\r\nin the U.S.A. by us. This unit contains no I.C.'s and no surface mount\r\ncomponents and contains three all discrete class A amplifiers as in the\r\noriginal 1073.\u003cbr\u003e\r\n\u003cbr style=\"font-weight: bold;\"\u003e\r\n\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\r\n\u003cul\u003e\n\u003cli\u003eDirect Input\u003c\/li\u003e\n\u003cli\u003e70db Gain\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003eImpedance Switch\u003c\/li\u003e\n\u003cli\u003ePhase Reverse\u003c\/li\u003e\n\u003cli\u003eOutput Control\u003c\/li\u003e\n\u003cli\u003eMIC\/LINE Switch\u003c\/li\u003e\n\u003cli\u003e1 Year Manufacturer's Warranty \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vintech Audio","offers":[{"title":"Default Title","offer_id":44449358119015,"sku":"17250","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintech_573_1.jpg?v=1787088693"},{"product_id":"a-designs-audio-em-silver-demo-deal","title":"A-Designs Audio EM-Silver (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs “EM Series\u003c\/strong\u003e” is a twist on the P-1. Each color has its own sound. This was accomplished by using different custom wound output and input transformers. \u003cbr\u003e \u003cbr\u003e The \u003cem\u003eEM-Silver\u003c\/em\u003e has a custom wound steel output transformer which will translate into a darker sound than the P-1, EM-Red and EM-Blue. We find the EM-Silver to be a very good match with ribbon microphones; a good combination due to the fact that steel transformers were widely used in the early days of recording and broadcasting along with ribbon microphones.\u003cbr\u003e \u003cbr\u003eWith today’s influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need.  Another feature of the EM-Silver is a “DI” (direct inject) for use with electric instruments. We find that this is a great pre for bass guitar and keyboards.  In addition, you may like to try the EM-Silver (depending on microphone) for your “kick” when recording drums. This is a very versatile tool for any recording situation. \u003cbr\u003e\u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359691879,"sku":"13867","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_silver_1_1.jpg?v=1787088700"},{"product_id":"avedis-ma5-microphone-pre-demo-deal","title":"Avedis Audio Electronics MA5 Microphone Pre (Demo Deal)","description":"After some requests from audio engineers, the \u003cb\u003eAvedis Audio MA5\u003c\/b\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":44449360904295,"sku":"16587","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avedis_ma5_black_knob_2.jpg?v=1787088705"},{"product_id":"bae-312a-module-demo-deal","title":"BAE 312A Module (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cb\u003e 312A \u003c\/b\u003e\"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end. The sound is in your face and they don't compress transients. The low end is tight with good attack. They are excellent for drums and percussion. These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361199207,"sku":"13971","price":721.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_312a_1.jpg?v=1787088707"},{"product_id":"burl-audio-b1-mic-pre-demo-deal","title":"Burl Audio B1 Mic Pre (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals. \u003cbr\u003e\u003cbr\u003e The B1 comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. \u003cbr\u003e\u003cbr\u003e Use the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361592423,"sku":"13911","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_b1_front_1.jpg?v=1787088708"},{"product_id":"buzz-audio-elixir-demo-deal","title":"Buzz Audio Elixir (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBuzz Audio Elixir \u003c\/strong\u003e preamplifier module is an excellent compliment to the \"fatter\" sound of many modules now available in the API 500VPR Series format and has been designed to provide exceptionally low noise wide bandwidth amplification of microphone and instrument signals.  The elixir will suit those who desire a recording preamplifier where just a slight amount of bass color is added to the original signal whilst retaining full treble extension and a smooth midrange - warm, sweet, liquid\u003cstrong\u003e - \u003c\/strong\u003ethe perfect blend. \u003cbr\u003e\u003cbr\u003eThe elixir circuit design is roughly based on the now famous Buzz Audio MA-2.2  mic preamp and utilizes two BE40 True Class A amplifiers in a transformerless input arrangement.  Following this is the output stage comprising of two newly designed BE50 True Class A high current audio buffers that drive a Lundahl  LL1517 output transformer. \u003cbr\u003e \u003cbr\u003e As can be seen from the distortion specifications, the presence of the Lundahl output transformer adds a subtle amount of harmonic at low frequencies thereby enhancing the bottom end but without sacrificing the wide bandwidth needed for good clarity and transient response in the top end. \u003cbr\u003e \u003cbr\u003e The output configuration of the elixir results in a maximum output level of +34dBu before clipping, which means it can comfortably deliver clean audio into all analogue or digital recorders without overload. \u003cbr\u003e \u003cbr\u003e Gain range of the microphone input is 22dB to 70dB or -2dB to 50dB with the \u003cstrong\u003e-\u003c\/strong\u003e20dB pad selected.  