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These newly researched algorithms provide the most natural sounding harmony processing available.\u003c\/p\u003e \u003cp\u003eAdd TC-Helicon's quality mic preamp and TC Electronic Compression, EQ, Tap-Tempo Delay and Reverbs and you have an amazing vocal channel with 100 user presets at your fingertips.\u003c\/p\u003e\u003cbr\u003e","brand":"TC Helicon","offers":[{"title":"Default Title","offer_id":44449257586791,"sku":"561","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc_helicon_voiceworks_1.jpg?v=1787088344"},{"product_id":"eventide-eclipse","title":"Eventide Eclipse V4 Effects Processor","description":"\u003cp\u003eThe \u003cstrong\u003eEventide Eclipse\u003c\/strong\u003e is the only effects processor in its class to feature 24 bit digital conversion and 96kHz sampling.  We’ve packed almost 100 algorithms into Eclipse along with a two effects block design.  The dual routing configurations let you use Eclipse as two independent effects processors; ideal for the smaller, budget-conscious studio.  The two effects blocks’ inputs and outputs can be configured for stereo or mono.  Or, select a preset that combines two algorithms or recursive combinations for big multi-effects without sacrificing quality. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Classic Eventide Effects \u003c\/span\u003e\u003cbr\u003e We’ve packed Eclipse with effects Eventide is famous for.  There’s quick, seamless pitch shifting including our innovative Micro pitch shift, which FOH engineers and vocalists have come to rely on for turning good vocal performances into great ones.  Eclipse boasts no fewer than 11 reverberation algorithms plus four plex algorithms.  Originally developed for Eventide’s industry-standard Orville™ and DSP 7000 series, these reverbs have been carefully and faithfully transplanted into Eclipse.  And all reverbs are true stereo in and out, not mono in, stereo out.  The vast array of delays lets you design lush, dense soundscapes.  You’ll find band delays, chorus delays, comb delays, ducked delays, ring delays and pan delays.  And with 20 seconds of memory per effects block, Eclipse is a looper’s delight. It’s easy to get lost in the 20-second mono loop, 10-second dual loops, 20-second reverse loop, and 10-second dual reverse loop.  Remember, these looping presets running on one FX block leaves the other FX block available for adding texture or dimension. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eI\/O Ports for Maximum Versatility \u003c\/span\u003e\u003cbr\u003e The rear panel has a port to support all your needs, including AES\/EBU, S\/PDIF and ADAT™ Lightpipe™ for digital applications.  Analog balanced XLR-type and unbalanced ¼” inputs and outputs.  The ¼” jacks even accept a high impedance instrument signal. There’s Word Clock In and Out on BNC connectors and two pedal ports for performers.  And of course, full MIDI (IN\/OUT\/THRU) including an external power jack for your cabling convenience.  There’s even a serial port which makes it easy to update Eclipse’s software from the internet; no chip changing needed. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Easy Set-Up and Operation\u003c\/span\u003e \u003cbr\u003e The Eventide knob and keypad make setup and operation easy.  If you’re familiar with our H3000 series Harmonizer units, you’ve already got the basics. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHot Keys \u003c\/span\u003e\u003cbr\u003e Hot Keys provide quick access to the eight most important parameters on every preset. 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All the effects are top-notch, with everything from delay and reverb to mind-bending formant and vocoding effects. Better still, the VT-4’s performance-oriented interface lets you ride the controls while you sing to constantly alter the sound to suit the track and enhance the vibe of your performance.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBe Who You Want to Be\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGreat-sounding pitch and formant effects are hard to come by, especially without a computer. And real-time tweaking of these effects often results in nasty artifacts and other unpleasantness. With the VT-4 you have totally smooth, instant control over both pitch and formant, with dedicated faders for each. 