{"title":"Mastering Processors","description":null,"products":[{"product_id":"tc-electronic-finalizer-96k","title":"TC Electronic Finalizer 96K Studio Mastering Processor","description":"\u003cp\u003eThe Finalizer 96K's all new set of advanced features and enhancements, including 96kHz internal and external processing truly puts the world of professional mastering within reach of every studio - large or small. \u003c\/p\u003e\u003cp\u003eInserted between the stereo output of your mixer or workstation and your master recording media, the Finalizer 96K dramatically rounds out your material, creating that \"radio ready\" sound - previously unattainable outside a professional mastering house.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhat does the FInalzer 96K do?\u003cbr\u003e\u003c\/b\u003eWhen you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix. Inserted between the Stereo output of your mixer or DAW and your DAT or CDR, it enhances the dynamics and ensures optimal Analog to Digital conversion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\u003cli\u003e\n\u003cb\u003eConvert:\u003c\/b\u003e 24bit\/96kHz resolution A\/D and D\/A converters, Format conversion (AES\/EBU, S\/PDIF and Tos-link) ADAT interface (track bounce) \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eSample Rate Conversion:\u003c\/b\u003e Enter and exit at any Sample Rate e.g. 32, 44.1, 48, 88.2 and 96kHz and make even asynchronous conversion possible \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eShape:\u003c\/b\u003e Five band 24bit Stereo Digital Equalizer \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eEnhance:\u003c\/b\u003e Choose between Dynamic EQ, Stereo Adjust, Digital Radiance Generator™ and Spectral Stereo Image \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eNormalize:\u003c\/b\u003e Real-time Gain Maximizer \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eExpand:\u003c\/b\u003e Variable Slope multiband Expander \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eSqueeze:\u003c\/b\u003e Multiband Compressor \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eTrim:\u003c\/b\u003e Variable Ceiling multiband Limiter \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eFade:\u003c\/b\u003e Manual or Auto Fade Tool \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eDither:\u003c\/b\u003e Maintain the highest resolution at the digital AES\/EBU and S\/PDIF outputs, Tos-link and ADAT \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eBalance:\u003c\/b\u003e L\/R balance in 0.1dB steps \u003cbr\u003e\u003cbr\u003eIn short, all the tools you need are provided in the Finalizer 96K and makes it essential in your studio.\u003c\/li\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449256964199,"sku":"278","price":1450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_finalizer96k_1.jpg?v=1787088342"},{"product_id":"tc-electronic-finalizer-express","title":"TC Electronic Finalizer Express","description":"The Finalizer Express is the fast and efficient way to turn your mix into a Professional Master! Based upon TC's Multi-Award winning Finalizer Mastering Technology, it delivers the finishing touches of clarity, warmth and punch to your mixes, putting the world of professional mastering within your reach.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTC Electronic Finalizer Express at a Glance:\u003c\/b\u003e\u003cbr\u003e \u003cul\u003e \u003cli\u003eRefines your tracks and adds energy without \"overs\"\u003cbr\u003e\n\u003c\/li\u003e \u003cli\u003eTightens bass, improves balance and levels are optimized\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eRefines your tracks and adds energy without \"overs\"\u003c\/b\u003e\u003cbr\u003eInsert the Finalizer Express between the stereo output of your mixer or workstation and your mastering recording media to refine your tracks with powerful mastering tools, adding real energy to your mix without worrying about \"overs\".\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTightens bass, improves balance and levels are optimized\u003c\/b\u003e\u003cbr\u003ePunch up your mix with the fast intuitive user-interface and deliver the ultimate sound quality you deserve - quick and clean! Spectral balance is improved, bass is tightened, the level is optimized and your mix sounds like a final master! \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449256996967,"sku":"279","price":1080.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_finalizerexpress_1.jpg?v=1787088342"},{"product_id":"gml-2030","title":"GML 2030","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGML 2030\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMastering Dynamic Gain Control is the precision tool for mastering and other critical applications where the utmost in calibrated control, flexibility, and audio transparency is required.\u003cspan\u003e  \u003c\/span\u003eBased on the proven GML 8900 Series III audio and control topologies, this no-compromise dynamic range controller continues the GML engineering tradition and expands the familiar capabilities of the Model 8900 to include flexible multi-channel, multi-controller deployment.\u003cspan\u003e  \u003c\/span\u003eThe 2030 is housed in a 3u chassis and requires two GML 9015 power supplies.\u003c\/span\u003e\u003c\/p\u003e","brand":"GML","offers":[{"title":"Default Title","offer_id":44449257095271,"sku":"270","price":8300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gml_2030_1.jpg?v=1787088341"},{"product_id":"spl-stereo-vitalizer-mk2-t","title":"SPL Stereo Vitalizer MK2-T","description":"\u003cp class=\"p1\"\u003eThe \u003cstrong\u003eSPL Vitalizer MK2-T \u003c\/strong\u003eis the tube version of the Vitalizer MK2. The tubes are employed in the mid-hi processing and in the Stereo Expander circuitry for the summed signal. Coil filtering stages ideally complement vintage tube sound characteristics. Multi award winning patented technology. Likely the best audio enhancer available. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eThe Vitalizer applies psychoacoustic and audiometric principles to achieve a verifiable improvement while enhancing the sound. The Vitalizer processes only the original signal and generates no artifacts. SPL's patented filtering techniques highlight the richness of the audio signal in all its detail, while the interactive parameters make it possible to alter the sound in a musical and effective way. This unique combination of precise filtering and intuitive usability enable you to instantly make any music production more stimulating and natural. Music and speech are made clearly distinguishable and comprehensible, loudness more intense, and the whole soundscape becomes wider. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eThe frequency spectrum is usually divided into three frequency bands: highs, mids and lows, all of which are provided in the Vitalizer, even though, as opposed to conventional usage, low and mid filter settings are interrelated. The high frequency control allows processing of high frequencies and harmonics. You can adjust each of the three frequency bands separately and control the intensity of the process independently. \u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449261060199,"sku":"807","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-stereo-vitalizer-mk2-t_807_1.jpg?v=1787088349"},{"product_id":"spl-tube-vitalizer","title":"SPL Tube Vitalizer Stereo Mastering Enhancer","description":"\u003cp\u003eA completely different type of EQ, with which almost virtuoso interventions in the sound image become possible. When mixing, mastering and restoring, the \u003cstrong\u003eSPL Tube Vitalizer\u003c\/strong\u003e goes beyond traditional equalization.\u003c\/p\u003e\r\n\u003cp\u003eThe Vitalizer is based on findings of psychoacoustics and audiometry. Its filter network is one of the few patented filters. It makes the richness of detail of audio signals more audible. Interventions in the sound image are more of a musical nature. Music productions sound more natural, lively, differentiated, easier to understand, more deeply layered and more widely spread apart.\u003c\/p\u003e\r\n\u003cp\u003eThese are the five controls of the Vitalizer core circuit. Drive controls the level going into the filter network. The bass emphasizes a soft or hard tone. The coil filter (LC) makes the bass more pithy and the compressor catches level peaks. Mid-Hi Tune sets the frequency of operation above which frequencies are boosted and below which frequencies are cut. Process Level adjusts the intensity of Mid-Hi Tune and bass.\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the Vitalizer core circuit, the Tube Vitalizer has a high frequency and harmonics processing stage with Frequency and Intensity controls and switchable coil filter (LC) as well as compressor.\u003c\/p\u003e\r\n\u003cp\u003eThe switchable tube stage is constructed with three tubes: first, left and right pass through their channel output tube, then the channels pass jointly through the third tube as a stereo signal. As a little treat, the Tube Vitalizer offers a shunt limiter. This limits the level according to a characteristic curve tuned to the tubes and provides the signal with a sonic effect similar to the saturation effect of analog tape machines.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eDE-MASKING\u003c\/h3\u003e\r\n\u003cp\u003eA key feature of the Vitalizer is the unmasking of superimposed sound components. The Vitalizer thereby relates the time of perception of a frequency to its amplitude. Through a minimal temporal offset of loud frequencies, quieter, previously superimposed sound components are “de-masked” and thus become audible.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eADAPTATION TO CURVES OF EQUAL LOUDNESS\u003c\/h3\u003e\r\n\u003cp\u003eThe non-linear sensitivity of the human hearing is described already in the 1930s by the “Fletcher-Munson curves”. These “curves of equal loudness” (today defined by the standard ISO 226:2003) illustrate the equal perception of loudness as a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The Vitalizer adapts the frequency spectrum to the curves of equal loudness, which improves the loudness perception in particular.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eI\/O\u003c\/h3\u003e\r\n\u003cp\u003eThe two channels of the Tube Vitalizer are equipped with Neutrik XLR sockets and jack sockets connected in parallel. The signal transmission is electronically balanced with a nominal level of +6 dB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eI\/O SPECIFICATIONS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInstrumentation amplifier, electronically balanced (differential), transformerless, XLR and jack connectors\u003c\/li\u003e\r\n\u003cli\u003eNominal input level +6 dB\u003c\/li\u003e\r\n\u003cli\u003eInput impedance =22 kOhm\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance \u0026lt; 600 Ohm\u003c\/li\u003e\r\n\u003cli\u003eMax. input level +24 dBu\u003c\/li\u003e\r\n\u003cli\u003eMax. output level +22 dBu\u003c\/li\u003e\r\n\u003cli\u003eMinimum load 600 Ohm\u003c\/li\u003e\r\n\u003cli\u003eRelay hard bypass \/ power fail safety\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449262239847,"sku":"1484","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-tube-vitalizer_1484_1.jpg?v=1787088355"},{"product_id":"spl-stereo-vitalizer-mk2","title":"SPL Stereo Vitalizer MK2","description":"The\u003cb\u003e Stereo Vitalizer Mk2\u003c\/b\u003e is the next generation of Stereo Vitalizer in which we have translated our customers' wishes and demands using our latest knowledge of the Vitalizer-filter network. The result is a totally new circuit design which adds new filters and controls to the existing parameters to fulfil the demands of the rapidly changing recording industry. It is designed for mastering, post production work and sound reinforcement. \u003cbr\u003e \u003cbr\u003e The signal-to-noise ratio has effectively been improved by 8 dB (at full effect), and this is especially beneficial when the Stereo Vitalizer Mk2 is wired between the mixer's output and a power amplifier, as it might be in PA or disco applications. To set the operation level of the filter network more precisely, a Drive control has been added that enables you to set continuously variable levels between -20 dB and +6 dB. A Clip LED illuminates to indicate a potential overload. Another new feature is the integrated compressor, which only works where it is most useful: in the bass range. When recording on digital equipment, it is essential not to overload the inputs of such systems which would otherwise result in invalid samples or digital peaks. As the bass frequencies carry most of the level, it makes a lot of sense to integrate a compressor into the bass path. We designed the compressor as a 'one-knob' solution to make it easy to operate, and a soft-knee characteristic was chosen for unobtrusive operation. The threshold, attack and release are automatically adjusted while the Compression control sets the ratio value. The blue Gain Reduction LED indicates the point at which the compressor starts to operate. The characteristic of the Process control has been changed in order to produce a mid-damping effect that sounds more consistent for the soft as well as the tight bass sound. To freshen up the top-end of a recording, the new High EQ and Intensity controls have been integrated. The High EQ works with steep filters and controlled changes of phase relationships of the high frequencies and harmonics. The Mid-Hi Tune and the High EQ filter complement each other in an ideal fashion, while