{"title":"Schoeps Mikrofone","description":null,"products":[{"product_id":"schoeps-microphones-cardioid-st","title":"Schoeps CMC 64 Cardioid Condenser Microphone Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 64 Microphone Stereo Set\u003c\/strong\u003e is a complete cardioid condenser microphone stereo set including two CMC amplifiers, two MK 4 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 4 Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 4 has been a reference microphone for years in a wide variety of recording situations.\u003c\/p\u003e  \u003cp\u003eDue to its transparent sound character and excellent attenuation of rear-incident sound, it reproduces sound sources very naturally. This has given the MK 4 a reputation as a universal \"problem solver\" even in difficult recording situations.\u003c\/p\u003e  \u003cp\u003eIts flat frequency response, and the constancy of its directional pattern for all frequencies, are the basis of the MK4’s sound quality. Even in the diffuse sound field its frequency response is flat, with a slight increase at 10 kHz compensating for high-frequency losses in the room.\u003c\/p\u003e  \u003cp\u003eThus the sound image is transparent for direct-arriving sound, for sound arriving from the side, and for diffuse sound in the room (reverberation).\u003c\/p\u003e  \u003cp\u003eThe MK 4 is a classic small-diaphragm microphone with all the advantages of this microphone type. Its frequency response and the consistency of its polar diagram from low to high frequencies are exemplary.\u003c\/p\u003e  \u003cp\u003eLike all SCHOEPS capsules, the MK 4 achieves its flat frequency response solely by its mechanical architecture, without any electronic filtering.\u003c\/p\u003e  \u003cp\u003eAs a pressure gradient transducer, the MK 4 has a single diaphragm that is exposed to the sound from both the front and rear. The side sound inlets must therefore never be covered.\u003c\/p\u003e  \u003cp\u003eThe “reach” (distance factor) of a classic cardioid such as the MK 4 is about 1.7 times that of an omnidirectional microphone. Thus even at greater distances from the sound source, direct sound can be obtained. The advantages of the MK 4 are shown especially when mixing several microphone signals - pickup of sound from the side is reduced in level but not subject to coloration.\u003c\/p\u003e  \u003cp\u003eAt 90° the attenuation of the MK 4 is 6 dB, and at 180°, some 20 to 30 dB. Diffuse-incident sound is picked up 4.8 dB lower in level than front-arriving sound.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCardioid pattern\u003c\/li\u003e \u003cli\u003eThe best-selling Schoeps capsule\u003c\/li\u003e \u003cli\u003eDirectivity is highly independent of frequency\u003c\/li\u003e \u003cli\u003eUniversally applicable; preferred use as spot microphone, for acoustic instruments, and in conference recording\u003c\/li\u003e \u003cli\u003eOften used in the main microphone pair for XY, ORTF and MS stereo recordings\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232093287,"sku":"15877","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-64-stereo-set_15877_1_cb68fa5b-d264-42bc-a8b7-f5ef2b54e738.jpg?v=1787088236"},{"product_id":"schoeps-mikrofone-cmc621-set","title":"Schoeps CMC 621 Wide Cardioid Condenser Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 621 Microphone Set\u003c\/strong\u003e is a complete wide cardioid condenser microphone set including amplifier, capsule, popscreen, clamp and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 21 Capsule\u003c\/h3\u003e  \u003cp\u003eThe directivity of the wide cardioid lies between the omni and the cardioid. The idea behind their development is to combine the advantages of these two patterns. The low-frequency behavior of the Schoeps MK 21 is better than that of the cardioid, and proximity effect is less pronounced. The wide cardioid polar pattern is extremely consistent across the frequency range. Laterally-arriving direct sound and reflections are picked up without added coloration. The MK 21 is a very well-liked capsule. It is preferred when a slight directional effect and a warm, natural sound image are desired. Over the years it has become an integral part of the audio engineer's toolkit.\u003c\/p\u003e  \u003cp\u003eWhen used as a spot microphone, the distance from the sound source should be slightly smaller than when using a cardioid due to lower directivity index.\u003c\/p\u003e  \u003cp\u003eThe low directivity of this capsule type prevents it from generating large enough level differences for X\/Y use, though MS and near-coincident spacings are often successful.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWide cardioid polar pattern\u003c\/li\u003e \u003cli\u003ePreferred uses: as a soloist microphone or main microphone\u003c\/li\u003e \u003cli\u003eExtremely consistent polar response leads to a very natural sound\u003c\/li\u003e \u003cli\u003eCombines the advantages of the omni (warm sound) and the cardioid (directivity)\u003c\/li\u003e \u003cli\u003ePopular as a main microphone pair e.g. at a spacing of 30 cm, angle ±45°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232126055,"sku":"12019","price":2142.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-621-set_12019_1.jpg?v=1787088237"},{"product_id":"schoeps-microphones-cmc622-set","title":"Schoeps CMC 622 Open Cardioid Condenser Microphone Set","description":"Schoeps MK 22 Open Cardioid Capsule\u003cbr\u003e The “Open Cardioid” directional pattern, occupying a point on the spectrum between the wide cardioid and classic cardioid patterns, was developed by SCHOEPS in 2008. The response is -5 dB at 90° and there is 16 dB suppression of rear-incident sound. It is in essence a variant cardioid which balances a very natural sound quality with a good degree of directionality.\u003cbr\u003e \u003cbr\u003e The years of experience which many recording engineers have had with the various types of Schoeps cardioid microphones have played a large role in the design process. The MK 4 cardioid is often relied upon as a reference microphone, even in difficult recording situations; its sonic transparency and outstanding suppression of rear-incident sound make it a universal problem-solver. The MK 21 wide cardioid offers an alternative when its lower directivity fits the recording situation, e.g. for the first desk of strings or for solo piano. This capsule type is prized for its sonic character (similar to that of a pure omnidirectional microphone) and its relative lack of proximity effect. Then the wish arose for a “middle way” which would combine these characteristics into a single capsule. The result is the MK 22 Open Cardioid.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eNew kind of directional pattern: “Open Cardioid”\u003c\/li\u003e\n\u003cli\u003eOptimal combination of classic cardioid directionality (MK 4) with the sonic character of the wide cardioid (MK 21)\u003c\/li\u003e\n\u003cli\u003eDirectional pattern largely constant throughout the frequency range\u003c\/li\u003e\n\u003cli\u003eOften preferred for spot miking and as a soloist’s microphone\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232158823,"sku":"15789","price":2142.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_microphones_cmc622_set.jpg?v=1787088237"},{"product_id":"schoeps-mikrofone-cmc641c-set","title":"Schoeps CMC641C Set","description":"Schoeps MK 41 Supercardioid Capsule\u003cbr\u003e The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eSupercardioid with highly consistent directionality throughout its frequency range\u003c\/li\u003e\n\u003cli\u003eFor music and speech\u003c\/li\u003e\n\u003cli\u003eHigh directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies\u003c\/li\u003e\n\u003cli\u003eOften preferred for use in film sound recording and as a spot microphone in orchestras\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.\u003cbr\u003e \u003cbr\u003e Schoeps Cut 1 Filter\u003cbr\u003e The CUT 1 or CUT 2 is inserted between the capsule and the microphone amplifier. The CUT filter performs two tasks:\u003cbr\u003e \u003cbr\u003e First, it prevents the effect of infrasonic disturbances from being passed on to any succeeding device.\u003cbr\u003e \u003cbr\u003e In particular, pressure-gradient transducers (directional microphones) produce very high infrasonic signal levels when exposed to wind. These can saturate an input transformer or an amplifier stage even before the audible portion of the disturbance becomes noticeable.\u003cbr\u003e \u003cbr\u003e To avoid this, a very sharp (24 dB\/oct) infrasonic filter is permanently engaged. It has only a negligible effect on speech, which is the principal field of application for the CUT 1 (cutoff frequency = 60 Hz). The CUT 2's infrasonic filter is an octave lower (i.e. 30 Hz), and has no audible effect on speech pickup whatsoever.\u003cbr\u003e \u003cbr\u003e The second task is to offset proximity effect and\/or to improve speech intelligibility in reverberant rooms by means of an additional 6 dB\/oct rolloff. By turning a recessed thumbwheel the user can vary the frequency at which this begins to have an effect, and thus tailor the low-frequency response as required. Its turnover frequency can be continuously varied between 30 Hz (CUT 2) or 70 Hz (CUT 1) and 600 Hz \u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eCan be screwed onto the CMC, CMD or M 222 microphone amplifiers\u003c\/li\u003e\n\u003cli\u003eVery effective suppression of low-frequency and infrasonic effects of wind and vibration: 24 dB\/oct below 60 Hz (CUT 1) or below 30 Hz (CUT 2)\u003c\/li\u003e\n\u003cli\u003eUser-adjustable variable rolloff\u003c\/li\u003e\n\u003cli\u003eOffsets proximity effect\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232191591,"sku":"8436","price":2162.