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You simply enter your preferences, such as gentle reverb for vocal, or extra pitch for guitar and the Wizard serves you a short list of presets ready to compare and use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUncompromising Effects \u003cbr\u003e\u003c\/strong\u003eThe M2000 gives you access to a stunning array of Reverb, Pitch-shifting, Delays, Chorus, Dynamics etc. Among the included reverbs you'll find the unique Co-efficient Optimised Room Emulator or C.O.R.E. Reverb based upon TC's famous reverberation Technology.\u003c\/p\u003e\n\u003cp\u003eAnother unique feature in the M2000 is the Dynamic Morphing. 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Utilizing the latest hardware technology and software based upon 30 man-years of development, Reverb 4000 offers the most immense and innovative selection of State-of-the-Art stereo Reverbs - at the touch of a button. Designed as a single rack space module with an extremely easy to use instant access interface, and with the option of using the ICON software editor for PC (Mac OSX version available spring 2004) in DAW environments, the Reverb 4000 is the ultimate choice for live- and studio applications working in stereo.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn the Studio\u003cbr\u003e\u003c\/strong\u003eReverb 4000 complements any large scale mixing console, and provides the professional studio with the ultimate Main Reverb featuring an amazing palette of simulated rooms from natural sounding credible spaces to emulations of vintage reverbs and TC Classics. On top of offering front-edge pristine reverb technology, it features impressive headroom, level handling and analog as well as digital interfacing capabilities.\u003c\/p\u003e\n\u003cp\u003eReverb 4000 integrates perfectly with DAWs and features 24 bit AD\/DA converters as well as 44.1 to 96kHz Sample Rates, hence offering processing power not obtainable inside any workstation available today. Connectable via USB the included ICON software editor provides easy access and complete overview for detailed editing purposes, and is a genuine tool in a studio environment.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAt the Venue\u003cbr\u003e\u003c\/strong\u003eThe Instant Access front panel is a great advantage for Live applications. Never before has a Main Reverb provided so many colors to the palette, and been so easy to operate. Switch between Character, Glossy and Vintage Reverb effects with just a single touch of a button. The front panel always keeps important parameters within reach, and thanks to the latest DSP and power supply technology, as well as TC Electronic?? heritage of making top-end reverbs, the new Reverb 4000 delivers the best true stereo reverbs imaginable.\u003c\/p\u003e\n\u003cp\u003eFeatures in Reverb 4000 also include Generic Reverbs providing Polished Sustain, Vintage Reverb emulations, True Stereo Reverbs with several flavours, Favourite presets and algorithms from the past, Mono Reverbs covering arbitrary formats, Credible Environments spanning from claustrophobic to outdoor scenarios, Analog domain converter scaling with wide headroom and AES\/EBU, S\/PDIF, TOS-Link and ADAT digital I\/Os.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449257619559,"sku":"568","price":1299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_reverb4000_1.jpg?v=1787088344"},{"product_id":"tc-helicon-voiceworks","title":"TC-Helicon VoiceWorks","description":"\u003cb\u003eTC-Helicon VoiceWorks\u003c\/b\u003e has multi-voice harmonies, transparent pitch correction and fat automatic double-tracking, all so realistic you can solo them with confidence. VoiceWorks includes superb TC Electronic effects and our latest innovation - HarmonyHold which lets you freeze your backing harmonies while you sing over them. \u003cp\u003eIntegrated into VoiceWorks are voice-trained pitch detection and Hybrid Shifting algorithms from TC-Helicon?s VoiceOne. These newly researched algorithms provide the most natural sounding harmony processing available.\u003c\/p\u003e \u003cp\u003eAdd TC-Helicon's quality mic preamp and TC Electronic Compression, EQ, Tap-Tempo Delay and Reverbs and you have an amazing vocal channel with 100 user presets at your fingertips.\u003c\/p\u003e\u003cbr\u003e","brand":"TC Helicon","offers":[{"title":"Default Title","offer_id":44449257586791,"sku":"561","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc_helicon_voiceworks_1.jpg?v=1787088344"},{"product_id":"tc-electronic-d-two","title":"TC Electronic D-Two Rhythm Delay Processor","description":"\u003cbr\u003eWith the introduction of the D-TwoTC Electronic have once again succeeded in developing cutting edge technology, expanding the way you work with your effects processor! Your creativity will be the only limit when it comes to exploring the endless number of delay possibilities within the D-Two. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrue 24 Bit\u003c\/b\u003e\u003cbr\u003eState-of-the-art hardware provides you with true 24 bit resolution A\/D and D\/A converters and true 24 bit RAM memory. The unique hardware design ensures that the delay effects you get from the D-Two only come in one variety: \u003cb\u003eDelay Re-Invented\u003c\/b\u003e\u003cbr\u003eWhen TC Electronic introduced the TC 2290, the Professional Audio Industry was given an exceptional tool for creating stunning delay effects. Since the introduction of the TC 2290, digital delay processors have been built on the same basic principle. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eStandard Delay Line\u003c\/b\u003e \u003cbr\u003eThe standard delay line of the D-Two is based around a delay line with a feedback loop. The audio is fed back via the loop, which results in repeats. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe D?Two Delay Line\u003c\/b\u003e\u003cbr\u003eThe D-Two delay\/feedback strategy is different from ordinary delay products. In the D-Two the repeats are caused by a number of taps that are not fed back into the delay line. That enables the D-Two to output a specific number of repeats, providing you with ultimate control.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRythm Delay\u003c\/b\u003e\u003cbr\u003eIt is also possible to feed the last tap back into the delay line, generating a complete rhythm sequence, which is repeated when you have the Feedback active. This unique feature allows you to exactly match your effects to your music. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRhythm Tap\u003c\/b\u003e \u003cbr\u003eTC introduces the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly - or quantized according to a specific tempo and subdivision. The delays and rhythm patterns can be up to 10 seconds each. Control the exact number of repeats with Absolute Repeat Control. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSetting Up\u003c\/b\u003e \u003cbr\u003eSetting up your D-Two is extremely easy. Either choose Regular mode for standard delay applications or choose the Unique D-Two Rhythm mode. Simply tap in a specific rhythm and match this to your source material. You automatically enter the Rhythm mode when you tap the FEEDBACK\/RHYTHM key. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eComplete Overview\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eAdd-On-Effects\u003c\/b\u003e \u003cbr\u003eThe D-Two Delay processor comes with six unique add-on effects. You can access all parameters of the six effects directly from the front panel. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eChorus\u003c\/b\u003e\u003cbr\u003eA great sounding pitch-modulated delay in the shape of TC?s world-acclaimed Chorus is included in the D-Two as well. Double clicking on the CHORUS key provides you with instant access to all chorus parameters. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFilter\u003c\/b\u003e \u003cbr\u003eAdd Filter to your delay to get a softer, warmer and more natural sounding delay. Reduce the high frequencies of your delay with the D-Two filter effect. 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When using this function you get a delay effect which seems to be present only where and when it does not disturb or interfere with the source material e.g. in the pauses between phases from a vocalist, a guitar player or similar. \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePing-Pong\u003c\/b\u003e \u003cbr\u003eLet your material jump from left to right, left-center-right or let the D-Two dynamically fit the panning to your chosen number of taps. I","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449258373223,"sku":"688","price":549.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_dtwo_1.jpg?v=1787088347"},{"product_id":"eventide-dsp-4000b","title":"Eventide DSP 4000B+","description":"\u003cp\u003eThe \u003cstrong\u003eEventide DSP4000B+\u003c\/strong\u003e is based on Eventide's powerful DSP7000 professional audio effects processor, but it has a unique set of software programs created especially for radio, TV and postproduction by sound designer Jay Rose.  Effects that would be impossible with most processors are instantly available with the DSP7000 series.  Just press a button and look who's talking - an airplane captain from the cockpit.  Press again - now, it's the kid at the drive-thru window at a fast-food place.  Another press and you'll hear your words coming out of a computer voice chip, or the TV in the next room, or a cellular phone.  