{"title":"Preamps","description":null,"products":[{"product_id":"lachapell-audio-583e","title":"LaChapell Audio 583e 500 Series Tube Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eLaChapell Audio Model 583E\u003c\/strong\u003e features the same amplifier stage found on the 583S including the Jensen JT-115k input transformer coupled with an ultra-clean transformer-less three-band EQ section with fully sweeping frequency controls and cut\/boost settings of +\/- 8dB. The EQ can run as an integrated EQ serving the preamplifier or separate as its own autonomous module where both units run independently. \u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"LaChapell Audio","offers":[{"title":"Default Title","offer_id":44449236680807,"sku":"10457","price":1475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lachapell_583e_1.jpg?v=1787088256"},{"product_id":"helios-type-69-500","title":"Helios Type 69-500 - 500 Series Mic Pre\/EQ","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eHelios Type 69-500\u003c\/span\u003e 500 Series module holds true to the original Dick Swettenham design, but with a number of modern updates such as 5db steps on the mic preamp gain switch as opposed to the original 10db steps, additional 16khz EQ frequency selection for today's high-bandwidth digital recordings, and a balanced output for easy interfacing with any digital converter.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eHelios Type 69 Mic Pre\/EQ Module\u003c\/strong\u003e is reborn!\u003cbr\u003e\u003cbr\u003eRe-manufactured classic three-band mic pre\/EQ. Discrete. Switchable lo\/mid. Fixed top. Hi-pass. Unlike anything you have ever used (especially if you are stuck in API-Neve land). You will find the Type 69 a unique departure. These hand-built units have a Sowter input transformer based on the highly desirable Lustraphone (Olympic) transformer models. The mids are so funky and sweet – guitars and snare drums from heaven; woody and sweet! 700 to 2k to die for! Lows are reminiscent of Pultecs.  Highs are sweet and musical. An extremely open mic pre; in mic shootouts, these are as open as the king daddy Telefunken V76m. Transform your life!\u003cbr\u003e\u003cbr\u003eThe legendary Helios Electronics Ltd. has resurrected with much anticipation and patience, the Olympic Type 69 Series EQ as used by the Beatles, Rolling Stones, Bob Marley, Led Zeppelin and so many others.  In its heyday, Helios became known as the musician's choice of recording consoles.\u003cbr\u003e\u003cbr\u003eBrought in line with modern expectations, these units are built to military specifications with supervision of gear fanatic and music producer Tony Arnold. Endorsed by the late Dick Swettenham, of the original Helios Electronics Ltd., to maintain and service all of the original consoles, Tony later purchased the original company, including all of its circuits and parts.\u003c\/p\u003e\r\n\u003cp\u003eThe modern circuit is similar to the original, aside from one vast improvement - the build quality and reliability.  The openness and clarity has been upheld, with the addition of EQ frequency selections. Tony Arnold explains, \"We asked many of the original users of the Helios desks what they felt was missing and if we could make any improvements.  Most wanted the 30Hz added to the Low EQ.  In order to meet today’s CD standards, some wanted a tight high frequency around 16k, which has been added without changing the original Helios sound whatsoever.\"\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"WON'T GET FOOLED AGAIN was recorded on the  Stones mobile using 69s. These modules are the ones that re-create the  sound I remember. On acoustic guitar a little 10k and 2.4, and a slight  bass cut with a Neumann U87 and there is Glyn Johns 1970. Straight out  of the box. It's spooky.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003ePete Townshend\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449236877415,"sku":"13195","price":1325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/helios_type_69_front.jpg?v=1787088257"},{"product_id":"shadow-hills-mono-gama-mic-pre","title":"Shadow Hills Industries Mono GAMA Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449237237863,"sku":"5730","price":1240.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hills-mono-gama-23_5730_1.jpg?v=1787088259"},{"product_id":"avedis-ma5-microphone-pre","title":"Avedis Audio Electronics MA5 500 Series Microphone Preamp","description":"\u003cp\u003eAfter some requests from audio engineers, the \u003cstrong\u003eAvedis Audio MA5\u003c\/strong\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70s British consoles.  The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics.  Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled.  In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":44449237270631,"sku":"9156","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avedis_ma5_mic_pre_front.jpg?v=1787088259"},{"product_id":"api-512c","title":"API 512c 500 Series Microphone Preamp","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449237958759,"sku":"312","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-512c-mic-pre_7ac04072-8e0d-4d6d-9eb1-cfa01c086233.jpg?v=1787088262"},{"product_id":"wunder-audio-peq2-module","title":"Wunder Audio PEQ2 Microphone Preamp\/EQ Module","description":"\u003cp\u003eTried and true, the \u003cstrong\u003eWunder Audio PEQ2\u003c\/strong\u003e is a fully Class A discrete 70s-style mic-pre\/equalizer. It can directly replace the 1073. The 18-way gold plated Amphenol connector will mate with vintage Neve \"80 Series\" consoles or racks. The similarity to the 1073 stops there! With its Western Electric style transformers and long list of features, the Wunder Audio PEQ2 can go head to head with anything on the market, old or new.\u003c\/p\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":44449238777959,"sku":"9116","price":2695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wunder_peq2_module.jpg?v=1787088266"},{"product_id":"a-designs-audio-mp2a","title":"A Designs Audio MP2A Stereo Tube Preamp","description":"\u003cp\u003eThere aren’t many single preamps that engineers and producers feel that they could solely use to make an entire record, but according to industry professionals, A-Designs Audio has built two: The all-tube MP-2A and the solid-state Pacifica. But we’re here to talk about the MP-2A (you can check out the Pacifica later). Designed to provide the versatility and sonic majesty the discerning professional requires for top-quality recordings, the \u003cstrong\u003eA-Designs MP-2A\u003c\/strong\u003e not only offers two tone switches per channel (four distinct sounds), custom transformers, plus polarity (phase) switches in order to treat any sound source as desired, it also gets top marks in “works and plays well with others.” Meaning, while some preamps can be finicky when it comes to certain mics, the MP-2A welcomes all and sounds great no matter what you put through it; ribbon, dynamic, or condenser. Whether you’re looking for clarity and transparency, or the rich, euphonic sound of input tubes driven hard, the MP-2A can give you all that and more.   \u003cbr\u003e\u003cbr\u003eEach channel features a -20dB pad; two selectable tone switches for four possible tones on each channel; 60db gain for use with next-generation ribbon mics; and Cinemag input transformers coupled with custom-wound output transformers, delivering the low noise and top-quality sound you demand from a high-end preamp. Additional features include balanced combo XLR\/1\/4” inputs, true VU meters, phantom power, polarity switches, and front-panel, line-level input jacks.   \u003cbr\u003e\u003cbr\u003eBuilt to audiophile-quality standards with a price tag well below other boutique preamps in its class, the MP-2A has no integrated circuits in the signal path—it relies solely on discrete components, namely tubes, film capacitors, and custom transformers. To maintain the integrity and purity of its sonic signature, bells and whistles are kept to a minimum. This serves two purposes: First, the more switches in the circuit path, the more sound quality can be negatively affected. Second, by keeping only necessary features, costs are kept down and your money goes where it really counts: sound quality.   \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnlimited “Sweetspot” and Tonal Variation\u003c\/strong\u003e\u003cbr\u003eWith many preamps, you’ll find that they tend to have only one setting where you hear “the magic.” Move past it, and the magic is gone. The problem with a single-setting sweetspot is that you can’t always run the preamp at that setting, since the strength of the input signal will vary from sound source to sound source. Not so with the MP-2A! Thanks to its fixed-gain amplifier with output attenuator, you get consistent behavior (the magic) whether the MP2-A is turned up or down. It also provides polarity switches, which allow you to record a stereo sound source out of phase in order to enhance stereo imaging, or tame overwhelming bass via cancellation. Factor in the tone switches that give you a palette of four unique sonic flavors on each channel, and you can easily see why we say you could make an entire record with just this one incredibly versatile preamp.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: 20Hz – 60kHz\u003c\/li\u003e\r\n\u003cli\u003eGain range: 0 – 60dB\u003c\/li\u003e\r\n\u003cli\u003eDistortion THD: \u0026gt; .08 @ 1kHz\u003c\/li\u003e\r\n\u003cli\u003eNoise (EIN): -128dBu\u003c\/li\u003e\r\n\u003cli\u003eInput impedance: 1.4k ohm\u003c\/li\u003e\r\n\u003cli\u003ePhantom power: +48V switchable power source\u003c\/li\u003e\r\n\u003cli\u003eMic input phase: 0-180” (switchable)\u003c\/li\u003e\r\n\u003cli\u003eInstrument input: 1\/4” phono\u003c\/li\u003e\r\n\u003cli\u003eInstrument input impedance min: \u0026gt;100k ohm\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: 600 ohm, switchable to 10k ohm\u003c\/li\u003e\r\n\u003cli\u003eMaximum output level: +22dBu\u003c\/li\u003e\r\n\u003cli\u003eOutput: Low-Z, transformer-balanced\u003c\/li\u003e\r\n\u003cli\u003ePower requirements: 100\/120\/230 VAC – 42W\u003c\/li\u003e\r\n\u003cli\u003eDimensions: (W x H x D) 19” x 3-1\/2” x 10”\u003c\/li\u003e\r\n\u003cli\u003eWeight: 18 lb.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449238843495,"sku":"6794","price":2850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_mp2a_1.jpg?v=1787088266"},{"product_id":"api-212l","title":"API 212L 200 Series Microphone Preamp","description":"\u003cp\u003eThe tone of the \u003cstrong\u003eAPI 212L\u003c\/strong\u003e mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound.  This same mic preamp design is packaged into a compact module with features like a continuously adjustable gain control and a unique five segment LED VU meter on each panel.\u003c\/p\u003e\r\n\u003cp\u003eAn audio chain is only as strong as its weakest link.  Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp.  The API 212L microphone pre-amplifier is an integral part of the famous Legacy Series console and is now available for the L200 Rack System.  This modular unit incorporates the same circuit as the legendary API 512b, thus preserving its sonic qualities.  This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for.  Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/p\u003e\r\n\u003cp\u003eThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer.  A -20 dB pad is provided, allowing the plevel feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer.  48V phantom power can be locally switched on or off via the front panel switch.  An LED VU meter provides a true VU indication of the mic pre output level.  The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/p\u003e\r\n\u003cp\u003eThe 212L microphone preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449239171175,"sku":"786","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_212l.jpg?v=1787088268"},{"product_id":"api-3124","title":"API 3124+","description":"\u003cp\u003eBoth the \u003cspan style=\"font-weight: bold;\"\u003eAPI 3124+\u003c\/span\u003e and the 3124M+ are designed with the professional engineer in mind, giving the highest possible quality four-channel mic preamp and with the 3124M+, an audio mixer, while keeping the size and price at a reasonable level.  Several 3124M+ mixers can be linked to increase the number of bussed channels.  Both models are equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT or at the artist's disposal for the source of his music.\u003c\/p\u003e\r\n\u003cp\u003eThe model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles.  It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers.  All four mic inputs of the 3124+ and the 3124M+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel.  Also provided is a front panel 20 dB pad switch that effects both the mic and line in.\u003c\/p\u003e\r\n\u003cp\u003eThe model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm.  The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box.  This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices.  The rear output is an XLR connector.\u003c\/p\u003e\r\n\u003cp\u003eThe model 3124M+ is a 3124+ with the addition of a complete stereo mixer.  In conjunction with the gain control of the 3124+, the 3124M+ adds a stereo panner with a level control, and a post \"fader\" aux send.  The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks.  A stereo AUX return is provided to return effects or cascade additional mixers for more inputs.  The unique aux return pot acts like a panner to balance the left\/right signal, yet staying stereo.  It can also be used as a mono return.  A standard 3124+ can be further expanded to an \"m\" at the factory.  Several options for the \"M\" include a discrete unbalanced stereo output or a discrete balanced stereo output.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449239302247,"sku":"103","price":2715.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_audio_3124_plus_front.jpg?v=1787088269"},{"product_id":"api-3124mb","title":"API 3124MB+","description":"\u003cp\u003eBoth the \u003cspan style=\"font-weight: bold;\"\u003eAPI 3124MB+\u003c\/span\u003e and the 3124+ are designed with the professional engineer in mind, giving the highest possible quality four-channel mic preamp and with the 3124MB+, an audio mixer, while keeping the size and price at a reasonable level.  Several 3124MB+ mixers can be linked to increase the number of bussed channels.  Both models are equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT or at the artist's disposal for the source of his music.\u003c\/p\u003e\n\u003cp\u003eThe model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles.  It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers. All four mic inputs of the 3124+ and the 3124M+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel.  Also provided is a front panel 20 dB pad switch that effects both the mic and line in.\u003c\/p\u003e\n\u003cp\u003eThe model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm.  The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box.  This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices.  The rear output is an XLR connector.\u003c\/p\u003e\n\u003cp\u003eThe model 3124MB+ is a 3124+ with the addition of a complete stereo mixer.  In conjunction with the gain control of the 3124+, the 3124M+ adds a stereo panner with a level control, and a post \"fader\" aux send.  The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo AUX return is provided to return effects or cascade additional mixers for more inputs.  The unique aux return pot acts like a panner to balance the left\/right signal, yet staying stereo. It can also be used as a mono return.  A standard 3124+ can be further expanded to an \"m\" at the factory.  Several options for the \"M\" include a discrete unbalanced stereo output or a discrete balanced stereo output.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449239367783,"sku":"104","price":3510.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_3124mb.jpg?v=1787088269"},{"product_id":"audient-asp008","title":"Audient ASP008","description":"\u003cp\u003eThe \u003cstrong\u003eASP008\u003c\/strong\u003e is a compact, 1U rack mount unit featuring eight ultra high quality microphone preamplifiers developed from the renowned design used in the acclaimed ASP8024 recording console.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBypass your interface’s mic pres and converters and bring world class recordings to your studio. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eASP008 offers 8 channels of Audient’s premium Class A mic pres packaged in a convenient 1U rack with digital output option for AES\/ADAT. This provides the perfect upgrade for any user looking to step up to a world class quality of recording. Audient’s mic pres and A\/D converters will bypass the mic pres and converters in your multi channel interface and bring warmth, clarity and punch to everything you record. Don’t take our word for it, get down to your local dealer and ask for a demo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass A Mic pres and an instrument input. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor a quick test, plug a bass guitar into the DI input and check out the solid bottom end, then plug in a decent mic, try out some quick vocals and listen to the dynamic subtleties you can capture with the ASP008 plus the amazing crispness of the top end. There is a fantastic smoothness to ‘S’ and ‘F’ sounds recorded through ASP008 and they are distinctly different from each other. Many traditional designs suffer from a blurring between s and f sounds making vocals much less present and distinct.