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The newest iteration, the \u003cstrong\u003eSPL DeEsser Mk2\u003c\/strong\u003e features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The DeEsser Mk2 offers two mono DeEssers in one 19″ device. The Mk2 includes 4 mm thick, black anodized aluminum front panel and aluminum knobs milled from solid. The housing is made of high-quality steel and is powder-coated in elegant black. \u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eAUTO-DYNAMIC DE-ESSER\u003c\/h3\u003e  \u003cp\u003eThe De-Esser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. It automatically detects and hones in on the sibilant frequencies leaving neighboring frequencies unaffected. These S‑sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high S‑Reduction values the de-essing has an egligible effect on the character and timbre of the voice.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eS-REDUCTION\u003c\/h3\u003e  \u003cp\u003eThe S‑Reduction control adjusts the intensity of the S‑sound reduction. In practice, S‑Reduction settings between -2 dB and -8 dB achieve the best results for most applications. The The S-Reduction LED display visualizes the intensity of the S‑sound reduction between 0 dB and -20 dB in 2 dB steps.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eAUTO\u003c\/h3\u003e  \u003cp\u003eThe Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set with the S‑Reduction control. This is a great help not only for inexperienced voice-over artists, but also in live situations.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eFEMALE\u003c\/h3\u003e  \u003cp\u003eThe Female switch is used to adapt to the voice characteristics: When the switch is pressed, the Female mode is selected. The automatic S‑sound detection now reacts more intensively to higher-frequency S‑sounds. The unpressed switch position selects the Male mode to adapt the S‑sound detection to male voice characteristics. Lower-frequency S‑sounds are processed.\u003c\/p\u003e  \u003cp\u003eIn addition, the mid frequency of the S‑sound detection is increased from Male mode to Female mode. For male voices the mid frequency is at about 6 kHz, for female voices at just under 7 kHz.\u003c\/p\u003e  \u003cp\u003eNevertheless, you should not necessarily choose the Male position for male voices and the Female position for females. Always listen to the pitch and tone of the S‑sound and try both positions.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eON\u003c\/h3\u003e  \u003cp\u003eThe On switch, activates or deactivates the respective channel. This allows you to quickly switch between processed and unprocessed signal. To minimize switching noises, switching is performed directly after the balanced inputs and outputs. This relay hard bypass circuitry also provides immediate redirection of inputs to outputs in the event of a power fault on the primary or secondary side of the power supply, or if the device is powered off.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eHOW DOES A TRADITIONAL DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eTraditional DeEssers work with compressors; they can therefore also be found in combination devices with compressors\/limiters. In addition to the threshold control, which determines the level at which de-essing starts, you will also find a frequency control, which determines the center frequency at which S‑sounds are to be searched for. The bandwidth of the processing is usually up to two octaves. When an S‑sound appears, the entire bandwidth is always compressed, which leads to undesirable side effects such as twanging or lisping.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eHOW DOES THE SPL AUTO DYNAMIC DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eThe Auto-Dynamic DeEsser has a new circuit technology that automatically adjusts to the S‑frequencies and narrows the bandwidth so that only the range of the S‑sound is processed and all neighboring frequencies remain untouched. The frequency band determined in this way is mixed back to the original signal in phase-inverted form, whereby the S‑sound is acoustically removed. The result is a sound-neutral, unobtrusive, but extremely effective way of working. De‑essing now has very little negative influence on the timbre of the voice; side effects such as twanging or lisping do not occur. In addition, time-consuming readjustment of the frequency settings is no longer necessary. The SPL Auto-Dynamic DeEsser combines efficiency with sound neutrality. By the way, you can also soften hard cymbal sounds or snares perfectly with the DeEsser Mk2.