{"title":"Other 500 Series Modules","description":null,"products":[{"product_id":"radial-engineering-extc","title":"Radial Engineering EXTC 500 Series Guitar Pedal Interface","description":"\u003cp\u003e\u003cstrong\u003eThe easy way to incorporate guitar effects\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eGuitar effects on vocals, drums, and more? Sure, it’s been done. But not like this. The \u003cstrong\u003eRadial EXTC\u003c\/strong\u003e guitar effects interface lets you easily incorporate the pedals you want, while maintaining the utmost sound quality. Wah on vocals? Tremolo on violin? The EXTC makes it happen, opening up creative possibilities while keeping sound quality central, all in the convenient 500 Series format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBalanced interface for guitar effects pedals\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOptimized signal path preserves your sound quality\u003c\/li\u003e\r\n\u003cli\u003eConvenient 500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBalanced interface for guitar effects pedals\u003c\/strong\u003e\u003cbr\u003eWith the Radial EXTC, you can easily tap into the wild world of effects pedals at any phase of the recording process, while maintaining the signal quality your professional recording rig demands. Just connect a line-level audio signal, then let the EXTC work its magic. The EXTC will convert to a hi-Z signal, so you can patch in any stompboxes you want via 1\/4\" send and receive connectors on the front panel. Send and Receive knobs are there for setting levels, while a blend control lets you attain just the right amount of the effect.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptimized signal path preserves your sound quality\u003c\/strong\u003e\u003cbr\u003eRadial built the EXTC with signal integrity chiefly in mind, opening up the doors to creative stompbox use beyond just lo-fi applications. The EXTC includes Radial’s award-winning, fully discrete Class A guitar buffering as well as transformer isolation to eliminate ground loop buzz and hum. There’s also a 180º polarity reverse to keep your effects and balanced signals in phase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConvenient 500 Series format\u003c\/strong\u003e\u003cbr\u003eCanada-based Radial Engineering has embraced the 500 Series format, contributing a range of excellent-sounding (and exceptionally made) tonal tools and sonic options to the popular modular format. The EXTC is another fine example of Radial at its best, ready to go in any 500 Series compatible rack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449238548583,"sku":"14625","price":359.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-engineering-extc-500-23_14625_1_1.jpg?v=1787088265"},{"product_id":"radial-engineering-jdv-pre","title":"Radial Engineering JDV-Pre","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering JDV-Pre\u003c\/strong\u003e is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment.\u003cbr\u003e\u003cbr\u003eThe Radial JDV-Pre is a unique preamplifier designed specifically to capture the natural tone and distinct character of the instrument. This may sound like another 'marketing line', but unlike mic preamplifiers that are centered on 'the microphone', the JDV-Pre is completely focused on the various types of pickups used while transferring the signal without introducing distortion or artifact of any type.\u003cbr\u003e\u003cbr\u003eThe design begins with a 100% discreet class-A amplifier for optimal signal transfer. But unlike all other amplifier designs, the JDV-Pre's front end is completely void of the negative feedback loops normally used to stabilize the circuit. This revolutionary design eliminates the use of phase-cancellation which inevitably degrades the signal. This is augmented with Drag Control load correction that allows the engineer to optimize the load on the instrument pickup for the most natural rendering.\u003cbr\u003e\u003cbr\u003eThe quest for perfection does not stop there. When the impedance is set for piezo pickups, the JDV-Pre remains unbelievably quiet. Accustate gain control not only allows complete freedom over the signal path, but retains the signal-to-noise ratio at all levels. Acoustic instruments are further advantaged with a fully variable high-pass filter that gently rolls of the low end to eliminate troublesome body resonance while allowing each instrument to sit more comfortably in the mix. To address instrument microphones, the JDV-Pre features a transformer coupled balanced mic input with available 48V phantom power for condenser microphones. 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The Radial JDX 500 module is designed to capture the explosive dynamics and warm tone of the electric guitar by connecting between the head and cabinet of a guitar amplifier to provide a direct feed to the PA or recording system.