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_microphones_cmc641c_set.jpg?v=1787088238"},{"product_id":"schoeps-mikrofone-cmc64-set","title":"Schoeps CMC 64 Cardioid Condenser Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 64 Microphone Set\u003c\/strong\u003e is a complete cardioid condenser microphone set including a CMC amplifier, MK 4 cardioid capsule, pop screen, clamp and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 4 Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 4 has been a reference microphone for years in a wide variety of recording situations.\u003c\/p\u003e  \u003cp\u003eDue to its transparent sound character and excellent attenuation of rear-incident sound, it reproduces sound sources very naturally. This has given the MK 4 a reputation as a universal \"problem solver\" even in difficult recording situations.\u003c\/p\u003e  \u003cp\u003eIts flat frequency response, and the constancy of its directional pattern for all frequencies, are the basis of the MK4’s sound quality. Even in the diffuse sound field its frequency response is flat, with a slight increase at 10 kHz compensating for high-frequency losses in the room.\u003c\/p\u003e  \u003cp\u003eThus the sound image is transparent for direct-arriving sound, for sound arriving from the side, and for diffuse sound in the room (reverberation).\u003c\/p\u003e  \u003cp\u003eThe MK 4 is a classic small-diaphragm microphone with all the advantages of this microphone type. Its frequency response and the consistency of its polar diagram from low to high frequencies are exemplary.\u003c\/p\u003e  \u003cp\u003eLike all SCHOEPS capsules, the MK 4 achieves its flat frequency response solely by its mechanical architecture, without any electronic filtering.\u003c\/p\u003e  \u003cp\u003eAs a pressure gradient transducer, the MK 4 has a single diaphragm that is exposed to the sound from both the front and rear. The side sound inlets must therefore never be covered.\u003c\/p\u003e  \u003cp\u003eThe “reach” (distance factor) of a classic cardioid such as the MK 4 is about 1.7 times that of an omnidirectional microphone. Thus even at greater distances from the sound source, direct sound can be obtained. The advantages of the MK 4 are shown especially when mixing several microphone signals - pickup of sound from the side is reduced in level but not subject to coloration.\u003c\/p\u003e  \u003cp\u003eAt 90° the attenuation of the MK 4 is 6 dB, and at 180°, some 20 to 30 dB. Diffuse-incident sound is picked up 4.8 dB lower in level than front-arriving sound.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCardioid pattern\u003c\/li\u003e \u003cli\u003eThe best-selling Schoeps capsule\u003c\/li\u003e \u003cli\u003eDirectivity is highly independent of frequency\u003c\/li\u003e \u003cli\u003eUniversally applicable; preferred use as spot microphone, for acoustic instruments, and in conference recording\u003c\/li\u003e \u003cli\u003eOften used in the main microphone pair for XY, ORTF and MS stereo recordings\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232224359,"sku":"8434","price":2142.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-64-set_8434_1.jpg?v=1787088237"},{"product_id":"schoeps-microphones-cmc68-set","title":"Schoeps CMC 68 Figure-8 Condenser Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 68 Microphone Set\u003c\/strong\u003e is a complete cardioid\/omnidirectional condenser microphone set including a CMC amplifier with MK 8 bi-directional, pop screen, clamp and wooden box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 8 Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 8 is often used for M\/S and double M\/S stereo sound in film sound and music recording, in combination with Colette or CCM microphones and\/or a CMIT shotgun microphone.\u003c\/p\u003e  \u003cp\u003eThis type of capsule is a pure dipole. The figure-eight pattern of the MK 8 remains constant from low to high frequencies, which is particularly important when used in an M\/S setup. Its sensitivity rolls off more at low frequencies than other capsules, but proximity effect (which can compensate, given relatively close placement) is also more pronounced.\u003c\/p\u003e  \u003cp\u003eProduction of the MK 8 is a special technical accomplishment, because in terms of physics, the available force due to the pressure gradient is minimal. Despite this, the MK 8 has excellent frequency and polar response, near-perfect front\/back symmetry, and low inherent noise.\u003c\/p\u003e  \u003cp\u003eThe microphone is comparatively sensitive to solid-borne sound as well as wind and breath noise. Good protection should be considered, e.g. suitable wind screening and\/or shock mounting.\u003c\/p\u003e  \u003cp\u003eThe pickup direction is lateral, i.e. perpendicular to the microphone housing, and the 0° and 180° axes are indicated respectively by red and black dots on the capsule housing. When recording with M\/S, the 0° axis (as viewed from a position behind the microphone) should point to the left, and the \"8\" engraved on top of the capsule should be precisely horizontal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFigure-8 characteristic (pure pressure-gradient transducer)\u003c\/li\u003e \u003cli\u003ePickup direction: Lateral (perpendicular to the microphone axis)\u003c\/li\u003e \u003cli\u003e0°-axis marked with a red dot\u003c\/li\u003e \u003cli\u003ePreferred application: M\/S, double M\/S and \"Blumlein\" stereo\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232289895,"sku":"12435","price":2386.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-68-set_12435_1.jpg?v=1787088238"},{"product_id":"schoeps-microphones-mstc-64g-ortf-stereo-microphone","title":"Schoeps MSTC 64g ORTF Stereo Microphone","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSchoeps MSTC 64g ORTF Stereo Microphone\u003c\/span\u003e consists of a T-shaped body with two built-in microphone ampli­fiers, and a matched pair of MK 4 cardioid capsules of the Colette modular system which are mounted 170 mm apart with an included angle of 110° (ORTF system). The stereophonic recording angle is 95°.\u003cbr\u003e\u003cbr\u003eThis is probably the simplest stereo technique in general use. In al­most any situation it produces an evenly-spread stereo image with good localization, often with­­out the need for spot or ambient miking. Setup is particularly quick and simple since the capsule spacing and angles are fixed, with only a single stand and microphone cable re­quired. Placement is relatively uncritical and the technique produces good results even in the hands of an inexperienced or hasty user.\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFor recordings with ORTF technique\u003c\/li\u003e\n\u003cli\u003ePlacement relatively uncritical\u003c\/li\u003e\n\u003cli\u003eGood stereo imaging\u003c\/li\u003e\n\u003cli\u003eFor a very wide range of recording applications\u003c\/li\u003e\n\u003cli\u003eFor 12 \/ 48 V phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232322663,"sku":"15517","price":3450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_mstc_64g_ortf.jpg?v=1787088238"},{"product_id":"schoeps-microphones-near-field-omni-st","title":"Schoeps CMC 62 Omnidirectional Condenser Microphone Set","description":"Schoeps MK 2 Omni Capsule\u003cbr\u003e This capsule type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radius, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOmnidirectional pattern\u003c\/li\u003e\n\u003cli\u003eVery flat frequency response\u003c\/li\u003e\n\u003cli\u003eCorrected for a free sound field\u003c\/li\u003e\n\u003cli\u003eFor use close to the sound source (frontal sound\u003c\/li\u003e\n\u003cli\u003eOften preferred for relatively close miking of instruments, vocalists, etc.\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232257127,"sku":"15842","price":3914.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_near_field_omni_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-open-cardioid-st","title":"Schoeps CMC 622 Open Cardioid Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 622 Microphone Stereo Set\u003c\/strong\u003e is a complete open cardioid microphone stereo set including two CMC amplifiers, two open MK 22 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 22 Capsule\u003c\/h3\u003e  \u003cp\u003eThe \"Open Cardioid\" pickup pattern was introduced by SCHOEPS in 2008. It lies between the classic cardioid and the wide cardioid, achieving both a fair amount of directivity and very natural sound quality. Many years' experience of professional recording engineers with the range of Schoeps cardioids has played a large role in the development process. Meanwhile the MK 22 has become a preferred soloist and spot microphone, thus becoming an alternative to the \"classic\" MK 4.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eOptimal combination of directionality (MK 4 cardioid) and warm sound characteristics (MK 21 wide cardioid)\u003c\/li\u003e \u003cli\u003eNatural sound quality, due to highly consistent polar diagram across the frequency range\u003c\/li\u003e \u003cli\u003ePopular for use as a spot or soloist's microphone, as the mid microphone for M\/S, or as a main microphone pair e.g. at a spacing of 21 cm, angle ±55°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232388199,"sku":"15876","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-622-stereo-set_15876_1.jpg?v=1787088238"},{"product_id":"schoeps-microphones-supercardioid-st","title":"Schoeps Microphones CMC641 ST - Supercardioid ST","description":"Schoeps MK 41 Supercardioid Capsule\u003cbr\u003e The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eSupercardioid with highly consistent directionality throughout its frequency range\u003c\/li\u003e\n\u003cli\u003eFor music and speech\u003c\/li\u003e\n\u003cli\u003eHigh directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies\u003c\/li\u003e\n\u003cli\u003eOften preferred for use in film sound recording and as a spot microphone in orchestras\u003c\/li\u003e\n\u003c\/ul\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232355431,"sku":"15878","price":3439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_super_cardioid_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-switchable-pattern-st","title":"Schoeps Switchable-pattern ST","description":"Schoeps MK 5 Omni\/Cardioid Capsule\u003cbr\u003e The MK 5 offers two selectable directional patterns, but uses only one membrane – a no-compromise approach. The fact that full response is maintained to the highest audible frequencies is unusual for a switchable-pattern microphone.