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eFURTHER ADVANTAGES OF THE AUTO-DYNAMIC FUNCTION\u003c\/h3\u003e  \u003cp\u003eDeEssers with conventional compressor technology work more intensively with a decreasing distance to the microphone. On the other hand, the DeEssing becomes weaker with an increasing distance to the microphone. A compressor\/limiter is usually used after the DeEsser to compensate level fluctuations. However, due to the different de-essing the compressor\/limiter reacts wrong.\u003c\/p\u003e  \u003cp\u003eWhen the distance to the microphone is increased, the compressor\/limiter reacts to the S-sounds that reappear. Not only the de-essing changes the sound, but also the compressor\/limiter negatively influences the sound image by its readjustment.\u003c\/p\u003e  \u003cp\u003eThanks to the Auto-Dynamic function of the DeEsser Mk2, these problems are eliminated. A control circuit monitors the input level and automatically adjusts the threshold. A following compressor\/limiter reacts accordingly more accurately and with less coloration.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eINPUTS AND OUTPUTS\u003c\/h3\u003e  \u003cp\u003eThe two channels of the De-Esser are equipped with Neutrik XLR sockets with gold-plated contacts. The signal transmission is electronically balanced at a nominal level of +6 dB.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44450882158695,"sku":"183014","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-deesser-mk2_183014_1_e30a5ffc-2f7b-4d6c-a8a8-7c910de5f47f.jpg?v=1787094940"},{"product_id":"eventide-h9000-9k-01090-used","title":"Eventide H9000 #9k-01090 (Used)","description":"\u003cfigure class=\"table\"\u003e\u003ctable style=\"-webkit-text-stroke-width:0px;color:rgb(0, 0, 0);font-family:Arial, Helvetica, sans-serif;font-size:medium;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-transform:none;white-space:normal;widows:2;word-spacing:0px;\" align=\"center\" valign=\"middle\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"bglttext\" style=\"background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Arial, Helvetica, sans-serif;font-size:8pt;\"\u003e\n\u003cp style=\"margin:0px 0px 1em;padding:0px;\"\u003eThe \u003cstrong style=\"font-style:normal;font-weight:normal;\"\u003eEventide H9000\u003c\/strong\u003e is an all-new network-ready, 16-DSP, multi-channel, rack mount audio effects processing flagship, featuring eight times the processing power of the current-generation H8000.\u003c\/p\u003e\n\u003cp style=\"margin:1em 0px 0px;padding:0px;\"\u003eThe result of years of development, the H9000 features four quad core ARM processors serving as 16 DSP engines, eight channels of pristine analog audio I\/O, AES\/EBU, ADAT, 16 USB audio channels, and, optionally, connection to standard audio networks, including MADI, Dante, Ravenna, and more.\u003c\/p\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/figure\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44450956738663,"sku":"196686","price":5995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide-h9000-9k-01090-used_196686_1_8fe82bf3-f6c8-4dda-ac24-3277a3e18122.jpg?v=1787095249"},{"product_id":"boss-ve-22-vocal-processor","title":"Boss VE-22 Portable Multi-Effects Vocal Processor","description":"\u003cp\u003eTake charge of your vocal sound with the \u003cstrong\u003eBoss VE-22\u003c\/strong\u003e, a portable multi-effects toolbox specially designed for singers. Perform with a diverse library of high-quality BOSS processing, from basic studio enhancement to dramatic voice-changing effects. Expand your range with real-time harmonies. And get creative with the free-flowing interface and versatile features for practice, recording, and online streaming. With the VE-22 in your chain, you’re primed and ready to deliver memorable, high-impact vocal performances everywhere you sing.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eOUTSTANDING BOSS VOCAL EFFECTS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VE-22 is packed with the latest advancements in BOSS’s acclaimed Vocal Performer technology. Bolster your voice with core processing and make the sound come alive with immersive delays and reverbs. Then explore a universe of electronic colors and aggressive textures with auto pitch, distortion, lo-fi, modulation, and other cool voice transforming effects. There are 50 presets with ready-to-go sounds, plus 99 memories to store custom combinations for different songs and styles.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eHARMONIES THAT IMPRESS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VE-22’s powerful harmony and doubling functions make it simple to create head-turning ensemble effects from a single voice. Just select a type, set the song key, and start singing. It’s easy to change up the harmony voicing, adjust levels, and more with the panel knobs. You can also assign the harmonies to an onboard switch and bring them in and out as needed while performing.     \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eCREATE IN THE MOMENT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VE-22’s uncomplicated interface encourages you to get creative with your live vocal sound. The Harmony, Effect, and Echo sections feature multi-function knobs, letting you tweak top-level parameters, turn off a section with a click, or dive into deeper settings with a double click. And with the color display and lighted rings around the knobs, you always have a clear view of what’s happening. Three customizable switches are designed for control with your feet or hands, and you can connect an expression pedal or external footswitches for more control if needed.   \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003ePERFORM WITH CONFIDENCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe VE-22 gives you everything you need to deliver top-quality sound to a house PA system, stage amplifier, or recorder. There’s an XLR input and integrated preamp for a professional stage microphone, plus phantom power for high-end condenser types. A high\/low gain switch, rear-panel sensitivity knob, and level meter enable you to optimize the input signal for nearly any mic. Compressor, EQ, de-esser, and other studio essentials are also on hand, ready to support every performance with smooth, authoritative sound. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eEXPRESS YOURSELF\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith USB-C, an analog aux input, and a headphone jack, the VE-22 supports vocal activities from daily practice and recording to livestreaming on social media. Connect to a computer or mobile device and send mix-ready vocals directly to song production software and streaming apps. Or play backing music through the VE-22 and sing along with inspiring sound as you warm up for gigs, learn new songs, and perform.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":44451030270055,"sku":"214337","price":384.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/boss-ve-22_214337_1_1.jpg?v=1787095546"},{"product_id":"spl-deesser-mk2-demo-deal-open-box","title":"SPL DeEsser Mk2 (Demo Deal)","description":"\u003cp\u003eThe SPL DeEsser is unique – and has been since 1996. The Auto Dynamic DeEsser removes undesired sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice. The newest iteration, the \u003cstrong\u003eSPL DeEsser Mk2\u003c\/strong\u003e features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The DeEsser Mk2 offers two mono DeEssers in one 19″ device. The Mk2 includes 4 mm thick, black anodized aluminum front panel and aluminum knobs milled from solid. The housing is made of high-quality steel and is powder-coated in elegant black. \u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eAUTO-DYNAMIC DE-ESSER\u003c\/h3\u003e  \u003cp\u003eThe De-Esser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. It automatically detects and hones in on the sibilant frequencies leaving neighboring frequencies unaffected. These S‑sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high S‑Reduction values the de-essing has an egligible effect on the character and timbre of the voice.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eS-REDUCTION\u003c\/h3\u003e  \u003cp\u003eThe S‑Reduction control adjusts the intensity of the S‑sound reduction. In practice, S‑Reduction settings between -2 dB and -8 dB achieve the best results for most applications. The The S-Reduction LED display visualizes the intensity of the S‑sound reduction between 0 dB and -20 dB in 2 dB steps.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eAUTO\u003c\/h3\u003e  \u003cp\u003eThe Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set with the S‑Reduction control. This is a great help not only for inexperienced voice-over artists, but also in live situations.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eFEMALE\u003c\/h3\u003e  \u003cp\u003eThe Female switch is used to adapt to the voice characteristics: When the switch is pressed, the Female mode is selected. The automatic S‑sound detection now reacts more intensively to higher-frequency S‑sounds. The unpressed switch position selects the Male mode to adapt the S‑sound detection to male voice characteristics. Lower-frequency S‑sounds are processed.