{"title":"Shadow Hills Industries","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Shadow Hills' History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/block_1_img.jpg?v=1787060052\" alt=\"Shadow Hills Industries\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eShadow Hills spares nothing when it comes to building reliable gear that sounds great. This attitude and general approach to designing equipment led them to make some of the best studio compressors and preamps in the industry. This tradition continued when the Oculus was created. One of the finest reference monitor consoles ever made, it’s the ultimate centerpiece born from years of experience and a devotion to sonic purity. The Oculus brings the necessary elements of your studio’s workflow at your fingertips: monitor reference level control, talkback, autocue, Class A headphone outs, and more.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mastering_comp.jpg?v=1787060055\" alt=\"Shadow Hills Industries\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Shadow Hills Mastering Compressor is a mastering grade compressor\/limiter with two compressors (stereo or dual mono) in series and three different output transformer selections (Nickel, Iron, and Steel) to choose between clean, colored, and dirty textures.. The optical section is entirely bypassable, and it’s possible to bypass both compression sections to use the transformer section alone. The metering can reflect optical gain reduction, discrete gain reduction, or output level. These versatile bypass and metering options make the Shadow Hills Mastering Compressor suitable as both a tracking compressor and a bus compressor.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dual_vandegraph.jpg?v=1787060059\" alt=\"Shadow Hills Industries\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Shadow Hills Dual Vandergraph is a fully discrete stereo descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance in a 500 Series format. The Dual Vandergraph specifically makes use of Swiss-made attenuators to control the Compression and Output Level settings; the Sidechain Filter Matrix controls the frequency sensitivity (positions: 90 hertz, 150 hertz, 250 hertz and Bandpass).  Like the Mastering Compressor, the Dual Vandergraph’s all-discrete Class-A inner workings and custom Iron Transformers provide great possibilities for new recording techniques and superior dynamic control.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/doublewide_ii_img.jpg?v=1787060062\" alt=\"Shadow Hills Industries\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Shadow Hills Mastering Compressor is a company classic, partly due to its great array of functions and general versatility, but its military-inspired build quality and key features can also be found on other pieces, like the Mono GAMA Mic Pre. Sharing the ability to toggle between different output transformers, the Mono GAMA Mic Pre really changes the game when tracking. With the turn of a knob, you can audition different tonal characteristics to complement the microphone in use and\/or the material being recorded. This feature equates to having three different mic preamps in one single-channel 500 series unit. All the common Mic-Pre features are present, yet the build quality is unmatched; there’s also a 4-channel version called the Quad GAMA.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/block_5_img.jpg?v=1787060066\" alt=\"Shadow Hills Industries\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eIf you want to experience a little bit of everything Shadow Hills has to offer, including the GAMA mic preamp, consider the Shadow Hills Equinox, a complete small-format recording console in just two rack spaces. It features two GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller. The summing network effectively allows you to choose between the sounds of three different consoles on the mix bus, due to the selectable output transformers. With all these features in a rugged 2U enclosure, the Shadow Hills Equinox is equipped for the demands of modern recording but styled and crafted to the high aesthetic standards of a different time and place.\r\n\u003cbr\u003e\u003cbr\u003e\r\nShadow Hills boasts a reputation to deliver quality builds that will make a positive mark on modern recording, ensuring their slogan: “Victory is our business.”No matter your studio or recording needs, Vintage King is here to help find you the best solution from Shadow Hills.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"shadow-hills-industries-dual-vandergraph","title":"Shadow Hills Industries Dual Vandergraph 500 Series Stereo Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Industries Dual Vandergraph\u003c\/strong\u003e follows the lineage of the \u003ca href=\"https:\/\/vintageking.com\/shadow-hills-industries-mastering-compressor\"\u003eShadow Hills Mastering Compressor\u003c\/a\u003e maintaining its reputation of undeniable quality and exceptional performance, in a convenient 2-slot API 500 Series format module. Its inner components consist of the discrete gain cells from the Mastering Compressor combined with the Optograph’s extremely flexible Sidechain Filter matrix. It features a fully discrete Class A audio path and Shadow Hills' custom Iron Transformers. This combination provides exceptional dynamic control making the Dual Vandergraph a premium stereo compressor for your 500 Series rack!\u003c\/p\u003e\r\n\u003cp\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1. In addition to changing ratios, each selection changes preset attack and recover times. The Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003c\/p\u003e\r\n\u003cp\u003eThough the Dual Vandergraph operates in stereo, it is controlled by a single set of variable attenuators. It will function as normal with just one channel connected.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRatio\u003c\/li\u003e\r\n\u003cli\u003eFilter\u003c\/li\u003e\r\n\u003cli\u003eCompressor\u003c\/li\u003e\r\n\u003cli\u003eOutput\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449237172327,"sku":"13055","price":2895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hill-dual-vandergraph-23_13055_1.jpg?v=1787088259"},{"product_id":"shadow-hills-mono-gama-mic-pre","title":"Shadow Hills Industries Mono GAMA Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449237237863,"sku":"5730","price":1240.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hills-mono-gama-23_5730_1.jpg?v=1787088259"},{"product_id":"shadow-hills-industries-mono-optograph","title":"Shadow Hills Industries Mono Optograph 500","description":"\u003cp\u003eThis single channel discrete optical compressor in the API 500 Series form factor takes its cues and much of its design from the optical stage of its behemoth big brother, the Shadow Hills Mastering Compressor. The \u003cstrong\u003eMono Optograph's\u003c\/strong\u003e front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449237729383,"sku":"9199","price":1700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_optograph_1.jpg?v=1787088261"},{"product_id":"shadow-hills-industries-mastering-compressor","title":"Shadow Hills Industries Mastering Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Industries Mastering Compressor\u003c\/strong\u003e is a versatile compressor\/limiter that offers multiple compression circuits and output transformers, giving you all the sonic options you need for tracking, mixing, and mastering. Independent optical and discrete compressor sections, plus three output transformer options, provide a palette of tonal options to suit any situation. Dual-mono and linked stereo modes make this an equally capable compressor for tracking, mixing, and mastering. Plus, the built-in sidechain filter helps tighten up low-end response for punchier mixes. From smoothing vocal tracks to gluing your mixes together, the Shadow Hills Mastering Compressor does it all.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eDUAL COMPRESSION SECTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Shadow Hills Industries Mastering Compressor's dual compression sections offer optical and VCA-based gain reduction on either channel, individually or in series. This two-stage design gives you the choice between transparent leveling, precise control, or both. Hardwired bypasses on each compressor section ensure that they don't impart any unwanted coloration when not in use. The Optical Section delivers smooth, program-dependent leveling modeled after a classic late-'60s optical compressor. Stepped Threshold and Gain controls make it easy to dial in your levels while the photocell works its magic, smoothing out tracks with a relaxed response that lets the music breathe. The Discrete Section employs a versatile VCA circuit with stepped Ratio, Attack, and Release controls for fast, responsive gain reduction and precise control. This stage is perfect for tightening up drum tracks, taming spiky acoustic instruments, and controlling transients for louder mixes and masters.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHREE SWITCHABLE OUTPUT TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSwitch between three selectable output transformers to complement any signal with different flavors of harmonic and tonal character at the output stage. The front-panel transformer selector lets you audition the options instantly, helping you quickly dial in extra weight, clarity, or harmonics. These options make the Shadow Hills Mastering Compressor an extremely versatile choice for any genre of music.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNickel Transformer: The Nickel transformer provides a great balance of low-frequency weight and smooth high-frequency extension, reinforcing fundamental tones while adding presence without harshness. Nickel is a great option for beefing up lead vocals, acoustic instruments, and clean electric tones.\u003c\/li\u003e\r\n\u003cli\u003eIron Transformer: The Iron transformer delivers clear, present highs with a slight boost around 110 Hz and musical even-order harmonic distortion thanks to its Class A output stage. Iron adds a sense of analog warmth without sacrificing top-end clarity, helping instruments cut through and mixes sound more cohesive.\u003c\/li\u003e\r\n\u003cli\u003eSteel Transformer: The Steel Transformer offers an open, detailed response with a subtle 40 Hz lift for a modern sound anchored by rock-solid low end. Its fast response makes it ideal for processing drum busses, enhancing mix busses, or mastering pop and hip-hop.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSTEREO AND DUAL MONO MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Shadow Hills Industries Mastering Compressor can be configured for linked stereo operation or dual-mono processing, making it a versatile choice for tracking, mixing and mastering. Use dual-mono mode for recording or two-stage compression techniques in your mixes, then switch to stereo mode for processing drums, beefing up your mix bus, or putting the final polish on a master.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eBUILT-IN SIDECHAIN FILTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe compressor's built-in sidechain filter rolls off frequencies below 90 Hz in the detector circuit to prevent excessive low-end energy from triggering the compressor. Engage this filter to avoid pumping artifacts on drum busses and bass-heavy mixes, or control bass tracks without sacrificing too much dynamic range (note: this is a fixed-frequency sidechain filter, not an external sidechain input).\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449247887463,"sku":"5373","price":9985.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mastering_comp_straight_1_4b5ccd5c-d8ba-4081-9525-2db66acb6c09.jpg?v=1787088301"},{"product_id":"shadow-hills-industries-quad-gama-w-iron-mod","title":"Shadow Hills Industries Quad GAMA w\/ Iron Mod","description":"The \u003cb\u003eShadow Hills Quad GAMA\u003c\/b\u003e is a four channel version of the Gama, with all the capabilities, features, and quality of the original.\u003cbr\u003e\u003cbr\u003e The Gama Is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchy-ness and depth, across the full frequency range, without becoming veiled or choked, the way non-discrete varieties can.\u003cbr\u003e\u003cbr\u003e The preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change output transformers with the flick of a switch, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings, or upgrade the Discrete to Iron. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one.