{"title":"Audio Processing Plug-ins","description":null,"products":[{"product_id":"eventide-reverb-2016-plug-in","title":"Eventide Reverb 2016 Plug-in Bundle - TDM","description":"\u003cp\u003eThe \u003cstrong\u003eEventide Reverb 2016\u003c\/strong\u003e is a multi-effects plug-in from Eventide that incorporates a pair of delays, pre and post stereo three-band EQ, a high-quality compressor and a Lo-Fi effect.\u003cbr\u003e\u003cbr\u003eThe look of the Eventide Reverb plug-in is simple, presenting operators with a single graphical user interface that features all of the tools in a single window.  A unique snapshot feature provides an intuitive way to capture or recall parameter settings with a single mouse click.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSonic Excellence\u003c\/strong\u003e\u003cbr\u003eThe sound quality is equally compelling.  The Eventide Reverb 2016 plug-in uses the highest quality reverb algorithms from their flagship Orville, including halls, chambers, plates, rooms, and Lo-Fi effects.  Each reverb type offers three-band stereo parametric equalization both before and after the reverb, reverb contour for built-in tone shaping, a pair of delay lines with filters, and a high-quality compressor.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449261191271,"sku":"744","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_reverb2016_plugin.jpg?v=1787088350"},{"product_id":"avid-aphex-big-bottom-pro-aural-exciter-bundle","title":"Avid Aphex Aural Exciter and Big Bottom Pro Bundle - Electronic Delivery","description":"\u003cp\u003eSince its introduction in 1975, the patented \u003cstrong\u003eAphex Aural Exciter\u003c\/strong\u003e has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations.\u003cbr\u003e\u003cbr\u003eNow the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as a TDM Plug-In!\u003cbr\u003e\u003cbr\u003eBig Bottom is a proven sound enhancement TDM Plug-In for Pro Tools — from the company that invented sound enhancement. 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Turns out it's more powerful than even we thought. This is one phase you won't grow out of.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFriendly Controls\u003c\/span\u003e\u003cbr\u003eEven though PhaseMistress is deep, we wanted it to be easy to get your sound fast. Presets are great (and we included a bunch), but sometimes you just want to experiment, so we made the interface look and feel like a friendly piece of hardware. Switch between mod modes fast. Easily change styles and the whole sound of the phase. All the main controls are right there to tweak, turn and automate. Go ahead, you won't break it.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eExtreme Phasing\u003c\/span\u003e\u003cbr\u003eMIDI locked 4 bar sweeps, custom rhythmic patterns, freaky talk box random phase, wide stereo swirls, every phase you've ever heard all in a straight-forward interface with automation. OK, we think we got it all in there. 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Great for drums, guitar, bass, sound design, electronic music, and just about anything else - Crystallizer is a truly unique and creative effects processor.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eCrystal Method\u003c\/span\u003e\u003cbr\u003eIf you listened to the radio in the late 80s, you've heard the original Crystal Echoes effect. It's sound was absolutely unmistakable, and was often used on an intro or at the end of a song to create a synth-like pad from simple guitar chords. With our new Crystallizer algorithm, we couldn't help but add a few improvements. Like MIDI sync. Yep, midi sync'd reverse delays. Now that's cool. How about a built-in Gate\/Duck control, and high-cut and low-cut filters to help tame this sometimes unruly effect. Of course, automation is also supported. It's a classic sound with modern control.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRetro Shifter\u003c\/span\u003e\u003cbr\u003eOld school pitch-shifting just like, uh, the old school. Modern pitch-shifters use sophisticated mathematical algorithms to transform music and vocals as naturally as possible (like our PurePitch and SPEED products). The original old school devices (like Eventide's classic H910 Harmonizer) used a resample and cross-fade technique that introduced audible 'glitches' in the pitch-shifted audio. Glitch is good. Well, in this case it is. That's a big part of the sound. A sound we've all heard countless times, on tons of hit songs. So dig into the past and enjoy the true retro sound.