{"title":"Other Signal Processors","description":null,"products":[{"product_id":"tc-electronic-finalizer-96k","title":"TC Electronic Finalizer 96K Studio Mastering Processor","description":"\u003cp\u003eThe Finalizer 96K's all new set of advanced features and enhancements, including 96kHz internal and external processing truly puts the world of professional mastering within reach of every studio - large or small. \u003c\/p\u003e\u003cp\u003eInserted between the stereo output of your mixer or workstation and your master recording media, the Finalizer 96K dramatically rounds out your material, creating that \"radio ready\" sound - previously unattainable outside a professional mastering house.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhat does the FInalzer 96K do?\u003cbr\u003e\u003c\/b\u003eWhen you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix. Inserted between the Stereo output of your mixer or DAW and your DAT or CDR, it enhances the dynamics and ensures optimal Analog to Digital conversion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\u003cli\u003e\n\u003cb\u003eConvert:\u003c\/b\u003e 24bit\/96kHz resolution A\/D and D\/A converters, Format conversion (AES\/EBU, S\/PDIF and Tos-link) ADAT interface (track bounce) \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eSample Rate Conversion:\u003c\/b\u003e Enter and exit at any Sample Rate e.g. 32, 44.1, 48, 88.2 and 96kHz and make even asynchronous conversion possible \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eShape:\u003c\/b\u003e Five band 24bit Stereo Digital Equalizer \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eEnhance:\u003c\/b\u003e Choose between Dynamic EQ, Stereo Adjust, Digital Radiance Generator™ and Spectral Stereo Image \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eNormalize:\u003c\/b\u003e Real-time Gain Maximizer \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eExpand:\u003c\/b\u003e Variable Slope multiband Expander \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eSqueeze:\u003c\/b\u003e Multiband Compressor \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eTrim:\u003c\/b\u003e Variable Ceiling multiband Limiter \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eFade:\u003c\/b\u003e Manual or Auto Fade Tool \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eDither:\u003c\/b\u003e Maintain the highest resolution at the digital AES\/EBU and S\/PDIF outputs, Tos-link and ADAT \u003c\/li\u003e\u003cli\u003e\n\u003cb\u003eBalance:\u003c\/b\u003e L\/R balance in 0.1dB steps \u003cbr\u003e\u003cbr\u003eIn short, all the tools you need are provided in the Finalizer 96K and makes it essential in your studio.\u003c\/li\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449256964199,"sku":"278","price":1450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_finalizer96k_1.jpg?v=1787088342"},{"product_id":"tc-electronic-finalizer-express","title":"TC Electronic Finalizer Express","description":"The Finalizer Express is the fast and efficient way to turn your mix into a Professional Master! Based upon TC's Multi-Award winning Finalizer Mastering Technology, it delivers the finishing touches of clarity, warmth and punch to your mixes, putting the world of professional mastering within your reach.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTC Electronic Finalizer Express at a Glance:\u003c\/b\u003e\u003cbr\u003e \u003cul\u003e \u003cli\u003eRefines your tracks and adds energy without \"overs\"\u003cbr\u003e\n\u003c\/li\u003e \u003cli\u003eTightens bass, improves balance and levels are optimized\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eRefines your tracks and adds energy without \"overs\"\u003c\/b\u003e\u003cbr\u003eInsert the Finalizer Express between the stereo output of your mixer or workstation and your mastering recording media to refine your tracks with powerful mastering tools, adding real energy to your mix without worrying about \"overs\".\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTightens bass, improves balance and levels are optimized\u003c\/b\u003e\u003cbr\u003ePunch up your mix with the fast intuitive user-interface and deliver the ultimate sound quality you deserve - quick and clean! Spectral balance is improved, bass is tightened, the level is optimized and your mix sounds like a final master! \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449256996967,"sku":"279","price":1080.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_finalizerexpress_1.jpg?v=1787088342"},{"product_id":"dbx-120a","title":"DBX 120A","description":"\u003cp\u003eThe wildly popular beat of \"House Music\" is likely to be driven by the throbbing, low-end bass of dbx® Subharmonic Synthesizers in clubs around the world.  For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.  The \u003cspan style=\"font-weight: bold;\"\u003edbx 120A Subharmonic Synthesizer\u003c\/span\u003e with Modeled Waveform Synthesisô has been specially optimized by dbx engineers for the needs of audio professionals.  Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.\u003cbr\u003e\u003cbr\u003eFlexible system interfacing is achieved by providing both 1\/4\" and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.\u003cbr\u003e\u003cbr\u003eThe 120A's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material.  Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied.  The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449258471527,"sku":"700","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_120a.jpg?v=1787088348"},{"product_id":"thermionic-culture-vulture","title":"Thermionic Culture Vulture Two-Channel Tube Distortion Unit","description":"\u003cp\u003eThe \u003cstrong\u003eThermionic Culture Vulture\u003c\/strong\u003e is the original and still the only studio unit dedicated to just adding valve produced harmonic distortion to sounds, with no solid state components in the way. This unique unit has changed little since its introduction in 1998.\u003c\/p\u003e\r\n\u003cp\u003eThere are 3 basic settings for the type of distortion:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eT gives the typically \"musical\" effect found with triode valves and is good for just \"warming up\" a sound\u003c\/li\u003e\r\n\u003cli\u003eP1 means that the \"distortion\" valve is switched to Pentode mode to add odd harmonic which make the sound more aggressive, but retaining that valve character\u003c\/li\u003e\r\n\u003cli\u003eP2 is the \"No Holds Barred\" setting and is very unusual way of configuring an unusual valve, even giving an extra octave at higher bias settings\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe Bias control varies the current through the \"distortion\" valve (6AS6 type) and this current is shown on the millimeter. At low current the Vulture is \"starved\" and the sound is inclined to be thinner and \"break up\" easily. High current and the Vulture is over-fed and becomes quite fat and bloated. At medium current (0.25-0.3 mA) it distorts least, and this is the best setting for just \"warming up\" a sound. When the Vulture is over-driven, the meter may \"twitch\" and this gives a good indication of how drastic the distortion is.\u003c\/p\u003e\r\n\u003cp\u003eThe Low-pass filter has a 12dB\/octave slope and will remove unwanted frequencies above 6 or 9 kHz (selectable) so as to make the sound more \"rounded\". The Drive control and Overdrive switch give the user ample control over the amount the input signal is boosted before it hits the 6AS6 valve.\u003c\/p\u003e\r\n\u003cp\u003eThe Output Level controls the amount of signal going to the output valve. This control should be set at 8 + for low distortion and turned back when Drive is increased for more distortion, except when P2 is selected.\u003c\/p\u003e\r\n\u003cp\u003eThe Bypass switch completely bypasses the unit so that the Culture Vulture's effect can be accurately compared to the original.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSOME CULTURED USERS...\u003c\/h3\u003e\r\n\u003cp\u003eBecause of their unique blend of flexibility, musicality, and usability, brought about as a result of being hand-built by some of the worlds leading pro audio valve equipment designers and engineeers, Thermionic Culture products attract their fair share of high profile, industry leading producers and engineers from the world of recording technology. Here is just a handful - why not add your name to the list?\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTony Maserati - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eBlack Dog Productions - Earlybird 2.2, Pullet, Phoenix Mastering Compressor, Culture Vulture.