{"title":"Line Amps","description":null,"products":[{"product_id":"spl-gold-mike-mkii","title":"SPL Gold Mike MKII Dual-Channel Microphone Preamp","description":"The \u003cb\u003eSPL Gold Mike MK2\u003c\/b\u003e is the result of all our experience and knowledge from its successful predecessor and represents an improved, more flexible and, more modern version.\u003cbr\u003e\u003cbr\u003eWe have added technologies that have already proven to provide superior tonal results in other SPL products. For example, the instrument input is designed around a class A impedance converter which premiered in the SPL GainStation.\u003cbr\u003e\u003cbr\u003eA significant contribution to the success of the predecessor was the hybrid preamplifier concept. It combines transistor and tube preamplifier stages and specifically utilizes their technological and sonic advantages: The efficiency and low noise of a discrete transistor stage is enriched with musical coloration of a tube stage. \u003cbr\u003e\u003cbr\u003eThe transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. You will not find any IC’s in this preamplifier stage because they cannot be optimized for this specific application to the degree we at SPL aim for. This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.\u003cbr\u003e\u003cbr\u003eThe degree of tube pre-amplification is no longer the fixed +6 dB value of its predecessor. The Gold Mike MKII sports the selection of three different tube pre-amplifications: +6 dB remains the standard complemented by +12 dB and +18 dB. This allows creative variety with the tube saturation and limiting effects. \u003cbr\u003e\u003cbr\u003eWe have also added an extra setting to the popular Flair circuitry to give more flexibility to the presence improvement. Because the GoldMikeMKII is a dual channel preamplifier, its channel separation is of fundamental importance for the stereo image. Therefore the print-board layout is symmetrically mirrored around the power supply in the center from channel 1 to channel 2. This results in an identical signal flow to supporting a naturally balanced stereo image. Additionally the print-board provides extra-large ground areas maximizing the shielding against crosstalk and interference.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248444519,"sku":"5474","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gold_mike_mk2_1.jpg?v=1787088303"},{"product_id":"manley-mono-tube-direct-interface-w-eq","title":"Manley Mono Tube Direct Interface with EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Tube Direct\u003c\/strong\u003e models feature exceptionally clean and quiet tube circuits which will warm up any electric guitar, bass, violin, and especially those sterile sounding synths. Unique with the Manley Tube DI's is the added five-position high pass shelf EQ, there to fight unwanted resonances. As splitter devices, the transformer-coupled balanced XLR output can be sent directly to a mic level input, such as through your console channel, while the 1\/4\" output drives the guitar amplifier cabinet which can be miked and mixed with the direct feed. Low impedance outputs, ground lift and console out boost switches make these units both versatile and compatible. Keep your Manley DI close at hand to get that noisy high impedance guitar cable into quiet lo-Z territory fast!\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449256472679,"sku":"255","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_tube_di_1.jpg?v=1787088339"},{"product_id":"api-205l","title":"API 205L 200 Series Direct Input","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 205L\u003c\/strong\u003e instrument direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups.  With the use of the unique tone control, the low end \"mud\" can be reduced.  Turning on the bright switch adds clarity, like the bright switch on any amp.  The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/p\u003e\r\n\u003cp\u003eThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not, only converts the signal to a balanced mic level output, which still requires a mic input, equalizer and fader to get the signal to a recordable level.\u003c\/p\u003e\r\n\u003cp\u003eThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers.  With the 100 K load switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content.  The bright switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization.  When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, retaining the full range of the 205L and its features.\u003c\/p\u003e\r\n\u003cp\u003eWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.  With the addition of the 201L fader module, the output level of the 205L can be adjusted so it is compatible with the input of any guitar amp.  The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/p\u003e\r\n\u003cp\u003eThe 205L direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life and uniformity characteristic of API products.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449256636519,"sku":"122","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_205l.jpg?v=1787088340"},{"product_id":"manley-stereo-tube-direct-interface-w-eq","title":"Manley Stereo Tube Direct Interface with EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Tube Direct Interface\u003c\/strong\u003e models feature exceptionally clean and quiet tube circuits which will warm up any electric guitar, bass, violin, and especially those sterile sounding synths. Unique with the Manley Tube DI's is the added five-position high pass shelf EQ, there to fight unwanted resonances. As splitter devices, the transformer-coupled balanced XLR output can be sent directly to a mic level input, such as through your console channel, while the 1\/4\" output drives the guitar amplifier cabinet which can be miked and mixed with the direct feed. Low impedance outputs, ground lift and console out boost switches make these units both versatile and compatible. Keep your Manley DI close at hand to get that noisy high impedance guitar cable into quiet lo-Z territory fast!\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449257259111,"sku":"336","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_stereo_tube_di_1.jpg?v=1787088342"},{"product_id":"avalon-u5","title":"Avalon U5 Single-Channel DI\/Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI\/preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eSONIC EXCELLENCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDEEP AND CONTROLLED BASS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAvalon U5 DI\/preamps have been in use around the world since 1995. They have found their way into the world's leading musicians rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMINIMUM SIGNAL PATH DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449294024807,"sku":"7928","price":936.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon-u5-2025_7928_1.jpg?v=1787088443"},{"product_id":"d-w-fearn-vt-3-dual-channel-vacuum-tube-di","title":"D.W. 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The LA-40mkIII has four channels of unbalanced to balanced and another four channels of balanced to unbalanced out.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUnbalanced connectors: RCA\u003c\/li\u003e\n\u003cli\u003eBalanced connectors: XLR\u003c\/li\u003e\n\u003cli\u003eTrim control for fine level adjustment of +\/- 12dB\u003c\/li\u003e\n\u003cli\u003eSignal Present LED per channel\u003c\/li\u003e\n\u003cli\u003eInput level: +4dBu\/-20dBu, Output level: -10dBV, selectable per channel\u003c\/li\u003e\n\u003cli\u003eGround Lift switch per channel\u003c\/li\u003e\n\u003cli\u003eAll Lift Switch disables ground connections for entire unit\u003c\/li\u003e\n\u003cli\u003eEarth terminal\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" W x 1.74\" H x 11\" D (482 x 44 x 280 mm)\u003c\/li\u003e\n\u003cli\u003eWeight : 6.6lbs (3 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":44449310015591,"sku":"11404","price":329.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tascam_la80mk2_1.jpg?v=1787088502"},{"product_id":"avalon-u5-direct-box-used","title":"Avalon U5 Direct Box (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI-preamp combines a unique passive tone selector  with a variable gain preamp and filter. The high input impedance accepts  a wide variety of signal levels and instruments from acoustic guitars  to high-output active bass guitars and keyboards. The U5 direct box is  loaded with sonic character and user features professionals demand. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Sonic Excellence\u003cbr\u003e\u003c\/strong\u003e The  U5 Pure Class A instrument DI \u0026amp; preamplifier is the most  powerful direct box available today. Designed to optimize absolute  signal integrity and musical performance, the U5 includes many features  and sonic excellence unequaled by lesser designs. The U5 is ideal for  bass guitar and acoustic instruments, electric guitars, keyboards,  synthesizers and low output pickups. \u003cbr\u003e \u003cbr\u003e Features include state-of-the-art, high input impedance input stage for  zero load effect on sensitive pickups and keyboards, 100% discrete, Pure  Class A signal amplifiers, practical user features and rugged hardware  designed to deliver true high performance audio for many years. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Designed for Deep and Controlled Bass\u003cbr\u003e\u003c\/strong\u003e Avalon U5 DI-preamps have been in use around the world since 1995. They  have found their way into the world's leading musicians' rigs and  recording sessions and been featured on thousands of the best selling  (and sounding) albums and live performances. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMinimum Signal Path Design\u003c\/strong\u003e\u003cbr\u003e The U5 includes a variable gain Class A preamplifier to boost low level  pickup signals and a high level speaker input for capturing the live  sound of the instruments amplifier. Six passive tone-EQ curves are also  included to enhance a variety of acoustic and electric instruments. A  high-cut switch eliminates unwanted acoustic pickup and high frequency  noise, while a headphone monitor amp has been included for personal  listening. Twin DC coupled Class A output amplifiers drive both low  level microphone preamp inputs and high level +4dB inputs for direct to  tape recording or processing. The active-to-thru switch selects either  the instrument input directly or sends the boosted-equalized signal to  the amplifier via the front panel jack. A ground isolation switch  eliminates any possible earth loop or AC buzz problems with complete  safety.\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong style=\"color: #d89126;\"\u003ePlease note: \u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eStock photo used. Available item may not be the exact one pictured, but is in very similar condition.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449504526439,"sku":"17757","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_avalon_u5_direct_box_cat_40364c56-b86c-478d-b026-b5bb4268c920.jpg?v=1787089237"},{"product_id":"tk-audio-transceiver","title":"TK Audio Transceiver Universal Insert Tool","description":"\u003cp\u003eThe \u003cstrong\u003eTransceiver\u003c\/strong\u003e is a four channel insert station. The main function is to convert +4dB balanced signals to unbalanced and back again. Each channel has a send level, the return has a gain control and a polarity switch. Among other things you can use The Transceiver to do the following:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e It's an insert station. Insert unbalanced gear such as guitar pedals and old echo fx into your DAW or consol. \u003c\/li\u003e\n\u003cli\u003eIt's an active DI-box with up to 20dB gain. Plug your favourite instrument into your collection of vintage gear via The Transceiver. \u003c\/li\u003e\n\u003cli\u003eIt's a reamp tool. \u003c\/li\u003e\n\u003cli\u003eIt's a Swiss Army Knife on stage. Hook up balanced gear on stage between your instrument and amp. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TK Audio","offers":[{"title":"Default Title","offer_id":44449536639079,"sku":"32680","price":929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tkaudio_transceiver_front_10f56af8-48cb-4171-b90c-fa57bed954ce.jpg?v=1787089361"},{"product_id":"manley-stereo-tube-direct-interface-stdi323-used","title":"Manley Stereo Tube Direct Interface #STDI323 (Used)","description":"The \u003cb\u003eManley Tube Direct Interface\u003c\/b\u003e models feature exceptionally clean and quiet tube circuits which will warm up any electric guitar, bass, violin, and especially those sterile sounding synths.  