\u003cbr\u003e \u003cbr\u003e In its omnidirectional setting the MK 5 is a true pressure transducer with smooth, extended low-frequency response, low sensitivity to most wind and breath noise, handling noise or mechanical vibration, and no proximity effect.\u003cbr\u003e \u003cbr\u003e Unlike conventional, dual-diaphragm multi-pattern microphones, its cardioid setting retains its full directionality even at very low frequencies. The benefits of this design in purity and clarity of sound are immediately audible.\u003cbr\u003e \u003cbr\u003e The MK 5 has a slight high-frequency emphasis as compared with the corresponding single-pattern omni (MK 2) and cardioid (MK 4).\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOmni and cardioid patterns, mechanically switchable\u003c\/li\u003e\n\u003cli\u003eBroad range of applications\u003c\/li\u003e\n\u003cli\u003ePreferred uses similar to those of the MK 2 or MK 2S and the MK 4:\u003c\/li\u003e\n\u003cli\u003eIn the cardioid setting: for use with singing or speaking voices or most instruments, as a spot microphone, and for stereo recording with coincident, ORTF or M\/S microphone arrangements\u003c\/li\u003e\n\u003cli\u003eIn the omni setting: for recording instruments, singers, etc. at relatively close range\u003c\/li\u003e\n\u003c\/ul\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232420967,"sku":"15879","price":5068.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_switchable_pattern_st.jpg?v=1787088238"},{"product_id":"schoeps-microphones-universal-omni-h-st","title":"Schoeps CMC 62H Omnidirectional Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 62H Microphone Stereo Set\u003c\/strong\u003e is a complete omnidirectional microphone stereo set including two CMC amplifiers, two MK 2H omnidirectional capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 2H Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 2H, like the MK 2S, is ideal for natural-sounding pickup of instruments and orchestras in spaces with well-balanced reverberance. The choice between the two capsule types is essentially a matter of personal preference. At a given miking distance the MK 2H might be described as more ”balanced and round” sounding while the MK 2S would give a slight additional brilliance. However, one might also choose the MK 2H for slightly closer placement or the MK 2S for slightly more distant placement – and then these two capsule types would have very similar sound quality, with the main difference being the balance of direct to reverberant sound which is picked up.\u003c\/p\u003e  \u003cp\u003eThe gold-plated ring reduces the size of the acoustic opening of the MK 2H. This results in an acoustic elevation above 6 kHz. The MK 2H is a capsule often described as balanced and round.\u003c\/p\u003e  \u003cp\u003eIt features a mild high-frequency response elevation at 0°, which compensates high frequency losses caused by a slightly increased diffuse field amount at medium recording distance.\u003c\/p\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232453735,"sku":"15857","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-62h-stereo-set_15857_1_838859eb-c878-4132-aa66-6234b783a616.jpg?v=1787088238"},{"product_id":"schoeps-microphones-universal-omni-s-st","title":"Schoeps CMC 62S Omnidirectional Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 62S Microphone Stereo Set\u003c\/strong\u003e is a complete omnidirectional condenser microphone stereo set including two CMC amplifiers, two MK 2S omnidirectional capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 2S Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. This frequency response characteristic falls between that of the MK 2 and the MK 2XS, making the capsule suitable for a wide range of applications.\u003c\/p\u003e  \u003cp\u003eThe MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. \u003c\/p\u003e  \u003cp\u003eIts somewhat brighter sound (compared to the MK 2 and MK 2H) makes it ideal for use as a main microphone or room microphone, especially in larger rooms.\u003c\/p\u003e  \u003cp\u003eIt features a moderate high-frequency response elevation at 0°, which compensates high frequency losses caused by the increased diffuse field amount when used near the reverberation radius.\u003c\/p\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232486503,"sku":"15874","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-62s-stereo-set_15874_1.jpg?v=1787088239"},{"product_id":"schoeps-microphones-wide-cardioid-st","title":"Schoeps CMC 621 Wide Cardioid Condenser Mic Stereo Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 621 Microphone Stereo Set\u003c\/strong\u003e is a complete wide cardioid condenser microphone stereo set including two CMC amplifiers, two wide MK 21 cardioid capsules, pop screens, clamps and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 21 Capsule\u003c\/h3\u003e  \u003cp\u003eThe directivity of the wide cardioid lies between the omni and the cardioid. The idea behind their development is to combine the advantages of these two patterns. The low-frequency behavior of the Schoeps MK 21 is better than that of the cardioid, and proximity effect is less pronounced. The wide cardioid polar pattern is extremely consistent across the frequency range. Laterally-arriving direct sound and reflections are picked up without added coloration. The MK 21 is a very well-liked capsule. It is preferred when a slight directional effect and a warm, natural sound image are desired. Over the years it has become an integral part of the audio engineer's toolkit.\u003c\/p\u003e  \u003cp\u003eWhen used as a spot microphone, the distance from the sound source should be slightly smaller than when using a cardioid due to lower directivity index.\u003c\/p\u003e  \u003cp\u003eThe low directivity of this capsule type prevents it from generating large enough level differences for X\/Y use, though MS and near-coincident spacings are often successful.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWide cardioid polar pattern\u003c\/li\u003e \u003cli\u003ePreferred uses: as a soloist microphone or main microphone\u003c\/li\u003e \u003cli\u003eExtremely consistent polar response leads to a very natural sound\u003c\/li\u003e \u003cli\u003eCombines the advantages of the omni (warm sound) and the cardioid (directivity)\u003c\/li\u003e \u003cli\u003ePopular as a main microphone pair e.g. at a spacing of 30 cm, angle ±45°\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449232552039,"sku":"15875","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-621-stereo-set_15875_1.jpg?v=1787088239"},{"product_id":"schoeps-microphones-vsr-5-two-channel-microphone-preamp","title":"Schoeps Microphones VSR 5 Two Channel Microphone Preamp","description":"Schoeps is known as a manufacturer of high-quality, small-diaphragm microphones which are a standard in studio recording. Now SCHOEPS is introducing the VSR 5, a top-class studio microphone preamplifier. It offers analog circuit technology at the SCHOEPS level of quality.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eTwo \"Schoeps Core SVM\" Amplifier Modules with balanced, electronically\u003c\/li\u003e\n\u003cli\u003efloating Inputs\u003c\/li\u003e\n\u003cli\u003e+48 VDC phantom power (switchable)\u003c\/li\u003e\n\u003cli\u003e0 to 60 dB rotary gain controls in 3 db steps\u003c\/li\u003e\n\u003cli\u003eState-of-the-Art RF Filters\u003c\/li\u003e\n\u003cli\u003e2 x 2 electronically floating balanced outputs\u003c\/li\u003e\n\u003cli\u003eMains Supply 115\/230 VAC\u003c\/li\u003e\n\u003cli\u003e19\" Rackmount - 2U\u003c\/li\u003e\n\u003cli\u003e10.34 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThis preamplifier excels with its wide dynamic range and extremely low distortion. It has a “dual mono” arrangement overall, with two independent knobs to set the gain in 3 dB steps.\u003cbr\u003e\u003cbr\u003eTwo amplifier modules form the heart of the VSR 5. For a number of years their circuit has been our in-house reference for testing microphones, so it seemed only logical to make it available to our customers as well. It was inspired by the legendary “TransAmp LZ” modules from Valley People, long recognized for being especially low-noise but by using up-to-date components, SCHOEPS has outdone the original in terms of sonic transparency.\u003cbr\u003e\u003cbr\u003eThe VSR 5 is Schoeps’ first 19\" rack-mount unit, conceived specifically for use in the studio. The choice of operating controls has been deliberately limited to essentials: switches for phantom powering, polarity reverse and mute, plus three different low-cut filters.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449247854695,"sku":"13491","price":3695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_vsr_5.jpg?v=1787088300"},{"product_id":"schoeps-microphones-tcg-miniature-table-stand","title":"Schoeps Microphones TCg Miniature Table Stand","description":"These elegant table stands, with vibration-isolating base, can be placed unob­trusively. The vertical rod is removable, allowing the microphone to be mounted on the base close to the mounting surface.\u003cbr\u003e\u003cbr\u003eA neat cable run is obtained when the cable is put into the wire loop between the bolt and the socket.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449330856039,"sku":"13738","price":166.