\u003c\/li\u003e\r\n\u003cli\u003eAl Schmitt - Phoenix\u003c\/li\u003e\r\n\u003cli\u003eBig Life Music - Phoenix Master Compressor\u003c\/li\u003e\r\n\u003cli\u003eSteve Dub Jones - Earlybird 2\u003c\/li\u003e\r\n\u003cli\u003eThe Dairy - Phoenix\u003c\/li\u003e\r\n\u003cli\u003eAl Stone - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eROBERT CARRANZA - PRODUCER FOR LOS LOBOS, SUPER GRASS, JACK JOHNSON - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003ePABLO MUNGUIA - ROBBIE WILLIAMS - PHOENIX \u0026amp; CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eSTEPHEN STREET - KAISER CHIEFS - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eJAMES FORD - PRODUCER - ARTIC MONKEYS - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eGROOVE ARMADA - EARLYBIRD \u0026amp; CULTURE VULTURE MASTERING - \" Both myself and Tom Findlay bought the Earlybird and the Culture Vulture Mastering, they're like your first mobile phone, once you've used them for a week you wondered how you ever liver without them!\" Andy Cato - Groove Armada.\u003c\/li\u003e\r\n\u003cli\u003eLarry Hammel - Producer, Deepwave Music Productions, Earlybird 2.2 and Phoenix\u003c\/li\u003e\r\n\u003cli\u003ePeter Katis\u003c\/li\u003e\r\n\u003cli\u003eChemical Brothers - Culture Vulture Mastering MV \u0026amp; Phoenix\u003c\/li\u003e\r\n\u003cli\u003e\"The vulture it distorts synths in a truly beautiful way-we used to acheive this effect thru a long,convoluted process now we can get this great sound at a flick of a switch!\" - Tom Rowlands\u003c\/li\u003e\r\n\u003cli\u003ePeter Gabriel - Real World Studios - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eAlan Moulder -Producer\/Engineer The Jesus \u0026amp; Mary Chain, Swervedriver, My Bloody Valentine,Depeche Mode, Nine Inch Nails Downward Spiral, U2's Pop.\u003c\/li\u003e\r\n\u003cli\u003eMike Caffrey\u003c\/li\u003e\r\n\u003cli\u003eSteve 'Dub' Jones - Engineer\/Producer - Chemical Brothers, Madness. Culture Vulture Mastering MV \u0026amp; Phoenix\u003c\/li\u003e\r\n\u003cli\u003eTom Findlay - Groove Armada - Earlybird-2, Phoenix\u003c\/li\u003e\r\n\u003cli\u003ePietro Taucher - Engineer for Sharrie Williams\u003c\/li\u003e\r\n\u003cli\u003ePaisley Park\u003c\/li\u003e\r\n\u003cli\u003eTie Dye Keith\u003c\/li\u003e\r\n\u003cli\u003eJerry Harrison and Eric Thorngren (Talking Heads)\u003c\/li\u003e\r\n\u003cli\u003ePeter Katis\u003c\/li\u003e\r\n\u003cli\u003eJimmy Boyle\u003c\/li\u003e\r\n\u003cli\u003eKevin Bacon ( Axis Studios, recent credits include Jaimeson )\u003c\/li\u003e\r\n\u003cli\u003eAngel Mountain Studios\u003c\/li\u003e\r\n\u003cli\u003eOvertones\u003c\/li\u003e\r\n\u003cli\u003eAndy Strange ( recent credits include Robbie Williams )\u003c\/li\u003e\r\n\u003cli\u003eDavid Ives\u003c\/li\u003e\r\n\u003cli\u003eBernard Butler\u003c\/li\u003e\r\n\u003cli\u003eTony Hoffer ( Beck , Turin Breaks )\u003c\/li\u003e\r\n\u003cli\u003eEdwyn Collins\u003c\/li\u003e\r\n\u003cli\u003eMick Jones\u003c\/li\u003e\r\n\u003cli\u003eThe Libertines\u003c\/li\u003e\r\n\u003cli\u003eMark 'Spike¹ Stent ( U2, Madonna, Oasis )\u003c\/li\u003e\r\n\u003cli\u003ePortishead\u003c\/li\u003e\r\n\u003cli\u003eKen Nelson ( Badly Drawn Boy, Coldplay )\u003c\/li\u003e\r\n\u003cli\u003eDave Gilmour\u003c\/li\u003e\r\n\u003cli\u003eThe Prodigy\u003c\/li\u003e\r\n\u003cli\u003eHugh Jones\u003c\/li\u003e\r\n\u003cli\u003eStrong Room Studios\u003c\/li\u003e\r\n\u003cli\u003eAir Studios\u003c\/li\u003e\r\n\u003cli\u003eMute Records\u003c\/li\u003e\r\n\u003cli\u003eRoss Hogarth - \"Mondo distorto! dude, I like your box a lot...really liked the musicality of it!\"\u003c\/li\u003e\r\n\u003cli\u003eSan Francisco Soundworks\u003c\/li\u003e\r\n\u003cli\u003e“La Source” Mastering suite - Paris France\u003c\/li\u003e\r\n\u003cli\u003eYves Jaget\u003c\/li\u003e\r\n\u003cli\u003eBertrand Blais producer of Etienne Daho\u003c\/li\u003e\r\n\u003cli\u003eWisseloord Mastering\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449261748327,"sku":"1102","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic-vulture-dist-23_1102_1.jpg?v=1787088352"},{"product_id":"moog-music-mf-101-moogerfooger-low-pass-filter","title":"Moog Music MF-101 Moogerfooger Low Pass Filter","description":"\u003cp\u003eThe award-winning \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-101\u003c\/span\u003e low pass filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.\u003c\/p\u003e\r\n\u003cp\u003eThe Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the low pass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\r\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 low pass filter does the same sort of thing to the sound spectrum with it's cutoff control. As you turn up the resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the Moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\r\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269252199,"sku":"5044","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf101_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-105m-moogerfooger-midi-murf","title":"Moog Music MF-105M Moogerfooger MIDI MuRF","description":"\u003cp\u003e\u003cstrong\u003eMuRF\u003c\/strong\u003e stands for \"Multiple Resonance Filter Array\". What this means is the MuRF has eight filters - their levels are controlled by eight sliders. It looks like a graphic EQ, but the sound of the filters are very different: warm and resonant.\u003c\/p\u003e\n\u003cp\u003eWhat is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet\/Dry Mix.\u003c\/p\u003e\n\u003cp\u003eMuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger \"double-wedge\" enclosure that may be used on a table or on the floor.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269284967,"sku":"5045","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf105m_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-102-moogerfooger-ring-modulator","title":"Moog Music MF-102  Moogerfooger Ring Modulator","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-102\u003c\/span\u003e Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-contolled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.\u003c\/p\u003e\n\u003cp\u003eA ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in it's use - you decide!\u003c\/p\u003e\n\u003cp\u003eThe Moogerfooger ring modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eImagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269317735,"sku":"5046","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf102_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-103-moogerfooger-12-stage-phaser","title":"Moog Music MF-103 Moogerfooger 12 Stage Phaser","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-103\u003c\/span\u003e 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.\u003c\/p\u003e\n\u003cp\u003eThe 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1\/4\" jacks are provided for audio input and outputs, pedal\/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eA phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser \"whooshing\" sound. Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.\u003c\/p\u003e\n\u003cp\u003eThe MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269350503,"sku":"5047","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf103_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-cp-251-moogerfooger-control-processor","title":"Moog Music CP-251 Moogerfooger Control Processor","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music CP-251\u003c\/span\u003e Control Processor can be used in connection with one or more moogerfooger analog effects modules, the minimoog Voyager, or other voltage-controlled gear. The CP-251 adds the same kind of power and versatility of the classic MOOG modular synthesizers.\u003c\/p\u003e\n\u003cp\u003eThere are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.\u003c\/p\u003e\n\u003cp\u003eThe CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a four-way multi. This gives you ways to modify, mix, and distribute control voltages to product the incredible variety of sounds and effects that analog synthesizers are famous for.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269383271,"sku":"5048","price":385.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_moogerfooger_cp251.jpg?v=1787088376"},{"product_id":"moog-music-etherwave-standard-theremin-assembled","title":"Moog Music Etherwave Standard Theremin - Assembled","description":"\u003cp\u003eThe theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. 