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449238614119,"sku":"14622","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-engineering-jdx-500_14622_1.jpg?v=1787088265"},{"product_id":"radial-engineering-phaseq","title":"Radial Engineering PhaseQ 500 Series Phase Alignment Tool","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering PhazeQ\u003c\/strong\u003e is a dual-function 500 Series device. As a phase alignment tool, it is used to time-align two microphones for greater clarity and realism. It also behaves like a very powerful EQ that lets you create exciting new tones that will set your recordings apart.\u003cbr\u003e\u003cbr\u003eDesigned to work with the Radial Workhorse and other 500 Series racks, the PhazeQ features 100% discreet Class A electronics for a warm, rich, natural tone. A single control lets you adjust phase shift from 0º to 180º and clever application of a 180º polarity reverse extends the range to a full 360º. To further focus the effect on the fundamentals, a low-pass filter may be engaged to remove high frequency content. This is split into two ranges for added precision. The applications are diverse: a close mic and a distant room mic on a guitar amplifier; an XY pair on an acoustic guitar; the batter head and outside of a kick drum; or combining a mic'd bass cabinet with a direct feed. The PhazeQ differs from the original Phazer with the addition of a wet-dry blend control. The PhazeQ 'changes the rules' by taking a single source and splitting the signal to allow you to combine the original sound with the phase-shifted signal to deliver an all new type of EQ. It is powerful, radical and will deliver EQ curves like none before.\u003cbr\u003e\u003cbr\u003eAs a phase adjustment tool, your recordings will attain realism. As an EQ, you will be able to orchestrate tracks like never before. The PhazeQ is powerful tool that will ultimately allow you to expand your creative palette as you enter the new world of analogue phase experimentation. And once you start using it, you will never let go.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449238679655,"sku":"14623","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-phazeq.jpg?v=1787088266"},{"product_id":"radial-engineering-x-amp-lb","title":"Radial Engineering X-Amp 500 Series Reamper","description":"\u003cp\u003eThe \u003cstrong\u003eRadial X-AMP 500\u003c\/strong\u003e is a dual output Class-A Reamper™ with separate on-off switches, level controls, 180º polarity reverse to phase align the outputs, plus transformer isolation to eliminate buzz and hum caused by ground loops. Drive Hi-Z cables as far as 15 meters (50 feet) without noise.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eActive Reamp® designed for 500 series racks\u003c\/li\u003e\r\n\u003cli\u003e100% discrete class-A electronics for best tone\u003c\/li\u003e\r\n\u003cli\u003eTransformer isolated to eliminate hum and buzz\u003c\/li\u003e\r\n\u003cli\u003eEasy access front panel jacks \u0026amp; controls\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449238745191,"sku":"14624","price":359.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-engineering-xamp-23_14624_1_2e7bdcb6-ca08-4f74-8b84-8e63b3a84d39.jpg?v=1787088266"},{"product_id":"purple-audio-cans-ii","title":"Purple Audio Cans II 500 Series Stereo Headphone Amp","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Cans II\u003c\/strong\u003e Headphone and Control Room preamplifier is a great addition to any 500 series rack. 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While using this feature, you are even still able to use each of the first 8 module’s outputs like you normally would, with their own outputs into your DAW or Tape machine. You can set up the Moiyn 8×2 mixer module in 4 easy steps:\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSimply add any 500 Series modules to slots 1-8 of your Sweet Ten\u003c\/li\u003e\r\n\u003cli\u003eMake sure that the Moiyn is placed in slot 9 of the rack\u003c\/li\u003e\r\n\u003cli\u003eYou can then assign each module (in 1-8) to either of the 2 outputs by using the buttons on the front of your Moiyn\u003c\/li\u003e\r\n\u003cli\u003eFinally, use the rotary knob to adjust output volume to your liking!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003ePurple Audio's custom hexifiliar output transformers provide two stereo transformer isolated outputs. One pair of outputs appears on the two output XLRs for slot 9. The Moiyn has internal jumpers to feed the second pair of outputs to slot 10. With the jumpers enabled, you can feed a Cans headphone amp in slot 10 automatically, without patching any cables in the back. Because of the Cans’ bridging transformer inputs, the pair of input XLRs on slot 10 can also be used as a second set of stereo outputs (with the input of the Cans multed to that output).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe inputs for slot 9 (XLR IN\/OPT IN) serves as a stereo input to the Moiyn mix buss for cascading multiple mixers. As an example: take one Sweet Ten with a Moiyn to do your drum submix and cascade that into a second Sweet Ten with a Moiyn for your whole mix. That’s a fully discrete 16 channel summing mixer in 6 RU, and you can pick almost any combination of 500 modules as the channel modules.