\u003cbr\u003e\u003cbr\u003e The microphone gain is controlled by discrete attenuators made from custom twenty-four position Elma switches. This means that all of the channels are perfectly matched to each other and will never wear out like a pot can. Unlike other boutique companies that offer expensive stepped, or mastering options, but limit you to twelve positions, or use stepped pots that can fail over time, ours have twice the resolution and are included in the price.\u003cbr\u003e\u003cbr\u003e All the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. The separate power supply is very robust and can power two units.\u003cbr\u003e\u003cbr\u003e Quality is also unmatched. Twelve gauge steel chassis, engraved front panels, large custom knobs, and personalized engraved serial number plates, set the build apart. The design aesthetic is reminiscent of 1930's futuristic military technology, that has only now been realized.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e\u003cul\u003e \u003cli\u003eSuperb sound quality and character \u003c\/li\u003e\n\u003cli\u003eSwitchable output transformers \u003c\/li\u003e\n\u003cli\u003eDetented switches \u003c\/li\u003e\n\u003cli\u003ePhase reversible and pad-able DI \u003c\/li\u003e\n\u003cli\u003eEngraved front panels\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449247920231,"sku":"9534","price":4435.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_quad_gama_front.jpg?v=1787088301"},{"product_id":"shadow-hills-industries-the-equinox","title":"Shadow Hills Industries Equinox Mic Preamp and Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Industries Equinox\u003c\/strong\u003e is an ultra high-quality microphone preamp, summing mixer, and monitor controller - essentially a complete small-format recording console - in just two rack spaces! The Equinox features two Golden Age microphone preamplifiers, a 30-channel analog summing section, an extensive mastering-quality monitor section plus Shadow Hills' switchable output transformer matrix for the ultimate in tonal options. With all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMPS\u003c\/h3\u003e\r\n\u003cp\u003eThe mic preamps are the Golden Age Microphone Amps. Each features 60 dB of gain, 24-position gold-plated stepped attenuators, 48V Phantom Power, a 20 dB Pad, phase reverse, and 1\/4” DI input. But the most exciting feature of the amplifier section are the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSteel: hand-wound to match a favorite 1970s American output transformer for a tight and punchy sound with the most color and biggest low end - the sound of rock and roll!\u003c\/li\u003e\r\n\u003cli\u003eNickel: hand wound transformer based on a L.A. custom console for a super clear and wonderful sound, but with a subtle and musical smoothing of the transients\u003c\/li\u003e\r\n\u003cli\u003eIron: modern version of the classic St. Ives 1166 Neve output transformer featuring a warm and round sound with a super detailed and present mid-range\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_1\"\u003eSUMMING NETWORK\u003c\/h3\u003e\r\n\u003cp\u003eThe summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing. DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers. Effectively allowing the user to choose between the sounds of three different consoles on the mix bus.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eMONITOR SECTION\u003c\/h3\u003e\r\n\u003cp\u003eThe monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step Monitor Level control, Monitor Level DIM switch, switch to engage built-in Talkback Mic, Cue output, and Stereo\/Mono switch.\u003c\/p\u003e\r\n\u003cp\u003eWith the INPUT SELECT switch IN:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDAW 1-2 position the Equinox monitors the stereo mix output of the user’s DAW In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the Monitor Level control. This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003c\/li\u003e\r\n\u003cli\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMA’s.\u003c\/li\u003e\r\n\u003cli\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003c\/li\u003e\r\n\u003cli\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the Monitor Section. This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe monitor section also features 3 pairs of Speaker Outputs and a Cue (or headphone) Output. Both reproduce what the Input Select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged. Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003eThe Equinox represents all that is right about Peter Reardon and his Shadow Hills Industries products. It's beautiful, it's functional, it's innovative, it's a throwback to another time that anticipates the needs of the future, and it's not cheap; but it's probably worth triple its price. The Equinox is a two-channel preamp; 32-channel summing buss; and master section complete with talkback mic, dim switch, mono\/stereo switch, and outputs to three sets of monitors and your headphone amp; with a pair of green \"magic-eye\" VU meters; contained in a sturdy 2U-height steel case.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe first thing that people notice about Shadow Hills boxes is the use of black Bakelite-style knobs and glowing green filaments that scream contemporary Batcave... but the defining feature of Peter Reardon's work to date lies in the switchable output transformer settings. Each channel can be set to Nickel, Iron, or Steel. Steel is punchy, thick but bright, and is likely based on the vintage '70s API sound. Iron is essentially the St. Ives 1166 Neve hardware. And Nickel is softer and gooier and is based on a custom L.A. console. These three options not only are applicable on the two preamps going into your DAW but on the 32-channel summing buss coming out as well.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eTherefore, you can route your digital signals out of your DAW and sum in the Equinox, switching the output transformer on your mix to emulate one of three heavy duty console textures; and remember, this is old-world hardware, not a digital simulation. The summing buss uses esoteric Holco metal film resistors (the same ones in Shadow Hills custom mastering consoles) located right next to the input transformer's wiring at its finest, which is reflected in the clean, fat sound.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Equinox feels and sounds as if you are working on an actual console. This is no minor thrill for those of us who built our skills on computer DAWs. The talkback mic\/ dim feature in the master section will make communication with the performer far more convenient and professional.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe mic preamps have their own separate I\/O, so you do not have to spend any time behind the unit changing cables when you are mixing versus when you are tracking. The Equinox comes with a separate 2U power supply. The required connectors and cords are not cheap to purchase and should be factored into the total cost. All 32 summing inputs along with the speaker outputs are D sub. The preamp cabling is balanced XLR of course. There are also balanced XLR inserts on the 2-buss which I use for external processing after summing.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eOn the front panel, the master section has input choices for DAW, internal summing buss, external 2-track, and the built-in mic preamps. This makes it possible to toggle between in-the-box DAW and Equinox-summed mixes. You also have monitor volume control, stepped gain knobs for the two preamp\/summing channels, and the expected phantom power, polarity, and pad switches. Finally there is the speaker-select knob to choose one of three sets of speaker outputs, as well as a mono\/stereo switch and talkback toggle.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Equinox is so visually stunning and sturdy and has so many features that it is easy to overlook that the most inspiring and useful feature by far is the sound. Essentially two high-end mic preamps and hardware summing of the highest quality, this unit has improved my mixes immeasurably. As an early owner of one of the other summing boxes (I found it too transparent), I was skeptical of outboard summing, but the Shadow Hills Equinox has made me a believer.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e-Jim Roll, \u003cem\u003eTapeOp\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449255850087,"sku":"5720","price":6195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hills-equinox-23_5720_1_f440a137-7ebc-4d25-9011-a184ed1cf627.jpg?v=1787088336"},{"product_id":"shadow-hills-industries-power-supply","title":"Shadow Hills Industries Power Supply","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Industries Power Supply\u003c\/strong\u003e is required for powering up to two Shadow Hills rack-mountable units including the \u003ca href=\"https:\/\/vintageking.com\/shadow-hills-industries-the-equinox\"\u003eEquinox\u003c\/a\u003e and \u003ca href=\"https:\/\/vintageking.com\/shadow-hills-industries-mastering-compressor\"\u003eMastering Compressor\u003c\/a\u003e (as well as the Quad Gama and Optograph). By utilizing a this separate power supply unit Shadow Hills Industries processors features outstanding low-noise operation and reliable performance.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449343406183,"sku":"16179","price":1135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hill-psu-26_16179_1.jpg?v=1787088633"},{"product_id":"shadow-hills-industries-dual-vandergraph-demo-deal","title":"Shadow Hills Dual Vandergraph 500 Series Stereo Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e follows the lineage of the \u003ca href=\"https:\/\/vintageking.com\/shadow-hills-industries-mastering-compressor\"\u003eShadow Hills Mastering Compressor\u003c\/a\u003e maintaining its reputation of undeniable quality and exceptional performance, in a convenient 2-slot API 500 Series format module. Its inner components consist of the discrete gain cells from the Mastering Compressor combined with the Optograph’s extremely flexible Sidechain Filter matrix. It features a fully discrete Class A audio path and Shadow Hills' custom Iron Transformers. This combination provides exceptional dynamic control making the Dual Vandergraph a premium stereo compressor for your 500 Series rack!\u003c\/p\u003e\r\n\u003cp\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1. In addition to changing ratios, each selection changes preset attack and recover times. The Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003c\/p\u003e\r\n\u003cp\u003eThough the Dual Vandergraph operates in stereo, it is controlled by a single set of variable attenuators. It will function as normal with just one channel connected.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRatio\u003c\/li\u003e\r\n\u003cli\u003eFilter\u003c\/li\u003e\r\n\u003cli\u003eCompressor\u003c\/li\u003e\r\n\u003cli\u003eOutput\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449367031911,"sku":"15880","price":2339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hill-dual-vandergraph-23_13055_1_1.jpg?v=1787088731"},{"product_id":"shadow-hills-industries-mono-optograph-500-demo-deal","title":"Shadow Hills Industries Mono Optograph 500 (Demo Deal)","description":"\u003cb\u003eShadow Hills Optograph \u003c\/b\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449367064679,"sku":"14003","price":1615.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_optograph_1_1.jpg?v=1787088732"},{"product_id":"shadow-hills-industries-mastering-compressor-demo-deal","title":"Shadow Hills Industries Mastering Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Industries Mastering Compressor\u003c\/strong\u003e is a mastering-grade compressor\/limiter with two compressors (stereo or dual mono) in series and three different output transformer selections (Nickel, Iron, and Steel) to choose between clean, colored, and dirty textures. The optical section is entirely bypassable, and it’s possible to bypass both compression sections to use the transformer section alone. The metering can reflect optical gain reduction, discrete gain reduction, or output level. These versatile bypass and metering options make the Shadow Hills Mastering Compressor suitable as both a tracking compressor and a bus compressor.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTWO COMPRESSION SECTIONS\u003c\/h3\u003e\r\n\u003cp\u003eThe input stage is transformer balanced, followed by an optical compressor section. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is a discrete Class A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: 0.1, 0.5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: 0.1, 0.25, 0.5, 8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material.\u003c\/p\u003e\r\n\u003cp\u003eBoth sections are hardwire bypassable allowing you to completely remove either from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it can also serve as an excellent tracking compressor.