{"title":"RME","description":null,"products":[{"product_id":"rme-quadmic","title":"RME QuadMic","description":"RME’s Multiface is the world’s most popular mobile recording interface. Due to the large demand for microphone inputs, RME has now developed two high-quality professional microphone preamps, which make ideal companions to the Multiface in mobile recording situations, thanks to the option of battery-powered operation. Excellent signal\/noise ratio, sophisticated discrete Class-A technology, and features like Low Cut and Phase switches make these units first choice even for studio use! \u003cp\u003e\u003cb\u003eQuadMic\u003c\/b\u003e offers 4 balanced XLR mic inputs. Each channel contains switches for 48V phantom power, a low cut filter, and phase reversal. Amplification can be set between 10 and 60 dB. LEDs for signal, clip, and activated phantom power complete the list of features. The balanced line level output signal is available at the back of the unit via stereo TRS jacks. The output reference level is switchable between +4 dBu or –10 dBV. RME’s universal rackmount holder can be used to fit the QuadMic into any 19\" rack. The included professional switching power supply offers safe operation world wide, even when the power lines are weak or noisy. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449247461479,"sku":"6034","price":649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_quadmic_1.jpg?v=1787088299"},{"product_id":"rme-octamic-d","title":"RME OctaMic D","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME OctaMic\u003c\/span\u003e includes extended features, turning it in more than just a combined, dual QuadMic. Thanks to sophisticated discrete Class-A technology, both state-of-the-art microphone preamps offer a pristine sound. Lowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged. Additionally, detachable rack mount holders and full battery compatibility make the OctaMic the perfect addition to (not only) the mobile Hammerfall DSP System. \u003cp\u003eOctaMic offers 8 balanced XLR mic \/ line inputs. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 10 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly. Frontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS). \u003c\/p\u003e\u003cp\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The OctaMic also has a 25-pin D-sub connector, which allows for a direct and lockable connection to RME's 8-channel converters ADI-8 PRO and DS, with just one cable. Of course, this connector also provides the ability to use an industry-standard breakout cable for 8 balanced XLR outputs. The included professional switching power supply offers safe operation world wide, even when the power lines are weak or noisy. \u003c\/p\u003e\u003cp\u003eFurthermore, the OctaMic is RME's first unit to come in a completely re-designed housing. A new front panel construction and design not only gives a much better look, but also higher stability. Detachable rack mount holders and soft edges all around the unit are some of the new and useful details \u003c\/p\u003e\u003cp\u003e\u003cb\u003eOctamic D\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe OctaMic D includes the optional OctaMic ADC module, which can also be added to the OctaMic basic version later on. The ADC module adds 8 channels of pristine 192 kHz AD-conversion, available as double ADAT output (S\/MUX, up to 96 kHz), and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The ADC can be clocked internally (master), and externally via word clock and AES sync. \u003c\/p\u003e\u003cp\u003eRME's outstanding SteadyClock™ ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic D. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449255981159,"sku":"6036","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_octamic_2_1.jpg?v=1787088337"},{"product_id":"rme-hdsp-madi-card","title":"RME HDSP MADI Card","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME Hammerfall DSP MADI\u003c\/span\u003e is both an inexpensive and outstanding PCI card with MADI interface. Hammerfall DSP MADI is based on the award-winning Hammerfall DSP technology, and represents the top model of this world-wide successful card line. \u003cp\u003eMADI, the professionals' multi-channel audio interface, offers 64 channels of 24 bit audio at a sample rate of up to 48 kHz and 32 channels at up to 96 kHz. Transmission is done via a single line, either coaxial with BNC plugs or with fiber cable. In both cases more than 100 m cable length can be achieved. Hammerfall DSP is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. \u003c\/p\u003e\u003cp\u003eHammerfall DSP MADI offers full support for 56 and 64 channel modes and double and single wire technology (96k frame) for 96 kHz. Full 64 channel support can also be found in the hardware mixer TotalMix. All 64 inputs and 64 playback channels can be routed and mixed to 66 physical outputs completely freely, which translates to a 8192 channel mixer. With that, Hammerfall DSP MADI offers the most powerful router\/mixer ever implemented on a PCI card, and allows much more than a usage as pure computer I\/O unit: \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cli\u003eMADI optical patchbay and router \u003c\/li\u003e\u003cli\u003eMADI coaxial\/optical or vice versa converter and splitter \u003c\/li\u003e\u003cli\u003eMADI redistributor, patchbay and router \u003cp\u003eFurthermore, the hardware delivers RMS and peak level meters for full control over 192 audio channels at minimal CPU load. \u003c\/p\u003e\n\u003cp\u003eAs usual with RME, Hammerfall DSP MADI offers further sensible features. For instance an analog 24 bit 192 kHz line\/headphone output with 110 dB dynamic range and separate mix bus for direct control of all input and output signals. While most MADI-based devices require an additional word clock line, the Hammerfall DSP MADI (like the ADI-648) can extract the reference clock directly from the MADI signal, making long-distance connections even more convenient. \u003c\/p\u003e\n\u003cp\u003eThe included expansion board carries word clock I\/O (BNC) and MIDI I\/O. The word clock input is galvanically isolated via transformer and operates on both single and double speed signals automatically. MIDI I\/O offers 2 completely independent MIDI inputs and outputs via breakout cable (4 DIN sockets). A virtual MIDI port allows for a direct transmission of MIDI data over MADI. \u003c\/p\u003e\n\u003cp\u003eFor the first time, RME uses a configuration memory for the most important settings of the card. Instead of operating in a default mode on computer power-up until loading the driver, Hammerfall DSP MADI activates the last used sample rate, master\/slave configuration and MADI format immediately when switched on. This eliminates disturbing noises and clock network problems during power-up or re-boot of the computer. \u003c\/p\u003e\n\u003c\/li\u003e\u003cbr\u003e \u003cp\u003e\u003cb\u003eUnique Technologies in Hammerfall DSP\u003c\/b\u003e \u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\u003cli\u003eAutoSync Intelligent clock control according to operational mode and present\/desired sample rate. \u003c\/li\u003e\u003cli\u003eBitclock PLL The most reliable receiver circuit for ADAT optical signal. \u003c\/li\u003e\u003cli\u003eDynamic Bus Utilization Scalable computer load according to the current usage. \u003c\/li\u003e\u003cli\u003eEnhanced ZLM® Monitoring of the input signal, independent from clock mode and sample rate. \u003c\/li\u003e\u003cli\u003eIntelligent Clock Control Measurement and display of all incoming and used clocks. \u003c\/li\u003e\u003cli\u003eLatency Fast Change Change latency on-the-fly under ASIO, without manual reset or re-boot. \u003c\/li\u003e\u003cli\u003eSyncAlign® Surveillance and sample accurate synchronization of all channels. \u003c\/li\u003e\u003cli\u003eSyncCheck® Comparison and display of all input clock status. \u003c\/li\u003e\u003cli\u003eZero Latency Monitoring (ZLM®) Automatic monitoring of the input signal with zero latency. \u003c\/li\u003e\u003cli\u003eDIGICheck DSP Professional status and level display at lowest CPU load. \u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449273872487,"sku":"5887","price":1499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_madi_5d9fce2c-490b-4d1d-9372-0c16710bbe11.jpg?v=1787088394"},{"product_id":"rme-adi-648-madi-adat-converter","title":"RME ADI-648 MADI-ADAT Converter","description":"This Multichannel Audio Digital Interface offers format conversion from MADI to ADAT and vice-versa. The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-648\u003c\/span\u003e thus combines the world's most successful multi-channel interface with the professionals' exclusive high-end interface. MADI offers 64 channels of 24 bit audio at up to 48 kHz sample rate, and 32 channels at up to 96 kHz. Transmission happens over a single line, either coaxial (BNC) or fiber optic (network). In both cases the cable length can be more than 100 meters. \u003cp\u003eThe MADI channels are transferred from and to 8 ADAT optical inputs and 8 outputs via TOSLINK. Furthermore, the ADI-648 contains an easy-configurable 8-channel 16x16 Matrix Router. Any of the outputs, which are divided into 8-channel blocks, can be fed from any 8-channel input block, both on the ADAT and the MADI side. With this, there is not only free routing within the M-A and the A-M conversion, but also splitting and routing within the same format. An 8-channel input block can be routed to any number of output blocks in parallel. Some application examples: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eManaging long distances with a single cable \u003c\/li\u003e\n\u003cli\u003eADAT breakout box for devices with MADI interface \u003c\/li\u003e\n\u003cli\u003eConnecting MADI-based equipment to RME's Hammerfall series \u003c\/li\u003e\n\u003cli\u003eADAT optical patchbay and router \u003c\/li\u003e\n\u003cli\u003eMADI coaxial \/ optical or vice-versa converter and splitter \u003c\/li\u003e\n\u003cli\u003eMADI redistributor, patchbay and router \u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe ADI-648 is compatible to all forms of increasing the sample rate (Double Speed). It supplies word clock in single or double speed, distributes 96 kHz signals in Double Wire mode into the MADI data stream, or per Sample Split (S\/MUX) to the ADAT ports, but is also capable of double MADI rate (96k Frame). The ADI-648 thus also represents an ideal MADI front-end for the Hammerfall and Hammerfall DSP series. \u003c\/p\u003e\u003cp\u003eSyncAlign® and SyncCheck®, technologies known from and proven by other RME products, allow for perfect sync between all channels and easy notification of error states. And of course multiple devices can be cascaded and synchronized sample-accurate using word clock. The ADI-648 accepts 56 channels, 64 channels and 96k frame at its input, and can be set to generate those formats at its output. This way the ADI-648 even serves as perfect interface between otherwise incompatible MADI devices! \u003c\/p\u003e\u003cp\u003eThe compact device with 19\" width and 1HU has numerous further outstanding features, like Intelligent Clock Control (ICC) and storing of the settings. It's even possible to transmit 16 MIDI channels in parallel to all 64 audio channels. A fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about Lock and Sync states, audio content and the physical quality of the incoming signal. A digital PLL, designed especially for the ADI-648, allows for operation without an additional word clock line. The reference clock is then extracted from the MADI signal itself. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449273938023,"sku":"5889","price":2749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_648_1.jpg?v=1787088395"},{"product_id":"rme-multiface-ii","title":"RME Multiface II","description":"How to handle a legend? Create a new! \u003cbr\u003e \u003cbr\u003e The \u003cb\u003eRME HDSP Multiface II\u003c\/b\u003e is not only multi because of the many different interface formats supported, but also multi-Channel! The small box using half the space of a 19\" rack includes outstanding power and extensive features. \u003cbr\u003e \u003cbr\u003e Based on RMEs award-winning Hammerfall technology and equipped with the latest circuit designs of the Fireface 800, the Multiface II offers ADAT optical I\/O, SPDIF I\/O, MIDI I\/O, word clock I\/O and a separate hi-power monitor output. On top there are 8 analog inputs and outputs, balanced and 24-bit\/96kHz. All this can be used on laptops as well as on desktop computers with lowest latency and minimal CPU load. \u003cbr\u003e \u003cbr\u003e \u003cb\u003e\u003cu\u003eFeatures:\u003c\/u\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Of course there are a lot typical RME features on board of the unit: \u003cbr\u003e \u003cul class=\"listbullet2\"\u003e \u003cli\u003e8 x analog line I\/O, 24-Bit\/96kHz, SNR 111 dBA, 1\/4\" TRS jacks \u003c\/li\u003e\n\u003cli\u003e1 x ADAT digital I\/O \u003c\/li\u003e\n\u003cli\u003e1 x SPDIF digital I\/O \u003c\/li\u003e\n\u003cli\u003e1 x Word clock I\/O (BNC) \u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O, 16 channels high-speed MIDI \u003c\/li\u003e\n\u003cli\u003e1 x hi-power analog line\/headphone output, separate output for independent submix \u003c\/li\u003e\n\u003cli\u003eHardware level calculation: freely scalable level meters, peak and RMS calculation without CPU load \u003c\/li\u003e\n\u003cli\u003e\n\u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en_support_techinfo.php?page=content\/support\/en_support_techinfo_digicheck\"\u003eDIGICheck\u003c\/a\u003e, RMEs unique metering - and analyse tool \u003c\/li\u003e\n\u003cli\u003eTotalMix: 720 channel mixer with 40 bit internal resolution. MIDI remote controllable. \u003c\/li\u003e\n\u003cli\u003eS\/MUX poured in hardware: 4 channels 24-Bit\/96kHz for record and playback via ADAT optical \u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e... and numerous other features found already in the Hammerfall series. And all this for an unbeatable price! \u003c\/p\u003e \u003cp\u003eThe front panel hosts some useful status LEDs, like MIDI state, lock state of the digital inputs and error state of the host-bus. Additionally there's a high-quality 24-Bit\/96kHz analog line output, also usable with headphones, and one MIDI I\/O. \u003c\/p\u003e \u003cp\u003eThe rear of the Multiface II shows unrivalled connectivity: 8 analog line I\/Os on 1\/4\" TRS jacks (balanced, 24-Bit\/96kHz), ADAT optical I\/O (switchable to SPDIF optical), SPDIF I\/O coaxial, word clock I\/O and MIDI I\/O. Don't settle for less! \u003c\/p\u003e \u003cp\u003eThe \u003cb\u003eheadphone output\u003c\/b\u003e in hi-power technology offers high levels, even with low level headphones. Hence the headphone is direct usable with ASIO Direct Monitoring. \u003c\/p\u003e \u003cp\u003e\u003cb\u003eDigital I\/Os\u003c\/b\u003e: One ADAT optical I\/O provides eight more channels. The coaxial SPDIF I\/O is complete AES\/EBU compatible. \u003c\/p\u003e \u003cp\u003eThe Multiface II can be used with laptops as well as desktop computers. The connection to laptops is achieved via a \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en_products_hdsp_cardbus_interface.php\"\u003eCardBus card\u003c\/a\u003e or an \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en_products_hdspe_expresscard.php\"\u003eExpressCard\u003c\/a\u003e, the connection to desktops via a \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en_products_hdsp_pci_interface.php\"\u003ePCI card\u003c\/a\u003e or \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en_products_hdsp_pci_e_interface.php\"\u003ePCI Express card\u003c\/a\u003e. These interfaces are sold separately. \u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cu\u003eSettings:\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJust click on the hammer symbol in the systray of the taskbar and the \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/images\/products\/mf2_set.gif\" target=\"_blank\"\u003esettings dialog\u003c\/a\u003e of the Multiface comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode, sample rate and time code make your work with Hammerfall DSP System to a real pleasure. With a simple mouse click you gain access to the full power of your system. \u003c\/p\u003e \u003cp\u003eWhen working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RME's exclusive SyncCheck checks all input signals and displays their actual state, and thanks to our new Intelligent Clock Control concept you have all clocks and states under control - with ease. \u003c\/p\u003e \u003cp\u003eRegular firmware and driver updates ensure the Multiface II to stay at the top of today's audio interfaces. The latest addition, Disconnect mode, lets you use the unit as stand-alone AD\/DA-converter, digital format converter, analog\/digital mixer or submixer, and much more. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449273970791,"sku":"5890","price":979.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_multiface_2_1.jpg?v=1787088395"},{"product_id":"rme-fireface-800","title":"RME Fireface 800","description":"The \u003cb\u003eRME Fireface 800\u003c\/b\u003e is the world's most powerful FireWire audio interface ever. Up to 56 channels record\/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface. Since the Fireface first shipped in July 2004, the unit became the reference for FireWire audio - and still is today! Lots of 'world's first' and 'world's only' features put the Fireface 800 far ahead of the competition. Read on to find out more! \u003cbr\u003e\u003cbr\u003eThe Fireface 800 combines the latest and also proven technologies of previous RME products with the fastest FireWire technology. Analog technology of the ADI-8 converters, microphone technology of QuadMic and OctaMic, TotalMix technology of the Hammerfall DSP series, years of experience in programming of efficient and reliable drivers, up to complete support from DIGICheck - only the best of the best, and even a bit more. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface, a high power headphone output and signal-to-noise ratios of 119 dBA - typically RME! \u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnalog I\/Os\u003c\/b\u003e \u003cbr\u003eEight balanced line inputs and outputs with software controlled switching of the reference levels (-10 dBV, +4 dBu, HiGain), of course realized discretely in the analog domain, guarantee highest dynamic range and highest fidelity. Apart from the levels of the microphone pre-amps and the headphone outputs, all device settings are software controlled. Equipped with the latest A\/D and D\/A converter chips, all I\/Os operate up to 192 kHz and reach 119 dBA dynamic range on playback - even the headphone output! \u003cbr\u003e\u003cbr\u003eThe front-sided headphone output in high power technology does not only deliver high volume with low-impedance headphones, but represents the playback channels 9\/10. Therefore the headphone output can be used directly with ASIO Direct Monitoring. \u003cbr\u003e\u003cbr\u003eOn the front side, the Fireface 800 has 4 discrete balanced microphone inputs with class-A stage, separate activation of 48 V phantom power and separate XLR\/TRS inputs, where the latter can also be used as adjustable Line inputs with a gain range of 50 dB! Two of the four mic inputs are permanently available as channels 9 and 10, the other two can be used together with or alternatively to the inputs 7\/8 on the back. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eLet's Rock!\u003c\/b\u003e \u003cbr\u003eThe FireFace 800's Hi-Z instrument input offers an unprecedented fidelity and flexibility for the use of guitar and bass. A soft-limiter, which has been tuned especially for musical instruments, efficiently prevents overloads of the A\/D-converter. The limiter does not work without distortion, it intentionally creates harmonic distortion. Due to a soft transition and deliberate creation of harmonics, the input signal is compressed steplessly according to taste, or the limiter can be used as a distortion with tube sound. A Drive circuit, which can be activated in addition, delivers broad guitar distortion. The Speaker Emulation filter, which can also be switched on separately, takes low- and high-frequency disturbances away and guarantees an optimal basic sound even when recording directly into the computer, or when monitoring through a mixing console. Signals from guitar or bass are not being alienated in this case, but pre-conditioned for later processing in the DAW, so that the known amplifier plug-ins can make the most out of the sound. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDigital I\/Os \u003cbr\u003e\u003c\/b\u003eTwo ADAT optical I\/Os allow for a connection and insertion of effects devices, mixing consoles or external converters. Of course, these 16 channels are available simultaneously with the analog channels. Using two additional ADI-8 DS, you'll get 26 analog inputs and outputs, which remain still 18 at 96 kHz. The coaxial SPDIF I\/O works up to 192 kHz, so that there are still 10 analog in- and outputs at the highest sample rate, plus two digital ones. SPDIF optical, alternatively provided via the second ADAT port, also operates up to 192 kHz - another RME-only feature.