{"title":"Digital Multi-Track Recorders","description":null,"products":[{"product_id":"merging-technologies-pyramix-native-broadcast-pack-electronic-delivery","title":"Merging Technologies Pyramix Native Broadcast Pack","description":"\u003cp\u003eThis cost-effective \u003cstrong\u003ePyramix \u003c\/strong\u003econfiguration is ideal for Broadcast radio and television applications requiring minimal tracks and effects with a need to capture synchronized audio material from external VT or AT machines. CD-R mastering is also included with real-time editing, processing and mixing.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative or MassCore version\u003c\/li\u003e\n\u003cli\u003eMassCore Technology - options for 48, 128 or 256+ channel I\/O capability at 1fs\u003c\/li\u003e\n\u003cli\u003eUp to 96kHz sample rate as standard\u003c\/li\u003e\n\u003cli\u003eCD import and CD mastering to full Red Book standard\u003c\/li\u003e\n\u003cli\u003eCD disk write to full Red Book CD standard\u003c\/li\u003e\n\u003cli\u003eVST multi-channel support\u003c\/li\u003e\n\u003cli\u003eFull delay compensation\u003c\/li\u003e\n\u003cli\u003eExternal inserts\u003c\/li\u003e\n\u003cli\u003eVideo TC Synchronization\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded Software Options and Plug-ins:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBus Tools and Strip Tools Dyn\/EQ package\u003c\/li\u003e\n\u003cli\u003eDual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger\u003c\/li\u003e\n\u003cli\u003eWordlength Meter, Angudion.\u003c\/li\u003e\n\u003cli\u003ePhase Correlator and Audio Vectorscope\u003c\/li\u003e\n\u003cli\u003eVU, Peak Metering\u003c\/li\u003e\n\u003cli\u003eNagra Modulometer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHardware Options:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRequires one Mykerinos Processing card per I\/O daughter card\u003c\/li\u003e\n\u003cli\u003eI\/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF and DUAL AES-EBU+Analog.\u003c\/li\u003e\n\u003cli\u003eSupplied as a software and card-set, or full turnkey system housed in a dedicated Pyramix Chassis.\u003c\/li\u003e\n\u003cli\u003eIsis Edit Controller\u003c\/li\u003e\n\u003cli\u003eFull integration with Ramses MSC console control system\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merging Technologies","offers":[{"title":"Default Title","offer_id":44449294418023,"sku":"8003","price":705.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/merging_technologies_pyramix_native_broadcast_pack_download.jpg?v=1787088445"},{"product_id":"merging-technologies-pyramix-native-post-pack-electronic-delivery","title":"Merging Technologies Pyramix Native Post Pack","description":"\u003cp\u003eThe most advanced \u003cstrong\u003ePyramix \u003c\/strong\u003econfiguration specifically designed for the professional audio for video post studio working in long or short format productions. Contains all the required editing features, synchronization to integrated or external SD or HD pictures with comprehensive project and session interchange formats for all leading DAW and NLE systems as standard.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative or MassCore version\u003c\/li\u003e\n\u003cli\u003eMassCore Technology - options for 48, 128 or 256+ channel I\/O capability\u003c\/li\u003e\n\u003cli\u003eReal-time (instantaneous) editing\u003c\/li\u003e\n\u003cli\u003eSurround sound mixing\u003c\/li\u003e\n\u003cli\u003eUp to 192kHz sample rate as standard\u003c\/li\u003e\n\u003cli\u003eAdvanced Video Support: record and playback DV encoded AVI video files internally within Pyramix in PAL\/NTSC via suitable DV converter (not supplied)\u003c\/li\u003e\n\u003cli\u003eIntegration to support Merging’s VCube SD, VCube HD and VCube SE video record\/player systems\u003c\/li\u003e\n\u003cli\u003eMachine Control (Sony P2+ Midi Protocol)\u003c\/li\u003e\n\u003cli\u003eProject\/Session Interchange Support for: OMF, AAF, Apple Final Cut Pro XML, AES31, OpenTL, Akai DD-Series\u003c\/li\u003e\n\u003cli\u003eCD Import and integrated CD mastering\u003c\/li\u003e\n\u003cli\u003eCD Disk Write to full Red Book CD standard\u003c\/li\u003e\n\u003cli\u003eVST Multi-channel support\u003c\/li\u003e\n\u003cli\u003eFull delay compensation\u003c\/li\u003e\n\u003cli\u003eExternal inserts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded Software Options and Plug-ins:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEDL comparison tool\u003c\/li\u003e\n\u003cli\u003eProsoniq MPEX3 Time\/Pitch Scaling\u003c\/li\u003e\n\u003cli\u003eEQ-X: High Definition Parametric EQ.\u003c\/li\u003e\n\u003cli\u003eBus Tools and Strip Tools Dyn\/EQ package\u003c\/li\u003e\n\u003cli\u003eDual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger, Wordlehgth Meter, Angudion. Phase Correlator and Audio Vectorscope\u003c\/li\u003e\n\u003cli\u003eVU, Peak Metering\u003c\/li\u003e\n\u003cli\u003eNagra Modulometer\u003c\/li\u003e\n\u003cli\u003eiXML support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHardware Options:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRequires one Mykerinos Processing card per I\/O daughter card\u003c\/li\u003e\n\u003cli\u003eI\/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF and DUAL AES-EBU+Analog.\u003c\/li\u003e\n\u003cli\u003eSupplied as a software and card-set, or full turnkey system housed in a dedicated Pyramix Chassis.\u003c\/li\u003e\n\u003cli\u003eIsis Edit Controller\u003c\/li\u003e\n\u003cli\u003eFull integration with Ramses MSC console control system\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merging Technologies","offers":[{"title":"Default Title","offer_id":44449294450791,"sku":"8004","price":3162.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/merging_technologies_pyramix_native_broadcast_pack_download_3.jpg?v=1787088445"},{"product_id":"merging-technologies-pyramix-native-music-pack-download","title":"Merging Technologies Pyramix Native Music Pack (Download)","description":"\u003cp\u003e\u003cstrong\u003ePyramix\u003c\/strong\u003e has long been established as one of the leading DAW systems for high quality high track count live multi-channel recording. On location recording of live concerts, or in the studio as a multi-track record\/player. This cost-effective solution retains the same operational performance of the highest spec Pyramix at sample rates up to 192kHz as standard with the option for DXD\/DSD multi-channel recording.\u003cbr\u003e \u003cbr\u003e For touring concerts Pyramix is often used to record the sound check a with discrete channel feeds from\/to the desk giving the engineer as much time as he needs to ensure the perfect mix for the audience. Usually connected to the live desk through a single or multiple MADI streams, each capable of 56\/64 channels to a maximum of 256 channels at 48kHz, Pyramix is also used to record the entire concert for later editing and mastering of live albums. The rugged Pyramix chassis is a robust touring case with the option of removable drive bays for rapid storage exchange.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative or MassCore version\u003c\/li\u003e\n\u003cli\u003eMassCore technology - options for 48, 128 or 256+ channel I\/O capability at 1fs\u003c\/li\u003e\n\u003cli\u003eMultiple MADI coaxial and optical interface options\u003c\/li\u003e\n\u003cli\u003eMultiple single wire AES-EBU interface options\u003c\/li\u003e\n\u003cli\u003eLive punch-in punch-out recording\u003c\/li\u003e\n\u003cli\u003eMassCore technology - (options for 48, 128 or 256+ channel I\/O capability)\u003c\/li\u003e\n\u003cli\u003eSurround sound mixing\u003c\/li\u003e\n\u003cli\u003eUp to 192kHz sample rate as standard\u003c\/li\u003e\n\u003cli\u003eCD Import and CD mastering to full Red Book standard\u003c\/li\u003e\n\u003cli\u003eCD Disk Write to full Red Book CD standard\u003c\/li\u003e\n\u003cli\u003eVST multi-channel support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded Software Options and Plug-ins:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBus Tools and Strip Tools Dyn\/EQ package\u003c\/li\u003e\n\u003cli\u003eDual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger\u003c\/li\u003e\n\u003cli\u003eWordlength Meter, Angudion.\u003c\/li\u003e\n\u003cli\u003ePhase Correlator and Audio Vectorscope\u003c\/li\u003e\n\u003cli\u003eVU, Peak Metering\u003c\/li\u003e\n\u003cli\u003eNagra Modulometer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHardware Options:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRequires one Mykerinos Processing card per I\/O daughter card\u003c\/li\u003e\n\u003cli\u003eI\/O daughter card options include MADI, AES-EBU, ADAT, SDIF, TDIF and DUAL AES-EBU+Analog\u003c\/li\u003e\n\u003cli\u003eSupplied as a software and card-set, or full turnkey system housed in a dedicated Pyramix Chassis\u003c\/li\u003e\n\u003cli\u003eIsis Edit Controller\u003c\/li\u003e\n\u003cli\u003eFull integration with Ramses MSC console control system\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merging Technologies","offers":[{"title":"Default Title","offer_id":44449294483559,"sku":"8005","price":1537.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/merging_technologies_pyramix_native_broadcast_pack_download_1.jpg?v=1787088445"},{"product_id":"merging-technologies-pyramix-native-mastering-pack-electronic-delivery","title":"Merging Technologies Pyramix Native Mastering Pack","description":"\u003cp\u003eDesigned for the professional CD, DVD and SACD recording and mastering engineer. The \u003cspan style=\"font-weight: bold;\"\u003ePyramix Mastering Pack\u003c\/span\u003e configuration now supports all samples rates as standard from 32kHz to 384kHz plus DXD and DSD (1 bit\/2.8MHz) for SACD production in stereo and surround sound.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative or MassCore version\u003c\/li\u003e\n\u003cli\u003eMassCore Technology - options for 48, 128 or 256+ channel I\/O capability\u003c\/li\u003e\n\u003cli\u003eReal-time (instantaneous) editing\u003c\/li\u003e\n\u003cli\u003eSurround sound mixing\u003c\/li\u003e\n\u003cli\u003eUp to 384kHz sample rate plus DXD and DSD for Super Audio CD productions\u003c\/li\u003e\n\u003cli\u003eCD import and CD mastering to full Red Book standard\u003c\/li\u003e\n\u003cli\u003eCD disk write to full Red Book CD standard\u003c\/li\u003e\n\u003cli\u003eVST multi-channel support\u003c\/li\u003e\n\u003cli\u003eFull delay compensation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded Software Options and Plug-ins:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDDP Mastering\u003c\/li\u003e\n\u003cli\u003ePOW-r Redithering\u003c\/li\u003e\n\u003cli\u003eEDL comparison tool\u003c\/li\u003e\n\u003cli\u003eEQ-X: High Definition Parametric EQ.\u003c\/li\u003e\n\u003cli\u003eBus Tools and Strip Tools Dyn\/EQ package\u003c\/li\u003e\n\u003cli\u003eDual Compressor, 10 Band EQ, Generator (Sinus, Pulse, DC), Flanger, Wordlength Meter, Angudion, Phase Correlator and Audio Vectorscope\u003c\/li\u003e\n\u003cli\u003eVU, Peak Metering\u003c\/li\u003e\n\u003cli\u003eNagra Modulometer\u003c\/li\u003e\n\u003cli\u003eiXML support\u003c\/li\u003e\n\u003cli\u003eSonic Import\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merging Technologies","offers":[{"title":"Default Title","offer_id":44449294549095,"sku":"8006","price":3163.