There are dozens of audio environments to choose from.  Fantasy voices are just as easy.  Is that your conscience talking back to you?  Or your fairy godmother?  Or you worst nightmare?  The DSP4000B+ is more than just a signal processor, it's your audio special effects department, a true creative partner.  You also get sound effects and audio backgrounds built right in.  Rain and thunder, the seashore, wind, a jet flying by.  The DSP4000B+ can put your sound anywhere, from the top of the mile-high mountain to 200 feet underwater. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSo Fast and Easy to Use\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e Because each of these effects and hundreds more are already set-up and ready for instant recall, the DSP4000B+ is a terrific time saver in program and commercial production and post-production.  And it's perfect for a fast-paced \"Morning Zoo\" radio show.  Imagine trying to create a whole cast of character voices or \"strange places\" effects on-the-fly with an ordinary effects box!  With the DSP4000B+, it's more than possible.  It's easy. 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It's so easy to use...just punch in the current running time of the audio and how long you want it to be. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Ready for the Digital Studio \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e The Eventide DSP4000B+ comes standard with analog and digital inputs and outputs.  The digital I\/O provides full 24 bit AES\/EBU and S\/PDIF for an all-digital signal path along with simultaneous XLR-type analog inputs and outputs.  Optimal audio quality is assured via 24 bit A\/D and D\/A converters.  Audio bandwidth at the analog connectors is up to 22kHz, with 44kHz (at 96K sampling) also available for most presets.  Its remote control interfaces include MIDI In\/Out\/Thru jacks and a serial port. The serial port can also be used with the powerful VSIGfile program editor, or connected to a PC for available operating system upgrades over the internet. (Want sampling to further extend the capabilities of the DSP4000B+?  Take a look at the DSP7500!)\u003c\/p\u003e\n\u003cp\u003eAlthough we've emphasized the DSP4000B+'s many programmed production effects, there's a whole other side to the unit, which will be of special interest to advanced \"effects explorers.\"  Unlike conventional audio processing units which contain a limited number of fixed digital processing algorithms, the factory programs of the DSP4000B draw on over 200 internal effects modules to create a wider variety of truly distinct programs than ever before possible.  What's more, the unit's object-oriented Algorithm Construction Kit patch editor function lets users (and third-party developers) build totally new effects algorithms by linking modular effects \"building blocks\" which are presented on the large, graphics LCD screen.  With the DSP4000B+, there are always new effects avenues to explore, new sounds to create. \u003cbr\u003e\u003cbr\u003e This is the unit that says \"don't let the video and film guys have all the fun.\"  There's a whole world of audio special effects waiting to be explored.  The Eventide DSP4000B+ Broadcast\/Production Ultra-Harmonizer is your first-class ticket to instant audio creativity.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449258405991,"sku":"691","price":3495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_dsp4000bplus_1.jpg?v=1787088348"},{"product_id":"eventide-eclipse","title":"Eventide Eclipse V4 Effects Processor","description":"\u003cp\u003eThe \u003cstrong\u003eEventide Eclipse\u003c\/strong\u003e is the only effects processor in its class to feature 24 bit digital conversion and 96kHz sampling.  We’ve packed almost 100 algorithms into Eclipse along with a two effects block design.  The dual routing configurations let you use Eclipse as two independent effects processors; ideal for the smaller, budget-conscious studio.  The two effects blocks’ inputs and outputs can be configured for stereo or mono.  Or, select a preset that combines two algorithms or recursive combinations for big multi-effects without sacrificing quality. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Classic Eventide Effects \u003c\/span\u003e\u003cbr\u003e We’ve packed Eclipse with effects Eventide is famous for.  There’s quick, seamless pitch shifting including our innovative Micro pitch shift, which FOH engineers and vocalists have come to rely on for turning good vocal performances into great ones.  Eclipse boasts no fewer than 11 reverberation algorithms plus four plex algorithms.  Originally developed for Eventide’s industry-standard Orville™ and DSP 7000 series, these reverbs have been carefully and faithfully transplanted into Eclipse.  And all reverbs are true stereo in and out, not mono in, stereo out.  The vast array of delays lets you design lush, dense soundscapes.  You’ll find band delays, chorus delays, comb delays, ducked delays, ring delays and pan delays.  And with 20 seconds of memory per effects block, Eclipse is a looper’s delight. It’s easy to get lost in the 20-second mono loop, 10-second dual loops, 20-second reverse loop, and 10-second dual reverse loop.  Remember, these looping presets running on one FX block leaves the other FX block available for adding texture or dimension. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eI\/O Ports for Maximum Versatility \u003c\/span\u003e\u003cbr\u003e The rear panel has a port to support all your needs, including AES\/EBU, S\/PDIF and ADAT™ Lightpipe™ for digital applications.  Analog balanced XLR-type and unbalanced ¼” inputs and outputs.  The ¼” jacks even accept a high impedance instrument signal. There’s Word Clock In and Out on BNC connectors and two pedal ports for performers.  And of course, full MIDI (IN\/OUT\/THRU) including an external power jack for your cabling convenience.  There’s even a serial port which makes it easy to update Eclipse’s software from the internet; no chip changing needed. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Easy Set-Up and Operation\u003c\/span\u003e \u003cbr\u003e The Eventide knob and keypad make setup and operation easy.  If you’re familiar with our H3000 series Harmonizer units, you’ve already got the basics. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHot Keys \u003c\/span\u003e\u003cbr\u003e Hot Keys provide quick access to the eight most important parameters on every preset. In addition, you can customize the Hot Keys on any preset to create your own unique program. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Dedicated Tap Button\u003c\/span\u003e \u003cbr\u003e The tap button isn’t just for delays.  It’s also the frequency rate of the LFO modulating your sample and hold filter, or the speed of your autopanner or tremolo.  The Tap function can be set to average out from 2 to 12 taps. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Design Your Own Presets \u003c\/span\u003e\u003cbr\u003e You get a complete selection of presets, but eclipse makes it easy to design your own.  Load one or two algorithms, pick a routing, assign the Hot Keys, and tweak. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlash Card Slot \u003c\/span\u003e\u003cbr\u003e Your presets can be stored easily in the Eclipse or on an affordable compact flash card.  Transferring presets from on Eclipse to another is simple with compact flash cards. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Unleash the Sonic Beast \u003c\/span\u003e\u003cbr\u003e Whether it’s live performance, front-of-house engineering, or quality studio processing, Eclipse gives you the tools you can depend on in one compact, professional package.  After all, Eclipse is not just an effects box, it’s an Eventide.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449258438759,"sku":"15996","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_eclipse_1.jpg?v=1787088348"},{"product_id":"dbx-120a","title":"DBX 120A","description":"\u003cp\u003eThe wildly popular beat of \"House Music\" is likely to be driven by the throbbing, low-end bass of dbx® Subharmonic Synthesizers in clubs around the world.  For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.  The \u003cspan style=\"font-weight: bold;\"\u003edbx 120A Subharmonic Synthesizer\u003c\/span\u003e with Modeled Waveform Synthesisô has been specially optimized by dbx engineers for the needs of audio professionals.  Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.\u003cbr\u003e\u003cbr\u003eFlexible system interfacing is achieved by providing both 1\/4\" and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.\u003cbr\u003e\u003cbr\u003eThe 120A's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material.  Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied.  The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449258471527,"sku":"700","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_120a.jpg?v=1787088348"},{"product_id":"eventide-reverb-2016","title":"Eventide Reverb 2016 Stereo Reverb Processor","description":"\u003cp\u003eThe \u003cstrong\u003eEventide Reverb 2016\u003c\/strong\u003e recreates the legendary reverb algorithms of Eventide SP2016 Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters.\u003cbr\u003e\u003cbr\u003eWhile the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I\/O, digital I\/O and MIDI interface.\u003cbr\u003e\u003cbr\u003eThe Reverb 2016 is built to reverb: it's not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect's parameters. The controls and display are intuitive. The UI is optimized for the studio and for live performance. Up to 99 user presets can be stored.