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e \u003cbr\u003eAll inputs and outputs can be used at the same time*!. E. g., the instrument input can be used either instead of the line input on the back, or together with it. Even the TRS jack and the XLR socket of the microphone inputs can be used simultaneously. This way, up to 35 signal sources can be connected to the Fireface 800 and recorded onto 28 separate tracks! \u003cbr\u003e\u003cbr\u003eThanks to the DSP-based TotalMix mixer, known from the Hammerfall DSP series, all inputs and outputs can be freely mixed, distributed and routed. Up to 14 completely independent stereo submixes are possible. Each of the mixer's output channels, that is every single submix channel, can be recorded directly, without the need of external cable loops. And there's more: TotalMix can be MIDI remote controlled with any Mackie Control compatible controller. \u003cbr\u003e\u003cbr\u003eThanks to an internal flash memory, all settings including TotalMix are recalled during boot. After making all desired settings, the device works stand-alone even without computer as a submixer, A\/D and D\/A-converter, headphone mixer, format converter, instrument or microphone pre-amplifier, monitoring mixer and much more. \u003cbr\u003e\u003cbr\u003eThe Fireface 800 is equipped with SteadyClock™, RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. SteadyClock refreshes clock signals, removes jitter, and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality. \u003cbr\u003e\u003cbr\u003eSteadyClock allows the Fireface 800 to control the sample rate freely on its own. The Settings dialog includes a direct choice of the video and audio world's most often used sample rates. Additionally, two faders can be used to set the sample rate freely and in real-time, within the range of +\/- 4% and +\/- 0.4%. \u003cbr\u003e\u003cbr\u003eVia an insert slot on the back, a Time Code Option (TCO) for synchronizing to LTC and video can be added. Thanks to SteadyClock, the Fireface 800 does not only extract absolute positions, but also a very clean low-jitter word clock. \u003cbr\u003e\u003cbr\u003eFireface 800 uses RME's own FireWire techology, heavily optimized for audio purposes. Lowest overhead, special hardware adaptations and a new low latency buffer concept enable a performance and compatibility which has been thought of as impossible until now - at latencies of only one millisecond. \u003cbr\u003e\u003cbr\u003eThe Fireface 800 has a second port for hub functionality, bi-lingual mode for full FireWire 400 compatibility, and an additional FireWire 400 port. Several Fireface 800 can be used in parallel and at the same time on one FireWire port without any problem.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274036327,"sku":"5893","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_fireface_800_1.jpg?v=1787088395"},{"product_id":"rme-hdsp-96-52-audiocard","title":"RME HDSP 96\/52 52-Channel PCI Card with ADAT and SPDIF I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eRME HDSP 9652\u003c\/strong\u003e offers 3x ADAT optical I\/O, ADAT-Sync In, SPDIF I\/O and word clock I\/O. On top, there are 2 MIDI I\/Os and TotalMix, a DSP-based real-time mixer\/router, with hardware-calculated level metering and complete MIDI remote capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe HDSP 9652 also supports Expansion Boards (EXB). Two internal ADAT inputs and two internal ADAT outputs allow you to realize up to 16 analog inputs, 16 analog outputs, or up to two TDIF ports directly inside the computer. Thanks to its unique Zero CPU Load technology Hammerfall DSP guarantees highest performance and lowest latency together with full flexibility! The HDSP 9652's Secure BIOS Technology allows to perform hardware updates via software\/driver without any risk.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274003559,"sku":"5894","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme-hdsp-696-52_5894_1.jpg?v=1787088395"},{"product_id":"rme-adi-192-dd-aes-adat-converter","title":"RME ADI-192 DD AES-ADAT Converter","description":"\u003cp class=\"style2\"\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-192 DD\u003c\/span\u003e is the successor to the highly successful \u003ca href=\"http:\/\/www.synthax.com\/rmeadi8dd.html\"\u003eADI-8 DD\u003c\/a\u003e. The completely re-engineered device was designed to be the best format and sample rate converter ever. Hence the ADI-192 DD not only features considerable improvements compared to the ADI-8 DD, but also adds a number of new and unique features.\u003c\/p\u003e \u003cul\u003e \u003cli class=\"style2\"\u003eSupports 192 kHz with ADAT, TDIF und AES \u003c\/li\u003e\n\u003cli class=\"style2\"\u003e8-channel sample rate conversion up to 192kHz \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSample Rate Conversion can be selected for AES, TDIF or ADAT \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSample Rate Conversion supports levels of up to +6 dBFS \u003c\/li\u003e\n\u003cli class=\"style2\"\u003e8-channel Sample Rate Conversion without phase deviation (sub-sample synchronous) \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSteadyClock for maximum jitter suppression and clock regeneration \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eComplete triple format converter AES\/TDIF\/ADAT with added SPDIF TOSLINK I\/O \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eDirect support for Double and Quad Wire, S\/MUX and Double\/Quad Line \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eAlso when using SRC \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSpecial TDIF word clock output \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSimplified and easy-to-use user interface\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274069095,"sku":"5895","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_192_dd_1.jpg?v=1787088395"},{"product_id":"rme-bob32-universal-breakout-box","title":"RME BOB32 Universal Breakout Box","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME BOB-32\u003c\/span\u003e breakout box is the ideal solution for interconnecting XLRs and D-Subs. The concept is highly effective and convincing in its simplicity: \u003cp\u003eThere are eight XLR AES\/EBU inputs and eight XLR AES\/EBU outputs on one side of the BOB-32. The other side provides two D-Sub connectors with 2 different pinout formats (internally switched) to choose between TASCAM\/Digidesign or YAMAHA format. Thanks to a highly innovative design, the box can simply be \"folded\" in the middle, bringing all connectors to one side – a simple, yet brilliant solution: BOB-32 is the ideal companion to all devices that use digital D-Sub connectors with TASCAM\/Digidesign or YAMAHA pinout.\u003c\/p\u003e \u003cp\u003eThe BOB-32 is also the ideal interconnection for RME´s HDSP AES-32 card. \u003cbr\u003e(HDSP AES-32 uses TASCAM\/Digidesign pinout format)\u003c\/p\u003e\u003cb\u003eTechnical Specifications and I\/O Connectivity\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePassive I\/O unit, no power supply needed \u003c\/li\u003e\n\u003cli\u003e8 x XLR In \u003c\/li\u003e\n\u003cli\u003e8 x XLR Out \u003c\/li\u003e\n\u003cli\u003e2 x D-SUB 25-pin connector, internally switchable to TASCAM\/Digidesign or YAMAHA pinout. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274658919,"sku":"6019","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_bob_32_2.jpg?v=1787088397"},{"product_id":"rme-bob1-breakout-box-for-hdsp-9632","title":"RME BOB1 Breakout Box for HDSP 9632","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME BOB1\u003c\/span\u003e Breakout Box is a hardware breakout box for use with the HDSP 9632 and replaces the breakout cables that originally come with the card. \u003cp\u003e All the original I\/Os are provided, including a pair of RCA audio I\/O, MIDI I\/O, S\/PDIF I\/O on RCA coaxial connectors and a single 1\/4\" TRS headphone output. \u003c\/p\u003e\u003cp\u003e The RME BOB1 Breakout Box is a free-standing break-out box . \u003c\/p\u003e\u003cp\u003e Connectors: 2 x 9-pin D-Sub 6 x RCA phono 2 x MIDI 5-pin DIN 1 x 1\/4\" TRS phone 2 x 9-pin D-Sub Cables\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274691687,"sku":"6020","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_bob1_breakout_box_for_hdsp_9632.jpg?v=1787088398"},{"product_id":"rme-hdsp-aes-32-i-o-system","title":"RME HDSP AES-32 I\/O System","description":"RME announces the \u003cspan style=\"font-weight: bold;\"\u003eRME AES-32\u003c\/span\u003e, the latest member of the globally successful Hammerfall DSP series. This short-length PCI card provides eight AES inputs and outputs at 192 kHz sample rate. It is also equipped with two MIDI I\/O ports, word clock I\/O and can be used with the optional TCO module for synchronization to LTC and video. The HDSP AES-32 is RME's reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage\/PA - and in any professional studio. \u003cp\u003e\u003cb\u003eThe AES-32's remarkable features include:\u003c\/b\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eSupport for 192 kHz at full channel count \u003c\/li\u003e\n\u003cli\u003eNative support for Double and Quad Wire transfer \u003c\/li\u003e\n\u003cli\u003eDirect conversion between these formats \u003c\/li\u003e\n\u003cli\u003eSteadyClock for highest jitter suppression and clock regeneration \u003c\/li\u003e\n\u003cli\u003eIntuitive and clearly laid-out user interface \u003c\/li\u003e\n\u003cli\u003eTotalMix: 512 channel mixer with 40 bit internal resolution \u003c\/li\u003e\n\u003cli\u003e48 level meter Peak\/RMS, hardware-computed\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe card's main board contains word clock I\/O and a 25-pin D-sub plug, providing four AES inputs (XLR-F) and four AES outputs (XLR-M) via standard digital breakout cable (Tascam pinout). The word clock input is galvanically isolated via transformer and operates on Single, Double and Quad Speed signals automatically. The expansion board adds audio channels 9-16 and a connector for a MIDI breakout cable with two MIDI I\/Os (four 5-pin DIN connectors). It does not require a PCI slot. \u003c\/p\u003e \u003cp\u003eThanks to the DSP-based TotalMix mixer, all 16 inputs and outputs can be routed to 16 physical outputs freely, offering extraordinary monitoring capabilities. Up to 8 fully independent stereo submixes can be created. Routings can be copied and pasted, faders ganged and grouped, which, along with the amazing matrix window, turns the AES-32 into a powerful and easy-to-use redistributor, patchbay, router, converter, and splitter. The hardware-based mixer is fully MIDI-controllable. Furthermore, the DSP hardware calculates RMS and peak level meters for all 48 audio channels, with no measurable CPU load. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274724455,"sku":"6025","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_aes_32_1.jpg?v=1787088398"},{"product_id":"rme-hdsp-9632-audiocard","title":"RME Hammerfall HDSP 9632 32-Channel PCI Audio Interface Card","description":"\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eRME presents the world’s most versatile PCI Audio Interface – The** RME HDSP 9632** - the Hammerfall DSP 9632. This card makes the dream of an All-In-One solution for every possible application come true. As usual, RME has not made any compromises: Latest AD- and DA-converters with more than 110 dB signal to noise ratio, all inputs and outputs simultaneously operational, easy-to-install optional analog expansion boards, the famous TotalMix, a newly developed, high-quality clock generator with total jitter suppression of external clock signals – all this combines into a 'soundcard' that the world has been waiting for so long.\u003c\/p\u003e\r\n\u003cp\u003eAn easy to handle ribbon cable connects the newly developed optional AI4S-192 and AO4S-192. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I\/O of the HDSP 9632: up to 192 Khz, balanced and 3 different reference levels. With this a maximum of 6 inputs and\/or outputs can be achieved.\u003c\/p\u003e\r\n\u003cp\u003eHDSP 9632 also supports the existing Expansion Boards (EXB). An internal ADAT input and an internal ADAT output allow for up to 14 analog inputs, 14 analog outputs, or the usage of a TDIF interface, directly inside the computer.\u003c\/p\u003e\r\n\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274757223,"sku":"6027","price":529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_9632_audiocard.jpg?v=1787088398"},{"product_id":"rme-wcm-hdsp-96-32","title":"RME WCM HDSP 96\/32","description":"The WCM MKII (Word Clock Module) adds a word clock input and output in professional quality to the DIGI96 series cards. \u003cp\u003e A low jitter optimized PLL circuit, an integrated clock generator and a unique test mode extend the powerful capabilities of our digital audio cards in a way many professional users have asked for. \u003c\/p\u003e\u003cp\u003e Like with our other products we were not satisfied with the commonly used standard circuits. Instead, thanks to a newly developed input stage, the WCM gains unsurpassed compatibility and reliability. LEDs for power, test mode and LOCK clearly tell what's going on. \u003c\/p\u003e\u003cp\u003e With this the WCM stands in the same tradition as our other products: easy to use, always reliable, best performance.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274789991,"sku":"6028","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_wcm_hdsp96_32.jpg?v=1787088398"},{"product_id":"rme-hdsp-digiface","title":"RME HDSP Digiface USB Audio Interface","description":"RME presents the Digiface, a highly extended version of the well-known PCI card Project Hammerfall (DIGI9652.) Digiface offers 3 ADAT optical I\/Os, ADAT-Sync In, SPDIF I\/O and word clock I\/O like its predecessor. On top, there are 2 MIDI I\/Os and a separate analog line out. Thanks to its unique 'Zero CPU Load' technology Hammerfall DSP guarantees highest performance and lowest latency on both notebooks and desktops! \u003cp\u003e 3 x ADAT digital I\/O, based on RME's reliable Bitclock PLL 1 x SPDIF digital I\/O, based on RME's reliable DIGI96 technology 1 x ADAT Sync In (9-pin D-type) for sample accurate tranfers 1 x Word clock I\/O (BNC) 1 x analog Line\/headphone output, separate output for independent submix 2 x MIDI I\/O, 32 channels high-speed MIDI HDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware TotalMix: 1456 channel mixer with 40 bit internal resolution S\/MUX poured in hardware: 12 channels 96 kHz\/24 bit for record and playback on ADAT optical ...and numerous other features found already in the Hammerfall series. And all this for an unbeatable price! \u003c\/p\u003e\u003cp\u003e The Hammerfall® DSP System comes with drivers for Windows 98\/ME (MME with multi-client operation, ASIO 2.0, GSIF), Windows 2000\/XP (fully multi-client operation of MME, GSIF and ASIO 2.0 plus ASIO multi-client), Mac OS 9.x (ASIO 2.0, OMS MIDI) and Mac OS X (Core Audio, Core MIDI). \u003c\/p\u003e\u003cp\u003e The small box using half the space of a 19\" rack doesn't show the included outstanding power and extensive features at first glance. The front panel hosts some useful status LEDs, like MIDI state, lock state of the digital inputs and error state of the host-bus. Additionally there's a high-quality 24 bit\/96 kHz analog line output, also usable with headphones, and one MIDI I\/O. \u003c\/p\u003e\u003cp\u003e The back of the Digiface offers real Hammerfall connectivity: 1 x MIDI I\/O, 3 x ADAT I\/O, SPDIF I\/O, ADAT Sync In and word clock I\/O. This compact multi-channel solution has everything you need. \u003c\/p\u003e\u003cp\u003e The parts of the Hammerfall DSP System can be combined freely. Therefore the Digiface can be used with notebooks as well as desktop computers. The connection to notebooks is achieved via a CardBus interface, the connection to desktops via a PCI interface. The interfaces are sold separately. \u003c\/p\u003e\u003cp\u003e Just click on the hammer symbol in the systray of the taskbar and the settings dialog of the Digiface comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode, sample rate and time code make your work with Hammerfall DSP System to a real pleasure. With a simple mouse click you gain access to the full power of your system. When working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RME's exclusive SyncCheck checks all input signals and displays their actual state, and thanks to our new Intelligent Clock Control concept you have all clocks and states under control - with ease. \u003c\/p\u003e\u003cp\u003e A display of the time code at the ADAT Sync-In port offers a quick check of the communication between external device and Hammerfall.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274822759,"sku":"6029","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_digiface_1.jpg?v=1787088398"},{"product_id":"rme-hdsp-pci","title":"RME HDSP PCI","description":"Based on the legendary Hammerfall PCI core with its innovative zero CPU load technology the new PCI core is even more optimized for more performance. Thanks to the latest chip technology internal hi-speed RAM can be used faster and more efficient than external SRAM. Furthermore the PCI card includes two Sync-connectors for synchronization of multiple interfaces. The PCI engine of the Hammerfall DSP System is built on a Zero wait state PCI Busmaster core. With up to 130 MB\/s transfer rate in both directions the maximum performance available on the 32 bit PCI bus is used. Additionally the card offers highest compatibility by being 100% Plug \u0026amp; Play compatible under Windows and MacOS, and being able to share interrupts. The card itself will only use one interrupt (IRQ) for all functions (audio\/MIDI.) \u003cp\u003e The connection between PCI card and I\/O box is established using ordinary firewire cable (IEEE 1394, 6-pole.) The data transfer does not use Firewire protocol, but our own proprietary bus protocol. The supplied cable is 4.5 m (15 ft.) long, a cable length up to 10 m (33 ft.) has been successfully tested. The PCI card operates as power supply for the attached I\/O-box.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274855527,"sku":"6031","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_pci_1_e2ccd4cd-9353-487b-8327-a970632249dd.jpg?v=1787088399"},{"product_id":"rme-madi-bridge","title":"RME MADI Bridge","description":"\u003cb\u003eOverview \u003c\/b\u003e \u003cp\u003eDeveloped as the optimal missing link between MADI devices of any manufacturer, RME's MADI Bridge is patchbay, distributor, signal buffer and input selector, all at the same time - and thus mandatory for every MADI user. Up to 16 devices can be freely connected with each other by 6 coaxial (BNC) and 2 optical in- and output pairs. Thanks to an intuitive and easy to navigate user interface, the device is easy to understand and to operate. The MADI Bridge adds to RME's MADI series as a comfortable, even MIDI controlled device management solution - as always with RME for a sensational low price! \u003c\/p\u003e\u003cp\u003eAll input signals are routed unaltered to the desired outputs. Like this, the MADI Bridge supports any format, no matter if it is 56 or 64 channels or includes special invisible control commands, any sample rates and even out-of-spec data rates or violations of the MADI protocol. Thanks to a special equalizing and highly sensitive input stages, coaxial cable lengths of 100 m can be used - even between several devices. Some application examples: \u003c\/p\u003e\u003cp\u003e- 8 x 8 MADI matrix\u003cbr\u003e- MADI coaxial from \/ to optical converter and distributor\u003cbr\u003e- MADI patchbay, route \u003c\/p\u003e\u003cp\u003eThe MADI Bridge is compatible to MADI interfaces from Sony, Merging, Lawo, Euphonix, Stagetec, Jünger, Audio Service. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274888295,"sku":"6032","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_madi_bridge_1.jpg?v=1787088398"},{"product_id":"rme-adi-642-madi-aes-converter","title":"RME ADI-642 MADI-AES Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-642\u003c\/span\u003e, an 8-channel format converter from MADI to AES and vice versa, is the latest addition to RME's successful MADI series. Amongst other applications, the unit can serve as ideal AES\/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24 bit are supported. Its most outstanding feature is an easy-to-use 72x72 routing matrix, which can assign an individual input channel to every single output channel, allowing free configuration of all 64 MADI channels and the 8 AES channels. Additional features include: \u003cul\u003e \u003cli\u003eNative support for AES Double and Quad Wire \u003c\/li\u003e\n\u003cli\u003eNative support for MADI Double and Quad Wire \u003c\/li\u003e\n\u003cli\u003eDirect conversion between these formats \u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation when using more than one unit \u003c\/li\u003e\n\u003cli\u003eAnalog stereo monitor output, up to 192 kHz \u003c\/li\u003e\n\u003cli\u003eDetailed status display for MADI and AES \u003c\/li\u003e\n\u003cli\u003eCompletely remote controlable via MIDI \u003c\/li\u003e\n\u003cli\u003eTransfer of MIDI data via MADI \u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter reduction and clock regeneration\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe compact unit with 19\" width and 1 unit height serves as format converter MADI to\/from AES . MADI handles 64 channels of 24 bit audio at sampling frequencies up to 48kHz, 32 channels up to 96kHz, and 16 channels up to 192kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES\/EBU channels are provided via 4 XLR inputs and outputs, respectively. The ADI-642 accepts 56 channels and 64 channels as well as 96k and 192k frame at its input, and can be set to generate those formats at its output. This way the ADI-642 even serves as perfect interface between otherwise incompatible MADI devices.