the Mid-Hi Tune sets the frequency above which the programme material is lifted and below which damping takes place. The High EQ and Intensity controls also extract certain frequencies during this process which is very helpful when you are processing material with lead vocals: Using the Mid-Hi Tune will generally damp some speech frequencies so the voice moves into the mix losing a bit of its presence. Use the High EQ to catch the voice and the Intensity control to bring it back up front. \u003cbr\u003e \u003cbr\u003e The Active function is a relay-switched hard-bypass, which automatically routes the input to the output in the event of a power failure to maintain signal flow. The Stereo Vitalizer Mk2 is equipped with both XLRs \u0026amp; stereo jacks for balanced operation. We use the new SSM precision input \u0026amp; output stages which feature laser-trimmed resistors, providing a common mode rejection of better than 87 dB. Mono-jacks may be used for unbalanced operation without level change!","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449269907559,"sku":"5191","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_stereo_vitalizer_mk2.jpg?v=1787088378"},{"product_id":"tc-electronic-mastering-6000-with-digital-i-o-and-tc-icon","title":"TC Electronic Mastering 6000 with Digital I\/O and TC Icon","description":"\u003cb\u003eMastering and Format Control: Time Matters!\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eIn the summer of 2004, packed with a choice selection of precision tools for the mastering engineer, Mastering 6000 was added to the 6000 family. Mastering 6000 contains the new MD4, a 5-band dynamics processor with phase linear reconstruction that can operate in dual mono, stereo and MS modes, and has DXP low level detail enhancement capability. \u003cbr\u003e\u003cbr\u003eAdditional processing includes BrickWall Limiter 2 to prevent distortion and listening fatigue, MD5.1 multichannel expander, compressor and limiter, Toolbox 5.1 format conversion and Monitor Matrix. \u003cbr\u003e\u003cbr\u003eIt is a matter of course that all of the legendary algorithms from Reverb 6000 and other optional licenses can be added to Mastering 6000 if required. The ease of control will be apparent when using the TC Icon Remote or their software equivalents for Mac or PC. As you would expect it is fully compliant with networking, sharing and time code automation or built in workstation automation.","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449270825063,"sku":"5404","price":13995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_mastering6000_1.jpg?v=1787088383"},{"product_id":"tc-electronic-mastering-6000-with-digital-i-o","title":"TC Electronic Mastering 6000 with Digital I\/O","description":"\u003cb\u003eMastering and Format Control: Time Matters!\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eIn the summer of 2004, packed with a choice selection of precision tools for the mastering engineer, Mastering 6000 was added to the 6000 family. Mastering 6000 contains the new MD4, a 5-band dynamics processor with phase linear reconstruction that can operate in dual mono, stereo and MS modes, and has DXP low level detail enhancement capability. \u003cbr\u003e\u003cbr\u003eAdditional processing includes BrickWall Limiter 2 to prevent distortion and listening fatigue, MD5.1 multichannel expander, compressor and limiter, Toolbox 5.1 format conversion and Monitor Matrix. \u003cbr\u003e\u003cbr\u003eIt is a matter of course that all of the legendary algorithms from Reverb 6000 and other optional licenses can be added to Mastering 6000 if required. The ease of control will be apparent when using the TC Icon Remote or their software equivalents for Mac or PC. As you would expect it is fully compliant with networking, sharing and time code automation or built in workstation automation.","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449270857831,"sku":"5405","price":11795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_mastering6000.jpg?v=1787088383"},{"product_id":"weiss-dna1","title":"Weiss DNA1 2-Channel Denoiser\/Declicker\/Ambience Processor","description":"In cooperation with the Pure Notes Company, Weiss developed a State of the Art Denoiser \/ Declicker and K-Stereo ambience regenerator unit. \u003cbr\u003e\u003cbr\u003e The \u003cb\u003eWeiss DNA1\u003c\/b\u003e uses a novel approach to noise reduction which can remove a wide range of noise types without affecting the musical characteristics, stereo imaging or the ambiance of the original. \u003cbr\u003e\u003cbr\u003e The K-Stereo ambience enhancement processor recovers lost ambience, space, depth, imaging and clarity. \u003cbr\u003e\u003cbr\u003e The M\/S encoder \/ decoder and level control portion allows for independent balance and stereo width tweaking. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures are: (all working in real time) \u003c\/b\u003e\u003cul\u003e \u003cli\u003eDenoiser with three operation levels (auto \/ semi auto \/ manual), which allow for simple, intuitive operation as well as for elaborate parameter tweaking when necessary \u003c\/li\u003e\n\u003cli\u003eDeclicker \u003c\/li\u003e\n\u003cli\u003e K-Stereo process (under license from Bob Katz) \u003c\/li\u003e\n\u003cli\u003eM\/S encoder \/ decoder\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449271611495,"sku":"5505","price":20667.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dna-1_front.jpg?v=1787088386"},{"product_id":"thermionic-culture-vulture-mastering-plus","title":"Thermionic Culture Vulture Mastering Plus","description":"\u003cp\u003eThis is the latest in the \u003cstrong\u003eCulture Vulture\u003c\/strong\u003e range and is designed to be used both as a mastering tool and for those applications where balanced inputs and outputs are required plus some extreme distortion. It has lower noise, better frequency response, and greater accuracy in level controls by having a three-position input gain switch and a two-position output attenuator.\u003c\/p\u003e\r\n\u003cp\u003eWe use Mullard M8100 low-noise, high-gain valves in the input stage, a pair of GE 5725s for distortion effects, and the Philips 5963 in the output. All are military-grade valves for long life. There is an extra exciting distortion setting on the Function switch. This is labelled P2.  It’s similar to P1 (the most used, Pentode setting) but goes into mad distortion and compression when the valve is overloaded. The old P2 is now P3. 