\u003c\/p\u003e\r\n\u003cp\u003eThe metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHREE SWITCHABLE OUTPUT TRANSFORMER OPTIONS\u003c\/h3\u003e\r\n\u003cp\u003eThe Mastering Compressor features Shadow Hills' custom transformer switching network with three output transformers options. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty. The first position is Nickel which is a custom version of a famous LA custom console. This setting provides a natural-sounding low end and enhanced high frequencies. With the Iron section, the signal goes through the op-amp and into a Class A output stage (which only passes even-ordered harmonics) then through a custom Iron transformer for a slight boost at 110 Hz. The last transformer position is Steel which features an open and detailed sound with a boost at approximately 40 Hz for big low end.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003ePREMIUM QUALITY COMPONENTS\u003c\/h3\u003e\r\n\u003cp\u003eThe Mastering Compressor features custom-designed, gold-plated attenuators for easy settings recall. All 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\r\n\u003ch3 id=\"toc_4\"\u003eTESTIMONIALS\u003c\/h3\u003e\r\n\u003cp\u003e\u003cem\u003e\"The Shadow Hills Mastering Compressor is a very versatile and unique sounding unit, capable of transforming a quite ordinary sounding mix into something warmer, richer and more musically glued together. It has a completely natural, smooth sound, which perfectly compliments mixes which have been done primarily in the box by smoothing many of the harsh overtones. By linking the opto and discreet compressors, it is possible to nearly re-balance a mix by making the ambient elements and musical hooks move forward in a subtle and non-hyped way. The choice of iron\/nickel\/steel for the compressor is an ultra fine-tuning control which is the most fun part of working with the unit, as it affords a surprise in the special enhancement it provides and keeps the user from “settling” on a setting which is almost, but not quite, right. The ergonomics for the Shadow Hills are the best I ever encountered in a mastering compressor by a wide margin. Easy to read, easy to recall. Of course, the ultra-large knobs are the wow factor which all visitors to the studio have immediately remarked about. No one piece of gear is ever good for every project, but the Shadow Hills has, in two months use, become an essential part of my mastering set-up, affording me a perfect solution to many of the problems we encounter in the post recording studio era.\"\u003c\/em\u003e \u003cstrong\u003e- Greg Calbi, Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"Nobody buy the Shadow Hills Mastering Compressor! Please return yours now. I'm willing to suffer the consequence of being the only one to own that anchor. Yah, it adds a shimmering excitement to multi buss compression by not getting in the way of the internal dynamics I've created... and I do love putting my hands on those big black knobs...but who cares? Just once, I want a great compressor that nobody else can have.\"\u003c\/em\u003e \u003cstrong\u003e- Michael Brauer\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"The Shadow Hills mastering compressor is something I've avoided since it came out because, cynical Canadian that I am, I figured something that looked that good couldn't sound amazing. I was so wrong. It's an instant game changer... put it on the mix bus with a tiny bit of optical compression and more liberal VCA compression with the sidechain engaged keeping all the low end and BLOODY HELL IT'S AMAZING. I'm mixing at least twice as fast as I ever have, and the mixes sound completely on par with the best mixers out there. I know how that reads in text form, but it's really something else. Sorry for the unfiltered gearsluttiness but I can't contain myself. They should rename it the Game Changer.\"\u003c\/em\u003e \u003cstrong\u003e- Greg Wells\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"Forget the aesthetics of the unit - it's the most versatile comp ever. The discrete comp is a cross between a G384 and a 33609. The opto side is fast as hell. I'd love to take it off the 2mix but that won't happen.\"\u003c\/em\u003e \u003cstrong\u003e- Doug McBride\u003c\/strong\u003e\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449367097447,"sku":"14293","price":8079.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mastering_comp_straight_1.jpg?v=1787088731"},{"product_id":"shadow-hills-industries-the-equinox-demo-deal","title":"Shadow Hills The Equinox (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eShadow Hills Equinox\u003c\/span\u003e is like a complete small-format recording console in just 2 rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMicrophone Preamp\u003c\/span\u003e\u003cbr\u003e The mic preamps are the Golden Age Microphone Amps.  Each has 60dB of gain, 24 position gold-plated stepped attenuators, 48V Phantom Power, 20 dB Pad, Phase Reverse, and 1\/4” DI Input. The most exciting feature of the amplifier section is the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSteel Transformer\u003c\/span\u003e (hand wound to match a favorite 1970's American output transformer.) Tight and punchy, the most colored with the biggest low end.  The sound of rock and roll.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eNickel Transformer\u003c\/span\u003e (hand wound transformer based on a L.A. custom console.)  Super clear and wonderful sounding, but with a subtle and musical smoothing of the transients.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eIron Transformer\u003c\/span\u003e (modern version of the classic St. Ives 1166 Neve output transformer.) - Warm and round, with a super detailed and present mid-range. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming Network\u003c\/span\u003e\u003cbr\u003e The summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing.  DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers.  Effectively allowing the user to choose between the sounds of three different consoles on the mix bus.  \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMonitor Section\u003c\/span\u003e\u003cbr\u003e The monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step Monitor Level control, Monitor Level DIM switch, switch to engage built-in Talkback Mic, Cue output, and Stereo\/Mono switch.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWith the INPUT SELECT switch IN:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDAW 1-2 position the Equinox monitors the stereo mix output of the user’s DAW.  In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the Monitor Level control.  This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003c\/li\u003e\r\n\u003cli\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMA’s. \u003c\/li\u003e\r\n\u003cli\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003c\/li\u003e\r\n\u003cli\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the Monitor Section.  This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe monitor section also features 3 pairs of Speaker Outputs and a Cue (or headphone) Output. Both reproduce what the Input Select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged.  Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003cbr\u003e \u003cbr\u003e With all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era. \u003cbr\u003e  \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eNote:\u003c\/span\u003e This unit requires the Shadow Hills PSU (not included).\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003eThe Equinox represents all that is right about Peter Reardon and his Shadow Hills Industries products. It's beautiful, it's functional, it's innovative, it's a throwback to another time that anticipates the needs of the future, and it's not cheap; but it's probably worth triple its price. The Equinox is a two-channel preamp; 32-channel summing buss; and master section complete with talkback mic, dim switch, mono\/stereo switch, and outputs to three sets of monitors and your headphone amp; with a pair of green \"magic-eye\" VU meters; contained in a sturdy 2U-height steel case.\u003cbr\u003e\u003cbr\u003eThe first thing that people notice about Shadow Hills boxes is the use of black Bakelite-style knobs and glowing green filaments that scream contemporary Batcave... but the defining feature of Peter Reardon's work to date lies in the switchable output transformer settings. Each channel can be set to Nickel, Iron, or Steel. Steel is punchy, thick but bright, and is likely based on the vintage '70s API sound. Iron is essentially the St. Ives 1166 Neve hardware. And Nickel is softer and gooier and is based on a custom L.A. console. These three options not only are applicable on the two preamps going into your DAW but on the 32-channel summing buss coming out as well.\u003cbr\u003e\u003cbr\u003eTherefore, you can route your digital signals out of your DAW and sum in the Equinox, switching the output transformer on your mix to emulate one of three heavy duty console textures; and remember, this is old-world hardware, not a digital simulation. The summing buss uses esoteric Holco metal film resistors (the same ones in Shadow Hills custom mastering consoles) located right next to the input transformers— wiring at its finest, which is reflected in the clean, fat sound.\u003cbr\u003e\u003cbr\u003eThe Equinox feels and sounds as if you are working on an actual console. This is no minor thrill for those of us who built our skills on computer DAWs. The talkback mic\/ dim feature in the master section will make communication with the performer far more convenient and professional.\u003cbr\u003e\u003cbr\u003eThe mic preamps have their own separate I\/O, so you do not have to spend any time behind the unit changing cables when you are mixing versus when you are tracking. The Equinox comes with a separate 2U power supply. The required connectors and cords are not cheap to purchase and should be factored into the total cost. All 32 summing inputs along with the speaker outputs are D sub. The preamp cabling is balanced XLR of course. There are also balanced XLR inserts on the 2-buss which I use for external processing after summing.\u003cbr\u003e\u003cbr\u003eOn the front panel, the master section has input choices for DAW, internal summing buss, external 2-track, and the built-in mic preamps. This makes it possible to toggle between in-the-box DAW and Equinox-summed mixes. You also have monitor volume control, stepped gain knobs for the two preamp\/summing channels, and the expected phantom power, polarity, and pad switches. Finally there is the speaker-select knob to choose one of three sets of speaker outputs, as well as a mono\/stereo switch and talkback toggle.\u003cbr\u003e\u003cbr\u003eThe Equinox is so visually stunning and sturdy and has so many features that it is easy to overlook that the most inspiring and useful feature by far is the sound. Essentially two high-end mic preamps and hardware summing of the highest quality, this unit has improved my mixes immeasurably. As an early owner of one of the other summing boxes (I found it too transparent), I was skeptical of outboard summing, but the Shadow Hills Equinox has made me a believer.\u003cbr\u003e\u003cstrong\u003eJim Roll, TapeOp\u003c\/strong\u003e\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449367130215,"sku":"14058","price":5299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_equinox_front_1_25e28051-4721-43d2-893c-5f35234f44df.jpg?v=1787088732"},{"product_id":"shadow-hills-oculus-wireless","title":"Shadow Hills Oculus - Wireless","description":"\u003cp\u003eShadow Hills Industries has done it again! The \u003cstrong\u003eOculus\u003c\/strong\u003e monitor controller is a striking centerpiece to your studio control room, providing crucial functionality and performing to top-notch specifications. Monitor reference level control, talkback, autocue, Class A headphone outs, and more, bring the necessary elements of your studio's workflow at your fingertips. Install the rack unit in your 19\" rack and perch the Remote Pendant proudly on your desk surface or console, with wireless operation keeping things nice and tidy at your workstation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMANUFACTURER'S DESCRIPTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShadow Hills took the long road, cutting no corners and sparing no expense to make the Oculus, the finest monitor console ever made. Drawing from years of experience creating some of the most coveted mastering compressors and summing mixers, Shadow Hills designed the Oculus with an utter devotion to audio integrity. The Remote Pendant wirelessly controls the esoteric architecture and mastering-grade topologies of the Oculus. This intuitive tactile interface is machined from a solid piece of aluminum, uniting technical innovation with sonic purity to create the ultimate reference monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Operations:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume Control\u003c\/strong\u003e: The large Bakelite knob on the Remote Pendant Is the tactile interface for selecting control room volumes. The single knob simultaneously controls the left, right, and subwoofer levels by means of three distinct, discrete passive attenuators.