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274921063,"sku":"6033","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_642_1.jpg?v=1787088401"},{"product_id":"rme-adi-2-ad-da-converter","title":"RME ADI-2 AD\/DA Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-2\u003c\/span\u003e is a both compact and extremely flexible 2-channel Hi-End AD\/DA-converter. The small 9.5\" unit offers top notch AD\/DA-conversion from\/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is – simply get connected! \u003cp\u003eKey features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and it's capability to run on a wide range of power supplies. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe ADI-2 is equipped with a balanced stereo line input via two Neutrik XLR\/phones combo jacks, a balanced stereo line output with XLR plus separate and simultaneously active phone jacks, as well as an adjustable headphone output. \u003c\/p\u003e\u003cp\u003eThe analog inputs and outputs use the same circuit design as RME's famous ADI-8, guaranteeing outstandingly low noise and distortion. Three different settings for the input and output levels each provide perfect compatibility on analog domain. A further highlight is SteadyClock, a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 uses the latest generation of AD\/DA-converters capable of up to 192 kHz sampling frequency at a S\/N ratio of 110 dB. \u003c\/p\u003e\u003cp\u003eBut the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I\/O has switchable Channel Status to make it fully AES\/EBU compatible. The optical TOSLINK I\/Os can handle up to 192 kHz and also serve as ADAT I\/Os with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD\/DA mode. The clear layout and the distinct labeling of the front panel with its functional buttons, the informative status displays, a 6 LED level meter as well as the tidy functional back panel make it easy to operate the unit right out of the box. Protective rack handles and a strain-relief for power cord and audio cables are further useful details that make the ADI-2 even more unique. \u003c\/p\u003e\u003cp\u003e\u003cb\u003ePower to this unit!\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eFollowing the 'Universal Power Supply' philosophy of RME's Digiface, Multiface, QuadMic und OctaMic, the ADI-2 comes with an external switching power supply. Its additional internal switching power supply has been specially designed and optimized for audio applications. It accepts any voltage from 7 to 30 V, be it AC or DC, and even runs on batteries and rechargeable batteries. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274953831,"sku":"6038","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi2_1.jpg?v=1787088399"},{"product_id":"rme-adi-4-dd-converter","title":"RME ADI-4 DD Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-4 DD\u003c\/span\u003e is a simplified and highly cost-efficient smaller version of the renowned ADI-8 DD. Built into a space-saving half-rack space enclosure, the ADI-4 DD includes all of the advanced technology of the ADI-8 DD, except for sample rate conversion and TDIF ports. The actual states of incoming and outgoing signals and ongoing operations within the unit are displayed by LEDs in an easily overseeable way. SyncCheck®, already found in other RME products, not only shows if an input signal is locked, but also if multiple inputs are in synchronicity. Furthermore RME's SyncAlign® technology prevents accidental errors of ± 1 sample misalignment between the AES\/EBU inputs. The AES output signal can be set to Professsional or Consumer subcode. Channel 1\/2 can optionally be received and output optically (TOSLINK). \u003cp\u003eRME's SteadyClock™ technology guarantees an excellent performance in all clock modes. Its highly efficient jitter suppression enables the ADI-4 DD to refresh and clean up any clock signal, and to provide the clock signal as reference clock at the word clock output. Additionally, our Intelligent Clock Control (ICC) will maintain the last sample rate detected as valid in case of fault and loss of input signal. The device can be stacked without limit, all devices will be sample synchronous by using word clock. All settings are stored at power-off. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eConnectivity\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe device basically consists of two converters: four AES-3 inputs to double ADAT outputs, and double ADAT inputs to four AES-3 outputs. The double ADAT ports enable full 8 channel support, from 32 kHz up to 96 kHz (S\/MUX). The unit provides one XLR I\/O directly. A DB-25 connector allows for a use of industry standard AES-3 I\/O breakout cables. 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The combination Hammerfall\/ADI-8 DS allows DVD-compatible Hi-End recordings (up to 8 channel @ 96 kHz), at an astonishing low price. \u003c\/p\u003e\u003cp\u003eThe ADI-8 DS is an 8 channel AD\/DA converter with reference approach. The compact 19\" 1U rackmount enclosure includes several outstanding features, like Intelligent Clock Control (ICC), SyncCheck®, SyncAlign®, TDIF\/ADAT converter and Bit Splitter. AD- and DA-circuit automatically operate either independently or linked. The latest 24 bit converters with 128 times oversampling achieve 117 dBA true dynamic range. All digital inputs and outputs operate at full 24-bit resolution. If you have been waiting for a flexible, fully professional yet affordable multi-channel converter - the wait is over. \u003c\/p\u003e\u003cp\u003eUse the following feature list to compare our ADI-8 DS with all other multitrack converters, and you will agree: The ADI-8 DS has the best price\/performance ratio! \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cli\u003e8 channel AD-converter, completely symmetrical and DC-coupled audio path, 117 dBA SNR AD \u003c\/li\u003e\u003cli\u003e8 channel DA-converter, balanced output, 112 dBA DA \u003c\/li\u003e\u003cli\u003eADAT optical inputs, 24 bit, based on RME's unsurpassed Bitclock PLL for sample accurate lock \u003c\/li\u003e\u003cli\u003eADAT optical outputs, 24 bit, fully compatible to all ADAT optical inputs \u003c\/li\u003e\u003cli\u003eTDIF-1 interface, 24 bit, Low Jitter PLL, Emphasis support, DA-88 compatible \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Yamaha 02R compatible technique to record 24 bit data onto 16 bit machines \u003c\/li\u003e\u003cli\u003eCopy Mode adds a unique 24 bit ADAT to\/from TDIF converter \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Copy Mode, ADAT and TDIF usable in all combinations \u003c\/li\u003e\u003cli\u003eDigital Patchbay operation, allows to copy, duplicate and distribute the digital input signals \u003c\/li\u003e\u003cli\u003eDither available, for full compatibility to 16 bit even at 96 kHz \u003c\/li\u003e\u003cli\u003eSyncCheck, unique technology to check clock synchronisation \u003c\/li\u003e\u003cli\u003eVirtual Sample Buffer, allows to use the internal Low Jitter Clock (quarz crystal) even for DA-conversion \u003c\/li\u003e\u003cli\u003eAutomatic storage of all settings \u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449275019367,"sku":"6040","price":1899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_8_ds_1.jpg?v=1787088399"},{"product_id":"rme-ai4s-192","title":"RME AI4S-192","description":"24\/192kHz 4X Balanced TRS Input Daughter Card for HDSP 9632","brand":"RME","offers":[{"title":"Default Title","offer_id":44449275052135,"sku":"6046","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_ai4s_192.jpg?v=1787088399"},{"product_id":"rme-ao4s-192","title":"RME AO4S-192","description":"24\/192kHz 4X Balanced TRS Output Daughter Card for HDSP 9632","brand":"RME","offers":[{"title":"Default Title","offer_id":44449275084903,"sku":"6047","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_ao4s_192_aio_1.jpg?v=1787088399"},{"product_id":"rme-tdif","title":"RME TDIF","description":"The TEB (TDIF Expansion Board) adds an 8-channel TDIF interface to all ADAT-capable RME cards (see below). Special features include manual choice of clock reference, status LEDs and a word clock output. \u003cp\u003e The TEB is designed for maximum flexibility. Used with the Hammerfall series and the HDSP 9652, it can even be used at sample rates of 88.2 kHz and 96 kHz. Meeting the TDIF specification, Double Line mode uses two channels in single speed to get one channel in double speed. Therefore at 88.2\/96 kHz 4 channels are available. \u003c\/p\u003e\u003cp\u003e Installation is done in a convenient manner using the supplied bracket. No PCI slot on the motherboard is needed. The integrated Clock Select Switch sets the TDIF reference clock, thus avoids any clocking problems even with 'problematic' TDIF devices\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449275117671,"sku":"6048","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_tdif.jpg?v=1787088400"},{"product_id":"rme-external-power-supply","title":"RME NT-RME-2 Lockable External Power Supply","description":"\u003cp\u003eThe \u003cstrong\u003eRME External Power Supply\u003c\/strong\u003e with locking connector is designed for use with the MADIface XT, QuadMic II, Babyface Pro, and ADI-2 Pro devices. The power supply works on 100-240 VAC and has an output of 12 V\/2 A.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Requires mains cable for operation. 