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/merging_technologies_pyramix_native_broadcast_pack_download_2.jpg?v=1787088445"},{"product_id":"rosendahl-bonsaidrive-mains-version","title":"Rosendahl bonsaiDRIVE - Mains Version","description":"The \u003cb\u003eRosendahl bonsaiDRIVE \u003c\/b\u003eis a miniature high quality portable video and multitrack audio hard disk recorder aimed at the film and video post production, video assist and multimedia markets. As an instant access stand alone recorder, it will certainly also find its place in the video monitoring and security industry. \u003cbr\u003e\u003cbr\u003e bonsaiDRIVE was born from the idea of having a complete stand alone, synchronisable hard disk recorder as a portable media storage device, instead of a removable hard disk of comparable size and weight. \u003cbr\u003e\u003cbr\u003e Running on mains or 12 volts DC, the unit records uncompressed 4:2:2 PAL or NTSC video together with 10 audio channels on standard IDE hard disk drives. \u003cbr\u003e\u003cbr\u003e A Huffman codec provides a lossless video compression of 2:1 resulting in a superior video picture and a data transfer rate of 10 Mbyte\/s, which is well within the capabilities of standard IDE drives. The audio channels are arranged as an analog stereo pair and a digital 8-channel ADAT stream and are 24-bit at 48 kHz sample rate. Professional synchronisation I\/Os include timecode, Sony 9-pin remote control, MTC, MMC, video sync input, word clock output and GPIOs to allow perfect integration in postproduction or multimedia installations. \t\t \u003cbr\u003e\u003cbr\u003e The front panel can be removed from the machine and used as a separate remote control with a standard 9-pin cable connection. A second 9-pin connector allows an additional external machine controller to be connected. \u003cbr\u003e\u003cbr\u003e All configuration menus and settings are implemented as an interactive on screen video display, together with insertion of timecode and audio levels in the program video if required. \u003cbr\u003e\u003cbr\u003e As each frame is recorded individually, jog, shuttle and playback from 0 to +\/- 200% can be realised with playback similar to a professional, analog VTR. Sync audio is output in all modes including reverse, jog and shuttle giving a »Tape playback« feeling. \u003cbr\u003e\u003cbr\u003e bonsaiDRIVE's firmware can be updated through any serial port of a computer (MIDI or COM). Loader programs for PC or MAC as well as the firmware files are available on this website (support section). \u003cbr\u003e\u003cbr\u003e The optional 270 MBit SDI card provides additional serial digital video I\/Os according SMPTE 259M-C and supports eight channels of 20-bit SDI embedded audio (SMPTE 272M-A). \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e\u003cul\u003e \u003cli\u003eRecords uncompressed 4:2:2 PAL or NTSC video on standard ATA-133 IDE drives and consumes 40-60 GBytes\/ hour because of our lossless huffman codec \t\t \u003c\/li\u003e\n\u003cli\u003e10 uncompressed embedded audio channels, 48 kHz, 24bit, two analog, 8 digital in ADAT-format or SDI embedded \t\t \u003c\/li\u003e\n\u003cli\u003eIntegrated synchroniser with LTC, MTC, MMC, Sony 9-pin, word clock, genlock \t\t \u003c\/li\u003e\n\u003cli\u003eMains or 12 volts DC version available, very low power consumption, no fan inside \t\t \u003c\/li\u003e\n\u003cli\u003eRemovable front panel can be used as remote controller \t\t \t\t \u003c\/li\u003e\n\u003cli\u003eOption port for digital I\/Os: 270 MBit SDI with embedded audio \t\t \u003c\/li\u003e\n\u003cli\u003eCrash, Assemble and Insert record modes, Editing with audio crossfades, TC chase modes, Loop and other auto play modes, programmable TC offsets...\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rosendahl","offers":[{"title":"Default Title","offer_id":44449302380647,"sku":"9415","price":2300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rosendahl_bonsaidrive_mains_version.jpg?v=1787088470"},{"product_id":"rosendahl-bonsaidrive-12v-version","title":"Rosendahl bonsaiDRIVE - 12v Version","description":"The \u003cb\u003eRosendahl bonsaiDRIVE \u003c\/b\u003eis a miniature high quality portable video and multitrack audio hard disk recorder aimed at the film and video post production, video assist and multimedia markets. As an instant access stand alone recorder, it will certainly also find its place in the video monitoring and security industry. \u003cbr\u003e\u003cbr\u003e bonsaiDRIVE was born from the idea of having a complete stand alone, synchronisable hard disk recorder as a portable media storage device, instead of a removable hard disk of comparable size and weight. \u003cbr\u003e\u003cbr\u003e Running on mains or 12 volts DC, the unit records uncompressed 4:2:2 PAL or NTSC video together with 10 audio channels on standard IDE hard disk drives. \u003cbr\u003e\u003cbr\u003e A Huffman codec provides a lossless video compression of 2:1 resulting in a superior video picture and a data transfer rate of 10 Mbyte\/s, which is well within the capabilities of standard IDE drives. The audio channels are arranged as an analog stereo pair and a digital 8-channel ADAT stream and are 24-bit at 48 kHz sample rate. Professional synchronisation I\/Os include timecode, Sony 9-pin remote control, MTC, MMC, video sync input, word clock output and GPIOs to allow perfect integration in postproduction or multimedia installations. \t\t \u003cbr\u003e\u003cbr\u003e The front panel can be removed from the machine and used as a separate remote control with a standard 9-pin cable connection. A second 9-pin connector allows an additional external machine controller to be connected. \u003cbr\u003e\u003cbr\u003e All configuration menus and settings are implemented as an interactive on screen video display, together with insertion of timecode and audio levels in the program video if required. \u003cbr\u003e\u003cbr\u003e As each frame is recorded individually, jog, shuttle and playback from 0 to +\/- 200% can be realised with playback similar to a professional, analog VTR. Sync audio is output in all modes including reverse, jog and shuttle giving a »Tape playback« feeling. \u003cbr\u003e\u003cbr\u003e bonsaiDRIVE's firmware can be updated through any serial port of a computer (MIDI or COM). Loader programs for PC or MAC as well as the firmware files are available on this website (support section). \u003cbr\u003e\u003cbr\u003e The optional 270 MBit SDI card provides additional serial digital video I\/Os according SMPTE 259M-C and supports eight channels of 20-bit SDI embedded audio (SMPTE 272M-A). \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e\u003cul\u003e \u003cli\u003eRecords uncompressed 4:2:2 PAL or NTSC video on standard ATA-133 IDE drives and consumes 40-60 GBytes\/ hour because of our lossless huffman codec \t\t \u003c\/li\u003e\n\u003cli\u003e10 uncompressed embedded audio channels, 48 kHz, 24bit, two analog, 8 digital in ADAT-format or SDI embedded \t\t \u003c\/li\u003e\n\u003cli\u003eIntegrated synchroniser with LTC, MTC, MMC, Sony 9-pin, word clock, genlock \t\t \u003c\/li\u003e\n\u003cli\u003eMains or 12 volts DC version available, very low power consumption, no fan inside \t\t \u003c\/li\u003e\n\u003cli\u003eRemovable front panel can be used as remote controller \t\t \t\t \u003c\/li\u003e\n\u003cli\u003eOption port for digital I\/Os: 270 MBit SDI with embedded audio \t\t \u003c\/li\u003e\n\u003cli\u003eCrash, Assemble and Insert record modes, Editing with audio crossfades, TC chase modes, Loop and other auto play modes, programmable TC offsets...\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rosendahl","offers":[{"title":"Default Title","offer_id":44449302446183,"sku":"9416","price":2600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rosendahl_bonsaidrive_12v_version.jpg?v=1787088470"},{"product_id":"tascam-dp-004","title":"Tascam DP-004","description":"The \u003cb\u003eTascam DP-004\u003c\/b\u003e Digital Pocketstudio is based on 30 years of easy-to-use cassette Portastudios, updated with four tracks of CD-quality digital recording. Like those groundbreaking Portastudios, a row of knobs set levels and pan instead of a list of menus. \u003cbr\u003e\u003cbr\u003e The DP-004 can record two sources at once to the included 1GB SD Card. A built-in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals and songwriting inspirations. A pair of 1\/4\" jacks on the rear panel allow you to connect your own microphones or sources. You can even switch the inputs to guitar level for recording. \u003cbr\u003e\u003cbr\u003e The DP-004 allows you to build up your arrangement until you've filled up all four tracks. The Bounce feature allows you to consolidate tracks and make room for more overdub layers. Also available is an autopunch feature for fixing problems, track editing and an undo function. \u003cbr\u003e\u003cbr\u003e Mixing is also built into the Digital Pocketstudio. Once you set levels and pan, record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB 2 for CD burning and sharing online. \u003cbr\u003e\u003cbr\u003e Despite its go-anywhere compact design - smaller than a paperback book - the DP-004 is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications:\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eConnections:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Two 1\/4\" unbalanced mic\/line inputs \u003c\/li\u003e\n\u003cli\u003e Switchable guitar input \u003c\/li\u003e\n\u003cli\u003e Headphone\/Line output \u003c\/li\u003e\n\u003cli\u003e USB 2.0 connector \u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eRecording:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Four-track digital multitrack recording \u003c\/li\u003e\n\u003cli\u003e CD-quality 44.1kHz\/16-bit WAV recording \u003c\/li\u003e\n\u003cli\u003e Records to SD Card media (1GB card included) \u003c\/li\u003e\n\u003cli\u003e Autopunch, repeat and record undo \u003c\/li\u003e\n\u003cli\u003e Dedicated stereo mixdown track \u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003ePhysical:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Powered through AA Batteries or optional PS-P520 power adapter \u003c\/li\u003e\n\u003cli\u003e Battery life: About 8 hours recording, about 8.5 hours playback (alkaline batteries) \u003c\/li\u003e\n\u003cli\u003e Dimensions: 6.1\" W x 1.3\" H x 4.2\" D (155mm W x 33.5mm H x 107mm D) \u003c\/li\u003e\n\u003cli\u003e Weight: 2.8 oz (360 g, w\/o batteries) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":44449320304743,"sku":"12266","price":169.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tascam_dp004_1.jpg?v=1787088542"},{"product_id":"tascam-dp-008","title":"Tascam DP-008","description":"Tascam culminates 30 years of Portastudio Recording with the \u003cb\u003eTascam DP-008\u003c\/b\u003e, a portable 8-track recorder for all musicians. TASCAM's DP-008 is an eight-track recorder that captures CD-quality audio, two tracks at a time. You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. There's even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free.\u003cbr\u003e\u003cbr\u003eEach track on the DP-008 has its own row of knobs for level, pan and effects, just like our classic cassette Portastudios of the past. The effects knob sends to a built-in stereo reverb processor with hall, room, stage and other effects. Each track also has EQ to tailor the sound for your mix. When your song is complete, mix it to a dedicated stereo track while riding levels and flipping pan as much as you want. You can export your mix, or even individual tracks, as a WAV file. \u003cbr\u003e\u003cbr\u003e Tascam invented the home recording studio with the original cassette Portastudio. The DP-008 takes the ease-of-use of those classic songwriting tools and adds portability, digital sound quality, effects and mixdown to bring home recording into the 21st century. Simplify your recording workflow with TASCAM's DP-008.