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In the fields of classical music production, chamber music, as well as in movie post-production, the QRS is considered to be the Yardstick for all competing products. In other words, whenever a natural sounding ambience is desired, and any kind of artificial reverberation is not, the QRS algorithm has been repeatedly praised by countless sound professionals.\u003cbr\u003e \u003cbr\u003e Due to the sophisticated characteristics of the QRS algorithm, any QUANTEC Room Simulator stands out favorably among the competition. 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When the Tape circuit is not engaged, the 5042 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of + and – 12 dB. The Portico™ 5042 Two Channel \"True Tape\" Emulation and Line Driver unit’s emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape. This typically offsets the harshness often found in digital recordings. The Portico™ 5042 incorporates an actual tape drive circuit that feeds a tiny magnetic “head” which, in turn, is coupled to a correctly equalized, replay amplifier. The only thing missing is the tape itself! \u003cp\u003e The Portico™ 5042 consists of two identical Line Driving amplifiers having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that, by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35 – 40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449277739111,"sku":"6624","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_5042_horizontal_1.jpg?v=1787088410"},{"product_id":"rupert-neve-designs-portico-5042-2-ch-true-tape-vertical","title":"Rupert Neve Designs Portico 5042 2 Ch True Tape - Vertical","description":"The second in an ever expanding series of all-analogue products designed to be used either individually, or as one of the principal sound control elements of an integrated Portico™ system. The 5042 provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. 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It has lower noise, better frequency response, and greater accuracy in level controls by having a three-position input gain switch and a two-position output attenuator.\u003c\/p\u003e\r\n\u003cp\u003eWe use Mullard M8100 low-noise, high-gain valves in the input stage, a pair of GE 5725s for distortion effects, and the Philips 5963 in the output. All are military-grade valves for long life. There is an extra exciting distortion setting on the Function switch. This is labelled P2.  It’s similar to P1 (the most used, Pentode setting) but goes into mad distortion and compression when the valve is overloaded. The old P2 is now P3. 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CV4010*, 5591, EF95) x2\u003c\/li\u003e\r\n\u003cli\u003eOutput: 5963 (equiv. CV4003*, ECC82, 12AU7)\u003c\/li\u003e\r\n\u003cli\u003eDistortion: 5725 (equiv. CV4011*, M8196, 6AS6) x2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e*CV is the British military equivalent to US JAN\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449280393319,"sku":"6866","price":3299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic_vulture_mastering_plus_1.jpg?v=1787088419"},{"product_id":"spl-transducer","title":"SPL Transducer","description":"In studio and on stage the \u003cb\u003eSPL Transducer\u003c\/b\u003e replaces the guitar speaker cabinet and microphone(s) so that the time and resource-intensive microphone processing of this loud sonic source is no longer necessary. 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The Harmonics control enhances the presence of a signal and allows for example to move signals up front in a mix. In general, the top end can be sweetened with the nice touch of tube harmonics. Both effects can be used separately or simultaneously. 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Everything in the signal chain, from the discrete Mic Pre, the Vintage Germanium Preamp, the Analog Filter, and the inductors in the Equalizer to the output transformer, is designed to be overdriven, saturated, overloaded or distorted in a pleasing way. Mix \u0026amp; match the Vintage Germanium Preamp for a little warmth or overdrive, the Tape Saturation overdrive for a little compression and limiting or a bit of signal saturation, the Analog Filter\/Crossover (which in itself sounds great overdriven, and can be driven into self oscillation), the Dual Band Distortion which allows you to mix many different types of distortion, and the vintage-style inductor based equalizer to shape the overall tone and color of the sound. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures\u003c\/b\u003e \u003cul\u003e \u003cli\u003eBranded real wood front panel, custom finished by hand\u003c\/li\u003e \u003cli\u003eColor coded, lighted acrylic, audio responsive gain meter knobs to see at a glance where your various gain stage levels are\u003c\/li\u003e \u003cli\u003eDiscrete mic preamp\u003c\/li\u003e \u003cli\u003eLow noise, high quality balanced line input\u003c\/li\u003e \u003cli\u003eGain control of mic, instrument \u0026amp; dry mix gain in addition to control of overall input gain\u003c\/li\u003e \u003cli\u003eTrue relay bypass of each effect section using lighted indicator ring metal push buttons\u003c\/li\u003e \u003cli\u003eThe Vintage Germanium Preamp section uses specially matched NOS vintage germanium transistors for added warmth and a great overdrive sound\u003c\/li\u003e \u003cli\u003eThe Analog Filter Section Features: \u003cul\u003e \t\u003cli\u003eVariable freq \u0026amp; resonance\u003c\/li\u003e \t\u003cli\u003eLFO with variable amplitude and speed, an envelope detector and expression pedal control which can all be used separately or in conjunction to control filter frequency\u003c\/li\u003e \u003cli\u003eSelectable high pass, band pass, or band pass + high pass filter response modes for the high freq distortion section\u003c\/li\u003e \t\u003cli\u003eSeparate low pass \u0026amp; high pass outputs on the back panel for processing each band separately with external gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e \u003cli\u003eDual Band Distortion allows control over:\u003cul\u003e \t\u003cli\u003eDrive, distortion amount, distortion type (6 modes), clipping symmetry \u0026amp; low freq\/high freq blend control to blend the two distortion sections in varying degrees\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eInductor Based EQ with 5 bands of boost\/cut: low, mid, high bands plus a low shelf \u0026amp; high shelf\u003c\/li\u003e \u003cli\u003eSpeaker output to plug a speaker cabinet into your Fucifier for use as an amp sim or even an amp!\u003c\/li\u003e \u003cli\u003eWet\/Dry signal blend control\u003c\/li\u003e \u003cli\u003eTransformer coupled, discrete Class A output section\u003c\/li\u003e \u003cli\u003eInternal regulated AC power supply (no wall warts!)\u003c\/li\u003e \u003cli\u003e2 space, 19\" rack mount enclosure\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Evol Audio","offers":[{"title":"Default Title","offer_id":44449362673767,"sku":"14654","price":1874.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/evol_fucifier2_1.jpg?v=1787088713"},{"product_id":"thermionic-culture-vulture-demo-deal","title":"Thermionic Culture Vulture (Demo Deal)","description":"Originally designed as a \"distortion box\" to simulate distortion in valve amps, the \u003cb\u003eThermionic Culture Vulture\u003c\/b\u003e has found lots of uses beyond this. We know that some owners use them on drum loops, vocals, piano sounds and even across entire tracks (it is a stereo unit). \u003cp\u003eWe have refined this so that distortion figures are reduced to only 0.2% at lowest to about 99.9% (at least that's what our distortion meter tells us!). Predominant distortion can be changed from even to odd harmonics with a simple switch. We know it's recently been rented to mix a JAMES BOND movie! \u003c\/p\u003e\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eWarm sounds gently or create a noise like a 200 watt guitar stack with all the drivers slashed.\u003cbr\u003eIndependent channel operation \u003c\/p\u003e\u003cul\u003e \u003cli\u003eOdd or even harmonic distortion, or combination of both. \u003c\/li\u003e\n\u003cli\u003eAll valve design free from solid state additives. \u003c\/li\u003e\n\u003cli\u003eHigh impedance line input or instrument inputs. \u003c\/li\u003e\n\u003cli\u003e4 \u0026amp; 7 kHz filters \u003c\/li\u003e\n\u003cli\u003eOverdrive \u0026amp; bypass switches\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eSome Cultured users...