{"title":"Equalizers","description":null,"products":[{"product_id":"a-designs-em-peq-500-series-module","title":"A Designs Audio EM-PEQ 500 Series Equalizer","description":"\u003cp\u003eOne of the most venerated equalizers of all time, the all-tube Pultec EQP-1A has been cherished by recording and mastering engineers for its almost magical ability to improve the sound of nearly any signal running through it. Now, after considerable research and development, the \u003cstrong\u003eA Designs Audio EM-PEQ\u003c\/strong\u003e has captured the essence of the highly revered Pultec EQP-1A and placed it in the compact and popular 500-Series form - with no compromise in sonics or build quality. Along with modern performance enhancements, the A-Designs Audio EM-PEQ meticulously maintains the EQ-section design and control layout of the original Pultec EQP-1A, as well as its wonderfully smooth musicality. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Makeup amplification is achieved through the use of the same discrete Class AB amplifier found in A-Designs Audio’s immensely popular solid-state Pacifica mic preamp—putting a slightly unique and modern twist on the classic design of yesteryear.   \u003c\/p\u003e\r\n\u003cp\u003eThe EM-PEQ’s controls attenuate high band at 5, 10, 20 kHz; vary bandwidth AND boost mid to high band at 3, 4, 5, 6, 10, 12, 16 kHz; and boost or attenuate the low band at 20, 30, 60, or 100 Hz. Boost and attenuation range from 0 dB to ±10 dB.   \u003c\/p\u003e\r\n\u003cp\u003eAdditional features of the EM-PEQ include a nickel-core output transformer, gold Grayhill rotary switches, Wima caps, and a true hard-wired bypass. Plus, instead of using common off-the-shelf chokes, A-Designs uses a custom tapped inductor, wound to the original values as the original Pultec. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the classic Pultec, the EM-PEQ offers fully balanced, noise-free performance and modern impedance specs for easy operation and fast studio integration.   \u003c\/p\u003e\r\n\u003cp\u003eIn the world of pro audio recording, there are two types of equalizers: those that you don’t want to hear in action (“surgical or corrective EQ), and those that you do (“color, or character” EQ). The EM-PEQ is one you most definitely do. Unlike any other 500-Series equalizer, the A-Designs EM-PEQ sits on the extreme end of the “character” bench. It focuses on “correcting” that which cannot be fixed by so-called surgical EQs: the enhancement of tone and musicality.   \u003c\/p\u003e\r\n\u003cp\u003eThe EM-PEQ is also available as the EM-EQ2, a 2-channel, 2U rack-mount version offered at the same price as two EM- PEQs and a 500HR power rack. Whether you prefer to work with the 500-Series form factor or standard rack-mount format, both the EM-PEQ and EM-EQ2 are identical in both sound quality and functionality.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449236353127,"sku":"8448","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a-designs-em-peq-500_8448_1.jpg?v=1787088254"},{"product_id":"api-550a","title":"API 550A 500 Series 3-Band Equalizer","description":"\u003cp\u003eReissued by popular demand, the \u003cstrong\u003eAPI 550A\u003c\/strong\u003e is a 500 Series 3-band equalizer that delivers legendary API tone in a compact format. With its classic discrete design, flexible controls, and versatile filter options, this legendary equalizer is an indispensible studio tool. Its timeless design, musical tone-shaping, and thoughtful features make it easy to shape the tone of any track in the studio or on stage.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eLEGENDARY API SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe API 550A embodies the renowned tonal signature that has defined countless hit recordings since the late 1960s. Its discrete circuitry and musical frequency settings capture the warmth, clarity, and punch that API Audio is known for. Designed to reproduce the magic of classic recordings, this workhorse EQ enriches every element of your mix. This iconic unit is the perfect way to add some vintage API magic to your studio.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eREVIVING A CLASSIC EQUALIZER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter decades of customer demand, the API 550A discrete EQ was reissued in 2004. This revival stays true to its heritage, with every circuit meticulously recreated to deliver the sound that made it a studio staple. More than a reissue, this is a celebration of classic studio design. The popularity of the legendary 550A proves that true audio excellence never goes out of style.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003e3 BANDS OF SIGNATURE API EQUALIZATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe API 550A features three versatile EQ bands, each with seven selectable frequencies carefully chosen for maximum musicality. This simple but thoughtful design offers unparalleled flexibility for precise tone-shaping. Each band provides +\/- 12 dB adjustments, and the detented concentric knobs make recalling settings easy. From subtle tonal shifts to dramatic boosts and cuts, these three bands provide endless tonal options.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003ePRISTINE SIGNAL INTEGRITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEngineered for high headroom and low noise performance, the API 550A preserves the full dynamic range of your source without compromising clarity. Every circuit is meticulously calibrated to minimize unwanted noise and coloration—even when pushing for maximum gain. This uncompromised signal integrity empowers you to make bold, precise adjustments, confident that the true character of your audio will shine through every mix.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eTHE API LEGACY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe API Audio name is synonymous with bold sound, innovative design, and reliability. The legacy of API began in the late 1960s when their unique products set new standards of sound quality in studios worldwide, and the brand has been revered by top engineers for decades. A direct descendant of that pioneering spirit, the 550A discrete EQ reflects both the heritage of API and its continued commitment to excellence in sound.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449238057063,"sku":"9143","price":1195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-550a-23_9143_1.jpg?v=1787088263"},{"product_id":"api-550b","title":"API 550b 500 Series Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 550 \u003c\/strong\u003ediscrete four-band EQ played a major part in the history of music recording in the USA during the 60s and 70s.  Originally conceived for use in API's consoles, this latest 550 \"B\" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present.  So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again.  The API 550B—unlike any other you will ever use.\u003c\/p\u003e\r\n\u003cp\u003eMany EQs today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer.  Deceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device.  Each band offers seven switchable filter frequencies spanning four to five octaves, selected through experience by a \"who's who\" list of the industry's most proficient engineers.  This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e\r\n\u003cp\u003eMaking use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings—without the need for additional bandwidth controls.  This feature minimizes the \"phase-shift\" sound found in many equalizers.  The reciprocal nature of the 550B enables the user to \"undo\" what has been done previously.\u003c\/p\u003e\r\n\u003cp\u003eThe benefits of the API 550B are most obvious to those who work with EQ on a continuous basis.  The 550B's ability to affect or reverse tonal modifications is perhaps the most important feature.  If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 op-amp offers predictable and gentle \"analog\" performance under duress.  With a surprisingly wide range of tonal variations, you can do no better than the API 550B.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449238122599,"sku":"781","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_550b_front.jpg?v=1787088263"},{"product_id":"manley-slam-mastering-version","title":"Manley SLAM! Limiter\/Preamp - Mastering Version","description":"\u003cp\u003eThe \u003cstrong\u003eManley SLAM! Mastering Version\u003c\/strong\u003e features the stereo ELOP and FET limiters in tandem dedicated for mastering controlled by precision switches instead of pots. All functions have been expanded and specially tailored for mastering. It incorporates detented and logable 1\/2dB steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is in full production.