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e8-track Digital Portastudio\u003c\/li\u003e\n\u003cli\u003e2-track simultaneous recording\u003c\/li\u003e\n\u003cli\u003e(2) XLR microphone inputs with phantom power\u003c\/li\u003e\n\u003cli\u003e(2) 1\/4\" line inputs, one switchable to guitar level for direct recording\u003c\/li\u003e\n\u003cli\u003e1\/4\" footswitch input and Autopunch features for punch-in recording\u003c\/li\u003e\n\u003cli\u003eRCA line outputs\u003c\/li\u003e\n\u003cli\u003e1\/8\" stereo headphone output\u003c\/li\u003e\n\u003cli\u003ePowered by four AA batteries (included) or PS-P520 power supply (optional)\u003c\/li\u003e\n\u003cli\u003eChromatic tuner and metronome features\u003c\/li\u003e\n\u003cli\u003eStereo reverb effect on send\/return path\u003c\/li\u003e\n\u003cli\u003eLevel, Pan and 2-band EQ controls per channel\u003c\/li\u003e\n\u003cli\u003e44.1kHz\/16-bit recording resolution\u003c\/li\u003e\n\u003cli\u003eRecords to SD or SDHC Card media, up to 32GB supported\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 connection to computer for backup and track\/mixdown export\u003c\/li\u003e\n\u003cli\u003e2GB SD Card, USB cable, AA batteries included\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo electret condenser microphones\u003c\/li\u003e\n\u003cli\u003eBacklit LCD display\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":44449338130535,"sku":"14936","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tascam_dp008_1.jpg?v=1787088611"},{"product_id":"endless-analog-clasp-24","title":"Endless Analog CLASP 24","description":"\u003cspan style=\"font-weight: bold;\"\u003eTape + CLASP + DAW = What’s Been Missing\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e 'Quick, easy, and professional beyond all expectations, CLASP proves to be the biggest breakthrough in recording technology we’ve seen in years.' \u003cspan style=\"font-style: italic;\"\u003e- EQ Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWhat could single-handedly revive analog tape and make your tape machine worth 50 grand again?\u003c\/span\u003e\u003cbr\u003e When tape-based recording was largely replaced by DAWs, it left a sonic void that plugins have not been able to fill. CLASP is tape \u0026gt; at digital speed. CLASP routes all audio to tape then lines it up with sample accuracy in the DAW in real time. CLASP integrates your tape machine into the modern DAW workflow, making the most of both platforms. All functionality of the DAW remains, but your computer will sound like your tape machine. You’ll spend more time recording, and no time waiting for transfers, Lynx boxes or SMPTE.\u003cbr\u003e \u003cbr\u003e The DAW controls the tape machine, and you don’t have to touch it once tape is loaded. DAW features like playlists and quickpunch are not compromised. Perhaps best of all, CLASP delivers what is technically impossible with a DAW alone: zero latency, real time analog monitoring. Better for singers and the groove.\u003cbr\u003e \u003cbr\u003e Switch tape speeds to get different tones all within the same project—track drums at 15ips, bass at 7.5 and vocals at 30, for example. CLASP is easy on transports because it’s not chasing anything. Standard tape reels are used from top to tails which means the tape wears down much more slowly, lasting anywhere from multiple songs to multiple projects. Record as many simultaneous tracks as your tape machine and converters can accommodate.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCLASP consists of mastering-grade hardware and rock-solid control software\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAnalog auto-router with zero-loss and zero latency.\u003c\/li\u003e\n\u003cli\u003eTape machine remote emulator—works with virtually any professional analog tape machine that has a remote connection. \u003c\/li\u003e\n\u003cli\u003eMaster control plugin to coordinate delay compensation, tape track arming and tape transport. \u003c\/li\u003e\n\u003cli\u003eSupports Mac and PC, Pro Tools, Nuendo, Cubase, and DP (coming soon).\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDraw a sonic line in the sand: between normal studios | and studios with tape machines.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWith CLASP your tape machine will generate business again and cost less to operate\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eCLASP encourages overdubs on tape. Give clients a HUGE SOUNDING reason to make their entire record in your studio.\u003c\/li\u003e\n\u003cli\u003eMid-session tape transfers are no more, and no longer a stumbling block to studio owners or artists.\u003c\/li\u003e\n\u003cli\u003eReuse tape. Minimize tape costs and make analog recording affordable again.\u003c\/li\u003e\n\u003cli\u003eLess wear and tear on tape machine means less maintenance. \u003c\/li\u003e\n\u003cli\u003eOne CLASP system can operate up to three machines: Get the most of your tape machine investments.\u003c\/li\u003e\n\u003cli\u003eEasy installation and set up (about one hour) with Free Technical Support.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCLASP – The Sound of What’s Been Missing\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e Call Vintage King today to arrange a demo!\u003cbr style=\"font-weight: bold;\"\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eManufacturer's Description\u003c\/span\u003e\u003cbr\u003e Finally, Pro Tools ® sounds like your analog tape machine. \u003cspan style=\"font-weight: bold;\"\u003eEndless Analog CLASP\u003c\/span\u003e is a revolutionary device that ties your existing tape machine to your DAW system invisibly.\u003cbr\u003e \u003cbr\u003e The Closed Loop Analog Signal Processor (CLASP ®) is a hardware and software system that integrates Analog Tape Recorders with Digital Audio Workstations using a proprietary method called SST ® (sample synchronization technology). CLASP ® delivers a true analog front end recording solution with the sonic character of your tape machine.\u003cbr\u003e \u003cbr\u003e CLASP ® works invisibly in the background allowing you to capture all the great warmth off the tape but without impeding the workflow and since you’re not saving endless out takes of tape, CLASP ® is easy on the budget as well.CLASP ® turns your analog tape machine into an analog flavored plug-in, delivering a true analog front end recording solution with all the sonic character of real tape.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe fat sound of real analog tape\u003c\/span\u003e\u003cbr\u003e Imagine experiencing analog tape recording as fast, effortless and time-saving as Pro Tools ®. With the CLASP ® system you can record using tape while simultaneously maintaining all the speed, flexibility, and editing capabilities that you depend on from your workstation. CLASP ® allows for a seamless analog recording experience where all recording and overdubs are done in real time, and all audio is stored in your Pro Tools session. Record one or several albums using a single reel of tape.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eHow do I use it?\u003c\/span\u003e\u003cbr\u003e CLASP ™ installs between your mic pre’s, DAW, and tape machine, typically accessible through your patch bay. CLASP ™ is compatible with Pro Tools HD ®, Logic ®, and Nuendo ®, providing 24 tracks of recording. Supported tape machines include Studer, MCI, Otari, 3M, Ampex, Sony, and Tascam. The CLASP ™ software suite includes versions for RTAS, AU, \u0026amp; VST. Once installed, simply set up a recording session inside your DAW, initialize synchronization of your analog recorder to your DAW with CLASP ™, and you are ready to record. Daisy chain up to three CLASP ™ hardware interfaces and synchronize three analog recorders for a total of 72 channels of recording. Use with a 24, 16 or 8 track for tracking sessions or even a 2 track for overdubs. Combine different machines and tape speeds for different tones. With the CLASP ™ the possibilities are endless. Record, listen, and enjoy. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eZero-loss signal path\u003c\/li\u003e\n\u003cli\u003eSample accurate synchronization\u003c\/li\u003e\n\u003cli\u003eAuto input monitor switching\u003c\/li\u003e\n\u003cli\u003eFull latency compensation\u003c\/li\u003e\n\u003cli\u003eZero latency analog monitoring\u003c\/li\u003e\n\u003cli\u003eAuto tape transport control\u003c\/li\u003e\n\u003cli\u003ePost-roll record\u003c\/li\u003e\n\u003cli\u003eReturn to zero rewind from DAW\u003c\/li\u003e\n\u003cli\u003eAudible rewind function\u003c\/li\u003e\n\u003cli\u003eAuto rewind\u003c\/li\u003e\n\u003cli\u003eEnd of tape sensor\u003c\/li\u003e\n\u003cli\u003eLarge tape reel support\u003c\/li\u003e\n\u003cli\u003eCLASP Machine Matrix Ready\u003c\/li\u003e\n\u003cli\u003eMMC and HUI support\u003c\/li\u003e\n\u003cli\u003eRemaining tape time counter\u003c\/li\u003e\n\u003cli\u003eAuto channel cascading\u003c\/li\u003e\n\u003cli\u003eRepro only monitor option\u003c\/li\u003e\n\u003cli\u003eDaisy chaining\u003c\/li\u003e\n\u003cli\u003eAuto standby mode\u003c\/li\u003e\n\u003cli\u003eMachine online \/ offline hotkey\u003c\/li\u003e\n\u003cli\u003eArm \/ Disarm all tracks hotkey\u003c\/li\u003e\n\u003cli\u003eMachine sync memory\u003c\/li\u003e\n\u003cli\u003eDirect record mode\u003c\/li\u003e\n\u003cli\u003eMIDI Programmer mode\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eSupported Tape Machines\u003c\/span\u003e\u003cbr\u003e If you do not see your tape machine listed here please contact us.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e3M M79\u003c\/li\u003e\n\u003cli\u003eAmpex\u003c\/li\u003e\n\u003cli\u003eAmpex ATR 102\u003c\/li\u003e\n\u003cli\u003eMCI JH Series\u003c\/li\u003e\n\u003cli\u003eOtari MTR\u003c\/li\u003e\n\u003cli\u003eOtari MX 5050\u003c\/li\u003e\n\u003cli\u003eSony APR-24\u003c\/li\u003e\n\u003cli\u003eStuder 800\u003c\/li\u003e\n\u003cli\u003eStuder A80\u003c\/li\u003e\n\u003cli\u003eStuder A827\u003c\/li\u003e\n\u003cli\u003eStuder J37\u003c\/li\u003e\n\u003cli\u003eTascam\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Endless Analog","offers":[{"title":"Default Title","offer_id":44449342521447,"sku":"15205","price":7495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/endless_analog_clasp_24_front.jpg?v=1787088630"},{"product_id":"joeco-blackbox-recorder-adat-optical-i-o","title":"JoeCo BlackBox Recorder - ADAT Optical I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eJoeCo BlackBox BBR1-A\u003c\/strong\u003e 24-track recorder makes it incredibly easy to get great live and rehearsal recordings, and it sets up amazingly quickly.  The BlackBox BBR1-A features analog inputs plus ADAT TOSlink inputs and outputs.  The Black Box BBR1-A records to quality BWF format, and allows you to plug in a standard USB2 drive for effortless transfer to your DAW.  This 1u box provides full front-panel metering and direct control, so you don't need to deal with a computer to plug in and get great recordings.  Capture those live sets and rehearsals with a quick, easy, and professional unit; plug the Black Box BBR1-A in and get outstanding results!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449387511911,"sku":"18353","price":4151.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_1.jpg?v=1787088811"},{"product_id":"joeco-blackbox-recorder-unbalanced-analog-i-o","title":"JoeCo BlackBox Recorder - Unbalanced Analog I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eJoeCo Black Box \u003c\/strong\u003e24-track recorder makes it incredibly easy to get great live and rehearsal recordings, and it sets up amazingly quickly.  The Black Box features analog inputs, records to quality BWF format, and allows you to plug in a standard USB2 drive for effortless transfer to your DAW.  This 1u box provides full front-panel metering and direct control, so you don't need to deal with a computer to plug in and get great recordings.  Capture those live sets and rehearsals with a quick, easy, and professional unit; plug the Black Box in and get outstanding results!