\u003c\/p\u003e  \u003cp\u003eIn addition, the mid frequency of the S‑sound detection is increased from Male mode to Female mode. For male voices the mid frequency is at about 6 kHz, for female voices at just under 7 kHz.\u003c\/p\u003e  \u003cp\u003eNevertheless, you should not necessarily choose the Male position for male voices and the Female position for females. Always listen to the pitch and tone of the S‑sound and try both positions.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eON\u003c\/h3\u003e  \u003cp\u003eThe On switch, activates or deactivates the respective channel. This allows you to quickly switch between processed and unprocessed signal. To minimize switching noises, switching is performed directly after the balanced inputs and outputs. This relay hard bypass circuitry also provides immediate redirection of inputs to outputs in the event of a power fault on the primary or secondary side of the power supply, or if the device is powered off.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eHOW DOES A TRADITIONAL DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eTraditional DeEssers work with compressors; they can therefore also be found in combination devices with compressors\/limiters. In addition to the threshold control, which determines the level at which de-essing starts, you will also find a frequency control, which determines the center frequency at which S‑sounds are to be searched for. The bandwidth of the processing is usually up to two octaves. When an S‑sound appears, the entire bandwidth is always compressed, which leads to undesirable side effects such as twanging or lisping.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eHOW DOES THE SPL AUTO DYNAMIC DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eThe Auto-Dynamic DeEsser has a new circuit technology that automatically adjusts to the S‑frequencies and narrows the bandwidth so that only the range of the S‑sound is processed and all neighboring frequencies remain untouched. The frequency band determined in this way is mixed back to the original signal in phase-inverted form, whereby the S‑sound is acoustically removed. The result is a sound-neutral, unobtrusive, but extremely effective way of working. De‑essing now has very little negative influence on the timbre of the voice; side effects such as twanging or lisping do not occur. In addition, time-consuming readjustment of the frequency settings is no longer necessary. The SPL Auto-Dynamic DeEsser combines efficiency with sound neutrality. By the way, you can also soften hard cymbal sounds or snares perfectly with the DeEsser Mk2.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eFURTHER ADVANTAGES OF THE AUTO-DYNAMIC FUNCTION\u003c\/h3\u003e  \u003cp\u003eDeEssers with conventional compressor technology work more intensively with a decreasing distance to the microphone. On the other hand, the DeEssing becomes weaker with an increasing distance to the microphone. A compressor\/limiter is usually used after the DeEsser to compensate level fluctuations. However, due to the different de-essing the compressor\/limiter reacts wrong.\u003c\/p\u003e  \u003cp\u003eWhen the distance to the microphone is increased, the compressor\/limiter reacts to the S-sounds that reappear. Not only the de-essing changes the sound, but also the compressor\/limiter negatively influences the sound image by its readjustment.\u003c\/p\u003e  \u003cp\u003eThanks to the Auto-Dynamic function of the DeEsser Mk2, these problems are eliminated. A control circuit monitors the input level and automatically adjusts the threshold. A following compressor\/limiter reacts accordingly more accurately and with less coloration.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eINPUTS AND OUTPUTS\u003c\/h3\u003e  \u003cp\u003eThe two channels of the De-Esser are equipped with Neutrik XLR sockets with gold-plated contacts. The signal transmission is electronically balanced at a nominal level of +6 dB.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44451058384999,"sku":"218137","price":709.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-deesser-mk2_183014_1_d72be642-3a10-4440-b516-0409d080f407.jpg?v=1787095669"},{"product_id":"boss-ve-22-vocal-processor-demo-deal-open-box","title":"Boss VE-22 Portable Multi-Effects Vocal Processor (Demo Deal)","description":"\u003cp\u003eTake charge of your vocal sound with the \u003cstrong\u003eBoss VE-22\u003c\/strong\u003e, a portable multi-effects toolbox specially designed for singers. Perform with a diverse library of high-quality BOSS processing, from basic studio enhancement to dramatic voice-changing effects. Expand your range with real-time harmonies. And get creative with the free-flowing interface and versatile features for practice, recording, and online streaming. With the VE-22 in your chain, you’re primed and ready to deliver memorable, high-impact vocal performances everywhere you sing.