\u003c\/p\u003e\n\u003cp\u003eA properly implemented discrete passive attenuator will always provide superior sound quality over any other topology. This is why nearly every mastering suite, where the price is no object, utilizes this design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Mute\u003c\/strong\u003e: Pulling the Pendant volume knob up enables a full mute of the monitor outputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeft\/Right Subwoofer Mute\u003c\/strong\u003e: The Pendant push-buttons above the volume Individually mute each speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\/Stereo\u003c\/strong\u003e: The pendant switch for Mono\/Stereo selects the mode in which signal is sent via the monitor outputs. This switch is after the Left\/Right mutes. The mono signal playing out of both speaker is derived the unmuted channel or channels. Thus it is possible to hear the left channel in both speakers by muting the right channel, or vice versa. This is a true 'Mono Sum' for monitor troubleshooting and phase coherency. The 'Monophonic' LED on the Pendant is lit when the output is in mono. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDiminish\u003c\/strong\u003e: This reduces the volume in the monitors by half for ease of communication without the requirement of a 'full mute' from the monitors. The LED above the 'Diminish Talkback' switch on the base station, as well as the 'Diminish' LED on the pendant, are lit when the monitors are diminished in volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalk Back Diminish Enable\u003c\/strong\u003e: When this feature is enabled, whenever Talkback is engaged, the Monitor outputs dim. If this is not enabled, then the Monitor outputs stay at normal volume while the talkback microphone is active. The LED below the 'TB-Diminish' switch is ON when the feature is enabled, and the 'Diminish' LEDs on the base station and pendant are lit when the monitor dim is occurring. This feature also works in conjunction with the 'Autocue' feature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Cue\u003c\/strong\u003e: Auto Cue is a feature by which the talkback microphone is automatically switched on when source material has stopped playing and is switched off when the source material plays. In other words, it frees the engineer from having to press the talk back switch between every take of a performance. To use the Auto Cue feature, the engineer must patch in a “play signal” into the Auto-Cue input on the back of the base station. Signals such as SMPTE time code or a -10 decibel test tone played back from a striped track are appropriate. During playback, the Talk Back function should still operate as normal. If the Talk Back switch is engaged and playback is detected, the Talk Back microphone will then be turned on. This is useful for instruction the musicians during a take.The 'A-Cue' LED is lit when this feature is enabled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCue Follow\u003c\/strong\u003e: On the base station, there is a separate pair of stereo outputs for headphones called the cue output. When Cue Follow is NOT engaged, the cue is always fed via Source-E, regardless of where the main source select switch is positioned. This allows the engineer to monitor a different source as the performers. \u003cbr\u003eWhen CUE Follow is engaged, the CUE feed “follows” the source selected via the Source Select switch. For example, if the Source Selected is C, then the CUE will be fed the source C signals as well.  The 'Follow' LED on the base station is lit when this function is enabled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass-A Active Buffer for Source A\u003c\/strong\u003e: For unbalanced feeds into the Oculus, or for any other situation where an active, buffered balanced input is needed, use Source A. Enable the Buffer by depressing the small pushbutton labeled ‘Active Buffer Engage’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Talkback Microphone\u003c\/strong\u003e: Hook any balanced talkback microphone into the XLR input on the backplate and depress the pushbutton labeled 'External Talkback Engage' on the back panel. This disengages the internal talkback microphone and exclusively uses the external talkback microphone in its place.\u003cbr\u003eTalkback Remote: This 1\/4” jack on the back panel enabled an alternate trigger for engaging talkback in the Oculus. When any passive, unbalanced 1\/4” switch is used that shorts the tip to ground upon activation, talkback is enabled. This remote can be used in parallel with the existing momentary 'Talkback' switches on the Pendant and Base Station.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMonitor, Subwoofer and Cue Outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMinimum Frequency Response: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001%\u003c\/li\u003e\n\u003cli\u003eIMD: \u0026lt;0.001%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;97%; \u0026gt;-100dBu\u003c\/li\u003e\n\u003cli\u003ePassive Output Headroom: Infinite\u003c\/li\u003e\n\u003cli\u003e Class-A Output Headroom: +28dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eClass A Headphone Amplifier\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Minimum Frequency Response: Passive: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.02%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection:  \u0026gt;97%; \u0026gt;-102dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449387315303,"sku":"29880","price":3685.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_oculus_wireless_package_front_1.jpg?v=1787088811"},{"product_id":"shadow-hills-industries-mono-optograph-500-used","title":"Shadow Hills Mono Optograph 500 (Used)","description":"\u003cbr\u003e\u003cb\u003eShadow Hills Optograph \u003c\/b\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearities caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits of limiting transients that can only come from magnetics. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs.\u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449462059111,"sku":"17292","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_industries_mono_optograph_500_2_3debdd68-cee9-44f3-b571-af34066d93a6.jpg?v=1787089051"},{"product_id":"shadow-hills-mastering-compressor-class-a-vk-limited-edition","title":"Shadow Hills Mastering Compressor Class A VK Limited Edition","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eShadow Hills Mastering Compressor Class A VK Limited Edition\u003c\/strong\u003e.  A special limited run of unique SHMC units celebrating the success of what is surely one of the most notable mastering compressors ever created.  For this special edition, Shadow Hills has included an updated Class-A discrete compressor section, Lundahl input transformers and hand wired each compressor with Mogami Cable. This version is outwardlly distinguished by the red LEDs gracing the front panel (instead of the normal green ones) and a signed and numbered plaque adorning the rear panel of the unit, signed by Mr. Peter Reardon, himself.\u003cbr\u003e \u003cbr\u003eThe Shadow Hills Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003cbr\u003e \u003cbr\u003eThe input stage is transformer balanced, with specially selected Lundahl transformers for the Class-A edition, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003cbr\u003e \u003cbr\u003eThe first position is Nickel, which is our custom version of a famous L.A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003cbr\u003e \u003cbr\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a strait wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003cbr\u003e \u003cbr\u003eFor instance, you might call up the chain of the optical compressor, then to the Class A output and Iron transformer, for vocals, or select just the Class A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003cbr\u003e \u003cbr\u003eThe metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003cbr\u003e \u003cbr\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449473888359,"sku":"30028","price":8095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mastering_compressor_vk_edition_79a017a5-e076-4665-a17c-a1d3bd3f2a2a.jpg?v=1787089091"},{"product_id":"shadow-hills-mono-gama-mic-pre-demo-deal","title":"Shadow Hills Industries Mono GAMA Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449474019431,"sku":"14002","price":1109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_gama_cat_1.jpg?v=1787089092"},{"product_id":"shadow-hills-power-supply-demo-deal","title":"Shadow Hills Power Supply (Demo Deal)","description":"The new and improved Shadow Hills Power Supply for Equinox, Quad Gama, Mastering Compressor, or Optograph.","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449479819367,"sku":"17626","price":1019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hill-psu-26_16179_1_1_dfb3564f-4838-4273-b993-9bc900611002.jpg?v=1787089117"},{"product_id":"shadow-hills-quad-gama-w-iron-mod-demo-deal","title":"Shadow Hills Quad GAMA w\/ Iron Mod (Demo Deal)","description":"The \u003cb\u003eShadow Hills Quad GAMA\u003c\/b\u003e is a four channel version of the Gama, with all the capabilities, features, and quality of the original.\u003cbr\u003e\u003cbr\u003e The Gama Is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchy-ness and depth, across the full frequency range, without becoming veiled or choked, the way non-discrete varieties can.\u003cbr\u003e\u003cbr\u003e The preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change output transformers with the flick of a switch, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings, or upgrade the Discrete to Iron. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one.\u003cbr\u003e\u003cbr\u003e The microphone gain is controlled by discrete attenuators made from custom twenty-four position Elma switches. This means that all of the channels are perfectly matched to each other and will never wear out like a pot can. Unlike other boutique companies that offer expensive stepped, or mastering options, but limit you to twelve positions, or use stepped pots that can fail over time, ours have twice the resolution and are included in the price.\u003cbr\u003e\u003cbr\u003e All the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. The separate power supply is very robust and can power two units.\u003cbr\u003e\u003cbr\u003e Quality is also unmatched. Twelve gauge steel chassis, engraved front panels, large custom knobs, and personalized engraved serial number plates, set the build apart. The design aesthetic is reminiscent of 1930's futuristic military technology, that has only now been realized.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e\u003cul\u003e \u003cli\u003eSuperb sound quality and character \u003c\/li\u003e\n\u003cli\u003eSwitchable output transformers \u003c\/li\u003e\n\u003cli\u003eDetented switches \u003c\/li\u003e\n\u003cli\u003ePhase reversible and pad-able DI \u003c\/li\u003e\n\u003cli\u003eEngraved front panels\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449480605799,"sku":"15416","price":3991.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_quad_gama_front_1_e8359b2e-2e3e-4f45-b48e-95a7732eb584.jpg?v=1787089120"},{"product_id":"shadow-hills-mastering-compressor-207-used","title":"Shadow Hills Mastering Compressor #207 (Used)","description":"\u003cp\u003eThe \u003cb\u003eShadow Hills Mastering Compressor \u003c\/b\u003ehas extraordinary  functionality, and also provides mastering grade compression and  limiting for tracking and mixing. Essentially it is two compressors in  series, per channel, that can act in stereo, or dual mono. First comes  our mastering grade electro optical compressor, followed by our discrete  Class-A compressor\/limiter. Both feed our switchable custom output  transformers, Nickel, Iron, and Steel. There is enough gain in each  section to overdrive the hottest tape, or clip your converters, if  you're into that sort of thing.