As splitter devices, the transformer-coupled balanced XLR output can be sent directly to a mic level input, such as through your console channel, while the 1\/4\" output drives the guitar amplifier cabinet which can be miked and mixed with the direct feed. Low impedance outputs, ground lift and console out boost switches make these units both versatile and compatible. Keep your Manley DI close at hand to get that noisy high impedance guitar cable into quiet low-Z territory fast!","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449549549671,"sku":"33144","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_manley_stereo_tube_direct_interface__std1323_cat_8f600c04-63bb-4f20-89b5-4fda53f18b53.jpg?v=1787089414"},{"product_id":"rft-mv810-2-mic-pre-racked-pair-used","title":"RFT MV810\/2 Mic Pre Racked Pair (Used)","description":"\u003cp\u003eFrom the fine Volks at RFT (Radio Fernseh Technik - \"Radio Television Technology\/Engineering), the former East German broadcast technology conglomerate who had their collective hands in almost all things dealing with professional and consumer electronics in the German Democratic  Republic (East Germany), come the early-70s MV810\/2 microphone preamps. These things are extremely rare and along with one other model of preamp that will remain unmentioned, were the flagship preamps for high-end recording in the GDR. Their design was likely overseen by representatives of Telefunken's ELA Technik design and research division in the Hannover area in the mid 70s, many of the same designers responsible for the majority of the classic Telefunken modules (ELA Technik moved from Hannover to Wolfenbüttel in 1974), and likely built  by RFZ (Rundfunk und Fernsehtechnisches Zentralamt - directly translated  \"Broadcast and Television Technical Central Bureau) located in East Berlin, to be released under the conglomerate label RFT.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul type=\"square\"\u003e\n\u003cli\u003eTransformer balanced inputs and outputs \u003c\/li\u003e\n\u003cli\u003eUp to 60 dB gain sweepable \u003c\/li\u003e\n\u003cli\u003eAll discrete circuitry \u003c\/li\u003e\n\u003cli\u003eXLR mic level inputs and XLR(more...)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RFT","offers":[{"title":"Default Title","offer_id":44449549942887,"sku":"33176","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_rft_mv810-2_mic_pre_racked_pair_cat_0b2aace4-8541-4d23-be07-4463ac452cb6.jpg?v=1787089416"},{"product_id":"electrodyne-2501-2-channel-mic-pre","title":"Electrodyne 2501 Two-Channel Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eElectrodyne 2501\u003c\/strong\u003e is a dual-mono pair of two-stage discrete transistor, transformer-coupled preamps with active DI, using classic early ’70s design technology. Each amp stage is individually optimized for peak performance using Electrodyne factory engineering notes and selected high-performance components identical to the originals. The transformers are made by Electrodyne’s original manufacturer to exacting factory specifications. The active DI circuit presents an almost immeasurable load to sensitive musical instrument outputs allowing incredibly accurate capture of the instruments true tone. The output of the DI circuit is designed to directly connect and interact with the mic input transformer to allow maximum tone options.\u003c\/p\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":44449557348455,"sku":"34303","price":2350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electrodyne-2501_34303_1_2a2fba9b-3637-4e16-a501-9e8460cf97c4.jpg?v=1787089448"},{"product_id":"tab-funkenwerk-v71di-398-used","title":"TAB-Funkenwerk V71DI #398 (Used)","description":"The unit comes with minimal distraction, just a gain control, polarity reverse and two 1\/4 inch jacks on the front. Delivering the same great classic sound as the full V72S. The V71DI is powered by two Telefunken NOS tubes, the input stage is equipped with an EF806s tube made in the Berlin factory. The output stage is handled by an EF844s, a special version of the EF804s, made in the Ulm factory. The maximum input signal capability of +10dB before going into smooth tube break up, and a max. gain of 36dB makes the V71 an optimal solution for buffering or amplifying any unbalanced signal source. Everything from guitar and bass pick ups to CD players, radios, sound cards, keyboards, etc. The V71 takes care of hot or very fragile signals. The V71 circuit layout is extremely quiet and gives this all tube design a better signal to noise ratio (-100dB @ 0dB\/-90dB at max. gain) than standard Digital Sound cards, and most discrete or op amp based DI boxes. The new Telefunken design reshaped for direct signal processing, with reference to the historic V71 made by preamplifier takes care of all your Malotki and the best sound available for digital recordings, this direct signal needs.","brand":"TAB-Funkenwerk","offers":[{"title":"Default Title","offer_id":44449558298727,"sku":"8894","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_tab-funkenwerk_v7idi__398_cat_3b8ec4f2-ef3a-43e2-806b-dd9ab45866c4.jpg?v=1787089454"},{"product_id":"tab-funkenwerk-v71di-gn-0014-71-used","title":"TAB-Funkenwerk V71DI #GN-0014-71 (Used)","description":"The unit comes with minimal distraction, just a gain control, polarity reverse and two 1\/4 inch jacks on the front. Delivering the same great classic sound as the full V72S. The V71DI is powered by two Telefunken NOS tubes, the input stage is equipped with an EF806s tube made in the Berlin factory. The output stage is handled by an EF844s, a special version of the EF804s, made in the Ulm factory. The maximum input signal capability of +10dB before going into smooth tube break up, and a max. gain of 36dB makes the V71 an optimal solution for buffering or amplifying any unbalanced signal source. Everything from guitar and bass pick ups to CD players, radios, sound cards, keyboards, etc. The V71 takes care of hot or very fragile signals. The V71 circuit layout is extremely quiet and gives this all tube design a better signal to noise ratio (-100dB @ 0dB\/-90dB at max. gain) than standard Digital Sound cards, and most discrete or op amp based DI boxes. The new Telefunken design reshaped for direct signal processing, with reference to the historic V71 made by preamplifier takes care of all your Malotki and the best sound available for digital recordings, this direct signal needs.","brand":"TAB-Funkenwerk","offers":[{"title":"Default Title","offer_id":44449588117607,"sku":"35593","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35593_1_f4c70eec-c001-4a1b-af46-9b5802a495ff.jpg?v=1787089586"},{"product_id":"avalon-u5-direct-box-61793-used","title":"Avalon U5 Direct Box #61793 (Used)","description":"The \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Sonic Excellence\u003cbr\u003e\u003c\/strong\u003e The U5 Pure Class A instrument DI \u0026amp; preamplifier is the most powerful direct box available today. Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs. The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \u003cbr\u003e \u003cbr\u003e Features include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Designed for Deep and Controlled Bass\u003cbr\u003e\u003c\/strong\u003e Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way into the world's leading musicians' rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMinimum Signal Path Design\u003c\/strong\u003e\u003cbr\u003e The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449713684583,"sku":"44698","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_u5_direct_box__61793__used__4762322_3760f021-1a37-4e5a-b005-28f44a0e4c4b.jpg?v=1787090108"},{"product_id":"avalon-u5-direct-box-61792-used","title":"Avalon U5 Direct Box #61792 (Used)","description":"The \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Sonic Excellence\u003cbr\u003e\u003c\/strong\u003e The U5 Pure Class A instrument DI \u0026amp; preamplifier is the most powerful direct box available today. Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs. The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \u003cbr\u003e \u003cbr\u003e Features include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Designed for Deep and Controlled Bass\u003cbr\u003e\u003c\/strong\u003e Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way into the world's leading musicians' rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMinimum Signal Path Design\u003c\/strong\u003e\u003cbr\u003e The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449713815655,"sku":"44697","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_u5_direct_box__61792__used__4762319_c79edc7b-d46c-4238-bd8a-aa29f7a525f3.jpg?v=1787090108"},{"product_id":"avalon-u5-direct-box-31162-used","title":"Avalon U5 Direct Box #31162 (Used)","description":"The \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Sonic Excellence\u003cbr\u003e\u003c\/strong\u003e The U5 Pure Class A instrument DI \u0026amp; preamplifier is the most powerful direct box available today. Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs. The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \u003cbr\u003e \u003cbr\u003e Features include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e Designed for Deep and Controlled Bass\u003cbr\u003e\u003c\/strong\u003e Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way into the world's leading musicians' rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMinimum Signal Path Design\u003c\/strong\u003e\u003cbr\u003e The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449714110567,"sku":"40532","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_u5_direct_box__31162__used__4762290_79e47605-7ac4-4ba8-b5d9-1c80aab031d4.jpg?v=1787090109"},{"product_id":"overstayer-m-a-s-rotary","title":"Overstayer M-A-S 2-Channel Harmonics Processor with Switch","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer M-A-S\u003c\/strong\u003e was designed to be an analog ‘more’ control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The Mix control allows the character to be balanced to taste.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBring harmonics and tone to your bass, synths, drum machines and samplers with the integrated front panel high impedance input.\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449794916455,"sku":"50407","price":2060.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-mas-23_50407_1_4064d779-5da6-40b7-a6a1-7c0c5c404ff9.jpg?v=1787090448"},{"product_id":"yamaha-mla8-8-channel-preamp","title":"Yamaha MLA8 8-Channel Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eMLA8\u003c\/strong\u003e is an eight-channel head amplifier inheriting top-performance head amp technology from Yamaha's acclaimed DM2000 digital mixing console. In a compact 1U unit the MLA8 features a 26 dB pad, adjustable 44 dB gain trim, an 80 Hz high-pass filter, and a phantom-power switch on each channel. Both Euroblock terminals and a D-sub 25-pin connector are provided on the rear panel for output connections, making the MLA8 a perfect match for Yamaha digital mixers.\u003c\/p\u003e  \u003cp\u003e Having earned the acclaim of professional engineers at live-sound venues, music production studios and other areas, the head-amp technology from Yamaha's top-of-the-line DM2000 Digital Production Console was selected for use in the MLA8. This head amp design achieves stunning audio quality, reproducing the original sound with breathtaking clarity.\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePractical Features in a Compact 1U Package\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eIn a space-saving 1U design, the MLA8 front panel offers a 26 dB pad, adjustable 44 dB gain trim, an 80 Hz high-pass filter, and a phantom-power switch on each channel. Used in conjunction with Yamaha digital mixers, DME64N\/24N digital mixing engines, or other state-of-the-art digital audio gear, the MLA8 offers simple, straightforward signal control that can provide invaluable complementary functionality for a wide range of applications.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eConvenient Color-coded Control Interface\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThe control colors for Yamaha mixers are based on a set of common rules. Accordingly, the MLA8 uses green for signal indicators and high-pass filters, red for peak indicators, and gray for pads. In systems where the MLA8 will be combined with other Yamaha products, this provides an intuitive, efficient working environment.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEuroblock and D-sub 25-pin Connectors\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eXLR connectors are provided for the audio input, while output connections can be made via either a D-sub 25-pin connector or Euroblock connectors. The latter can be an advantage in installations. The D-sub 25-pin connector is compatible with the MY8-AD96 8-channel Mini-YGDAI A\/D card, providing convenient connectivity with Yamaha digital mixers.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449795342439,"sku":"49709","price":689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha-mla8-8channel-preamp_49709_2_9ee46ad8-21ba-4b33-bc33-a49e6fd028fc.jpg?v=1787090450"},{"product_id":"aphex-120b","title":"Aphex 120B Audio Distribution Amplifier","description":"\u003cp\u003eThe \u003cstrong\u003eAphex 120B\u003c\/strong\u003e is a high performance audio distribution amplifier with a single high impedance input and four low impedance outputs, all electronically servo-balanced and designed to be as transparent as possible. The 120's transformerless circuits are designed for wide, flat frequency response, free from ringing or overshoot, making it ideal for distribution of time code or audio. Each output has its own amplifier and level control for maximum versatility and isolation. The sturdy steel chassis may be used stand-alone or rackmounted, singly or in pairs.\u003c\/p\u003e  \u003cp\u003eThe input circuit is adjusted for optimal common-mode rejection. Servo-balancing compensates for high common-mode voltages, so headroom isn't sacrificed. The high input impedance allows bridging of the input signal with minimum loading. This way several amplifiers can be easily driven from the source.