More than enough for ribbon microphones. The input impedance (selected with the IN Z switch) is 4000 ohms in the H position or 1200 ohms in the L position.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe instrument input on the elixir features a \"bootstrapped FET\" high to low impedance converter that then feeds the elixir amplifier stages.  Selection of the instrument input is automatic when a jack is inserted on the front panel input. \u003cbr\u003e \u003cbr\u003e Gain range of the instrument input is 10db less than the mic input at 12dB to 60dB.  The input impedance is switchable 1,000,000 ohms or 20,000 ohms with the IN Z switch. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePLEASE NOTE - RACK COMPATIBILITY \u003c\/strong\u003e\u003cbr\u003e Each elixir module takes up 1u rack space and draws 150mA +\/- 15-18 volts DC, as supplied by frame power supply in which it is fitted. This is generally higher than most modules available from API and other manufacturers.  At this time, it is recommended that only two modules are fitted into the API Lunchbox frame along with other modules. The API V500 rack with LP200 external supply will easily power 10 modules.  The older API 10 space rack with internal power supply is not suitable for the elixir modules.\u003c\/p\u003e\n\u003cp\u003eThe OSA Trackpack and Powerack with the large external supply will easily power a full fit out of elixir modules. Power supply compatibility with other frame manufacturers is not fully known at this time. We will update this information once further testing has been conducted.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"Default Title","offer_id":44449361690727,"sku":"14555","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/buzz_audio_elixir_1_1_1.jpg?v=1787088709"},{"product_id":"electrodyne-501-preamp-demo-deal","title":"Electrodyne 501 Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eElectrodyne 501\u003c\/span\u003e is a two-stage, discrete transistor, transformer-coupled preamp with active DI based primarily on the modules found in the classic 1608 console.  Each amp stage is individually optimized for peak performance using detailed Electrodyne factory engineering notes and select high performance components identical to the originals. In fact, the 501’s transformers are made by Electrodyne’s original supplier to exacting factory specifications.\u003cbr\u003e \u003cbr\u003e The new preamp’s active DI circuit presents an almost immeasurable load (over six megohms) to sensitive musical instrument outputs allowing incredibly accurate capture of the instrument’s true tone.  Furthermore, the output of the DI circuit is designed to directly connect and interact with the mic input transformer to permit an extremely broad spectrum of tonal options. \u003cbr\u003e \u003cbr\u003e The faceplate of the Electrodyne 501 features a large rotary gain control offering up to 68dB of gain – adjustable over 50dB in 2dB steps with two ranges via a 20dB pad switch – and a smaller output level pot infinitely adjustable from 0 (off) to +6dB over unity.  Additional switches for impedance selection (50 or 200 ohms), phase reverse, +48V phantom power and DI (with 1\/4\" input jack) are also present, as well as a clip LED that monitors all three amp stages and illuminates when any stage is 3dB from clipping.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain:\u003c\/strong\u003e 68db – adjustable over 50db in 2db steps with two ranges using 20db pad \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput level control:\u003c\/strong\u003e Infinitely adjustable from 0 (off) to +6db over unity \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e Microphone, 50 \/ 200 ohms selectable. DI, over 7 megohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 150 ohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e 0.02% typical over entire gain range \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum output:\u003c\/strong\u003e +30db at less than 0.8%thd. (+29.5db at 0.06%thd) \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e +\/- 0.25db, 10hz to 60khz \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eSignal to noise: \u003c\/strong\u003e-80db typ, -60db at absolute maximum gain \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eClip indicator: \u003c\/strong\u003eMonitors all three amp stages and illuminates when any stage is 3db from clip \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":44449362477159,"sku":"14474","price":779.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electrodyne_501_1.jpg?v=1787088712"},{"product_id":"great-river-mp-500nv-demo-deal","title":"Great River MP-500NV (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eGreat River MP-500NV\u003c\/span\u003e preamp module for the '500' series rack is now available! The MP-500NV is a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles. Modern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options. All microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications. All specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out. 125ma current draw.","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449363099751,"sku":"13932","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great_river_mp500nv_1.jpg?v=1787088715"},{"product_id":"helios-type-69-500-demo-deal","title":"Helios Type 69-500 