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_0\"\u003eOUTSTANDING BOSS VOCAL EFFECTS\u003c\/h3\u003e\n\n\u003cp\u003eThe VE-22 is packed with the latest advancements in BOSS’s acclaimed Vocal Performer technology. Bolster your voice with core processing and make the sound come alive with immersive delays and reverbs. Then explore a universe of electronic colors and aggressive textures with auto pitch, distortion, lo-fi, modulation, and other cool voice transforming effects. There are 50 presets with ready-to-go sounds, plus 99 memories to store custom combinations for different songs and styles.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_1\"\u003eHARMONIES THAT IMPRESS\u003c\/h3\u003e\n\n\u003cp\u003eThe VE-22’s powerful harmony and doubling functions make it simple to create head-turning ensemble effects from a single voice. Just select a type, set the song key, and start singing. It’s easy to change up the harmony voicing, adjust levels, and more with the panel knobs. You can also assign the harmonies to an onboard switch and bring them in and out as needed while performing.     \u003c\/p\u003e\n\n\u003ch3 id=\"toc_2\"\u003eCREATE IN THE MOMENT\u003c\/h3\u003e\n\n\u003cp\u003eThe VE-22’s uncomplicated interface encourages you to get creative with your live vocal sound. The Harmony, Effect, and Echo sections feature multi-function knobs, letting you tweak top-level parameters, turn off a section with a click, or dive into deeper settings with a double click. And with the color display and lighted rings around the knobs, you always have a clear view of what’s happening. Three customizable switches are designed for control with your feet or hands, and you can connect an expression pedal or external footswitches for more control if needed.   \u003c\/p\u003e\n\n\u003ch3 id=\"toc_3\"\u003ePERFORM WITH CONFIDENCE\u003c\/h3\u003e\n\n\u003cp\u003eThe VE-22 gives you everything you need to deliver top-quality sound to a house PA system, stage amplifier, or recorder. There’s an XLR input and integrated preamp for a professional stage microphone, plus phantom power for high-end condenser types. A high\/low gain switch, rear-panel sensitivity knob, and level meter enable you to optimize the input signal for nearly any mic. Compressor, EQ, de-esser, and other studio essentials are also on hand, ready to support every performance with smooth, authoritative sound. \u003c\/p\u003e\n\n\u003ch3 id=\"toc_4\"\u003eEXPRESS YOURSELF\u003c\/h3\u003e\n\n\u003cp\u003eWith USB-C, an analog aux input, and a headphone jack, the VE-22 supports vocal activities from daily practice and recording to livestreaming on social media. Connect to a computer or mobile device and send mix-ready vocals directly to song production software and streaming apps. Or play backing music through the VE-22 and sing along with inspiring sound as you warm up for gigs, learn new songs, and perform.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":44451087548519,"sku":"419262","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/boss-ve-22_214337_1_1_6a984d3e-ebbc-49e5-b7ea-dedaf97c1e0d.jpg?v=1787095784"},{"product_id":"spl-deesser-mk2-demo-deal","title":"SPL DeEsser Mk2 (Demo Deal)","description":"\u003cp\u003eThe SPL DeEsser is unique – and has been since 1996. The Auto Dynamic DeEsser removes undesired sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice. The newest iteration, the \u003cstrong\u003eSPL DeEsser Mk2\u003c\/strong\u003e features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The DeEsser Mk2 offers two mono DeEssers in one 19″ device. The Mk2 includes 4 mm thick, black anodized aluminum front panel and aluminum knobs milled from solid. The housing is made of high-quality steel and is powder-coated in elegant black. \u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eAUTO-DYNAMIC DE-ESSER\u003c\/h3\u003e  \u003cp\u003eThe De-Esser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. It automatically detects and hones in on the sibilant frequencies leaving neighboring frequencies unaffected. These S‑sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high S‑Reduction values the de-essing has an egligible effect on the character and timbre of the voice.