\u003c\/p\u003e  \u003cp\u003eThe individual output amplifiers are very low impedance so long lines and capacitive loads are easily driven with no loss of stability or high frequency response. Servo-balancing permits the outputs to be used single-ended at any time without a change in gain by simply grounding the unused pin. Individual output level controls are recessed for bump-proof operation, yet can be easily adjusted without tools. The front panel power LED also acts as a signal present and clip indicator for the input.\u003c\/p\u003e","brand":"Aphex","offers":[{"title":"Default Title","offer_id":44449834238055,"sku":"51763","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aphex-120b_51763_1_e85c462a-33cf-4714-aa64-fc8b18282dea.jpg?v=1787090619"},{"product_id":"spl-phonos-riaa-phono-preamplifier-red","title":"SPL Phonos RIAA Phono Preamplifier - Red","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Phonos\u003c\/strong\u003e is a preamplifier for record players using either moving magnet (MM) or moving coil (MC) cartridges. The equalization curve is according to RIAA and suitable for all vinyl records since 1954. The RIAA filter is designed after Douglas Self.\u003c\/p\u003e\u003cp\u003eWith up to 70 dB gain for MC cartridges and 51 dB gain for MM cartridges Phonos belongs to the most powerful phono preamplifiers.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e120 V rail phono preamplifier for record players\u003c\/li\u003e\n\u003cli\u003eRIAA equalization (after Douglas Self)\u003c\/li\u003e\n\u003cli\u003eSuitable for MM (Moving Magnet) and MC (Moving Coil) cartridges\u003c\/li\u003e\n\u003cli\u003eMax. preamplification: 51dB (MM); 70dB (MC)\u003c\/li\u003e\n\u003cli\u003eCapacitances for MM: Off, 150 pF, 220 pF and 330 pF\u003c\/li\u003e\n\u003cli\u003eImpedances for MC: 100, 220, 470; 2k2, 4k7 and 10 kohms\u003c\/li\u003e\n\u003cli\u003eStyroflex condensers used throughout the RIAA equalizer\u003c\/li\u003e\n\u003cli\u003eSwitchable Gain: Normal, -10 dB, +4 dB\u003c\/li\u003e\n\u003cli\u003eGold-plated RCA in- and outputs\u003c\/li\u003e\n\u003cli\u003eAudio ground connection for record player\u003c\/li\u003e\n\u003cli\u003eSwitchable rumble filter (Subsonic)\u003c\/li\u003e\n\u003cli\u003eLinear power supply with toroidal transformer\u003c\/li\u003e\n\u003cli\u003eMade in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe technical basis of all Professional Fidelity units is the proprietory 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+\/-60 V DC) and the huge dynamic range of over 140 dB that goes with it. More information on the 120 V Rail Technology can be found here. The construction of the RIAA equalizer follows a design made by Douglas Self. In this design larger single capacities are exchanged against smaller multiple capacities. RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The RIAA equalization curve was intended to operate as a de facto global industry standard for records since 1954. The purposes of the RIAA equalization, which is a form of pre-emphasis on recording and de-emphasis on playback, are to permit greater recording times by decreasing the mean width of each groove, to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback the opposite occurs. The net result is a flat frequency response, but with attenuation of high frequency noise such as hiss and clicks that arise from the recording medium.\u003c\/p\u003e\u003ch3\u003eMM and MC\u003c\/h3\u003e\u003cp\u003eThere are two primary methods a modern cartridge uses to generate current. These are moving magnet (MM) and moving coil (MC) configurations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Magnet\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMoving magnet cartridges tend to produce lush, mellow sound. By moving a magnet within copper coils a small voltage is created. MM cartridges sport very high inductance and impedance. In the latter, cable capacitance can negatively affect the flatness of frequency response and linearity of phase response. Phonos offers a selection of four capacities to fine tune the flatness of the frequency response or to willingly increase high frequencies in playback. The capacities are 150pF, 220pF and 330pF. In the OFF position the capacitance is determined by the cable capacitance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Coil\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe MC design is again a tiny electromagnetic generator, but (unlike an MM design) with the magnet and coils reversed. The resulting signal is only a few hundred microvolts, and thus more easily swamped by noise, induced hum, etc. Thus it is more challenging to design a preamplifier with the extremely low noise inputs needed for moving-coil cartridge. Phonos provides a 20dB higher preampfification for the MC stage compared to the MM stage. MC cartridges offer very low inductance and impedance, which means that the effects of capacitance (in the cable that goes from the cartridge to the preamp) are negligible. The impedance of cartridge can be set in six values: 100, 220, 470, 2.2k, 4.7k, and 10kOhm. If in doubt which impedance matches the cartridge’s impedance you can empirically determine the value for the flattest frequency response.\u003c\/p\u003e\u003ch3\u003eSubsonic filter\u003c\/h3\u003e\u003cp\u003eRumble from the playback turntable's drive mechanism is amplified by the low frequency boost that occurs on playback. The Phonos offers a switchable Subsonic filter to eliminate the rumble.\u003c\/p\u003e\u003ch3\u003eGain\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eThe preamplification is switchable and offers three values for MM and MC.\u003c\/li\u003e\n\u003cli\u003eThe Normal gain is +47dB (MM) and +66 (MC).\u003c\/li\u003e\n\u003cli\u003eIn the -10dB position the Phonos produces enough output level for standard consumer electronics products operating on -10dBV.\u003c\/li\u003e\n\u003cli\u003eIn the +4dB position the output is equally loud as modern DA converters at 0dBfs = +15dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eProfessional Fidelity • Pro-Fi-Series\u003c\/h3\u003e\u003cp\u003ePhonos is part of the Pro-Fi series of products. Pro-Fi stands for Professional Fidelity and it expresses that these products have their roots in professional studio technology being optimized for high-fidelity music playback. SPL's background comes from professional studio technology, where inner values and audio performance count the most. Mastering studios give your records and CDs the final tough – with SPL 120 V technology. And because the Phonos is built with the same technology it belongs to best phono preamplifiers on the planet. With its extraordinary specifications and enormous headroom Phonos plays back audio in the most relaxed and uncompromized fashion.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449861337191,"sku":"55993","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-phonos-red_55993_1_d4add40f-1a98-422e-81f4-e0a6a159a0b1.jpg?v=1787090734"},{"product_id":"spl-phonos-riaa-phono-preamplifier-black","title":"SPL Phonos RIAA Phono Preamplifier - Black","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Phonos\u003c\/strong\u003e is a preamplifier for record players using either moving magnet (MM) or moving coil (MC) cartridges. The equalization curve is according to RIAA and suitable for all vinyl records since 1954. The RIAA filter is designed after Douglas Self.\u003c\/p\u003e\u003cp\u003eWith up to 70 dB gain for MC cartridges and 51 dB gain for MM cartridges Phonos belongs to the most powerful phono preamplifiers.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e120 V rail phono preamplifier for record players\u003c\/li\u003e\n\u003cli\u003eRIAA equalization (after Douglas Self)\u003c\/li\u003e\n\u003cli\u003eSuitable for MM (Moving Magnet) and MC (Moving Coil) cartridges\u003c\/li\u003e\n\u003cli\u003eMax. preamplification: 51dB (MM); 70dB (MC)\u003c\/li\u003e\n\u003cli\u003eCapacitances for MM: Off, 150 pF, 220 pF and 330 pF\u003c\/li\u003e\n\u003cli\u003eImpedances for MC: 100, 220, 470; 2k2, 4k7 and 10 kohms\u003c\/li\u003e\n\u003cli\u003eStyroflex condensers used throughout the RIAA equalizer\u003c\/li\u003e\n\u003cli\u003eSwitchable Gain: Normal, -10 dB, +4 dB\u003c\/li\u003e\n\u003cli\u003eGold-plated RCA in- and outputs\u003c\/li\u003e\n\u003cli\u003eAudio ground connection for record player\u003c\/li\u003e\n\u003cli\u003eSwitchable rumble filter (Subsonic)\u003c\/li\u003e\n\u003cli\u003eLinear power supply with toroidal transformer\u003c\/li\u003e\n\u003cli\u003eMade in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe technical basis of all Professional Fidelity units is the proprietory 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+\/-60 V DC) and the huge dynamic range of over 140 dB that goes with it. More information on the 120 V Rail Technology can be found here. The construction of the RIAA equalizer follows a design made by Douglas Self. In this design larger single capacities are exchanged against smaller multiple capacities. RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The RIAA equalization curve was intended to operate as a de facto global industry standard for records since 1954. The purposes of the RIAA equalization, which is a form of pre-emphasis on recording and de-emphasis on playback, are to permit greater recording times by decreasing the mean width of each groove, to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback the opposite occurs. The net result is a flat frequency response, but with attenuation of high frequency noise such as hiss and clicks that arise from the recording medium.\u003c\/p\u003e\u003ch3\u003eMM and MC\u003c\/h3\u003e\u003cp\u003eThere are two primary methods a modern cartridge uses to generate current. These are moving magnet (MM) and moving coil (MC) configurations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Magnet\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMoving magnet cartridges tend to produce lush, mellow sound. By moving a magnet within copper coils a small voltage is created. MM cartridges sport very high inductance and impedance. In the latter, cable capacitance can negatively affect the flatness of frequency response and linearity of phase response. Phonos offers a selection of four capacities to fine tune the flatness of the frequency response or to willingly increase high frequencies in playback. The capacities are 150pF, 220pF and 330pF. In the OFF position the capacitance is determined by the cable capacitance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Coil\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe MC design is again a tiny electromagnetic generator, but (unlike an MM design) with the magnet and coils reversed. The resulting signal is only a few hundred microvolts, and thus more easily swamped by noise, induced hum, etc. Thus it is more challenging to design a preamplifier with the extremely low noise inputs needed for moving-coil cartridge. Phonos provides a 20dB higher preampfification for the MC stage compared to the MM stage. MC cartridges offer very low inductance and impedance, which means that the effects of capacitance (in the cable that goes from the cartridge to the preamp) are negligible. The impedance of cartridge can be set in six values: 100, 220, 470, 2.2k, 4.7k, and 10kOhm. If in doubt which impedance matches the cartridge’s impedance you can empirically determine the value for the flattest frequency response.\u003c\/p\u003e\u003ch3\u003eSubsonic filter\u003c\/h3\u003e\u003cp\u003eRumble from the playback turntable's drive mechanism is amplified by the low frequency boost that occurs on playback. The Phonos offers a switchable Subsonic filter to eliminate the rumble.\u003c\/p\u003e\u003ch3\u003eGain\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eThe preamplification is switchable and offers three values for MM and MC.\u003c\/li\u003e\n\u003cli\u003eThe Normal gain is +47dB (MM) and +66 (MC).\u003c\/li\u003e\n\u003cli\u003eIn the -10dB position the Phonos produces enough output level for standard consumer electronics products operating on -10dBV.\u003c\/li\u003e\n\u003cli\u003eIn the +4dB position the output is equally loud as modern DA converters at 0dBfs = +15dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eProfessional Fidelity • Pro-Fi-Series\u003c\/h3\u003e\u003cp\u003ePhonos is part of the Pro-Fi series of products. Pro-Fi stands for Professional Fidelity and it expresses that these products have their roots in professional studio technology being optimized for high-fidelity music playback. SPL's background comes from professional studio technology, where inner values and audio performance count the most. Mastering studios give your records and CDs the final tough – with SPL 120 V technology. And because the Phonos is built with the same technology it belongs to best phono preamplifiers on the planet. With its extraordinary specifications and enormous headroom Phonos plays back audio in the most relaxed and uncompromized fashion.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449861369959,"sku":"55994","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-phonos-black_55994_1_78f6524f-db2a-43f1-a554-4045dd6bee96.jpg?v=1787090734"},{"product_id":"spl-phonos-riaa-phono-preamplifier-silver","title":"SPL Phonos RIAA Phono Preamplifier - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Phonos\u003c\/strong\u003e is a preamplifier for record players using either moving magnet (MM) or moving coil (MC) cartridges. The equalization curve is according to RIAA and suitable for all vinyl records since 1954. The RIAA filter is designed after Douglas Self.