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDifferences and Features\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFirst off: no microphone preamps. You mastering engineers certainly don't need those. The mic pre and input select switch are removed and the switches become dedicated \"mode\" switches one each for the ELOP and the FET limiters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e1) The ELOP limiter gets more Ratios - 10:1, 5:1, 3:1, 2:1 and something new called AutoHF which starts off as a 1.5:1 ratio and increases gradually to 10:1 for highs. This is something like a de-esser, and of course can work with the ELOP SC toggle at 200Hz for even more effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003e2) The FET limiters get new modes that are 50%, NORM, LP Lim, BOTH, and CLIP.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \"50%\" setting mixes in the straight signal to the limited signal which is often difficult to do in a mastering environment and because the FET sidechain 'reads' off the output, the amount of gain reduction doubles. It resembles halving the FET ratio but is cleaner due to the mix.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \"LP Lim\" setting only comes into play for hot signals and reduces the depth of gain reduction for high freqs. This translates to - hot signals + moderate gain reduction = brighter, more present signal, less distortion, more balls. This mode allows more high frequencies to pass through without being limited.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \"CLIP\" setting introduces a fixed threshold clipper circuit set up about -2 dB DFS or +18 dBv at the XLR. Within normal usage \"CLIP\" generally prevents outputs from passing beyond +18 dBv, and 97% of the time, clips in a controlled fast-recovery manner before a converter would (in generally a less than desirable sounding way).\u003c\/p\u003e\r\n\r\n\u003cp\u003eFinally, the \"BOTH\" setting on the FET limiter engages both the \"LP Limit\" and the \"CLIP\" functions at the same time. This might be appropriate for metal and projects demanding intense volume. The \"BOTH\" mode is designed for situations where extreme processing and loudness is required but where attack, brightness and aggressiveness needs to be preserved or enhanced.\u003c\/p\u003e\r\n\r\n\u003cp\u003e3) The LEFT blue erstwhile-\"limit\" button becomes a master stereo LIMIT bypass switch here in the Mastering Version. When it is not engaged, it becomes a true hard-wire bypass (This was not possible on the mic preamp regular version obviously).\u003c\/p\u003e\r\n\r\n\u003cp\u003e4) The Right blue button becomes the DAC select switch (stereo).\u003c\/p\u003e\r\n\r\n\u003cp\u003e5) The what-was-the-Phantom toggle on the back of the unit becomes the Unbalanced 1\/4\" jack input select in this new mastering version.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6) There are no pots on the faceplate of the Mastering Version of the SLAM! All of the knobs in the Mastering Version are discrete detented switches in mostly 1 dB steps, with some appropriate 1\/2 dB and 2 dB steps, right where they should be.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449244708967,"sku":"6190","price":10499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-slam-master_6190_1_1.jpg?v=1787088290"},{"product_id":"weiss-eq1-dyn","title":"Weiss EQ1-DYN Dual 7-Band Digital EQ","description":"The \u003cb\u003eWeiss EQ1\u003c\/b\u003e is available in four different configurations. All of them work at 24\/96. The basic model is the \u003cb\u003eEQ1MK2\u003c\/b\u003e, the linear phase model is the EQ1-LP, the dynamic model the EQ1-DYN. The EQ1-DYN-LP incorporates both LP and DYN versions in one unit. The mode of operation (LP or DYN) can be chosen after power-up. All models are user-upgradeable to any other version. \u003cbr\u003e \u003cp\u003e\u003cb\u003eHere are the main features common to all four models:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSeven identical parametric bands. All seven bands cover the entire audio frequency range. Each band has Boost\/Cut, Frequency and Q\/Slope knobs. Each band operates in any of the following modes: High shelving, low shelving, peaking, high cut, low cut, bypass. \u003c\/li\u003e\n\u003cli\u003eOne parameter per knob operation. Seven sets of controls for seven operating bands. Knobs are touch sensitive. LCD display shows detailed parameters of the touched band. \u003c\/li\u003e\n\u003cli\u003eLarge, backlit Liquid Crystal Display which shows the overall frequency response (calculated in real time) and the detailed parameter values in dB, Hz and Q. \u003c\/li\u003e\n\u003cli\u003eA\/B compare memory, 128 snapshot bank with two additional banks for back-up. \u003c\/li\u003e\n\u003cli\u003eDigital input \/ output in AES\/EBU format on XLR connectors. \u003c\/li\u003e\n\u003cli\u003eDithering to 16, 20 or 24 bits. POW-R dithering in the LP, DYN and DYN-LP models. \u003c\/li\u003e\n\u003cli\u003e128 steps for boost\/cut, frequency and Q parameters. \u003c\/li\u003e\n\u003cli\u003eVariable slope shelving filters. \u003c\/li\u003e\n\u003cli\u003eVery high Q (up to 650) for notching out offending frequencies. \u003c\/li\u003e\n\u003cli\u003eM\/S mode for independent equalization of M and S channels. M\/S encoder \/ decoder can be configured separately. Also see the article Stereo Shuffling: New Approach - Old Technique by Michael Gerzon \u003c\/li\u003e\n\u003cli\u003ePeak meter, over indicators. \u003c\/li\u003e\n\u003cli\u003eMIDI control for each parameter. \u003c\/li\u003e\n\u003cli\u003eBypass, overall gain, CH1\/2 independent or ganged.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \u003cfont size=\"3\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e\u003cstrong\u003eConfiguration Options\u003c\/strong\u003e\u003c\/font\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eEQ1-MK2\u003cbr\u003e\u003c\/b\u003eThe EQ1-MK2 is the base model and offers all of the above features.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-LP, the EQ1-MK2 with linear phase response\u003c\/b\u003e\u003cbr\u003eThe EQ1-LP has the same parameter set as the EQ1-MK2 and is therefore fully snapshot and MIDI control compatible. Sampling frequencies supported are 44.1, 48, 88.2 and 96kHz.\u003c\/p\u003e \u003cp\u003eThe impressive list of features of the EQ1-MK2 is in the EQ1-LP further extended with a linear phase response. This means that the delay introduced by processing is now constant across the whole spectrum, unconstrained by eq settings - this is not the case with standard equalizers, where signal delay varies with frequency, with the length of the delay depending on the amplitude response.\u003c\/p\u003e \u003cp\u003eThe sound, or character, of an equalizer has been said to be influenced by phase response (for example John Watkinson: ...much of the audible difference between EQs comes down to the phase response., Studio Sound 9.97). The EQ1-LP is therefore the ideal tool for corrective amplitude adjustment, without the unwanted phase distortion added by standard equalizers.\u003c\/p\u003e \u003cp\u003eThe linear phase feature can be turned off, resulting in the exact same sound as the EQ1-MK2. So for creative sound designing, there is the benefit of two different equalizers in one machine.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-DYN, the EQ1-MK2 with four dynamic bands\u003c\/b\u003e\u003cbr\u003eFor the first time, Weiss Engineering brings an exciting new feature to its EQ palette: dynamic control in the frequency domain.\u003cbr\u003eYou adjust the EQ to a nominal setting. The input signal is then analyzed to determine exactly how much equalization need actually be applied. If the signal is already loud in a certain band, it is not boosted even more. Or, alternatively, if you want to attenuate certain frequencies, these are only attenuated when they exceed a certain level.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMulti-band dynamic? Or dynamic multi-band?\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe EQ1-DYN features four freely adjustable dynamic bands, and additionally three linear bands per channel. Setting up the dynamic bands is as easy as setting a linear band. There is just one additional parameter to be adjusted by the user, the threshold control. This makes multi-band dynamic control as easy and as versatile as adjusting a parametric equalizer.