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449387544679,"sku":"18349","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_1_1.jpg?v=1787088812"},{"product_id":"joeco-blackbox-recorder-aes-ebu-digital-i-o","title":"JoeCo BlackBox Recorder - AES\/EBU Digital I\/O","description":"\u003cp\u003eThe JoeCo BlackBox 24-track recorder makes it incredibly easy to get great live and rehearsal recordings, and it sets up amazingly quickly.  The BlackBox features analog inputs, records to quality BWF format, and allows you to plug in a standard USB 2.0 drive for effortless transfer to your DAW.  This 1u box provides full front-panel metering and direct control, so you don't need to deal with a computer to plug in and get great recordings.  Capture those live sets and rehearsals with a quick, easy, and professional unit; plug the Black Box in and get outstanding results!\u003cbr\u003e\u003cbr\u003eThis version of the BlackBox Recorder includes three sets of DB25 connectors, which you can assign as either balanced analog or AES\/EBU digital I\/O.  In addition to this flexible I\/O, you also get selectable balanced audio insert points or balanced group outputs.  The digital I\/O of this Black Box allows you to capture a pristine digital feed directly from your digital mixer.  Interface uses high-quality balancing receivers and transmitters and has been designed specifically for the BlackBox Recorder to be fully transparent\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449387610215,"sku":"18338","price":4806.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_1_1_1_1.jpg?v=1787088812"},{"product_id":"joeco-blackbox-recorder-balanced-analog-i-o","title":"JoeCo BlackBox Recorder - Balanced Analog I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eJoeCo BlackBox \u003c\/strong\u003e24-track recorder makes it incredibly easy to get great live and rehearsal recordings, and it sets up amazingly quickly.  The BlackBox features analog inputs, records to quality BWF format, and allows you to plug in a standard USB 2.0 drive for effortless transfer to your DAW.  This 1u box provides full front-panel metering and direct control, so you don't need to deal with a computer to plug in and get great recordings.  Capture those live sets and rehearsals with a quick, easy, and professional unit; plug the Black Box in and get outstanding results!\u003cbr\u003e\u003cbr\u003eThis version of the BlackBox Recorder, with balanced I\/O, adds the ability to capture your performance from a mixing console with balanced audio insert points or balanced group outputs.  The balanced I\/O interface uses high-quality balancing receivers and transmitters and has been designed specifically for the BlackBox Recorder to be fully transparent\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449387642983,"sku":"18352","price":2743.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_1_1_1.jpg?v=1787088812"},{"product_id":"joeco-blackbox-player-bbp1a-adat-optical-i-o","title":"JoeCo BlackBox Player BBP1A - ADAT Optical I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eBlackBox Player\u003c\/strong\u003e provides an innovative solution for live performance playback in a compact 1U rack-mounted package. Specifically designed to replay backing tracks or multiple surround stems for live shows and themed entertainment, it can replay up to 64 channels of high quality audio at up to 24bit\/96kHz. The Player can be triggered using timecode, a footswitch or QWERTY keyboard, or it can be controlled via MIDI commands, giving the live engineer, installation sound designer, musical director or artist full control of the show at all times.\u003c\/p\u003e\r\n\u003cp\u003eBased on the proven technology of the award-winning BlackBox Recorder, the BlackBox Player provides an innovative solution to live performance playback in a compact 1U rack-mounted package. Player capability is now available for JoeCo’s 24- and 64-channel BlackBox systems enabling up to 64 channels of synchronous audio to be replayed in up to 24 Bit \/ 96kHz quality, without a computer. Multi-channel audio playback is important both for surround sound applications and because it allows the live engineer to compensate for the acoustics of the venue, or audience generated noise during the performance.\u003c\/p\u003e\r\n\u003cp\u003ePlayback material can be loaded from any Digital Audio Workstation capable of creating files in Broadcast WAV format. In addition to standard mono BWAV files, the Player also supports the replay of polyphonic wav files, from multiple stereo files up to 24 or even 64 channel PolyWAV files. Mono, stereo and multichannel files can even be used together in the same song massively enhancing the system’s flexibility. The audio files can be stored on a standard USB2 drive, or Flash RAM drive. A simple naming procedure ensures that the correct file is replayed through each output.\u003c\/p\u003e\r\n\u003cp\u003eSet lists can be configured into simple XML format playlist files. Playlists automatically cue up the next song ready for instantaneous replay and multiple playlists can be stored ready for any quick changes or alternative show formats.\u003c\/p\u003e\r\n\u003cp\u003eSeparate foldback mixes can be configured using normal facilities on the console. An additional mix can be sent via the headphone output for the musical director. For playback applications requiring time code synchronisation, the BlackBoxPlayer can be configured to an incoming source of digital clock, or optionally word clock. The implementation of a \"Chase\" mode enables the unit to commence playback in sync when it receives incoming time code. This option can either be controlled from the front panel or via extended SONY 9-pin support. The extended 9-pin commands also allow the user to rehearse shows that are normally locked to time code via remote control and are compatible with most edit suites and show controllers. Time code can be shown on the main time display in playback mode.\u003c\/p\u003e\r\n\u003cp\u003eIntegrated safety features ensure that the BlackBox Player can meet the all-important \"show must go on\" criteria. These include a unique automated fail-over mechanism that enables the BlackBox Player to automatically switch to a synchronous secondary system using its internal analogue relays in the event of a failure. (This would normally require a costly external switching matrix).\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications for BBP1A:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eDesigned for use with mixing consoles that support Lightpipe (TOSlink)\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003eAnalogue I\/O (switchable - 10dBu\/+4dBu): \u003cspan\u003eUnbalanced analogue I\/O functionality also available for situations where the Lightpipe interface is not suitable\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eDigital I\/O: Lightpipe\u003c\/li\u003e\r\n\u003cli\u003eI\/O Cable: \u003cspan\u003eCabling not suppplied, but available to order\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eOutput: 24 mono channels plus internally \"mixed\" headphone output\u003c\/li\u003e\r\n\u003cli\u003eAudio Connections: 3 x TOSLINK*\u003c\/li\u003e\r\n\u003cli\u003eStorage Medium: External USB2 storage device\u003c\/li\u003e\r\n\u003cli\u003eSize: 19” rack mounting x 1U (435 x 44 x 170mm)\u003c\/li\u003e\r\n\u003cli\u003eWeight: \u0026lt; 2.5kg\u003c\/li\u003e\r\n\u003cli\u003eDC input: 9-12V dc (PSU supplied)\u003c\/li\u003e\r\n\u003cli\u003ePower: \u0026lt; 25W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan\u003e*BBP1A uses the SMUXII protocol on its lightpipe i\/o at high samples rates. SMUXII only allows 4 channels of audio per lightpipe connection thereby reducing the overall channel count to 12 channels at 88.2kHz and 96kHz.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449442037863,"sku":"19472","price":4806.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_bbr1a_05d388b2-7363-47b7-9fce-a56b9e3a0b04.jpg?v=1787088973"},{"product_id":"joeco-blackbox-player-bbp1d-aes-ebu-digital-i-o","title":"JoeCo BlackBox Player BBP1D - AES\/EBU Digital I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eBlackBox Player\u003c\/strong\u003e provides an innovative solution for live performance playback in a compact 1U rack-mounted package. Specifically designed to replay backing tracks or multiple surround stems for live shows and themed entertainment, it can replay up to 64 channels of high quality audio at up to 24bit\/96kHz. The Player can be triggered using timecode, a footswitch or QWERTY keyboard, or it can be controlled via MIDI commands, giving the live engineer, installation sound designer, musical director or artist full control of the show at all times.\u003c\/p\u003e\r\n\u003cp\u003eBased on the proven technology of the award-winning BlackBox Recorder, the BlackBox Player provides an innovative solution to live performance playback in a compact 1U rack-mounted package. Player capability is now available for JoeCo’s 24- and 64-channel BlackBox systems enabling up to 64 channels of synchronous audio to be replayed in up to 24 Bit \/ 96kHz quality, without a computer. Multi-channel audio playback is important both for surround sound applications and because it allows the live engineer to compensate for the acoustics of the venue, or audience generated noise during the performance.\u003c\/p\u003e\r\n\u003cp\u003ePlayback material can be loaded from any Digital Audio Workstation capable of creating files in Broadcast WAV format. In addition to standard mono BWAV files, the Player also supports the replay of polyphonic wav files, from multiple stereo files up to 24 or even 64 channel PolyWAV files. Mono, stereo and multichannel files can even be used together in the same song massively enhancing the system’s flexibility. The audio files can be stored on a standard USB2 drive, or Flash RAM drive. A simple naming procedure ensures that the correct file is replayed through each output.\u003c\/p\u003e\r\n\u003cp\u003eSet lists can be configured into simple XML format playlist files. Playlists automatically cue up the next song ready for instantaneous replay and multiple playlists can be stored ready for any quick changes or alternative show formats.\u003c\/p\u003e\r\n\u003cp\u003eSeparate foldback mixes can be configured using normal facilities on the console. An additional mix can be sent via the headphone output for the musical director. For playback applications requiring time code synchronisation, the BlackBoxPlayer can be configured to an incoming source of digital clock, or optionally word clock. The implementation of a \"Chase\" mode enables the unit to commence playback in sync when it receives incoming time code. This option can either be controlled from the front panel or via extended SONY 9-pin support. The extended 9-pin commands also allow the user to rehearse shows that are normally locked to time code via remote control and are compatible with most edit suites and show controllers. Time code can be shown on the main time display in playback mode.\u003c\/p\u003e\r\n\u003cp\u003eIntegrated safety features ensure that the BlackBox Player can meet the all-important \"show must go on\" criteria. These include a unique automated fail-over mechanism that enables the BlackBox Player to automatically switch to a synchronous secondary system using its internal analogue relays in the event of a failure. (This would normally require a costly external switching matrix).