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWhat's on the Menu?\u003c\/span\u003e\u003cbr\u003eThe best place to start with this creature is in the preset menu. We've served up a wide range of flavors from subtle to over-the-top. We stuck them in categories to make your selection easier, but you don't have to listen to us. Experiment. Listen. If one preset is way off, the next may be the one that hits the spot. It really is that diverse. Don't let the outrageous stuff fool you into missing the subtly different. There's gold in them there hills.","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449276887143,"sku":"6532","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_crystalizer_screen.jpg?v=1787088407"},{"product_id":"soundtoys-speed-native","title":"Soundtoys Speed - Electronic Delivery","description":"Change the tempo of drum loops. Shift the key of a bass line. \u003cspan style=\"font-weight: bold;\"\u003eSoundtoys Speed\u003c\/span\u003e is the utility that lets you take control of the tempo and the pitch with three different modes to make it easy to get what you need fast and without glitchy pitch artifacts.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSimple\u003c\/span\u003e\u003cbr\u003eIn the Simple Mode, the first screen you see, you can easily speed up or slow down tempo or raise and lower pitch. Audition in real-time and see if it's the sound you want. You can even use your ear to tune a loop to your song. Or try slowing down the tempo while raising the pitch or visa-versa for interesting effects. By the way, SPEED also works with DigiDesign's TCE (Time compression expansion) Tool to integrate right into Pro Tools. Simple, fast, and great sound.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGetting Graphic\u003c\/span\u003e\u003cbr\u003eThe second mode is Graphic mode. Perhaps the most creative of the three, Graphic Mode lets you draw lines to slowly change pitch or tempo or both, independent of each other, over time. You can even see your waveform behind the graph to make it easy to do interesting effects, or subtle time shifting to fixing tempo errors in a file. You can even use it to make minor tempo shifts on overly quantized files to add a bit more humanity.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eCalculated Effort\u003c\/span\u003e\u003cbr\u003eIn the Calculator Mode there is no effort. Simply enter in the tempo of your beat and the new tempo you want and \"voila\". Same for the key, enter the current key, then the one you need and it's just that easy. 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Vintage guitar effect and modern remix tool at your service.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eTremolo of Old\u003c\/span\u003e\u003cbr\u003eGear heads that we are, we broke out the test gear and analyzed the waveforms created by some of our favorite old gear. Then we used our custom LFO waveshape editor built into Tremolator to perfectly recreate them. It's very interesting to look at these shapes and see why each of these vintage pieces has a unique sound. Pass that through our Analog mode, which emulates going in and out of a piece of analog hardware, and you've got all the pieces of a great sounding tremolo..\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eChop Shop: Auto-Gate Mania\u003c\/span\u003e\u003cbr\u003eSwitch the nice smooth tremolo waveforms over to a sharp squarewave and you turn this into a monster of an auto-gate. You can lock it to MIDI with the flip of a switch, then select 1\/8th notes, 16th notes or whatever fits the rhythm you need. If straight note pulses isn't what you need, use the Rhythm Editor to write your own cool groove (You can even pull a groove from our library). More? Add some swing or shuffle, accents, and analog mode. You can even use the Waveshape Editor to tighten or loosen the gate time.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGet Dynamic\u003c\/span\u003e\u003cbr\u003eIn the Tweak menu you'll find the Dynamics controls. These parameters let your playing control the speed and\/or depth of the modulation. You can create cool speed ups or slow downs based on how loud or soft you play. You can create smooth increases in depth as your cords fade out, or heavy tremolo that fades away. 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Our plug-in is a smooth correction with a natural sound thanks to our formant correction mode that keeps out the \"chipmunks\". We also built in \"Score Control\", a unique way to tweak the tuning that is much more intuitive. Smooth, natural and easy the way tuning should be.