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CV4010*, 5591, EF95) x2\u003c\/li\u003e\r\n\u003cli\u003eOutput: 5963 (equiv. CV4003*, ECC82, 12AU7)\u003c\/li\u003e\r\n\u003cli\u003eDistortion: 5725 (equiv. CV4011*, M8196, 6AS6) x2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e*CV is the British military equivalent to US JAN\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449280393319,"sku":"6866","price":3299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic_vulture_mastering_plus_1.jpg?v=1787088419"},{"product_id":"rupert-neve-designs-portico-5014-h-stereo-field-editor","title":"Rupert Neve Designs Portico 5014-H Stereo Field Editor","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve Portico 5014 Stereo Field Editor \u003c\/span\u003eintroduces an innovative application of well-known techniques that redefines the boundaries and limitations of traditional 2-channel stereo recording and playback. Operating entirely in the analogue domain, the Portico 5014 uses discrete component circuits, comprising a variable sum and difference network with level and phase controls, together with other key features, to affect stereo sources.\u003cbr\u003e\u003cbr\u003eIntended for recording, mixing and mastering applications, the Portico 5014 differentiates between near field (direct) and far field (ambient) sources and allows the manipulation of the relationship between mono panned images and stereo ambience through the use of width, depth and phase controls. Source material may be further manipulated by inserting external EQ or dynamics processing into the difference channel or by engaging the simple onboard mid-band EQ.\u003cbr\u003e\u003cbr\u003eDesigned with the same half-rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve’s custom transformer designs, the 5014 is a unique addition to the modern engineer’s palette that brings dimension and life to any recording.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWidth\u003c\/span\u003e\u003cbr\u003eWhen the width circuit is engaged, the stereo signal is split into a sum and difference network, allowing the width, depth, insert and EQ controls to be used. The width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, thus altering the signal that the depth, insert and EQ affect. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the 5014’s other controls, listening and experimentation are essential for the best results.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDepth\u003c\/span\u003e\u003cbr\u003eThe depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. A solo instrument or vocal can be placed up front in a mix and supporting instruments can be pushed back, for example. In many cases, a center-panned vocalist can be placed forward in a mix or virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDifference Channel Insert\u003c\/span\u003e\u003cbr\u003eThe difference channel insert and EQ offer new opportunities to manipulate stereo signals. In mastering use, lead vocals can be brought up or down in a mix, excessively sibilant overheads can be controlled, and mixes formerly considered beyond repair can be saved. By inserting effects such as reverb, additional EQ, compression, or expansion into the difference channel new creative options for altering ambience and adding movement to the stereo image are available.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDifference Channel EQ\u003c\/span\u003e\u003cbr\u003eThe difference channel includes a semi-parametric EQ with frequencies ranging from 120Hz to 2.4KHz and two selectable Qs that only affect material panned out of center. This can be very useful for eliminating room resonance or adding sparkle to ambient material.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449293697127,"sku":"7849","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_portico_5014_horizontal_1.jpg?v=1787088442"},{"product_id":"weiss-dna1-c","title":"Weiss DNA1-C","description":"In cooperation with the Pure Notes Company, Weiss developed a State of the Art Denoiser \/ Declicker and K-Stereo ambience regenerator unit. \u003cbr\u003e\u003cbr\u003e The \u003cb\u003eWeiss DNA1\u003c\/b\u003e uses a novel approach to noise reduction which can remove a wide range of noise types without affecting the musical characteristics, stereo imaging or the ambiance of the original. \u003cbr\u003e\u003cbr\u003e The K-Stereo ambience enhancement processor recovers lost ambience, space, depth, imaging and clarity. \u003cbr\u003e\u003cbr\u003e The M\/S encoder \/ decoder and level control portion allows for independent balance and stereo width tweaking. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures are: (all working in real time) \u003c\/b\u003e\u003cul\u003e \u003cli\u003eDenoiser with three operation levels (auto \/ semi auto \/ manual), which allow for simple, intuitive operation as well as for elaborate parameter tweaking when necessary \u003c\/li\u003e\n\u003cli\u003eDeclicker \u003c\/li\u003e\n\u003cli\u003e K-Stereo process (under license from Bob Katz) \u003c\/li\u003e\n\u003cli\u003eM\/S encoder \/ decoder\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449298677863,"sku":"8545","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dna-1_front_1.jpg?v=1787088455"},{"product_id":"rupert-neve-designs-portico-5014-v-stereo-field-editor","title":"Rupert Neve Designs Portico 5014-V Stereo Field Editor","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve Portico 5014 Stereo Field Editor \u003c\/span\u003eintroduces an innovative application of well-known techniques that redefines the boundaries and limitations of traditional 2-channel stereo recording and playback. Operating entirely in the analogue domain, the Portico 5014 uses discrete component circuits, comprising a variable sum and difference network with level and phase controls, together with other key features, to affect stereo sources.\u003cbr\u003e \u003cbr\u003e Intended for recording, mixing and mastering applications, the Portico 5014 differentiates between near field (direct) and far field (ambient) sources and allows the manipulation of the relationship between mono panned images and stereo ambience through the use of width, depth and phase controls. Source material may be further manipulated by inserting external EQ or dynamics processing into the difference channel or by engaging the simple onboard mid-band EQ.\u003cbr\u003e \u003cbr\u003e Designed with the same half-rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve’s custom transformer designs, the 5014 is a unique addition to the modern engineer’s palette that brings dimension and life to any recording.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWidth\u003c\/span\u003e\u003cbr\u003e When the width circuit is engaged, the stereo signal is split into a sum and difference network, allowing the width, depth, insert and EQ controls to be used. The width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, thus altering the signal that the depth, insert and EQ affect. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the 5014’s other controls, listening and experimentation are essential for the best results.