\u003c\/p\u003e\u003cp\u003eThe input stage is transformer  balanced, followed by our fully discrete optical compressor. This  section utilizes the same T4B optical attenuator as the LA2A and LA3A,  but is optimized for mastering. The second stage is our discrete Class-A  VCA compressor. There are no electrolytic caps or IC chips in the audio  path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1,  and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30  milliseconds. And there are six release times selectable: .1, .25, .5,8,  1.2, and Auto. There is an insertable filter in the side chain to limit  pumping with bass heavy material. Lastly the signal goes through our  new Shadow Hills custom transformer-switching network.\u003c\/p\u003e\u003cp\u003eThe first  position is Nickel, which is our custom version of a famous L. A. custom  console. Next is Iron. In this mode the signal goes through our op-amp  and into a Class-A output stage then to our custom Iron transformers,  the last transformer position is Steel. These selections allow you to  choose between different output transformers that are in effect: clean,  colored, and dirty, respectively.\u003c\/p\u003e\u003cp\u003eThe optical section has a  hard-wired bypass that completely removes it from the signal path, and  the Class-A VCA compressor is also hardwire bypassable, completely  removing it from the chain. It is possible to independently bypass both  compression sections and have your signal go through the input  transformer and transformer selector only. There is also a hardwire  bypass for the entire compressor, effectively a straight wire in and out  of the box. So besides being a mastering grade, and highly functional  buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e\u003cp\u003eFor  instance, you might call up the chain of the optical compressor, then  to the Class-A output and Iron transformer, for vocals, or select just  the Class-A VCA compressor with a 10:1 plus the Steel transformer for  crushing some room mics, and on and on.\u003c\/p\u003e\u003cp\u003eThe metering can reflect  optical gain reduction, discrete gain reduction, or output level. The  Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\u003cp\u003eAll  17 of the rotary switches are detented. The front panel is engraved.  The knobs are bake-lite, and the two-rack space external power supply  will work in any country on any voltage.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449498234983,"sku":"30039","price":6495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_mastering_compressor__207_5b2e81cd-dbe8-42f0-b4a4-d41750cfdfff.jpg?v=1787089212"},{"product_id":"shadow-hills-mono-gama-mic-pre-used","title":"Shadow Hills Mono GAMA Mic Pre (Used)","description":"The Mono is the single channel API 500 series version of the GAMA  (Golden Age Microphone Amp), with all the capabilities, features, and  quality of the original. The Shadow Hills Mono Gama is centered around  our custom discrete op-amp. This no-compromise design exudes hugeness,  fidelity, punchiness and depth, across the full frequency range, without  becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is  transformer balanced and utilizes an original Jensen input transformer.  We couldn't decide which vintage output transformer we liked best, so we  had our favorites perfectly recreated, and included them all. You can  change the output transformer by cranking the knob, thus changing the  tonal capabilities to compliment to whatever material you are recording.  This allows you to audition different settings to find the perfect  match for microphone or direct input without patching and un-patching  other preamps, and possibly alleviating the need for EQ. Choose between  Nickel, Discrete, or Steel settings. Each transformer position is  stellar unto itself, but the capability of switching between them is  like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre  features are present: phantom power, phase reverse, a twenty dB pad, and  direct input. We have also included the ability to pad and reverse the  phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front  panels, a twenty four position Swiss-made attenuator for gain control,  custom made knobs, and engraved serial number plates, set the build  apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449500659815,"sku":"10350","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_mono_gama_mic_pre__14_cat_6968a902-0b3b-4d55-a8df-fa7d90b2b8b2.jpg?v=1787089221"},{"product_id":"shadow-hills-industries-optograph-used","title":"Shadow Hills Industries Optograph (Used)","description":"Derived from the optical section of it's behemoth big brother, the Shadow Hills Mastering Compressor, the \u003cb\u003eShadow Hills Industries Optograph\u003c\/b\u003e is a no-compromise, stereo optical compressor, with quality and character on-par with the sought after esoteric compressors of the past. The essence of the compressor's sonics comes from our custom electroluminescent cell and discrete op-amp combination. The high quality all discrete signal path is pristine enough for bus compression, perfect for massaging vocals, tough enough for squeezing drum busses and gluing anything that needs to sound more finished, more like a record. The Dual Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. All of the other rotary controls are similarly detented switches, for recallability of settings. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful selection of filters: 90 hertz, 150 hertz, 250 hertz, and bandpass. By engaging the filters, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. These filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eThe Output Transformer Selection Switch allows you to choose between Nickel, Iron, or Steel settings, thus changing the tonal capabilities to compliment to whatever material you are recording. Each transformer position is stellar unto itself, but the capability of switching between them allows you to change the character of the compressor with the flick of the switch. Another unique feature for sculpting the overall character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure almost transformer-less sound, whilst still receiving the benefits, of limiting transients, that can only come from magnetics. \u003cbr\u003e\u003cbr\u003eThe Dual Optograph can operate in Dual Mono or Stereo. There is also a large VU meter for the display of gain reduction or output level. \u003cbr\u003e\u003cbr\u003eThe Chassis is made of twelve gauge steel. It has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003eThe Dual Optograph is powered by our robust external power supply. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449504559207,"sku":"19267","price":3695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_optograph_front_382fd80b-0e1f-4a35-b3bb-18b89619b07b.jpg?v=1787089237"},{"product_id":"shadow-hills-gama-8-channel-mic-pre-used","title":"Shadow Hills GAMA 8 Channel Mic Pre (Used)","description":"\u003cp\u003eSwitching between each of the different output transformer modes provides the user with 3 distinct tonal characteristics. \u003cbr\u003e\u003cbr\u003e The versatility allows the user to select the transformer that best suits the type of recording application. For example, when recording a guitar, you may like the Steel (API style) transformer or maybe on an orchestral you may want to go transformerless. The Nickel Transformer sounds very different from the other choices, and is \"the sound\" of many classic recordings. You will probably find yourself eqing less, instead sculpting your sound by switching to the transformer that suits the Instrument.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449510424679,"sku":"10994","price":4950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_gama_8_ch_mic_pre_cat_f6f9792c-58b2-4e11-9f37-9a83d07dc6dc.jpg?v=1787089261"},{"product_id":"shadow-hills-mastering-compressor-al312-used","title":"Shadow Hills Mastering Compressor #AL312 (Used)","description":"\u003cp\u003eClean example of this unit, comes with psu.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eShadow Hills Mastering Compressor \u003c\/strong\u003ehas extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003c\/p\u003e\n\u003cp\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003c\/p\u003e\n\u003cp\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003c\/p\u003e\n\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e\n\u003cp\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003c\/p\u003e\n\u003cp\u003eThe metering can reflect optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\n\u003cp\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite, and the two-rack space external power supply will work in any country on any voltage.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449530576999,"sku":"31861","price":6995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_31861_1_a5a4c8ab-da66-440c-8fe4-3f121fca9cb3.jpg?v=1787089335"},{"product_id":"shadow-hills-industries-dual-vandergraph-28-used","title":"Shadow Hills Industries Dual Vandergraph #28 (Used)","description":"Very clean used example of this unit.  Serviced, with a 1 year warranty.","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449548370023,"sku":"32914","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_industries_dual_vangergraph__28_cat_a07f3835-295c-493f-ac2e-65433d43c044.jpg?v=1787089409"},{"product_id":"shadow-hills-mono-gama-0353-used","title":"Shadow Hills Mono GAMA #0353 (Used)","description":"The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449572323431,"sku":"34076","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_mono_gama__0353_cat_45208e79-3fa0-4492-a3e8-a20af31a11d1.jpg?v=1787089513"},{"product_id":"shadow-hills-mono-gama-d508-used","title":"Shadow Hills Mono GAMA #D508 (Used)","description":"The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449572356199,"sku":"34075","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_mono_gama__d508_cat_79413924-f72a-40ae-8670-96e58bedd3b2.jpg?v=1787089514"},{"product_id":"shadow-hills-mono-gama-mic-pre-almg324-used","title":"Shadow Hills Mono GAMA Mic Pre #ALMG324 (Used)","description":"Purchase price includes VK premium servicing with a 1 year warranty!\u003cbr\u003e\u003cp\u003eThe Mono is the single channel API 500 series version of the GAMA \n(Golden Age Microphone Amp), with all the capabilities, features, and \nquality of the original. The Shadow Hills Mono Gama is centered around \nour custom discrete op-amp. This no-compromise design exudes hugeness, \nfidelity, punchiness and depth, across the full frequency range, without\n becoming veiled or choked. \u003c\/p\u003e\u003cbr\u003eThe preamplifier input is \ntransformer balanced and utilizes an original Jensen input transformer. \nWe couldn't decide which vintage output transformer we liked best, so we\n had our favorites perfectly recreated, and included them all. You can \nchange the output transformer by cranking the knob, thus changing the \ntonal capabilities to compliment to whatever material you are recording.\n This allows you to audition different settings to find the perfect \nmatch for microphone or direct input without patching and un-patching \nother preamps, and possibly alleviating the need for EQ. Choose between \nNickel, Discrete, or Steel settings. Each transformer position is \nstellar unto itself, but the capability of switching between them is \nlike having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre \nfeatures are present: phantom power, phase reverse, a twenty dB pad, and\n direct input. We have also included the ability to pad and reverse the \nphase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front \npanels, a twenty four position Swiss-made attenuator for gain control, \ncustom made knobs, and engraved serial number plates, set the build \napart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449581105255,"sku":"33609","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_shadow_hills_mono_gama_mic_pre__almg324_1_d4bf915c-223a-429f-89e3-67238311143f.jpg?v=1787089554"},{"product_id":"shadow-hills-mono-gama-almg196-used","title":"Shadow Hills Mono GAMA #ALMG196 (Used)","description":"The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449585070183,"sku":"35377","price":725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35377_1_268cd1d0-fa76-416e-9573-dbe10033eeea.jpg?v=1787089571"},{"product_id":"shadow-hills-mono-gama-almg002-used","title":"Shadow Hills Mono GAMA #ALMG002 (Used)","description":"The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449585102951,"sku":"35376","price":725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35376_1_cc3ae706-fef6-4cae-b759-d0406df203c4.jpg?v=1787089571"},{"product_id":"shadow-hills-mastering-compressor-and-psu-300-used","title":"Shadow Hills Mastering Compressor and PSU #300 (Used)","description":"\u003cp\u003eThe \u003cb\u003eShadow Hills Mastering Compressor \u003c\/b\u003ehas extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003c\/p\u003e\u003cp\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003c\/p\u003e\u003cp\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003c\/p\u003e\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e\u003cp\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003c\/p\u003e\u003cp\u003eThe metering can reflect optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\u003cp\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite, and the two-rack space external power supply will work in any country on any voltage.