\u003cbr\u003e\u003cbr\u003eWhile recreating the original reverbs is the Reverb 2016's raison d'etre, it also features brand new, enhanced versions of the originals. These \"New\" reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The \"New\" reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449258537063,"sku":"699","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_reverb2016_1_1.jpg?v=1787088348"},{"product_id":"eventide-h8000fw","title":"Eventide H8000FW","description":"\u003cp\u003eEventide proudly introduces its new eight-channel processor, the \u003cspan style=\"font-weight: bold;\"\u003eEventide H8000FW\u003c\/span\u003e Ultra-Harmonizer brand effects processor.  Designed for ultimate flexibility, the H8000 provides the highest quality audio performance combined with over one thousandof our best preset-algorithms culled from over thirty years of developing effects for live sound, broadcast, post-production and music recording.\u003c\/p\u003e\n\u003cp\u003eEight channels of AES\/EBU, ADAT and stereo S\/PDIF digital I\/O: 24 bit.  Over fifty new 5.1 presets, including 5.1 reverbs, and effects plus over a thousand of our best preset-algorithms, including our award-winning reverb, lush choruses, FM panners, sample-and-hold filters, vibratos, modulating delays, multiband compression, phase shifting, micro pitch shifting, vocoding and much more.  New search engine functionality for easier preset sorting featuring UltraShifter, our most natural-sounding, formant-corrected pitch changer, optimized for voice, which includes automatic pitch correction.  MIDI, BPM, and Tap Tempo lock your effects in time with the beat. 174 second mono sampler, or 87 seconds of phase-locked stereo with advanced looping, editing and layering capabilities.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449258504295,"sku":"695","price":5495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_h8000fw_1.jpg?v=1787088348"},{"product_id":"thermionic-culture-vulture","title":"Thermionic Culture Vulture Two-Channel Tube Distortion Unit","description":"\u003cp\u003eThe \u003cstrong\u003eThermionic Culture Vulture\u003c\/strong\u003e is the original and still the only studio unit dedicated to just adding valve produced harmonic distortion to sounds, with no solid state components in the way. This unique unit has changed little since its introduction in 1998.\u003c\/p\u003e\r\n\u003cp\u003eThere are 3 basic settings for the type of distortion:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eT gives the typically \"musical\" effect found with triode valves and is good for just \"warming up\" a sound\u003c\/li\u003e\r\n\u003cli\u003eP1 means that the \"distortion\" valve is switched to Pentode mode to add odd harmonic which make the sound more aggressive, but retaining that valve character\u003c\/li\u003e\r\n\u003cli\u003eP2 is the \"No Holds Barred\" setting and is very unusual way of configuring an unusual valve, even giving an extra octave at higher bias settings\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe Bias control varies the current through the \"distortion\" valve (6AS6 type) and this current is shown on the millimeter. At low current the Vulture is \"starved\" and the sound is inclined to be thinner and \"break up\" easily. High current and the Vulture is over-fed and becomes quite fat and bloated. At medium current (0.25-0.3 mA) it distorts least, and this is the best setting for just \"warming up\" a sound. When the Vulture is over-driven, the meter may \"twitch\" and this gives a good indication of how drastic the distortion is.\u003c\/p\u003e\r\n\u003cp\u003eThe Low-pass filter has a 12dB\/octave slope and will remove unwanted frequencies above 6 or 9 kHz (selectable) so as to make the sound more \"rounded\". The Drive control and Overdrive switch give the user ample control over the amount the input signal is boosted before it hits the 6AS6 valve.\u003c\/p\u003e\r\n\u003cp\u003eThe Output Level controls the amount of signal going to the output valve. This control should be set at 8 + for low distortion and turned back when Drive is increased for more distortion, except when P2 is selected.\u003c\/p\u003e\r\n\u003cp\u003eThe Bypass switch completely bypasses the unit so that the Culture Vulture's effect can be accurately compared to the original.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSOME CULTURED USERS...\u003c\/h3\u003e\r\n\u003cp\u003eBecause of their unique blend of flexibility, musicality, and usability, brought about as a result of being hand-built by some of the worlds leading pro audio valve equipment designers and engineeers, Thermionic Culture products attract their fair share of high profile, industry leading producers and engineers from the world of recording technology. Here is just a handful - why not add your name to the list?\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTony Maserati - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eBlack Dog Productions - Earlybird 2.2, Pullet, Phoenix Mastering Compressor, Culture Vulture.\u003c\/li\u003e\r\n\u003cli\u003eAl Schmitt - Phoenix\u003c\/li\u003e\r\n\u003cli\u003eBig Life Music - Phoenix Master Compressor\u003c\/li\u003e\r\n\u003cli\u003eSteve Dub Jones - Earlybird 2\u003c\/li\u003e\r\n\u003cli\u003eThe Dairy - Phoenix\u003c\/li\u003e\r\n\u003cli\u003eAl Stone - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eROBERT CARRANZA - PRODUCER FOR LOS LOBOS, SUPER GRASS, JACK JOHNSON - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003ePABLO MUNGUIA - ROBBIE WILLIAMS - PHOENIX \u0026amp; CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eSTEPHEN STREET - KAISER CHIEFS - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eJAMES FORD - PRODUCER - ARTIC MONKEYS - CULTURE VULTURE\u003c\/li\u003e\r\n\u003cli\u003eGROOVE ARMADA - EARLYBIRD \u0026amp; CULTURE VULTURE MASTERING - \" Both myself and Tom Findlay bought the Earlybird and the Culture Vulture Mastering, they're like your first mobile phone, once you've used them for a week you wondered how you ever liver without them!\" Andy Cato - Groove Armada.\u003c\/li\u003e\r\n\u003cli\u003eLarry Hammel - Producer, Deepwave Music Productions, Earlybird 2.2 and Phoenix\u003c\/li\u003e\r\n\u003cli\u003ePeter Katis\u003c\/li\u003e\r\n\u003cli\u003eChemical Brothers - Culture Vulture Mastering MV \u0026amp; Phoenix\u003c\/li\u003e\r\n\u003cli\u003e\"The vulture it distorts synths in a truly beautiful way-we used to acheive this effect thru a long,convoluted process now we can get this great sound at a flick of a switch!\" - Tom Rowlands\u003c\/li\u003e\r\n\u003cli\u003ePeter Gabriel - Real World Studios - Culture Vulture\u003c\/li\u003e\r\n\u003cli\u003eAlan Moulder -Producer\/Engineer The Jesus \u0026amp; Mary Chain, Swervedriver, My Bloody Valentine,Depeche Mode, Nine Inch Nails Downward Spiral, U2's Pop.\u003c\/li\u003e\r\n\u003cli\u003eMike Caffrey\u003c\/li\u003e\r\n\u003cli\u003eSteve 'Dub' Jones - Engineer\/Producer - Chemical Brothers, Madness. Culture Vulture Mastering MV \u0026amp; Phoenix\u003c\/li\u003e\r\n\u003cli\u003eTom Findlay - Groove Armada - Earlybird-2, Phoenix\u003c\/li\u003e\r\n\u003cli\u003ePietro Taucher - Engineer for Sharrie Williams\u003c\/li\u003e\r\n\u003cli\u003ePaisley Park\u003c\/li\u003e\r\n\u003cli\u003eTie Dye Keith\u003c\/li\u003e\r\n\u003cli\u003eJerry Harrison and Eric Thorngren (Talking Heads)\u003c\/li\u003e\r\n\u003cli\u003ePeter Katis\u003c\/li\u003e\r\n\u003cli\u003eJimmy Boyle\u003c\/li\u003e\r\n\u003cli\u003eKevin Bacon ( Axis Studios, recent credits include Jaimeson )\u003c\/li\u003e\r\n\u003cli\u003eAngel Mountain Studios\u003c\/li\u003e\r\n\u003cli\u003eOvertones\u003c\/li\u003e\r\n\u003cli\u003eAndy Strange ( recent credits include Robbie Williams )\u003c\/li\u003e\r\n\u003cli\u003eDavid Ives\u003c\/li\u003e\r\n\u003cli\u003eBernard Butler\u003c\/li\u003e\r\n\u003cli\u003eTony Hoffer ( Beck , Turin Breaks )\u003c\/li\u003e\r\n\u003cli\u003eEdwyn Collins\u003c\/li\u003e\r\n\u003cli\u003eMick Jones\u003c\/li\u003e\r\n\u003cli\u003eThe Libertines\u003c\/li\u003e\r\n\u003cli\u003eMark 'Spike¹ Stent ( U2, Madonna, Oasis )\u003c\/li\u003e\r\n\u003cli\u003ePortishead\u003c\/li\u003e\r\n\u003cli\u003eKen Nelson ( Badly Drawn Boy, Coldplay )\u003c\/li\u003e\r\n\u003cli\u003eDave Gilmour\u003c\/li\u003e\r\n\u003cli\u003eThe Prodigy\u003c\/li\u003e\r\n\u003cli\u003eHugh Jones\u003c\/li\u003e\r\n\u003cli\u003eStrong Room Studios\u003c\/li\u003e\r\n\u003cli\u003eAir Studios\u003c\/li\u003e\r\n\u003cli\u003eMute Records\u003c\/li\u003e\r\n\u003cli\u003eRoss Hogarth - \"Mondo distorto! dude, I like your box a lot...really liked the musicality of it!\"\u003c\/li\u003e\r\n\u003cli\u003eSan Francisco Soundworks\u003c\/li\u003e\r\n\u003cli\u003e“La Source” Mastering suite - Paris France\u003c\/li\u003e\r\n\u003cli\u003eYves Jaget\u003c\/li\u003e\r\n\u003cli\u003eBertrand Blais producer of Etienne Daho\u003c\/li\u003e\r\n\u003cli\u003eWisseloord Mastering\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":44449261748327,"sku":"1102","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/thermionic-vulture-dist-23_1102_1.jpg?v=1787088352"},{"product_id":"moog-music-mf-101-moogerfooger-low-pass-filter","title":"Moog Music MF-101 Moogerfooger Low Pass Filter","description":"\u003cp\u003eThe award-winning \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-101\u003c\/span\u003e low pass filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.