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDepth\u003c\/span\u003e\u003cbr\u003e The depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. A solo instrument or vocal can be placed up front in a mix and supporting instruments can be pushed back, for example. In many cases, a center-panned vocalist can be placed forward in a mix or virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDifference Channel Insert\u003c\/span\u003e\u003cbr\u003e The difference channel insert and EQ offer new opportunities to manipulate stereo signals. In mastering use, lead vocals can be brought up or down in a mix, excessively sibilant overheads can be controlled, and mixes formerly considered beyond repair can be saved. By inserting effects such as reverb, additional EQ, compression, or expansion into the difference channel new creative options for altering ambience and adding movement to the stereo image are available.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDifference Channel EQ\u003c\/span\u003e\u003cbr\u003e The difference channel includes a semi-parametric EQ with frequencies ranging from 120Hz to 2.4KHz and two selectable Qs that only affect material panned out of center. This can be very useful for eliminating room resonance or adding sparkle to ambient material.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449301692519,"sku":"9333","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_portico_5014_vertical_1.jpg?v=1787088468"},{"product_id":"dangerous-music-master","title":"Dangerous Music MASTER Mastering Transfer Console","description":"\u003cp\u003eFor years the top mastering engineers at the hottest facilities have been using custom-designed gear that was not available to the rest of us…until now. The \u003cstrong\u003eDangerous Music MASTER Mastering Transfer Console\u003c\/strong\u003e represents the latest generation of the legendary Sterling Sound \/ Chris Muth mastering transfer consoles. Working side-by side over several decades with many of the best mastering engineers in the business, Chris and the equipment designed in this unique collaborative environment have set the standard for the form, function and sonic performance of the modern mastering setup.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnparalleled fidelity, detail and imaging. Pristine, uncolored signal path. 100% Analog sum-and-difference processing. Stepped controls throughout Integrates seamlessly with the Dangerous MONITOR-ST and LIAISON. The Dangerous MASTER is the no-compromise heart of the mastering studio. Its transparent circuitry flawlessly integrates the power of analog signal processing by allowing easy insertion of equalizers, compressor\/limiters and de-essers. 100% stepped switching provides accurate and repeatable level control as well as easy pre-post monitoring with level matching through the Input monitor Offset feature. The S\u0026amp;M mid-side processing loop allows unprecedented control of the stereo image.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe integrated Input monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences. The S\u0026amp;M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDangerous MASTER, combined with the Dangerous MONITOR-ST and your favorite processing gear, will provide you with what you need to turn any mix into a professional master. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs with all Dangerous Music equipment, the Dangerous MASTER is designed by engineers, for engineers, and built by hand in the USA, using the highest quality components.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449305854055,"sku":"10201","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dangerous-master_10201_1.jpg?v=1787088483"},{"product_id":"dangerous-music-s-m","title":"Dangerous Music S\u0026M","description":"\u003cp\u003eFor years engineers have been wondering what kind of secret processes have allowed certain big-name mastering houses to deliver better, louder and more refined sounding tracks.  The secret weapon is analog sum and difference processing and the \u003cstrong\u003eDangerous Music S\u0026amp;M\u003c\/strong\u003e delivers its power to any engineer looking for an edge. \u003cbr\u003e\u003cbr\u003eYour mix is perfect, but the vocal is too soft?  You nailed it, but on second listening, the drum overheads are too bright?  Want to add bottom to the guitars on the sides without adding mud to the bass and kick in the middle?  De-ess that vocal without making the keyboards dull?  Got a great mix but everything is panned too hard? \u003cbr\u003e\u003cbr\u003eWe say it isn’t over, even after it’s over.  The Dangerous S\u0026amp;M separates any stereo track into a center and side matrix so you have previously unattainable control over the entire stereo field.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUnprecedented control of your mixes \u003c\/li\u003e\n\u003cli\u003eSeparately process the center \u0026amp; the sides of stereo pairs \u003c\/li\u003e\n\u003cli\u003ePowerful stereo image width control \u003c\/li\u003e\n\u003cli\u003eInsert loop for analog outboard processing \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe Dangerous Music S\u0026amp;M is an analog sum and difference (mid-side) processor designed to allow engineers unprecedented control over their stereo information. The potential of what the S\u0026amp;M can do is only limited by one’s outboard collection and imagination.  The avenues for crafting sound through inserting compression, limiting, EQ, de-essing and other types of processing are virtually endless. \u003cbr\u003e\u003cbr\u003eMastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without remixing, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbals while leaving the center of the mix untouched. \u003cbr\u003e\u003cbr\u003eThe mixing engineer can use the Dangerous Music S\u0026amp;M to extract the snare drum from a washy overhead pair, enhance the width of anemic stereo synths, or custom design the stereo image of the mix without altering the tonal content. \u003cbr\u003e\u003cbr\u003eOther fun and useful things to do in the mix room include aggressively limiting the center of a drum overhead pair while leaving the sides open and sparkling, without collapsing the width of the image... or how about running some reverb and effects returns through S\u0026amp;M and opening up the width control?  In surround widening the rear channels creates impressive soundstage and depth, all done with cutting edge analog circuitry and without trickery. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components and a no-compromise attitude the Dangerous Music S\u0026amp;M is the missing stereo link for any serious mixing or mastering engineer.