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-tcg_1.jpg?v=1787088582"},{"product_id":"schoeps-microphones-b5-d-popscreen","title":"Schoeps Microphones B5 D Popscreen","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSchoeps B 5 D\u003c\/span\u003e offers good effectiveness, yet has only a slight influence on the sound. It is made of foam but is hollow in the middle. This leads to an enclosed air volume around the capsule, just as with basket-type windscreens. The microphone must be inserted up to the stop.\u003cbr\u003e\u003cbr\u003eAlthough it has not been designed for that purpose, it is possible to use it on the MK 4V, MK 41V or MK 4VXS microphone capsules and the corresponding CCM Compact Condenser Microphones. The microphone’s slight inherent high-frequency emphasis is then compensated for.\u003cbr\u003e\u003cbr\u003eThe B 5 D cannot be used with MK 6 or MK 8 capsules, or the corresponding CCM compact microphones.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449330888807,"sku":"13739","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_b5d_foam_screen_e44c78c5-4051-4205-be94-3b59b6159d32.jpg?v=1787088582"},{"product_id":"schoeps-microphones-w-20-windscreen","title":"Schoeps Microphones W 20 Windscreen","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps Microphones W 20\u003c\/strong\u003e is a basket windscreen for microphones with a diameter of 20mm. It is made of nylon fabric, made of two separable halves. It is rain-resistant and less unusual-looking than a fur-like windscreen. The capsule front must be positioned approximately at its center. It is placed on the CMC microphone amplifier so that the front sound opening is located approximately in the middle of the basket. Not compatible with CCM.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449340588135,"sku":"15433","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_w_20.jpg?v=1787088621"},{"product_id":"schoeps-microphones-ums-20-universal-stereo-bracket","title":"Schoeps Microphones UMS 20 Universal Stereo Bracket","description":"With this bracket and two corresponding microphones, nearly any of the familiar stereo techniques (X\/Y, M\/S, ORTF, \"Blumlein\" crossed figure-8s, small A\/B) can easily be set up.\u003cbr\u003e \u003cbr\u003e The mounting adapter for this device has 5\/8 - 27 NS threads with adapter to 3\/8\" and 1\/2\" and can be directly attached to a microphone stand. However, because it has a 20 mm diameter, it can also fit into an optional SG 20 stand clamp or A 20 S elastic suspension. That arrangement also allows the angle of inclination to be set. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eApplications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFor M\/S, X\/Y and ORTF recording\u003c\/li\u003e\n\u003cli\u003eFor two microphones of the Colette modular system (CMC, CMD, M 222, 20 mm diameter)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449340653671,"sku":"15434","price":549.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_ums_20.jpg?v=1787088622"},{"product_id":"schoeps-microphones-b5-popscreen","title":"Schoeps Microphones B5 Popscreen","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSchoeps B5\u003c\/span\u003e provides sufficient protection at normal speaking distances for cardioids and other directional capsules, especially when speech capsules are used. With omnidirectional capsules it may even be used outdoors in light wind. Minimal effect on sound quality.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eApplications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFor moderate distances from the person speaking\u003c\/li\u003e\n\u003cli\u003eCan also be used as a windscreen for pressure transducers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449341931623,"sku":"15858","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_b5_foam_screen.jpg?v=1787088627"},{"product_id":"schoeps-microphones-sg-20-stand-clamp","title":"Schoeps Microphones SG 20 Stand Clamp","description":"The base of the \u003cspan style=\"font-weight: bold;\"\u003eSchoeps SG 20\u003c\/span\u003e has a 5\/8\"-27 NS internal thread. A threaded adapter is supplied for 3\/8\" and 1\/2\" mounting.\u003cbr\u003e\u003cbr\u003eThe angle can be varied continuously in the vertical plane.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449341964391,"sku":"15859","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_sg_20_stand_clamp.jpg?v=1787088627"},{"product_id":"schoeps-microphones-cmc62-st","title":"Schoeps Microphones CMC62 ST","description":"Schoeps MK 2 Omni Capsule\u003cbr\u003e This capsule type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radius, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOmnidirectional pattern\u003c\/li\u003e\n\u003cli\u003eVery flat frequency response\u003c\/li\u003e\n\u003cli\u003eCorrected for a free sound field\u003c\/li\u003e\n\u003cli\u003eFor use close to the sound source (frontal sound\u003c\/li\u003e\n\u003cli\u003eOften preferred for relatively close miking of instruments, vocalists, etc.\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449354481767,"sku":"9916","price":3395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_microphones_cmc62_st.jpg?v=1787088678"},{"product_id":"schoeps-microphones-mk-8-capsule-matte-gray","title":"Schoeps MK 8 Bidirectional Capsule - Matte Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 8\u003c\/strong\u003e is a bidirectional capsule often used for M\/S and double M\/S stereo sound in film sound and music recording, in combination with Colette or CCM microphones and\/or a CMIT shotgun microphone. This type of capsule is a pure dipole. The figure-eight pattern of the MK 8 remains constant from low to high frequencies, which is particularly important when used in an M\/S setup. Its sensitivity rolls off more at low frequencies than other capsules, but proximity effect (which can compensate, given relatively close placement) is also more pronounced.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eHISTORY OF THE MK 8\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MK 8 capsule of the Colette series wasn't an entirely new development, since SCHOEPS had offered a single-pattern bidirectional (figure-8) capsule for the M 221 B series starting in 1960, but there was only very limited production. With the market for a Colette-series equivalent unknown, there was some initial reluctance to risk developing it. But the decision was made, the MK 8 was introduced, and many thousands have been sold since then. It enables not only stereo music recording with the classic \"Blumlein\" (crossed figure-8) recording method, but it also can easily be \"piggybacked\" onto another microphone for \"mid-side\" (MS) recording, which is popular both for music and for film\/video dialog recording.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEXCEPTIONAL FREQUENCY AND POLAR RESPONSE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eProduction of the MK 8 is a special technical accomplishment, because in terms of physics, the available force due to the pressure gradient is minimal. Despite this, the MK 8 has excellent frequency and polar response, near-perfect front\/back symmetry, and low inherent noise. The microphone is comparatively sensitive to solid-borne sound as well as wind and breath noise. Good protection should be considered, e.g. suitable wind screening and\/or shock mounting.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eLATERAL PICKUP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe pickup direction is lateral, i.e. perpendicular to the microphone housing, and the 0° and 180° axes are indicated respectively by red and black dots on the capsule housing. When recording with M\/S, the 0° axis (as viewed from a position behind the microphone) should point to the left, and the \"8\" engraved on top of the capsule should be precisely horizontal.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449354514535,"sku":"14093","price":1355.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-8_14093_1_7edca0dd-c454-4572-9b69-5b044dfad890.jpg?v=1787088678"},{"product_id":"schoeps-microphones-supercmit-2u","title":"Schoeps SuperCMIT 2U Shotgun Microphone","description":"The Schoeps SuperCMIT defines a new category of shotgun microphone, with directivity that goes beyond anything previously known. It offers the recording engineer entirely new possibilities.\u003cbr\u003e \u003cbr\u003e The SuperCMIT can be a problem-solver wherever diffuse sources of noise (such as street noise, wind noise, room sound, or audience and passers-by) might interfere with a recording. Unwanted noise is greatly reduced in level – even at low frequencies – without altering the tone color of front-arriving direct sound. Even a shotgun with a long tube can’t do that. This makes the SuperCMIT ideal for complex film sound applications and for sports events. The SuperCMIT also increases the “reach” of indoor recordings.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eNew type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5\u003c\/li\u003e\n\u003cli\u003eDiffuse sound is suppressed to an extraordinary degree\u003c\/li\u003e\n\u003cli\u003eCompletely new operating principle with two transducers\u003c\/li\u003e\n\u003cli\u003eUses digital signal processing algorithms from ILLUSONIC (patent pending)\u003c\/li\u003e\n\u003cli\u003eTwo-channel output, with SuperCMIT signal in channel 1 and (direct, single-transducer) CMIT signal in channel 2\u003c\/li\u003e\n\u003cli\u003eSchoeps sound quality: transparent sound\u003c\/li\u003e\n\u003c\/ul\u003e How does the SuperCMIT achieve this directivity?\u003cbr\u003e Digital signal processing in the SuperCMIT recognizes sound energy arriving from various directions, and determines whether that sound has a discrete, persistent direction of arrival or not.