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-DYN-LP, Dynamic and Linear Phase EQ in a single unit\u003c\/b\u003e\u003cbr\u003eThe EQ1-DYN-LP contains both the Dynamic and the Linear Phase EQ programs. After power-up of the unit, the user can chose between Dynamic (DYN) and Linear Phase (LP) modes. This allows to use a single unit for a wealth of different equalizing tasks. \u003c\/p\u003e \u003cp\u003eThe workspace storage, the snapshots and the snapshot backups are fully independent between the DYN and LP parts of the unit. This means that all setup data are retained in any case. Users of EQ1-LP and EQ1-DYN units can upload their current snapshot data into the EQ1-DYN-LP via MIDI.\u003c\/p\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449250607207,"sku":"5493","price":17023.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_eq1_front.jpg?v=1787088312"},{"product_id":"weiss-eq1-dyn-lp-combo","title":"Weiss EQ1-DYN-LP Combo Dual 7-Band Digital EQ","description":"The \u003cb\u003eWeiss EQ1\u003c\/b\u003e is available in four different configurations. All of them work at 24\/96. The basic model is the \u003cb\u003eEQ1MK2\u003c\/b\u003e, the linear phase model is the EQ1-LP, the dynamic model the EQ1-DYN. The EQ1-DYN-LP incorporates both LP and DYN versions in one unit. The mode of operation (LP or DYN) can be chosen after power-up. All models are user-upgradeable to any other version. \u003cbr\u003e \u003cp\u003e\u003cb\u003eHere are the main features common to all four models:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSeven identical parametric bands. All seven bands cover the entire audio frequency range. Each band has Boost\/Cut, Frequency and Q\/Slope knobs. Each band operates in any of the following modes: High shelving, low shelving, peaking, high cut, low cut, bypass. \u003c\/li\u003e\n\u003cli\u003eOne parameter per knob operation. Seven sets of controls for seven operating bands. Knobs are touch sensitive. LCD display shows detailed parameters of the touched band. \u003c\/li\u003e\n\u003cli\u003eLarge, backlit Liquid Crystal Display which shows the overall frequency response (calculated in real time) and the detailed parameter values in dB, Hz and Q. \u003c\/li\u003e\n\u003cli\u003eA\/B compare memory, 128 snapshot bank with two additional banks for back-up. \u003c\/li\u003e\n\u003cli\u003eDigital input \/ output in AES\/EBU format on XLR connectors. \u003c\/li\u003e\n\u003cli\u003eDithering to 16, 20 or 24 bits. POW-R dithering in the LP, DYN and DYN-LP models. \u003c\/li\u003e\n\u003cli\u003e128 steps for boost\/cut, frequency and Q parameters. \u003c\/li\u003e\n\u003cli\u003eVariable slope shelving filters. \u003c\/li\u003e\n\u003cli\u003eVery high Q (up to 650) for notching out offending frequencies. \u003c\/li\u003e\n\u003cli\u003eM\/S mode for independent equalization of M and S channels. M\/S encoder \/ decoder can be configured separately. Also see the article Stereo Shuffling: New Approach - Old Technique by Michael Gerzon \u003c\/li\u003e\n\u003cli\u003ePeak meter, over indicators. \u003c\/li\u003e\n\u003cli\u003eMIDI control for each parameter. \u003c\/li\u003e\n\u003cli\u003eBypass, overall gain, CH1\/2 independent or ganged.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e \u003cfont size=\"3\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e\u003cstrong\u003eConfiguration Options\u003c\/strong\u003e\u003c\/font\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eEQ1-MK2\u003cbr\u003e\u003c\/b\u003eThe EQ1-MK2 is the base model and offers all of the above features.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-LP, the EQ1-MK2 with linear phase response\u003c\/b\u003e\u003cbr\u003eThe EQ1-LP has the same parameter set as the EQ1-MK2 and is therefore fully snapshot and MIDI control compatible. Sampling frequencies supported are 44.1, 48, 88.2 and 96kHz.\u003c\/p\u003e \u003cp\u003eThe impressive list of features of the EQ1-MK2 is in the EQ1-LP further extended with a linear phase response. This means that the delay introduced by processing is now constant across the whole spectrum, unconstrained by eq settings - this is not the case with standard equalizers, where signal delay varies with frequency, with the length of the delay depending on the amplitude response.\u003c\/p\u003e \u003cp\u003eThe sound, or character, of an equalizer has been said to be influenced by phase response (for example John Watkinson: ...much of the audible difference between EQs comes down to the phase response., Studio Sound 9.97). The EQ1-LP is therefore the ideal tool for corrective amplitude adjustment, without the unwanted phase distortion added by standard equalizers.\u003c\/p\u003e \u003cp\u003eThe linear phase feature can be turned off, resulting in the exact same sound as the EQ1-MK2. So for creative sound designing, there is the benefit of two different equalizers in one machine.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-DYN, the EQ1-MK2 with four dynamic bands\u003c\/b\u003e\u003cbr\u003eFor the first time, Weiss Engineering brings an exciting new feature to its EQ palette: dynamic control in the frequency domain.\u003cbr\u003eYou adjust the EQ to a nominal setting. The input signal is then analyzed to determine exactly how much equalization need actually be applied. If the signal is already loud in a certain band, it is not boosted even more. Or, alternatively, if you want to attenuate certain frequencies, these are only attenuated when they exceed a certain level.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMulti-band dynamic? Or dynamic multi-band?\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe EQ1-DYN features four freely adjustable dynamic bands, and additionally three linear bands per channel. Setting up the dynamic bands is as easy as setting a linear band. There is just one additional parameter to be adjusted by the user, the threshold control. This makes multi-band dynamic control as easy and as versatile as adjusting a parametric equalizer.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEQ1-DYN-LP, Dynamic and Linear Phase EQ in a single unit\u003c\/b\u003e\u003cbr\u003eThe EQ1-DYN-LP contains both the Dynamic and the Linear Phase EQ programs. After power-up of the unit, the user can chose between Dynamic (DYN) and Linear Phase (LP) modes. This allows to use a single unit for a wealth of different equalizing tasks. \u003c\/p\u003e \u003cp\u003eThe workspace storage, the snapshots and the snapshot backups are fully independent between the DYN and LP parts of the unit. This means that all setup data are retained in any case. Users of EQ1-LP and EQ1-DYN units can upload their current snapshot data into the EQ1-DYN-LP via MIDI.\u003c\/p\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449250639975,"sku":"5494","price":20667.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_eq1_front_1.jpg?v=1787088312"},{"product_id":"api-560","title":"API 560 500 Series 10-Band Graphic Equalizer","description":"\u003cp\u003eOriginally conceived for use in API consoles of the '60s and '70s, the \u003cstrong\u003eAPI 560\u003c\/strong\u003e is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. With a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. 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The Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Manley's line amp is known to be killer-sounding. The components used today just weren't available in the 1960s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EQP-1A uses 1 x 12AX7WA and 1 x 6414 (or 5965) in the all-tube single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40 dB mic preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. 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Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreating natural, organic, acoustic tone can only be done with an equalizer that treats the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and they balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that the Massive allows twice as much EQ with half the coloration. It allows huge HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. 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These can be set for either +\/-6dB or +\/-12dB boost and cut. Sub-sonic filters on each channel help protect speakers and amplifiers, and a bypass function provides easy comparison between equalized and direct signals. Overload LEDs indicate problem levels.\u003c\/p\u003e\n\u003cp\u003eThe unit utilizes proportional-Q filtering, which varies the \"Q\" value depending on the depth of either the cut or boost of a particular band. 