\u003c\/b\u003e \u003cbr\u003e Because of their unique blend of flexibility, musicality, and usability, brought about as a result of being hand-built by some of the worlds leading pro audio valve equipment designers and engineeers, Thermionic Culture products attract their fair share of high profile, industry leading producers and engineers from the world of recording technology. Here is just a handful - why not add your name to the list? \u003cul\u003e \u003cli\u003eTony Maserati - Culture Vulture \u003c\/li\u003e\n\u003cli\u003eBlack Dog Productions - Earlybird 2.2, Pullet, Phoenix Mastering Compressor, Culture Vulture. \u003c\/li\u003e\n\u003cli\u003eAl Schmitt - Phoenix \u003c\/li\u003e\n\u003cli\u003eBig Life Music - Phoenix Master Compressor \u003c\/li\u003e\n\u003cli\u003eSteve Dub Jones - Earlybird 2 \u003c\/li\u003e\n\u003cli\u003eThe Dairy - Phoenix \u003c\/li\u003e\n\u003cli\u003eAl Stone - Culture Vulture \u003c\/li\u003e\n\u003cli\u003eROBERT CARRANZA - PRODUCER FOR LOS LOBOS, SUPER GRASS, JACK JOHNSON - CULTURE VULTURE \u003c\/li\u003e\n\u003cli\u003ePABLO MUNGUIA - ROBBIE WILLIAMS - PHOENIX \u0026amp; CULTURE VULTURE \u003c\/li\u003e\n\u003cli\u003eSTEPHEN STREET - KAISER CHIEFS - CULTURE VULTURE \u003c\/li\u003e\n\u003cli\u003eJAMES FORD - PRODUCER - ARTIC MONKEYS - CULTURE VULTURE \u003c\/li\u003e\n\u003cli\u003eGROOVE ARMADA - EARLYBIRD \u0026amp; CULTURE VULTURE MASTERING - \" Both myself and Tom Findlay bought the Earlybird and the Culture Vulture Mastering, they're like your first mobile phone, once you've used them for a week you wondered how you ever liver without them!\" Andy Cato - Groove Armada. \u003c\/li\u003e\n\u003cli\u003eLarry Hammel - Producer, Deepwave Music Productions, Earlybird 2.2 and Phoenix \u003c\/li\u003e\n\u003cli\u003ePeter Katis \u003c\/li\u003e\n\u003cli\u003eChemical Brothers - Culture Vulture Mastering MV \u0026amp; Phoenix\u003cbr\u003e \"The vulture it distorts synths in a truly beautiful way-we used to acheive this effect thru a long,convoluted process now we can get this great sound at a flick of a switch!\" - Tom Rowlands \u003c\/li\u003e\n\u003cli\u003ePeter Gabriel - Real World Studios - Culture Vulture \u003c\/li\u003e\n\u003cli\u003eAlan Moulder -Producer\/Engineer The Jesus \u0026amp; Mary Chain, Swervedriver, My Bloody Valentine,Depeche Mode, Nine Inch Nails Downward Spiral, U2's Pop. \u003c\/li\u003e\n\u003cli\u003eMike Caffrey \u003c\/li\u003e\n\u003cli\u003eSteve 'Dub' Jones - Engineer\/Producer - Chemical Brothers, Madness. Culture Vulture Mastering MV \u0026amp; Phoenix \u003c\/li\u003e\n\u003cli\u003eTom Findlay - Groove Armada - Earlybird-2, Phoenix \u003c\/li\u003e\n\u003cli\u003ePietro Taucher - Engineer for Sharrie Williams \u003c\/li\u003e\n\u003cli\u003ePaisley Park \u003c\/li\u003e\n\u003cli\u003eTie Dye Keith \u003c\/li\u003e\n\u003cli\u003eJerry Harrison and Eric Thorngren (Talking Heads) \u003c\/li\u003e\n\u003cli\u003ePeter Katis \u003c\/li\u003e\n\u003cli\u003eJimmy Boyle \u003c\/li\u003e\n\u003cli\u003eKevin Bacon ( Axis Studios, recent credits include Jaimeson ) \u003c\/li\u003e\n\u003cli\u003eAngel Mountain Studios \u003c\/li\u003e\n\u003cli\u003eOvertones \u003c\/li\u003e\n\u003cli\u003eAndy Strange ( recent credits include Robbie Williams ) \u003c\/li\u003e\n\u003cli\u003eDavid Ives \u003c\/li\u003e\n\u003cli\u003eBernard Butler \u003c\/li\u003e\n\u003cli\u003eTony Hoffer ( Beck , Turin Breaks ) \u003c\/li\u003e\n\u003cli\u003eEdwyn Collins \u003c\/li\u003e\n\u003cli\u003eMick Jones \u003c\/li\u003e\n\u003cli\u003eThe Libertines \u003c\/li\u003e\n\u003cli\u003eMark 'Spike¹ Stent ( U2, Madonna, Oasis ) \u003c\/li\u003e\n\u003cli\u003ePortishead \u003c\/li\u003e\n\u003cli\u003eKen Nelson ( Badly Drawn Boy, Coldplay ) \u003c\/li\u003e\n\u003cli\u003eDave Gilmour \u003c\/li\u003e\n\u003cli\u003eThe Prodigy \u003c\/li\u003e\n\u003cli\u003eHugh Jones \u003c\/li\u003e\n\u003cli\u003eStrong Room Studios \u003c\/li\u003e\n\u003cli\u003eAir Studios \u003c\/li\u003e\n\u003cli\u003eMute Records \u003c\/li\u003e\n\u003cli\u003eRoss Hogarth - \"Mondo distorto! dude, i like your box a lot...really liked the musicality of it!\" \u003c\/li\u003e\n\u003cli\u003eSan Francisco Soundworks \u003c\/li\u003e\n\u003cli\u003e“La Source” Mastering suite - Paris France \u003c\/li\u003e\n\u003cli\u003eYves Jaget \u003c\/li\u003e\n\u003cli\u003eBertrand Blais producer of Etienne Daho \u003c\/li\u003e\n\u003cli\u003eWisseloord Mastering\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449368014951,"sku":"16535","price":2239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic_vulture_1_1.jpg?v=1787088735"},{"product_id":"little-labs-ivog-analog-bass-resonance-tool-stand-alone-unit","title":"Little Labs I-VOG Standalone Bass Resonance Control Module","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500 Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice-over-artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God.  The go to device to make instruments like kick drum and bass sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449382465639,"sku":"17355","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_i-vog.jpg?v=1787088792"},{"product_id":"dangerous-music-liaison","title":"Dangerous Music LIAISON Analog Signal Router\/Switcher","description":"\u003cp\u003eInstant recall is no longer just for digital. With the \u003cstrong\u003eDangerous Music LIAISON Analog Signal Router\/Switcher\u003c\/strong\u003e you can store and recall complex analog patches that include up to six stereo or twelve mono analog paths. You’ll experience the ease and quickness of digital plug-ins with your analog rig! Want to try your favorite mix-buss chain on a piano track? Or quickly compare two analog EQs within that chain? Or flip between the compressor first into the equalizer or the EQ first? – just push a button. With the onboard, latency-free, audiophile-grade parallel buss, you can blend your processed and unprocessed signals for rock solid parallel effects that otherwise require elaborate large format consoles and patchbays. Recall any of your stored patches instantly, bring individual patches in and out of the signal path for gapless A\/B comparisons, get your studio setup for the day’s tracking, mixing or mastering tasks in a flash, and do away with confusing, time-consuming patch recall sheets – all while getting crystal clear sound from all your favorite gear.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eLET’S TALK ABOUT SHORT-TERM MEMORY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMany of us don’t realize that when we’re making comparisons between two or more sounds, we’re relying on our short term memory. Research has shown that the length of time between exposure to two different sounds greatly determines our ability to make useful judgements. The shorter the gap, the more reliable our judgements are, and for tonal judgements, we start to lose discernment after just fractions of a second! In the analog environment we’re usually forced into physically repatching gear when comparing different sounds, causing gaps so big that the human brain simply can’t make much use of the comparison. With the LIAISON, you get to compare your analog patches with no gap, making A\/B comparisons in the analog realm far easier – and actually useful. the LIAISON takes the guesswork out of your critical decisions, helping you make the most of your analog investments.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCOMPLEX PATCHING MADE EASY…AND PROGRAMMABLE!\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the LIAISON, previously complex patches of analog equipment are made simple, and they can be instantly recalled with the sophisticated, yet elegant, signal routing and user interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSix Insert Loops – The topology of the LIAISON is built around six high-grade stereo insert loops, each of which can be switched in and out of the signal path at the touch of a button. Use the “Flip” switches to reverse the order of inserts 1\u0026amp;2, 3\u0026amp;4 or 5\u0026amp;6, allowing for immediate auditions of new routing possibilities (compress that EQ, or EQ that compressor?).\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo Main Busses – Two main stereo busses (A \u0026amp; B) allow you to route different analog gear chains simultaneously. For example, plug your mic pres into the input of Buss A and keep your favorite EQs and compressors ready for tracking while your favorite stereo mix buss processors live on Buss B. Or perhaps route your drum stems to Buss A, while simultaneously routing your entire stereo mix to Buss B. For even greater versatility, chain Buss A and B together!