\u003cbr\u003e It uses this information to suppress diffuse sound and to focus on discrete sound. This allows the “reach” of the shotgun microphone to be increased significantly, without causing the usual sound-coloring artifacts. The SuperCMIT is the first microphone in the world to combine such high directivity with high sound quality.\u003cbr\u003e \u003cbr\u003e The SuperCMIT has three push-buttons which control the filters and presets of the microphone. The two filters are identical to those of Schoeps’ CMIT 5 analog shotgun microphone:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eHigh-frequency boost (+5 dB at 10 kHz) compensates for losses due to windscreens.\u003c\/li\u003e\n\u003cli\u003eSteep low-cut (18 dB\/oct. below 80 Hz) suppresses low-frequency wind and boom noise.\u003c\/li\u003e\n\u003c\/ul\u003e The second output channel always carries the signal of the regular shotgun. The “Preset” button controls the directivity for the signal on the first output channel (SuperCMIT). Two settings are available:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003ePreset 1: moderate directivity increase (green LED); ca. 11 dB reduction in diffuse sound (5 dB greater than a Schoeps CMIT or channel 2 of the SuperCMIT)\u003c\/li\u003e\n\u003cli\u003ePreset 2: strong directivity increase (red LED); ca. 15 dB diffuse sound reduction. This setting is reserved for special applications since sonic artifacts can occasionally be heard.\u003c\/li\u003e\n\u003cli\u003eBy pressing each of the three push-buttons two times each quickly in succession, the gain can be increased by +30 dB and reset again to the standard value.\u003c\/li\u003e\n\u003cli\u003eAlso by disconnecting the microphone from its power supply, the gain setting is reset to the initial value (0 dB).\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr style=\"font-weight: bold;\"\u003e Included accessories:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eWooden case\u003c\/li\u003e\n\u003cli\u003eSG 20 stand adapter\u003c\/li\u003e\n\u003cli\u003eW 170 foam windscreen for moderate wind and boom motion\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449354580071,"sku":"17000","price":5409.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-supercmit-2u_17000_1.jpg?v=1787088678"},{"product_id":"schoeps-microphones-cmc64-set-demo-deal","title":"Schoeps CMC64 Set (Demo Deal)","description":"Schoeps MK 4 Cardioid Capsule\u003cbr\u003e The MK 4 is Schoeps' best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room.\u003cbr\u003e \u003cbr\u003e For those who dare to use their ears rather than just their eyes when choosing a vocal microphone, a Colette microphone using the MK 4 capsule can be a remarkable instrument.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClassic cardioid\u003c\/li\u003e\n\u003cli\u003eSuitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M\/S microphone arrangements\u003c\/li\u003e\n\u003cli\u003eWith consistent directionality throughout its frequency range\u003c\/li\u003e\n\u003cli\u003eOften preferred for singing or speaking voices and most instruments\u003c\/li\u003e\n\u003c\/ul\u003e The capsules of condenser microphones (the only type which Schoeps manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.\u003cbr\u003e \u003cbr\u003e The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003cbr\u003e \u003cbr\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFlat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eBalanced, very low-impedance output\u003c\/li\u003e\n\u003cli\u003eCan be used with very long cables\u003c\/li\u003e\n\u003cli\u003eWell-protected against RFI\u003c\/li\u003e\n\u003cli\u003eFor use with 12- or 48-Volt phantom powering\u003c\/li\u003e\n\u003c\/ul\u003e The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.\u003cbr\u003e \u003cbr\u003e Please note:\u003cbr\u003e The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.\u003cbr\u003e \u003cbr\u003e Schoeps Cut 1 Filter\u003cbr\u003e The CUT 1 or CUT 2 is inserted between the capsule and the microphone amplifier. The CUT filter performs two tasks:\u003cbr\u003e \u003cbr\u003e First, it prevents the effect of infrasonic disturbances from being passed on to any succeeding device.\u003cbr\u003e \u003cbr\u003e In particular, pressure-gradient transducers (directional microphones) produce very high infrasonic signal levels when exposed to wind. These can saturate an input transformer or an amplifier stage even before the audible portion of the disturbance becomes noticeable.\u003cbr\u003e \u003cbr\u003e To avoid this, a very sharp (24 dB\/oct) infrasonic filter is permanently engaged. It has only a negligible effect on speech, which is the principal field of application for the CUT 1 (cutoff frequency = 60 Hz). The CUT 2's infrasonic filter is an octave lower (i.e. 30 Hz), and has no audible effect on speech pickup whatsoever.\u003cbr\u003e \u003cbr\u003e The second task is to offset proximity effect and\/or to improve speech intelligibility in reverberant rooms by means of an additional 6 dB\/oct rolloff. By turning a recessed thumbwheel the user can vary the frequency at which this begins to have an effect, and thus tailor the low-frequency response as required. Its turnover frequency can be continuously varied between 30 Hz (CUT 2) or 70 Hz (CUT 1) and 600 Hz \u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Features\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eCan be screwed onto the CMC, CMD or M 222 microphone amplifiers\u003c\/li\u003e\n\u003cli\u003eVery effective suppression of low-frequency and infrasonic effects of wind and vibration: 24 dB\/oct below 60 Hz (CUT 1) or below 30 Hz (CUT 2)\u003c\/li\u003e\n\u003cli\u003eUser-adjustable variable rolloff\u003c\/li\u003e\n\u003cli\u003eOffsets proximity effect\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449366966375,"sku":"14225","price":1565.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_microphones_cmc64_set_1.jpg?v=1787088731"},{"product_id":"schoeps-cmc641-set","title":"Schoeps CMC 641 Supercardioid Condenser Microphone Set","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps CMC 641 Microphone Set\u003c\/strong\u003e is a complete supercardioid condenser microphone set including a CMC amplifier, MK 41 supercardioid capsule, pop screen, clamp and box.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCMC 6 Amplifier\u003c\/h3\u003e  \u003cp\u003eThe CMC 6 is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.\u003c\/p\u003e  \u003cp\u003eThe microphone amplifier is responsible for providing the necessary electric charge to the capsule, without which it would be unable to generate a signal. Since the capsule's output signal is very weak (Hi-Z), it must be amplified. In order for the microphone's output to cleanly reach the next stage in the signal chain, it must undergo balancing and impedance matching before transmission. The CMC 6 incorporates a balanced, direct-coupled class-A amplifier, yielding a low output impedance, high RF shielding, and minimal distortion.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFlat frequency response\u003c\/li\u003e \u003cli\u003eVery low harmonic distortion and noise\u003c\/li\u003e \u003cli\u003eWorks with 12V and 48V phantom power\u003c\/li\u003e \u003cli\u003eBalanced, low-impedance output\u003c\/li\u003e \u003cli\u003eHigh suppression of interference on the Microphone cable\u003c\/li\u003e \u003cli\u003eExcellent protection against high-frequency Radio interference with \"RFI Shield\"\u003c\/li\u003e \u003cli\u003eFrequency-independent impedance\u003c\/li\u003e \u003cli\u003eSignal transmission possible over very long cables\u003c\/li\u003e \u003cli\u003eReliable operation even with weak phantom power\u003c\/li\u003e \u003cli\u003eSymmetrical, transformer- and capacitor-free output stage with a Cass A amplifier\u003c\/li\u003e \u003cli\u003eAbove 20 kHz, the signal is attenuated for protection against interference in the ultrasonic range, e.g. through the ultrasonic autofocus of a film camera\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eMK 41 Capsule\u003c\/h3\u003e  \u003cp\u003eThe MK 41 effectively attenuates diffuse sound energy and produces a clear, \"dry\" sound pickup.\u003c\/p\u003e  \u003cp\u003eIts polar pattern is exceptionally frequency-independent: sounds from the side and back are strongly attenuated, but picked up without false coloration. This feature has made the MK 41 an international standard for indoor film sound.\u003c\/p\u003e  \u003cp\u003eThe susceptibility of the MK 41 to acoustic feedback is lower than with any other SCHOEPS capsule type, provided that no loudspeaker radiates directly from the rear. The sensitivity minimum of the supercardioid occurs at approximately a 125° angle of incidence.\u003c\/p\u003e  \u003cp\u003eThe directional effect is independent of frequency, so that off-axis and diffuse sound are picked up free of false coloration, thus sounding natural. That is a real advantage over shotgun microphones, which have appreciably greater directivity only at higher frequencies, and frequency response (and thus sound quality) that depends on the direction of sound incidence.\u003c\/p\u003e  \u003cp\u003eThus for many situations the MK 41 offers an interesting alternative to a shotgun microphone, even if its small dimensions do not appear to suggest high directivity. As a capsule without an interference tube in front of it, the MK 41 can also be placed closer to the sound source.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eSupercardioid directional pattern\u003c\/li\u003e \u003cli\u003eHigh directivity, at low and medium frequencies comparable to that of a shotgun microphone\u003c\/li\u003e \u003cli\u003eNatural sound due to flat frequency response which remains largely the same for all directions of pickup. This is particularly important for indoor recording\u003c\/li\u003e \u003cli\u003ePreferred uses: recording dialogue for film sound; as a spot microphone in the orchestra and on the opera stage\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003c\/p\u003e\u003chr\u003e\u003cbr\u003e  \u003ch3 id=\"toc_2\"\u003eSCHOEPS COLETTE\u003c\/h3\u003e  \u003cp\u003eThe Colette series was introduced back in 1973 and has since been made up of mutually compatible modules that are constantly being updated and supplemented. No other microphone system has been on the market for such a long time. The Colette series invented the modularity in microphone technology and is considered more than ever before to be the best small-diaphragm microphone system.