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e48V: Phantom Power ON\/OFF with 'soft start' feature to avoid thumps \u003c\/li\u003e\n\u003cli\u003eINST\/DI: CH 1\u0026amp;2 only. Selects jack instrument input with input impedance 1 MΩ \u003c\/li\u003e\n\u003cli\u003e-20dB: 20dB Pad (CH1\u0026amp;2 ONLY) \u003c\/li\u003e\n\u003cli\u003eLINE: Selects Line level input with input impedance of 10 kΩ \u003c\/li\u003e\n\u003cli\u003ePolarity: Polarity invert \u003c\/li\u003e\n\u003cli\u003eFilter: Selects 12 dB\/octave Hi-Pass filter - range 25 Hz to 250 Hz \u003c\/li\u003e\n\u003cli\u003ePK: Indicates signal levels within 4 dB of clipping \u003c\/li\u003e\n\u003cli\u003eSIG: Indicates signal levels above -25 dBu \u003c\/li\u003e\n\u003cli\u003eI\/P Z: Input impedance select 200\/1200\/5000 Ω \u003c\/li\u003e\n\u003cli\u003eGAIN: MIC\/DI 0 to 60 dB. 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The Line button switches this input through the unit, providing a simple way to feed your line sources into your recording system, either through the line outputs or via the A\/D converters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable high pass filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a variable potentiometer to adjust the cut off frequency, the HPF can be used to roll off low end rumble and unnecessary bass frequencies. The result is a clean, ready to record signal that will sit straight in the mix without further processing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable impedance switch \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRibbon mics love this feature! Many mic pres don’t operate at the optimum impedance for ribbon mics, often taking the sheen off the sound. ASP008 will offer impedances up to 5000 ohms and 60dB of gain, perfect for all ribbon mics out there. Non ribbon mic users can enjoy the tonal differences possible with one mic simply by switching impedances.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Output option \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAudient knows a thing or two about converters. Although ASP008 was our first venture into A\/D conversion, the design team has been working on converter design for some 20 years. We use the best converter chips available and take great care in both the analogue and digital stages to ensure we offer conversion that competes with the best out there.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe ASP008 converter offers up to 96kHz\/24bit resolution through AES or ADAT connections.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper channels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eASP008 has two channels that can take high impedance signals as well as mic signals. You can plug a guitar or bass straight into the front panel and enjoy the best DI sound available. 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Split low-ratio primary windings are carefully combined within a custom mu-metal core for extended smooth frequency response and very low distortion. Sealer silver relays are used for minimal signal invasion. The input signal selector, high pass filter, polarity-phase reverse, +48V power and the 20 dB input attenuator all utilize local sealed relay operation. A variable passive high pass filter provides a minimum phase shift design while eliminating low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSYMMETRICAL PURE CLASS A DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTwo 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers are utilized per channel. The first operates in a cascaded-cascode FET configuration while the second stage amplifier is fully bipolar. The twin amplifiers share the total available gain requirement. This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. Output and Metering High-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads. Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED's offers peak indication at 0 dB and +20 dB.\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449239498855,"sku":"5032","price":3911.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_ad2022_1.jpg?v=1787088269"},{"product_id":"avalon-m5","title":"Avalon M5","description":null,"brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449239564391,"sku":"8429","price":1665.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_m5_1.jpg?v=1787088270"},{"product_id":"avalon-vt-737sp","title":"Avalon VT-737SP Tube Channel Strip","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon VT-737SP\u003c\/strong\u003e is a channel strip featuring a combination of tube preamplifiers, opto compressor, sweep equalizer, output level and VU metering in a 2U space.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePREAMPLIFIER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VT-737SP has three input selections:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe VT-737SP features a higher-performance microphone input transformer with +48V phantom selection\u003c\/li\u003e\r\n\u003cli\u003eInstrument DI high source input with jack located on front panel\u003c\/li\u003e\r\n\u003cli\u003eBalanced line input, discrete high-level Class A\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback.  A high gain switch boosts the overall gain of the preamplifier.  The four high quality tubes are configured as singled ended anode coupled followers.  A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eOPTO COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe opto compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching.  The optical attenuator acts as a simple passive level controller.  Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto compressor via a front panel switch for alternate effects and tone shaping.  Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSWEEP-EQUALIZER AND OUTPUT LEVEL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VT-737SP equalizer utilizes 100% discrete, Class A high-voltage transistors for optimum sonic performance.  The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection.  The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers.  The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for \"tone enhancement.\"  The output level control provides a variable control of the overall signal path.  The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449239629927,"sku":"4903","price":3866.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon-vt-737sp-23_4903_1.jpg?v=1787088270"},{"product_id":"avalon-vt-737sp-10th-anniversary-edition","title":"Avalon VT-737SP Tube Channel Strip - 10th Anniversary Edition","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon VT-737SP\u003c\/strong\u003e is a channel strip featuring a combination of tube preamplifiers, opto compressor, sweep equalizer, output level and VU metering in a 2U space.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePREAMPLIFIER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VT-737SP has three input selections:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe VT-737SP features a higher-performance microphone input transformer with +48V phantom selection\u003c\/li\u003e\r\n\u003cli\u003eInstrument DI high source input with jack located on front panel\u003c\/li\u003e\r\n\u003cli\u003eBalanced line input, discrete high-level Class A\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback.  A high gain switch boosts the overall gain of the preamplifier.  The four high quality tubes are configured as singled ended anode coupled followers.  A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eOPTO COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe opto compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching.  The optical attenuator acts as a simple passive level controller.  Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto compressor via a front panel switch for alternate effects and tone shaping.  Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSWEEP-EQUALIZER AND OUTPUT LEVEL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VT-737SP equalizer utilizes 100% discrete, Class A high-voltage transistors for optimum sonic performance.  The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection.  The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers.  The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for \"tone enhancement.\"  The output level control provides a variable control of the overall signal path.  