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe front panel of the Moiyn has two columns of eight illuminated push buttons, for left and right assign for each channel. Tricolor LEDs on either side of the slot 8 assigns show the mixbuss signal level. Below is a high quality 2-buss rotary master fader. The audio signal path of the Moiyn uses the same discrete opamps found in our other modules. The Moiyn uses two KDJ3 opamps and two KDJ4 opamps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449342160999,"sku":"15926","price":825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple-audio-moiyn_15926_2.jpg?v=1787088628"},{"product_id":"millennia-ad-596","title":"Millennia AD-596","description":"\u003cp\u003eEight channels of high-quality 500 Series conversion from Millennia. If you take a look at Millennia's lineup of gear, you know that they put a premium on purity. The \u003cstrong\u003eAD-596\u003c\/strong\u003e is no exception, giving you eight channels of exceptional analog-to-digital conversion, right from the convenience of your 500 Series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Eight-channel analog-to-digital converter\u003c\/li\u003e\n\u003cli\u003e 24-bit\/96kHz AES format converter\u003c\/li\u003e\n\u003cli\u003e Internal or external clocking with AES or Wordclock in\/out on BNC connectors\u003c\/li\u003e\n\u003cli\u003e Millennia's proprietary True-Lock Clock for outstanding performance with an external clock\u003c\/li\u003e\n\u003cli\u003e DB25 I\/O connectors that conform to the Tascam wiring standard\u003c\/li\u003e\n\u003cli\u003e -20dBFS reference level\u003c\/li\u003e\n\u003cli\u003e API 500 series compatible format\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44449351041127,"sku":"16366","price":1349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/millennia_ad-596.jpg?v=1787088661"},{"product_id":"jcf-audio-levr-no-transformers-pair","title":"JCF Audio Levr - No Transformers - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eJCF Audio - LEVR\u003c\/strong\u003e is an active summing module for the popular 500 Series format and by drawing from the discrete playbook it expands greatly on the language audio summing. The LEVR offers an affordable, active, non-exclusive alternative to passive summing users which other solutions do not. Due to it’s elegant design and low parts count, the LEVR will bring unparalleled musicality and resolution to your bus.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCF Audio","offers":[{"title":"Default Title","offer_id":44449355890791,"sku":"12836","price":700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jcf_audio_levr_no_transformers_pair.jpg?v=1787088684"},{"product_id":"radial-engineering-shuttle","title":"Radial Engineering Shuttle","description":"\u003cdiv\u003e\n\u003cp\u003eThe Radial Shuttle is a combination effects insert and routing module that enables you to bring playback tracks, effects and other non-Radial modules into the Workhorse. This opens the doors to tremendous patching options that would otherwise require complex wiring.\u003c\/p\u003e\n\u003cp\u003eThe design begins with an input feed via the Workhorse or other 500 Series rack. This feeds two front panel insert loops. The first is fully balanced to make interfacing with +4dB studio gear quick and efficient while taking full advantage of the lower noise afforded by a true balanced insert. The second loop is unbalanced for -10dB operation. This is the most common form of insert found in studio workstation environments. A third loop can be accessed via the Omniport for those that are equipped with a Workhorse. Each is equipped with an individual insert on-off selector that allows the effects to be compared.\u003c\/p\u003e\n\u003cp\u003eWhere the Shuttle really begins to get interesting is when using the Workhorse for real-time playback. \u003cbr\u003eA feed from the recorder is sent to the Shuttle where the program track can be auditioned at the same time as a new recording track without latency of any kind. One simply routes the mic preamp and shuttle to one of the 8 channels while auditioning via the main, monitor or headphone outputs.\u003c\/p\u003e\n\u003cp\u003eThe Shuttle makes connecting effects to your 500 Series rack quick, easy and super effective.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"modulePoints\"\u003e\n\u003cul\u003e\n\u003cli\u003eLets you connect any module to the Workhorse mix buss\u003c\/li\u003e\n\u003cli\u003eTwo front panel effects loops for handy patchbay convenience\u003c\/li\u003e\n\u003cli\u003eIndividual insert switches for comparing wet – dry signals\u003c\/li\u003e\n\u003cli\u003eThird loop via Omniport for remote studio patchbay interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449375060071,"sku":"17999","price":139.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_shuttle.jpg?v=1787088761"},{"product_id":"moog-music-the-ladder","title":"Moog Music The Ladder","description":"The \u003cb\u003eMoog Ladder\u003c\/b\u003e packs all the punch, fullness and analog euphoria  of the original Moog Filter, but adds key component and feature  upgrades required for professional studio use. 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The Radial JDX 500 module is designed to capture the explosive dynamics and warm tone of the electric guitar by connecting between the head and cabinet of a guitar amplifier to provide a direct feed to the PA or recording system.","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449447116903,"sku":"22253","price":175.