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMinor Surgery\u003c\/span\u003e\u003cbr\u003e In automatic mode PitchDoctor will correct your vocal based on the scale you choose. The keyboard display will read out the pitches it sees so you can get an idea (In case your singer didn't have one) of where the pitch is really falling. You can choose a new scale or customize one to fit the tune. If you need a bit more help, nudge the sensitivity and listen again. With Formant correction on, PitchDoctor is virtually invisible. Like the singer actually sang in tune.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eScore One for SoundToys\u003c\/span\u003e\u003cbr\u003e Graphic editing can be daunting. We wanted to fix that. Enter Score Control. With Score Control you select the audio that needs to be tuned, and let PitchDoctor analyze it. PitchDoctor then writes the pitches into the automation of Pro Tools. Yep, all that info right there for you to edit with the same editing styles and tools you've been using. Need that C sharp to be a C? Just drag to down. Easy, and if you need to go back and adjust it again later, you don't have to dig up the original track and retune.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFormant what?\u003c\/span\u003e\u003cbr\u003e Formant is like the timbre or character of the voice. It's what makes a female voice be high in pitch without sounding like a munchkin or chipmunk. So why does it matter in a pitch corrector? 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With control of both pitch and formant you can do more natural sounding vocal effects like harmony, unisons, and doubling. You can also turn men into women, and old into young. Starting to get what formant is? PurePitch give you tools to do all these things and more. A real vocal tool and voice toy all in one.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLive in Harmony.\u003c\/span\u003e\u003cbr\u003ePurePitch has presets already set up for doing some common harmonies. You can automate pitch changes within the scale using our cool keyboard style layout. You can us PurePitch on each backing vocal to create even richer walls of sound, or totally new harmony lines. 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This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in almost all cases, it is not possible to hear that the signal was damaged prior to restoration. 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Low-pass filters remove as much wanted signal as noise.  Dynamic filters pump, round off transients and dull the genuine signal.  Gates remove no noise when open. Expanders pump, and multi-band expanders have poor separation filters, leading to loss of high frequencies, loss of ambience, and degradation of hard transients. \u003cbr\u003e\u003cbr\u003e What's more, it's impossible to remove all the noise from a signal and leave the desired (genuine) signal completely unaffected.  Consequently, the best you can hope for when de-noising material is a compromise that reduces the noise to an acceptable level while leaving the desired signal as unaffected as possible.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe Solution:\u003c\/strong\u003e\u003cbr\u003e Building upon the latest noise reduction algorithm developed for the rackmount CEDAR Duo™ DDH Auto Dehisser and the Auto Dehiss process already available on CEDAR Cambridge™, NR-5™ marries our best signal processing with numerous facilities that help you to achieve the best possible results.  It will work equally well with or without a noise fingerprint, and an array of tools allow you to manipulate the noise identification and reduction profiles in ways that are unique to CEDAR's flagship products.\u003cbr\u003e\u003cbr\u003e To make NR-5™ as quick to use and intuitive as possible, and to eliminate any learning curve for users of our previous noise reduction flagship, we have retained the style and layout of NR-4™. 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Tap Factory’s extremely intuitive and clean user interface allows you to make individual parameter settings for each of its 24 taps within seconds. \u003cbr\u003e\u003cbr\u003e Tap Factory includes a bonus LE version that allows you to run multiple instances per DSP on current PowerCore systems and supports first generation PowerCore hardware.