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eS-REDUCTION\u003c\/h3\u003e  \u003cp\u003eThe S‑Reduction control adjusts the intensity of the S‑sound reduction. In practice, S‑Reduction settings between -2 dB and -8 dB achieve the best results for most applications. The The S-Reduction LED display visualizes the intensity of the S‑sound reduction between 0 dB and -20 dB in 2 dB steps.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eAUTO\u003c\/h3\u003e  \u003cp\u003eThe Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set with the S‑Reduction control. This is a great help not only for inexperienced voice-over artists, but also in live situations.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eFEMALE\u003c\/h3\u003e  \u003cp\u003eThe Female switch is used to adapt to the voice characteristics: When the switch is pressed, the Female mode is selected. The automatic S‑sound detection now reacts more intensively to higher-frequency S‑sounds. The unpressed switch position selects the Male mode to adapt the S‑sound detection to male voice characteristics. Lower-frequency S‑sounds are processed.\u003c\/p\u003e  \u003cp\u003eIn addition, the mid frequency of the S‑sound detection is increased from Male mode to Female mode. For male voices the mid frequency is at about 6 kHz, for female voices at just under 7 kHz.\u003c\/p\u003e  \u003cp\u003eNevertheless, you should not necessarily choose the Male position for male voices and the Female position for females. Always listen to the pitch and tone of the S‑sound and try both positions.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eON\u003c\/h3\u003e  \u003cp\u003eThe On switch, activates or deactivates the respective channel. This allows you to quickly switch between processed and unprocessed signal. To minimize switching noises, switching is performed directly after the balanced inputs and outputs. This relay hard bypass circuitry also provides immediate redirection of inputs to outputs in the event of a power fault on the primary or secondary side of the power supply, or if the device is powered off.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eHOW DOES A TRADITIONAL DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eTraditional DeEssers work with compressors; they can therefore also be found in combination devices with compressors\/limiters. In addition to the threshold control, which determines the level at which de-essing starts, you will also find a frequency control, which determines the center frequency at which S‑sounds are to be searched for. The bandwidth of the processing is usually up to two octaves. When an S‑sound appears, the entire bandwidth is always compressed, which leads to undesirable side effects such as twanging or lisping.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eHOW DOES THE SPL AUTO DYNAMIC DE-ESSER WORK?\u003c\/h3\u003e  \u003cp\u003eThe Auto-Dynamic DeEsser has a new circuit technology that automatically adjusts to the S‑frequencies and narrows the bandwidth so that only the range of the S‑sound is processed and all neighboring frequencies remain untouched. The frequency band determined in this way is mixed back to the original signal in phase-inverted form, whereby the S‑sound is acoustically removed. The result is a sound-neutral, unobtrusive, but extremely effective way of working. De‑essing now has very little negative influence on the timbre of the voice; side effects such as twanging or lisping do not occur. In addition, time-consuming readjustment of the frequency settings is no longer necessary. The SPL Auto-Dynamic DeEsser combines efficiency with sound neutrality. By the way, you can also soften hard cymbal sounds or snares perfectly with the DeEsser Mk2.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eFURTHER ADVANTAGES OF THE AUTO-DYNAMIC FUNCTION\u003c\/h3\u003e  \u003cp\u003eDeEssers with conventional compressor technology work more intensively with a decreasing distance to the microphone. On the other hand, the DeEssing becomes weaker with an increasing distance to the microphone. A compressor\/limiter is usually used after the DeEsser to compensate level fluctuations. However, due to the different de-essing the compressor\/limiter reacts wrong.\u003c\/p\u003e  \u003cp\u003eWhen the distance to the microphone is increased, the compressor\/limiter reacts to the S-sounds that reappear. Not only the de-essing changes the sound, but also the compressor\/limiter negatively influences the sound image by its readjustment.