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_radial_engineering_jdx_500_a4c59885-0113-43ab-b3af-2c4418ac60ec.jpg?v=1787088989"},{"product_id":"radial-engineering-tank-driver-500","title":"Radial Engineering Tank Driver 500 Series Reverb Interface","description":"\u003cp\u003eWith the \u003cstrong\u003eRadial Engineering Tank Driver\u003c\/strong\u003e, you can take any balanced line level signal or prerecorded track and play it through your favorite spring reverb. 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Included with each unit is a free VST\/AU\/RTAS editor for easy implementation into any recording, live, or performance situation. \u003cbr\u003e\u003cbr\u003e Out of the box, you get 800ms of the warmest and most musical delay on the planet. No emulation plug-in can impart depth and life into your mixes like the Analog Delay. \u003cbr\u003e\u003cbr\u003e The Analog Delay has been designed with tone, connectivity, and flexibility at the forefront. Moog’s engineering team worked tirelessly to deliver a 500 Series module with an incredibly clean front end that could easily be pushed into a warm, natural overdrive for saturated delay trails or beyond for more distorted effects. Though not on the front panel, the Analog Delay features a six-waveshape LFO that allows you to create other time-based effects such as tape delay, chorus, and extreme modulated sounds. 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As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eWHAT IS SILK?\u003c\/h3\u003e\r\n\u003cp\u003eIn addition to the tape circuit, the continuously variable Texture control with Silk Red and Silk Blue modes provides a whole other level of control over the harmonic density and tonality of your tracks \u0026amp; mixes. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” tracks or mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\r\n\u003cp\u003eDrive the 542 hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for a more purist, hi-fi tape effect. The choice is yours.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTAPE IN: Sends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/li\u003e\r\n\u003cli\u003eTRIM: Provides ±12 dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/li\u003e\r\n\u003cli\u003eSATURATION: Controls the signal level being sent to the “tape head” circuit. As the saturation level increases, the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately – however, in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip. Additionally, to compensate for low frequency loss at low “record head” levels, the saturation knob also controls a low frequency compensation circuit that boosts low frequencies more at low saturation levels, and tapers off at higher levels. This function can be useful on many sources like bass and kick drum to find the balance between a clean, boosted low end (low saturation) and a denser, more saturated low end (high saturation).\u003c\/li\u003e\r\n\u003cli\u003e15\/30 IPS: Selects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60 Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120 Hz.\u003c\/li\u003e\r\n\u003cli\u003eBLEND: Controls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. NOTE: The blend control does not affect the Silk and Texture controls, as that circuitry is located at the physical output of the unit.\u003c\/li\u003e\r\n\u003cli\u003eSOFT CLIP: A soft clip engages in the “True Tape” circuitry when the drive meter hits 5 (first yellow LED), and becomes more apparent at higher levels. The soft clip can be used as a way to tame overly transient material like drums, and can be controlled further by using the blend control.\u003c\/li\u003e\r\n\u003cli\u003eSILK \/ TEXTURE: Pushing the Silk button engages the Silk Red circuit, and pushing it a second time introduces Silk Blue circuitry. Silk reduces the negative feedback on the output transformer, adding desirable harmonic content as the texture is increased. Silk Blue mode features more saturation in the lows and low mids, whereas Silk Red accentuates the saturation in the high mids and highs.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL \/ DRIVE METERS: Two eight segment LED bar-graph meters are fitted to the 542 for output level and drive metering. The level meter shows the output level of the 542 before the Silk circuit, and the drive meter reflects the level on the “record head” when the tape effect is engaged. 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Aphex 500 Series modules are designed to fit in industry-standard 500 Series racks from API, Radial Engineering, A Designs, Empirical Labs and Tonelux. A rack full of 500 Series modules creates a “custom” and portable solution with devices an engineer can easily reconfigure by simply swapping out modules as needed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary Audio Enhancement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClose to a million Aphex Aural Exciters have been used in recording studios, broadcast facilities, concert arenas, musicians’ equipment racks, DJ systems, houses of worship, auditoriums, theaters and sports venues. The Aural Exciter’s patented technology has often been imitated but never duplicated. 