\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications for BBP1D:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eDesigned for use with digital mixing consoles that have AES\/EBU inputs and outputs\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003eAnalogue I\/O (switchable - 10dBu\/+4dBu): \u003cspan\u003eUnbalanced analogue functionality also available (switchable)\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eDigital I\/O: AES\/EBU\u003c\/li\u003e\r\n\u003cli\u003eI\/O Cable: \u003cspan\u003e\u003cspan\u003eCabling not supplied, but available to order\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eOutput: 24 mono channels plus internally \"mixed\" headphone output\u003c\/li\u003e\r\n\u003cli\u003eAudio Connections: \u003cspan\u003e3 x 25way D-sub YAMAHA digital format\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eStorage Medium: External USB2 storage device\u003c\/li\u003e\r\n\u003cli\u003eSize: 19” rack mounting x 1U (435 x 44 x 170mm)\u003c\/li\u003e\r\n\u003cli\u003eWeight: \u0026lt; 2.5kg\u003c\/li\u003e\r\n\u003cli\u003eDC input: 9-12V dc (PSU supplied)\u003c\/li\u003e\r\n\u003cli\u003ePower: \u0026lt; 25W\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449442070631,"sku":"19473","price":5493.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_player_bbp1d_w_aesebu_2a5fa943-4f23-40b1-8c8e-cd021f358be9.jpg?v=1787088973"},{"product_id":"joeco-blackbox-player-bbp1u-unalanced-analog-i-o","title":"JoeCo BlackBox Player BBP1U - Unalanced Analog I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eBlackBox Player\u003c\/strong\u003e provides an innovative solution for live performance playback in a compact 1U rack-mounted package. Specifically designed to replay backing tracks or multiple surround stems for live shows and themed entertainment, it can replay up to 64 channels of high quality audio at up to 24bit\/96kHz. The Player can be triggered using timecode, a footswitch or QWERTY keyboard, or it can be controlled via MIDI commands, giving the live engineer, installation sound designer, musical director or artist full control of the show at all times.\u003c\/p\u003e\r\n\u003cp\u003eBased on the proven technology of the award-winning BlackBox Recorder, the BlackBox Player provides an innovative solution to live performance playback in a compact 1U rack-mounted package. Player capability is now available for JoeCo’s 24- and 64-channel BlackBox systems enabling up to 64 channels of synchronous audio to be replayed in up to 24 Bit \/ 96kHz quality, without a computer. Multi-channel audio playback is important both for surround sound applications and because it allows the live engineer to compensate for the acoustics of the venue, or audience generated noise during the performance.\u003c\/p\u003e\r\n\u003cp\u003ePlayback material can be loaded from any Digital Audio Workstation capable of creating files in Broadcast WAV format. In addition to standard mono BWAV files, the Player also supports the replay of polyphonic wav files, from multiple stereo files up to 24 or even 64 channel PolyWAV files. Mono, stereo and multichannel files can even be used together in the same song massively enhancing the system’s flexibility. The audio files can be stored on a standard USB2 drive, or Flash RAM drive. A simple naming procedure ensures that the correct file is replayed through each output.\u003c\/p\u003e\r\n\u003cp\u003eSet lists can be configured into simple XML format playlist files. Playlists automatically cue up the next song ready for instantaneous replay and multiple playlists can be stored ready for any quick changes or alternative show formats.\u003c\/p\u003e\r\n\u003cp\u003eSeparate foldback mixes can be configured using normal facilities on the console. An additional mix can be sent via the headphone output for the musical director. For playback applications requiring time code synchronisation, the BlackBoxPlayer can be configured to an incoming source of digital clock, or optionally word clock. The implementation of a \"Chase\" mode enables the unit to commence playback in sync when it receives incoming time code. This option can either be controlled from the front panel or via extended SONY 9-pin support. The extended 9-pin commands also allow the user to rehearse shows that are normally locked to time code via remote control and are compatible with most edit suites and show controllers. Time code can be shown on the main time display in playback mode.\u003c\/p\u003e\r\n\u003cp\u003eIntegrated safety features ensure that the BlackBox Player can meet the all-important \"show must go on\" criteria. These include a unique automated fail-over mechanism that enables the BlackBox Player to automatically switch to a synchronous secondary system using its internal analogue relays in the event of a failure. (This would normally require a costly external switching matrix).\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications for BBP1U:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003eDesigned for use with standard analogue mixing consoles\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003eAnalogue I\/O (switchable - 10dBu\/+4dBu): Unbalanced\u003c\/li\u003e\r\n\u003cli\u003eDigital I\/O: None\u003c\/li\u003e\r\n\u003cli\u003eI\/O Cable: \u003cspan\u003e3 x 1\/4” multicore looms – TASCAM analogue format – for connection into insert points on console (supplied)\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eOutput: 24 mono channels plus internally \"mixed\" headphone output\u003c\/li\u003e\r\n\u003cli\u003eAudio Connections: 3 x 25way D-sub TASCAM analogue format (hot in, cold out for connection into insert points on console)\u003c\/li\u003e\r\n\u003cli\u003eStorage Medium: External USB2 storage device\u003c\/li\u003e\r\n\u003cli\u003eSize: 19” rack mounting x 1U (435 x 44 x 170mm)\u003c\/li\u003e\r\n\u003cli\u003eWeight: \u0026lt; 2.5kg\u003c\/li\u003e\r\n\u003cli\u003eDC input: 9-12V dc (PSU supplied)\u003c\/li\u003e\r\n\u003cli\u003ePower: \u0026lt; 25W\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449442103399,"sku":"19471","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_recorder_bbr1u_bdb4a3d0-960b-4f5f-b500-f2ef112df8e0.jpg?v=1787088974"},{"product_id":"joeco-blackbox-recorder-bbr32-dante-digital-i-o","title":"JoeCo BlackBox Recorder BBR32 - DANTE Digital I\/O","description":"The \u003cspan style=\"font-weight: bold;\"\u003eJoeCo BlackBox Recorder \u003c\/span\u003eis the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get!\u003cbr\u003e\u003cbr\u003eAvailable in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit\/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together.\u003cbr\u003e\u003cbr\u003eAudio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions.\u003cbr\u003e\u003cbr\u003eSimple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation.\u003cbr\u003e\u003cbr\u003eEase of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support.\u003cbr\u003e\u003cbr\u003eA number of \"fail safe\" features ensure secure audio capture at all times, including playback lockout and a \"Safe 'n' Sound\" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system..\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBlackBox BBR-DANTE:\u003c\/span\u003e\u003cbr\u003eThe new BlackBox BBR-DANTE Recorder is designed to record and replay up to 32 channels of audio data from a Dante network. It records at 44.1kHz and 48kHz directly to Broadcast WAV files on an external USB2 drive.\u003cbr\u003e\u003cbr\u003eThe BBR-DANTE connects to any Dante-enabled network device from a range of console and converter manufacturers including Allen\u0026amp;Heath, Yamaha, MIDAS, DiGiCo and Focusrite to name but a few. Designed to support standard network components and switches, it can also record 8 channels of analogue (balanced line in) alongside 24 channels of Dante for capturing audience and ambience.\u003cbr\u003e\u003cbr\u003eThe BBR-DANTE will lock to or generate word clock, as well as locking to the incoming Dante audio stream. In contrast with previous models, continuous channel metering on every channel is not provided and there is no internal mixer. Instead, individual channels, or pairs of channels can be monitored on a PFL bus providing both hi-resolution metering and headphone monitoring.","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449443283047,"sku":"19470","price":4295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_bbr32_dante_698449f2-9cdd-4fda-bbf8-0ec7e5d07603.jpg?v=1787088978"},{"product_id":"joeco-blackbox-recorder-bbr64-madi-digital-i-o","title":"JoeCo BlackBox Recorder BBR64 - MADI Digital I\/O","description":"The \u003cspan style=\"font-weight: bold;\"\u003eJoeCo BlackBox Recorder \u003c\/span\u003eis the first dedicated large-scale multi-channel recorder for audio acquisition and capturing live performance. Unlike many other devices, it doesn’t double as a studio recorder or a cut-down workstation - there are no plug-ins or effects to modify the captured sound. Quite simply, what you hear is what you get!\u003cbr\u003e\u003cbr\u003eAvailable in both analogue and digital variants, the BlackBox Recorder family offers a choice of professional interfaces to any live mixing console. The recorder can capture up to 24 channels of 24Bit\/96kHz audio in Broadcast WAV (BWAV) format. For large scale recordings, multiple units can be linked together.\u003cbr\u003e\u003cbr\u003eAudio is recorded directly onto a removable USB2 disk drive or USB Flash drive (FAT32 formatted). Files can then be instantly imported into any Mac- or PC-based Digital Audio Workstation for editing, remixing and re-purposing. Using standard universally accepted file and disk formats on external storage solutions eliminates the time normally required to load the recordings into a workstation for subsequent processing and mixing. In the modern creative environment, time is in short supply and being able to instantly load large amounts of audio data is crucial to fast turnaround productions.\u003cbr\u003e\u003cbr\u003eSimple to operate, the BlackBox Recorder's sleek front panel has an intuitive menu-driven user interface, touch sensitive transport controls, data wheel and function buttons. A foot switch input is also provided and can be set up to duplicate the record button function for hands-free operation. The main color screen displays the current recording time and the amount of time remaining on disk. The front panel LED meters have a sticky peak feature to help guard against overloading the inputs. Each meter element varies in brightness according to the level, to give a remarkably accurate representation.\u003cbr\u003e\u003cbr\u003eEase of use is complemented by fully professional control and synchronization facilities, along with a wealth of time-saving features that include virtual sound-checking; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface and Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. Within the menu structure all key variables can be modified: the sample rate, track arming, use of time code, digital audio clock setup, naming recordings, input and output levels, and setting up loop points. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support.\u003cbr\u003e\u003cbr\u003eA number of \"fail safe\" features ensure secure audio capture at all times, including playback lockout and a \"Safe 'n' Sound\" record recovery function that enables recorded audio files to be recovered after a sudden accidental loss of power, or forgetting to stop recording before powering off the system..\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBlackBox BBR64-MADI:\u003c\/span\u003e\u003cbr\u003eBased on the award-winning, tried and tested BlackBox Recorder design, the new BlackBox BBR64-MADI Recorder is designed to record and replay up to 64 channels of MADI data and yet still only occupies one unit of rack space! The recorder can capture the full 64 channels at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz) is also accommodated.