\u003c\/p\u003e\r\n\r\n\u003cp\u003eParallel Processing Loop – Send any combination of gear to the LIAISON’s onboard parallel processing loop, allowing latency-free blending of the processed and unprocessed signals. Parallel processing is standard practice today, but in the analog realm often requires a large format console and patchbay. With the LIAISON you can switch between in-series and parallel patches at the push of a button, and then blend to taste! Slam that buss-compressor and bleed in just a bit for sustain and edge. Put an extreme EQ curve on a vocal and blend it into the main signal to create urgency and articulation. Whatever you dream up, the LIAISON’s parallel buss will open up a whole new realm of creative uses for your analog gear. There’s even a polarity reversal button for the parallel processing loop, allowing you to correct phase or use phase cancellation creatively for various results.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour Monitor Channels – Each of the two busses can be monitored before or after the insert loop, allowing you to hear the results of your inserted processing on either buss instantly. Intelligently routing these four monitor channels in your studio will open up all kinds of uses that minimize patching work and maximize your ability to make fast, reliable comparisons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProgrammability – Once you’ve got a patch you want to keep around, store it on one of the four program channels for instant recall. Thinking creatively, you can use the two busses to accomplish any number of elaborate patches for tracking, mixing and mastering that you can recall effortlessly.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eA MASTERING-GRADE SIGNAL PATH AND SWITCHING SYSTEM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAt the core of the LIAISON is a set of no-compromise analog circuits developed by Dangerous's head designer, Chris Muth. Audiophile-grade components are used throughout the LIAISON’s 100% passive analog relay switching system, offering up a truly transparent and robust topology for seamlessly hosting all your outboard gear. True hard-wire bypass relays remove any gear entirely from the signal path, including analog units that lack an integrated bypass, or hard bypass, circuit. All of the LIAISON’s components switch instantly and silently, providing true A\/B comparisons without coloration, latency or disruptive noises.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTAY NIMBLE, STAY ANALOG\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt seems ironic, but as digital audio continues to make leaps and bounds, we’re witnessing a simultaneous renaissance of analog gear. Now with the LIAISON, your analog gear can perform as nimbly as your digital plugins. the LIAISON brings the ease of programmable patches, hassle-free rerouting, plus the undeniable benefit of instant A\/B comparisons, all in the analog environment. With the LIAISON you’ll unleash your creativity while keeping your studio primed for whatever tracking, mixing or mastering task comes your way.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch3 id=\"toc_5\"\u003eAWARDS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTEC Award (nominated)\u003c\/li\u003e\r\n\u003cli\u003eResolution Awards (nominated)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449407828071,"sku":"18417","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dangerous-liaison_18417_1.jpg?v=1787088884"},{"product_id":"thermionic-culture-vulture-solo","title":"Thermionic Culture Vulture Solo","description":"With the \u003cb\u003eThermionic Culture Vulture Solo\u003c\/b\u003e there is more of a focus  on use with guitar and bass DI \/ amplifier front end applications but  the unit also retains all the useful features for line level  applications that previous models, including the Limited Edition Culture  Vulture, offered.\u003cbr\u003e \u003cbr\u003e The Culture Vulture Solo is a single channel unit in a 2U 19\" rack  chassis. It features the ability to switch, via the front panel or a  dedicated foot-switch, between the Clean and Dirty channels.\u003cbr\u003e \u003cbr\u003e The Clean channel is an active channel that provides up to 35dB variable  gain to an instrument level signal with a flat but warm sounding  frequency response.\u003cbr\u003e \u003cbr\u003e The Dirty channel has the Vultures Drive, Distortion type, Bias controls  found on a standard Culture Vulture. It also features the PQ positions  found on a Limited Edition Culture Vulture and the two Squash positions  found on the Mastering and Limited Edition Culture Vultures. The Dirty  channel has a brand new Presence control and a more control over the  amount of LPF available.\u003cbr\u003e \u003cbr\u003e The rear input connector of the Culture Vulture Solo is unbalanced and semi-floating for improved integration with a DAW setup.\u003cbr\u003e \u003cbr\u003e Thermionic Culture believes that the Culture Vulture Solo has a greater  range in the tonality that can be applied to mono instrument signals  than ever before, providing any signal with warm sounding gain or  infinitely adjustable amounts of saturation, distortion and bite.\u003cbr\u003e \u003cbr\u003e The valve complement of the Culture Vulture Solo is:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e1 ECC83 double triode\u003c\/li\u003e\n\u003cli\u003e1 5725 \/ 6AS6 single pentode\u003c\/li\u003e\n\u003cli\u003e1 12DW7 \/ ECC832 double triode  \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449437941863,"sku":"19505","price":1899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic_culture_vulture_solo_499520fb-2422-4ca7-bbf5-a690f73724ed.jpg?v=1787088956"},{"product_id":"dbx-120-x-ds-subharmonic-synth-used","title":"DBX 120 X-DS Subharmonic Synth (Used)","description":"Classic version sub-harmonic enhancer. The dbx 120 adds a lower octave of sub-harmonics to your signal. 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Balanced and unbalanced inputs at both +4db and -10db allows tremendous flexibility, while auto detection of connected devices means source selection is simple and convenient.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eOven Controlled Clock\u003c\/span\u003e\u003cbr\u003e Often overlooked, the quality of the clock is extremely important when high quality audio is desired. The clock is housed in a shielded container where the temperature is kept constant, therefore bringing significant benefits to the detail, dynamics and stereo placement of the audio.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e64-Bit Technology\u003c\/span\u003e\u003cbr\u003e Sophisticated 64-bit algorithms allow precise control over our Acoustically Focused Clocking (AFC) and Jitter Management; two critical components to improve audio via clocking. The incoming digital signal is brought to life with this unique 64-bit technology, resulting in smooth and detailed audio whatever the method of digital connectivity.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAntelope Performance USB\u003c\/span\u003e\u003cbr\u003e Custom implementation of the USB chip leads to extreme audio performance and comprehensive support for your system. There are user selectable modes tailored to suit both Mac and PC; and with a data transfer rate of 480Mbits flawless audio is achieved with native drivers.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSmooth Headphones\u003c\/span\u003e\u003cbr\u003e Ultra Linear, Dual Stage Headphone Amps deliver smooth sound at both high and low levels. Custom designed for accurate monitoring with a wide range of headphone impedance's. Controlled by a dedicated volume knob.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCutting-edge design\u003c\/span\u003e\u003cbr\u003e To preserve the full bit resolution of the DAC, volume adjustment is entirely in the analog domain. Separate analog and digital power supplies eliminate digital cross-talk. This is further enhanced by keeping analog and digital circuits on separate PCB’s. These gold plated boards utilize large internal ground plains, canceling noise and voltage shifts.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eNuts and Bolts\u003c\/span\u003e\u003cbr\u003e All component decisions for Zodiac+ are based on a passion to produce something very special - technically, musically and aesthetically. Built with many solid aluminum parts and also very cute on the eye, it will be your pride and joy just like it is our passion.