The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449239662695,"sku":"11196","price":2475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon_vt737sp10_1.jpg?v=1787088270"},{"product_id":"bae-1028-mic-pre-eq-19-rackmount-without-psu","title":"BAE 1028 Mic Preamp\/EQ without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1028\u003c\/strong\u003e is a rack mountable microphone preamp and EQ based on the legendary Neve 1084. Equipped with the same preamp circuits as the beloved 1073, and the same low-pass filter as the original 1084, the BAE 1028 is the ultimate 1084-style preamp for discerning analog enthusiasts.\u003c\/p\u003e\u003ch3\u003eCAPTURING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 is a painstakingly accurate recreation of the Neve 1084. Each unit is completely hand-wired using authentic Carnhill transformers to capture the unmistakable tone of the original model. The 1028 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. For added versatility, the 1028 features expanded frequency options on the mid and high bands. The two bands now overlap, allowing you to create all new shapes by combining the mid bell curve with the high or low shelves for nearly limitless tone shaping possibilities.\u003c\/p\u003e\u003ch3\u003eALL NEW FREQUENCIES\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz. The outer ring controls a low-pass filter with the same slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz and 18 kHz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz and 10 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz—perfect for adding sparkle and shine to acoustic instruments and vocal recordings.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! 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Equipped with the same preamp circuits as the beloved 1073, and the same low-pass filter as the original 1084, the BAE 1028 is the ultimate 1084-style preamp for discerning analog enthusiasts.\u003c\/p\u003e\u003ch3\u003eCAPTURING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 is a painstakingly accurate recreation of the Neve 1084. Each unit is completely hand-wired using authentic Carnhill transformers to capture the unmistakable tone of the original model. The 1028 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. For added versatility, the 1028 features expanded frequency options on the mid and high bands. The two bands now overlap, allowing you to create all new shapes by combining the mid bell curve with the high or low shelves for nearly limitless tone shaping possibilities.\u003c\/p\u003e\u003ch3\u003eALL NEW FREQUENCIES\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz. The outer ring controls a low-pass filter with the same slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz and 18 kHz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz and 10 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz—perfect for adding sparkle and shine to acoustic instruments and vocal recordings.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable selectable centre frequencies of 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz, 10 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eLow Pass Filter: 18 dB per octave slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz, \u0026amp; 18 kHz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239728231,"sku":"15289","price":4075.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1028-psu_15289_1_1_21c59558-a296-4ae6-908e-5f8e4b362505.jpg?v=1787088270"},{"product_id":"bae-1028-mic-pre-eq-19-rackmount-pair-with-psu","title":"BAE 1028 Mic Preamp\/EQ Pair with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1028\u003c\/strong\u003e is a rack mountable microphone preamp and EQ based on the legendary Neve 1084. Equipped with the same preamp circuits as the beloved 1073, and the same low-pass filter as the original 1084, the BAE 1028 is the ultimate 1084-style preamp for discerning analog enthusiasts.\u003c\/p\u003e\u003ch3\u003eCAPTURING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 is a painstakingly accurate recreation of the Neve 1084. Each unit is completely hand-wired using authentic Carnhill transformers to capture the unmistakable tone of the original model. The 1028 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. For added versatility, the 1028 features expanded frequency options on the mid and high bands. The two bands now overlap, allowing you to create all new shapes by combining the mid bell curve with the high or low shelves for nearly limitless tone shaping possibilities.\u003c\/p\u003e\u003ch3\u003eALL NEW FREQUENCIES\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz. The outer ring controls a low-pass filter with the same slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz and 18 kHz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz and 10 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz—perfect for adding sparkle and shine to acoustic instruments and vocal recordings.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable selectable centre frequencies of 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz, 10 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eLow Pass Filter: 18 dB per octave slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz, \u0026amp; 18 kHz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239760999,"sku":"15290","price":7835.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1028-pair-psu_15290_1_774ccefc-7054-4571-bc5d-d46645dbe579.jpg?v=1787088271"},{"product_id":"bae-1028-mic-pre-eq-module","title":"BAE 1028 Mic Preamp\/EQ Module","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1028\u003c\/strong\u003e is a microphone preamp and EQ module based on the legendary Neve 1084. Equipped with the same preamp circuits as the beloved 1073, and the same low-pass filter as the original 1084, the BAE 1028 is the ultimate 1084-style preamp for discerning analog enthusiasts.\u003c\/p\u003e\u003ch3\u003eCAPTURING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 is a painstakingly accurate recreation of the Neve 1084. Each unit is completely hand-wired using authentic Carnhill transformers to capture the unmistakable tone of the original model. The 1028 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. For added versatility, the 1028 features expanded frequency options on the mid and high bands. The two bands now overlap, allowing you to create all new shapes by combining the mid bell curve with the high or low shelves for nearly limitless tone shaping possibilities.\u003c\/p\u003e\u003ch3\u003eALL NEW FREQUENCIES\u003c\/h3\u003e\u003cp\u003eThe BAE 1028 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz. The outer ring controls a low-pass filter with the same slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz and 18 kHz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz and 10 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz—perfect for adding sparkle and shine to acoustic instruments and vocal recordings.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 kHz, 12 kHz, 16 kHz, 20 kHz and 24 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable selectable centre frequencies of 160 Hz, 270 Hz, 360 Hz, 510 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz, 7.2 kHz, 8.2 kHz, 10 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eLow Pass Filter: 18 dB per octave slope, switchable between 6 kHz, 8 kHz, 10 kHz, 14 kHz, \u0026amp; 18 kHz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239793767,"sku":"15291","price":3825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1028-module_15291_1.jpg?v=1787088271"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-without-psu","title":"BAE 1073 Mic\/Line Preamp\/EQ without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073\u003c\/strong\u003e is the most authentic recreation of the legendary Neve 1073 ever created. This hand-wired rack mountable preamp and EQ module looks, feels and sounds exactly like the original, and can even be seamlessly retrofitted into vintage Neve 80 Series consoles. With classic Carnhill transformers, Elma switches and Canford wire, the BAE 1073 is identical to the Neve 1073 down to the very last component.\u003c\/p\u003e\u003ch3\u003eUNPARALLELED ACCURACY\u003c\/h3\u003e\u003cp\u003eThe BAE 1073 is engineered in exactly the same way as the original Neve 1073. It uses the same rugged chassis construction, durable connectors, precision-printed circuit board layouts, hand-wired looms and signature circuit designs. Even the silky-smooth Elma rotary switches and classic blue, grey and red knobs are the same. Hand-wired with high-performance Canford wire, the BAE 1073 is designed to last.