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LED bargraph displays give a clear indication of the input signal level. \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter\u003cspan style=\"color: #000000; font-family: Arial; font-size: x-small;\"\u003e. A variable 12dB\/Octave roll-off filter adjustable from - 20Hz to 500Hz section enables the user to remove unwanted low frequencies and sub-sonic noise.\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003eEach channel of the 1961 has four main equalizer sections with six carefully chosen overlapping frequencies and a separate tube stage for increased harmonic clarity. Each section also includes variable band width from 0.3 Octave to 3 Octaves and +18dB of Cut and Boost.\n\u003cp\u003eBASS frequencies (Hz) 20, 32, 50, 80, 125, 200\u003cbr\u003eLO-MID frequencies (Hz) 100,180, 250, 400, 650,1K\u003cbr\u003eHI-MID frequencies (kHz) 0.5, 0.8,1.2, 2.0, 3.2, 5.0\u003cbr\u003eTREBLE frequencies (kHz) 2.5, 4, 6,10,15, 25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eA variable 12dB\/Octave roll-off filter adjustable from 2.5kHz to 42kHz enables the user to remove high frequency interference or to band limit excessively high levels of high frequencies. \u003c\/li\u003e\n\u003cli\u003eTwo additional tube stages in the output section of each channel allow the user to achieve 'soft clipping' by adjusting the input level control whilst visually monitoring the effect upon the 'Soft' and 'O\/L' (Overload) LEDs. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":44449252114535,"sku":"792","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/drawmer_1961.jpg?v=1787088319"},{"product_id":"manley-stereo-pultec-eqp-1a","title":"Manley Enhanced Pultec EQP-1A Stereo Tube EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Enhanced Pultec EQP-1A Mono Tube EQ\u003c\/strong\u003e is Manley's interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. The Manley Pultec units employ their own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, a couple extra frequencies have been added as well. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1\/4\" jack) may be selected in that switch's middle position.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOriginal Pultecs had three transformers in the signal path whereas Manley's can be used completely transformerless. The Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Manley's line amp is known to be killer-sounding. The components used today just weren't available in the 1960s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EQP-1A uses 1 x 12AX7WA and 1 x 6414 (or 5965) in the all-tube single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40 dB mic preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input transformer with nickel laminations potted in mu-metal case, 3 kOhm input Z\u003c\/li\u003e\r\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\r\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5K Ohm) input\u003c\/li\u003e\r\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\r\n\u003cli\u003eSilent conductive plastic BOOST \u0026amp; CUT controls\u003c\/li\u003e\r\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\r\n\u003cli\u003eVacuum Tubes: 1 x 12AX7WA (gain) and 1 x 6414 (or 5965) White Follower\u003c\/li\u003e\r\n\u003cli\u003eHi-current drive \u0026lt;50 Ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\r\n\u003cli\u003eBalanced Transformer-Coupled XLR Outputs via MANLEY 9611\u003c\/li\u003e\r\n\u003cli\u003eFlat frequency response from 10 Hz - 70 kHz\u003c\/li\u003e\r\n\u003cli\u003e\u0026lt;0.01% THD @ 1 kHz\u003c\/li\u003e\r\n\u003cli\u003eS\/N Ratio: 116 dB\u003c\/li\u003e\r\n\u003cli\u003eAdjustable FEEDBACK\/GAIN: Unity ±5 dB\u003c\/li\u003e\r\n\u003cli\u003eMax. output: +30 dBv\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 18 watts\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449252147303,"sku":"1066","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-eqp-1a-stereo_1066_1_58222ada-7a23-41a5-b930-2b019d697f0a.jpg?v=1787088319"},{"product_id":"great-river-eq-1nv","title":"Great River EQ-1NV Single Channel Digitally Controlled EQ","description":"\u003cp\u003eSimply put, the \u003cstrong\u003eGreat River EQ-1NV\u003c\/strong\u003e is a one channel digitally-controlled, analog-driven equalizer that has a topology similar to that of vintage 1081\/1083 models.  Modern improvements enable the newly-designed class A, discrete single-ended amplifiers in the NV Series Equalizers to add greater clarity and dynamic range to the musicality and control of the vintage 108x models.  The EQ-1NV has been specifically designed to work with the NV Series microphone preamplifiers' patch loop to offer greater flexibility in both tracking and mixing environments.  The front panel input selector and sensitivity switch offers the option of using the EQ-1NV's balanced bridging transformer coupled input with a range from +8dbm to -20dbm or the companion NV Series preamplifiers' patch loop signal.  When connected via the NV Series preamplifier patchpoint, the microphone and DI inputs are fully functional, as well as the level control, metering and \"big iron\" of the NV Series preamplifier output amplifier.  The EQ-1NV also has a discrete class A balanced output stage, which allows it to function as a complete stand-alone device.\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449252180071,"sku":"1108","price":1600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great_river_eq_1nv.jpg?v=1787088319"},{"product_id":"great-river-eq-2nv","title":"Great River EQ-2NV Two-Channel Digitally Controlled EQ","description":"\u003cp\u003eThe \u003cstrong\u003eGreat River EQ-2NV\u003c\/strong\u003e two-channel equalizer greatly modernizes the classic British “1081\/1083”-type design. This single-rack-space digitally controlled analog parametric EQ offers similar topology to vintage 1081\/1083 models, but with welcome improvements. Newly designed Class A discrete single-ended amplifiers and true inductor\/capacitor (L\/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-2NV also has a unique discrete high-current Class A balanced output stage.\u003c\/p\u003e\r\n\u003cp\u003eTo make life in the studio (and on the road) easier, the EQ-2NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS ¼” cable), for complete flexibility in tracking and mixing. The front panel input selector\/sensitivity switch offers the option of using the signal from the EQ-2NV's transformer-coupled line input (ranging from +8 dBm to -20 dBm), or the patched signal from the NV preamp. When connected via the patch loop, the four EQ sections are inserted between the microphone (or DI) input’s first gain stage (with level control and metering) and the preamplifier’s output gain stage and \"big iron\" transformer (also with level control and metering). This routing flexibility provides a broad range of sonic\/harmonic possibilities and maintains a full Class A signal path.\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449252212839,"sku":"1107","price":2900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great-river-eq-2nv-2021_1107_1.jpg?v=1787088320"},{"product_id":"mercury-eq-p1-equalizer","title":"Mercury EQ-P1 Mono Tube Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eMercury EQ-P1\u003c\/strong\u003e is based on the vintage 'Pultec EQP1a' circuit, which uses a passive EQ circuit with a fully balanced (push-pull) gain make up amplifier. This new Mercury production utilizes only the highest quality passive components, while remaining true to the original, and like all Mercury products, has transformer balanced input and outputs. Besides a much more powerful and stable power supply and running DC on the heaters, rather than AC, the only other modernization is one of Mercury EQP2's most popular features: the Mercury I.S.T. Switch.\u003c\/p\u003e  \u003cp\u003eThe Mercury I.S.T. Switch offers the choice to switch the Interstage Transformer in or out of the circuit. Giving engineers a choice with a flick of a switch between the standard Mercury warm, musical, \"vintage\" tone with the I.S.T. Switch not engaged (out) or a much more open and airy version of the same full, warm tone with the switch engaged (in). In the original Pultec EQP the Interstage transformer was always in the signal path. With the I.S.T. Switch engaged and the interstage transformer not in the circuit, there is slight widening of the sound and slightly more open top end. Many of today's engineers value this feature on the Mercury EQ-P1 and now the Mercury EQ-P2 Studio Program Equalizers to have choice between two great, but different sounds without changing their frequencies or setting and hearing the change instantly. Note: With the I.S.T. Switch engaged or not, the input and output transformers are always in the circuit.