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449596244071,"sku":"35643","price":7100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35643_1_55005761-1fca-4175-94c4-781eb2c7bd67.jpg?v=1787089620"},{"product_id":"shadow-hills-oculus-wired","title":"Shadow Hills Oculus - Wired","description":"\u003cp\u003eShadow Hills Industries has done it again! The Oculus monitor controller is a striking centerpiece to your studio control room, providing crucial functionality and performing to top-notch specifications. Monitor reference level control, talkback, Autocue, Class-A headphone out, and more, bring the necessary elements of your studio's workflow at your fingertips. Install the rack unit in your 19\" rack and perch the Remote Pendant proudly on your desk surface or console, with wireless operation keeping things nice and tidy at your workstation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMANUFACTURER'S DESCRIPTION\u003c\/h3\u003e\n\u003cp\u003eShadow Hills took the long road, cutting no corners and sparing no expense to make the Oculus, the finest monitor console ever made. Drawing from years of experience creating some of the most coveted mastering compressors and summing mixers, Shadow Hills designed the Oculus with an utter devotion to audio integrity. The remote Pendant controls the esoteric architecture and mastering-grade topologies of the Oculus. This intuitive tactile interface is machined from a solid piece of aluminum, uniting technical innovation with sonic purity to create the ultimate reference monitor controller.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eStandard Operations\u003c\/h3\u003e\n\u003cp\u003eVolume Control: The large Bakelite knob on the Remote Pendant Is the tactile interface for selecting control room volumes. The single knob simultaneously controls the left, right, and subwoofer levels by means of three distinct, discrete passive attenuators.\u003c\/p\u003e\n\u003cp\u003eA properly implemented discrete passive attenuator will always provide superior sound quality over any other topology. This is why nearly every mastering suite, where the price is no object, utilizes this design.\u003c\/p\u003e\n\u003cp\u003eAll Mute: Pulling the Pendant volume knob up enables a full mute of the monitor outputs.\u003c\/p\u003e\n\u003cp\u003eLeft\/Right Subwoofer Mute: The Pendant push-buttons above the volume Individually mute each speaker.\u003c\/p\u003e\n\u003cp\u003eMono\/Stereo: The pendant switch for Mono\/Stereo selects the mode in which signal is sent via the monitor outputs. This switch is after the Left\/Right mutes. The mono signal playing out of both speaker is derived the unmuted channel or channels. Thus it is possible to hear the left channel in both speakers by muting the right channel, or vice versa. This is a true 'Mono Sum' for monitor troubleshooting and phase coherency. The 'Monophonic' LED on the Pendant is lit when the output is in mono.  \u003c\/p\u003e\n\u003cp\u003eDiminish: This reduces the volume in the monitors by half for ease of communication without the requirement of a 'full mute' from the monitors. The LED above the 'Diminish Talkback' switch on the base station, as well as the 'Diminish' LED on the pendant, are lit when the monitors are diminished in volume.\u003c\/p\u003e\n\u003cp\u003eTalk Back Diminish Enable: When this feature is enabled, whenever Talkback is engaged, the Monitor outputs dim. If this is not enabled, then the Monitor outputs stay at normal volume while the talkback microphone is active. The LED below the 'TB-Diminish' switch is ON when the feature is enabled, and the 'Diminish' LEDs on the base station and pendant are lit when the monitor dim is occurring. This feature also works in conjunction with the 'Autocue' feature.\u003c\/p\u003e\n\u003cp\u003eAuto Cue: Auto Cue is a feature by which the talkback microphone is automatically switched on when source material has stopped playing and is switched off when the source material plays. In other words, it frees the engineer from having to press the talk back switch between every take of a performance. To use the Auto Cue feature, the engineer must patch in a “play signal” into the Auto-Cue input on the back of the base station. Signals such as SMPTE time code or a -10 decibel test tone played back from a striped track are appropriate. During playback, the Talk Back function should still operate as normal. If the Talk Back switch is engaged and playback is detected, the Talk Back microphone will then be turned on. This is useful for instruction the musicians during a take.The 'A-Cue' LED is lit when this feature is enabled.\u003c\/p\u003e\n\u003cp\u003eCue Follow: On the base station, there is a separate pair of stereo outputs for headphones called the cue output. When Cue Follow is NOT engaged, the cue is always fed via Source-E, regardless of where the main source select switch is positioned. This allows the engineer to monitor a different source as the performers. \u003c\/p\u003e\n\u003cp\u003eWhen CUE Follow is engaged, the CUE feed “follows” the source selected via the Source Select switch. For example, if the Source Selected is C, then the CUE will be fed the source C signals as well.  The 'Follow' LED on the base station is lit when this function is enabled.\u003c\/p\u003e\n\u003cp\u003eClass-A Active Buffer for Source A: For unbalanced feeds into the Oculus, or for any other situation where an active, buffered balanced input is needed, use Source A. Enable the Buffer by depressing the small pushbutton labeled ‘Active Buffer Engage’\u003c\/p\u003e\n\u003cp\u003eExternal Talkback Microphone: Hook any balanced talkback microphone into the XLR input on the backplate and depress the pushbutton labeled 'External Talkback Engage' on the back panel. This disengages the internal talkback microphone and exclusively uses the external talkback microphone in its place.\u003c\/p\u003e\n\u003cp\u003eTalkback Remote: This 1\/4” jack on the back panel enabled an alternate trigger for engaging talkback in the Oculus. When any passive, unbalanced 1\/4” switch is used that shorts the tip to ground upon activation, talkback is enabled. 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We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. 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Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449647820903,"sku":"39906","price":725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_39906_1_018045df-04e4-4668-a1a9-80db1ccaf550.jpg?v=1787089826"},{"product_id":"shadow-hills-oculus-wireless-demo-deal","title":"Shadow Hills Oculus - Wireless (Demo Deal)","description":"\u003cp\u003eShadow Hills Industries has done it again! The \u003cstrong\u003eOculus\u003c\/strong\u003e monitor controller is a striking centerpiece to your studio control room, providing crucial functionality and performing to top-notch specifications. Monitor reference level control, talkback, autocue, Class A headphone outs, and more, bring the necessary elements of your studio's workflow at your fingertips. Install the rack unit in your 19\" rack and perch the Remote Pendant proudly on your desk surface or console, with wireless operation keeping things nice and tidy at your workstation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMANUFACTURER'S DESCRIPTION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShadow Hills took the long road, cutting no corners and sparing no expense to make the Oculus, the finest monitor console ever made. Drawing from years of experience creating some of the most coveted mastering compressors and summing mixers, Shadow Hills designed the Oculus with an utter devotion to audio integrity. The Remote Pendant wirelessly controls the esoteric architecture and mastering-grade topologies of the Oculus. This intuitive tactile interface is machined from a solid piece of aluminum, uniting technical innovation with sonic purity to create the ultimate reference monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Operations:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume Control\u003c\/strong\u003e: The large Bakelite knob on the Remote Pendant Is the tactile interface for selecting control room volumes. The single knob simultaneously controls the left, right, and subwoofer levels by means of three distinct, discrete passive attenuators.\u003c\/p\u003e\n\u003cp\u003eA properly implemented discrete passive attenuator will always provide superior sound quality over any other topology. This is why nearly every mastering suite, where the price is no object, utilizes this design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Mute\u003c\/strong\u003e: Pulling the Pendant volume knob up enables a full mute of the monitor outputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeft\/Right Subwoofer Mute\u003c\/strong\u003e: The Pendant push-buttons above the volume Individually mute each speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\/Stereo\u003c\/strong\u003e: The pendant switch for Mono\/Stereo selects the mode in which signal is sent via the monitor outputs. This switch is after the Left\/Right mutes. The mono signal playing out of both speaker is derived the unmuted channel or channels. Thus it is possible to hear the left channel in both speakers by muting the right channel, or vice versa. This is a true 'Mono Sum' for monitor troubleshooting and phase coherency. The 'Monophonic' LED on the Pendant is lit when the output is in mono. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDiminish\u003c\/strong\u003e: This reduces the volume in the monitors by half for ease of communication without the requirement of a 'full mute' from the monitors. The LED above the 'Diminish Talkback' switch on the base station, as well as the 'Diminish' LED on the pendant, are lit when the monitors are diminished in volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalk Back Diminish Enable\u003c\/strong\u003e: When this feature is enabled, whenever Talkback is engaged, the Monitor outputs dim. If this is not enabled, then the Monitor outputs stay at normal volume while the talkback microphone is active. The LED below the 'TB-Diminish' switch is ON when the feature is enabled, and the 'Diminish' LEDs on the base station and pendant are lit when the monitor dim is occurring. This feature also works in conjunction with the 'Autocue' feature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Cue\u003c\/strong\u003e: Auto Cue is a feature by which the talkback microphone is automatically switched on when source material has stopped playing and is switched off when the source material plays. In other words, it frees the engineer from having to press the talk back switch between every take of a performance. To use the Auto Cue feature, the engineer must patch in a “play signal” into the Auto-Cue input on the back of the base station. Signals such as SMPTE time code or a -10 decibel test tone played back from a striped track are appropriate. During playback, the Talk Back function should still operate as normal. If the Talk Back switch is engaged and playback is detected, the Talk Back microphone will then be turned on. This is useful for instruction the musicians during a take.The 'A-Cue' LED is lit when this feature is enabled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCue Follow\u003c\/strong\u003e: On the base station, there is a separate pair of stereo outputs for headphones called the cue output. When Cue Follow is NOT engaged, the cue is always fed via Source-E, regardless of where the main source select switch is positioned. This allows the engineer to monitor a different source as the performers. \u003cbr\u003eWhen CUE Follow is engaged, the CUE feed “follows” the source selected via the Source Select switch. For example, if the Source Selected is C, then the CUE will be fed the source C signals as well.  