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eHelios Type 69 500\u003c\/span\u003e holds true to the original Dick Swettenham design, but with a number of modern updates such as 5db steps on the mic preamp gain switch as opposed to the original 10db steps, additional 16khz EQ frequency selection for today's high-bandwidth digital recordings, and a balanced output for easy interfacing with any digital converter.","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449363132519,"sku":"15390","price":1225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/helios_type69_500_1.jpg?v=1787088715"},{"product_id":"lachapell-audio-583e-demo-deal","title":"LaChapell Audio 583e (Demo Deal)","description":"The \u003cb\u003eLaChapell Audio Model 583E\u003c\/b\u003e features the same amplifier stage found on the 583S including the Jensen JT-115k input transformer coupled with an ultra-clean transformer-less three-band EQ section with fully sweeping frequency controls and cut\/boost settings of +\/- 8dB. The EQ can run as an integrated EQ serving the preamplifier or separate as its own autonomous module where both units run independently. \u003cbr\u003e \u003cbr\u003e","brand":"LaChapell Audio","offers":[{"title":"Default Title","offer_id":44449363624039,"sku":"13979","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lachapell_583e_1_1.jpg?v=1787088717"},{"product_id":"lachapell-audio-583s-demo-deal","title":"LaChapell Audio 583s (Demo Deal)","description":"The \u003cb\u003eLaChapell Audio Model 583s\u003c\/b\u003e is the world’s first vacuum tube preamplifier designed for the 500 series format. Based on our popular 992EG, the 583s is quickly becoming the next must-have preamp for those looking to add that extra warmth and character to their “lunch box” collection found only within the thermionic realm. Our initial design approach was simple; identify and extract the key design elements of the 992EG that directly contributes to its’ sound signature, and then inject that into the 583s. This, of course, is the amplifier’s input stage, where the lion share of your signal’s quality and character is generated. While the 583s utilizes a more traditional single-ended amplifier configuration, the overall topology of the 583s’ microphone input stage is equal to that of the 992EG; specifically, feedback loop configuration, input transformer turns ratio, input impedance, capacitance, etc... Together with the CineMag CMOQ nickel alloy output transformer, the 583s also features an ultra clean output stage using premium Burr-Brown \u0026amp; THAT Corporation balanced line drivers. \u003cbr\u003e\u003cbr\u003eThe 583s comes with a few additional options. The standard microphone input transformer is the CineMag CMMI-10. However, users can specify the Jensen JT-115k (the very same used on the 992EG). Another exciting feature is its easy access to the tube, allowing the user the ability to utilize vintage premium tubes such as Telefunken, Mullard, RFT, Philips, or any other 12AX7\/ECC83 variant!\u003cbr\u003e\u003cbr\u003eThe 583s is also built to be a “good neighbor” to your other 500 series modules. With the exception of the tube access opening, the 583s has an enclosed chassis, which helps direct cooling and prevents any unwanted interference. In operation, the user has individual control over the input and output gain stages via fully variable potentiometers. This, like its’ 992 older brother, provides total flexibility to explore the 583s’ broad sonic pallet, enhancing its versatility for your recording environment. Additional functions include four illuminated NKK toggle switches for 48v (Phantom), db input pad, polarity reverse and input select. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatured Highlights:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eTrue Vacuum Tube Amplifier \u003c\/li\u003e\n\u003cli\u003eFully Variable Input~Output Control \u003c\/li\u003e\n\u003cli\u003eRobust Construction \u003c\/li\u003e\n\u003cli\u003eTransformer-less Hi-Z Input \u003c\/li\u003e\n\u003cli\u003ePremium Components \u003c\/li\u003e\n\u003cli\u003e80% Nickel Output Transformer \u003c\/li\u003e\n\u003cli\u003eClean, Attractive Layout \u003c\/li\u003e\n\u003c\/ul\u003e\u003ca href=\"http:\/\/www.proaudioreview.com\/article\/19962\" target=\"blank\"\u003eCheck out this review!\u003c\/a\u003e","brand":"LaChapell Audio","offers":[{"title":"Default Title","offer_id":44449363591271,"sku":"13940","price":843.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lachapell_583s_1_2.jpg?v=1787088717"},{"product_id":"purple-audio-biz-mk-demo-deal","title":"Purple Audio Biz Mk (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449366311015,"sku":"14557","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple-audio-biz-mk_5631_1.jpg?v=1787088728"},{"product_id":"roll-music-systems-rms5a7-tubule-demo-deal","title":"Roll Music Systems RMS5A7 Tubule (Demo Deal)","description":"Roll Music Systems Inc introduces new \u003cb\u003eRoll Music Systems RMS5A7\u003c\/b\u003e tube microphone preamplifier or \"Tubule\" in 500-series modular format. Roll Music Systems, manufacturer of the popular RMS216 Folcrom passive summing device and the acclaimed RMS755 Super Stereo compressor, are set to release their next innovative new product. \u003cbr\u003e\u003cbr\u003eWith the explosion of new modular products for the 