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom USB chip streams audio up to 192kHz\u003c\/li\u003e\n\u003cli\u003eAntelope Oven Clock for supreme stability\u003c\/li\u003e\n\u003cli\u003e64-bit Acoustically Focused Clocking (AFC)\u003c\/li\u003e\n\u003cli\u003e129dB Dynamic Range\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0004%\u003c\/li\u003e\n\u003cli\u003eUltra Linear, Dual Stage Headphone Amps\u003c\/li\u003e\n\u003cli\u003eDe-jittered, re-clocked Digital Audio Outputs\u003c\/li\u003e\n\u003cli\u003ePrecision Trim Pots for Balanced Analog Outs\u003c\/li\u003e\n\u003cli\u003eAccurate Level Display for Main Volume\u003c\/li\u003e\n\u003cli\u003eMute (soft dim \u0026amp; full mute)\u003c\/li\u003e\n\u003cli\u003eMono summing function\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eConnections\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAES\/EBU Digital Input\u003c\/li\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on mini B type connector\u003c\/li\u003e\n\u003cli\u003eWord Clock Input on BNC\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Inputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Inputs on RCA\u003c\/li\u003e\n\u003cli\u003eDigital Outputs on AES\/EBU and S\/PDIF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449478967399,"sku":"29174","price":1950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_29174_1_12007361-9176-4b1f-ac4e-cc38c67dd249.jpg?v=1787089113"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator","title":"Rupert Neve Designs Portico 542 500 Series Tape Emulator","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 542 500 Series Tape Emulator\u003c\/strong\u003e is the ultimate \"color box.\" In addition to the 100% analog tape emulation circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, variable Silk Red \u0026amp; Blue for an infinite variety of transformer tones, and a blend control to dial in in the perfect amount of saturation.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTRANSFORMERS IMITATING TAPE\u003c\/h3\u003e\r\n\u003cp\u003eUnlike digital emulations, the “True Tape” drive circuit works by feeding a custom-designed interstage transformer acting as a “record head”, which in turn is coupled to a correctly-equalized replay amplifier. 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Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\r\n\u003cp\u003eDrive the 542 hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for a more purist, hi-fi tape effect. The choice is yours.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTAPE IN: Sends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/li\u003e\r\n\u003cli\u003eTRIM: Provides ±12 dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/li\u003e\r\n\u003cli\u003eSATURATION: Controls the signal level being sent to the “tape head” circuit. As the saturation level increases, the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately – however, in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip. Additionally, to compensate for low frequency loss at low “record head” levels, the saturation knob also controls a low frequency compensation circuit that boosts low frequencies more at low saturation levels, and tapers off at higher levels. This function can be useful on many sources like bass and kick drum to find the balance between a clean, boosted low end (low saturation) and a denser, more saturated low end (high saturation).\u003c\/li\u003e\r\n\u003cli\u003e15\/30 IPS: Selects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60 Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120 Hz.\u003c\/li\u003e\r\n\u003cli\u003eBLEND: Controls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. 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Silk Blue mode features more saturation in the lows and low mids, whereas Silk Red accentuates the saturation in the high mids and highs.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL \/ DRIVE METERS: Two eight segment LED bar-graph meters are fitted to the 542 for output level and drive metering. The level meter shows the output level of the 542 before the Silk circuit, and the drive meter reflects the level on the “record head” when the tape effect is engaged. 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However, when I heard it on kick drum and bass, it became  clear this would be the go to device to make these instruments sound  huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to  300 Hz, while anything below the peak is rolled off at a steep -24dB per  octave. This lets users focus on the low end they want, while  eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA  subharmonic can be the focus, or the fundamental, or upper harmonics. On  a kick drum, for example, the overall effect of turning VOGs frequency  knob sounds like someone is tightening or loosening the drumhead. In a  mix, VOG allows users to place the bass spectrum instruments so they do  not interfere or get in the way of each other.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449499021415,"sku":"17256","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_little_labs_vog_front_9261233c-b56a-48d6-a3bc-3093e37e5bca.jpg?v=1787089215"},{"product_id":"aphex-ex-bb-500","title":"Aphex EX BB 500","description":"\u003cp\u003e\u003cstrong\u003eThe Aphex EX BB 500\u003c\/strong\u003e is a 500 Series version of the popular Aphex Aural Exciter® and Big Bottom® processors. Small, portable, interchangeable and easy to use, the new EXBB 500 provides the performance of Aphex’s legendary EXCITER in a mono module, allowing artists and engineers to configure the exact number of channels needed, in a convenient and affordable way. Aphex 500 Series modules are designed to fit in industry-standard 500 Series racks from API, Radial Engineering, A Designs, Empirical Labs and Tonelux. A rack full of 500 Series modules creates a “custom” and portable solution with devices an engineer can easily reconfigure by simply swapping out modules as needed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary Audio Enhancement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClose to a million Aphex Aural Exciters have been used in recording studios, broadcast facilities, concert arenas, musicians’ equipment racks, DJ systems, houses of worship, auditoriums, theaters and sports venues. The Aural Exciter’s patented technology has often been imitated but never duplicated. 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For vocals and spoken dialog, the Aural Exciter increases intelligibility as it highlights the edges of consonants providing better “cues” of the language. For individual instruments, it adds punch and presence without changing the instrument’s tonal character. And on mixes, it adds presence, “airiness” and detail.  The Aural Exciter is also an ideal solution for breathing life into bit rate reduced recordings and other compressed audio files.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptical Big Bottom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Optical Big Bottom provides deep, powerful low-frequency punch, without the unwanted level boost that comes from adding traditional equalization. Music benefits are deeper, more resonant, detailed bass with tighter articulation, extending low frequency power and spectrum for a richer, more percussive sound – even at very low volume levels – all without the build-up or driver-damaging tendencies of bass EQ. The EXBB 500′s Big Bottom features Tune, Drive and Mix controls, enabling users to dynamically enhance low frequencies. The Big Bottom adds a deep, powerful low-frequency punch, without the unwanted level boost that comes from adding traditional EQ.\u003c\/p\u003e","brand":"Aphex","offers":[{"title":"Default Title","offer_id":44449502036071,"sku":"21459","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aphex_exbb_500_front_55f58478-38f4-42f1-b1a5-9da6194e8f29.jpg?v=1787089225"},{"product_id":"two-notes-torpedo-studio","title":"Two Notes Torpedo Studio","description":"\u003cp\u003eThe \u003cstrong\u003eTwo Notes Torpedo Studio \u003c\/strong\u003eis the next generation of digital loadbox: new features, new design, lighter weight. It updates and revamps the acclaimed VB-101, the first ever digital loadbox to have hit the market. Its new features notably include a new loadbox with increased admissible power, a switchable impedance (4, 8, or 16 Ohms), and the possibility to choose between resistive and reactive loadbox. Its new, enhanced design makes it a more advanced, much lighter successor to VB-101.