\u003c\/p\u003e\r\n\u003cp\u003eThe Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the low pass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\r\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 low pass filter does the same sort of thing to the sound spectrum with it's cutoff control. As you turn up the resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the Moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\r\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269252199,"sku":"5044","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf101_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-105m-moogerfooger-midi-murf","title":"Moog Music MF-105M Moogerfooger MIDI MuRF","description":"\u003cp\u003e\u003cstrong\u003eMuRF\u003c\/strong\u003e stands for \"Multiple Resonance Filter Array\". What this means is the MuRF has eight filters - their levels are controlled by eight sliders. It looks like a graphic EQ, but the sound of the filters are very different: warm and resonant.\u003c\/p\u003e\n\u003cp\u003eWhat is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet\/Dry Mix.\u003c\/p\u003e\n\u003cp\u003eMuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger \"double-wedge\" enclosure that may be used on a table or on the floor.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269284967,"sku":"5045","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf105m_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-102-moogerfooger-ring-modulator","title":"Moog Music MF-102  Moogerfooger Ring Modulator","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-102\u003c\/span\u003e Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-contolled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.\u003c\/p\u003e\n\u003cp\u003eA ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in it's use - you decide!\u003c\/p\u003e\n\u003cp\u003eThe Moogerfooger ring modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eImagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269317735,"sku":"5046","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf102_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-103-moogerfooger-12-stage-phaser","title":"Moog Music MF-103 Moogerfooger 12 Stage Phaser","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-103\u003c\/span\u003e 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.\u003c\/p\u003e\n\u003cp\u003eThe 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1\/4\" jacks are provided for audio input and outputs, pedal\/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eA phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser \"whooshing\" sound. Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.\u003c\/p\u003e\n\u003cp\u003eThe MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269350503,"sku":"5047","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf103_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-cp-251-moogerfooger-control-processor","title":"Moog Music CP-251 Moogerfooger Control Processor","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music CP-251\u003c\/span\u003e Control Processor can be used in connection with one or more moogerfooger analog effects modules, the minimoog Voyager, or other voltage-controlled gear. The CP-251 adds the same kind of power and versatility of the classic MOOG modular synthesizers.\u003c\/p\u003e\n\u003cp\u003eThere are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.\u003c\/p\u003e\n\u003cp\u003eThe CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a four-way multi. This gives you ways to modify, mix, and distribute control voltages to product the incredible variety of sounds and effects that analog synthesizers are famous for.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269383271,"sku":"5048","price":385.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_moogerfooger_cp251.jpg?v=1787088376"},{"product_id":"moog-music-etherwave-standard-theremin-assembled","title":"Moog Music Etherwave Standard Theremin - Assembled","description":"\u003cp\u003eThe theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. Like the Ethervox, the \u003cspan style=\"font-weight: bold;\"\u003eMoog Music Etherwave\u003c\/span\u003e is an authentic adaptation of inventor Leon Theremin's original design.\u003c\/p\u003e\n\u003cp\u003eThe Etherwave is a quality theremin with a design that retains many characteristics of the original theremins, including a five-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3\/8\" brass tube and cabinets are furniture-grade hardwood, finished black. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and is designed for use with a musical instrument amplifier such as the Moog TB-15.\u003c\/p\u003e\n\u003cp\u003eAll Etherwaves ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269448807,"sku":"5050","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_etherwave_theremin_ew_std001_assembled.jpg?v=1787088376"},{"product_id":"moog-music-etherwave-theremin-kit","title":"Moog Music Etherwave Theremin - Kit","description":"\u003cp\u003eThe build-it-yourself \u003cspan style=\"font-weight: bold;\"\u003eMoog Music Etherwave Theremin kit \u003c\/span\u003ehas an unfinished wood cabinet and pre-built circuit board. Several wiring points require soldering. Power supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e\n\u003cp\u003eAll Etherwaves ship with a DVD containing two video tutorials: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269416039,"sku":"5051","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_etherwave_theremin_ew_kit001.jpg?v=1787088376"},{"product_id":"tc-electronic-reverb-6000-w-digital-i-o-tc-icon","title":"TC Electronic Reverb 6000 w\/ Digital I\/O, TC ICON","description":"The TC Electronic System 6000 offers multi-channel, high-quality tools never before available in any audio processing system. It is targeted specifically towards music and film post-production, broadcast and mastering applications in surround environments. The System 6000 has been designed to offer the most innovative audio signal processing tools on the market, and will offer years of continuous development and improvements in software and hardware, like its predecessor the M5000. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTC Electronic System 6000 at a Glance:\u003c\/b\u003e \u003c\/p\u003e\u003cul\u003e \u003cli\u003eRevolutionary VSS-5.1 multi-channel reverb technology for totally convincing surround reverbs \u003c\/li\u003e\n\u003cli\u003eAvailable multi-band, multi-channel dynamics processing \u003c\/li\u003e\n\u003cli\u003eMulti-channel pitch change plus chorus, delay, phaser and more \u003c\/li\u003e\n\u003cli\u003ePowerful and flexible processor with hundreds of presets and user setting storage \u003c\/li\u003e\n\u003cli\u003eMainframe 6000 can run several DSP-demanding effects simultaneously \u003c\/li\u003e\n\u003cli\u003eFour DSP engines allow four simultaneous algorithms to run simultaneously \u003c\/li\u003e\n\u003cli\u003eCPU 6000 can link multiple Mainframes and optional remote via Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cb\u003eRevolutionary VSS-5.1 multi-channel reverb technology for totally convincing surround reverbs\u003c\/b\u003e\u003cbr\u003eSystem 6000 algorithms include the industry-standard VSS reverb technology in a newly developed multi-channel version, called VSS-5.1. VSS-5.1 is a multi-source input to multi-channel output space simulator that incorporates advanced positioning generators and five totally uncorrelated reverb diffused fields. The integration of discrete positioning generators and source related diffused fields provides the most realistic room simulation ever heard. With the System 6000, time spent achieving convincing results during mix for music and post can be cut dramatically, regardless of the output format being stereo or multi-channel, 48 or 96kHz.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAvailable multi-band, multi-channel dynamics processing\u003c\/b\u003e\u003cbr\u003eMulti-channel, multi-band dynamics processing is available for System 6000. Four-band processing of multi-channel audio can be realized, including expander, compressor and final sample accurate brick wall limiter. Sample rates up to 96kHz are covered. For mono or stereo signals, the famous MD2 algorithm from the M5000 has been improved to MD3, so the System 6000 incorporates dual mono modes, sample accurate brick wall limiter and 96kHz operation.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMulti-channel pitch change plus chorus, delay, phaser and more\u003c\/b\u003e\u003cbr\u003eMulti-channel pitch change processing is available with the System 6000, as well as classic TC algorithms such as Reverbs, Chorus, Delay, Phaser and more, all at their highest quality and of course capable of 96kHz operation. 100 of the most famous M5000 factory presets are included with System 6000. System 6000 consists of several components and options - this system includes the Mainframe 6000 plus all applicable software. Other options include a remote CPU 6000 and a remote user interface called the TC ICON. Options include various different software licenses for specific DSP functions, and up to three AD\/DA 24-bit\/96kHz, 2-channel analog I\/O cards that can be added inside the Mainframe 6000.