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e100% analog signal path \u003c\/li\u003e\n\u003cli\u003eIncredibly clean and quiet \u003c\/li\u003e\n\u003cli\u003eRepeatable controls \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecifications (preliminary):\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal operating level:\u003c\/strong\u003e +4dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+Noise in audio band:\u003c\/strong\u003e 0.003% \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIMD 60Hz, 4kHz, 4:1:\u003c\/strong\u003e 0.004% \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e +22dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e \u0026gt;114dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSum\/Minus channel separation:\u003c\/strong\u003e \u0026gt; 78dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinus channel level accuracy:\u003c\/strong\u003e 0.02dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Two years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449305886823,"sku":"10207","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dangerous_music_s_m_1.jpg?v=1787088484"},{"product_id":"spl-m-s-master","title":"SPL M\/S Master","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL M\/S Master\u003c\/span\u003e is your key to access the mid and side information of a mix. Discover the classic alternative to the L\/R format and adjust the M\/S proportions yourself. Insert all your outboard gear via intelligent send\/returns and use it for L\/R or M\/S processing at the touch of a button.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe SPL M\/S Master Features:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAnalog tool for M\/S encoding\u003c\/li\u003e\n\u003cli\u003eActive control of M\/S mix ratio\u003c\/li\u003e\n\u003cli\u003eSeamless integration of external processors\u003c\/li\u003e\n\u003cli\u003eOne-button insertion of outboard gear in the M\/S or L\/R path\u003c\/li\u003e\n\u003cli\u003eDifferent VU-meter modes\u003c\/li\u003e\n\u003cli\u003eLow cut filter for the Side signal\u003c\/li\u003e\n\u003cli\u003eFLOAT function for better mono compatibility\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eInputs \u0026amp; Outputs\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eElectronically balanced instrumentation amplifiers\u003c\/li\u003e\n\u003cli\u003eSockets: XLR\u003c\/li\u003e\n\u003cli\u003eInput impedance: 20 kOhm balanced\/10 kOhm unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 150 Ohm balanced\/75 Ohm unbalanced\u003c\/li\u003e\n\u003cli\u003eMax. input level: 20 dBu\u003c\/li\u003e\n\u003cli\u003eMax. output level: 20 dBu\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eMeasurements\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFrequency response (-3 dB): 10 Hz - 100 kHz\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio: › 60 dB\u003c\/li\u003e\n\u003cli\u003e(@ 1 kHz, 0 dBu input level and unity gain)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion \u0026amp; noise: 0,007 %\u003c\/li\u003e\n\u003cli\u003e(@ 1 kHz, 0 dBu input level and unity gain)\u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio (A-weighted): -82 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (unweighted): 102 dB\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePower supply \u003cbr\u003e\u003c\/span\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449341669479,"sku":"15723","price":1536.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_msmaster_1.jpg?v=1787088626"},{"product_id":"dangerous-music-master-demo-deal","title":"Dangerous Music MASTER (Demo Deal)","description":"For years the top Mastering engineers at the hottest facilities have been using custom-designed gear that was not available to the rest of us…until now. The \u003cspan style=\"font-weight: bold;\"\u003eDangerous MASTER\u003c\/span\u003e represents the latest generation of the legendary Sterling Sound\/Chris Muth Mastering transfer consoles. Working side-by side over several decades with many of the best Mastering engineers in the business, Chris and the equipment designed in this unique collaborative environment have set the standard for the form, function and sonic performance of the modern Mastering setup. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eHighlights\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUnparalleled fidelity, detail and imaging\u003c\/li\u003e\n\u003cli\u003ePristine, uncolored signal path\u003c\/li\u003e \u003cli\u003e100% Analog sum-and-difference processing\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout\u003c\/li\u003e\n\u003cli\u003eIntegrates seamlessly with the Dangerous MONITOR\u003c\/li\u003e\n\u003c\/ul\u003eThe Dangerous MASTER is the no-compromise heart of the Mastering studio. Its transparent circuitry seamlessly integrates the power of analog signal processing by allowing easy insertion of equalizers, compressor\/limiters and de-essers. 100% stepped switching provides accurate and repeatable level control as well as easy pre-post Monitoring with level matching through the Input Monitor Offset feature. The S\u0026amp;M mid-side processing loop allows unprecedented control of the stereo image.\u003cbr\u003e\u003cbr\u003eThe integrated Input Monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences. \u003cbr\u003e\u003cbr\u003eThe S\u0026amp;M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched. \u003cbr\u003e\u003cbr\u003eDangerous MASTER, combined with the Dangerous MONITOR and your favorite processing gear, will provide you with what you need to turn any mix into a professional Master. \u003cbr\u003e\u003cbr\u003eAs with all Dangerous Music equipment, the Dangerous MASTER is designed by engineers, for engineers, and built by hand using the highest quality components. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications\u003c\/b\u003e \u003cul\u003e \u003cli\u003eAll connections are Balanced XLR, +4dBu nominal operating level \u003c\/li\u003e\n\u003cli\u003e2 stereo inputs \u003c\/li\u003e\n\u003cli\u003e3 stereo outputs (one for Monitoring) \u003c\/li\u003e\n\u003cli\u003e3 insert loops \u003c\/li\u003e\n\u003cli\u003e2nd insert capable of MS matrix operation \u003c\/li\u003e\n\u003cli\u003eInput and Output controls: + - 5dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eInput Monitor Offset: -2 to +8dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eWidth control: -4 to +6dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eAttenuator accuracy: 0.02dB (0.01dB typical) \u003c\/li\u003e\n\u003cli\u003eTHD+Noise in audio band: 0.003% \u003c\/li\u003e\n\u003cli\u003eIMD 60Hz + 4kHz 4:1: 0.004% \u003c\/li\u003e\n\u003cli\u003eCrosstalk rejection: Better than 95dB @ 1kHz \u003c\/li\u003e\n\u003cli\u003eHeadroom: \u0026gt; +27dBu, +23dBu in the matrix under worst case conditions \u003c\/li\u003e\n\u003cli\u003eFrequency response: Better than 0.2dB down @ 1Hz and 100kHz \u003c\/li\u003e\n\u003cli\u003eNoise floor: \u0026lt; -89dBu total energy in the audio band \u003c\/li\u003e\n\u003cli\u003eWarranty: 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449362346087,"sku":"14291","price":4939.