500-series frames sold by various manufacturers, user requests for a tube-based module have been met almost universally with claims by designers and engineers that it couldn't be done. Roll Music Systems has proven it can be done, and be done well. \u003cbr\u003e\u003cbr\u003eThe Tubule is a real transformer-coupled tube mike preamp, getting all its amplification from a standard dual triode tube. It uses sophisticated modern power management circuitry to generate the high-voltage plate supply and the high-current heater supply to power the tube. Careful design of this high-efficiency power management circuitry has allowed for a preamp that fits within the space and power consumption limitations of a single module. \u003cbr\u003e\u003cbr\u003eThe Tubule features switches for -20dB input pad, polarity inversion, and phantom power, a 12-position gain control switch that ranges from 33 to 66dB in 3dB steps, and a continuously-variable input attenuator that ranges from 0 to -10dB for very accurate gain settings that can be easily recalled.","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":44449366605927,"sku":"13999","price":720.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roll_music_systems_rms5a7_tubule_1.jpg?v=1787088729"},{"product_id":"tonelux-mp5a-module","title":"Tonelux MP5A 500 Series Microphone Preamp\/DI","description":"\u003cp\u003eSporting a smart design and offering versatile tone, the \u003cstrong\u003eTonelux MP5A\u003c\/strong\u003e mic preamp is a worthy addition to any 500 Series rack. One of the most popular features onboard the discrete MP5A is its now-famous \"Tilt\" circuit, effectively a Baxandall boost\/cut filter. Turn it one way to boost the highs and cut the lows, turn it the other way to boost the lows and cut the highs. However you use it, the \"Tilt\" circuit offers a uniquely useful shaping solution on the way in and may be all the EQ you need. Helpful metering and a smart gain system round out the Tonelux MP5A.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdjust gain while keeping the tone you've dialed in\u003c\/li\u003e\n\u003cli\u003ePopular \"Tilt\" circuit offers sweetening\u003c\/li\u003e\n\u003cli\u003eSmart LED VU metering system keeps you informed\u003c\/li\u003e\n\u003cli\u003e48V phantom power and switchable front-panel DI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAdjust gain while keeping the tone you've dialed in\u003c\/strong\u003e\u003cbr\u003eThe Tonelux MP5A offers two knobs for gain adjustment, mic preamp gain and output gain that Tonelux dubs the \"fader.\" That way, you can set the tone you like with the preamp gain, then keep the tone but scale it back when you go into your converters. Another helpful feature onboard the MP5A is that the gain control goes all the way down to zero, whereas most pres stop at 6dB. The extra 6dB of loss can be really useful when you're miking a snare and you're right at the edge of peaking, letting you dial it back rather than engage the pad which would change the tone you already dialed in.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular \"Tilt\" circuit offers sweetening\u003c\/strong\u003e\u003cbr\u003eA special feature onboartd the MP5A is its \"Tilt\" circuit, an integrated Baxendall boost\/cut filter. When you turn it to the right, you boost the highs and cut the lows, with the opposite effect when you turn it to the left. Most often studios set it right around 1:00, which would provide just enough to make the high end clearer while pulling out mud from the lows. While the \"Tilt\" circuit is fully bypassable, it's a very useful little knob you'll come to love.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSmart LED VU metering system keeps you informed\u003c\/strong\u003e\u003cbr\u003eWhere many 500 Series modules skimp on the metering front, the MP5A makes sure you stay in the know. The green\/yellow section can display either the mic preamp gain or the output of the entire amplifier doing the gain. The peak LED, however, follows the mic preamplifier so you know what to dial back.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e48V phantom power and switchable front-panel DI\u003c\/strong\u003e\u003cbr\u003eIn addition to rear-panel connectivity, the MP5A offers a combination XLR and 1\/4\" input on the front, with a hi-Z switch for use as a convenient DI. The 48V LED meter lets you know when there's 48V detected, whether it's engaged on the MP5A or coming in from somewhere else, for example the front of house board, in which case you'd want to kick on the 48V switch to preserve the full voltage. 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You'll want to.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSuper-sized tone for your lunchbox\u003c\/li\u003e\r\n\u003cli\u003eInward Connections: boutique gear handmade in LA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSuper-sized tone for your lunchbox\u003c\/strong\u003e\u003cbr\u003eDon't let the Magnum VU's non-assuming look fool you, this 500 Series preamp stealthily injects a dose of huge tone into your Lunchbox. We find it has a warm, up-front low-end transitioning into a bombastically punchy midrange and a nicely wide-open top end. It's a different flavor altogether that manages to impart a tight sound without going over the top. 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