\u003c\/p\u003e  \u003cp\u003eThe Mercury I.S.T. Switch makes it possible to change the characteristics of the tube by a simple flip of a switch. This flexible, modern feature can only be found in the Mercury EQ-P1 circuit. This provides engineers with the choice to use the 1:1 transformer in the middle of the circuit, or not.\u003c\/p\u003e  \u003cp\u003eThe Mercury EQ series are based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier ('Pultec style') equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":44449252245607,"sku":"1531","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mercury_eq-p1_1_22637385-77f9-44de-8e6b-8ea63129f489.jpg?v=1787088319"},{"product_id":"mercury-eq-h1-equalizer","title":"Mercury EQ-H1 Mono Tube Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eMercury EQ-H1\u003c\/strong\u003e features a passive EQ circuit with a single ended gain make up amplifier topology, based on the vintage 'Pultec EQH' circuit. The Mercury EQ-H1 circuit provides a musically satisfying result unobtainable with active and parametric EQs, since it does not rely upon negative feedback (and all its associated phase and dynamic distortions) to achieve equalization. The EQ-H1, like all Mercury products, has transformer balanced (XLR) input and outputs. The only modern additions or changes to the original are a much more powerful and stable power supply and running DC on the heaters, rather than AC, and two additional frequencies to expand the range and make it more flexible.\u003c\/p\u003e  \u003cp\u003eThe Mercury EQ series all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier ('Pultec style') equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":44449252278375,"sku":"1532","price":3148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mercury_eq-h1_1_9c6713b8-e3a2-4067-98e2-ec04b5d15cdc.jpg?v=1787088320"},{"product_id":"empirical-labs-lil-freq","title":"Empirical Labs Lil FrEQ Single-Channel EQ with De-Esser","description":"\u003cp\u003eThe \u003cstrong\u003eEmpirical Labs Lil FrEQ\u003c\/strong\u003e delivers complete, precise, professional EQ control in a compact, 1u rack box. The Lil FrEQ offers \"colored\" low frequency shaping, smooth shelving, and four bands of the surgical Parametric EQ that engineers depend on time after time.  All of this power comes with nothng but the absolute highest performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe EQ Sections\u003c\/strong\u003e \u003cstrong\u003eHP\u003c\/strong\u003e - The High Pass section is a sharp filter that cuts all content below one of eight pre-selected frequencies.  Empirical Labs calls this particular filter a \"colored\" filter since it is very steep and has a special shape that prevents thinning out frequencies just above the :cutoff\" frequency.  The corner frequency is indicated by LEDs that glow softly when the section is bypassed, and brightly when the section is engaged.  As with all the EQ section in the Lil FrEQ, there is a dedicated bypass switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh and Low Shelving\u003c\/strong\u003e - These are very similar to your standard \"Tone Control\", but extremely high performance, providing exceptionally smooth boost and cut on the \"bass\" and \"treble\" frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eParametric EQ Sections\u003c\/strong\u003e - There are four sections of fully parametric EQ... possible the cleanest parametric EQ section ever produced - operating below 0.0007% THD at extremely high audio levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic EQ Section\u003c\/strong\u003e - The DS section combines filters with a compressor-like circuit that can help contain and control excessive high frequency content such as sibilants, especially in the absence of other lower frequency content.  There are two modes of operation, with threshold control as well as a frequency select control. There are four LEDs that indicate the amount of Gain Reduction: -1dB, -4dB, -8dB, -12dB.  The Ds section provides the highest performance, easiest to use, and most natural De-esser ever built, as well as a one of a kind, soft-knee High Frequency Limiter.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":44449252311143,"sku":"2568","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empirical_labs_lil_freq_front.jpg?v=1787088320"},{"product_id":"gml-8200","title":"GML 8200 Two-Channel 5-Band Parametric Equalizer","description":"\u003cp\u003eBrought to you from the man who invented and coined the term \"parametric equalization,\" the \u003cstrong\u003eGML 8200\u003c\/strong\u003e has been an industry standard for almost forty years, and can be found on virtually every major recording studio's stereo bus. Each of the five broadly-overlapping bands offers 15 dB of Boost or Cut and adjustable bandwidth (or Q) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetypical stereo parametric equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers but exceeded by no other. The 8302 occupies a two 19\" rack spaces and ships with an external power supply (GML Model 2555) and a 5-pin XLR power cable.\u003c\/p\u003e","brand":"GML","offers":[{"title":"Default Title","offer_id":44449252343911,"sku":"2768","price":8360.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gml-8200-front-angle_e2f13493-5f8c-4843-a373-920a9c812ab2.jpg?v=1787088320"},{"product_id":"crane-song-ibis","title":"Crane Song IBIS 4-band Stereo Equalizer","description":"\u003cb\u003eCrane Song IBIS\u003c\/b\u003e boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals from 32-Hz \"C\" to 22.35-kHz \"F.\" Its four overlapping bands are labeled with note names and frequency allowing for the first time a \"translation\" between musician-speak and engineer-jargon. The bandwidth control has similar notation with adjustment from 0.1 octave to 4 octaves per band and a boost \/ cut range of 12 dB. \u003cbr\u003e\u003cbr\u003eThe low-cut filter is switch selectable from 20-Hz to 150-Hz with slopes of either 12-dB or 24-dB per octave. Like most Crane Song products, IBIS utilizes discrete class-A circuitry and features a truly unique and adjustable \"color\" function that can be applied to either the entire audio path or to any individual frequency band. A fully stepped mastering version is available.","brand":"Crane Song","offers":[{"title":"Default Title","offer_id":44449252376679,"sku":"2830","price":4699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/crane_song_ibis.jpg?v=1787088320"},{"product_id":"d-w-fearn-vt-4-tube-lc-equalizer","title":"D.W. Fearn VT-4 Single-Channel Tube LC Equalizer","description":"\u003cp\u003eThe \u003cstrong\u003eD.W. 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Fearn's specifications and is the same model used on the VT-1 and VT-2 mic preamps.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEQUALIZATION SECTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll equalization is accomplished with passive LC (inductor\/capacitor) circuitry. The inductors are custom-made for the VT-4 by Jensen Transformers Inc. All capacitors are polystyrene or polypropylene types. The rotary switches are semi-sealed, silver-con- tact types selected for quiet operation and long life.  \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eOUTPUT SECTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe output amplifier is similar to the Input section, using a two-stage, Class A 6N1P triode amplifier with a cathode-follower output. The output is transformer-balanced, using a custom-made Jensen transformer. The output is optimized for feeding bridging inputs, which are standard in the recording industry. Either a balanced or unbalanced source may be fed.    \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTEPPED CONTROLS FOR PRECISION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll controls are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene, and the inductors are custom-made for us to our exacting specifications.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eHEAVY-DUTY CONSTRUCTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25\"), 1\/4\" thick front panel, finished in D.W. Fearn red. It matches the VT-1\/VT-2 series of mic preamps in appearance and construction. Like the VT series of preamps, the VT-4 has been designed to be an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly-musical equalizer with plenty of range for enhancing any track.