\u003c\/p\u003e  \u003cp\u003eMicrophones from the modular Colette series are comprised of a microphone capsule screwed onto an amplification unit. Any capsule can be combined with any amplifier. Active accessories can be inserted between capsule and amplifier if desired. The RC active extension tube in particular graces many high-profile events with its stylish appearance. Due to its modular nature, the Colette system offers a large variety of options, for a wide range of use cases.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449415594087,"sku":"8435","price":2142.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmc-641-set_8435_1.jpg?v=1787088906"},{"product_id":"schoeps-ccm-4-ug-compact-microphone","title":"Schoeps CCM 4 Ug Cardioid Compact Condenser Microphone","description":"\u003cp\u003e\u003cspan\u003eThe Schoeps CCM 4 is their best-selling compact microphone. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression remains free of coloration even when sound is arriving from all sides at once. The sonic impression is free of coloration, whether sound is arriving at the front or at the sides of the microphone, and it allows for diffusion of sound (reverberation) in a room.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449417789543,"sku":"13737","price":1828.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-ccm-4-ug_76f8de27-75ee-405e-b41e-2afeb4944a79.jpg?v=1787088912"},{"product_id":"schoeps-cmit-5u","title":"Schoeps CMIT 5U  Shotgun Microphone - Blue","description":"Shotgun mic","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449422901351,"sku":"11142","price":3045.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-cmit-5u_11142_1.jpg?v=1787088931"},{"product_id":"schoeps-mk-4g-cardioid-matte-gray","title":"Schoeps MK 4 Cardioid Capsule - Matte Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 4\u003c\/strong\u003e has been a reference microphone capsule for years in a wide variety of recording situations. Due to its transparent sound character and excellent attenuation of rear-incident sound, it reproduces sound sources very naturally. This has given the MK 4 a reputation as a universal \"problem solver\" even in difficult recording situations.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTRANSPARENT AND DIRECT SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIts flat frequency response, and the consistency of its directional pattern for all frequencies, are the basis of the MK4’s sound quality. Even in the diffuse sound field its frequency response is flat, with a slight increase at 10 kHz compensating for high-frequency losses in the room. Thus the sound image is transparent for direct-arriving sound, for sound arriving from the side, and for diffuse sound in the room (reverberation).\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEXCEPTIONALLY FLAT FREQUENCY RESPONSE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MK 4 is a classic small diaphragm microphone with all the advantages of this microphone type. Its frequency response and the consistency of its polar diagram from low to high frequencies are exemplary. Like all SCHOEPS capsules, the MK 4 achieves its flat frequency response solely by its mechanical architecture, without any electronic filtering. As a pressure gradient transducer, the MK 4 has a single diaphragm that is exposed to the sound from both the front and rear. The side sound inlets must therefore never be covered.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eCLASSIC CARDIOID\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe “reach” (distance factor) of a classic cardioid such as the MK 4 is about 1.7 times that of an omnidirectional microphone. Thus even at greater distances from the sound source, direct sound can be obtained. The advantages of the MK 4 are shown especially when mixing several microphone signals - pickup of sound from the side is reduced in level but not subject to coloration. At 90° the attenuation of the MK 4 is 6 dB, and at 180°, some 20 to 30 dB. Diffuse-incident sound is picked up 4.8 dB lower in level than front-arriving sound.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423655015,"sku":"11440","price":1110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-4-26_11440_1_853d7491-0b92-4e5f-84d1-cbae98d1eea8.jpg?v=1787088935"},{"product_id":"schoeps-mk-4ni-cardioid-nickel","title":"Schoeps MK 4 Cardioid Capsule - Nickel","description":"\u003cp\u003eThe \u003cstrong\u003eMK 4ni Cardioid\u003c\/strong\u003e is one of Schoeps’ best-selling capsules. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room.\u003c\/p\u003e\r\n\u003cp\u003eFor those who dare to use their ears rather than just their eyes when choosing a vocal microphone, a Colette microphone using the MK 4ni capsule can be a remarkable instrument.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e    •    Classic cardioid\u003cbr\u003e    •    Suitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M\/S microphone arrangements\u003cbr\u003e    •    With consistent directionality throughout its frequency range\u003cbr\u003e    •    Often preferred for singing or speaking voices and most instruments   \u003cbr\u003e           \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423523943,"sku":"15461","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-4_15461_1_57a10f9f-9a31-4857-a1ea-313265d078af.jpg?v=1787088935"},{"product_id":"schoeps-mk-22g-open-cardioid-matte-gray","title":"Schoeps MK 22 Open Cardioid Capsule - Matte Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 22\u003c\/strong\u003e features the \"open cardioid\" pickup pattern, introduced by Schoeps in 2008. Its sound lies between the classic cardioid and the wide cardioid, achieving both a fair amount of directivity and very natural sound quality. The many years experience of professional recording engineers with the range of Schoeps cardioids has played a large role in the development process. The MK 22 has become a preferred soloist and spot microphone, thus becoming an alternative to the \"classic\" MK 4.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe response is -5 dB at 90 degrees and there is a 16 dB suppression of rear-incident sound. It is in essence a variant cardioid which balances a very natural sound quality with a good degree of directionality.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423786087,"sku":"15668","price":1110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_mk_22_b3b3f333-1188-46f6-b70e-5669fe6c4a9c.jpg?v=1787088935"},{"product_id":"schoeps-mk-22ni-open-cardioid-nickel","title":"Schoeps MK 22 Open Cardioid Capsule - Nickel","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 22ni, Open Cardioid\u003c\/strong\u003e capsule has an \"Open Cardioid\" directional pattern, which occupies a point on the spectrum between the wide cardioid and classic cardioid patterns and was developed by Schoeps in 2008. The response is -5dB at 90 degrees and there is a 16dB suppression of rear-incident sound. It is in essence a variant cardioid which balances a very natural sound quality with a good degree of directionality.\u003c\/p\u003e\r\n\u003cp\u003eThe years of experience which many recording engineers have had with the various type of Schoeps cardioid microphones have played a large role in the design process. The MK 4 cardioid is often relied upon as a reference microphone, even in difficult recording situations; its sonic transparency and outstanding suppression of rear-incident sound make it a universal problem-solver. The MK 21 wide cardioid offers an alternative when its lower directivity fits the recording situation, e.g. for the first desk of strings or for solo piano. This capsule type is prized for its sonic character (similar to that of a pure omnidirectional microphone) and its relative lack of proximity effect. Then the wish arouse for a \"middle way\" which would combine these characteristics into a single capsule. The result is the MK 22ni, Open Cardioid capsule.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e    •    Optimal combination of classic cardioid directionality (MK 4) with the sonic character of the wide cardioid (MK 21)\u003cbr\u003e    •    Directional pattern largely constant throughout the frequency range\u003cbr\u003e    •    Often preferred for spot miking or as a soloist's microphone\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423753319,"sku":"15667","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-22_15667_1_c618d799-ff72-42c2-ba37-fe391145f188.jpg?v=1787088936"},{"product_id":"schoeps-supercmit-2u-with-mini-da42","title":"Schoeps SuperCMIT 2U Shotgun Microphone with MINI-DA42","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps SuperCMIT 2U with MINI-DA42\u003c\/strong\u003e packages the SuperCMIT Digital Shotgun Microphone with the MINI-DA42 power box. The SuperCMIT incorporates a unique design and approach to minimizing extraneous noise, increasing range and retaining the transparency and integrity of the source audio. The SuperCMIT features a dual output signal, coupled with digital signal processing for excellent noise diffusion and pristine transparency.