\u003c\/p\u003e\u003ch3\u003eCLASSIC CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073 features the familiar controls you know and love. Five large high-quality knobs are used to control gain and frequency selection. On the left, the blue knob controls the high pass filter, which has a fixed slope at 18 dB per octave and is switchable between 50 Hz, 80 Hz, 160 Hz and 300 Hz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 18 dB of gain with a fixed Q And selectable frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. Finally, the high band offers up to 16 dB of shelving fixed at 12 kHz.\u003c\/p\u003e\u003ch3\u003eMUST-HAVE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB fixed frequency shelving at 12 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±18 dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 50 Hz, 80 Hz, 160 Hz \u0026amp; 300 Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239826535,"sku":"13224","price":3235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073_13224_1.jpg?v=1787088271"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-with-psu","title":"BAE 1073 Mic\/Line Preamp\/EQ with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073\u003c\/strong\u003e is a 19-inch rack-mount mic\/line preamp and EQ that brings iconic British console sound to any modern studio. This hand-wired, boutique channel strip features an authentic Class A mic\/line preamp and DI input with 80 dB of gain, followed by a high-pass filter and a three-band EQ for musical tone-shaping. Built using the exact solid-state circuit topology of the original vintage module and original-spec components, including Carnhill St. Ives transformers, Elma switches, and Canford wire, the BAE 1073 delivers the same rich harmonic detail and generous headroom that made the 1073 so legendary. The included external power supply provides stable voltage and low-noise performance for up to two units. Painted in an RAF-style blue-gray color scheme with blue, white, and red accent knobs, the BAE 1073 brings instant British sound and style to any studio.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eICONIC CLASS A, TRANSFORMER-COUPLED DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BAE 1073 mic pre is based around a vintage-style Class-A circuit topology with original-spec St. Ives (Carnhill) transformers driving both the input and output stages for smooth low-end warmth and musical saturation at high gain levels. Elma switches ensure rock-solid reliability, while premium Canford wire maintains pristine sonic integrity throughout the signal path. Simply connect your mic, line, or DI source, dial in input and output gain, and let the transformer stages infuse your sound with the harmonically rich punch heard on countless classic records.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eIDENTICAL TO ORIGINAL VINTAGE MODULES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEvery detail of the BAE 1073 mic\/line preamp mirrors the classic solid-state circuitry, components, aesthetics, and sound of its 1970s predecessors. Using original-spec capacitors, resistors, and transformers throughout the entire unit, arranged in the exact topology of the original vintage modules, the BAE 1073 reproduces the legendary 1073 sound to a T. Enjoy the characteristic frequency response, dynamic behavior, and sonic coloration that defined the British rock 'n roll sound.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSTRAIGHTFORWARD FRONT-PANEL CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEven the layout of the BAE 1073 matches the original console module. From left to right, you'll find the DI input jack next to clearly labeled buttons for input switching, phantom power, polarity, and EQ in\/out. The five-position high-pass filter includes 50 Hz, 80 Hz, 160 Hz, 300 Hz, and Off settings with an 18 dB-per-octave-slope. Just like vintage modules, the EQ section includes a 35 - 220 Hz low shelf, a midrange band covering 360 Hz - 7.2 kHz, and a high shelf fixed at 12 kHz for dialing in that classic British edge. The Gain control features 5 dB increments up to 80 dB, and the Output knob allows for final level adjustments. There's also an impedance switch with 300Ω and 1,200Ω settings, making it easy to dial in the right settings for any source.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eINCLUDED POWER SUPPLY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BAE 1073 preamp ships with a linear power supply capable of powering up to two modules. Designed for low ripple and stable voltage delivery, the BAE 1073 PSU minimizes noise and ensures consistent performance day in and day out. Featuring the same premium build quality and solid chassis construction as the mic preamp\/EQ itself, the BAE 1073's dedicated power supply guarantees reliable operation and protects your sound from noisy and unstable power sources.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239859303,"sku":"7109","price":3435.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073-psu_7109_1.jpg?v=1787088271"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-pair-with-psu","title":"BAE 1073 Mic\/Line Preamp\/EQ Pair with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073 Mic\/Line Preamp\/EQ\u003c\/strong\u003e is as authentic as you can get to the original, featuring the same St. Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\u003cp\u003eThe BAE 1073 is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB fixed frequency shelving at 12 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±18 dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 50 Hz, 80 Hz, 160 Hz \u0026amp; 300 Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449239990375,"sku":"10814","price":6575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073-pair-psu_10814_1_9ec3fe10-41a7-452e-897f-693efa8793e6.jpg?v=1787088272"},{"product_id":"bae-1073-mic-pre-eq-module","title":"BAE 1073 Mic\/Line Preamp\/EQ Module","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073 Mic\/Line Preamp\/EQ\u003c\/strong\u003e is as authentic as you can get to the original, featuring the same St. Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\u003cp\u003eThe BAE 1073 is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB fixed frequency shelving at 12 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±18 dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 50 Hz, 80 Hz, 160 Hz \u0026amp; 300 Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240023143,"sku":"10252","price":3235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073-module_10252_1.jpg?v=1787088272"},{"product_id":"bae-1073mp-dual-channel-mic-pre-with-psu","title":"BAE 1073MP Dual-Channel Mic Preamp with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MP\u003c\/strong\u003e is a rack-mountable preamp and high-pass filter based on the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MP captures the unmistakable sound of the original Neve 1073. Ideal for tracking engineers who are looking for classic tone at an affordable price, or mixing engineers who want to add depth to their mixes without breaking the bank, the BAE 1073MP delivers vintage tone at a fraction of the price.\u003c\/p\u003e\u003ch3\u003eUNMISTAKABLE SOUND\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP uses the exact same circuit as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MP captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records.\u003c\/p\u003e\u003cp\u003eThe BAE 1073MP also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\u003ch3\u003eRUGGED CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. Four push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\u003cp\u003eThe 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240055911,"sku":"13225","price":2445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mp-dual-23_13225_1.jpg?v=1787088272"},{"product_id":"bae-1073mp-dual-channel-mic-pre-no-psu","title":"BAE 1073MP Dual-Channel Mic Preamp without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MP\u003c\/strong\u003e is a rack-mountable preamp and high-pass filter based on the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MP captures the unmistakable sound of the original Neve 1073. Ideal for tracking engineers who are looking for classic tone at an affordable price, or mixing engineers who want to add depth to their mixes without breaking the bank, the BAE 1073MP delivers vintage tone at a fraction of the price.\u003c\/p\u003e\u003ch3\u003eUNMISTAKABLE SOUND\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP uses the exact same circuit as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MP captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records.