\u003cbr\u003e\u003cbr\u003eThe recorder sports both coaxial and optical MADI connections for interfacing with any MADI equipped console or other equipment. Additionally, the BBR64-MADI caters for 56-channel legacy MADI and can record a further 8 channels of analogue (balanced line in) for capturing the audience reaction or general ambience.\u003cbr\u003e\u003cbr\u003eThe BBR64-MADI will lock to or generate word clock, as well as locking to the received MADI data stream. The MADI input is echoed direct to the output to ease system integration. In contrast with previous models, continuous channel metering on every channel is not provided and there is no internal mixer. Instead, individual channels, or pairs of channels can be monitored on a PFL bus providing both hi-resolution metering and headphone monitoring.","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":44449443446887,"sku":"19469","price":5424.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joeco_blackbox_bbr64_madi_195e204c-1e84-4cda-8e53-bed0282c07a6.jpg?v=1787088979"},{"product_id":"motu-2408mk3-core-system","title":"MOTU 2408mk3 Core System","description":"\u003cp\u003eThis box contains everything you need to turn your computer into a powerful 24-bit\/96kHz digital audio workstation. The 2408mk3 provides 8 channels of pristine 96kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I\/O - the most ever offered in a single rack space audio interface. Connect up to four interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96kHz.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor the computer-based studio, the included PCI-424 card features CueMix DSP™, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith 24 channels of digital I\/O, the 2408 is ideal for connecting your computer to a digital mixer. 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There's playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, as well as a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.\u003c\/p\u003e  \u003cp\u003eThere’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!\u003c\/p\u003e  \u003cp\u003eYou can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Wavelab LE software, and start creating a masterpiece.\u003c\/p\u003e     \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOperation manual\u003c\/li\u003e \u003cli\u003eXYH-5 X\/Y mic capsule\u003c\/li\u003e \u003cli\u003eSD card (2 GB)\u003c\/li\u003e \u003cli\u003eAA size (LR6) battery x 2\u003c\/li\u003e \u003cli\u003eUSB cable\u003c\/li\u003e \u003cli\u003eFoam windscreen\u003c\/li\u003e \u003cli\u003eCase\u003c\/li\u003e \u003cli\u003e​Steinberg WaveLab LE software download\u003c\/li\u003e \u003cli\u003eSteinberg Cubase LE software download\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cp\u003eGeneral\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRecording media:  SD card 16MB to 2GB, SDHC card 4GB to 32GB\u003c\/li\u003e \u003cli\u003eDisplay: Backlit LCD (128 x 64 pixels)\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eInputs L\/R [XYH-5 X\/Y mic]:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMic type:   Unidirectional\u003c\/li\u003e \u003cli\u003eSensitivity:   -45 dB, 1 kHz at 1 Pa\u003c\/li\u003e \u003cli\u003eInput gain:   -∞ to 52 dB\u003c\/li\u003e \u003cli\u003eMax sound pressure input: 140 dB SPL\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eMic\/Line In:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eConnector:   1\/8\" stereo mini jack\u003c\/li\u003e \u003cli\u003eInput gain:  - ∞ to 52 dB\u003c\/li\u003e \u003cli\u003eInput impedance:  2 k Ω or more\u003c\/li\u003e \u003cli\u003ePlug-in power:  2.5V supported\u003c\/li\u003e \u003cli\u003eBackup recording: -12dB lower than set L\/R input gain\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eInputs 1\/2:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eConnectors:    XLR \/ TRS combo jacks (XLR: Pin 2 hot \/ TRS: Tip hot)\u003c\/li\u003e \u003cli\u003eInput gain (PAD OFF): -∞ to 55.0 dB\u003c\/li\u003e \u003cli\u003eInput gain (PAD ON): -∞ to 35.0 dB\u003c\/li\u003e \u003cli\u003eInput impedance:  1.8 k Ω or more\u003c\/li\u003e \u003cli\u003eMax input level:  +22 dBu (PAD ON)\u003c\/li\u003e \u003cli\u003ePhantom power:  +12V \/+24V \/+48V\u003c\/li\u003e \u003cli\u003eEquivalent Input Noise (EIN): -120 dBu or less\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eLine Out:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eConnector:    1\/8\" stereo mini jack\u003c\/li\u003e \u003cli\u003eRated output level:   -10 dBm\u003c\/li\u003e \u003cli\u003eOutput load impedance: 10k Ω or more\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePhone Out:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eConnector:    1\/8\" stereo mini jack\u003c\/li\u003e \u003cli\u003eOutput Level:    20 W +20 W into 32 Ω load\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eBuilt-in speaker:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e400 mw 8 Ω mono\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eStereo Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWAV (BWF-compliant) \/ Sampling frequency: 44.1\/48\/96 kHz \/ Bit rate:    16\/24 (Stereo) \/ Maximum simultaneous recording tracks: 2\u003c\/li\u003e \u003cli\u003eMP3 \/ Sampling frequency:  44.1 kHz \/ Bit rate:48\/56\/64\/80\/96\/112\/32\/160\/192\/224\/256\/320 kbps\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eMultitrack Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWAV (BWF-compliant)  \/ Sampling frequency: 44.1\/48 kHz \/ Bit rate: 16\/24 (Mono\/Stereo) \/ Maximum simultaneous recording tracks: 6 (L\/R + INPUT 1\/2 + L\/R backup)\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eAudio Interface Operation Multitrack Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClass: USB 2.0 High Speed \/ Sampling frequency: 44.1\/48kHz \/ Bit rate: 16\/24 bit  \/Inputs\/Outputs: 4\/2\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eAudio Interface Operation Stereo Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClass: USB 2.0 Full Speed \/ Sampling frequency: 44.1\/48 kHz \/ Bit rate:  16 bit \/ Inputs\/Outputs: 2\/2\u003c\/li\u003e \u003cli\u003eUSB bus powered operation  possible (iPad operation supported in Stereo mode only)\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePower Requirements:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eAA size (LR6) battery x 2\u003c\/li\u003e \u003cli\u003eAC adapter: AD-17 (DC5V\/1A\/USB-type) (optional)\u003c\/li\u003e \u003cli\u003eUSB bus power\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":44450005188711,"sku":"62780","price":279.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zoom-h5-1_57b1ea53-8917-49ad-a229-255fc4c5e131.jpg?v=1787091292"},{"product_id":"zoom-h4n-pro-handy-recorder","title":"Zoom H4N Pro Handy Recorder","description":"\u003cp\u003eThe \u003cstrong\u003eZoom H4N Handy Recorder\u003c\/strong\u003e has long been a favorite of audio and video aficionados everywhere. It offers four tracks of simultaneous recording, a built-in X\/Y stereo microphone, and advanced features such as time stamping, phantom power and mid-side (MS) decoding, as well as onboard multi-effects and guitar\/bass amp modeling. Rugged, lightweight and versatile, the H4n is a great audio companion for everything from live concert recording to location videography to music-making.\u003c\/p\u003e  \u003ch3\u003eTwo paths to perfect stereo\u003c\/h3\u003e  \u003cp\u003eThe H4n provides two different ways of recording great-sounding stereo. The X\/Y technique is an excellent way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording.\u003c\/p\u003e  \u003cp\u003eThe H4n's built-in X\/Y microphone provides two matched unidirectional microphones. The angle of the two can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image. (US Patent 8184815)\u003c\/p\u003e  \u003cp\u003eThe H4n also provides an onboard MS decoder so you can do MS (\"Mid-Side\") recording using external microphones. This is an incredible technique that allows you to adjust the width of the stereo image after it has been recorded, while maintaining perfect mono compatibility, making it especially useful for film, video and television projects.\u003c\/p\u003e  \u003ch3\u003eConcert and rehearsal recording has never been easier\u003c\/h3\u003e  \u003cp\u003eThe H4n is a great choice for live recording. Its built-in X\/Y microphone allows you to record natural-sounding stereo with a strong center image. In addition, there are two combo XLR\/TRS input jacks with phantom power, enabling you to connect a wide variety of external microphones or line-level signals—even instruments such as guitar and bass.\u003c\/p\u003e  \u003ch3\u003eAudio that's every bit as good as your video\u003c\/h3\u003e  \u003cp\u003eDSLRs deliver excellent quality video but limited audio capability. The H4n fills that gap. It can be connected to any standard tripod, or you can use our optional Hot Shoe adapter to mount it directly to your camera. Its onboard X\/Y microphone and support for MS recording give you plenty of options in postproduction, making the H4n an invaluable addition to any location shoot.\u003c\/p\u003e  \u003ch3\u003eCompose, record and craft your music\u003c\/h3\u003e  \u003cp\u003eThe H4n transforms any environment into a home studio. Its ability to record up to four tracks simultaneously, along with powerful overdubbing and punch-in features, allows you to do high-quality recording—up to 24-bit\/96kHz—wherever you go. Onboard effects such as compression, limiting, reverb, and guitar and bass amp modeling enable you to turn your musical creations into studio-quality recordings. Four-track recordings can easily be mixed down to stereo or mono, with independent control over each track's level and panning, and you can even convert your finished song to an MP3 file for emailing and posting to your favorite social networking site.\u003c\/p\u003e  \u003ch3\u003eInputs\u003c\/h3\u003e  \u003cp\u003eThe H4n provides dual inputs, both of which are combo connectors that can accept either XLR or ¼\" balanced or unbalanced phone cables. They can handle both mic- and line-level signals as well as instrument-level signals from electric guitars or basses. Phantom Power of +24 or +48 volts can be applied to both inputs.\u003c\/p\u003e  \u003cp\u003eIn addition, there's a secondary input for connecting an external mic- or line-level signal via a stereo ⅛ in Mic\/Line In mini phone jack, including condenser microphones requiring 2.5 volts of Plug-In Power.\u003c\/p\u003e  \u003ch3\u003eOutputs\u003c\/h3\u003e  \u003cp\u003eThe H4n Line\/Phone Out is a stereo ⅛\" phone jack with dedicated volume control. Headphones can be connected to this jack for private monitoring of the input or recorded signal. There's also a built-in speaker on the back panel for fast monophonic monitoring of the recorded signal without the need to make any connections.\u003c\/p\u003e  \u003cp\u003eThe H4n USB port provides a digital output of the stereo mix and allows data to be sent to and from computer editing software such as the supplied Cubase LE. USB also allows the H4n to be used as a 2-in\/2-out audio interface and enables the installation of software updates from the Zoom website.\u003c\/p\u003e  \u003ch3\u003ePre-record\u003c\/h3\u003e  \u003cp\u003eThe interview started a split-second before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.\u003c\/p\u003e  \u003cp\u003eNo problem, as long as you're using an H4n. Its Pre-record function automatically keeps the H4n silently but continuously recording in the background, all the time, keeping the previous two seconds when you hit RECORD.