\u003c\/p\u003e\u003cp\u003eWith up to 70 dB gain for MC cartridges and 51 dB gain for MM cartridges Phonos belongs to the most powerful phono preamplifiers.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e120 V rail phono preamplifier for record players\u003c\/li\u003e\n\u003cli\u003eRIAA equalization (after Douglas Self)\u003c\/li\u003e\n\u003cli\u003eSuitable for MM (Moving Magnet) and MC (Moving Coil) cartridges\u003c\/li\u003e\n\u003cli\u003eMax. preamplification: 51dB (MM); 70dB (MC)\u003c\/li\u003e\n\u003cli\u003eCapacitances for MM: Off, 150 pF, 220 pF and 330 pF\u003c\/li\u003e\n\u003cli\u003eImpedances for MC: 100, 220, 470; 2k2, 4k7 and 10 kohms\u003c\/li\u003e\n\u003cli\u003eStyroflex condensers used throughout the RIAA equalizer\u003c\/li\u003e\n\u003cli\u003eSwitchable Gain: Normal, -10 dB, +4 dB\u003c\/li\u003e\n\u003cli\u003eGold-plated RCA in- and outputs\u003c\/li\u003e\n\u003cli\u003eAudio ground connection for record player\u003c\/li\u003e\n\u003cli\u003eSwitchable rumble filter (Subsonic)\u003c\/li\u003e\n\u003cli\u003eLinear power supply with toroidal transformer\u003c\/li\u003e\n\u003cli\u003eMade in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe technical basis of all Professional Fidelity units is the proprietory 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+\/-60 V DC) and the huge dynamic range of over 140 dB that goes with it. More information on the 120 V Rail Technology can be found here. The construction of the RIAA equalizer follows a design made by Douglas Self. In this design larger single capacities are exchanged against smaller multiple capacities. RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The RIAA equalization curve was intended to operate as a de facto global industry standard for records since 1954. The purposes of the RIAA equalization, which is a form of pre-emphasis on recording and de-emphasis on playback, are to permit greater recording times by decreasing the mean width of each groove, to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback the opposite occurs. The net result is a flat frequency response, but with attenuation of high frequency noise such as hiss and clicks that arise from the recording medium.\u003c\/p\u003e\u003ch3\u003eMM and MC\u003c\/h3\u003e\u003cp\u003eThere are two primary methods a modern cartridge uses to generate current. These are moving magnet (MM) and moving coil (MC) configurations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Magnet\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMoving magnet cartridges tend to produce lush, mellow sound. By moving a magnet within copper coils a small voltage is created. MM cartridges sport very high inductance and impedance. In the latter, cable capacitance can negatively affect the flatness of frequency response and linearity of phase response. Phonos offers a selection of four capacities to fine tune the flatness of the frequency response or to willingly increase high frequencies in playback. The capacities are 150pF, 220pF and 330pF. In the OFF position the capacitance is determined by the cable capacitance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoving Coil\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe MC design is again a tiny electromagnetic generator, but (unlike an MM design) with the magnet and coils reversed. The resulting signal is only a few hundred microvolts, and thus more easily swamped by noise, induced hum, etc. Thus it is more challenging to design a preamplifier with the extremely low noise inputs needed for moving-coil cartridge. Phonos provides a 20dB higher preampfification for the MC stage compared to the MM stage. MC cartridges offer very low inductance and impedance, which means that the effects of capacitance (in the cable that goes from the cartridge to the preamp) are negligible. The impedance of cartridge can be set in six values: 100, 220, 470, 2.2k, 4.7k, and 10kOhm. If in doubt which impedance matches the cartridge’s impedance you can empirically determine the value for the flattest frequency response.\u003c\/p\u003e\u003ch3\u003eSubsonic filter\u003c\/h3\u003e\u003cp\u003eRumble from the playback turntable's drive mechanism is amplified by the low frequency boost that occurs on playback. The Phonos offers a switchable Subsonic filter to eliminate the rumble.\u003c\/p\u003e\u003ch3\u003eGain\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eThe preamplification is switchable and offers three values for MM and MC.\u003c\/li\u003e\n\u003cli\u003eThe Normal gain is +47dB (MM) and +66 (MC).\u003c\/li\u003e\n\u003cli\u003eIn the -10dB position the Phonos produces enough output level for standard consumer electronics products operating on -10dBV.\u003c\/li\u003e\n\u003cli\u003eIn the +4dB position the output is equally loud as modern DA converters at 0dBfs = +15dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eProfessional Fidelity • Pro-Fi-Series\u003c\/h3\u003e\u003cp\u003ePhonos is part of the Pro-Fi series of products. Pro-Fi stands for Professional Fidelity and it expresses that these products have their roots in professional studio technology being optimized for high-fidelity music playback. SPL's background comes from professional studio technology, where inner values and audio performance count the most. Mastering studios give your records and CDs the final tough – with SPL 120 V technology. And because the Phonos is built with the same technology it belongs to best phono preamplifiers on the planet. With its extraordinary specifications and enormous headroom Phonos plays back audio in the most relaxed and uncompromized fashion.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449861402727,"sku":"55992","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-phonos-silver_55992_1_c689e352-5afe-4d66-92c7-84d23371344d.jpg?v=1787090734"},{"product_id":"mercury-konsole-8","title":"Mercury Studio Soul Konsole 8","description":"\u003cp\u003eThe \u003cstrong\u003eMercury Studio Soul Konsole 8\u003c\/strong\u003e features 8 channels of the new Mercury Grand pre-line amplification.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":44450071969895,"sku":"74426","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mercury-studio-soul-konsole-8-1_161ef31e-b5eb-4733-a002-491246b3b827.jpg?v=1787091576"},{"product_id":"spl-gain-station-1-ad-w-digital-output","title":"SPL Gain Station 1 AD Preamp with Digital Output","description":"\u003cp\u003eToday more than ever, your input signal has to sound as good as possible—the quality of your recorded tracks will define the end result. Attacking this problem on the preamplification front, with the goal of noticeably improving a signal and sending it along its path with a healthy foundation, requires a great deal of thought and engineering effort – like with the \u003cstrong\u003eSPL GainStation 1\u003c\/strong\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts very compact design allows for free placing also outside of a rack (e. g. close to the microphone). Musicians can place the GainStation 1 easily on a rack or amplifier.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\r\n\r\n\u003ch3\u003eAD Converter Module 1090\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Analog\/Digital Converter Module 1090 is an optional digital output for compatible SPL units (see below) with a plug-and-play design for easy installation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt offers an S\/P-DIF output with both coaxial and optical connectors in parallel.\r\nThe heart of the module is a 24-bit converter with a variable sample rate of up to 192 kHz. Highly accurate quartz oscillators ensure a clean, low-jitter master clock.\r\nThe internal sample rate can be switched between 44.1, 48, 88.2 and 96 kHz. Other sample rates (32, 176,4 and 192 kHz are set by external syncronization.\r\nThe converter can be synced to other digital devices via a S\/P-DIF input.\r\nThe internal oscillators are automatically disabled when an external clock signal is present to prevent interference.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44450127249511,"sku":"44678","price":1557.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-gainstation-1-ad_44678_1_370f3cf5-a116-415c-9dbe-dbc96fb6dfa2.jpg?v=1787091806"},{"product_id":"coil-audio-stereo-ca-70-ps2-modular-mic-line-amp","title":"Coil Audio Stereo CA-70 PS2 Modular Mic\/Line Amp","description":"\u003cp\u003eThe \u003cstrong\u003eCoil Audio CA-70\u003c\/strong\u003e is based on a two-stage circuit invented by Western Electric in 1913. It was licensed and built by various audio manufacturers from the 1930s through the 1950s. RCA, Gates, Western Electric, and Langevin were just a few that utilized this elegant and simple single-ended design.\u003c\/p\u003e  \u003cp\u003eEach amplifier uses Coil's own custom interchangeable transformers and NOS capacitors, resistors, and octal tubes. With the addition of a flexible pad network, our Negative Feedback tone shaping, and inter-stage volume control, it's like Mid Century with a Modern twist.\u003c\/p\u003e  \u003cp\u003eThe PS-2 version comes factory installed in the PS-2 Rack and PSU. This combines the power supply and modules into a single 3U case creating a compact two channel modular solution. The amplifier and power supply are otherwise identical to the larger PS-6 versions.\u003c\/p\u003e     \u003ch3\u003eCONTROLS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe (INPUT) Pad section contains a phase reverse switch, and a 5 position attenuation network of Balanced H-pads. The first four positions are various 150\/250 ohm mic pads; -6 db, -12 db, and -19 db. The final (LN) position allows line level signals to run through the amplifier providing tone-shaping capabilities while mixing. It works as both a second-stage booster for other preamps and a summing\/buss amp for program and mix material. Two amplifiers can also be chained together to create the multi-stage, high gain recording path of a vintage tube console.\u003c\/li\u003e \u003cli\u003eThe NF, High, and LOW controls all interact to create a unique tone-shaping circuit. The NF control varies the amount of Negative Feedback present in the circuit. Counter-clockwise brightens and moves the sound forward while raising harmonics and sensitivity. Turning it clockwise increases negative feedback, producing a darker tone with a smooth, dampened harmonic structure.\u003c\/li\u003e \u003cli\u003eThe HIGH switch transitions from the natural openness of the tubes to a gentle filtering of upper frequencies. The LOW switch reacts with the NF, boosting or cutting low frequency while moving the low end from front to back in the sound stage.\u003c\/li\u003e \u003cli\u003eThe OUTPUT control knob is placed between the 1st stage 6J7 and 2nd stage 6C5 tubes. It sets the final level and offers further control of the two-stage gain structure.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Coil Audio","offers":[{"title":"Default Title","offer_id":44450132426855,"sku":"80945","price":2799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coil-audio-ca-70-ps2_80945_1_1bbbf44c-999d-402d-b669-928ac7b3e488.jpg?v=1787091828"},{"product_id":"coil-audio-single-channel-ca-70-ps6-modular-mic-line-amp","title":"Coil Audio Single Channel CA-70 MK1 PS6 Modular Mic\/Line Amp","description":"\u003cp\u003eThe \u003cstrong\u003eCoil Audio CA-70\u003c\/strong\u003e is based on a two-stage circuit invented by Western Electric in 1913. It was licensed and built by various audio manufacturers from the 1930s through the 1950s. RCA, Gates, Western Electric, and Langevin were just a few that utilized this elegant and simple single-ended design.\u003c\/p\u003e  \u003cp\u003eEach amplifier uses Coil's own custom interchangeable transformers and NOS capacitors, resistors, and octal tubes. With the addition of a flexible pad network, our Negative Feedback tone shaping, and inter-stage volume control, it's like Mid Century with a Modern twist.\u003c\/p\u003e  \u003cp\u003eThe PS-6 version is a fully removable module for use with the six channel PS-6 Rack Tray. Each amplifier is easily removable via two thumb screws for flexibility, expandability, and transformer substitution.\u003c\/p\u003e     \u003ch3\u003eCONTROLS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe (INPUT) Pad section contains a phase reverse switch, and a 5 position attenuation network of Balanced H-pads. The first four positions are various 150\/250 ohm mic pads; -6 db, -12 db, and -19 db. The final (LN) position allows line level signals to run through the amplifier providing tone-shaping capabilities while mixing. It works as both a second-stage booster for other preamps and a summing\/buss amp for program and mix material. Two amplifiers can also be chained together to create the multi-stage, high gain recording path of a vintage tube console.\u003c\/li\u003e \u003cli\u003eThe NF, High, and LOW controls all interact to create a unique tone-shaping circuit. The NF control varies the amount of Negative Feedback present in the circuit. Counter-clockwise brightens and moves the sound forward while raising harmonics and sensitivity. Turning it clockwise increases negative feedback, producing a darker tone with a smooth, dampened harmonic structure.\u003c\/li\u003e \u003cli\u003eThe HIGH switch transitions from the natural openness of the tubes to a gentle filtering of upper frequencies. The LOW switch reacts with the NF, boosting or cutting low frequency while moving the low end from front to back in the sound stage.