\u003c\/p\u003e\u003cp\u003eThe BAE 1073MP also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\u003ch3\u003eRUGGED CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. Four push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\u003cp\u003eThe 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll Class A, transformer-coupled design in a 19\" 1U chassis\u003c\/li\u003e\n\u003cli\u003eLine level XLR inputs for extra versatility as a line preamp\u003c\/li\u003e\n\u003cli\u003eHigh impedance DI for guitar and synth\u003c\/li\u003e\n\u003cli\u003eThe same Class A components as the 1073 and 1084\u003c\/li\u003e\n\u003cli\u003eIlluminated phase reverse and phantom power push-buttons\u003c\/li\u003e\n\u003cli\u003eInput impedance selector switch between 1200 and 300 ohms\u003c\/li\u003e\n\u003cli\u003eSame modular design and hand-wiring BAE is known for\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240088679,"sku":"14706","price":2245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mp-dual-channel_14706_1_2dbae377-897f-4ca3-8d12-f3789d223a16.jpg?v=1787088271"},{"product_id":"bae-1073mp-single-channel-mic-pre-no-psu","title":"BAE 1073MP Single-Channel Mic Preamp without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MP\u003c\/strong\u003e is a rack-mountable preamp and high-pass filter based on the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MP captures the unmistakable sound of the original Neve 1073. Ideal for tracking engineers who are looking for classic tone at an affordable price, or mixing engineers who want to add depth to their mixes without breaking the bank, the BAE 1073MP delivers vintage tone at a fraction of the price.\u003c\/p\u003e\u003ch3\u003eUNMISTAKABLE SOUND\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP uses the exact same circuit as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MP captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records.\u003c\/p\u003e\u003cp\u003eThe BAE 1073MP also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\u003ch3\u003eRUGGED CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MP features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. Four push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\u003cp\u003eThe 48v button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll Class A, transformer-coupled design in a 19\" 1U chassis\u003c\/li\u003e\n\u003cli\u003eLine level XLR inputs for extra versatility as a line preamp\u003c\/li\u003e\n\u003cli\u003eHigh impedance DI for guitar and synth\u003c\/li\u003e\n\u003cli\u003eThe same Class A components as the 1073 and 1084\u003c\/li\u003e\n\u003cli\u003eIlluminated phase reverse and phantom power push-buttons\u003c\/li\u003e\n\u003cli\u003eInput impedance selector switch between 1200 and 300 ohms\u003c\/li\u003e\n\u003cli\u003eSame modular design and hand-wiring BAE is known for\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240121447,"sku":"14708","price":1170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mp-single-channel_14708_1_3cd3f755-6524-4ba4-b7cc-85aebd8bff75.jpg?v=1787088272"},{"product_id":"bae-1073mp-single-channel-mic-pre-with-psu","title":"BAE 1073MP Single-Channel Mic Preamp with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MP\u003c\/strong\u003e is a single-channel microphone preamplifier based on the legendary 1073 preamp. With a transformer-coupled, Class A design, this versatile preamp adds warmth and clarity to every recording. Streamlined controls empower you to dial in the perfect settings effortlessly, while a robust power supply ensures continuous, noise-free performance. The result is a preamp that elevates vocals, acoustic instruments, and low-level sources with a timeless vintage tone, making it ideal for both studio sessions and live applications.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE ICONIC SOUND OF A LEGENDARY MIC PRE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDrawing inspiration from the classic 1073 mic pre, the BAE 1073MP captures a timeless sonic signature revered in professional studios. It offers a harmonically rich bottom end, focused midrange, and subtly resonant highs that's perfect for any source. With up to 71 dB of gain, this preamp excels at amplifying low-output ribbon and dynamic microphones to provide maximum output level.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTRANSFORMER-COUPLED, CLASS A MIC\/LINE PREAMP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAt the heart of the 1073MP lies its transformer-coupled, Class A design—a hallmark of vintage preamp designs. The preamp is meticulously hand-wired using high-quality Carnhill transformers, similar to those found in the original vintage units, to maintain signal integrity. Thanks to its Class A design, the 1073MP delivers smooth, linear gain and minimizes distortion, ensuring that every subtle detail is captured with full frequency response. The BAE 1073 design delivers warm, natural coloration with musical harmonic distortion at maximum output levels, making it a solid take on the 1073 pre.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eROBUST POWER SUPPLY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA robust power supply is vital to the preamp’s consistent performance, and the 1073MP does not disappoint. Its regulated linear power supply delivers clean, stable voltage that virtually eliminates hum and interference. Whether deployed in a single-channel setup or integrated into a multi-unit configuration, the robust power supply gives the BAE 1073 extremely reliable performance and longevity.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTREAMLINED CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe streamlined controls of the 1073MP make it easy to quickly dial in great sound for any source. Every control, from the iconic red Marconi style gain knob to the sturdy impedance selector, is clearly laid out for quick adjustments. With features such as selectable mic\/line input impedance for matching microphones with various output impedance, an integrated DI, and a polarity reverse switch for phase correction, the BAE 1073MP is simple yet versatile.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240154215,"sku":"14707","price":1370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073mp_with_psu.jpg?v=1787088272"},{"product_id":"bae-1073mpf-dual-channel-mic-pre-no-psu","title":"BAE 1073MPF Dual-Channel Mic Preamp without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MPF\u003c\/strong\u003e is a preamp and filter-only version of the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MPF perfectly captures the unmistakable sound of the original Neve 1073. Ideal for producers and engineers who want to add depth to two-bus mixes or mix-and-match preamps and EQs, the BAE 1073MP captures the unmistakable tone of the most iconic preamp ever made.\u003c\/p\u003e\u003ch3\u003eUNPARALLELED ACCURACY\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MPF uses the exact same circuit design as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MPF captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records. And now it can be yours—for a fraction of the price.\u003c\/p\u003e\u003cp\u003eThe BAE 1073MPF also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\u003ch3\u003eCLASSIC CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MPF features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. On the left, the blue knob controls the high pass filter, which has a fixed slope at 18 dB per octave and is switchable between 50 Hz, 80 Hz, 160 Hz and 300 Hz. This gentle, music filter is perfect for everything from removing rumble and room noise from vocal recordings to taming kick drums and bass cabs or even high-passing cymbal mics to remove drum bleed.\u003c\/p\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\u003cp\u003eThe 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll Class A, transformer-coupled design in a 19\" 1U chassis\u003c\/li\u003e\n\u003cli\u003eInductor based high pass filter\u003c\/li\u003e\n\u003cli\u003eLine level XLR inputs for extra versatility as a line preamp\u003c\/li\u003e\n\u003cli\u003eHigh impedance DI for guitar and synth\u003c\/li\u003e\n\u003cli\u003eThe same Class A components as the 1073 and 1084\u003c\/li\u003e\n\u003cli\u003eIlluminated phase reverse and phantom power pushbuttons\u003c\/li\u003e\n\u003cli\u003eInput impedance selector switch between 1200 and 300 ohms\u003c\/li\u003e\n\u003cli\u003eSame modular design and hand-wiring BAE is known for\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240186983,"sku":"14710","price":2895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mpf-dual-channel_14710_1.jpg?v=1787088272"},{"product_id":"bae-1073mpf-dual-channel-mic-pre-with-psu","title":"BAE 1073MPF Dual-Channel Mic Preamp with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MPF\u003c\/strong\u003e is a preamp and filter-only version of the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MPF perfectly captures the unmistakable sound of the original Neve 1073. Ideal for producers and engineers who want to add depth to two-bus mixes or mix-and-match preamps and EQs, the BAE 1073MP captures the unmistakable tone of the most iconic preamp ever made.