\u003c\/p\u003e  \u003cp\u003eThanks to the Auto-Dynamic function of the DeEsser Mk2, these problems are eliminated. A control circuit monitors the input level and automatically adjusts the threshold. A following compressor\/limiter reacts accordingly more accurately and with less coloration.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eINPUTS AND OUTPUTS\u003c\/h3\u003e  \u003cp\u003eThe two channels of the De-Esser are equipped with Neutrik XLR sockets with gold-plated contacts. The signal transmission is electronically balanced at a nominal level of +6 dB.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44451097280615,"sku":"453588","price":809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-deesser-mk2_183014_1_c19ac7b7-5593-4616-ac5a-4da9a6eefaec.jpg?v=1787095825"},{"product_id":"radial-engineering-voco-loco-effects-switcher-for-voice-or-instrument","title":"Radial Engineering Voco-Loco Effects Switcher for Voice or Instrument","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering Voco-Loco\u003c\/strong\u003e is a foot-controlled microphone preamp and effects loop switcher that enables a vocalist or acoustic instrumentalist to incorporate guitar effects pedals into their signal path.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCONNECT ANY MIC TO YOUR GUITAR PEDALS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Voco-Loco combines a microphone preamp with a guitar pedal effects loop, allowing a lead vocalist, sax or trumpet player to add guitar pedals to their audio signal path just like an electric guitarist adds effects for soloing. Simply plug your mic into the Voco-Loco via the XLR input, connect your effects pedals using standard ¼\" guitar cables, and then send the output from the Voco-Loco to the input on your mixer. Now with the touch of a footswitch you can add your favorite delay, reverb, distortion or wah-wah to any mic'd up instrument or vocal - the options are only limited by your imagination.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eAPPLICATIONS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePlug your microphone into the Voco-Loco and add exciting effects using guitar pedals for echo, reverb or distortion and control the effects the way you want\u003c\/li\u003e\r\n\u003cli\u003eAdd effects to your sax or trumpet to make your solos stand out from the crowd and deliver a unique performance to the audience that they will never forget!\u003c\/li\u003e\r\n\u003cli\u003eThe Voco-Loco lets you incorporate a chorus, overdrive and reverb to your harp solos to deliver amazing tones without having to bring an amp to the gig. The blues never sounded so good!\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44451098361959,"sku":"72841","price":379.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-voco-loco_72841_1.jpg?v=1787095831"},{"product_id":"radial-engineering-voco-loco-effects-switcher-for-voice-or-instrument-demo-deal","title":"Radial Engineering Voco-Loco Effects Switcher for Voice or Instrument (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering Voco-Loco\u003c\/strong\u003e is a foot-controlled microphone preamp and effects loop switcher that enables a vocalist or acoustic instrumentalist to incorporate guitar effects pedals into their signal path.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCONNECT ANY MIC TO YOUR GUITAR PEDALS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Voco-Loco combines a microphone preamp with a guitar pedal effects loop, allowing a lead vocalist, sax or trumpet player to add guitar pedals to their audio signal path just like an electric guitarist adds effects for soloing. Simply plug your mic into the Voco-Loco via the XLR input, connect your effects pedals using standard ¼\" guitar cables, and then send the output from the Voco-Loco to the input on your mixer. Now with the touch of a footswitch you can add your favorite delay, reverb, distortion or wah-wah to any mic'd up instrument or vocal - the options are only limited by your imagination.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eAPPLICATIONS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePlug your microphone into the Voco-Loco and add exciting effects using guitar pedals for echo, reverb or distortion and control the effects the way you want\u003c\/li\u003e\r\n\u003cli\u003eAdd effects to your sax or trumpet to make your solos stand out from the crowd and deliver a unique performance to the audience that they will never forget!\u003c\/li\u003e\r\n\u003cli\u003eThe Voco-Loco lets you incorporate a chorus, overdrive and reverb to your harp solos to deliver amazing tones without having to bring an amp to the gig. 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