\u003c\/li\u003e \u003cli\u003eThe OUTPUT control knob is placed between the 1st stage 6J7 and 2nd stage 6C5 tubes. It sets the final level and offers further control of the two-stage gain structure.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Coil Audio","offers":[{"title":"Default Title","offer_id":44450132492391,"sku":"80948","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coil-audio-ca-70-ps6_80948_1_bca4e912-53d0-428a-ab00-a49224b12517.jpg?v=1787091828"},{"product_id":"coil-audio-single-channel-ca-286-ps6-modular-mic-line-amp","title":"Coil Audio CA-286 MK1 Single Channel PS6 Modular Mic\/Line Amp","description":"\u003cp\u003eThe \u003cstrong\u003eCoil Audio CA-286\u003c\/strong\u003e is a two-stage amplifier based on circuits used by Langevin, Collins, Gates, and Telefunken during the 1950s and 60s. Each amplifier uses Coil's custom interchangeable transformers, NOS capacitors and resistors, and a pair of NOS EF86 vacuum tubes. With the addition of a flexible input pad network, the Negative Feedback tone shaping, and inter-stage volume control, the CA-286 is a timeless and flexible amplifier that compliments any microphone collection.\u003c\/p\u003e  \u003cp\u003eThe PS-6 version is a fully removable module for use with the 6 channel PS-6 Rack Tray. Each amplifier is easily removable via two thumb screws for flexibility, expandability, and transformer substitution.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe (INPUT) pad section contains a phase reverse switch, and a 5 position attenuation network of Balanced H-pads. The first four positions are various 150\/250 Ohm mic pads; -6 db, -12 db, and -19 db. The final (LN) position allows line-level signals to run through the amplifier providing tone-shaping capabilities while mixing. It works as both a second-stage booster for other preamps, and a summing\/buss amp for program and mix material. Two amplifiers can also be chained together to create the multi-stage, high gain recording path of a vintage tube console.\u003c\/li\u003e \u003cli\u003eThe NF, HI, and LOW controls all interact to create a unique tone-shaping circuit. The NF control varies the amount of Negative Feedback present in the circuit. Counter-clockwise brightens and moves the sound forward while raising harmonics and sensitivity. Turning it clockwise increases negative feedback, producing a darker tone with a smooth, dampened harmonic structure.\u003c\/li\u003e \u003cli\u003eThe HI switch transitions from the natural openness of the tubes, to a gentle filtering of upper frequencies. The LOW switch reacts with the NF, boosting or cutting low frequency while moving the low end from front to back in the sound stage.\u003c\/li\u003e \u003cli\u003eThe Output control knob is placed between the 1st and 2nd stage EF86 tubes. It sets the final level and offers further control of the two-stage gain structure.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Coil Audio","offers":[{"title":"Default Title","offer_id":44450132525159,"sku":"80949","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coil-audio-ca286-ps6_80949_1_5478b2fb-d247-4bee-a978-2fbef7430f84.jpg?v=1787091828"},{"product_id":"coil-audio-stereo-ca-286-ps2-modular-mic-line-amp","title":"Coil Audio Stereo CA-286 PS2 Modular Mic\/Line Amp","description":"\u003cp\u003eThe \u003cstrong\u003eCoil Audio CA-286\u003c\/strong\u003e is a two-stage amplifier based on circuits used by Langevin, Collins, Gates, and Telefunken during the 1950s and 60s. Each amplifier uses Coil's custom interchangeable transformers, NOS capacitors and resistors, and a pair of NOS EF86 vacuum tubes. With the addition of a flexible input pad network, the Negative Feedback tone shaping, and inter-stage volume control, the CA-286 is a timeless and flexible amplifier that compliments any microphone collection.\u003c\/p\u003e  \u003cp\u003eThe PS-2 version comes factory installed in the PS-2 Rack and PSU. This combines the power supply and modules into a single 3U case creating a compact 2-channel modular solution. The amplifier and power supply are otherwise identical to the larger PS-6 versions.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe (INPUT) pad section contains a phase reverse switch, and a 5 position attenuation network of Balanced H-pads. The first four positions are various 150\/250 Ohm mic pads; -6 db, -12 db, and -19 db. The final (LN) position allows line-level signals to run through the amplifier providing tone-shaping capabilities while mixing. It works as both a second-stage booster for other preamps, and a summing\/buss amp for program and mix material. Two amplifiers can also be chained together to create the multi-stage, high gain recording path of a vintage tube console.\u003c\/li\u003e \u003cli\u003eThe NF, HI, and LOW controls all interact to create a unique tone-shaping circuit. The NF control varies the amount of Negative Feedback present in the circuit. Counter-clockwise brightens and moves the sound forward while raising harmonics and sensitivity. Turning it clockwise increases negative feedback, producing a darker tone with a smooth, dampened harmonic structure.\u003c\/li\u003e \u003cli\u003eThe HI switch transitions from the natural openness of the tubes, to a gentle filtering of upper frequencies. The LOW switch reacts with the NF, boosting or cutting low frequency while moving the low end from front to back in the sound stage.\u003c\/li\u003e \u003cli\u003eThe Output control knob is placed between the 1st and 2nd stage EF86 tubes. It sets the final level and offers further control of the two-stage gain structure.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Coil Audio","offers":[{"title":"Default Title","offer_id":44450132557927,"sku":"80946","price":2999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coil-audio-ca-286-ps2_80946_1_3b5883b6-91d6-4c55-a1af-42c85a4588c3.jpg?v=1787091828"},{"product_id":"overstayer-m-a-s-rotary-demo-deal","title":"Overstayer M-A-S - Rotary (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer M-A-S\u003c\/strong\u003e was designed to be an analog ‘more’ control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The Mix control allows the character to be balanced to taste.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBring harmonics and tone to your bass, synths, drum machines and samplers with the integrated front panel high impedance input.\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44450192228455,"sku":"94916","price":1559.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-mas-rotary_50407_1_2_79d5d85f-188f-4b59-bc97-144bc8e783a9.jpg?v=1787092063"},{"product_id":"avedis-audio-electronics-kp6","title":"Avedis Audio Electronics KP6 6-Channel Audio Line Amplifier","description":"\u003cp\u003eThe \u003cstrong\u003eAvedis Audio Electronics KP6\u003c\/strong\u003e was designed for professional keyboard, synthesizer, and drum machine users who want to use something better than a mixer input channel or a DI (direct injection).\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic instruments often have a wide range of different output levels and impedances and with much wider bandwidth than traditional passive instruments such as electric guitars.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis presents a challenge for any outboard device following it. 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The improved design of the input circuits allows for a maximum input level of +21 dBu with a convenient gain range from 6 dB up to 60 dB.\u003c\/li\u003e\r\n\u003cli\u003eImproved signal to noise ratio (SNR) ADC 107.5 dB\u003c\/li\u003e\r\n\u003cli\u003eImproved THD, especially at higher gains\u003c\/li\u003e\r\n\u003cli\u003eOptimised heat dissipation by a new and larger housing with improved convection\u003c\/li\u003e\r\n\u003cli\u003eInternal wide range power supply with line filter, insensitive to voltage fluctuations\u003c\/li\u003e\r\n\u003cli\u003eSuper-stable, short circuit proof 48 V phantom power\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eOctaMic II offers 8 balanced XLR mic\/line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48 V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAD-Conversion\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 8-channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME's outstanding SteadyClock(TM) ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44450273099879,"sku":"18637","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme-octamic-ii_18637_1_fc823b71-30f6-409f-9f2f-c19a8e095d98.jpg?v=1787092407"},{"product_id":"fairman-trc-2a9525-used","title":"Fairman TRC #2A9525 (Used)","description":"\u003cb style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003eThe Unit for Professionals who want analog warmth\u003c\/b\u003e \u003cbr style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003eAny recording engineer who knows and loves the qualities of the Pultec equalizer and the Fairchild compressor can easily hear the difference between Analog and Digital sound. The Fairman T.R.C. combines the tube powered filter and compressor features of these treasured units into one high quality recording channel. Digital studio owners may now achieve the warmth of Analog sound while retaining the technically efficient aspects of Digital technology. \u003cbr style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003e\u003cbr style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003eTHE MIC \/ LINE INPUT STAGE is a very low noise triode amplifier with an extremely wide frequency range of over 100 kHz. The gain is adjustable over 60 dB with a line pad of 20 dB to accept line levels up to 24 dB. A jack input on the front panel of the unit disconnects the XLR-input and matches the level of instruments. \u003cbr style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003e\u003cbr style=\"box-sizing: border-box; color: rgb(38, 38, 38); font-family: Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); font-size: 10.6667px;\"\u003eTHE FILTER SECTION is based on the two types of Pultec filters. Each frequency band will boost \/dip max. 18 dB and is bypassed individually in the off position. 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From the lower levels of acoustic instruments (acc. guitars, classical instruments etc.) or to high peak levels of line signals, for example when the unit is inserted in the mastering process. The power supply of the unit puts out only highly stabilized voltages - also for the heaters of the tubes to avoid any sources of noise. No potentiometers, only high quality switches have been used in the entire unit in order to obtain a very high degree of precision of settings - essential if for example two units should be connected as a stereo pair. The switches are of ELMA type with hard gold on all contacts to prevent the well known problems of worn switches in audio equipment.","brand":"Fairman","offers":[{"title":"Default Title","offer_id":44450284306535,"sku":"100628","price":3995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/fairman-trc-2a9525-used_100628_1_ea18512d-facf-4c92-8aa1-a0dda40fdba2.jpg?v=1787092451"},{"product_id":"avedis-audio-electronics-kp6-demo-deal","title":"Avedis Audio Electronics KP6 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAvedis Audio Electronics KP6\u003c\/strong\u003e was designed for professional keyboard, synthesizer, and drum machine users who want to use something better than a mixer input channel or a DI (direct injection).\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic instruments often have a wide range of different output levels and impedances and with much wider bandwidth than traditional passive instruments such as electric guitars.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis presents a challenge for any outboard device following it. 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Created for maximum versatility, the V55's sonic signature - \"Deep and Controlled Bass, Musical Mid-range and enhanced Vocal Projection\" combine with a unique set of user features including, 100% discrete Pure Class A amplification, Avalon's unique \"passive\" TONE-BANK, professional VU meter with dual peak LED's, multiple outputs including an instrument level transformer isolated Re-amp. 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Since its release, Grace Design have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – the \u003cstrong\u003eGrace Designs FELiX2\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eNEW IN FELiX2\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eSTEREO OPERATION\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew dual-mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo in\u003c\/li\u003e\r\n\u003cli\u003eStereo amp output for connecting to stereo stage amp rig\u003c\/li\u003e\r\n\u003cli\u003eStereo headphone output for stereo headphone personal monitoring bliss\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eVARIABLE PHASE CONTROL\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBuilt-in variable phase control on channel 2 allows users to adjust mic\/pickup blending systems to be perfectly phase-coherent\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMORE EQ POWER\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high-frequency tone control\u003c\/li\u003e\r\n\u003cli\u003eNew notch filter uses a much higher Q setting for better surgical control of problem frequencies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEW POWER SUPPLY\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipment\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBETTER STAGE MANNERS\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cables\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL 1 BOOST DEFEAT\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAllows the boost circuit to only affect channel 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eFELiX2 is a studio-quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.