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The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.\u003c\/p\u003e\r\n\u003cp\u003eThe D5401 delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument. High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments. Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eWith Built-In Windshield\u003c\/h3\u003e\r\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. 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It also enables you to connect the V5200 LB-WLM to a standard XLR wired connection.\u003c\/p\u003e \u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48-volt phantom power nor a balanced input stage, the QWLM-series mics from REMIC have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volts.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eTHE LB-WLM MODEL\u003c\/h3\u003e \u003cp\u003eThe LB-WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volts). It delivers a natural, but more \"dry\" and \"woodish\" sound response in comparison to the \"Studio\/Live\" model. The \"LB\/WLM\" model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. This model is designed for \"extremely loud\" live performances, such as folk-rock, pop, rock and metal. Extreme suppression of neighboring instruments and ambient noise. So if you need a microphone with low acoustic feedback response, the V5200 LB\/WLM is the answer.\u003c\/p\u003e \u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard. The V5200LB-WLM is also suitable for other violin related instruments such as Hardanger fiddle, Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy, etc.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eBuilt-In Windshield\u003c\/h3\u003e \u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. 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