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Now the revolution continues: The \u003cb\u003eRME Fireface 400\u003c\/b\u003e is not just the little brother of the Fireface 800 - it is a completely newly designed device. It is the only device in its class with active jitter suppression, stand-alone functionality, complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. \u003cbr\u003e\u003cbr\u003eAs usual, RME offer a host of sophisticated features and characteristics. These include: \u003cul\u003e \u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality \u003c\/li\u003e\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals \u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh \u003c\/li\u003e\n\u003cli\u003eSimple stand-alone operation with rotary encoder and front panel display \u003c\/li\u003e\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated \u003c\/li\u003e\n\u003cli\u003eFull mobility by Bus Power support \u003c\/li\u003e\n\u003cli\u003eDIGICheck, RME's unique meter and analysis tool \u003c\/li\u003e\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution \u003c\/li\u003e\n\u003c\/ul\u003eThe DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy\/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. \u003cbr\u003e\u003cbr\u003eA word clock input and output (BNC) plus two MIDI I\/Os (breakout cable, 5-pin DIN) complete the analog\/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. \u003cbr\u003e\u003cbr\u003eThe Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. \u003cbr\u003e\u003cbr\u003eEight inputs and outputs (balanced, output 7\/8 unbalanced) with software controlled switching of the reference levels (-10 dBV, +4 dBu, Lo\/HiGain), of course realized discretely in the analog domain, guarantee highest dynamic range and highest fidelity. \u003cbr\u003e\u003cbr\u003eThe Fireface 400's front panel features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre amplification of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, exceptional EIN performance even at low pre-amplification settings, and extremely low THD+N let these preamps surpass those of other devices that cost several times the price of the Fireface 400. All level settings are 100% reproducible and can also be adjusted by software comfortably. \u003cbr\u003e\u003cbr\u003eInputs 3 and 4 are extremely flexible balanced universal inputs. Firstly, they operate exactly as inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). Furthermore, the input impedance can be switched from Line (10 kOhm) to Instrument (470 kOhm). An additional analog input amplification of up to 18 dB (in steps of 0.5 dB) is also available. In short: There's no signal that these inputs can't deal with perfectly! \u003cbr\u003e\u003cbr\u003eInputs 5 to 8 on the rear feature RME's proven level references. -10 dBV, +4 dBu und LoGain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu und +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The high power phones output offers high volumes even with low-impedance headphones, and represents playback channels 7\/8. All outputs can be used for ASIO Direct Monitoring purposes. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDigital I\/Os\u003c\/b\u003e \u003cbr\u003eAn ADAT optical I\/O allows for a connection and insertion of effects devices, mixing consoles or external converters. Of course, these 8 channels are available simultaneously with the analog channels. Using an additional ADI-8 DS or OctaMic D, you'll get 16 analog inputs and outputs, which remain still 12 at 96 kHz. The coaxial SPDIF I\/O , which is fully AES\/EBU compatible (as is common for RME), also works up to 192 kHz, which means that at the highest sample rate, 8 analog and two digital inputs and outputs are directly available. SPDIF can also be accessed through the optical I\/O, which also works up to 192k - a world exclusive RME feature. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003eThanks to an internal flash memory, all settings including TotalMix are recalled during boot. The device can thus be configured and used as a stand-alone device, without being connected to a computer, e.g. as a submixer, A\/D and D\/A-converter, headphone mixer, format converter, instrument or microphone pre-amplifier, monitoring mixer and much more. \u003cbr\u003e\u003cbr\u003eThe Fireface 400 is equipped with SteadyClock™, RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. SteadyClock refreshes clock signals, removes jitter, and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality. \u003cbr\u003e\u003cbr\u003eSteadyClock allows the unit to control the sample rate freely on its own. The Settings dialog includes a direct choice of the video and audio world's most often used sample rates. Additionally, two faders can be used to set the sample rate freely and in real-time, within the range of +\/- 4% and +\/- 0.4%. \u003cbr\u003e\u003cbr\u003eFireface 400 uses RME's own FireWire techology, heavily optimized for audio purposes (RME is the only manufacturer not to use a third party FireWire audio technology). Minimum overhead, special hardware adaptations, and a new low-latency buffer concept allow a performance and compatibility considered impossible for FireWire audio until now. This includes changing latency in mid-operation, latencies down to one ms, or an immediate reaction to changes of the sample rate. Further optimizations and additional features can be added at any time by Flash Updates. \u003cbr\u003e\u003cbr\u003eOf course the Fireface 400 offers a second FireWire port for hub functionality. Several devices can be connected to one FireWire interface and operated in parallel. The renowned Fireface 800 shares the same driver, allowing mixed setups.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294057575,"sku":"7939","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_fireface_400_1.jpg?v=1787088443"},{"product_id":"rme-tco-hdsp","title":"RME TCO HDSP","description":"The new TCO-HDSP adds time code capabilities to various cards of the HDSP series. The TCO can be used for clock generation and sync\/chase with LTC. The TCO-HDSP is an optional card for a free standard computer slot, without requiring a PCI slot on the motherboard. \u003cp\u003e The TCO derives a stable word clock signal from Video, LTC and word clock sources. This allows connection and sample-accurate synchronisation of various audio and video applications with time code information. \u003c\/p\u003e\u003cp\u003e LTC can be derived and generated in all common formats, i.e. 24, 25, 30, and 29.97 frames; drop-frame or non-drop-frame. \u003c\/p\u003e\u003cp\u003e Commonly used Pull-Up- und Pull-Down Formats (+\/- 0.1% und +\/- 4%) can be utilised, and PAL and NTSC video formats will be automatically detected and processed. \u003c\/p\u003e\u003cp\u003e The generated Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software\/driver routine). \u003c\/p\u003e\u003cp\u003e Several fly-wheel functions facilitate chase operation (adjustable drop-out length, Continuous- or Jam-Sync). All settings can be accessed conveniently from an additional page in the settings dialog of the HDSP card. \u003c\/p\u003e\u003cp\u003e The TCO HDSP has a combined switchable Word Clock \/Video Input (BNC) as well as an LTC input (BNC). The Word Clock \/Video Input on the card can comfortably be terminated (relay-controlled) with a 75 Ohm terminator from the settings dialog. \u003c\/p\u003e\u003cp\u003e The TCO features an LTC Output (BNC) with two level settings (configurable via jumper) and a Word Clock Output (BNC). \u003c\/p\u003e\u003cp\u003e Various practical combinations of TCO HDSP and HDSP interface cards: \u003c\/p\u003e\u003cp\u003e The TCO HDSP can be combined with one or more HDSP AES-32 cards. \u003c\/p\u003e\u003cp\u003e Thanks to the common driver, the TCO HDSP can also be used with a combination of HDSP AES-32 and the HDSP MADI. This allows for the use of the TCO with the HDSP MADI as well.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294123111,"sku":"7941","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_tco.jpg?v=1787088444"},{"product_id":"rme-tco-ff-fireface-800-time-code-option-module","title":"RME TCO FF Fireface 800 Time Code Option Module","description":"The new TCO-FF adds time code capabilities to FIREFACE 800. The TCO can be used for clock generation and sync\/chase with LTC. The TCO-FF is an optional card for FIREFACE 800. \u003cp\u003e The TCO derives a stable word clock signal from Video, LTC and word clock sources. This allows connection and sample-accurate synchronisation of various audio and video applications with time code information. \u003c\/p\u003e\u003cp\u003e LTC can be derived and generated in all common formats, i.e. 24, 25, 30, and 29.97 frames; drop-frame or non-drop-frame. \u003c\/p\u003e\u003cp\u003e Commonly used Pull-Up- und Pull-Down Formats (+\/- 0.1% und +\/- 4%) can be utilised, and PAL and NTSC video formats will be automatically detected and processed. \u003c\/p\u003e\u003cp\u003e The generated Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software\/driver routine)\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294155879,"sku":"7942","price":529.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_fireface_800_tco.jpg?v=1787088444"},{"product_id":"rme-adi-6432-madi-aes-converter","title":"RME ADI-6432 MADI-AES Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-6432\u003c\/span\u003e offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES\/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24 bit are supported. Built with 2 units height there is enough space for all connectors and control elements. Of course the unit includes lots of typical RME-features: \u003cp\u003e \u003c\/p\u003e\u003cli\u003eSupport for up to 192 kHz with MADI and AES \u003c\/li\u003e\u003cli\u003eUnique status displays for MADI and AES \u003c\/li\u003e\u003cli\u003eSteadyClock for maximum jitter reduction and clock regeneration \u003c\/li\u003e\u003cli\u003eCompletely remote controlable via MIDI \u003c\/li\u003e\u003cli\u003eTransfer of MIDI data via MADI \u003c\/li\u003e\u003cli\u003eTransfer of RS232 data via MADI \u003cp\u003eThe compact unit with 19\" width and 2 unit height serves as format converter MADI to\/from AES. MADI handles 64 channels of 24 bit audio at sampling frequencies up to 48 kHz, 32 channels up to 96 kHz, and 16 channels up to 192 kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES\/EBU channels are provided as 32 AES\/EBU inputs and outputs via D-sub connectors. The ADI-6432 accepts 56 channels and 64 channels as well as 96k frame at its input, and can be set to generate those formats at its output. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFeatures \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003eRME's SteadyClock™ lets the ADI-6432 use MADI without an additional word clock connection, and guarantees excellent clock quality in every situation. Due to the highly efficient jitter reduction, any clock signal - even AES and word clock - can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal. \u003c\/p\u003e\n\u003cp\u003eThe ADI-6432 supplies word clock in Single, Double und Quad Speed, distributes Double Wire 96 kHz signals into the MADI data stream, and even supports the double MADI sample rate (96K frame). The SyncAlign® and SyncCheck® technologies known from other RME products ensure perfect synchronization and clear detection of errors. Also multiple units can be stacked and operated sample-aligned, using word clock. All settings are stored when the unit is switched off. \u003c\/p\u003e\n\u003cp\u003eA fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about lock and sync states, audio content and the physical quality of the incoming signal. \u003c\/p\u003e\n\u003cp\u003eThe front panel features an exciting and detailed Sync and Audio State display with 97 LEDs. Furthermore there are lots of buttons with clear LED function display. Especially in a professional application, exact display and control of all incoming and outgoing signals, including MIDI and RS232, becomes indispensable. Errors can be detected at a glance. The control keys can be locked to prevent accidental changing of settings.\u003c\/p\u003e\n\u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294188647,"sku":"7944","price":4099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_6432_1.jpg?v=1787088444"},{"product_id":"rme-madi-converter","title":"RME MADI Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME\u003c\/span\u003e \u003cb\u003eMADI Converter\u003c\/b\u003e converts MADI digital audio streams from optical format to coaxial and from coaxial to optical. The compact 19\" housing with 1 unit height contains six fully independent bi-directional converters.\u003cbr\u003e\u003cbr\u003eThe MADI converter is an ideal companion to RME's \u003ca href=\"https:\/\/vintageking.com\/New-Brands\/RME\/RME-MADI-Bridge\"\u003e\u003cb\u003eMADI Bridge\u003c\/b\u003e\u003c\/a\u003e. Its six coaxial inputs and outputs can be converted to optical, which is advantageous in live and installed setups, and for longer cable lengths. The device can be placed underneath the MADI Bridge ideally; the coaxial in- and outputs of the two devices will be right next to each other vertically, and can be connected with short patch cables easily. \u003cp\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294221415,"sku":"7945","price":2449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_madi_converter_1.jpg?v=1787088444"},{"product_id":"rme-alva-digital-break-out-cable-192khz-sub-d-1-0-m","title":"RME Alva Digital Break-Out Cable 192kHz Sub-D 1m","description":"25-pin Sub-D and 25-pin Sub-D, 1.0 Meter, Black, for AES-32, BOB-32, ADI-192DD, ADI-4 DD, ADI-8 DS \u0026amp; OctaMic D","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294254183,"sku":"7963","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_alva_digital_break_out_cable_192khz_sub_d_1m.jpg?v=1787088444"},{"product_id":"rme-alva-digital-break-out-cable-192khz-sub-d-3-0-m","title":"RME Alva Digital Break-Out Cable 192kHz Sub-D 3m","description":"25-pin Sub-D and 25-pin Sub-D, 3.0 Meter, Black, for AES-32, BOB-32, ADI-192DD, ADI-4 DD, ADI-8 DS \u0026amp; OctaMic D","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294286951,"sku":"7964","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_alva_digital_break_out_cable_192khz_sub_d_1m_1.jpg?v=1787088444"},{"product_id":"rme-alva-digital-break-out-cable-192khz-sub-d-5-0-m","title":"RME Alva Digital Break-Out Cable 192kHz Sub-D 5m","description":"25-pin Sub-D and 25-pin Sub-D, 5.0 Meter, Black, for AES-32, BOB-32, ADI-192DD, ADI-4 DD, ADI-8 DS \u0026amp; OctaMic D","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294319719,"sku":"7965","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_alva_digital_break_out_cable_192khz_sub_d_1m_1_1.jpg?v=1787088444"},{"product_id":"rme-hdspe-madi-card","title":"RME HDSPe MADI Card","description":"The\u003cspan style=\"font-weight: bold;\"\u003e RME HDSPe MADI\u003c\/span\u003e is both an inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line. \u003cbr\u003e\u003cbr\u003e The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved. \u003cbr\u003e\u003cbr\u003e Compared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher samplerates than 96 kHz, more features in TotalMix (phase and inernal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too. \u003cbr\u003e\u003cbr\u003e HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES\/EBU frontend with 64 channels is available. \u003cbr\u003e\u003cbr\u003e On a powerful PC\/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299497063,"sku":"8910","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme-hdspe-madi-23_8910_1_1a63d87a-cc7e-4203-8261-d0385b03cd4d.jpg?v=1787088459"},{"product_id":"rme-i64-madi-card","title":"RME i64 MADI Card","description":"The I64 MADI Card provides the Micstasy with a 64-channel MADI input and output. Coaxial and and optical output operate in parallel to the AES\/EBU and ADAT output, therefore deliver the same data. \u003cbr\u003e\u003cbr\u003e The I64 MADI Card features an optical as well as a coaxial MADI input. The input is switched automatically, according to where a valid input signal is detected. Full redundancy is ensured by the automatic input switching, immediately changing to the other input in case of loss of the input signal. \u003cbr\u003e\u003cbr\u003e The MADI input will operate as an optional clock source (Clock section, OPTN) as well as a thru-input. Since each Micstasy uses only 8 channels, up to 56 channels can be passed through. This technique is used to serially cascade several Micstasys. Incoming MADI data is passed through unchanged, only one block of eight channels is replaced. This allows up to 8 devices to be connected serially. All 64 combined channels are available at the last device's MADI output. \u003cbr\u003e\u003cbr\u003e With an installed I64 MADI Card the Micstasy can be remote controlled via MADI. At the same time MIDI data are transmitted via MADI. \u003cbr\u003e\u003cbr\u003e When multiple devices are connected serially, the MADI I\/O of each Micstasy causes a delay of 3 samples. Therefore at the MADI output of the last device, the data of all upstreamed devices are delayed. The problem of this offset is solved by the function Delay Compensation. \u003cbr\u003e\u003cbr\u003e Using the I64 MADI Card provides the ability of 8 channels being used as digital return path, sending audio via MADI to the Micstasy's ADAT and AES outputs. For example stage and studio monitors can be fed digitally from the Micstasy. On stage the use of an additional D\/A-converter (e.g. ADI-8 DS might be necessary. The MADI output continues to carry the analog input signals and the fed-through input data.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299529831,"sku":"8914","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_i64_madi_card.jpg?v=1787088459"},{"product_id":"rme-hdspe-aes-32-i-o-system","title":"RME HDSPe AES-32 I\/O System","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME Hammerfall DSPe AES-3\u003c\/span\u003e2 is a short-length PCI Express card with AES\/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I\/O ports, word clock I\/O, and can be used with the optional TCO module for synchronization to LTC and video. \u003cbr\u003e\u003cbr\u003e The AES-32 is RMEs reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage\/PA - and in any professional studio. \u003cbr\u003e\u003cbr\u003e The card's mainboard contains word clock I\/O and a 25-pin D-sub connector, providing four AES inputs and four AES outputs via standard digital breakout cable (Tascam pinout). The word clock input is galvanically isolated via transformer and operates on Single, Double and Quad Speed signals automatically. The expansion board adds audio channels 9-16 and a connector for a MIDI breakout Cable with two MIDI I\/Os (four 5-pin DIN connectors). It does not require a PCIe slot. \u003cbr\u003e\u003cbr\u003e The card is not based on a PCI to PCI Express bridge, which would simply add PCIe to existing PCI technology. It is a newly developed genuine PCI Express solution, which consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299595367,"sku":"8916","price":1249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_aes_32.jpg?v=1787088460"},{"product_id":"rme-micstasy","title":"RME Micstasy 8-Channel Microphone\/Line Preamp with AD","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME Micstasy\u003c\/span\u003e is an 8-channel hi-end mic\/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic\/Line In to Line Out) and digital (Mic\/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI). \u003cbr\u003e\u003cbr\u003e The Micstasy's innovative concept allows for amplification and digitization of ALL analog signal sources. Be it high-level stage signals, typical studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones: Micstasy understands them all - in a way that is simply thrilling. \u003cbr\u003e\u003cbr\u003e The signals amplified by the Micstasy are available at the analog outputs for passing them on, making an expensive splitter box on stage obsolete. All functions can be remote controlled via MIDI and MIDI over MADI, allowing the device to be placed near the microphones, ensuring highest sound quality. Adding the optional MADI Card results in even more options. The I64 MADI Card provides serial pass-through capability from one Micstasy to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible between Micstasy and ADI-8 QS.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299562599,"sku":"8911","price":4599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_micstasy_1_1.jpg?v=1787088459"},{"product_id":"rme-hdspe-aio","title":"RME HDSPe AIO","description":"RME presents the world's most versatile PCI Express audio interface - the \u003cspan style=\"font-weight: bold;\"\u003eHDSPe AIO\u003c\/span\u003e. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES\/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC\/video). All this combines into a professional 'soundcard' that the world has not seen before.\u003cbr\u003e\u003cbr\u003eHDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bug fixes can be installed easily at any time.