\u003c\/p\u003e\r\n\u003cp\u003eA powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange controls cover from 70 Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e\r\n\u003cp\u003eControls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute \/ tune switch for muting all outputs except the dedicated tuner out, a boost switch that activates a variable boost circuit, and finally, an A\/B mode switch for when FELiX2 is in A\/B mode (which simply toggles between the two different channels).\u003c\/p\u003e\r\n\u003cp\u003eFELiX2 brings the kitchen sink approach to I\/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer-isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix of each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1\/8” mini-jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual-mono with separate FX loops for each channel.\u003c\/p\u003e\r\n\u003cp\u003eGuitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44450689646695,"sku":"155293","price":1382.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace-design-felix2_155293_1_4874dde5-209b-4f56-bdf5-2644f0cba184.jpg?v=1787094111"},{"product_id":"grace-designs-felix-2","title":"Grace Designs FELiX2 2-Channel Desktop Instrument Preamplifier","description":"\u003cp\u003eThe Grace Design FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged \/compact floor unit. Since its release, Grace Design have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – the \u003cstrong\u003eGrace Designs FELiX2\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eNEW IN FELiX2\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eSTEREO OPERATION\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew dual-mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo in\u003c\/li\u003e\r\n\u003cli\u003eStereo amp output for connecting to stereo stage amp rig\u003c\/li\u003e\r\n\u003cli\u003eStereo headphone output for stereo headphone personal monitoring bliss\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eVARIABLE PHASE CONTROL\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBuilt-in variable phase control on channel 2 allows users to adjust mic\/pickup blending systems to be perfectly phase-coherent\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMORE EQ POWER\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high-frequency tone control\u003c\/li\u003e\r\n\u003cli\u003eNew notch filter uses a much higher Q setting for better surgical control of problem frequencies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEW POWER SUPPLY\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipment\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBETTER STAGE MANNERS\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cables\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL 1 BOOST DEFEAT\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAllows the boost circuit to only affect channel 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eFELiX2 is a studio-quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.\u003c\/p\u003e\r\n\u003cp\u003eA powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange controls cover from 70 Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e\r\n\u003cp\u003eControls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute \/ tune switch for muting all outputs except the dedicated tuner out, a boost switch that activates a variable boost circuit, and finally, an A\/B mode switch for when FELiX2 is in A\/B mode (which simply toggles between the two different channels).\u003c\/p\u003e\r\n\u003cp\u003eFELiX2 brings the kitchen sink approach to I\/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer-isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix of each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1\/8” mini-jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual-mono with separate FX loops for each channel.\u003c\/p\u003e\r\n\u003cp\u003eGuitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44450689679463,"sku":"155292","price":1382.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace-design-felix2_155292_1.jpg?v=1787094112"},{"product_id":"grace-designs-felix2-2-channel-desktop-instrument-preamplifier-black-demo-deal","title":"Grace Designs FELiX2 2-Channel Desktop Instrument Preamplifier - Black (Demo Deal)","description":"\u003cp\u003eThe Grace Design FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged \/compact floor unit. Since its release, Grace Design have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – the \u003cstrong\u003eGrace Designs FELiX2\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eNEW IN FELiX2\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eSTEREO OPERATION\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew dual-mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo in\u003c\/li\u003e\r\n\u003cli\u003eStereo amp output for connecting to stereo stage amp rig\u003c\/li\u003e\r\n\u003cli\u003eStereo headphone output for stereo headphone personal monitoring bliss\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eVARIABLE PHASE CONTROL\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBuilt-in variable phase control on channel 2 allows users to adjust mic\/pickup blending systems to be perfectly phase-coherent\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMORE EQ POWER\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high-frequency tone control\u003c\/li\u003e\r\n\u003cli\u003eNew notch filter uses a much higher Q setting for better surgical control of problem frequencies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEW POWER SUPPLY\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipment\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBETTER STAGE MANNERS\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cables\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL 1 BOOST DEFEAT\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAllows the boost circuit to only affect channel 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eFELiX2 is a studio-quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.\u003c\/p\u003e\r\n\u003cp\u003eA powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange controls cover from 70 Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e\r\n\u003cp\u003eControls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute \/ tune switch for muting all outputs except the dedicated tuner out, a boost switch that activates a variable boost circuit, and finally, an A\/B mode switch for when FELiX2 is in A\/B mode (which simply toggles between the two different channels).\u003c\/p\u003e\r\n\u003cp\u003eFELiX2 brings the kitchen sink approach to I\/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer-isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix of each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1\/8” mini-jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual-mono with separate FX loops for each channel.\u003c\/p\u003e\r\n\u003cp\u003eGuitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44450769043559,"sku":"166865","price":1219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace-design-felix2_155293_1_2f2143af-8016-4bf8-8630-d9c9344b1a61.jpg?v=1787094462"},{"product_id":"grace-designs-felix2-2-channel-desktop-instrument-preamplifier-silver-demo-deal","title":"Grace Designs FELiX2 2-Channel Desktop Instrument Preamplifier - Silver (Demo Deal)","description":"\u003cp\u003eThe Grace Design FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged \/compact floor unit. Since its release, Grace Design have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – the \u003cstrong\u003eGrace Designs FELiX2\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eNEW IN FELiX2\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSTEREO OPERATION\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew dual-mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo in\u003c\/li\u003e\n\u003cli\u003eStereo amp output for connecting to stereo stage amp rig\u003c\/li\u003e\n\u003cli\u003eStereo headphone output for stereo headphone personal monitoring bliss\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVARIABLE PHASE CONTROL\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in variable phase control on channel 2 allows users to adjust mic\/pickup blending systems to be perfectly phase-coherent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMORE EQ POWER\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high-frequency tone control\u003c\/li\u003e\n\u003cli\u003eNew notch filter uses a much higher Q setting for better surgical control of problem frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNEW POWER SUPPLY\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBETTER STAGE MANNERS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cables\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL 1 BOOST DEFEAT\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllows the boost circuit to only affect channel 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003eFELiX2 is a studio-quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.\u003c\/p\u003e\n\u003cp\u003eA powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange controls cover from 70 Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e\n\u003cp\u003eControls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute \/ tune switch for muting all outputs except the dedicated tuner out, a boost switch that activates a variable boost circuit, and finally, an A\/B mode switch for when FELiX2 is in A\/B mode (which simply toggles between the two different channels).\u003c\/p\u003e\n\u003cp\u003eFELiX2 brings the kitchen sink approach to I\/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer-isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix of each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1\/8” mini-jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual-mono with separate FX loops for each channel.\u003c\/p\u003e\n\u003cp\u003eGuitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44450873770087,"sku":"181535","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace-design-felix2_155292_1_86e56527-fe95-4f41-a34d-843bc7f9fd5d.jpg?v=1787094902"},{"product_id":"api-3124-mic-line-preamplifier-5485-13-used","title":"API 3124+ Mic\/Line Preamplifier #5485-13 (Used)","description":"Both the \u003cstrong\u003eAPI 3124+\u003c\/strong\u003e and the 3124M+ are designed with the professional engineer in mind, giving the highest possible quality 4 channel mic preamp and with the 3124M+, an audio mixer, while keeping the size and price at a reasonable level. Several 3124M+ mixers can be linked to increase the number of bussed channels. Both models are equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the artist's disposal for the source of his music.\u003cp\u003eThe model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles. It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers. All four mic inputs of the 3124+ and the 3124M+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel. Also provided is a front panel 20 dB pad switch that effects both the Mic and Line in.\u003c\/p\u003e\u003cp\u003eThe model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices. The rear output is an XLR connector.\u003c\/p\u003e\u003cp\u003eThe model 3124M+ is a 3124+ with the addition of a complete stereo mixer. In conjunction with the gain control of the 3124+, the 3124M+ adds a stereo panner with a level control, and a post \"fader\" aux send. The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo AUX return is provided to return effects or cascade additional mixers for more inputs. The unique aux return pot acts like a panner to balance the left\/right signal, yet staying stereo. It can also be used as a mono return. A standard 3124+ can be further expanded to an \"m\" at the factory. Several options for the \"M\" include a discrete unbalanced stereo output or a discrete balanced stereo output.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450890252391,"sku":"177356","price":2295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-3124_-mic-line-preamplifier-5485-13-used_177356_1_3167d985-e097-46f1-91fb-7b81c89d7368.jpg?v=1787094978"},{"product_id":"api-3124v-0483-18-used","title":"API 3124V #0483-18 (Used)","description":"\u003cfigure class=\"table\"\u003e\u003ctable style=\"-webkit-text-stroke-width:0px;color:rgb(0, 0, 0);font-family:Arial, Helvetica, sans-serif;font-size:medium;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-transform:none;white-space:normal;widows:2;word-spacing:0px;\" align=\"center\" valign=\"middle\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"bglttext\" style=\"background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Arial, Helvetica, sans-serif;font-size:8pt;\"\u003e\n\u003cp style=\"margin:0px 0px 1em;padding:0px;\"\u003eSince the 1960s, API has provided high quality, discrete, studio grade pre-amps. Their punchy sound is highly preferred by audio professionals on drums, rock guitars, bass, vocals, or anything that needs a little attitude. There are over 700 API consoles in leading recording studios and broadcast facilities around the world, now with the \u003cstrong style=\"font-style:normal;font-weight:normal;\"\u003eAPI 3124V\u003c\/strong\u003e you can get that same pro sound, without buying the entire console.