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449310408807,"sku":"11553","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tcelectronic_tapfactory.jpg?v=1787088503"},{"product_id":"sonic-studio-amarra-mini","title":"Sonic Studio Amarra Mini 2.3","description":"\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSonic Studio Amarra Mini 2.3\u003c\/span\u003e is the audiophile quality computer music player for the most discriminating music enthusiast. Designed using the same technology in use today by record companies worldwide for producing CDs, DVD’s and Blu-ray’s, Amarra is praised by audiophiles the world over for delivering analog-like smoothness and liquidity from a digital source.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eThe complete high resolution music solution\u003c\/li\u003e\n\u003cli\u003eUse with iTunes or play your music using the independent playlist\u003c\/li\u003e\n\u003cli\u003eSupports all sample rates up to 192kHz\u003c\/li\u003e\n\u003cli\u003eAutomatic sample rate adjustment\u003c\/li\u003e\n\u003cli\u003eDouble-precision Amarra EQ\u003c\/li\u003e\n\u003cli\u003eRAM-based Cache Mode for disk-free operation\u003c\/li\u003e\n\u003cli\u003eNative FLAC playback \u0026amp; conversion\u003c\/li\u003e\n\u003cli\u003eChoice of dither algorithms\u003c\/li\u003e\n\u003cli\u003eEasy upgrade path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eUse your iTunes EQ Presets to Control Amarra EQ:\u003c\/span\u003e\u003cbr\u003e \n\u003cul\u003e\n\u003cli\u003eAcoustic\u003c\/li\u003e\n\u003cli\u003eBass Boost \/ Reduce\u003c\/li\u003e\n\u003cli\u003eClassical\u003c\/li\u003e\n\u003cli\u003eFlat\u003c\/li\u003e\n\u003cli\u003eRock\u003c\/li\u003e\n\u003cli\u003eJazz\u003c\/li\u003e\n\u003cli\u003eRock\u003c\/li\u003e\n\u003cli\u003ePop \/ R\u0026amp;B\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eAnd more...\u003c\/span\u003e\u003cbr\u003e \n\u003cul\u003e\n\u003cli\u003eRoom Nodes (30\/60\/90)\u003c\/li\u003e\n\u003cli\u003eSACD Roll-off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sonic Studio","offers":[{"title":"Default Title","offer_id":44449329578087,"sku":"13499","price":295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonic_studio_amarra_2.3_zoom.png?v=1787088577"},{"product_id":"metric-halo-spectrafoo-standard-sa-osx","title":"Metric Halo SpectraFoo Standard SA OSX - Electronic Delivery","description":"\u003cp\u003e\u003cspan class=\"strongText\"\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMetric Halo SpectraFoo\u003c\/span\u003e\u003c\/span\u003e provides all of the tools today's digital projects demand. Whether you are a live sound engineer or a studio mixer, you need the power that Foo provides. Including standards-based level metering, high-speed, high-resolution spectral analysis, the unique Phase Torch, correlation metering, triggerable waveform display, power balancing and a variety of power, envelope and spectral histories and phase analysis on any number of input or output channels, the SpectraFoo range is absolutely essential for broadcast production and critical mixing and mastering.\u003cbr\u003e \u003cbr\u003e\u003cspan class=\"strongText\" style=\"font-weight: bold;\"\u003eSpectraFoo Standard\u003c\/span\u003e is an award-winning collection of high resolution metering tools. SpectraFoo includes basic, sample-accurate metering, triggerable waveform display, power balancing and phase analysis.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eDigital Level Meter\u003c\/h3\u003e\u003cbr\u003eThis three-in-one digital level meter can simultaneously display Peak, RMS, and VU levels. The meter uses color to distinguish the different modes. The Peak and RMS meters each have independent, resettable peak hold functions. The meter also contains a numerical counter that indicates the largest number of consecutive samples surpassing 0dBFS. The calibration of the meters is referenced against 0dBFS. \u003cbr\u003e\u003cbr\u003e\u003ch3\u003ePeak and RMS Power History\u003c\/h3\u003e\u003cbr\u003eSee the history of the information displayed by the Peak and RMS meters. The light grey “tick” marks indicate the passage of one second of time, and the height of the each color for each time “slice” indicates the Peak (yellow) \u0026amp; RMS (purple) power levels of the program. The ratio between these two levels is responsible for the “perceived” volume” of program material. When there is a large difference between the Peak and RMS levels of program material, the perceived volume will be low as compared to the peak levels on the tape. Conversely, when the difference between Peak and RMS levels is small, the perceived volume will be louder. This instrument can help you determine how much compression and limiting is needed for specific program material.     \u003cbr\u003e    \u003cbr\u003e\u003ch3\u003eSpectragraph\u003c\/h3\u003e\u003cbr\u003eSee spectral performance with widths as small as 2\/3 Hz with Foo's realtime, high resolution spectrum analyzer. SpectraFoo creates a new analysis up to 84 times per second, allowing you to see musical structure even at the highest tempos.\u003cbr\u003e\u003cbr\u003eCustomizable with Peak, Instantaneous, and Average traces, the Spectragraph is fast enough to create a highly detailed, animated “movie” of sonic events. Visualize your audio with the Spectragraph and see details of your recordings you've never seen before - like phase structure, overall spectral balance, dynamic range, frequency range, and low frequency roll-off.\u003cbr\u003e    \u003cbr\u003e\u003ch3\u003eSpectragram\u003c\/h3\u003e\u003cbr\u003eThis Real-Time Spectral Power History Analyzer utilizes the same FFT resolution and scale as the Spectragraph to correlate not only frequency and power, but also time. The result is a visual “sonic fingerprint”. Like the Spectragraph, the true power of this instrument lies in its synchronization with the live audio signal. After spending some time “calibrating your eyes to your ears” by watching the Spectragram while listening to music, the instrument literally becomes a waterfall of musical information.\u003cbr\u003e\u003cbr\u003eThis tool is very effective for precisely identifying frequency overlap and masking effects, such as a bass drum track and a bass track occupying the same frequency range and obscuring each other. It gives you a good picture of the rhythmic aspects of program material and is very helpful in pinpointing timing problems in dense arrangements. The Spectragram represents the power of frequency events through a color scale.\u003cbr\u003e    \u003cbr\u003e\u003ch3\u003ePower Balance History\u003c\/h3\u003e\u003cbr\u003eCompare the power balance between the two input channels as a function of time. The Power Balance History meter is very helpful for precisely identifying the aspects of mixes that don’t have a natural flow of energy between the left and right channels. It is also great for power-balancing natural stereo recordings and two channel measurements of equipment. \u003cbr\u003e    \u003cbr\u003e\u003ch3\u003eTriggering Oscilloscope\u003c\/h3\u003e\u003cbr\u003eSee the wave shape characteristics of very low level signals with the full featured oscilloscope. The oscilloscope can trigger and hold the wave form of the signal being monitored. There are are seven available trigger modes:\r\n\u003cul\u003e\r\n\u003cli\u003eFree: automatically retriggers on the internal clock;\u003c\/li\u003e\r\n\u003cli\u003eNormal: triggers the drawing trace once channel input matches your trigger settings\u003c\/li\u003e\r\n\u003cli\u003eHold: triggers a drawing trace and holds the signal until rearmed\u003c\/li\u003e\r\n\u003cli\u003eHold and Retrigger: same as Hold, but the trigger is automatically rearmed\u003c\/li\u003e\r\n\u003cli\u003eTimed Hold: same as Hold, but the trigger is automatically rearmed after the desired\u003c\/li\u003e\r\n\u003cli\u003e\"retrigger time\"\u003c\/li\u003e\r\n\u003cli\u003ePolarity Check: same as Hold, but displays all the data prior to the trigger point and triggers\u003c\/li\u003e\r\n\u003cli\u003eon either polarity and either slope\u003c\/li\u003e\r\n\u003cli\u003eTimed Polarity Check: rearms after the desired \"retrigger time\"\u003c\/li\u003e\r\n\u003cli\u003eClip Capture: same as Polarity Check but triggers when signal reaches full scale\u003c\/li\u003e\r\n\u003cli\u003eTimed Clip: Capture rearms after the desired \"retrigger time\"\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e    \u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eLissajous Phase Scope\u003c\/h3\u003e\u003cbr\u003eThe Lissajous Phase Scope shows you the amplitude of the first input signal versus the amplitude of the second input signal. This instantly lets you know if a mix has polarity problems and allows you to see the width of the stereo field of the material being monitored. \u003cbr\u003e        \u003cbr\u003e\u003ch3\u003ePhase Torch\u003c\/h3\u003e\u003cbr\u003eThis revolutionary tool compares the phase difference between two channels as a function of frequency, independent of power. The radius from the center is determined by the