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePowerful and flexible processor with hundreds of presets and user setting storage\u003c\/b\u003e\u003cbr\u003eThe System 6000 design is intended to provide a mainframe that is so powerful and flexible that it can cover a wide variety of different applications depending on what algorithms are loaded and hardware configuration is used. The System 6000 holds hundreds of factory presets and can store user settings internally, on PCMCIA card or floppy disk.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMainframe 6000 can run several DSP-demanding effects simultaneously\u003c\/b\u003e\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449269973095,"sku":"5255","price":13995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_reverb6000_1.jpg?v=1787088379"},{"product_id":"tc-electronic-reverb-6000-mainframe-with-digital-i-o","title":"TC Electronic Reverb 6000 Mainframe with Digital I\/O","description":"The TC Electronic System 6000 offers multi-channel, high-quality tools never before available in any audio processing system. It is targeted specifically towards music and film post-production, broadcast and mastering applications in surround environments. The System 6000 has been designed to offer the most innovative audio signal processing tools on the market, and will offer years of continuous development and improvements in software and hardware, like its predecessor the M5000. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTC Electronic System 6000 at a Glance:\u003c\/b\u003e \u003c\/p\u003e\u003cul\u003e \u003cli\u003eRevolutionary VSS-5.1 multi-channel reverb technology for totally convincing surround reverbs \u003c\/li\u003e\n\u003cli\u003eAvailable multi-band, multi-channel dynamics processing \u003c\/li\u003e\n\u003cli\u003eMulti-channel pitch change plus chorus, delay, phaser and more \u003c\/li\u003e\n\u003cli\u003ePowerful and flexible processor with hundreds of presets and user setting storage \u003c\/li\u003e\n\u003cli\u003eMainframe 6000 can run several DSP-demanding effects simultaneously \u003c\/li\u003e\n\u003cli\u003eFour DSP engines allow four simultaneous algorithms to run simultaneously \u003c\/li\u003e\n\u003cli\u003eCPU 6000 can link multiple Mainframes and optional remote via Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cb\u003eRevolutionary VSS-5.1 multi-channel reverb technology for totally convincing surround reverbs\u003c\/b\u003e\u003cbr\u003eSystem 6000 algorithms include the industry-standard VSS reverb technology in a newly developed multi-channel version, called VSS-5.1. VSS-5.1 is a multi-source input to multi-channel output space simulator that incorporates advanced positioning generators and five totally uncorrelated reverb diffused fields. The integration of discrete positioning generators and source related diffused fields provides the most realistic room simulation ever heard. With the System 6000, time spent achieving convincing results during mix for music and post can be cut dramatically, regardless of the output format being stereo or multi-channel, 48 or 96kHz.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAvailable multi-band, multi-channel dynamics processing\u003c\/b\u003e\u003cbr\u003eMulti-channel, multi-band dynamics processing is available for System 6000. Four-band processing of multi-channel audio can be realized, including expander, compressor and final sample accurate brick wall limiter. Sample rates up to 96kHz are covered. For mono or stereo signals, the famous MD2 algorithm from the M5000 has been improved to MD3, so the System 6000 incorporates dual mono modes, sample accurate brick wall limiter and 96kHz operation.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMulti-channel pitch change plus chorus, delay, phaser and more\u003c\/b\u003e\u003cbr\u003eMulti-channel pitch change processing is available with the System 6000, as well as classic TC algorithms such as Reverbs, Chorus, Delay, Phaser and more, all at their highest quality and of course capable of 96kHz operation. 100 of the most famous M5000 factory presets are included with System 6000. System 6000 consists of several components and options - this system includes the Mainframe 6000 plus all applicable software. Other options include a remote CPU 6000 and a remote user interface called the TC ICON. Options include various different software licenses for specific DSP functions, and up to three AD\/DA 24-bit\/96kHz, 2-channel analog I\/O cards that can be added inside the Mainframe 6000.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePowerful and flexible processor with hundreds of presets and user setting storage\u003c\/b\u003e\u003cbr\u003eThe System 6000 design is intended to provide a mainframe that is so powerful and flexible that it can cover a wide variety of different applications depending on what algorithms are loaded and hardware configuration is used. The System 6000 holds hundreds of factory presets and can store user settings internally, on PCMCIA card or floppy disk.\u003c\/p\u003e \u003cp\u003eMainframe 6000 can run several DSP-demanding effects simultaneously\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449270792295,"sku":"5403","price":11795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_reverb6000.jpg?v=1787088382"},{"product_id":"tc-electronic-mastering-6000-with-digital-i-o","title":"TC Electronic Mastering 6000 with Digital I\/O","description":"\u003cb\u003eMastering and Format Control: Time Matters!\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eIn the summer of 2004, packed with a choice selection of precision tools for the mastering engineer, Mastering 6000 was added to the 6000 family. Mastering 6000 contains the new MD4, a 5-band dynamics processor with phase linear reconstruction that can operate in dual mono, stereo and MS modes, and has DXP low level detail enhancement capability. \u003cbr\u003e\u003cbr\u003eAdditional processing includes BrickWall Limiter 2 to prevent distortion and listening fatigue, MD5.1 multichannel expander, compressor and limiter, Toolbox 5.1 format conversion and Monitor Matrix. \u003cbr\u003e\u003cbr\u003eIt is a matter of course that all of the legendary algorithms from Reverb 6000 and other optional licenses can be added to Mastering 6000 if required. The ease of control will be apparent when using the TC Icon Remote or their software equivalents for Mac or PC. As you would expect it is fully compliant with networking, sharing and time code automation or built in workstation automation.","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449270857831,"sku":"5405","price":11795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_mastering6000.jpg?v=1787088383"},{"product_id":"tc-electronic-m-one-xl","title":"TC Electronic M-One XL","description":"Some of the audio world's finest sound algorithms right at your fingertips, with an intuitive interface and the flexibility to create the fantastic-sounding effects you've always dreamed of. The \u003cb\u003eTC Electronic M One XL\u003c\/b\u003e reverb delay unit lets you run effects simultaneously, without compromising your sound, and it's list of features is truly impressive. You get 25 different algorithms - enhanced reverbs, delay, fantastic dynamics, pitch and classic \"golden ratio\" chorus and tremolo - and hardware that consists of full resolution 24 bit A\/D and D\/A converters with 24 bit internal processing driven by a powerful 100 million instruction per second DSP engine. XLR analog I\/O connectors are provided for fast and simple connectivity, additionally a SPDIF digital I\/O is included for a pure all digital, 24 bit signal path supporting both 44.1K and 48K rates. To top it all off, this reverb powerhouse is very affordable!","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449270890599,"sku":"5410","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_m-onexl_1.jpg?v=1787088383"},{"product_id":"white-instruments-4700","title":"White Instruments 4700","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e\u003cbr\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449270956135,"sku":"5430","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white_instruments_4700.jpg?v=1787088383"},{"product_id":"white-instruments-4700bl","title":"White Instruments 4700BL","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e\u003cbr\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271054439,"sku":"5435","price":1419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700bl_5435_1_c6117f07-1399-4a7f-a8cd-2933c0c63303.jpg?v=1787088383"},{"product_id":"white-instruments-4700-2","title":"White Instruments 4700-2","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e\u003cbr\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271119975,"sku":"5436","price":1909.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700-2_5436_1.jpg?v=1787088384"},{"product_id":"white-instruments-4700xl","title":"White Instruments 4700XL","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271152743,"sku":"5437","price":1085.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700xl_5437_1.jpg?v=1787088384"},{"product_id":"white-instruments-4700-2bl","title":"White Instruments 4700-2BL","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e\u003cbr\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271185511,"sku":"5438","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700-2bl_5438_1.jpg?v=1787088384"},{"product_id":"white-instruments-4700-2xl","title":"White Instruments 4700-2XL","description":"The \u003cb\u003e4700\u003c\/b\u003e and two channel version, \u003cb\u003e4700-2\u003c\/b\u003e, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with a full front panel to control every aspect of the equalizer's operation. Factory installed remote control, network and back lighted LCD display options are available. \u003cbr\u003e \u003cbr\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cfont size=\"2\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: 10px; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eThe 4700 (\u003ci\u003ebut not the 4700-2\u003c\/i\u003e) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/octave characteristics. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 32kHz through 6kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"LIST-STYLE-TYPE: none\"\u003e\u003cb\u003e\u003cspan style=\"FONT-SIZE: medium; COLOR: rgb(255,0,0)\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003eOther Features:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e\u003cbr\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271218279,"sku":"5439","price":1669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700-2xl_5439_1_e9cc4f49-b446-4eec-9806-3dbaf74f2b1b.jpg?v=1787088384"},{"product_id":"white-instruments-4700-100k","title":"White Instruments 4700-100k","description":"We have had numerous requests from the recording community for a modification of our 4700 Series due to new recording methodologies requiring a top end frequency response of 100kHz. Any 4700 model may be ordered with a frequency response of 20Hz - 100kHz +0, -3dB by adding the suffix \u003cb style=\"font-weight: bold;\"\u003e\"-100k\u003c\/b\u003e\u003cspan style=\"font-weight: bold;\"\u003e\"\u003c\/span\u003e to the model number. \u003cb\u003eExisting 4700s cannot be retrofitted\u003c\/b\u003e.\u003cp\u003e\u003c\/p\u003e \u003cp style=\"list-style-type: none;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cfont color=\"#000000\"\u003eAvailable Models:\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e4700-100k, 4700-2-100k, 4700XL-100k, 4700XL-2-100k, Pilot 4700-100k,\u003cbr\u003ePilot 4700-2-100k\u003c\/p\u003e \u003cp style=\"list-style-type: none;\"\u003eThe 4700s and two channel versions, 4700-2, are digitally controlled, R-C active, 28 band, one-third octave graphic equalizers with adjustable high and low-pass filters and 10 memory presets. They are constructed with or without full front panel controls. Factory installed remote control, network and back lighted LCD display options are available. \u003c\/p\u003e \u003cp style=\"list-style-type: none;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cfont color=\"#000000\"\u003eCrossover \u0026amp; Pink Noise Options:\u003c\/font\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThe 4700 (but not the 4700-2) can be equipped with either a crossover network card or a pink noise generator card. These options must be installed by White Instruments at the factory. The crossover options include 2 or 3-way, Bessel, Butterworth or Linkwitz-Riley with 6, 12, 18 or 24dB\/ octave characteristics. \u003c\/p\u003e \u003cp style=\"list-style-type: none;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cfont color=\"#000000\"\u003eHigh and Low-Pass Filters:\u003c\/font\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eThese band limiting filters are adjusted with the built-in software, each in 8 steps, over a range of 10Hz through 160Hz for the high-pass filter and 100kHz through 9kHz for the low-pass filter. The response is 12dB\/octave. \u003c\/p\u003e \u003cp style=\"list-style-type: none;\"\u003e\u003cfont color=\"#000000\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cfont color=\"#000000\"\u003eOther Features:\u003c\/font\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/font\u003eA bypass switch on the rear panel performs a hardwire bypass of the equalizer by connecting the input(s) to the output(s). A mute relay mutes the output(s) on power-up\/ down to protect the sound system. The servo-balanced input(s) and output(s) can be operated, unbalanced, without a change in level or dynamic range. Level(s) are adjusted in 0.5dB steps.\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271251047,"sku":"5440","price":1716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white-instruments-4700-100k_5440_1.jpg?v=1787088384"},{"product_id":"white-instruments-paramedic-26-p","title":"White Instruments Paramedic 26-P Digital Parametric EQ","description":"\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eThe New \u003cb\u003eP\u003cspan style=\"FONT-SIZE: x-small\"\u003eARA\u003c\/span\u003eM\u003cspan style=\"FONT-SIZE: x-small\"\u003eEDIC\u003c\/span\u003e 26\u003c\/b\u003e\u003c\/span\u003e has no front panel controls for economy and security. All setup and operating functions are conducted from a PC running Windows 95\/98\/NT4 and White Windows 2 software. The computer\/DSP link is generic RS-232 requiring only an industry standard cable. No outboard interface boxes are required. The RS-232 protocol and non-volatile EEPROM are new and more efficient. Transfers between the PC and ParaMedics as well as memory I\/O are 50% faster. A convenient data connector is placed on the front panel and paralleled to the rear panel. Up to 250 P\u003cspan style=\"FONT-SIZE: x-small\"\u003eARA\u003c\/span\u003eM\u003cspan style=\"FONT-SIZE: x-small\"\u003eEDICs\u003c\/span\u003e can be daisy-chained (in any mix of models) and controlled from one PC. \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eImproved Input and Output Circuits and Control:\u003c\/span\u003e\u003c\/b\u003e The servo-balanced analog inputs and outputs are hand trimmed at the factory for matching levels. They can be operated unbalanced without a change in gain. All outputs are equipped with precision machine-wound inductors in an L-C circuit to absorb digital noise. Analog input and digital output levels can be individually adjusted in 0.5dB steps. The inputs can be linked together and selected outputs can be grouped. Linked or grouped levels are adjusted together and any offsets are maintained. The standard P\u003cspan style=\"FONT-SIZE: x-small\"\u003eARA\u003c\/span\u003eM\u003cspan style=\"FONT-SIZE: x-small\"\u003eEDICs 22,\u003c\/span\u003e24 and 26 are equipped with detachable Phoenix type audio connectors. XLR equipped models are available at no additional cost. Either model may be factory equipped with a set of fully balanced input transformers, output transformers, or both.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eOutput Levels:\u003c\/span\u003e\u003c\/b\u003e Individual outputs can be muted and have their polarity reversed. The 4 or 6 output levels can be assigned in up to three groups with a Master Level to control all. The Master level may also be muted.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eLabeling:\u003c\/span\u003e\u003c\/b\u003e Name labels can be applied to all inputs, outputs, crossover sections and memories. These user assigned custom names will be displayed throughout the setup process.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eAdvanced Technology DSP Engine:\u003c\/span\u003e\u003c\/b\u003e A powerful Analog Devices' SHARC DSP with 32\/40 bit floating point math delivers the raw computing power necessary to implement a complete multi-function audio processor. New discrete, 24 bit AD\/DA converters sample the data at 48kHz assuring a wide dynamic range. The firmware can be updated in the field via the PC by re-flashing the unit with files downloaded from our web site.\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271283815,"sku":"5441","price":2085.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white_instruments_paramedic_26_1.jpg?v=1787088384"},{"product_id":"white-instruments-paramedic-26-xlr","title":"White Instruments Paramedic 26 XLR Digital Parametric EQ","description":"The new \u003cb\u003eParaMedic 2\u003c\/b\u003e\u003cb\u003e6\u003c\/b\u003e has no front panel controls for economy and security. All setup and operating functions are conducted from a PC running Windows 95\/98\/NT4 and White Windows 2 software. The computer\/DSP link is generic RS-232 requiring only an industry standard cable. No outboard interface boxes are required. The RS-232 protocol and non-volatile EEPROM are new and more efficient. Transfers between the PC and ParaMedics as well as memory I\/O are 50% faster. A convenient data connector is placed on the front panel and paralleled to the rear panel. Up to 250 P\u003cspan style=\"FONT-SIZE: x-small\"\u003eARA\u003c\/span\u003eM\u003cspan style=\"FONT-SIZE: x-small\"\u003eEDICs\u003c\/span\u003e can be daisy-chained (in any mix of models) and controlled from one PC. \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eImproved Input and Output Circuits and Control:\u003c\/span\u003e\u003c\/b\u003e The servo-balanced analog inputs and outputs are hand trimmed at the factory for matching levels. They can be operated unbalanced without a change in gain. All outputs are equipped with precision machine-wound inductors in an L-C circuit to absorb digital noise. Analog input and digital output levels can be individually adjusted in 0.5dB steps. The inputs can be linked together and selected outputs can be grouped. Linked or grouped levels are adjusted together and any offsets are maintained. The standard P\u003cspan style=\"FONT-SIZE: x-small\"\u003eARA\u003c\/span\u003eM\u003cspan style=\"FONT-SIZE: x-small\"\u003eEDICs 22,\u003c\/span\u003e24 and 26 are equipped with detachable Phoenix type audio connectors. XLR equipped models are available at no additional cost. Either model may be factory equipped with a set of fully balanced input transformers, output transformers, or both.