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Included with each unit is a free VST\/AU\/RTAS editor for easy implementation into any recording, live, or performance situation. \u003cbr\u003e\u003cbr\u003e Out of the box, you get 800ms of the warmest and most musical delay on the planet. No emulation plug-in can impart depth and life into your mixes like the Analog Delay. \u003cbr\u003e\u003cbr\u003e The Analog Delay has been designed with tone, connectivity, and flexibility at the forefront. Moog’s engineering team worked tirelessly to deliver a 500 Series module with an incredibly clean front end that could easily be pushed into a warm, natural overdrive for saturated delay trails or beyond for more distorted effects. Though not on the front panel, the Analog Delay features a six-waveshape LFO that allows you to create other time-based effects such as tape delay, chorus, and extreme modulated sounds. 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Once connected, it enables the engineer to send an audio signal to various processers, effects or remote audio systems simultaneously as a means to create innovative signal paths.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe design is simple and easy to use. One connects to the module via the power rack's rear panel XLR input which then feeds the four corresponding ¼\" TRS outputs on the front panel. The unique circuit design enables both balanced and unbalanced signals to be used while also accommodating unbalanced stereo sources. Those with a Radial Workhorse may connect to the ChainDrive via the XLR, ¼\" TRS input or D-Sub. 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In addition to the the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation. \u003cbr\u003e\u003cbr\u003e The Portico 542’s “True Tape” emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape, and can offset the harshness often found in digital recordings. Unlike digital emulations, the “True Tape” drive circuit works by feeding a tiny magnetic “record head”, whichin turn is coupled to a correctly equalized, replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eGetting the Most Out of the 542\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile in the olden days, tape’s non-linearity was generally looked upon as more of a curse than a “feature”, the advent of digital systems that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. \u003cbr\u003e\u003cbr\u003e The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape circuit can significantly impact tone, depending on the position of the saturation control and the drive level on the tape circuit. As saturation is increased, low frequency compensation is decreased, and at a drive level of 5 the soft clipper enters the circuit. Finding the best balance point between low frequency response, total harmonic distortion, and desired soft clipping require playing with a combination of the saturation, trim and blend controls, and may also include using dynamics processing and proper gain staging before the 542. \u003cbr\u003e\u003cbr\u003e As a rough guide, we recommend starting with an input signal from around 2-10dBu and applying saturation, 15 \/ 30 IPS, Silk, and blend to taste. However, it always behooves the engineer to experiment with the balance between the pre-tape signal level and the level of the saturation control to find the best results for each source. \u003cbr\u003e\u003cbr\u003e To get a better idea of what is happening at different saturation and “Tape Head” levels, look through the frequency response and THD by frequency response graphs in the Technical Specifications section at the end of the manual. \u003cbr\u003e\u003cbr\u003e Also, like a real tape machine, the flux loops in the “True Tape” circuitry can pick up signals from strong nearby magnetic fields (The most likely sources are nearby power supplies, power amplifiers and computer monitors). Although we have shielded both the unit as a whole and the tape circuit to minimize stray inductance, if you have issues with hum when engaging the tape circuit, try moving the 542 to other spots away from magnetic field radiators until the hum subsides.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eAdding Texture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBoth Silk modes are modified and fine tuned by the “Texture” control. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly four times the amount of coloration found in Silk from the original Portico Series. With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s vintage class-A designs. These controls add another realm of tonal control to the 542, and should be explored creatively in conjunction with the “True Tape” for best effect.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRupert Neve: “While creating functional 500 Series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating our Portico 500 Series Modules, we experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. 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