frequency and the angle is determined by the phase difference between the left and right channels. The center of the graph represents DC while the outer radius represents 22 kHz . In order to help you intuitively identify the frequencies, the phase points are also colored according to their frequency. A mono (in-phase) signal is indicated by what looks like a torch precisely aligned with the Y axis of the scope. An out-of-phase signal appears as a negative version of a mono signal. Delays appear as spirals within the scope. This meter is very useful when recording a musical instrument with multiple microphones to identify the frequency ranges in which phase cancellations are occurring as a result of the comb filter created by the use of multiple mics on a single source.\u003cbr\u003e\u003cbr\u003eThe Phase Torch can also be used as a very quick and elegant troubleshooting tool for identifying phase anomalies in studio wiring, and a number of other applications including:\r\n\u003cul\u003e\r\n\u003cli\u003eSetting azimuth on analog tape recorders\u003c\/li\u003e\r\n\u003cli\u003eChecking for time alignment in complex PA systems\u003c\/li\u003e\r\n\u003cli\u003eFrequency sensitive mono compatibility analysis\u003c\/li\u003e\r\n\u003cli\u003eIdentifying frequency dependent phase and polarity problems (such as an out of polarity high frequency driver in a sound reinforcement system).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e    \u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eCorrelation Meter and History\u003c\/h3\u003e\u003cbr\u003eThe Correlation Meter reduces the relative phase information between two channels to a number between -1 and 1.The centerline corresponds to a correlation of 0 while the top edge corresponds to +1 and the bottom to -1. Dock the Correlation Meter to the left side of the History Meter and provide both instantaneous and historical data in one composite instrument.\u003cbr\u003e\u003cbr\u003eThe Correlation History provides you with a time history of the correlation meter. See how the phase correlation evolves over time and track down specific problems while you're listening to the events. If the correlation dips every time the snare drum hits, it is very likely that the channels that contain the snare are causing the problem.\u003cbr\u003e    \u003cbr\u003e\u003ch3\u003eBand Power History\u003c\/h3\u003e\u003cbr\u003eThis instrument allows you to see the history of the amount of power in a specified band of the spectrum. Just set the center frequency and the bandwidth of the power band that you are interested in monitoring, down to 1\/12 of an octave at 6kHz and use the Band Power History tool as a very effective sibilance meter. \u003cbr\u003e    \u003cbr\u003e\u003ch3\u003eEnvelope History\u003c\/h3\u003e\u003cbr\u003eCalibrate your eyes with this sample-editor style scrolling envelope overview. The Envelope History tool is useful for identifying large level changes when the average level is high. It should be used in conjunction with the Peak and Average History display to obtain a good view of the overall dynamics of program material.","brand":"Metric Halo","offers":[{"title":"Default Title","offer_id":44449336950887,"sku":"14807","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/metric_halo_spectrafoo_1.jpg?v=1787088607"},{"product_id":"ssl-soundscape-v6","title":"SSL Soundscape V6","description":"\u003cspan style=\"font-weight: bold;\"\u003eSSL Soundscape V6\u003c\/span\u003e is a highly evolved DAW application that benefits from nearly 20 years of development. It specializes in audio only recording, editing and mixing; it does not have MIDI sequencing or offer Virtual Instruments for creative composition, instead it offers a specialized, elegant, versatile, functionally advanced user environment with the capacity to support a wide range of approaches to workflow. The V6 DAW software is intrinsically tied to the presence of an SSL MX4 PCIe card (or its predecessor the Mixpander); the DAW utilizes the DSP power and extremely low latencies (4 samples) of the card and its high channel count fiber optic MADI I\/O connectivity. The system employs SSL’s Soundscape Hybrid Core Audio and Processing engine which uses a combination of the MX4 DSP and the host computer CPU\/RAM resources with drivers that are designed from the ground up to gain optimum performance from latest generation multi-core PC Processors and Windows 7 Operating Systems (32 Bit or 64 Bit).