\u003c\/p\u003e\n\u003cp style=\"margin:1em 0px;padding:0px;\"\u003eThe 3124V has four discrete microphone pre-amps, the same preamplifier found in all API consoles. The microphone preamp can give you up to 65 dB of gain, where the Hi-Z input patches directly to the Op-Amp, allowing line level signals such as an electric guitar, bass, or keyboards to be plugged directly in without the use of a direct box.\u003c\/p\u003e\n\u003cp style=\"margin:1em 0px;padding:0px;\"\u003eOn the front panel, each channel is equipped with a VU meter, gain control, phase polarity button, 48 V Phantom Power button, 20 dB pad that works on the mic and line inputs, mic\/line selector, and the Hi-Z 1\/4\" input. The rear panel has XLR inputs and outputs for each channel. The 3124V also features Variable Output Control and switchable 3:1 output transformer selection.\u003c\/p\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/figure\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450934784103,"sku":"185071","price":2595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-3124v-0483-18-used_185071_1_6c6d42ab-0d69-45be-87e1-7eb5017352f1.jpg?v=1787095164"},{"product_id":"phoenix-audio-theata","title":"Phoenix Audio Theata 8-Channel Instrument Preamp","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Theata\u003c\/strong\u003e is truly a unique professional audio product which is so unusual in todays audio products market, the Theata have been custom designed for the studio, live and broadcast markets.\u003c\/p\u003e\r\n\u003cp\u003eAs the demand for electronic instruments like synths, electronic drums and sequencers has exploded the need for high quality amplification has become increasingly critical as well as having the best possible quality instrument pre-amps for guitars and basses or even routing virtual instruments from your DAW. Phoenix Audio is committed to making sure they maintain the sonic integrity of the instrument whilst enhancing the sound with the very best in modern analog circuitry with a strong nod to the vintage 70s design background through Phoenix's custom designed and wound transformers which can add a pleasing color and tone to enhance the instruments best characteristics.\u003c\/p\u003e\r\n\u003cp\u003eWhen you want to capture every syllable and every single frequency of every single note played you need ultra high impedance input amplification capture as lower resolution impedance simply means you lose the natural wide frequency of your instruments and they become dull and lifeless and often seem flat and 2D sounding, the Theata input amplification allows you to capture everything and then you the ability to modify and sculpt the sound with Class A discrete output amplifiers and transformers.\u003c\/p\u003e\r\n\u003cp\u003eThe Theata has eight channels and if you see each channel as an individual channel strip then the advantage of active electronics is you can have great control with 30 dB of gain, this can be used to drive synths to add color and tone or to simply bring levels up like guitars which need extra amplification, it might even be enough gain to power a tube mic or dynamic and condenser mic (with an additional gain clean booster). Each channel has its own dedicated 15 pad for gain reduction, phase reverse and ground lift and to really sculpt sounds or remove unwanted noise rumble, there is a variable high pass filter with a great number of frequency options to allow great flexibility.\u003c\/p\u003e\r\n\u003cp\u003eThe Theata has huge variety of input and output options, with over 24 inputs and 20 outputs there are eight unbalanced TRS inputs on the front, an eight channel D-sub input connector on the rear panel and a further eight TRS through inputs also on the front, these can be used to present another input source or for real creativity mix another signal with the input and through to create a new mixed sound which can have really exciting results.\u003c\/p\u003e\r\n\u003cp\u003eOn the rear the Theata has 20 outputs, these come in the form of 16 direct D-sub outputs with two dedicated to each channel, then two XLR mix master outputs and two master monitor outs.\u003c\/p\u003e\r\n\u003cp\u003eBut the really exciting part of the Theata is its routing matrix, each channel has its own left and right switching options, these can be used to route any and all of the eight channels to a master bus so that you can sum to the two channel mixing board that is part of the Theata. You can even send a mono signal to a stereo bus which can create some exciting options. When you route your channels to the master bus you allow the eight channels to be summed to a pair of outputs which is free up valuable inputs on your DAW interface or FOH or to essentially mix your instruments, the mixing bus of the Theata is a Class A active high gain voltage earth solution.\u003c\/p\u003e\r\n\u003cp\u003eOn the master bus you even more options like the main stereo output, additional left and right monitor outputs and stereo width effect which has the great ability to widen the mix or create a narrow mono mix, this has the ability to create some really exciting sonic opportunities. Also if you want to insert you favorite outboard like your favorite outboard compressors or EQ’s then the master bus has its own dedicated insert send and return connectors and if eight channels aren’t enough for all the instruments then the linking function can be used so two channels can be merged into a 16 channel unit.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450949726311,"sku":"196507","price":2799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-theata_196507_1_c6e8cf5a-b557-4412-8d20-659ff50e13b1.jpg?v=1787095229"},{"product_id":"phoenix-audio-theata-demo-deal-open-box","title":"Phoenix Audio Theata 8-Channel Instrument Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Theata\u003c\/strong\u003e is truly a unique professional audio product which is so unusual in todays audio products market, the Theata have been custom designed for the studio, live and broadcast markets.\u003c\/p\u003e\n\u003cp\u003eAs the demand for electronic instruments like synths, electronic drums and sequencers has exploded the need for high quality amplification has become increasingly critical as well as having the best possible quality instrument pre-amps for guitars and basses or even routing virtual instruments from your DAW. Phoenix Audio is committed to making sure they maintain the sonic integrity of the instrument whilst enhancing the sound with the very best in modern analog circuitry with a strong nod to the vintage 70s design background through Phoenix's custom designed and wound transformers which can add a pleasing color and tone to enhance the instruments best characteristics.\u003c\/p\u003e\n\u003cp\u003eWhen you want to capture every syllable and every single frequency of every single note played you need ultra high impedance input amplification capture as lower resolution impedance simply means you lose the natural wide frequency of your instruments and they become dull and lifeless and often seem flat and 2D sounding, the Theata input amplification allows you to capture everything and then you the ability to modify and sculpt the sound with Class A discrete output amplifiers and transformers.\u003c\/p\u003e\n\u003cp\u003eThe Theata has eight channels and if you see each channel as an individual channel strip then the advantage of active electronics is you can have great control with 30 dB of gain, this can be used to drive synths to add color and tone or to simply bring levels up like guitars which need extra amplification, it might even be enough gain to power a tube mic or dynamic and condenser mic (with an additional gain clean booster). Each channel has its own dedicated 15 pad for gain reduction, phase reverse and ground lift and to really sculpt sounds or remove unwanted noise rumble, there is a variable high pass filter with a great number of frequency options to allow great flexibility.\u003c\/p\u003e\n\u003cp\u003eThe Theata has huge variety of input and output options, with over 24 inputs and 20 outputs there are eight unbalanced TRS inputs on the front, an eight channel D-sub input connector on the rear panel and a further eight TRS through inputs also on the front, these can be used to present another input source or for real creativity mix another signal with the input and through to create a new mixed sound which can have really exciting results.\u003c\/p\u003e\n\u003cp\u003eOn the rear the Theata has 20 outputs, these come in the form of 16 direct D-sub outputs with two dedicated to each channel, then two XLR mix master outputs and two master monitor outs.\u003c\/p\u003e\n\u003cp\u003eBut the really exciting part of the Theata is its routing matrix, each channel has its own left and right switching options, these can be used to route any and all of the eight channels to a master bus so that you can sum to the two channel mixing board that is part of the Theata. You can even send a mono signal to a stereo bus which can create some exciting options. When you route your channels to the master bus you allow the eight channels to be summed to a pair of outputs which is free up valuable inputs on your DAW interface or FOH or to essentially mix your instruments, the mixing bus of the Theata is a Class A active high gain voltage earth solution.\u003c\/p\u003e\n\u003cp\u003eOn the master bus you even more options like the main stereo output, additional left and right monitor outputs and stereo width effect which has the great ability to widen the mix or create a narrow mono mix, this has the ability to create some really exciting sonic opportunities. Also if you want to insert you favorite outboard like your favorite outboard compressors or EQ’s then the master bus has its own dedicated insert send and return connectors and if eight channels aren’t enough for all the instruments then the linking function can be used so two channels can be merged into a 16 channel unit.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44451024961639,"sku":"213425","price":2293.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-theata_196507_1_a19976e6-50f1-4764-af59-7ce7b4065534.jpg?v=1787095523"},{"product_id":"avalon-u5-demo-deal-open-box","title":"Avalon U5 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter.  The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards.  The U5 direct box is loaded with sonic character and user features professionals demand. \u003cbr\u003e \u003cbr\u003e\r\n\u003c\/p\u003e\u003ch3\u003e Sonic Excellence\u003cbr\u003e\n\u003c\/h3\u003e \r\nThe Avalon U5 Pure Class A instrument DI \u0026amp; preamplifier is the most powerful direct box available today.   Designed to optimize absolute signal integrity and musical performance, the U5 includes many features and sonic excellence unequaled by lesser designs.  The U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers and low output pickups. \u003cbr\u003e \u003cbr\u003e Features include state-of-the-art, high input impedance input stage for zero load effect on sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical user features and rugged hardware designed to deliver true high performance audio for many years. \u003cbr\u003e \u003cbr\u003e\r\n\u003ch3\u003e Designed for Deep and Controlled Bass\u003cbr\u003e\n\u003c\/h3\u003e Avalon U5 DI-preamps have been in use around the world since 1995.  They have found their way into the world's leading musicians rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances. \u003cbr\u003e \u003cbr\u003e \u003ch3\u003eMinimum Signal Path Design\u003c\/h3\u003e The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier.  Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments.  A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a headphone monitor amp has been included for personal listening.  Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.  The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack.  A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44451070640231,"sku":"283238","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon-u5-2025_7928_1_1_98e80e12-f1e0-4626-890d-33836002ab49.jpg?v=1787095716"},{"product_id":"grace-designs-felix2-2-channel-desktop-instrument-preamplifier-limited-edition-blue","title":"Grace Designs FELiX2 2-Channel Desktop Instrument Preamplifier - Limited Edition Blue","description":"\u003cp\u003eThe Grace Design FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged \/compact floor unit. Since its release, Grace Design have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – the \u003cstrong\u003eGrace Designs FELiX2\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eNEW IN FELiX2\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eSTEREO OPERATION\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew dual-mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo in\u003c\/li\u003e\r\n\u003cli\u003eStereo amp output for connecting to stereo stage amp rig\u003c\/li\u003e\r\n\u003cli\u003eStereo headphone output for stereo headphone personal monitoring bliss\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eVARIABLE PHASE CONTROL\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBuilt-in variable phase control on channel 2 allows users to adjust mic\/pickup blending systems to be perfectly phase-coherent\u003c\/li\u003e \r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMORE EQ POWER\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high-frequency tone control\u003c\/li\u003e\r\n\u003cli\u003eNew notch filter uses a much higher Q setting for better surgical control of problem frequencies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEW POWER SUPPLY\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipment\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBETTER STAGE MANNERS\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cables\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL 1 BOOST DEFEAT\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAllows the boost circuit to only affect channel 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eFELiX2 is a studio-quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.