\u003c\/p\u003e","brand":"D.W. 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Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a \"Constant Energy Curve\" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow \"peak\" buttons keep the width at a constant 1\/3 octave for more precision control. \u003cp\u003eThe High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button. \u003c\/p\u003e\u003cp\u003eWith 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. 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Bass shelf @ 20, 30, 60,100Hz ±12dB \u003cbr\u003e2. Bass bell Filter @ 60,120,240, 500, 700Hz \u0026amp; 1kHz ±12dB \u003cbr\u003e3. Mid range @ 6k, 8k, 10k, 12k, 16kHz±12dB \u003cbr\u003e4. Treble range @ 6k, 8k, 10k, 12k, 16kHz±12dB \u003cbr\u003e5. 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Go ahead and get radical with the four bands, you won't have issues with distortion as you go about your sculpting. That's because the stereo NSEQ-2 aims for transparency, lending a big, clear, clean sound that's refreshing to work with. More than that, the NSEQ-2 features Millennia's Twin Topology design, meaning you have the benefit of solid-state and tube signal paths to choose from, for double the EQ options. Each voice lends a touch of the sound characteristics you'd expect and want from that type of signal path, but achieves it through Millennia's smart, minimalist designs to yield maximum sonic integrity and heightened musical reality. The NSEQ-2 is a natural choice for mastering applications but ideal for anyone seeking an authoritative-yet-gentle hand of stereo EQ.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePURITY IN SOUND AND DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEverything about the Millennia NSEQ-2 is designed to facilitate smooth, musical EQing, whether it's subtle refining or surgical sculpting you need. To achieve its clear, clean, seemingly transparent sound, the NSEQ-2 intentionally features a minimalist design, a departure from most classic and modern EQs. Millennia incorporated only one active stage in the audio signal path. Compared to common parametric EQs that employ three to seven active amplifiers, the NSEQ-2 is able to remain highly musical and pure at the same time. That's not to say the NSEQ-2 isn't flexible. Millennia equipped this premium EQ with its signature Twin Topology. At the push of the button, you can choose between tube and solid-state sound characteristics, both of them highly musical and refreshingly clear.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eMILLENNIA GEAR IS MADE FOR DETAIL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFounder and chief designer John LaGrou takes the same approach to his exceptional audio gear as he does to the wine he cultivates in the California countryside. Detail matters, it's everything. Whether in a vintage of wine or your multi-track mix, taken together, those details can make a major difference in the end result. Millennia equipment celebrates those fine, subtle points, bringing you gear that's built with uncompromising quality to deliver purity in music.\u003c\/p\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44449252606055,"sku":"4934","price":4400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/millennia_nseq_2.jpg?v=1787088321"},{"product_id":"white-instruments-paramedic-xlr","title":"White Instruments Paramedic XLR Digital Parametric EQ","description":"The \u003cb\u003eWhite Instruments ParaMedic\u003c\/b\u003e series represents the latest technology in digital signal processing engines and offers remarkably higher performance at drastically reduced costs when compared to the last generation. The processing power of a ParaMedic is approximately 4 times that of our 5000 Series DSPs at about half the price. \u003cbr\u003e\u003cbr\u003e These new processors combine the advantages of a pair of one-third octave or one (1) one-sixth octave graphic equalizers, but you only invoke the filters you need. Add to that the flexibility of two channels of parametric equalizers to surgically remove feedback and room ringing. Band limit the system with high-pass and low-pass filters and subjectively add shelving. Some applications will require the isolation input and output transformers that are built into the ParaMedic -T model. \u003cbr\u003e\u003cbr\u003e The ParaMedic has no front panel controls for economy and security. All set-up and operating functions are conducted from a PC running Windows 95\/98\/NT4 and White Windows 2 software. The computer\/DSP link is generic RS-232 requiring only an industry standard cable. No outboard interface boxes are required. Programmed presets can be instantly recalled from a dry contact closure. A convenient data connector is placed on the front panel and paralleled to the rear panel. Up to 250 ParaMedics can be daisy-chained and controlled from one PC. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Filters: \u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e White Instruments has manufactured filters of all kinds for over forty-five years from a book of transfer functions that was closed in the mid 1930’s. Our reputation for manufacturing audio filters that sound good and industrial filters that work is no accident. The secret is having the experience to select the appropriate transfer function and circuit topology for the task, then rendering the filter with a great deal of attention to craftsmanship and detail. This tradition is carried to our digital implementations. \u003cbr\u003e\u003cbr\u003e Pre-built files help create one-third or one-sixth octave filters on standard ISO frequency centers. 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The processing power of a ParaMedic is approximately 4 times that of our 5000 Series DSPs at about half the price. These new processors combine the advantages of a pair of one-third octave or one (1) one-sixth octave graphic equalizers, but you only invoke the filters you need. Add to that the flexibility of two channels of parametric equalizers to surgically remove feedback and room ringing. Band limit the system with high-pass and low-pass filters and subjectively add shelving. A digital delay is available on both outputs with up to 344mS delay per channel, adjustable in 0.021mS steps. Some applications will require the isolation input and output transformers that are built into the ParaMedic+ -T model. \u003cbr\u003e\u003cbr\u003eThe ParaMedic has no front panel controls for economy and security. All set-up and operating functions are conducted from a PC running Windows 95\/98\/NT4 and White Windows 2 software. The computer\/DSP link is generic RS-232 requiring only an industry standard cable. No outboard interface boxes are required. Programmed presets can be instantly recalled from a dry contact closure. A convenient data connector is placed on the front panel and paralleled to the rear panel. Up to 250 ParaMedics can be daisy-chained and controlled from one PC. \u003cbr\u003e\u003cbr\u003eThe Filters: White Instruments has manufactured filters of all kinds for over forty-five years from a book of transfer functions that was closed in the mid 1930’s. Our reputation for manufacturing audio filters that sound good and industrial filters that work is no accident. The secret is having the experience to select the appropriate transfer function and circuit topology for the task, then rendering the filter with a great deal of attention to craftsmanship and detail. This tradition is carried to our digital implementations.\u003cbr\u003e\u003cbr\u003ePre-built files help create one-third or one-sixth octave filters on standard ISO frequency centers. All filters are adjusted in 1Hz steps and can be generated between 20Hz and 20kHz. Parametric filters have a response of -70 to +12dB in 0.1dB steps and can be as narrow as 1\/70 octave or as broad as 2 octaves. High-Pass and Low-Pass filters can have responses from 6 to 48dB per octave, adjusted in 6dB per octave steps. High and Low Shelving filters have a fixed response of 6dB per octave.","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449252704359,"sku":"5449","price":1669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-paramedic-plus_5449_1_4e6adce8-bc92-410c-8537-caebe12a82e2.jpg?v=1787088322"},{"product_id":"white-instruments-paramedic-xlr-1","title":"White Instruments Paramedic+ XLR Digital Parametric EQ","description":"The ParaMedic+ represents the latest technology in digital signal processing engines and offers remarkably higher performance at drastically reduced costs when compared to the last generation. The processing power of a ParaMedic is approximately 4 times that of our 5000 Series DSPs at about half the price. These new processors combine the advantages of a pair of one-third octave or one (1) one-sixth octave graphic equalizers, but you only invoke the filters you need. Add to that the flexibility of two channels of parametric equalizers to surgically remove feedback and room ringing. Band limit the system with high-pass and low-pass filters and subjectively add shelving. A digital delay is available on both outputs with up to 344mS delay per channel, adjustable in 0.021mS steps. Some applications will require the isolation input and output transformers that are built into the ParaMedic+ -T model.