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMission Critical Applications\u003c\/span\u003e\u003cbr\u003e Soundscape V6 is designed to satisfy the requirements of professional recording engineers in sophisticated, demanding, high pressure environments. Historically Soundscape has enjoyed an enviable reputation for total reliability and stability and V6 maintains and builds upon the tradition. Soundscape V6 offers up to 128 channels of simultaneous recording and playback at 24bit\/96kHz, whilst running large amounts of plug-in processing and utilizing sophisticated mixer architecture to deliver complex monitoring set ups… and it does it elegantly without over-stretching the host computer. It offers truly professional performance and stability.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eBenchmark Audio Quality\u003c\/span\u003e\u003cbr\u003e The Solid State Logic brand is synonymous with the highest standards of audio performance, setting quality standards for others to follow. Soundscape V6 maintains these standards at every step of the production process. In addition to expected high quality recording, a suite of SSL plug-ins that includes the SSL Channel EQ, Channel Dynamics and Stereo Bus Compressor provide processing tools with the perfect balance of precision and unique tonal character. For those who mix inside the box Soundscape V6 offers a superior Double Precision digital mix bus.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eOptimized For Real Time Performance\u003c\/span\u003e\u003cbr\u003e The Soundscape V6 flexible mixer architecture, true multi client operation and stunning ‘near zero’ latency creates a powerful system with the versatility to create multiple (or duplicate) multi channel record feeds, to create multiple headphone\/artist monitor feeds or to build Mix Minus monitor feeds in Broadcast applications with SSL Console Grade quality processing.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eState Of The Art I\/O\u003c\/span\u003e\u003cbr\u003e The MX4 PCIe card offers 128 channels of fiber optic MADI I\/O presented as a pair of 64 Channel connections. MADI fiber is a lossless digital audio format that can be combined with SSL Alpha-Link audio format converters, connected directly to suitably equipped consoles, or integrated with Broadcast Routers to deliver a very high channel count with uncompromising audio quality.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAdvanced Shared Network Workflow\u003c\/span\u003e\u003cbr\u003e V6 offers true collaborative workflow at the very heart of its architecture. It is designed to accommodate and encourage collaborative file and project exchange between multiple audio engineer ‘seats’ either working independently with remote file distribution\/exchange or connected locally via a gigabit Ethernet or Fibrechannel network and central storage (NAS or SAN) infrastructure. V6 is optimised for multi file format workflow with the facility to use Soundscape Take, standard Wav and Broadcast Wav file types with different bit-depths on a single timeline without conversion, dramatically speeding workflow.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoundscape V6 Key Features\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eHigh channel count – up to 128 channels of simultaneous audio record\/playback\u003c\/li\u003e\n\u003cli\u003eOptimized for real time performance – near zero latency, sophisticated monitoring options\u003c\/li\u003e\n\u003cli\u003eTotal reliability – extremely robust system delivers industrial strength stability\u003c\/li\u003e\n\u003cli\u003eRequires MX4 PCIe card – dual 64 channel MADI I\/O, DSP, multi-core powered multi-client drivers\u003c\/li\u003e\n\u003cli\u003eSounds superb – benchmark SSL audio quality inside the box from recording to mixdown\u003c\/li\u003e\n\u003cli\u003eHighly evolved User Interface - streamlined Audio Editing with many workflow options\u003c\/li\u003e\n\u003cli\u003eSSL channel EQ, Dynamics and Bus Comp plug-ins – DSP powered legendary SSL sound inside the box\u003c\/li\u003e\n\u003cli\u003eSupports standard native VST plug-ins running alongside our DSP powered plug-ins\u003c\/li\u003e\n\u003cli\u003eThe legacy collection of plug-ins from other manufacturers remain available for Soundscape from the SSL web shop\u003c\/li\u003e\n\u003cli\u003eSoundscape Hybrid Core Audio Engine – 32\/64 Bit driver powered Recording\/Mixing Engine utilising MX4 card DSP’s and multi core host processing\u003c\/li\u003e\n\u003cli\u003eMulti format projects – 16\/24 Bit \u0026amp; different file formats