\u003c\/p\u003e\r\n\u003cp\u003eA powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange controls cover from 70 Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e\r\n\u003cp\u003eControls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute \/ tune switch for muting all outputs except the dedicated tuner out, a boost switch that activates a variable boost circuit, and finally, an A\/B mode switch for when FELiX2 is in A\/B mode (which simply toggles between the two different channels).\u003c\/p\u003e\r\n\u003cp\u003eFELiX2 brings the kitchen sink approach to I\/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer-isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix of each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1\/8” mini-jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual-mono with separate FX loops for each channel.\u003c\/p\u003e\r\n\u003cp\u003eGuitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44451130769511,"sku":"458703","price":1255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grace-design-felix2-blue_458703_1.jpg?v=1787095957"},{"product_id":"phoenix-audio-theata-8-channel-instrument-preamp-demo-deal","title":"Phoenix Audio Theata 8-Channel Instrument Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Theata\u003c\/strong\u003e is truly a unique professional audio product which is so unusual in todays audio products market, the Theata have been custom designed for the studio, live and broadcast markets.\u003c\/p\u003e\r\n\u003cp\u003eAs the demand for electronic instruments like synths, electronic drums and sequencers has exploded the need for high quality amplification has become increasingly critical as well as having the best possible quality instrument pre-amps for guitars and basses or even routing virtual instruments from your DAW. Phoenix Audio is committed to making sure they maintain the sonic integrity of the instrument whilst enhancing the sound with the very best in modern analog circuitry with a strong nod to the vintage 70s design background through Phoenix's custom designed and wound transformers which can add a pleasing color and tone to enhance the instruments best characteristics.\u003c\/p\u003e\r\n\u003cp\u003eWhen you want to capture every syllable and every single frequency of every single note played you need ultra high impedance input amplification capture as lower resolution impedance simply means you lose the natural wide frequency of your instruments and they become dull and lifeless and often seem flat and 2D sounding, the Theata input amplification allows you to capture everything and then you the ability to modify and sculpt the sound with Class A discrete output amplifiers and transformers.\u003c\/p\u003e\r\n\u003cp\u003eThe Theata has eight channels and if you see each channel as an individual channel strip then the advantage of active electronics is you can have great control with 30 dB of gain, this can be used to drive synths to add color and tone or to simply bring levels up like guitars which need extra amplification, it might even be enough gain to power a tube mic or dynamic and condenser mic (with an additional gain clean booster). Each channel has its own dedicated 15 pad for gain reduction, phase reverse and ground lift and to really sculpt sounds or remove unwanted noise rumble, there is a variable high pass filter with a great number of frequency options to allow great flexibility.\u003c\/p\u003e\r\n\u003cp\u003eThe Theata has huge variety of input and output options, with over 24 inputs and 20 outputs there are eight unbalanced TRS inputs on the front, an eight channel D-sub input connector on the rear panel and a further eight TRS through inputs also on the front, these can be used to present another input source or for real creativity mix another signal with the input and through to create a new mixed sound which can have really exciting results.\u003c\/p\u003e\r\n\u003cp\u003eOn the rear the Theata has 20 outputs, these come in the form of 16 direct D-sub outputs with two dedicated to each channel, then two XLR mix master outputs and two master monitor outs.\u003c\/p\u003e\r\n\u003cp\u003eBut the really exciting part of the Theata is its routing matrix, each channel has its own left and right switching options, these can be used to route any and all of the eight channels to a master bus so that you can sum to the two channel mixing board that is part of the Theata. You can even send a mono signal to a stereo bus which can create some exciting options. When you route your channels to the master bus you allow the eight channels to be summed to a pair of outputs which is free up valuable inputs on your DAW interface or FOH or to essentially mix your instruments, the mixing bus of the Theata is a Class A active high gain voltage earth solution.\u003c\/p\u003e\r\n\u003cp\u003eOn the master bus you even more options like the main stereo output, additional left and right monitor outputs and stereo width effect which has the great ability to widen the mix or create a narrow mono mix, this has the ability to create some really exciting sonic opportunities. Also if you want to insert you favorite outboard like your favorite outboard compressors or EQ’s then the master bus has its own dedicated insert send and return connectors and if eight channels aren’t enough for all the instruments then the linking function can be used so two channels can be merged into a 16 channel unit.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44451133358183,"sku":"458946","price":1919.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-theata_196507_1_3a3eb079-2149-4a14-8d55-7e1877ddb348.jpg?v=1787095968"},{"product_id":"rodec-m-101-phono-preamplifier","title":"Rodec M-101 Dual Discrete Phono Preamplifier Module for MX Modular","description":"\u003cp\u003eThe MX-180 was Rodec’s flagship mixer for more than 30 years. The \u003cstrong\u003eRodec M-101 Dual Discrete Phono Preamplifier\u003c\/strong\u003e recreates its phono\/line preamp in a 100 series module, so it could be used in the MX Modular and as one of the two slots in the Bunk 01. But Rodec have taken it a step further: they added a second discrete phono stage that features a deeper and more relaxed sound, which complements the more party-time sounding original Rodec stage. You can switch between the two phono stages with a simple flick of a button.\u003c\/p\u003e  \u003cp\u003eAdditionally, the M-101 includes the option to push an addition +20 dB of gain, to help get lower level records to level match. You can keep the original 0 dB attenuator too, by adjusting a dip switch on the board.\u003c\/p\u003e","brand":"Rodec","offers":[{"title":"Default Title","offer_id":44451197190247,"sku":"474344","price":292.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rodec-m101_474344_1.jpg?v=1787096237"},{"product_id":"behringer-pp400","title":"Behringer MICROPHONO PP400 Compact Phono Premap","description":"\u003cp\u003eIn the present age of the mp3 and other digital audio formats, it can be easy to forget that turntable signals needs a little help before your mixer, or home entertainment system, can bring those memories back to life. Thanks to the \u003cstrong\u003eBehringer MICROPHONO PP400\u003c\/strong\u003e phono preamp, your turntable will get the boost it needs, and you can relive all those precious memories – or create some new ones!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eLONG LIVE VINYL\u003c\/h3\u003e  \u003cp\u003eThe ultra-compact PP400 features stereo RCA inputs and outputs, as well as a ¼\" TRS output jack. Thanks to the PP400's incredible low-noise operation, your vinyl records deliver sound exactly as it's read from your turntable's needle. Behringer have also included the 12 V adapter you'll need to power this awesome little gem.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDO WONDERS FOR YOUR WAX\u003c\/h3\u003e  \u003cp\u003eVinyl is making a huge comeback, and it's time to get your wheels (or records) spinning. Just connect your turntable into the PP400, send a line out to your mixer or the Aux inputs on your home stereo – and take a spin on the freeway of retro-cool. For about the price of a couple of prerecorded CDs, you an experience the high-fidelity sound of real vinyl – the medium that single-handedly launched the rock 'n' roll revolution!\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44451208134759,"sku":"477452","price":21.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/behringer-pp400_477452_1.jpg?v=1787096289"},{"product_id":"spl-audio-phonos-duo-red","title":"SPL Phonos duo Phono RIAA Preamplifier for Pro Audio and Hi-Fi - Red","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Phonos duo\u003c\/strong\u003e expands the established SPL phono preamplifier Phonos with a pair of balanced stereo inputs and outputs. Phonos duo is thus even more versatile. Whether moving magnet (MM) or moving coil (MC) cartridge systems – the SPL VOLTAiR technology and the RIAA filter in the legendary Douglas-Self design form the fundament for an outstanding phono sound.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMOVING MAGNET AND MOVING COIL\u003c\/h3\u003e  \u003cp\u003eMoving magnet cartridges generate a voltage by moving a magnet between copper coils. In order to achieve the best possible linearity of the frequency and phase response, the capacitance is modified to adjust the cartridge. Phonos duo offers six different capacities for this adjustment: 12 pF, 47 pF, 100 pF, 150 pF, 220 pF und 330pF.\u003c\/p\u003e  \u003cp\u003eThe moving coil cartridge is also a small electromagnetic generator. However, the magnets are firmly anchored – and the coils move between the magnets. This concept is exactly the opposite of the moving magnet cartridge. Consequently, it is not the capacitance but the impedance that is the decisive parameter in matching the cartridge. Phonos duo offers six different impedances for this adjustment: 20 ohms, 50 ohms, 100 ohms, 220 ohms, 500 ohms and 1 kohm.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eFREE CHOICE – BALANCED OR UNBALANCED\u003c\/h3\u003e  \u003cp\u003ePhonos duo offers two pairs of stereo inputs and outputs. A pair of balanced inputs and outputs with XLR inputs and outputs and a pair of unbalanced inputs and outputs with RCA connectors. The INPUT switch on the front of the Phonos duo can be used to switch between the two stereo inputs. The output signal is always present in parallel at both output – regardless of the selected input.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTIONS\u003c\/h3\u003e  \u003cp\u003eGold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector. A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. Phonos duo also features a switch on the rear panel labeled GND LIFT. This ground lift function can be used to eliminate ground loops by isolating the internal ground from the housing ground when the switch is pressed.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003ePERFECT LEVEL\u003c\/h3\u003e  \u003cp\u003eThe GAIN switch can be used to set the preamplification. There are three values to choose from. In the “Low” position, the amplification for MM systems is +30 dB and for MC systems +50 dB. This is ideal in combination with standard HiFi devices that operate with a reference level of -10 dBV In switch position “Med”, the amplification is increased by 10 dB (MM = +40 dB, MC = +60 dB). If the switch is in the “High” position, the gain is increased by a further 10 dB (MM = +50 dB, MC = +70 dB). This means that the output level is approximately as loud as that of modern DA converters at a reference level of 0 dBfs = 15 dBu.\u003c\/p\u003e  \u003cp\u003eThe rumbling of the turntable‘s drive mechanism is amplified by the high amplification of the bass range due to RIAA equalization in playback (see RIAA equalization). The Phonos duo offers a switchable subsonic filter to remove this rumble.\u003c\/p\u003e  \u003cp\u003eThe MONO switch can be used to select whether the stereo input signal should be output as a regular stereo signal or summed to mono (switch in the On position). This is useful, for example, when using a mono system to play mono records.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eVOLTAIR TECHNOLOGY\u003c\/h3\u003e  \u003cp\u003eThe 120V technology is SPL's reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In SPL's Professional Fidelity series, this unsurpassed technology is referred to as VOLTAiR technology.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44451248668775,"sku":"482398","price":3750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-phonos-duo-red_482398_1.jpg?v=1787096473"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-outboard-preamps-line-amps.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}