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eOutput Levels:\u003c\/span\u003e\u003c\/b\u003e Individual outputs can be muted and have their polarity reversed. The 4 or 6 output levels can be assigned in up to three groups with a Master Level to control all. The Master level may also be muted.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eLabeling:\u003c\/span\u003e\u003c\/b\u003e Name labels can be applied to all inputs, outputs, crossover sections and memories. These user assigned custom names will be displayed throughout the setup process.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cspan style=\"COLOR: rgb(0,0,153)\"\u003eAdvanced Technology DSP Engine:\u003c\/span\u003e\u003c\/b\u003e A powerful Analog Devices' SHARC DSP with 32\/40 bit floating point math delivers the raw computing power necessary to implement a complete multi-function audio processor. New discrete, 24 bit AD\/DA converters sample the data at 48kHz assuring a wide dynamic range. The firmware can be updated in the field via the PC by re-flashing the unit with files downloaded from our web site.\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271316583,"sku":"5442","price":2085.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white_instruments_paramedic_26_6c02b3ac-944a-4a57-8381-22e2b8dad391.jpg?v=1787088384"},{"product_id":"white-instruments-paramedic-48-p","title":"White Instruments Paramedic 48-P Digital Parametric EQ","description":"\u003cfont size=\"2\"\u003eThe new \u003cb\u003eParamedic 48\u003c\/b\u003e has no front panel controls for economy and security. All setup and operating functions are conducted from a PC running Windows \u003c\/font\u003e\u003cfont size=\"2\"\u003e95\/98\/NT4\/2000 and White Windows 2 software. The computer\/DSP link is \u003c\/font\u003e\u003cfont size=\"2\"\u003egeneric RS-232 or RS-485 requiring only an industry standard cable. No outboard \u003c\/font\u003e\u003cfont size=\"2\"\u003einterface boxes are required. The RS-xxx protocols and nonvolatile E\u003c\/font\u003e2PROM are \u003cfont size=\"2\"\u003enew and more efficient. Transfers between the PC and P\u003c\/font\u003e\u003cfont size=\"1\"\u003eARA\u003c\/font\u003e\u003cfont size=\"2\"\u003eM\u003c\/font\u003e\u003cfont size=\"1\"\u003eEDIC\u003c\/font\u003e\u003cfont size=\"2\"\u003es as well as memory I\/O are 50% faster. A convenient data connector is placed on the frontpanel and paralleled to the rear panel. Up to 250 P\u003c\/font\u003e\u003cfont size=\"1\"\u003eARA\u003c\/font\u003e\u003cfont size=\"2\"\u003eM\u003c\/font\u003e\u003cfont size=\"1\"\u003eEDIC\u003c\/font\u003e\u003cfont face=\"Times New Roman\" size=\"2\"\u003e\u003cfont face=\"Verdana\"\u003es can be daisy-chained \u003c\/font\u003e\u003cfont face=\"Verdana\"\u003e(in any mix of models) and controlled from one PC.\u003c\/font\u003e\u003c\/font\u003e\u003cbr\u003e\u003cfont size=\"2\"\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-weight: bold; mso-bidi-font-style: italic\"\u003e\u003cb\u003eIts All in the Timing’ Mixing Matrix:\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eThe basic mixer allows the assignment\/ \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003emixing of any input to any to all outputs. This new\u003c?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003egeneration of ParaMedics features an Advanced \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eMixer giving the user delay and level control within \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ethe mixing matrix. Now pinpoint imaging and timing \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ecan be achieved in LCR and 5.1 systems by aligning\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ethe center channel loudspeaker with the left and \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eright. Comb filtering can be all but eliminated in the \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eaudible frequency range.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e\u003c\/font\u003e  \u003cp\u003e\u003cfont size=\"2\"\u003e\u003c\/font\u003e\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271349351,"sku":"5443","price":3253.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white_instruments_paramedic_48_1.jpg?v=1787088384"},{"product_id":"white-instruments-paramedic-48-xlr","title":"White Instruments Paramedic 48-XLR","description":"\u003cfont size=\"2\"\u003eThe new \u003cb\u003eParamedic 48\u003c\/b\u003e has no front panel controls for economy and security. All setup and operating functions are conducted from a PC running Windows \u003c\/font\u003e\u003cfont size=\"2\"\u003e95\/98\/NT4\/2000 and White Windows 2 software. The computer\/DSP link is \u003c\/font\u003e\u003cfont size=\"2\"\u003egeneric RS-232 or RS-485 requiring only an industry standard cable. No outboard \u003c\/font\u003e\u003cfont size=\"2\"\u003einterface boxes are required. The RS-xxx protocols and nonvolatile E\u003c\/font\u003e2PROM are \u003cfont size=\"2\"\u003enew and more efficient. Transfers between the PC and P\u003c\/font\u003e\u003cfont size=\"1\"\u003eARA\u003c\/font\u003e\u003cfont size=\"2\"\u003eM\u003c\/font\u003e\u003cfont size=\"1\"\u003eEDIC\u003c\/font\u003e\u003cfont size=\"2\"\u003es as well as memory I\/O are 50% faster. A convenient data connector is placed on the frontpanel and paralleled to the rear panel. Up to 250 P\u003c\/font\u003e\u003cfont size=\"1\"\u003eARA\u003c\/font\u003e\u003cfont size=\"2\"\u003eM\u003c\/font\u003e\u003cfont size=\"1\"\u003eEDIC\u003c\/font\u003e\u003cfont face=\"Times New Roman\" size=\"2\"\u003e\u003cfont face=\"Verdana\"\u003es can be daisy-chained \u003c\/font\u003e\u003cfont face=\"Verdana\"\u003e(in any mix of models) and controlled from one PC.\u003c\/font\u003e\u003c\/font\u003e\u003cbr\u003e\u003cfont size=\"2\"\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-weight: bold; mso-bidi-font-style: italic\"\u003e\u003cb\u003eIts All in the Timing’ Mixing Matrix:\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eThe basic mixer allows the assignment\/ \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003emixing of any input to any to all outputs. This new\u003c?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003egeneration of ParaMedics features an Advanced \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eMixer giving the user delay and level control within \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ethe mixing matrix. Now pinpoint imaging and timing \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ecan be achieved in LCR and 5.1 systems by aligning\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none\"\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003ethe center channel loudspeaker with the left and \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eright. Comb filtering can be all but eliminated in the \u003c\/span\u003e\u003cspan style=\"FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Verdana\"\u003eaudible frequency range.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e\u003c\/font\u003e  \u003cp\u003e\u003cfont size=\"2\"\u003e\u003c\/font\u003e\u003c\/p\u003e","brand":"White Instruments","offers":[{"title":"Default Title","offer_id":44449271382119,"sku":"5444","price":3253.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/white_instruments_paramedic_48.jpg?v=1787088385"},{"product_id":"quantec-yardstick-2498-multichannel-surround-room-simulator","title":"Quantec Yardstick 2498 Multichannel\/Surround Room Simulator","description":"The \u003cspan style=\"font-weight: bold;\"\u003eQuantec Yardstick 2498\u003c\/span\u003e room simulators are high-quality, digital sound processing devices based on the original 1982 QRS Room Simulation algorithm.\u003cbr\u003e \u003cbr\u003e Due to its unobtrusive, natural character and its superb room simulation, the original QRS has become a lot more than just a well-know production tool for pop music. In the fields of classical music production, chamber music, as well as in movie post-production, the QRS is considered to be the Yardstick for all competing products. In other words, whenever a natural sounding ambience is desired, and any kind of artificial reverberation is not, the QRS algorithm has been repeatedly praised by countless sound professionals.\u003cbr\u003e \u003cbr\u003e Due to the sophisticated characteristics of the QRS algorithm, any QUANTEC Room Simulator stands out favorably among the competition. But there are quite a few situations where its sonic qualities really shine:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eIn the final mix, where it is unobtrusively transparent with virtually no tendency to blur – even with a full dose over the entire set of tracks\u003c\/li\u003e\n\u003cli\u003eIn a multitude of productions in classical music, where any room impression with an artificial smack is undesirable – for stylistic reasons alone\u003c\/li\u003e\n\u003cli\u003eIn the production of movies and radio dramas, where its virtually tangible room illusions simulate real rooms, which – in cramped environments – may actually create a physically unpleasant feeling of pressure\u003c\/li\u003e\n\u003cli\u003eIn movie productions, using its outstanding ambience in spacious effects\u003c\/li\u003e\n\u003cli\u003eIn sound reinforcement and P.A., where those pronounced resonance lines and gaps in the acoustic spectrum of a hall not suited for musical performances can be averaged and smoothed out. As a result, the sound of a general-purpose municipal hall becomes more suitable for music, and the risk of feedback is reduced\u003c\/li\u003e\n\u003cli\u003eDuring the musical-improvisatory play with the reverberation onset – or the effervescence of the room\u003c\/li\u003e\n\u003c\/ul\u003e Since the sound characteristic of the QRS algorithm – and thus that of Yardstick as well – is quite a bit different when compared to the competition, it inevitably will have a significant influence on the number and types of the available parameters.