\u003cbr\u003e\u003cbr\u003eThe ParaMedic has no front panel controls for economy and security. All set-up and operating functions are conducted from a PC running Windows 95\/98\/NT4 and White Windows 2 software. The computer\/DSP link is generic RS-232 requiring only an industry standard cable. No outboard interface boxes are required. Programmed presets can be instantly recalled from a dry contact closure. A convenient data connector is placed on the front panel and paralleled to the rear panel. Up to 250 ParaMedics can be daisy-chained and controlled from one PC. \u003cbr\u003e\u003cbr\u003eThe Filters: White Instruments has manufactured filters of all kinds for over forty-five years from a book of transfer functions that was closed in the mid 1930’s. Our reputation for manufacturing audio filters that sound good and industrial filters that work is no accident. The secret is having the experience to select the appropriate transfer function and circuit topology for the task, then rendering the filter with a great deal of attention to craftsmanship and detail. This tradition is carried to our digital implementations.\u003cbr\u003e\u003cbr\u003ePre-built files help create one-third or one-sixth octave filters on standard ISO frequency centers. All filters are adjusted in 1Hz steps and can be generated between 20Hz and 20kHz. Parametric filters have a response of -70 to +12dB in 0.1dB steps and can be as narrow as 1\/70 octave or as broad as 2 octaves. High-Pass and Low-Pass filters can have responses from 6 to 48dB per octave, adjusted in 6dB per octave steps. High and Low Shelving filters have a fixed response of 6dB per octave.","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449252737127,"sku":"5450","price":1669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-paramedic-plus-xlr_5450_1_ebe0bfe7-cada-4ac2-99a4-964dd65f779d.jpg?v=1787088322"},{"product_id":"spl-qure","title":"SPL Qure","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL Qure\u003c\/span\u003e is ideally suited for demanding tonal shaping of individual instruments, voices and complex musical signals. All applications benefit from the unique tonal potential and the sophisticated filtering design that perfectly complements the fine details of the sound being processed.\u003cbr\u003e \u003cbr\u003e The highly sophisticated circuitry of the Qure forms the basis for its outstanding tonal qualities: each filter is serially connected on separate boards with individual op-amps, resulting in excellent noise and distortion values, with a hard bypass available for each individual filter.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2 x 3-band fully parametric EQ\u003c\/li\u003e\n\u003cli\u003eProportional Q operation\u003c\/li\u003e\n\u003cli\u003eVariable HF and LF cut filters\u003c\/li\u003e\n\u003cli\u003eUnique QURE control\u003c\/li\u003e\n\u003cli\u003eVariable input gain (-12dB to +18dB)\u003c\/li\u003e\n\u003cli\u003eVariable output gain (-7dB to +4dB)\u003c\/li\u003e\n\u003cli\u003eHard-Bypass for each filter band and both cut filters\u003c\/li\u003e\n\u003cli\u003eMaster relay hard-bypass for entire unit\u003c\/li\u003e\n\u003cli\u003eCentral Grounded Shield Layout\u003c\/li\u003e\n\u003cli\u003eSPL's Super-Balancing Hybrids (CMRR \u0026gt; 80dB)\u003c\/li\u003e\n\u003cli\u003eTube warm up circuitry for prolonged tube-life\u003c\/li\u003e\n\u003cli\u003eOverrated internal toroidal power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449252769895,"sku":"5466","price":1918.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_qure_1.jpg?v=1787088322"},{"product_id":"spl-pq-recording-edition","title":"SPL PQ Recording Edition","description":"SPL is constantly pushing analog signal processing to its limits by combining the best possible components with perfectly optimized circuit design. As our latest achievement in this ongoing process, SPL‘s High Gain Series surpasses the hitherto accepted limits of audio signal processing and combines truly unparalleled analog sound quality with the control and convenience of digital units. \u003cbr\u003e\u003cbr\u003eFurther High Gain projects are in planning, including a microphone preamplifier and a compressor, although no availability projections can be made for these currently. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eWho needs another equalizer? Check this:\u003c\/b\u003e \u003cul\u003e \u003cli\u003ePure analog, discrete Class A equalization circuitry \u003c\/li\u003e\n\u003cli\u003eConstant Q and proportional Q equalization (selectable per band) \u003c\/li\u003e\n\u003cli\u003eDigital storability and total recall with motorized controls \u003c\/li\u003e\n\u003cli\u003eChannel link and master\/slave unit link modes (deactivatable per band) \u003c\/li\u003e\n\u003cli\u003e120 Volt internal operating voltage for clean, consistent audio \u003c\/li\u003e\n\u003cli\u003eRemote control unit controls up to four PQ‘s for surround processing* \u003c\/li\u003e\n\u003cli\u003eSPL‘s discrete SUPRA op-amps with 150 dB dynamic range \u003c\/li\u003e\n\u003cli\u003eExactly the equalizer you‘ve been wishing someone would build ... \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449252802663,"sku":"5468","price":9974.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_pq2050_1.jpg?v=1787088322"},{"product_id":"tube-tech-eq1a","title":"Tube-Tech EQ1A","description":"The \u003cb\u003eTUBE-TECH EQ 1A\u003c\/b\u003e is a full range one channel unit, featuring low \u0026amp; high cut, low \u0026amp; high shelving and three overlapping bands. The cut filters are designed around unity gain amplifiers and the shelving and the bell filters are designed around two tube operational amplifiers. \u003cbr\u003e\u003cbr\u003eThe unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage. \u003cbr\u003e\u003cbr\u003eFeatures \u003cul\u003e \u003cli\u003eLow cut at 6 frequencies: Slope 6 dB or 12 dB\/octave \u003c\/li\u003e\n\u003cli\u003eHigh cut at 6 frequencies: Slope 6 dB or 12 dB\/octave \u003c\/li\u003e\n\u003cli\u003eBand 1-3, bell type: 36 overlapping frequencies (12 per band), +\/- 20 dB with variable bandwidth \u003c\/li\u003e\n\u003cli\u003eLow shelving at 6 frequencies: +\/- 15 dB \u003c\/li\u003e\n\u003cli\u003eHigh shelving at 6 frequencies: +\/- 15 dB \u003c\/li\u003e\n\u003cli\u003eAll switches gold plated \u003c\/li\u003e\n\u003cli\u003eConductive plastic potentiometers \u003c\/li\u003e\n\u003cli\u003eFrequency response: 5 Hz to 60 kHz \u003c\/li\u003e\n\u003cli\u003eVery low noise: \u0026lt; -85 dBU \u003c\/li\u003e\n\u003cli\u003eMaster bypass with clickless relay \u003c\/li\u003e\n\u003cli\u003eAll 7 sections fitted with separate in\/out switch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":44449252835431,"sku":"5937","price":4750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tubetech_eq1a_3_7dd0f000-8bf2-4a5d-8460-1c4c58b3f692.jpg?v=1787088322"},{"product_id":"tonelux-lfe-module","title":"Tonelux LFE Module","description":"Tonelux TX-LFE 80\/120 Hz Sub Woofer Filter","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449252868199,"sku":"6013","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_lfe_module.jpg?v=1787088323"},{"product_id":"manley-mid-frequency-eq","title":"Manley Mid Frequency EQ Tube Equalizer","description":"\u003cp\u003eSpecially useful for midband oriented instruments such as guitars, vocals, harmonicas, and violins, the \u003cstrong\u003eManley Mid Frequency EQ\u003c\/strong\u003e shares the same features and specifications as our 'EQP-1A' version. The differences lie in the passive EQ section: In the MID EQ, the DIP and PEAK controls function on much sharper bell-shaped curves centered on the selected frequencies, which gives the engineer-producer more precise control over the vitally important midrange and makes this unit indispensable for mastering engineers. The MID EQ also completely fills the frequency gaps between the low frequency and high frequency sections of our Enhanced Pultec EQP-1A type EQ; thus the combination of the two provides a most flexible palette of possibilities for tracking or mastering.