\u003c\/p\u003e  \u003ch3\u003eAuto-record\u003c\/h3\u003e  \u003cp\u003eAuto-Record allows the H4n to automatically start recording when a certain level of sound is detected. As soon as an incoming signal exceeds the Start Level you've set, recording begins.\u003c\/p\u003e  \u003cp\u003eThere's an equivalent Auto-record Stop function, too; as soon as incoming signal drops below the Stop Level you've set, recording ends.\u003c\/p\u003e  \u003ch3\u003eOnboard effects\u003c\/h3\u003e  \u003cp\u003eThe H4n provides an arsenal of effects that allow you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.\u003c\/p\u003e  \u003cp\u003eCompression and limiting compensate for fluctuations in level, acting like an automatic volume control. The main difference between the two is that a limiter reduces louder sounds more severely.\u003c\/p\u003e  \u003cp\u003eA low-cut filter allows you to remove signal below a user-designated frequency. This is useful for eliminating pops, wind noise, blowing, and other kinds of low frequency rumble such as transmitted resonance from an onstage mic stand.\u003c\/p\u003e  \u003cp\u003eThere's also an onboard metronome and chromatic \/ guitar \/ bass tuner, as well as dozens of guitar and bass effects, including compression, delay\/reverb, modulation, and amp models, which can be chained together to create powerful multi-effects. In addition, playback can be looped and the playback speed varied without pitch change (or vice versa) to facilitate phrase training.\u003c\/p\u003e  \u003ch3\u003eFile types supported\u003c\/h3\u003e  \u003cp\u003eThe H4n can record audio in two different basic file types: WAV and MP3.\u003c\/p\u003e  \u003cp\u003eThe main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded signal without any data being removed. The WAV files recorded by the H4n can be either 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz, and are automatically time-stamped, making them Broadcast Wave Format (BWF) compliant—especially important when recording audio for video since it allows for precise synchronization in post-production.\u003c\/p\u003e  \u003cp\u003eMP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.\u003c\/p\u003e  \u003ch3\u003eBattery life and recording times\u003c\/h3\u003e  \u003cp\u003eThe H4n requires just 2 AA batteries—either alkaline or rechargeable NiMH. Battery life when using alkaline batteries is more than 20 hours, even during continuous recording. Alternatively, you can use an optional AD-17 AC adapter, which allows you to power the H4n from any standard wall socket.\u003c\/p\u003e  \u003cp\u003eThe H4n records directly to SD cards, with support for both standard SD and SDHC cards, up to 32 gigabytes. The charts below show maximum recording times for different file types and SD\/SDHC card sizes.\u003c\/p\u003e  \u003ch3\u003eUsing the H4n as an audio interface\u003c\/h3\u003e  \u003cp\u003eThe H4n's USB port allows it to send and receive digital data and to act as a 2-input \/ 2-output interface, operating at sampling frequencies of either 44.1 or 48 kHz. Simply connect the H4n to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE, and start laying down your tracks. When operating at a sampling frequency of 44.1 kHz, signal can even be routed through the H4n's onboard effects.\u003c\/p\u003e     \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOperation manual\u003c\/li\u003e \u003cli\u003eSD card (2GB)\u003c\/li\u003e \u003cli\u003eWindscreen\u003c\/li\u003e \u003cli\u003eMA2 mic clip adapter\u003c\/li\u003e \u003cli\u003eAD-14 AC adapter\u003c\/li\u003e \u003cli\u003eUSB cable\u003c\/li\u003e \u003cli\u003eCubase LE software\u003c\/li\u003e \u003cli\u003eProtective case\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":44450005254247,"sku":"62779","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zoom-h4n-1_70ae985f-a743-41d1-b54b-5b9e6091ea70.jpg?v=1787091292"},{"product_id":"zoom-h1-handy-recorder","title":"Zoom H1 Handy Recorder","description":"\u003cp\u003eThe ultra-compact \u003cstrong\u003eZoom H1 Handy Recorder\u003c\/strong\u003e brings new meaning to the term \"portability.\" Small enough to slip in your pocket, it offers professional-quality stereo recording at an incredibly affordable price. Take it with you wherever you go—live concerts and band rehearsals, location video shoots, lectures and meetings—or use it to capture your musical ideas whenever inspiration strikes.\u003c\/p\u003e  \u003cp\u003eYou can count on your H1 to deliver pristine audio wherever you go. Here are just a few ways it can be used:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRecording live concerts and rehearsals\u003c\/li\u003e \u003cli\u003eCapturing audio for video\u003c\/li\u003e \u003cli\u003eDocumenting lectures and meetings—faster and easier than taking notes!\u003c\/li\u003e \u003cli\u003eConducting interviews in the field\u003c\/li\u003e \u003cli\u003eCapturing song ideas\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eX\/Y recording made simple\u003c\/h3\u003e  \u003cp\u003eThe X\/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording.\u003c\/p\u003e  \u003cp\u003eThe H1's built-in X\/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications.\u003c\/p\u003e  \u003cp\u003eAlternatively, you can connect a pair of external microphones or line level signal to the H1's Mic\/Line Input mini phone jack for X\/Y or other types of stereo recording.\u003c\/p\u003e  \u003ch3\u003eThe Ins and Outs\u003c\/h3\u003e  \u003cp\u003eThe H1 Mic\/Line Input is a stereo ⅛\" mini phone jack that can accept two mic- and\/or line-level signals. Condenser microphones requiring Plug-In Power (2.5 volts) can be connected to this jack.\u003c\/p\u003e  \u003cp\u003eThe H1 Line\/Headphones Output is a stereo ⅛\" phone jack with a dedicated volume control. Headphones can be connected here for private monitoring. There's also a built-in speaker on the back panel for fast monophonic monitoring of the recorded signal without the need to make any connections.\u003c\/p\u003e  \u003cp\u003eThe H1's USB port provides a digital output of the stereo mix and allows data to be sent to and from your computer. From there, it can be imported into editing software such as the supplied WaveLab LE.  It also allows the H1 to be used as a 2-in\/2-out audio interface and USB microphone, as well as a microSD card reader.\u003c\/p\u003e  \u003ch3\u003eAuto Level and low cut filter\u003c\/h3\u003e  \u003cp\u003eThe H1's Auto Level function sets input gain automatically to prevent overload and distortion. Alternatively, input level can be set manually.\u003c\/p\u003e  \u003cp\u003eThe H1 also provides a built-in low cut filter for the elimination of pops, wind noise, blowing, and other kinds of low frequency rumble.\u003c\/p\u003e  \u003ch3\u003eFile types supported\u003c\/h3\u003e  \u003cp\u003eThe H1 records audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded signal without any data being removed. The WAV files recorded by the H1 can be either 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz, and are automatically time-stamped, making them Broadcast Wave Format (BWF) compliant—especially important when recording audio for video since it allows for precise synchronization in post-production.\u003c\/p\u003e  \u003cp\u003eMP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.\u003c\/p\u003e  \u003ch3\u003eBattery life and recording times\u003c\/h3\u003e  \u003cp\u003eThe H1 requires just a single AA battery—either alkaline or rechargeable NiMH—for power. Battery life when using an alkaline battery is up to 10 hours, even during continuous recording. Alternatively, you can use an optional AD-17 AC adapter, which allows you to power the H1 from any standard wall socket.\u003c\/p\u003e  \u003cp\u003eThe H1 records directly to microSD and microSDHC cards, up to 32 gigabytes. The chart below shows maximum recording time with different file formats and card sizes.\u003c\/p\u003e  \u003ch3\u003eState of the art editing with every recorder\u003c\/h3\u003e  \u003cp\u003eThe Zoom H1 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.\u003c\/p\u003e  \u003cp\u003eTake your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.\u003c\/p\u003e     \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOperation manual\u003c\/li\u003e \u003cli\u003e2 GB microSD card\u003c\/li\u003e \u003cli\u003e1 AA Battery\u003c\/li\u003e \u003cli\u003eSteinberg Cubase and WaveLab LE\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":44450005221479,"sku":"62782","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zoom-h1-1_a0d8feca-94fc-46e5-a9a2-496ba23d7d43.jpg?v=1787091292"},{"product_id":"zoom-h2n-handy-recorder","title":"Zoom H2n Handy Recorder","description":"\u003cp\u003eThe \u003cstrong\u003eZoom H2n Handy Recorder\u003c\/strong\u003e is the only portable recording device to come with five built-in microphones and four different recording modes: X\/Y, Mid-Side, 2-channel surround and 4-channel surround. Other advanced features include automatic gain control and onboard MS decoding, plus effects like compression, limiting and low cut filtering. You can even use the H2n as a multi-purpose USB microphone!\u003c\/p\u003e  \u003ch3\u003eUsing the H2n\u003c\/h3\u003e  \u003cp\u003eWith its multiple microphones and recording modes, the H2n can handle just about every kind of application. Here are just a few ways it can be used:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLive recording of concerts and rehearsals, in either stereo or surround sound\u003c\/li\u003e \u003cli\u003eLocation videography—the H2n gives you plenty of options in postproduction\u003c\/li\u003e \u003cli\u003eCreating audio for YouTube videos\u003c\/li\u003e \u003cli\u003eGenerating lasting audio documents of important events\u003c\/li\u003e \u003cli\u003eAs a USB microphone providing input to recording software\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFive microphones, four ways of recording\u003c\/h3\u003e  \u003cp\u003eThe H2n offers not one, not two, but five built-in microphones. Two of them are arranged as an X\/Y pair, while the other three are configured in an MS (\"Mid-Side\") pattern. They can be used separately for X\/Y or MS stereo recording, or combined to create stunning 2- or 4-channel surround sound.\u003c\/p\u003e  \u003ch3\u003eMid-Side for variable stereo width\u003c\/h3\u003e  \u003cp\u003eMid-Side recording is an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, while maintaining perfect mono compatibility, making it especially useful for film, video and television projects.\u003c\/p\u003e  \u003cp\u003eThe three microphone elements in the H2n MS mic are set directly on top of one another. One faces forward and the other two face to the side.\u003c\/p\u003e  \u003cp\u003eThe H2n's onboard MS decoder allows you to adjust the relative level of the mic elements, either during the recording process or afterwards, during post-production. As you increase the level of the Side microphones, the perceived stereo width increases as well.\u003c\/p\u003e  \u003ch3\u003eX\/Y for natural-sounding stereo\u003c\/h3\u003e  \u003cp\u003eThe X\/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording.\u003c\/p\u003e  \u003cp\u003eThe H2n's built-in X\/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications.\u003c\/p\u003e  \u003ch3\u003eSurround sound for lifelike realism\u003c\/h3\u003e  \u003cp\u003eThe H2n allows you to combine the signals from both the X\/Y and MS microphones in order to create surround sound recordings of everything you hear—not just those sounds coming from in front of you, but from all directions.\u003c\/p\u003e  \u003cp\u003eUse 2ch mode to create a single stereo file of the combined mics, or 4ch mode to record the signal from the H2n's X\/Y mics onto one stereo track and signal from the MS mics onto another. 