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dangerous-master_10201_1_1.jpg?v=1787088711"},{"product_id":"rupert-neve-designs-portico-5014-h-stereo-field-editor-demo-deal","title":"Rupert Neve Designs Portico 5014 - Horizontal (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve Portico 5014 Stereo Field Editor \u003c\/span\u003eintroduces an innovative application of well-known techniques that redefines the boundaries and limitations of traditional 2-channel stereo recording and playback. Operating entirely in the analogue domain, the Portico 5014 uses discrete component circuits, comprising a variable sum and difference network with level and phase controls, together with other key features, to affect stereo sources.\u003cbr\u003e\u003cbr\u003eIntended for recording, mixing and mastering applications, the Portico 5014 differentiates between near field (direct) and far field (ambient) sources and allows the manipulation of the relationship between mono panned images and stereo ambience through the use of width, depth and phase controls. Source material may be further manipulated by inserting external EQ or dynamics processing into the difference channel or by engaging the simple onboard mid-band EQ.\u003cbr\u003e\u003cbr\u003eDesigned with the same half-rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve’s custom transformer designs, the 5014 is a unique addition to the modern engineer’s palette that brings dimension and life to any recording.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWidth\u003c\/span\u003e\u003cbr\u003eWhen the width circuit is engaged, the stereo signal is split into a sum and difference network, allowing the width, depth, insert and EQ controls to be used. The width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, thus altering the signal that the depth, insert and EQ affect. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the 5014’s other controls, listening and experimentation are essential for the best results.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDepth\u003c\/span\u003e\u003cbr\u003eThe depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. A solo instrument or vocal can be placed up front in a mix and supporting instruments can be pushed back, for example. In many cases, a center-panned vocalist can be placed forward in a mix or virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDifference Channel Insert\u003c\/span\u003e\u003cbr\u003eThe difference channel insert and EQ offer new opportunities to manipulate stereo signals. In mastering use, lead vocals can be brought up or down in a mix, excessively sibilant overheads can be controlled, and mixes formerly considered beyond repair can be saved. By inserting effects such as reverb, additional EQ, compression, or expansion into the difference channel new creative options for altering ambience and adding movement to the stereo image are available.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDifference Channel EQ\u003c\/span\u003e\u003cbr\u003eThe difference channel includes a semi-parametric EQ with frequencies ranging from 120Hz to 2.4KHz and two selectable Qs that only affect material panned out of center. 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Mix Satellite offers plenty of hugely useful functions for mixing and mastering in one unit. Of course in daily studio life, even in the worst case scenario, you won't need all the functions of the VSM-2 at once. Carefully spot the problems you want to fix and choose the appropriate processing technique of the VSM-2.\u003cbr\u003eThe Mix Satellite allows you to try different processing strategies without any loss of time!\u003c\/p\u003e\r\n\u003cp\u003eYou can switch between conventional Stereo and MS processing within seconds or you can blend the Mix with the unprocessed signal by dialing only one knob.The Solo M\u0026amp;S Function allows you to listen closely to M or S and to optimize your processing setting!\u003c\/p\u003e\r\n\u003cp\u003eTechnical progress and purity of analogue and digital equipment effectively removed distortion as a stylistic device from the audio engineers' tool repertoire of today.The VSM-2 Harmonic generators allow you to colour, saturate, enhance, compress, limit or distort your program material! Now you are able to put real analog life into \"dead sounds\" out of the box. All parameters to create your own kind of musical coloration are on the hand with the Mix Satellite VSM-2!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll Ins \u0026amp; Outs electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 128 db\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10 Hz ... 100 kHz (+- 1 db)\u003c\/li\u003e\r\n\u003cli\u003eMax. 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This represents a \"All In One\"-solution for Mastering studios with no more need to invest in mastering consoles, switching devices, monitor controllers, MS En \u0026amp; de-coders etc.\u003c\/p\u003e\r\n\u003cp\u003eLike all Vertigo Sound products, the VSM-2 is manufactured to the highest industry standards to guarantee the utmost performance and maximum durability. The VSM-2 Mix Satellite (MK2) now comes with new potentiometers. The noise floor is 4dB lower than the already very low noise Mk1 version. All controls are stepped excluding 2nd\/3rd Drive (Full Version), Mix, level \u0026amp; shape.\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eVSM-2 Basic:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll analog, latency free processing\u003c\/li\u003e\r\n\u003cli\u003eTwo fully balanced inserts on XLR offering MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eInsert 1 provides Dry-Wet Mix control \"Parallel Compression\" for LR and MS\u003c\/li\u003e\r\n\u003cli\u003eInsert 2 provides \"M\u0026amp;S Stereo Width\" control\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated AFL Solo for M and S-Signal\u003c\/li\u003e\r\n\u003cli\u003eAll controls can be easily recalled via stepped controls, pointer knobs \u0026amp; fine scales\u003c\/li\u003e\r\n\u003cli\u003eHardwire bypass for all and each processing stage\u003c\/li\u003e\r\n\u003cli\u003eExcellent headroom with up to +30dbu at the Ins \u0026amp; Outs\u003c\/li\u003e\r\n\u003cli\u003eLevel matching of the inputs and outputs\u003c\/li\u003e\r\n\u003cli\u003eFast input and output metering plus various clip leds\u003c\/li\u003e\r\n\u003cli\u003eColor coded switch controls for easy intuitive operation\u003c\/li\u003e\r\n\u003cli\u003eSuperior crafted \u0026amp; anodized front plate in \"sun orange\" \u0026amp; blue metallic silk screen print\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eThe VSM-2 a.k.a. Mix Satellite offers plenty of hugely useful functions for mixing and mastering in one unit. Of course in daily studio life, even in the worst case scenario, you won't need all the functions of the VSM-2 at once. Carefully spot the problems you want to fix and choose the appropriate processing technique of the VSM-2.