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input transformer with pure nickel laminations potted in mu-metal case - 3 kOhm input Z\u003c\/li\u003e\r\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\r\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5 kOhm) input\u003c\/li\u003e\r\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\r\n\u003cli\u003eSilent conductive plastic PEAK \u0026amp; SHELF controls\u003c\/li\u003e\r\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\r\n\u003cli\u003eHi-current drive \u0026lt;50 Ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\r\n\u003cli\u003eBalanced Transformer Coupled XLR Outputs\u003c\/li\u003e\r\n\u003cli\u003eFlat frequency response from 10 Hz - 70 kHz\u003c\/li\u003e\r\n\u003cli\u003e\u0026lt;0.01% THD @ 1 kHz\u003c\/li\u003e\r\n\u003cli\u003eS\/N Ratio: 116 dB\u003c\/li\u003e\r\n\u003cli\u003eAdjustable FEEDBACK\/GAIN: Unity ±5 dB\u003c\/li\u003e\r\n\u003cli\u003eMax output: +30 dBv\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 18 watts\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449252933735,"sku":"6189","price":3299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-mideq_6189_1.jpg?v=1787088323"},{"product_id":"dbx-215","title":"DBX 215","description":"\u003cp\u003eThe dbx® 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls.  The \u003cem\u003edbx 215\u003c\/em\u003e not only provides standard features like dual channels, 15 2\/3 octave bands, ISO frequency meters, +\/- 12dB input gain range, and switchable 50Hz\/12dB octave low-cut filters, but also includes other thoughtful features.  These features include: 20 mm faders; selectable +\/-6dB or +\/-12dB boost\/cut range for precise gain adjustments; XLR, and 1\/4\" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis\/signal ground lift capabilities for quick hum isolation.  The visionary design of the dbx® 2-Series has been pursued to make your job easier.\u003c\/p\u003e\n\u003cp\u003eThe 2-Series represents a major step forward in the performance of entry-level graphic equalizers.  From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal toroidal transformer, the 2-Series offers out of this world specifications wit a own to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in tHe lineage of great dbx® signal processors that are the professional's choice in signal processing.  With such affordable quality, there's no longer any excuse for compromising your sound.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449252900967,"sku":"6361","price":159.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_215.jpg?v=1787088323"},{"product_id":"dbx-231","title":"DBX 231s Dual-Channel 31-Band Graphic EQ","description":"\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003eWith a lineage extending back to the revered 12 and 20 Series graphic equalizers, the \u003cstrong\u003edbx® 231\u003c\/strong\u003e easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets.  Besides including two 31-band channels of 1\/3-octave equalization, the 231 also offers ±6 or ±12 dB boost\/cut range; XLR, 20mm faders and 1\/4\" inputs; nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering.  As always, the inevitable result of our meticulous attention to detail and top-quailty componentry is exceptional sound, performance, and reliability. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003eThe 2-Series represents a major step forward in the performance of entry-level graphic equalizers.  From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range and internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx® signal processors that are the Professional's Choice™.  With such affordable quality, there's no longer any excuse for compromising your sound.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449252966503,"sku":"6362","price":335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_231_1.jpg?v=1787088323"},{"product_id":"dbx-1215","title":"DBX 1215","description":"\u003cp\u003eThe dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.  The \u003cspan style=\"font-weight: bold;\"\u003edbx 1215\u003c\/span\u003e provides standard features like dual channels, 15 2\/3 octave bands, ISO frequency centers, +\/-12 dB input gain range, and switchable 40Hz\/18 dB per octave low-cut filters, but also includes other thoughtful features.  These include 45 mm faders; selectable +\/-6dB or +\/-15dB boost\/cut range for precise gain adjustments; XLR, barrier strip, and 1\/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis\/signal ground lift capabilities for quick hum isolation.  The visionary design of the dbx 12 Series makes your job easier.\u003cbr\u003e\u003cbr\u003eThe dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application.  The magnetically isolated transformer, electronically balanced\/unbalanced inputs and servo balanced\/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations.  Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 2U steel\/aluminum chassis.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449252999271,"sku":"6363","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_1215.jpg?v=1787088323"},{"product_id":"dbx-1231","title":"DBX 1231 Dual-Channel 31-Band Graphic EQ","description":"\u003cp\u003eThe dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.  The \u003cspan style=\"font-weight: bold;\"\u003edbx 1231\u003c\/span\u003e provides standard features like dual-channels, 31 1\/3 octave bands, ISO frequency centers, +\/- 12 dB input gain range, and switchable 40Hz\/18 dB per octave low-cut filters, but also includes other insightful features.  These include 45 mm faders; selectable +\/-6dB or +\/-15dB boost\/cut range for precise gain adjustments; XLR, barrier strip, and 1\/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis\/signal ground lift capabilities for quick hum isolation.  The visionary design of the dbx 12 Series makes your job easier.  The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application.  The magnetically isolated transformer, electronically balanced\/unbalanced inputs and servo balanced\/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3u steel\/aluminum chassis.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449253032039,"sku":"6364","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_1231.jpg?v=1787088323"},{"product_id":"dbx-2231","title":"DBX 2231","description":null,"brand":"DBX","offers":[{"title":"Default Title","offer_id":44449253064807,"sku":"6365","price":569.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_2231.jpg?v=1787088324"},{"product_id":"dbx-2031","title":"DBX 2031","description":"\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449253097575,"sku":"6366","price":430.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_2031.jpg?v=1787088323"},{"product_id":"dbx-2215","title":"DBX 2215","description":"\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\n\u003c\/span\u003e\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449253130343,"sku":"6367","price":430.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_2215.jpg?v=1787088324"},{"product_id":"dbx-ieq-15","title":"DBX iEQ-15","description":"\u003cp\u003eWith an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the \u003cspan style=\"font-weight: bold;\"\u003edbx iEQ-15\u003c\/span\u003e easily lives up to the dbx legacy of uncompromised sonic integrity.  In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting.  Besides including two 15-band channels of 2\/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost\/cut range, 40mm faders, XLR, 1\/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering.  As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability. \u003cbr\u003e\u003cbr\u003eThe iEQ series represents a major step forward in the performance of EQs.  The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel.  From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-15 offers out of this world specifications with a downto- earth price point.  Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-15 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing.  With such pristine design and quality, the iEQ-15 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449253163111,"sku":"6368","price":529.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_ieq15_1.jpg?v=1787088324"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-outboard-equalizers.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}