\u003c\/p\u003e\n\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLoadbox: Choice between resistive and reative loadbox\u003c\/li\u003e\n\u003cli\u003eMulti-impedance: 4, 8, 16 Ohms\u003c\/li\u003e\n\u003cli\u003eMax Input Power: 150W RMS (200W peak)\u003c\/li\u003e\n\u003cli\u003eConnectivity: Stereo I\/Os\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Two Notes Audio Engineering","offers":[{"title":"Default Title","offer_id":44449502822503,"sku":"43246","price":1850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/two_notes_torpedo_front_6c0e0d39-d7d3-4d09-a81a-7d891cf9a643.jpg?v=1787089229"},{"product_id":"two-notes-torpedo-live","title":"Two Notes Torpedo Live","description":"\u003cp\u003e\u003cstrong\u003eThis is a Digital Loadbox \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThat is, a combination of an analog REACTIVE 100W RMS loadbox and a powerful 32-bit DSP. 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When the Tape circuit is not engaged, the  5042 may be used as a full, transformer-coupled, high-performance line  amplifier that includes a Gain range of + and – 12 dB. The Portico™ 5042  Two Channel \"True Tape\" Emulation and Line Driver unit’s emulation  circuit provides the nostalgic rounding and compression usually only  achieved by the use of tape. This typically offsets the harshness often  found in digital recordings. The Portico™ 5042 incorporates an actual  tape drive circuit that feeds a tiny magnetic “head” which, in turn, is  coupled to a correctly equalized, replay amplifier. The only thing  missing is the tape itself!\u003cp\u003eThe Portico™ 5042 consists of two  identical Line Driving amplifiers having transformer balanced inputs and  outputs. 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Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003c\/p\u003e\r\n\u003cp\u003eThe Overstayer Saturator features a 100% analog signal path with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLOW CUT: A bypass-able 12 dB (2-pole) high pass filter with resonance control.  Wide range sweepable from 30 Hz to 4.7 kHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003c\/li\u003e\r\n\u003cli\u003eRES: The Resonance control for the Low Cut.  Controls the amount of peaking introduced at the cutoff frequency.  With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection.  At max setting the resonance can be driven into oscillation.  This oscillation can be used to tune the resonance to desired frequency and backed off when found.  Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003c\/li\u003e\r\n\u003cli\u003eBOOST: Adds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged.  It also engages a pad after the Gain amp to compensate for the added gain.  Functions like a clean boost pedal on the front end of a guitar amplifier.\u003c\/li\u003e\r\n\u003cli\u003eSATURATION: Controls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation.  The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003c\/li\u003e\r\n\u003cli\u003eHIGH CUT: Fixed 6 dB lowpass filter at 6 kHz can be engaged to tame high frequencies especially in high gain circumstances.\u003c\/li\u003e\r\n\u003cli\u003eGAIN: Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003c\/li\u003e\r\n\u003cli\u003eSHAPE 3: Activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation.  This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003c\/li\u003e\r\n\u003cli\u003eBLEND: This controls the balance between the source signal and the processed signal.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT: This sets the final output level post-Blend.\u003c\/li\u003e\r\n\u003cli\u003eIN: Master bypass for both channels.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449514389607,"sku":"31340","price":1795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer_saturator_front_ab5359bf-8cf0-4442-9a13-a231b798f6a7.jpg?v=1787089273"},{"product_id":"looptrotter-audio-satur-8","title":"Looptrotter Audio SATUR-8","description":"\u003cp\u003eThe \u003cstrong\u003eLooptrotter SATUR-8\u003c\/strong\u003e is a result of thorough research and time-consuming  experiments which were to lead to coming in the analog sound to the  cutting-edge technology. It provides eight separate channels and  saturation block referring to the sound of vintage valve consoles and  tape recorders.\u003c\/p\u003e\r\n\u003cp\u003eSATUR-8 works as an analog soft limiter as well. It slightly  aligns the signal and adds low-order harmonics in a smart way. It can  be used either during recording and mixing stages. The unit sets a solid  and fat sound in the recording, proccessing and mixing stage of  previously recorded tracks.\u003c\/p\u003e\r\n\u003cp\u003eMonster Compressor was a primary point of reference for the  creation of SATUR-8 because of its acknowledged saturation system based  on vacuum tubes. We managed to achieve a distinct sound of vaccum tubes  with the usage of semiconductor technology.\u003c\/p\u003e\r\n\u003cp\u003eSATUR-8 is user-friendly. All the channels are equipped with two  knobs: DRIVE (saturation depth) and OUTPUT (output level). Saturation  depth (the amount of added harmonics) is indicated by two LEDs at 4 and  8% THD.\u003c\/p\u003e\r\n\u003cp\u003eSATUR-8 is also an analog summing mixer 8 x 2 with insert slot.  Each of the eight channels allows to set the panning (L, C, R), whereas  stereo output level is set with a Master pot. AUX input allows you to  hook up another SATUR-8 and multiply the number of channels.\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":44449519108199,"sku":"30584","price":3144.08,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/looptrotter_satur8_front_92d2df7c-5d7b-4126-af87-c0d3b4cb6d4a.jpg?v=1787089291"},{"product_id":"looptrotter-audio-sa2rate","title":"Looptrotter Audio SA2RATE","description":"\u003cp\u003e\u003cstrong\u003eLooptrotter's SA2RATE\u003c\/strong\u003e is a result of thorough research and time-consuming experiments which were to lead to coming in the analogue sound to the cutting-edge technology. It provides referring to the sound of vintage valve consoles and tape recorders.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhat's new\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe new version of SA2RATE is extended with a BOOST function, which amplifies the input level by 17 dB. Thanks to this option SA2RATE can directly cooperate with devices having a nominal output level of -10 dB, such as synthesizers, samplers, drum machines etc. It can also be directly inserted into effects loop in guitar amplifiers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSimultaneously SA2RATE is equipped with a balanced output with nominal level of +4 dBu and can serve as in instrumental preamplifier.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an input signal level of about +4 dBu the BOOST function allows extreme saturation and signal distortion, which significantly widens the sound scape available through SA2RATE.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHow it works\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSA2RATE works as an analogue soft limiter as well. It slightly aligns the signal and adds low-order harmonics in a smart way. The unit sets a solid and fat sound in the recording, proccessing and mixing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMonster Compressor was a primary point of reference for the creation of SA2RATE because of its acknowledged saturation system based on vaccum tubes. We managed to achieve a distinct sound of vaccum tubes with the usage of semiconductor technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSA2RATE is user-friendly. All the channels are equipped with two knobs: DRIVE (saturation depth) and OUTPUT (output level). 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The Function switch now offers further enhancements including special dynamic tunable mid-lift in the P positions and extra drastically-processed harmonics in the SQ positions. The new unit also has a two position Presence switch as featured on Thermionic Culture’s popular Solo Vulture product. The Output Level controls have a -10dB attenuator which can be used in conjunction with Drive +10dB for comparison purposes or just to reduce high levels. The module’s line plus DI inputs are balanced while the line plus low level outputs are unbalanced. Five NOS military-grade valves are utilized for long life, low noise, and enhanced performance mirroring The Culture Vulture Mastering Plus.