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSettings \u003c\/span\u003e\u003cbr\u003eJust click on the hammer symbol in the systray of the taskbar and the settings dialog of the HDSPe AIO comes up. The clear structured, easy to understand window plus the unique informative \u003cbr\u003estatus windows for input signal, clock mode and sample rate make your work with the card to a real pleasure. When working with several digital sources it is not only necessary to know if these \u003cbr\u003eare properly locked, but also if they are totally synchronized. RME’s exclusive SyncCheck® checks all input signals and displays their actual state, and thanks to RME’s Intelligent Clock Control \u003cbr\u003e(ICC) concept you have all clocks and states under control - with ease. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eOptional Expansions \u003c\/span\u003e\u003cbr\u003eHDSP TCO: Timecode Option Module with enhanced sync capabilities for HDSPe cards. 1 x word clock I\/O, 1 x video sync input (switchable from wc in), 1 x LTC I\/O \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAnalog-Expansions\u003c\/span\u003e\u003cbr\u003eAn easy to handle ribbon cable connects the optional AI4S-192 and AO4S-192. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I\/O of the HDSPe AIO: up to 192 kHz, balanced operation and 3 different reference levels. With this a maximum of 6 analog inputs and 8 analog outputs can be achieved. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWord-Clock-Expansion\u003cbr\u003e\u003c\/span\u003eThe optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eTDIF-Expansion\u003c\/span\u003e\u003cbr\u003eHDSPe AIO can also provide a TDIF interface when using the TEB module. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures: \u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBalanced* stereo analog in- and output, 24-bit\/192kHz, \u0026gt; 112 dB SNR \u003c\/li\u003e\n\u003cli\u003eOptional analog expansion boards with 4 balanced in- or outputs \u003c\/li\u003e\n\u003cli\u003eAll analog I\/Os capable of 192 kHz, constant number of available channels \u003c\/li\u003e\n\u003cli\u003e1 ADAT digital I\/O, supporting 192 kHz via S\/MUX4 operation \u003c\/li\u003e\n\u003cli\u003e1 SPDIF digital I\/O, 192 kHz-capable \u003c\/li\u003e\n\u003cli\u003e1 AES\/EBU digital I\/O, 192 kHz-capable \u003c\/li\u003e\n\u003cli\u003e1 Stereo headphone output, separate DA-converter and playback device \u003c\/li\u003e\n\u003cli\u003eSo up to 18 inputs and 20 outputs can be used simultaneously! \u003c\/li\u003e\n\u003cli\u003e1 MIDI I\/O with 16 channels of hi-speed MIDI via breakout cable \u003c\/li\u003e\n\u003cli\u003eDIGICheck, RME’s unique metering- and analysing tool \u003c\/li\u003e\n\u003cli\u003eTotalMix: 760 channel Mixer with 42 bit internal resolution \u003c\/li\u003e\n\u003cli\u003eNative PCI Express - no PCI to PCI Express bridge used \u003c\/li\u003e\n\u003c\/ul\u003e* The HDSPe AIO ships in a basic version with analog RCA\/phono breakout cables (headphone: TRS jack). Therefore all analog I\/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME’s own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded software: \u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools. \u003c\/li\u003e\n\u003cli\u003eDrivers: Windows 2000\/XP\/Vista\/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI). \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299660903,"sku":"8920","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdspe_aio.jpg?v=1787088460"},{"product_id":"rme-hdspe-pci-card","title":"RME HDSPe PCI Card","description":"In the year 2001 RME started a revolution in mobile audio recording: the HDSP System, consisting of a PCI or CardBus card plus an external I\/O-box has been the world's first audio system, operating at both desktop and laptop. And the world's first professional multitrack system for notebooks at all. \u003cbr\u003e\u003cbr\u003e Today we are proud to look back and conclude: the HDSP system has become a true 'industry standard'. Thanks to continuing firmware and driver updates it stayed a cutting-edge product, still offers un-beaten performance, and still enjoys great popularity among the users. \u003cbr\u003e\u003cbr\u003e The PCI Express card uses RME's own audio bus, already known from the PCI version, operating in combination with Multiface II, Multiface, Digiface and the RPM DJ interface. RME is especially proud on the fact that all users of RME interfaces can easily expand their system so that it operates with the latest and fastest PCI Express computers and Windows Vista, not loosing all the money formerly invested in audio hardware. A 6 year old Multiface of the first generation can still be used today with the fastest multi-processor systems! As additional option the HDSPe PCI card can be used directly with RME's Time Code Option Module, offering an SMPTE controlled operation. \u003cbr\u003e\u003cbr\u003e RME's HDSPe PCI card is not based on a PCI to PCI Express bridge, which would simply add PCIe to existing PCI technology. It is a newly developed genuine PCI Express solution, which consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio. \u003cbr\u003e\u003cbr\u003e Thanks to RME's flash update technology, future firmware improvements, adjustments, and bugfixes can be installed easily at any time. \u003cbr\u003e\u003cbr\u003e The PCI Express interface of the HDSP system is based on the PCI Express Base Specification v 1.1. It represents a 1-Lane PCI Express Endpoint Device and supports 2.5 Gbps line speed. Thanks to the packet-based full duplex communication, the card provides a transfer rate of up to 500 MB\/s - 250 MB\/s in every direction. \u003cbr\u003e\u003cbr\u003e The connection between PCI card and I\/O box is established using ordinary firewire cable (IEEE 1394, 6-pole.) The data transfer does not use Firewire protocol, but our own proprietary bus protocol. The supplied cable is 4.5 m (15 ft.) long. The PCI card operates as power supply for the attached I\/O-box (Digiface, Multiface, Multiface II, RPM) over the FireWire cable.","brand":"RME","offers":[{"title":"Default Title","offer_id":44449299628135,"sku":"8921","price":549.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdsp_pci.jpg?v=1787088460"},{"product_id":"rme-hdspe-raydat","title":"RME HDSPe RayDAT","description":"\u003cspan style=\"font-weight: bold;\"\u003eRME HDSPe RayDAT\u003c\/span\u003e is a multi-channel, multi-format and multi-task tool in stunning professional quality, the ideal solution from recording up to the final mastering. For the first time, even SPDIF (phono) and AES\/EBU (XLR) are simultaneously operational due to separated hardware and record\/playback devices. RayDAT offers no less than 4 x ADAT optical I\/O, SPDIF I\/O and AES\/EBU I\/O. That's a whopping 36 channels of inputs and outputs. On top, there are 2 MIDI I\/Os and TotalMix, RME's unsurpassed DSP-based real-time mixer\/router, with hardware-calculated level metering and complete MIDI remote capability. HDSPe RayDAT also supports the optional TCO for synchronization to timecode (LTC\/video).\u003cbr\u003e\u003cbr\u003eInternal ADAT inputs and outputs allow to add up to two TDIF ports directly inside the computer via RME's optional expansion boards.\u003cbr\u003e\u003cbr\u003eHDSPe RayDAT is the newly developed PCI Express version of the HDSP 9652. A genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe HDSPe RayDAT provides unique features:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4 x ADAT digital I\/O, supporting 192 kHz via S\/MUX4 operation\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O, 32 channels high-speed MIDI via breakout cable\u003c\/li\u003e\n\u003cli\u003eUp to 36 inputs and 36 outputs can be used simultaneously!\u003c\/li\u003e\n\u003cli\u003eTotalMix: 2592 channel mixer with 42 bit internal resolution\u003c\/li\u003e\n\u003cli\u003eNative PCI Express - no PCI to PCI Express bridge used\u003c\/li\u003e\n\u003cli\u003eS\/MUX poured in hardware: 16 channels 24-bit\/96kHz for record and playback on ADAT optical\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eHDSPe RayDAT includes SteadyClockTM, RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eIncluded software:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDIGICheck for Windows:\u003c\/span\u003e Spectral Analyser, professional level meter for 2, 8, or 36 channels, Vector Audio Scope, various other audio analysis tools.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDrivers:\u003c\/span\u003e Windows 2000\/XP\/Vista\/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSupported sample frequencies:\u003c\/span\u003e Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e8 buffer sizes\/latencies available:\u003c\/span\u003e 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAll settings changeable in real-time\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAutomatic and intelligent master\/slave clock control\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eEnhanced Mixed mode:\u003c\/span\u003e All inputs and outputs simultaneously operational\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eUnsurpassed Bitclock PLL\u003c\/span\u003e (audio synchronization) in ADAT mode\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eTMS (Track Marker Support):\u003c\/span\u003e Supports CD\/DAT start-IDs and the read out of CD subcode\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDIGICheck\u003c\/span\u003e, RME's ultimate measurement, analysis and test tool\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eUnique status windows\u003c\/span\u003e for record and playback, showing mode and sample\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSuper low jitter design:\u003c\/span\u003e \u0026lt; 1 ns in all clock modes","brand":"RME","offers":[{"title":"Default Title","offer_id":44449308835943,"sku":"11216","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_hdspe_raydat_4fc04e55-33bb-45c9-8670-70e83969ea29.jpg?v=1787088497"},{"product_id":"rme-madi-optical-cable-duplex-6m","title":"RME MADI Optical Cable, Duplex, 6m","description":"Optical Cable for use with all RME products with optical MADI I\/Os","brand":"RME","offers":[{"title":"Default Title","offer_id":44449317716071,"sku":"11968","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_madi_optical_cable_duplex_4.jpg?v=1787088531"},{"product_id":"rme-madi-optical-cable-duplex-50m","title":"RME MADI Optical Cable, Duplex, 50m","description":"Optical Cable for use with all RME products with optical MADI I\/Os","brand":"RME","offers":[{"title":"Default Title","offer_id":44449317748839,"sku":"11969","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_madi_optical_cable_duplex_3.jpg?v=1787088531"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/rme.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}