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn addition the microphone features a low-frequency roll-off switch, high frequency gain switch and increased directivity switch for maximizing range. The Schoeps SuperCMIT is at home on a boompole or pistol grip mount, and is very well suited for ENG \/ EFP, broadcast applications, audio for video and motion picture, sound design applications and more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe MINI-DA42 serves for powering digital microphones and for converting their output signals to analog. It offers the ability to operate digital microphones at devices which only offer analog inputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInputs include: AES42, Mode 1 (XLR-3F, 110 Ohms, black label)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOutputs (available through included Sub-D breakout cable) include: AES3 (XLR-3M, 110 Ohms, blue label) \u0026amp; 2 × analog (XLR-3M, yellow and red label), balanced, referring to ground, maximum cable length: 300 m.  SuperCMIT 2U\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e    •    New type of digital shotgun microphone with increased directivity, based on Schoep’s extremely successful analog model CMIT 5\u003cbr\u003e    •    Diffuse sound is suppressed to an extraordinary degree\u003cbr\u003e    •    Completely new operating principle with two transducers                   \u003cbr\u003e    •    Uses digital signal processing (DSP) algorithms from Illusonic            \u003cbr\u003e    •    Two-channel output, with SuperCMIT signal in channel 1 and (direct, single-transducer) CMIT signal in channel 2   \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423818855,"sku":"18609","price":5889.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_super_cmit_plus.jpg?v=1787088936"},{"product_id":"schoeps-mk-41g-supercardioid-matte-gray","title":"Schoeps MK 41 Supercardioid Capsule - Matte Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 41g\u003c\/strong\u003e is strongly directional. Sound arriving from off-axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other Schoeps microphone type, provided that a loudspeaker is not located directly on the rear axis of the microphone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIts directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the microphone produces a very natural sound pickup. This is a real advantage over interference-tube shotgun microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41g is surprisingly effective and a space-saving alternative to shotgun microphones – and being small, it can often be placed closer to the sound source.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423884391,"sku":"11441","price":1110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_mk_41_e4694a74-306e-4872-bca1-dbd1edb1aa93.jpg?v=1787088936"},{"product_id":"schoeps-mk-41ni-supercardioid-nickel","title":"Schoeps MK 41 Supercardioid Capsule - Nickel","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 41ni\u003c\/strong\u003e is strongly directional. Sound arriving from off-axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other Schoeps microphone type, provided that a loudspeaker is not located directly on the rear axis of the microphone.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eIts directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the microphone produces a very natural sound pickup.This is a real advantage over interference-tube shotgun microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41ni is surprisingly effective and a space-saving alternative to shotgun microphones – and being small, it can often be placed closer to the sound source.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423917159,"sku":"15463","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-41_15463_1_2922eb18-2112-415a-8287-3f7173e8f8f8.jpg?v=1787088936"},{"product_id":"schoeps-mk-21g-subcardioid-matte-gray","title":"Schoeps MK 21 Wide Cardioid Capsule - Matte Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 21g\u003c\/strong\u003e Subcardioid capsule has a directional pattern between omni and cardioid. The basic idea behind this cap­sule is to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics. It has fuller and more extended low-frequency response than a cardioid, with less proximity effect, while picking up more room sound than a cardioid. The manufacturer’s polar diagram shows the directivity of the MK 21 to be only slightly depen­dent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449423949927,"sku":"11439","price":1110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_mk_21_1_34f7454f-0407-4787-a7aa-10dc2442b86b.jpg?v=1787088937"},{"product_id":"schoeps-mk-21ni-subcardioid-nickel","title":"Schoeps MK 21 Wide Cardioid Capsule - Nickel","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps MK 21\u003c\/strong\u003e wide cardioid (or sub-cardioid) microphone capsule has a directional pattern between omni and cardioid. The basic idea behind this cap­sule is to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics. It has fuller and more extended low-frequency response than a cardioid, with less proximity effect, while picking up more room sound than a cardioid. The directivity of the MK 21 is only slightly depen­dent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449424080999,"sku":"15460","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-mk-21-nickel_15460_1_7cd376ce-5699-4a7a-85d7-aae1a844ad80.jpg?v=1787088937"},{"product_id":"schoeps-mk-2h-omnidirectional-capsule-used","title":"Schoeps MK 2H Omnidirectional Capsule (Used)","description":"\u003cp\u003eVery clean used condition. Can be used with the Schoeps Colette series mics, such as the CMC 6, sold separately.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449447018599,"sku":"20804","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_mk_2h_omnidirectional_capsule_4e1de624-89b7-4401-9b21-b3d2d5709623.jpg?v=1787088988"},{"product_id":"schoeps-221b-hungarian-pair-used","title":"Schoeps 221b Hungarian Pair (Vintage)","description":"Original Schoeps electronics, AC 701 tube and M934B capsules, switchable from omni to cardioid. Aftermarket  PSU's, cases and cables. Replica Schoeps mic bodies made in Hungary.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e221's are very sweet and musical. Silky top end, with very good sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449454620775,"sku":"7246","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_221b_hungarian_pair_636cfed2-2b62-4532-b138-7a66ea2aa72d.jpg?v=1787089021"},{"product_id":"schoeps-mk-21-wide-cardioid-capsule-used","title":"Schoeps MK 21 Wide Cardioid Capsule (Used)","description":"\u003cp\u003eVery clean used condition. Can be used with the Schoeps Colette series mics, such as the CMC 6, sold separately.\u003cbr\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449454719079,"sku":"20801","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_mk_21_wide_cardioid_capsule_a6949b78-3733-4a52-98f4-831d302f2dfc.jpg?v=1787089022"},{"product_id":"schoeps-221b-hungarian-1-used","title":"Schoeps 221b Hungarian #1 (Vintage)","description":"Original Schoeps M934B capsules, AC 701 tube, switchable from omni to cardioid. Korby PSU and new cable. Replica Schoeps mic body and amplifier made in Hungary.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e221's are very sweet and musical. Silky top end, with very good sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449462026343,"sku":"26428","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_221b_hungarian__1_7b418b49-a07d-4c9b-8e24-4313c59b15be.jpg?v=1787089051"},{"product_id":"schoeps-mk-8ni-bi-directional-nickel","title":"Schoeps MK 8 Bidirectional Capsule - Nickel","description":"This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Schoeps Microphones MK 8 Capsule Features:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePure pressure-gradient transducer\u003c\/li\u003e\n\u003cli\u003eFigure-8 pattern with near-ideal consistency across the frequency range\u003c\/li\u003e\n\u003cli\u003eSide-addressed (pickup perpendicular to the microphone body)\u003c\/li\u003e\n\u003cli\u003eOptimal for use in M\/S and Blumlein stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449465499751,"sku":"17267","price":1187.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps_mk8ni_front_8c2740ee-ad1d-43d5-97fa-c28d223c2a90.jpg?v=1787089056"},{"product_id":"schoeps-mini-da42","title":"Schoeps Mini-DA42","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSchoeps Mini-DA42\u003c\/span\u003e serves for  powering digital microphones (especially the SuperCMIT) and for  converting their output signals to analog. It allows to operate digital  microphones at devices which only offer analog inputs.\u003cbr\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInputs: AES42, Mode 1 (XLR-3F, 110 Ohms, black label)\u003c\/li\u003e\n\u003cli\u003eOutputs (available through included Sub-D breakout cable):\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eAES3 (XLR-3M, 110 Ohms, blue label)\u003c\/li\u003e\n\u003cli\u003e2 × analog (XLR-3M, yellow and red label), balanced, referring to ground, maximum cable length: 300 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eIndicators: Green LED for power; red LED for \"unlocked\" (turns off  when a digital microphone is connected and the circuitry of the  Mini-DA42 locks on to that signal).\u003c\/li\u003e\n\u003cli\u003ePower: DC 12 - 18 V \/ 200 - 500 mA, available through included AC  adapter (type designation: VMS-DCW) for 100 - 240 V, 50 \/ 60 Hz with  HIROSE plug.\u003c\/li\u003e\n\u003cli\u003eOperation is also possible with other AC adapter models or batteries \/ rechargeable batteries.\u003c\/li\u003e\n\u003cli\u003eDynamic range of the Mini-DA42:\u003c\/li\u003e\n\u003cli\u003e112 dB (A, RMS), \u0026gt;98dB (CCIR, q-peak)\u003c\/li\u003e\n\u003cli\u003eDynamic range of the SuperCMIT with the Mini-DA42:\u003c\/li\u003e\n\u003cli\u003e\u0026gt;107 dB (A, RMS), \u0026gt;96dB (CCIR, q-peak)\u003c\/li\u003e\n\u003c\/ul\u003e Includes 15-pin to (4) XLR-3 cable, AES-42 In, AES-3 and (2) analog outs","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449466024039,"sku":"18605","price":988.