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If bus power isn’t available, the U-44 can run on just two AA batteries, allowing you to record anywhere.\u003c\/p\u003e  \u003ch3\u003eCan your interface do this?\u003c\/h3\u003e  \u003cp\u003eThanks to its 10-pin Zoom connector, the U-44 is compatible with all Zoom interchangeable input capsules (sold separately), representing a powerful field recording setup. Choose from six capsules—X\/Y, Shock Mount X\/Y, Mid-Side, Shotgun, Stereo Shotgun, and Dual XLR\/TRS Combo Input—each with its own unique applications. Record the audience during your live performance, or connect the SSH-6 Stereo Shotgun for dialogue and sound design on your latest film project.\u003c\/p\u003e  \u003ch3\u003ePristine Recording and Playback\u003c\/h3\u003e  \u003cp\u003eInspired by the Zoom H-series recorders, the U-44 is equipped with high-performance, low-noise mic preamps that enable recording and playback at resolutions up to 24-bit\/96 kHz. 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With its multi-channel mixer, two powerful auto mixers (Dugan and MixAssist), and integrated 16-track recorder, the 688 was designed with high-demand versatility in mind. Vertical meter displays, improved menus, and the ability to save custom configurations make live monitoring and on-the-fly adjustments simple and quick. Its portability, durability, and impressive feature set, make it capable of fitting into any production scenario, from bag to cart-based workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith 12 true inputs (6 mic inputs and 6 line inputs), the 688 offers more than enough fader control for bag work. 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Six additional line-level inputs on TA3 connectors offer flexibility for more complex productions.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRouting Flexibility\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll inputs are assignable, pre- or post-fade to its eight output buses, left\/right plus Aux 1-6. The 688 can send its main left\/right mix to three cameras simultaneously via transformer-balanced XLR and Hirose outputs.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTwo Auto Mixers: The Choice is Yours\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn keeping with Sound Devices' commitment to giving production sound mixers the tools they need to help them mix in increasingly complex production settings, the inclusion of the Dugan Speech System, along with Sound Devices' MixAssist, makes the 688 the 'go-to' automixing tool for field production applications. Automatic mixing is widely used in broadcast television applications, in dialogue recording for TV and motion picture production, and in house of worship (HOW) applications. It also is a good choice for teleconferencing, video trucks, and theater applications with multiple wireless microphones on stage. Dugan automixing takes over the nerve-wracking job of cueing mics in and out, freeing up the location recordist to pay more attention to the artistic balance.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMixAssist\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMixAssist automatically attenuates the level of inputs that are not active and helps maintain consistent background sound levels regardless of the number of open microphones. Comb filtering and phasing artifacts are also reduced when multiple mics pick up the same sound source by intelligently attenuating redundant mics. 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The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and timecode stamped MP3 files.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTwo Auto Mixers: The Choice is Yours\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Sound Devices 633 offers two powerful, high-performing automatic mixing options, Dugan automixing and Sound Devices' MixAssist. The inclusion of these two well-known auto mixers makes it the go-to tool for more portable production applications with automixing for up to six audio channels. Dugan automixing is widely used in broadcast television applications, in dialogue recording for TV and motion picture production, and in house of worship (HOW) applications. It also is a good choice for teleconferencing, video trucks, and theater applications with multiple wireless microphones on stage. Dugan automixing takes over the nerve-wracking job of cueing mics in and out, freeing up the location recordist to pay more attention to the actual mix balance.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMixassist\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMixAssist automatically attenuates the level of inputs that are not active and helps maintain consistent background sound levels regardless of the number of open microphones. Comb filtering and phasing artifacts are also reduced when multiple mics pick up the same sound source by inteligently attenuating redundant mics. The end user can define the amount of off-attenuation MixAssist uses.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eQuad Power\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePowered by a unique Quad Power supply with PowerSafe technology, the unit is operational from any of four power sources. 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The 633 offers 10-track 24-bit, 48 kHz uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD and CompactFlash memory cards. The two cards can be set independently, recording either identical material for a real-time backup, or combinations of WAV and timecode stamped MP3 files.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTwo Auto Mixers: The Choice is Yours\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Sound Devices 633 offers two powerful, high-performing automatic mixing options, Dugan automixing and Sound Devices' MixAssist. The inclusion of these two well-known auto mixers makes it the go-to tool for more portable production applications with automixing for up to six audio channels. Dugan automixing is widely used in broadcast television applications, in dialogue recording for TV and motion picture production, and in house of worship (HOW) applications. It also is a good choice for teleconferencing, video trucks, and theater applications with multiple wireless microphones on stage. Dugan automixing takes over the nerve-wracking job of cueing mics in and out, freeing up the location recordist to pay more attention to the actual mix balance.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMixassist\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMixAssist automatically attenuates the level of inputs that are not active and helps maintain consistent background sound levels regardless of the number of open microphones. Comb filtering and phasing artifacts are also reduced when multiple mics pick up the same sound source by inteligently attenuating redundant mics. The end user can define the amount of off-attenuation MixAssist uses.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eQuad Power\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePowered by a unique Quad Power supply with PowerSafe technology, the unit is operational from any of four power sources. 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The studio-grade inputs have their own limiter, sweepable high-pass filter, and pre-or-post-fade direct output.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMultiple Recording Sources\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 552 integrated digital audio recorder writes industry-standard Broadcast Wave files to SD and SDHC cards. The recorder is ideal for applications where a high-quality, 24-bit local recording is required. Either the outputs or combinations of inputs and outputs can be assigned as record sources.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRugged Durability\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 552, like all Sound Devices products, is built to withstand the physical and environmental extremes of field production. Top and bottom chassis panels are made from molded, metalized carbon fiber for superior durability and weight reduction. 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Connections include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog, and eight channels of AES digital. Any input can be assigned to any track. 32-track recording at 96 kHz is supported.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSimultaneous Multi-Drive Recording\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 970 records to any of four attached drives, two front-panel drive bays and two rear-panel e-SATA connected drives. With four available drives, material can be recorded to multiple drives simultaneously for simultaneous backups, eliminating time-consuming post-record copying. Drives can also be set to record sequentially, allowing continuous long form, high-track count recordings.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerfect Sync\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith its built-in, rock-steady Ambient timecode generator, the 970 can operate as either the master clock or it can be jammed to external devices cameras and other sources. All common production time code rates and modes are supported. The 970 also supports clock synchronization from external word clock, video, MADI, or AES. To simplify connection of multiple digital inputs, SRC’s are available at each input.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePowerSafe and Dual Power Supplies\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePowerSafe circuitry provides a constant 10-second power reserve. In the event of power loss, the 970 continues to operate for up to 10 seconds, then cleanly stops any file operation and safely shuts down. The 970 draws 10-27 VDC through a four-pin XLR connector. 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Access expanded comprehensive output routing through the two TA3 connectors and 3.5 mm output each with a routing matrix.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse the Auto-Copy feature to ensure a safe backup of everything you record. Record up to 24 bit\/192 kHz audio onto an internal SD card, and simultaneously back everything up to an external USB thumb drive.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe responsive capacitive touchscreen allows for incredibly simple and intuitive operation, it is very bright and includes an IPS sunlight-readable color LCD for the most convenient navigation available regardless where you are working. Use the transport joystick to start record or playback, you can also assign custom shortcuts to the two user-programmable buttons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse the free Sound Devices Wingman app through a Bluetooth connection for wireless control of the 10T available on all iOS and Android devices. 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The included 4GB SD card can be replaced with up to 32GB SCHC media or swapped with other cards between projects. With its great sound, powerful features and easy operation, the DP-32SD is TASCAM’s biggest Portastudio yet.\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":44450289057895,"sku":"89523","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tascam-dp-32sd_89523_1_7e55a652-a17e-4fcd-95a8-1387e38aa481.jpg?v=1787092470"},{"product_id":"tascam-dp-006-recorder","title":"Tascam DP-006 Recorder","description":"\u003cp\u003eSong ideas can happen anywhere. With the \u003cstrong\u003eTascam DP-006 Recorder\u003c\/strong\u003e, you'll be ready. Jot down ideas for your songs using these professional sounding multi-track recorders. 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