\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449530118247,"sku":"31982","price":3799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionicculture_super15_front_c2365fa4-d0fc-4d87-94f9-0cdfbd32b75f.jpg?v=1787089333"},{"product_id":"spl-transducer-used","title":"SPL Transducer (Used)","description":"In studio and on stage the \u003cb\u003eSPL Transducer\u003c\/b\u003e replaces the guitar speaker cabinet and microphone(s) so that the time and resource-intensive microphone processing of this loud sonic source is no longer necessary. In addition the Transducer offers much more sonic flexibility and variety than a single mike and cabinet setup because it allows for varied speaker and mike simulations while allowing you to retain accustomed features of individual setups (such as the ability to vary level-dependent loudspeaker characteristics and microphone distances).\u003cbr\u003e\u003cbr\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449533296743,"sku":"14570","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_spl_transducer_cat_07bcfd3b-d12d-41df-b896-a56a653c5c65.jpg?v=1787089347"},{"product_id":"yamaha-spx-990-used","title":"Yamaha SPX 990 (Used)","description":"\u003cspan class=\"description\"\u003eThe SPX990 is industry standard and found in front-of-house racks all over the world. As well as excellent sound quality and versatile programming it also has the advantages for live sound of patch storage on an optional removable card and pre-selection of patches.\u003c\/span\u003e\u003cbr\u003e \u003cspan class=\"description\"\u003e\u003c\/span\u003e \u003cbr\u003e \u003cspan class=\"description\"\u003e \u003cp\u003e\u003cspan class=\"descriptionhead\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"description\"\u003e20-bit analog-to-digital and digital-to-analog conversion sampling at 44.1 kHz.\u003cbr\u003e80 preset memory locations.\u003cbr\u003e100 internal User memory locations.\u003cbr\u003e100 User memory locations available on optional memory card.\u003cbr\u003eMIDI control of parameters and patch change.\u003cbr\u003eTempo-based Delay Time Programming.\u003cbr\u003e3-stage effect configuration.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan class=\"descriptionhead\"\u003e\u003cb\u003ePre-Effects\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"description\"\u003e3-band PEQ.\u003cbr\u003eCompressor.\u003cbr\u003eHarmonic Driver.\u003cbr\u003eCompressor, Dist. and EQ.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan class=\"descriptionhead\"\u003e\u003cb\u003eMain Effects\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"description\"\u003eREVERB: Reverb, Filtered Reverb, Stereo Reverb, Echo Room;\u003cbr\u003eEARLY REFLECTIONS: Thin Early Reflection, Fat Early Reflection, Gate Reverb, Reverse Gate;\u003cbr\u003eDELAY and ECHO: Delay L, C, R, Echo, Multi Tap Delay, Stereo Echo, Tempo Mono Echo, Tempo .Stereo Echo, Tempo Quad Echo;\u003cbr\u003eMODULATION: Flanger, Dual Flanger, FM Chorus, AM Chorus, Phaser, Symphonic.\u003cbr\u003ePITCH CHANGE: Mono Pitch Change, Dual Pitch Change, Triple Pitch Change, Stereo Pitch Change;\u003cbr\u003ePAN: Auto Pan, Triggered Pan;\u003cbr\u003eCOMPLEX EFFECTS: Chorus and Reverb, Symphonic and Reverb, Flanger and Reverb, Reverb (L) \/ Reverb (R), ER (L)\/ Reverb (R), Echo (L) \/ Reverb (R), Chorus (L) \/ Reverb (R), Pan (L) \/ Pan (R);\u003cbr\u003eFREEZE: Freeze.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan class=\"descriptionhead\"\u003e\u003cb\u003ePost Effects\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"description\"\u003e3-band PEQ.\u003cbr\u003eCompressor.\u003cbr\u003eHarmonic Driver.\u003c\/span\u003e\u003c\/p\u003e\u003c\/span\u003e\u003cbr\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449533329511,"sku":"6647","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_yamaha_spx_990_cat_51afb92b-f273-492f-97d2-0298f9d1b015.jpg?v=1787089347"},{"product_id":"tk-audio-transceiver","title":"TK Audio Transceiver Universal Insert Tool","description":"\u003cp\u003eThe \u003cstrong\u003eTransceiver\u003c\/strong\u003e is a four channel insert station. 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This two channel audio processor will musically integrate frequencies and transients and increase the apparent volume without actual increase in peak levels. In addition, two channels of famous Empirical Labs compression are provided. There are several compressor \"types\" with fixed attacks and releases (if you want a fully controllable compressor, you will need the Empirical Labs Distressor!).  \u003c\/p\u003e\u003cbr\u003e Users can enhance \u0026amp; soften the sound of mediums such as modular digital multitracks (MDM's), HD recorders, Dat recorders, Ram Recorders etc. Mixdown engineers will have an option not to use bulky, expensive, (and often flaky) analog tape recorders to get the warmth and sweet high end they've come to rely on for so many decades. 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It also works with line-level signals, so you can connect the output of a single mic preamp into four compressors or effects units. The Cherry Picker helps you make quick decisions with the confidence that comes from an immediate A\/B comparison. When paired with the Radial Gold Digger you can choose between four sources and destinations and select any combination instantly, giving you the freedom to explore endless sonic possibilities.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eAPPLICATIONS\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eCOMPARING PREAMPS USING ONE MIC\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eConnect your favorite microphone and compare how it sounds using several preamps to find the best match to suit the vocalist. The Cherry Picker makes it easy and fast.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCOMPARING COMPRESSORS WHEN RECORDING BASS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eOptimize the sound of the bass by comparing compressors. 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In addition to the the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation. \u003cbr\u003e\u003cbr\u003e The Portico 542’s “True Tape” emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape, and can offset the harshness often found in digital recordings. Unlike digital emulations, the “True Tape” drive circuit works by feeding a tiny magnetic “record head”, whichin turn is coupled to a correctly equalized, replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eGetting the Most Out of the 542\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile in the olden days, tape’s non-linearity was generally looked upon as more of a curse than a “feature”, the advent of digital systems that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. \u003cbr\u003e\u003cbr\u003e The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape circuit can significantly impact tone, depending on the position of the saturation control and the drive level on the tape circuit. As saturation is increased, low frequency compensation is decreased, and at a drive level of 5 the soft clipper enters the circuit. Finding the best balance point between low frequency response, total harmonic distortion, and desired soft clipping require playing with a combination of the saturation, trim and blend controls, and may also include using dynamics processing and proper gain staging before the 542. \u003cbr\u003e\u003cbr\u003e As a rough guide, we recommend starting with an input signal from around 2-10dBu and applying saturation, 15 \/ 30 IPS, Silk, and blend to taste. However, it always behooves the engineer to experiment with the balance between the pre-tape signal level and the level of the saturation control to find the best results for each source. \u003cbr\u003e\u003cbr\u003e To get a better idea of what is happening at different saturation and “Tape Head” levels, look through the frequency response and THD by frequency response graphs in the Technical Specifications section at the end of the manual. \u003cbr\u003e\u003cbr\u003e Also, like a real tape machine, the flux loops in the “True Tape” circuitry can pick up signals from strong nearby magnetic fields (The most likely sources are nearby power supplies, power amplifiers and computer monitors). 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These controls add another realm of tonal control to the 542, and should be explored creatively in conjunction with the “True Tape” for best effect.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRupert Neve: “While creating functional 500 Series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating our Portico 500 Series Modules, we experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. 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