\u003cbr\u003eThe Mix Satellite allows you to try different processing strategies without any loss of time!\u003c\/p\u003e\r\n\u003cp\u003eYou can switch between conventional Stereo and MS processing within seconds or you can blend the Mix with the unprocessed signal by dialing only one knob.The Solo M\u0026amp;S Function allows you to listen closely to M or S and to optimize your processing setting!\u003c\/p\u003e\r\n\u003cp\u003eTechnical progress and purity of analogue and digital equipment effectively removed distortion as a stylistic device from the audio engineers' tool repertoire of today.The VSM-2 Harmonic generators allow you to colour, saturate, enhance, compress, limit or distort your program material! Now you are able to put real analog life into \"dead sounds\" out of the box. All parameters to create your own kind of musical coloration are on the hand with the Mix Satellite VSM-2!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll Ins \u0026amp; Outs electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 128 db\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10 Hz ... 100 kHz (+- 1 db)\u003c\/li\u003e\r\n\u003cli\u003eMax. 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Nothing else does what it does.\"\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCraig Bauer - Grammy Award Winning Mix Engineer\/Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449446396007,"sku":"15049","price":7950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo_vsm-2_full_front.jpg?v=1787088985"},{"product_id":"tc-electronic-finalizer-96k-used","title":"TC Electronic Finalizer 96K (used)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFinalizer 96K\u003c\/span\u003e's all new set of advanced features and enhancements, including 96kHz internal and external processing truly puts the world of professional mastering within reach of every studio - large or small.\u003c\/p\u003e\n\u003cp\u003eInserted between the stereo output of your mixer or workstation and your master recording media, the Finalizer 96K dramatically rounds out your material, creating that \"radio ready\" sound - previously unattainable outside a professional mastering house.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat does the Finalzer 96K do?\u003cbr\u003e\u003c\/strong\u003eWhen you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix. 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Punch up your mix with the fast intuitive user-interface and deliver the ultimate sound quality you deserve-quick and clean! 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Source material may be further manipulated by inserting external EQ or dynamics processing into the difference channel or by engaging the simple onboard mid-band EQ.\u003cbr\u003e \u003cbr\u003e Designed with the same half-rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve’s custom transformer designs, the 5014 is a unique addition to the modern engineer’s palette that brings dimension and life to any recording.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWidth\u003c\/span\u003e\u003cbr\u003e When the width circuit is engaged, the stereo signal is split into a sum and difference network, allowing the width, depth, insert and EQ controls to be used. The width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, thus altering the signal that the depth, insert and EQ affect. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the 5014’s other controls, listening and experimentation are essential for the best results.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDepth\u003c\/span\u003e\u003cbr\u003e The depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. 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Mastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched.\u003c\/p\u003e  \u003cp\u003eDangerous Master, combined with the Dangerous Monitor and your favorite processing gear, will provide you with what you need to turn any mix into a professional master.\u003c\/p\u003e  \u003cp\u003eAs with all Dangerous Music equipment, the Dangerous Master is designed by engineers, for engineers, and built by hand using the highest quality components.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSPECIFICATIONS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAll connections are Balanced XLR, +4 dBu nominal operating level\u003c\/li\u003e \u003cli\u003e2 stereo inputs\u003c\/li\u003e \u003cli\u003e3 stereo outputs (one for monitoring)\u003c\/li\u003e \u003cli\u003e3 insert loops\u003c\/li\u003e \u003cli\u003e2nd insert capable of MS matrix operation\u003c\/li\u003e \u003cli\u003eInput and Output controls: + - 5 dB in 0.5 dB steps\u003c\/li\u003e \u003cli\u003eInput Monitor Offset: -2 to +8 dB in 0.5 dB steps\u003c\/li\u003e \u003cli\u003eWidth control: -4 to +6 dB in 0.5 dB steps\u003c\/li\u003e \u003cli\u003eAttenuator accuracy: 0.02 dB (0.01 dB typical)\u003c\/li\u003e \u003cli\u003eTHD+Noise in audio band: 0.003%\u003c\/li\u003e \u003cli\u003eIMD 60 Hz + 4 kHz 4:1: 0.004%\u003c\/li\u003e \u003cli\u003eCrosstalk rejection: Better than 95 dB @ 1 kHz\u003c\/li\u003e \u003cli\u003eHeadroom: \u0026gt; +27 dBu, +23 dBu in the matrix under worst case conditions\u003c\/li\u003e \u003cli\u003eFrequency response: Better than 0.2 dB down @ 1 Hz and 100 kHz\u003c\/li\u003e \u003cli\u003eNoise floor: \u0026lt; -89 dBu total energy in the audio band\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449782235239,"sku":"50392","price":3795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dangerous_master_audio_processor__167__used__5490883_9573c0c2-a590-47d0-b457-6940a75012da.jpg?v=1787090388"},{"product_id":"manley-backbone-mmbb013-used","title":"Manley Backbone #MMBB013 (Used)","description":"\u003cdiv class=\"std\"\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449796358247,"sku":"52432","price":3795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-backbone-mmbb013-used-5574188_58b442f6-dcbc-4ef0-bd60-49ff27792c6e.jpg?v=1787090454"},{"product_id":"dangerous-master-audio-processor-a205-used","title":"Dangerous Master Audio Processor #A205 (Used)","description":"\u003cp\u003eFor years the top mastering engineers at the hottest facilities have been using custom-designed gear that was not available to the rest of us…until now. \u003cstrong\u003eThe Dangerous Master Audio Processor\u003c\/strong\u003e represents the latest generation of the legendary Sterling Sound\/Chris Muth mastering transfer consoles. 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