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eUNPARALLELED ACCURACY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BAE 1073MPF uses the exact same circuit design as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MPF captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records. And now it can be yours—for a fraction of the price. The BAE 1073MPF also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCLASSIC CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BAE 1073MPF features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. On the left, the blue knob controls the high pass filter, which has a fixed slope at 18 dB per octave and is switchable between 50 Hz, 80 Hz, 160 Hz and 300 Hz. This gentle, music filter is perfect for everything from removing rumble and room noise from vocal recordings to taming kick drums and bass cabs or even high-passing cymbal mics to remove drum bleed. Four push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240580199,"sku":"13226","price":3045.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mpf-dual-23_13226_1.jpg?v=1787088272"},{"product_id":"bae-1073mpf-single-channel-mic-pre-no-psu","title":"BAE 1073MPF Single-Channel Mic Preamp without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MPF\u003c\/strong\u003e is a preamp and filter-only version of the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MPF perfectly captures the unmistakable sound of the original Neve 1073. Ideal for producers and engineers who want to add depth to two-bus mixes or mix-and-match preamps and EQs, the BAE 1073MP captures the unmistakable tone of the most iconic preamp ever made.\u003c\/p\u003e\u003ch3\u003eUNPARALLELED ACCURACY\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MPF uses the exact same circuit design as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MPF captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records. And now it can be yours—for a fraction of the price.\u003c\/p\u003e\u003cp\u003eThe BAE 1073MPF also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\u003ch3\u003eCLASSIC CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 1073MPF features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. On the left, the blue knob controls the high pass filter, which has a fixed slope at 18 dB per octave and is switchable between 50 Hz, 80 Hz, 160 Hz and 300 Hz. This gentle, music filter is perfect for everything from removing rumble and room noise from vocal recordings to taming kick drums and bass cabs or even high-passing cymbal mics to remove drum bleed.\u003c\/p\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\u003cp\u003eThe 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll Class A, transformer-coupled design in a 19\" 1U chassis\u003c\/li\u003e\n\u003cli\u003eInductor based high pass filter\u003c\/li\u003e\n\u003cli\u003eLine level XLR inputs for extra versatility as a line preamp\u003c\/li\u003e\n\u003cli\u003eHigh impedance DI for guitar and synth\u003c\/li\u003e\n\u003cli\u003eThe same Class A components as the 1073 and 1084\u003c\/li\u003e\n\u003cli\u003eIlluminated phase reverse and phantom power pushbuttons\u003c\/li\u003e\n\u003cli\u003eInput impedance selector switch between 1200 and 300 ohms\u003c\/li\u003e\n\u003cli\u003eSame modular design and hand-wiring BAE is known for\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240612967,"sku":"14711","price":1520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073mpf-single-channel_14711_1.jpg?v=1787088273"},{"product_id":"bae-1073mpf-single-channel-mic-pre-with-psu","title":"BAE 1073MPF Single-Channel Mic Preamp with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MPF\u003c\/strong\u003e is a preamp and filter-only version of the legendary Neve 1073 equalizer. With classic Carnhill transformers a hand-wired Class A design, the BAE 1073MPF perfectly captures the unmistakable sound of the original Neve 1073. Ideal for producers and engineers who want to add depth to two-bus mixes or mix-and-match preamps and EQs, the BAE 1073MP captures the unmistakable tone of the most iconic preamp ever made.\u003c\/p\u003e\r\n\u003ch3\u003eUNPARALLELED ACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe BAE 1073MPF uses the exact same circuit design as the original Neve 1073—from the Carnhill transformer coupled input to the hand-wired Class-A design. The BAE 1073MPF captures the same iconic sound signature and wide bandwidth as the original. Known for its rich low-end, edgy highs and focused midrange, the 1073 has been used on countless hit records. And now it can be yours—for a fraction of the price.\u003c\/p\u003e\r\n\u003cp\u003eThe BAE 1073MPF also introduces new features for added versatility. An all-new line input on the rear can be used to process line-level signals—perfect for fattening up the mix bus! And with a DI input for passive and active instruments on the front, there’s no signal that won’t benefit from the colorful sound of the BAE 1073MP.\u003c\/p\u003e\r\n\u003ch3\u003eCLASSIC CONTROLS\u003c\/h3\u003e\r\n\u003cp\u003eThe BAE 1073MPF features a silky-smooth Elma rotary switch and classic red knob for setting line and mic level gain. On the left, the blue knob controls the high pass filter, which has a fixed slope at 18 dB per octave and is switchable between 50 Hz, 80 Hz, 160 Hz and 300 Hz. This gentle, music filter is perfect for everything from removing rumble and room noise from vocal recordings to taming kick drums and bass cabs or even high-passing cymbal mics to remove drum bleed.\u003c\/p\u003e\r\n\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance instrument input for recording guitars and synths, while the LINE enables the line-level input.\u003c\/p\u003e\r\n\u003cp\u003eThe 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you select 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240678503,"sku":"14709","price":1720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073mpf_single_rackmount_with_psu_1_ba1290bf-d82f-4a6f-ab5d-09bc19c3e5cc.jpg?v=1787088273"},{"product_id":"bae-1084-1u-with-psu","title":"BAE 1084 Mic\/Line Preamp\/EQ with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1084\u003c\/strong\u003e is a painstakingly accurate recreation of the legendary Neve 1084. Hand-wired using classic Carnhill transformers, Elma switches and Canford wire, the BAE 1084 looks, feels and sounds exactly like the original and can even be seamlessly retrofitted into vintage Neve 80 Series consoles.\u003c\/p\u003e\u003ch3\u003eVINTAGE DESIGN\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. Just like the original Neve 1084, the BAE 1084 offers added versatility over the 1073 with a whole new palette of frequency selections and switchable Q shapes.\u003c\/p\u003e\u003ch3\u003eRECREATING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, and 16 kHz.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 Hz, 12 kHz and 16 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable 'High Q', selectable center frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240711271,"sku":"6478","price":3845.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1084-preamp-eq-23_6478_1_30abbddf-0643-49d3-bf6d-dc21c95bc089.jpg?v=1787088273"},{"product_id":"bae-1084-mic-pre-eq-module","title":"BAE 1084 Mic\/Line Preamp\/EQ Module","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1084\u003c\/strong\u003e is a painstakingly accurate recreation of the legendary Neve 1084. Hand-wired using classic Carnhill transformers, Elma switches and Canford wire, the BAE 1084 looks, feels and sounds exactly like the original and can even be seamlessly retrofitted into vintage Neve 80 Series consoles.\u003c\/p\u003e\u003ch3\u003eVINTAGE DESIGN\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. Just like the original Neve 1084, the BAE 1084 offers added versatility over the 1073 with a whole new palette of frequency selections and switchable Q shapes.\u003c\/p\u003e\u003ch3\u003eRECREATING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, and 16 kHz.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 Hz, 12 kHz and 16 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable 'High Q', selectable center frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240809575,"sku":"10253","price":3635.