The 'Follow' LED on the base station is lit when this function is enabled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass-A Active Buffer for Source A\u003c\/strong\u003e: For unbalanced feeds into the Oculus, or for any other situation where an active, buffered balanced input is needed, use Source A. Enable the Buffer by depressing the small pushbutton labeled ‘Active Buffer Engage’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Talkback Microphone\u003c\/strong\u003e: Hook any balanced talkback microphone into the XLR input on the backplate and depress the pushbutton labeled 'External Talkback Engage' on the back panel. This disengages the internal talkback microphone and exclusively uses the external talkback microphone in its place.\u003cbr\u003eTalkback Remote: This 1\/4” jack on the back panel enabled an alternate trigger for engaging talkback in the Oculus. When any passive, unbalanced 1\/4” switch is used that shorts the tip to ground upon activation, talkback is enabled. This remote can be used in parallel with the existing momentary 'Talkback' switches on the Pendant and Base Station.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMonitor, Subwoofer and Cue Outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMinimum Frequency Response: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001%\u003c\/li\u003e\n\u003cli\u003eIMD: \u0026lt;0.001%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;97%; \u0026gt;-100dBu\u003c\/li\u003e\n\u003cli\u003ePassive Output Headroom: Infinite\u003c\/li\u003e\n\u003cli\u003e Class-A Output Headroom: +28dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eClass A Headphone Amplifier\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Minimum Frequency Response: Passive: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.02%\u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection:  \u0026gt;97%; \u0026gt;-102dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449652605031,"sku":"37347","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_oculus_wireless_cat_2.jpg?v=1787089848"},{"product_id":"shadow-hills-industries-dual-vandergraph-121-used","title":"Shadow Hills Industries Dual Vandergraph #121 (Used)","description":"The \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003cbr\u003e\u003cbr\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe controls are: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRatio, Filter, Compression and Output Level.\u003cbr\u003e\u003cbr\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003cbr\u003e\u003cbr\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003cbr\u003e\u003cbr\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput impedance 20k\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance 600 ohms\u003c\/li\u003e\n\u003cli\u003eStereo\u003c\/li\u003e\n\u003cli\u003eFully Class-A \u003c\/li\u003e\n\u003cli\u003eDiscrete audio path \u003c\/li\u003e\n\u003cli\u003eDiscrete gain cells from Mastering Compressor\u003c\/li\u003e\n\u003cli\u003eSidechain Filter Matrix from Optograph\u003c\/li\u003e\n\u003cli\u003eSwiss made discrete attenuators\u003c\/li\u003e\n\u003cli\u003eMilitary Spec build quality\u003c\/li\u003e\n\u003cli\u003eMeets the specifications of the VPR Alliance\u003c\/li\u003e\n\u003c\/ul\u003eThere is no limit to the number of Dual Vandergraphs that can fit into any 500 series rack.","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449654243431,"sku":"40906","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_40906_1_094608f9-04f8-4f0f-97a6-6bacc8f0561d.jpg?v=1787089855"},{"product_id":"shadow-hills-industries-mono-optograph-500-0061-used","title":"Shadow Hills Industries Mono Optograph 500 #0061 (Used)","description":"\u003cstrong\u003eShadow Hills Optograph \u003c\/strong\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By e(more...)","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449654276199,"sku":"40904","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_40904_1_ffd7eea1-8315-4e32-b748-0f28964bcd97.jpg?v=1787089855"},{"product_id":"shadow-hills-industries-mono-optograph-500-009-used","title":"Shadow Hills Industries Mono Optograph 500 #009 (Used)","description":"\u003cstrong\u003eShadow Hills Optograph \u003c\/strong\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449654308967,"sku":"40905","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_40905_1_73488b91-87d5-4e7f-85aa-2902df446176.jpg?v=1787089855"},{"product_id":"shadow-hills-mono-gama-almg370-used","title":"Shadow Hills Mono GAMA #ALMG370 (Used)","description":"The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449654505575,"sku":"40841","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_40841_1_a77c8263-decd-44c2-a043-64aa774e9bfe.jpg?v=1787089856"},{"product_id":"shadow-hills-mono-gama-almg353-used","title":"Shadow Hills Mono GAMA #ALMG353 (Used)","description":"The \u003cstrong\u003eMono GAMA\u003c\/strong\u003e is the single-channel API 500 Series version of the Golden Age Microphone Amp, with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input.\u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position swiss made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart.\u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449665450087,"sku":"41555","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_gama__almg353__used__3985033_fb51f56c-6d64-4fd5-b6fc-4378f7f718f8.jpg?v=1787089902"},{"product_id":"shadow-hills-industries-dual-vandergraph-v004-used","title":"Shadow Hills Industries Dual Vandergraph #V004 (Used)","description":"The \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003cbr\u003e\u003cbr\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe controls are: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRatio, Filter, Compression and Output Level.\u003cbr\u003e\u003cbr\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003cbr\u003e\u003cbr\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003cbr\u003e\u003cbr\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput impedance 20k\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance 600 ohms\u003c\/li\u003e\n\u003cli\u003eStereo\u003c\/li\u003e\n\u003cli\u003eFully Class-A \u003c\/li\u003e\n\u003cli\u003eDiscrete audio path \u003c\/li\u003e\n\u003cli\u003eDiscrete gain cells from Mastering Compressor\u003c\/li\u003e\n\u003cli\u003eSidechain Filter Matrix from Optograph\u003c\/li\u003e\n\u003cli\u003eSwiss made discrete attenuators\u003c\/li\u003e\n\u003cli\u003eMilitary Spec build quality\u003c\/li\u003e\n\u003cli\u003eMeets the specifications of the VPR Alliance\u003c\/li\u003e\n\u003c\/ul\u003eThere is no limit to the number of Dual Vandergraphs that can fit into any 500 series rack.","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449667448935,"sku":"41655","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41655_1_2827daa6-0286-4132-99ff-cea9ad0cb96c.jpg?v=1787089911"},{"product_id":"shadow-hills-the-equinox-w-psu-143-used","title":"Shadow Hills The Equinox W\/ PSU #143 (Used)","description":"The \u003cstrong\u003eShadow Hills Equinox\u003c\/strong\u003e is like a complete small-format recording console in just two rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMicrophone Preamps\u003c\/strong\u003e\u003cbr\u003e The mic preamps are the Golden Age Microphone Amps. Each has 60dB of gain, 24 position gold-plated stepped attenuators, 48V phantom power, 20dB pad, polarity reverse, and 1\/4” DI input. The most exciting feature of the amplifier section is the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSteel Transformer - \u003c\/strong\u003eHand-wound to match a favorite 1970s American output transformer. Tight and punchy, the most colored with the biggest low end. The sound of rock and roll.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNickel Transformer -\u003c\/strong\u003e Hand-wound transformer based on an L.A. custom console. Super clear and wonderful sounding, but with a subtle and musical smoothing of the transients.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIron Transformer -\u003c\/strong\u003e Modern version of the classic St. Ives 1166 Neve output transformer. Warm and round with a super detailed and present mid-range. \u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eSumming Network\u003c\/strong\u003e\u003cbr\u003e The summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing. DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers. Effectively allowing the user to choose between the sounds of three different consoles on the mix bus. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMonitor Section\u003c\/strong\u003e\u003cbr\u003e The monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step monitor level control, monitor level dim switch, switch to engage built-in talkback mic, cue output, and stereo\/mono switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eWith the INPUT SELECT switch set to:\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eDAW 1-2 position, the Equinox monitors the stereo mix output of the user’s DAW. In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the monitor level control. This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003c\/li\u003e\n\u003cli\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMAs. \u003c\/li\u003e\n\u003cli\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003c\/li\u003e\n\u003cli\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the monitor section. This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing. \u003c\/li\u003e\n\u003c\/ul\u003e The monitor section also features three pairs of speaker outputs and a cue (or headphone) output. Both reproduce what the input select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged. Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003cbr\u003e \u003cbr\u003e With all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era.\u003cbr\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003ePackage contents:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003ePSU (original)\u003c\/li\u003e\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449684455527,"sku":"42800","price":3795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_the_equinox_w__psu__143__used__4182996_264eec39-9131-40dc-91cd-23bf88486788.jpg?v=1787089974"},{"product_id":"shadow-hills-industries-mono-optograph-500-al058-used","title":"Shadow Hills Industries Mono Optograph 500 #AL058 (Used)","description":"\u003cstrong\u003eShadow Hills Optograph \u003c\/strong\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449690943591,"sku":"43571","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_industries_mono_optograph_500__al058__used__4279553_f3ab042f-206b-4967-b0c9-b12f18b6795b.jpg?v=1787090002"},{"product_id":"shadow-hills-the-equinox-w-o-psu-291-used","title":"Shadow Hills The Equinox w\/o PSU #291 (Used)","description":"\u003cp\u003eExcellent condition unit. Requires psu, not included.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eShadow Hills Equinox\u003c\/strong\u003e is like a complete small-format recording console in just two rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMicrophone Preamps\u003c\/strong\u003e\u003cbr\u003e The mic preamps are the Golden Age Microphone Amps. Each has 60dB of gain, 24 position gold-plated stepped attenuators, 48V phantom power, 20dB pad, polarity reverse, and 1\/4” DI input. The most exciting feature of the amplifier section is the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSteel Transformer - \u003c\/strong\u003eHand-wound to match a favorite 1970s American output transformer. Tight and punchy, the most colored with the biggest low end. The sound of rock and roll.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNickel Transformer -\u003c\/strong\u003e Hand-wound transformer based on an L.A. custom console. Super clear and wonderful sounding, but with a subtle and musical smoothing of the transients.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIron Transformer -\u003c\/strong\u003e Modern version of the classic St. Ives 1166 Neve output transformer. Warm and round with a super detailed and present mid-range. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eSumming Network\u003c\/strong\u003e\u003cbr\u003e The summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing. DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers. Effectively allowing the user to choose between the sounds of three different consoles on the mix bus. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMonitor Section\u003c\/strong\u003e\u003cbr\u003e The monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step monitor level control, monitor level dim switch, switch to engage built-in talkback mic, cue output, and stereo\/mono switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eWith the INPUT SELECT switch set to:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDAW 1-2 position, the Equinox monitors the stereo mix output of the user’s DAW. In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the monitor level control. This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003c\/li\u003e\n\u003cli\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMAs. \u003c\/li\u003e\n\u003cli\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003c\/li\u003e\n\u003cli\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the monitor section. This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe monitor section also features three pairs of speaker outputs and a cue (or headphone) output. Both reproduce what the input select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged. Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003cbr\u003e \u003cbr\u003e With all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449691205735,"sku":"43317","price":2595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_the_equinox_w_o_psu__291__used__4292579_14ef78a9-7e2f-4ee6-b6cf-1a399830c6fa.jpg?v=1787090003"},{"product_id":"shadow-hills-oculus-wired-demo-deal","title":"Shadow Hills Oculus - Wired (Demo Deal)","description":"\u003cp\u003eShadow Hills Industries has done it again! The Oculus monitor controller is a striking centerpiece to your studio control room, providing crucial functionality and performing to top-notch specifications. Monitor reference level control, talkback, Autocue, Class-A headphone out, and more, bring the necessary elements of your studio's workflow at your fingertips. Install the rack unit in your 19\" rack and perch the Remote Pendant proudly on your desk surface or console, with wireless operation keeping things nice and tidy at your workstation.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eMANUFACTURER'S DESCRIPTION\u003c\/h3\u003e\r\n\u003cp\u003eShadow Hills took the long road, cutting no corners and sparing no expense to make the Oculus, the finest monitor console ever made. Drawing from years of experience creating some of the most coveted mastering compressors and summing mixers, Shadow Hills designed the Oculus with an utter devotion to audio integrity. The remote Pendant controls the esoteric architecture and mastering-grade topologies of the Oculus. This intuitive tactile interface is machined from a solid piece of aluminum, uniting technical innovation with sonic purity to create the ultimate reference monitor controller.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eStandard Operations\u003c\/h3\u003e\r\n\u003cp\u003eVolume Control: The large Bakelite knob on the Remote Pendant Is the tactile interface for selecting control room volumes. The single knob simultaneously controls the left, right, and subwoofer levels by means of three distinct, discrete passive attenuators.\u003c\/p\u003e\r\n\u003cp\u003eA properly implemented discrete passive attenuator will always provide superior sound quality over any other topology. This is why nearly every mastering suite, where the price is no object, utilizes this design.\u003c\/p\u003e\r\n\u003cp\u003eAll Mute: Pulling the Pendant volume knob up enables a full mute of the monitor outputs.\u003c\/p\u003e\r\n\u003cp\u003eLeft\/Right Subwoofer Mute: The Pendant push-buttons above the volume Individually mute each speaker.\u003c\/p\u003e\r\n\u003cp\u003eMono\/Stereo: The pendant switch for Mono\/Stereo selects the mode in which signal is sent via the monitor outputs. This switch is after the Left\/Right mutes. The mono signal playing out of both speaker is derived the unmuted channel or channels. Thus it is possible to hear the left channel in both speakers by muting the right channel, or vice versa. This is a true 'Mono Sum' for monitor troubleshooting and phase coherency. The 'Monophonic' LED on the Pendant is lit when the output is in mono.  \u003c\/p\u003e\r\n\u003cp\u003eDiminish: This reduces the volume in the monitors by half for ease of communication without the requirement of a 'full mute' from the monitors. The LED above the 'Diminish Talkback' switch on the base station, as well as the 'Diminish' LED on the pendant, are lit when the monitors are diminished in volume.\u003c\/p\u003e\r\n\u003cp\u003eTalk Back Diminish Enable: When this feature is enabled, whenever Talkback is engaged, the Monitor outputs dim. If this is not enabled, then the Monitor outputs stay at normal volume while the talkback microphone is active. The LED below the 'TB-Diminish' switch is ON when the feature is enabled, and the 'Diminish' LEDs on the base station and pendant are lit when the monitor dim is occurring. This feature also works in conjunction with the 'Autocue' feature.\u003c\/p\u003e\r\n\u003cp\u003eAuto Cue: Auto Cue is a feature by which the talkback microphone is automatically switched on when source material has stopped playing and is switched off when the source material plays. In other words, it frees the engineer from having to press the talk back switch between every take of a performance. To use the Auto Cue feature, the engineer must patch in a “play signal” into the Auto-Cue input on the back of the base station. Signals such as SMPTE time code or a -10 decibel test tone played back from a striped track are appropriate. During playback, the Talk Back function should still operate as normal. If the Talk Back switch is engaged and playback is detected, the Talk Back microphone will then be turned on. This is useful for instruction the musicians during a take.The 'A-Cue' LED is lit when this feature is enabled.\u003c\/p\u003e\r\n\u003cp\u003eCue Follow: On the base station, there is a separate pair of stereo outputs for headphones called the cue output. When Cue Follow is NOT engaged, the cue is always fed via Source-E, regardless of where the main source select switch is positioned. This allows the engineer to monitor a different source as the performers. \u003c\/p\u003e\r\n\u003cp\u003eWhen CUE Follow is engaged, the CUE feed “follows” the source selected via the Source Select switch. For example, if the Source Selected is C, then the CUE will be fed the source C signals as well.  The 'Follow' LED on the base station is lit when this function is enabled.\u003c\/p\u003e\r\n\u003cp\u003eClass-A Active Buffer for Source A: For unbalanced feeds into the Oculus, or for any other situation where an active, buffered balanced input is needed, use Source A. Enable the Buffer by depressing the small pushbutton labeled ‘Active Buffer Engage’\u003c\/p\u003e\r\n\u003cp\u003eExternal Talkback Microphone: Hook any balanced talkback microphone into the XLR input on the backplate and depress the pushbutton labeled 'External Talkback Engage' on the back panel. This disengages the internal talkback microphone and exclusively uses the external talkback microphone in its place.\u003c\/p\u003e\r\n\u003cp\u003eTalkback Remote: This 1\/4” jack on the back panel enabled an alternate trigger for engaging talkback in the Oculus. When any passive, unbalanced 1\/4” switch is used that shorts the tip to ground upon activation, talkback is enabled. This remote can be used in parallel with the existing momentary 'Talkback' switches on the Pendant and Base Station.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cp\u003e Monitor, Subwoofer and Cue Outputs\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMinimum Frequency Response: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: 0.001%\u003c\/li\u003e\r\n\u003cli\u003eIMD: \u0026lt;0.001%\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk Rejection: \u0026gt;97%; \u0026gt;-100dBu\u003c\/li\u003e\r\n\u003cli\u003ePassive Output Headroom: Infinite\u003c\/li\u003e\r\n\u003cli\u003eClass-A Output Headroom: +28dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eClass A Headphone Amplifier\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMinimum Frequency Response: Passive: 1Hz – 100kHz @ -0.1dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: 0.02%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eCrosstalk Rejection:  \u0026gt;97%; \u0026gt;-102dBu\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449699135591,"sku":"44396","price":2095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_oculus_wired_rack_front_1_a4c3e758-6d3c-4761-8fec-bd34bb28f796.jpg?v=1787090038"},{"product_id":"shadow-hills-industries-the-equinox-w-psu-shqnx351-used","title":"Shadow Hills Industries The Equinox w\/ PSU #SHQNX351 (Used)","description":null,"brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449701691495,"sku":"42785","price":3795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_industries_the_equinox_w__psu__shqnx351__used__4498229.jpg?v=1787090053"},{"product_id":"shadow-hills-industries-mono-optograph-500-255-used","title":"Shadow Hills Industries Mono Optograph 500 #255 (Used)","description":"\u003ctbody\u003e\n\u003ctr\u003e \u003ctd class=\"bglttext\"\u003e \u003cstrong\u003eShadow Hills Optograph \u003c\/strong\u003e\u003cbr\u003eThis Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor. The Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record. \u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever. \u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose. \u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs. \u003cbr\u003e\u003cbr\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449707360359,"sku":"47344","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_industries_mono_optograph_500__255__used__4633597_8ef573c3-4320-4cff-9758-0e4c3df477e6.jpg?v=1787090083"},{"product_id":"shadow-hills-mastering-compressor-339-used","title":"Shadow Hills Mastering Compressor #339 (Used)","description":"The \u003cstrong\u003eShadow Hills Mastering Compressor \u003c\/strong\u003ehas extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003cp\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003c\/p\u003e\u003cp\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003c\/p\u003e\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a straight wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e\u003cp\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003c\/p\u003e\u003cp\u003eThe metering can reflect optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\u003cp\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite, and the two-rack space external power supply will work in any country on any voltage.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449731575911,"sku":"44353","price":6995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mastering_compressor__339__used__4952709_18e37d3c-e75f-4b92-bdb1-6dda0e990d32.jpg?v=1787090174"},{"product_id":"shadow-hills-mono-gama-mic-preamp-595-used","title":"Shadow Hills Mono GAMA Mic Preamp #595 (Used)","description":"The Mono is the single channel API 500 Series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original. The \u003cstrong\u003eShadow Hills Mono Gama\u003c\/strong\u003e is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. \u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. \u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. \u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart. \u003cbr\u003e\u003cbr\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449737310311,"sku":"49126","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_gama_mic_preamp__595__used__5037761_65ca61cd-fda5-42f0-a6d3-435fc0b94c92.jpg?v=1787090199"},{"product_id":"shadow-hills-industries-dual-vandergraph-dv399-used","title":"Shadow Hills Industries Dual Vandergraph  #DV399 (Used)","description":"The \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003cbr\u003e\u003cbr\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe controls are: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRatio, Filter, Compression and Output Level.\u003cbr\u003e\u003cbr\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003cbr\u003e\u003cbr\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003cbr\u003e\u003cbr\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput impedance 20k\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance 600 ohms\u003c\/li\u003e\n\u003cli\u003eStereo\u003c\/li\u003e\n\u003cli\u003eFully Class-A \u003c\/li\u003e\n\u003cli\u003eDiscrete audio path \u003c\/li\u003e\n\u003cli\u003eDiscrete gain cells from Mastering Compressor\u003c\/li\u003e\n\u003cli\u003eSidechain Filter Matrix from Optograph\u003c\/li\u003e\n\u003cli\u003eSwiss made discrete attenuators\u003c\/li\u003e\n\u003cli\u003eMilitary Spec build quality\u003c\/li\u003e\n\u003cli\u003eMeets the specifications of the VPR Alliance\u003c\/li\u003e\n\u003c\/ul\u003eThere is no limit to the number of Dual Vandergraphs that can fit into any 500 series rack.","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449741537383,"sku":"49147","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_industries_dual_vandergraph___dv399__used__5082063_03e1ae0b-a455-4db2-9a8f-6a4cdfbe900d.jpg?v=1787090217"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/shadow-hills-industries.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}