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eQuantec 2498 Features\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eBoth high density and low coloration at the same time\u003c\/li\u003e\n\u003cli\u003eStunning transparency\u003c\/li\u003e\n\u003cli\u003eSubsonic option for thunder and earthquake effects\u003c\/li\u003e\n\u003cli\u003e2 in \/ 8 out mode (standard QRS plug-in ≤96kHz)\u003c\/li\u003e\n\u003cli\u003e8 in \/ 8 out mode (standard QRS plug-in ≤48kHz)\u003c\/li\u003e\n\u003cli\u003eDual\/quadruple 2 in \/ 2 out mode (special QRS2\/4 plug-in ≤96\/48kHz, TBA)\u003c\/li\u003e\n\u003cli\u003eUp to 8 unique phase-insensitive input channels\u003c\/li\u003e\n\u003cli\u003eUp to 4 stereo input pairs with adjustable staggered depth offsets\u003c\/li\u003e\n\u003cli\u003eUp to 8 separate output channels\u003c\/li\u003e\n\u003cli\u003eUp to 4 stereo output pairs with 50% correlation (adjustable)\u003c\/li\u003e\n\u003cli\u003eUp to 16 front panel bargraph level meters\u003c\/li\u003e\n\u003cli\u003e24bit \/ 96kHz for all signal paths (±12.5% Varispeed)\u003c\/li\u003e\n\u003cli\u003eLow latency \u0026lt;\u0026lt;1ms\u003c\/li\u003e\n\u003cli\u003eMute, Bypass, and Solo functions with individual LED-illuminated front panel buttons\u003c\/li\u003e\n\u003cli\u003eEmbedded click test generator\u003c\/li\u003e\n\u003cli\u003e14 plus\/minus toggles for direct front panel access to parameters\u003c\/li\u003e\n\u003cli\u003eA total of 27 front panel operating elements\u003c\/li\u003e\n\u003cli\u003eUp to 63 plug-in banks for software\u003c\/li\u003e\n\u003cli\u003eWeb browser based remote control via Ethernet\u003c\/li\u003e\n\u003cli\u003eMIDI\u003c\/li\u003e\n\u003cli\u003eAudio I\/O via DSUB25 receptacle (AES59, Tascam, and Yamaha pinouts)\u003c\/li\u003e\n\u003cli\u003eCable snake (DSUB25 cable plug to 8 XLR) shipped with the unit\u003c\/li\u003e\n\u003cli\u003eTiny cool-running unit, 19\" 1PU, just 36mm (\u0026lt;1½\") deep\u003c\/li\u003e\n\u003cli\u003eUniversal supply (100-240V, 50-60Hz), power consumption \u0026lt;20VA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quantec","offers":[{"title":"Default Title","offer_id":44449276690535,"sku":"6503","price":7900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/quantec-2498_6503_1.jpg?v=1787088405"},{"product_id":"yamaha-spx2000","title":"Yamaha SPX2000 Digital Multi-Effects Processor","description":"\u003cspan class=\"body\"\u003eThe name \"SPX\" has been synonymous with \"professional multi-effect processor\" for more than 15 years, and the models like SPX90, SPX90II, SPX900, SPX1000 and SPX990 have been the most commonly found equipment in the studio and SR racks. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSuperb Sonic Quality with 24bit\/96khz Standard Throughout\u003c\/b\u003e\u003cbr\u003eThe heart of the SPX2000's hardware is its 96kHz audio DSP, with 32-bit internal processing (58-bit accumulator) which offers abundant processing power for its advanced effect algorithms.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRefined Preset Programs Including the Newly Developed \"REV-X\" Reverb Algorithm\u003c\/b\u003e\u003cbr\u003eThere are 3 banks to the SPX2000's memory: \"PRESET\", \"CLASSIC\" and \"USER\". The \"PRESET\" bank contains 97 programs. 17 programs are made with the newly developed \"REV-X\" reverb algorithms. \"REV-X\" is a whole new generation of Yamaha Reverb programs with the richest reverberation tone and smoothest decay. There are \"REV-X Hall\", \"REV-X ROOM\" and \"REV-X PLATE\" algorithms. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eReliable and Efficient Front Panel User Interface with Colors\u003c\/b\u003e\u003cbr\u003eThe SPX2000's hardware cosmetics are designed to offer optimum reliability for the engineers on site. The rugged aluminum front panel features 2 sets of \"Cross-keys\" - simple navigation tool anyone is familiar with. Parameters are sorted in 3 groups; \"PARAMETER\", \"FINE PARAM\" and \"UTILITY\" to ensure speedy access. Also other dedicated buttons like UNDO, COMPARE, BANK, MODE, METER, TAP, and BYPASS ensure efficient operations.\u003cbr\u003e\u003cbr\u003eThe SPX2000's LCD offers 5 back light color variations(!). You can freely assign any of the 5 colors to user programs. The preset programs are colored by effect groups giving you an instant recognition of the effect type even from the distance. (CYAN: Reverbs, WHITE: Delays, MAGENTA: Pitch \u0026amp; Modulations, YELLOW: Others, GREEN: CLASSIC Bank) RED is reserved for warning messages.\u003cbr\u003e\u003cbr\u003eSPX2000 \"OPERATION LOCK\" function offers 3 security levels; from preventing accidental changing of Utility settings, or protecting stored memories to prohibiting almost all operations.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eProfessional Audio I\/O and Control Connectors\u003c\/b\u003e\u003cbr\u003eIts rear panel houses, for analog connection, XLR type (w\/latch) and quarter inch L + R Input and Output connectors both with +4dBU\/-10dBu selector switch. Professional digital connection is secured with AES\/EBU XLR type I\/O connectors and BNC Wordclock In connector. Also MIDI In, Out\/Thru and USB TO HOST connectors are provided for remote control and data management using computers, Digital Consoles or any MIDI device. Foot Switch connector for effect tempo control is placed on the front panel.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"SPX2000 Editor\" for Mac OSX and Windows\u003c\/b\u003e\u003cbr\u003eThe SPX2000 Editor will give you the editing, data management, and remote control capability using computers, in the same environment and common interface as the STUDIO MANAGER for Yamaha Digital Consoles. \u003c\/span\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449277050983,"sku":"6542","price":1149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha_spx2000_1.jpg?v=1787088407"},{"product_id":"rupert-neve-designs-portico-5042-2-ch-true-tape-horizontal","title":"Rupert Neve Designs Portico 5042 2 Ch True Tape - Horizontal","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve 5042\u003c\/span\u003e provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. When the Tape circuit is not engaged, the 5042 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of + and – 12 dB. The Portico™ 5042 Two Channel \"True Tape\" Emulation and Line Driver unit’s emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape. This typically offsets the harshness often found in digital recordings. The Portico™ 5042 incorporates an actual tape drive circuit that feeds a tiny magnetic “head” which, in turn, is coupled to a correctly equalized, replay amplifier. The only thing missing is the tape itself! \u003cp\u003e The Portico™ 5042 consists of two identical Line Driving amplifiers having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that, by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35 – 40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449277739111,"sku":"6624","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_5042_horizontal_1.jpg?v=1787088410"},{"product_id":"rupert-neve-designs-portico-5042-2-ch-true-tape-vertical","title":"Rupert Neve Designs Portico 5042 2 Ch True Tape - Vertical","description":"The second in an ever expanding series of all-analogue products designed to be used either individually, or as one of the principal sound control elements of an integrated Portico™ system. The 5042 provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. When the Tape circuit is not engaged, the 5042 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of + and – 12 dB. The Portico™ 5042 Two Channel \"True Tape\" Emulation and Line Driver unit’s emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape. This typically offsets the harshness often found in digital recordings. The Portico™ 5042 incorporates an actual tape drive circuit that feeds a tiny magnetic “head” which, in turn, is coupled to a correctly equalized, replay amplifier. The only thing missing is the tape itself! \u003cp\u003e The Portico™ 5042 consists of two identical Line Driving amplifiers having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that, by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35 – 40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449278099559,"sku":"6642","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_5042_vertical_1.jpg?v=1787088411"},{"product_id":"eventide-h7600","title":"Eventide H7600 Ultra-Harmonizer","description":"\u003cp\u003eThe \u003cb\u003eEventide H7600 \u003c\/b\u003efeatures AES\/EBU, S\/PDIF, and word clock digital I\/O, two channels of analog I\/O via XLR and, alternatively, two channels of hi impedance ¼\" inputs are included for instrument connection.\u003c\/p\u003e \u003cp\u003eEvery preset is its own unique algorithm; a combination of effects chosen from Eventide's rich library of over 230 stereo effects modules and is delicately crafted for a precise function or effect. 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