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1084_module.jpg?v=1787088273"},{"product_id":"bae-1084-mic-pre-eq-19-rackmount-pair-with-psu","title":"BAE 1084 Mic\/Line Preamp\/EQ Pair with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1084\u003c\/strong\u003e is a painstakingly accurate recreation of the legendary Neve 1084. Hand-wired using classic Carnhill transformers, Elma switches and Canford wire, the BAE 1084 looks, feels and sounds exactly like the original and can even be seamlessly retrofitted into vintage Neve 80 Series consoles.\u003c\/p\u003e\u003ch3\u003eVINTAGE DESIGN\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. Just like the original Neve 1084, the BAE 1084 offers added versatility over the 1073 with a whole new palette of frequency selections and switchable Q shapes.\u003c\/p\u003e\u003ch3\u003eRECREATING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, and 16 kHz.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 Hz, 12 kHz and 16 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable 'High Q', selectable center frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240776807,"sku":"10815","price":7385.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1084_rackmount_pair_with_psu.jpg?v=1787088273"},{"product_id":"bae-1084-mic-pre-eq-19-rackmount-without-psu","title":"BAE 1084 Mic\/Line Preamp\/EQ without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1084\u003c\/strong\u003e is a painstakingly accurate recreation of the legendary Neve 1084. Hand-wired using classic Carnhill transformers, Elma switches and Canford wire, the BAE 1084 looks, feels and sounds exactly like the original and can even be seamlessly retrofitted into vintage Neve 80 Series consoles.\u003c\/p\u003e\u003ch3\u003eVINTAGE DESIGN\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 uses the exact same mic and line preamp circuit as the Neve 1073—one of the most renowned preamps in the world. Just like the original Neve 1084, the BAE 1084 offers added versatility over the 1073 with a whole new palette of frequency selections and switchable Q shapes.\u003c\/p\u003e\u003ch3\u003eRECREATING A CLASSIC\u003c\/h3\u003e\u003cp\u003eThe BAE 1084 features five large high-quality knobs for controlling gain and frequency selection. On the left, the blue knob controls the high-pass filter, which has a fixed slope at 18 dB per octave and is switchable between 45 Hz, 70 Hz, 160 Hz and 360 Hz.\u003c\/p\u003e\u003cp\u003eThe three grey knobs control the gain of the low shelf, mid band and high shelf, while the exterior white rings are used to select the frequency of each band. The low shelf on the offers up to 16 dB of shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003c\/p\u003e\u003cp\u003eThe mid band can be used to add or cut up to 12 dB (or up to 18 dB with the Hi-Q button enabled) with an extensive selection of switchable frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz.\u003c\/p\u003e\u003cp\u003eFinally, the high band offers up to 16 dB of shelving with selectable frequencies at 10 kHz, 12 kHz, and 16 kHz.\u003c\/p\u003e\u003ch3\u003eVERSATILE FEATURES\u003c\/h3\u003e\u003cp\u003eFour push-buttons provide added functionality for a wide range of studio applications. The DI button engages the high-impedance line level input for recording direct instrument signals. The EQ button bypasses the unit, enabling you to quickly A\/B EQ settings. The 48 V button provides phantom power for condenser microphones. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! Finally, a toggle switch on the right lets you choose between 1200 or 300 ohm microphone impedance for capturing pristine sound with any microphone.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB shelving with selectable frequencies of 10 Hz, 12 kHz and 16 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz \u0026amp; 220Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±12 dB or ±18 dB peaking with switchable 'High Q', selectable center frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18 dB per octave slope, switchable between 45 Hz, 70 Hz, 160 Hz \u0026amp; 360 Hz\u003c\/li\u003e\n\u003cli\u003eEQ Button: Switches the equalizer on or off\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449240842343,"sku":"14705","price":3645.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1084-rackmount_14705_1.jpg?v=1787088273"},{"product_id":"bae-312a-dual-channel-rackmount-with-psu","title":"BAE 312A Dual-Channel Mic Preamp\/DI with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312A\u003c\/strong\u003e is a world-class preamp that combines a capacitor-free circuit with high-quality Jensen transformers and  BAE’s proprietary 2015 op-amp for a fast, punchy sound. Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e\u003ch3\u003eQUALITY CONSTRUCTION\u003c\/h3\u003e\u003cp\u003eThe BAE 312A includes a remote power supply with a four-foot cable, making it easy to mount anywhere in your studio. BAE’s custom power supplies are capable of delivering four times the current required by the preamps for optimum sound quality. The BAE 312A features easy-access XLR input and outputs on the back for connecting microphones and other devices, as well as a high-quality instrument on the front for connecting guitars and synthesizers. Even the switches on the BAE 312A are high quality with gold contacts to ensure they last a lifetime.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449241071719,"sku":"9544","price":2090.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_312a_dualch_rackmount_with_psu_1_1.jpg?v=1787088273"},{"product_id":"bae-312a-dual-channel-rackmount-without-psu","title":"BAE 312A Dual-Channel Mic Preamp\/DI without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312A\u003c\/strong\u003e is a world-class preamp that combines a capacitor-free circuit with high-quality Jensen transformers and  BAE’s proprietary 2015 op-amp for a fast, punchy sound. Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449241104487,"sku":"9545","price":1870.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-312a-dual-rackmount_9545_1_550c8d6b-cdb8-4270-a29d-c96336b7784a.jpg?v=1787088273"},{"product_id":"bae-312a-single-channel-rackmount-without-psu","title":"BAE 312A Single-Channel Mic Preamp\/DI without PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312A\u003c\/strong\u003e is a world-class preamp that combines a capacitor-free circuit with high-quality Jensen transformers and  BAE’s proprietary 2015 op-amp for a fast, punchy sound. Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449241137255,"sku":"14895","price":880.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-312a-single-rackmount_14895_1.jpg?v=1787088274"},{"product_id":"bae-312a-single-channel-rackmount-with-psu","title":"BAE 312A Single-Channel Mic Preamp\/DI with PSU","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312A\u003c\/strong\u003e is a world-class preamp that combines a capacitor-free circuit with high-quality Jensen transformers and BAE’s proprietary 2015 op-amp for a fast, punchy sound. Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\r\n\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\r\n\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\r\n\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\r\n\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e\r\n\u003ch3\u003eQUALITY CONSTRUCTION\u003c\/h3\u003e\r\n\u003cp\u003eThe BAE 312A includes a remote power supply with a four-foot cable, making it easy to mount anywhere in your studio. BAE’s custom power supplies are capable of delivering four times the current required by the preamps for optimum sound quality. The BAE 312A features easy-access XLR input and outputs on the back for connecting microphones and other devices, as well as a high-quality instrument on the front for connecting guitars and synthesizers. 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input signal.  The CMF1™™ has always been a key component in Benchmark preamps, and has resulted in a proven track record for exceptional performance in difficult high-RF venues.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMicrophone Inputs\u003c\/strong\u003e\u003cbr\u003e Each of the PRE420's four microphone inputs includes switches for +48V Phantom power, a 20dB pad, and a 40Hz high-pass filter.\u003cbr\u003e \u003cbr\u003e The PRE420 achieves outstanding performance over a wide range of input levels.  Gain is controlled by matched 41-detent pots and is adjustable over a range of 22dB to 60dB (without pad), or 2dB to 40dB (with pad enabled).  The mix bus can provide an additional gain of up to 6 dB.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eHigh-Current XLR Analog Outputs\u003c\/strong\u003e\u003cbr\u003e The PRE420 has a total of 8 XLR-type analog outputs: four direct outputs, two control room outputs, and two stereo outputs.  All outputs feature low-distortion, 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