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shoeps_mini_da42_top_c5025a2a-00ce-404e-9772-665fd2d8e4c4.jpg?v=1787089058"},{"product_id":"schoeps-221b-hungarian-2-vintage","title":"Schoeps 221b Hungarian #2 (Vintage)","description":"Original Schoeps M934B capsules, AC 701 tube, switchable from omni to  cardioid. Korby PSU and new cable. Replica Schoeps mic  body and amplifier made in Hungary.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e221's are very sweet and musical. Silky top end, with very good sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449476542567,"sku":"26427","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_221b_hungarian__2_set_8c3b547c-4c1d-47a5-bce0-62ec10ff4017.jpg?v=1787089104"},{"product_id":"schoeps-m221b-2579-vintage","title":"Schoeps M221B #2579 (Vintage)","description":"\u003cp\u003eWith a Telefunken AC701 tube and the M934B capsule that is switchable between omni and cardioid patterns. Original cable and PSU. \u003cbr\u003e\u003c\/p\u003eIntroduced in 1955, the Schoeps M 221A was only made for a few months before it was replaced by the more common M 221 B. (One of the main differences between the two is the threads that connect the capsule to the body; these are male threads on the 'A' type capsule, and female on the 'B' type). \u003cbr\u003e\u003cbr\u003eThis microphone is a classic small-diaphragm tube condenser that has become a staple of high-end studios. Widely used for live orchestral recording, where capturing every detail of the sound and dynamics is paramount. Beautiful on acoustic guitars, it also works wonders on acoustic piano. A sweet, musical sound, silky top end, and excellent sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449498300519,"sku":"30475","price":2250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_telefunken-schoeps_m221b__2579_cat_b91abc86-610a-45ef-9b36-b7f59e4bc712.jpg?v=1787089212"},{"product_id":"schoeps-m934b-omni-cardioid-capsule-vintage","title":"Schoeps M934B Omni\/Cardioid Capsule (Vintage)","description":"Classic small diaphragm condenser capsule, switchable between omnidirectional and cardioid polar patterns. Fits the Schoeps M221B microphone amplifier.\u003cbr\u003e\u003cbr\u003eIntroduced in 1955, the Schoeps M 221A was only made for a few months before it was replaced by the more common M 221 B. (One of the main differences between the two is the threads that connect the capsule to the body; these are male threads on the 'A' type capsule, and female on the 'B' type). \u003cbr\u003e\u003cbr\u003eThis microphone is a classic small-diaphragm tube condenser that has become a staple of high-end studios. Widely used for live orchestral recording, where capturing every detail of the sound and dynamics is paramount. Beautiful on acoustic guitars, it also works wonders on acoustic piano. A sweet, musical sound, silky top end, and excellent sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449498267751,"sku":"30162","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_30162_1_9195aeed-e4f0-4729-a37c-8696bc213fbb.jpg?v=1787089212"},{"product_id":"schoeps-m221b-3293-vintage","title":"Schoeps M221B #3293 (Vintage)","description":"\u003cp\u003eWith a Telefunken AC701 tube and the M934B capsule that is switchable between omni and cardioid patterns. Original cable and PSU. \u003cbr\u003e\u003c\/p\u003eIntroduced in 1955, the Schoeps M 221A was only made for a few months before it was replaced by the more common M 221 B. (One of the main differences between the two is the threads that connect the capsule to the body; these are male threads on the 'A' type capsule, and female on the 'B' type). \u003cbr\u003e\u003cbr\u003eThis microphone is a classic small-diaphragm tube condenser that has become a staple of high-end studios. Widely used for live orchestral recording, where capturing every detail of the sound and dynamics is paramount. Beautiful on acoustic guitars, it also works wonders on acoustic piano. A sweet, musical sound, silky top end, and excellent sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449498333287,"sku":"30474","price":2250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_telefunken-schoeps_m221b__3293_cat_b3cd123c-9e13-483e-9ea9-10c68dba2084.jpg?v=1787089212"},{"product_id":"schoeps-m221b-2993-vintage","title":"Schoeps M221B  #2993 (Vintage)","description":"\u003cp\u003eWith a Telefunken AC701 tube and the M934B capsule that is switchable between omni and cardioid patterns. Original cable and PSU. \u003cbr\u003e\u003c\/p\u003eIntroduced in 1955, the Schoeps M 221A was only made for a few months before it was replaced by the more common M 221 B. (One of the main differences between the two is the threads that connect the capsule to the body; these are male threads on the 'A' type capsule, and female on the 'B' type). \u003cbr\u003e\u003cbr\u003eThis microphone is a classic small-diaphragm tube condenser that has become a staple of high-end studios. Widely used for live orchestral recording, where capturing every detail of the sound and dynamics is paramount. Beautiful on acoustic guitars, it also works wonders on acoustic piano. A sweet, musical sound, silky top end, and excellent sensitivity for capturing fine detail and nuances.","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449498366055,"sku":"30161","price":2250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_m221b_2993_bbdc339e-a6a5-4d75-8a18-21a8d54602f7.jpg?v=1787089212"},{"product_id":"schoeps-v4-sgv-set-blue","title":"Schoeps V4 SGV Studio Condenser Vocal Microphone Set - Blue","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps V4 U\u003c\/strong\u003e is a studio vocal microphone providing warm, clear sonic character with smoothly rolled-off diffuse-field response. It unites the outstanding technical characteristics typical with a timeless, classic design. The look of the V4 U is based on the Schoeps CM 51\/3 from 1951. But the V4 U is a thoroughly modern studio microphone. Its capsule, circuitry and mechanical construction are the result of extensive new development.\u003c\/p\u003e  \u003cp\u003eThe SGV Set contains the microphone, a wooden case and the SGV stand clamp. The base of the SGV has a 5\/8\"-27 NS internal thread. A threaded adapter is supplied for 3\/8\" and 1\/2\" mounting. The angle can be varied continuously in the vertical plane.\u003c\/p\u003e  \u003ch3\u003eTHE CAPSULE\u003c\/h3\u003e  \u003cp\u003eA 33 mm beveled collar causes the capsule’s directivity to increase steadily and smoothly at high frequencies, as in a large diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule like the extraordinarily smooth frequency and polar response are maintained. The capsule is elastically suspended internally to reduce solid-borne sound such as handling noise.\u003c\/p\u003e  \u003ch3\u003eTHE ELECTRONICS\u003c\/h3\u003e  \u003cp\u003eThe V4 U features a newly-developed bridge-type balanced output circuit. Maximum sound pressure level of 144 dB SPL, corresponding to an output level of 4.8 V. The output stage transformerless and free of coupling capacitors. The resulting output impedance is low and constant with frequency, while the symmetry is very high. With a symmetrical, balanced output, the entire audio circuit is symmetrical from the output of the FET onward. It features high immunity to interference, with gapless shielding and a modern RFI filter at the output; very good electromagnetic compatibility.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449557413991,"sku":"34318","price":3779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-v4-sgv-blue_34318_1_70eec8a3-7323-44cb-93c2-80cc1092edfa.jpg?v=1787089449"},{"product_id":"schoeps-v4-sgv-set-gray","title":"Schoeps V4 SGV Studio Condenser Vocal Microphone Set - Gray","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps V4 U\u003c\/strong\u003e is a studio vocal microphone providing warm, clear sonic character with smoothly rolled-off diffuse-field response. It unites the outstanding technical characteristics typical with a timeless, classic design. The look of the V4 U is based on the Schoeps CM 51\/3 from 1951. But the V4 U is a thoroughly modern studio microphone. Its capsule, circuitry and mechanical construction are the result of extensive new development.\u003c\/p\u003e  \u003cp\u003eThe SGV Set contains the microphone, a wooden case and the SGV stand clamp. The base of the SGV has a 5\/8\"-27 NS internal thread. A threaded adapter is supplied for 3\/8\" and 1\/2\" mounting. The angle can be varied continuously in the vertical plane.\u003c\/p\u003e  \u003ch3\u003eTHE CAPSULE\u003c\/h3\u003e  \u003cp\u003eA 33 mm beveled collar causes the capsule’s directivity to increase steadily and smoothly at high frequencies, as in a large diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule like the extraordinarily smooth frequency and polar response are maintained. The capsule is elastically suspended internally to reduce solid-borne sound such as handling noise.\u003c\/p\u003e  \u003ch3\u003eTHE ELECTRONICS\u003c\/h3\u003e  \u003cp\u003eThe V4 U features a newly-developed bridge-type balanced output circuit. Maximum sound pressure level of 144 dB SPL, corresponding to an output level of 4.8 V. The output stage transformerless and free of coupling capacitors. The resulting output impedance is low and constant with frequency, while the symmetry is very high. With a symmetrical, balanced output, the entire audio circuit is symmetrical from the output of the FET onward. It features high immunity to interference, with gapless shielding and a modern RFI filter at the output; very good electromagnetic compatibility.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449557479527,"sku":"34319","price":3779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-v4-sgv-gray_34319_1.jpg?v=1787089449"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/schoeps-mikrofone.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}