on a single track without converting\u003c\/li\u003e\n\u003cli\u003eLocal or networked collaboration – multiple users connected via standard Gigabit Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449339080807,"sku":"15034","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl_soundscape_v6.jpg?v=1787088615"},{"product_id":"soundtoys-panman-tdm","title":"Soundtoys PanMan - TDM - Electronic Delivery","description":"\u003cspan style=\"font-weight: bold;\"\u003eSoundtoys PanMan\u003c\/span\u003e takes the supposedly simple process of moving audio back and forth in the stereo field and gives it that special touch that you've come to expect from our twisted minds. It features an over the top range of panning modes to recreate classic analog auto-panners plus some of the cool modes from our other plugs to push it a bit further into the future. With MIDI sync to tempo, preset storage, dynamic control, and automation you get modern innovation alongside the classic features from hard to find vintage analog hardware. Control width, speed, direction and more with the most full featured panner you've ever seen.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Classics\u003c\/span\u003e\u003cbr\u003ePanMan pulls some of the coolest features from the coolest classics. What? There were classic auto-panners? Yep! Two of the most used were the Spanner, and the PanScan. They were the standards back the ancient times, and we tracked them down and dug into them. One of the coolest features comes from the PanScan and can now be found in PanMan. The trigger divider. What the heck does it do? We'll it let's you set the number of triggers it takes to move to the next pan position. That way you can set it to move from left to right every third trigger. Sounds simple but it's oh so cool. Toss in a bit of our classic analog mode for a real analog sound and you got vintage panning at it's best. Did we mention we even added a trigger filter so you can choose what frequency range the trigger listens for? That's right. We rock.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Moderns\u003c\/span\u003e\u003cbr\u003eNot to be outdone we've also put in super advanced rhythmic modes. Two different rhythm modes that give you outrageous panning options. A \"Step\" mode that lets you choose a new position on each beat and sync it to MIDI. Fully programmable or the easy to use step selector let you pan the way you wanna pan. Then a \"Shape\" rhythm mode that lets you pan in classic shapes for back and forth, left to right, and right to left style panning locked to MIDI and choosing note values or programming your own rhythm. Outrageous? Maybe, but we don't want nobody whining that they can't pan like they want to.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eIts a Pandemic\u003c\/span\u003e\u003cbr\u003eLike it wasn't enough, you can also control width, speed and offset position with dynamics. You can set your pan to only pan on the left side. You can automate the offset and actually pan your pan. That's a double pan that's fully pannable. Ouch. Broke my brain. OK, so needless to say this plug-in has your pan handled and if you feel overwhelmed then just pop open the preset manager and try starting with one of our lovely and talented presets to get you going. It's Pantastic! It's Pantabulous! It's a freakin Pandemic!!","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339768935,"sku":"15206","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_panman_tdm.jpg?v=1787088619"},{"product_id":"soundtoys-decapitator-tdm","title":"Soundtoys Decapitator - TDM - Electronic Delivery","description":"\u003cp\u003eAnalog saturation has long been the magic mojo that engineers have used as their swiss army knife of mixing.  It's used on drums, bass, vocals guitars, everything. It can be used to beef things up, thin things out, give them some edge, fry them up nice, add a bit of warmth, pull things out of the mix, or even create a signature sound. Subtle to extreme, analog saturation is the golden child of great mixes.  That's why we took our time, bought and listened to all the great analog classics, and painstakingly created that magic for you in \u003cspan style=\"font-weight: bold;\"\u003eSoundtoys Decapitator\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAnalog Feel\u003c\/span\u003e\u003cbr\u003eDecapitator is more than just an emulation of the analog sound. It has the analog feel.  You can hear the subtle changes reacting to the track, following the dynamics of the instrument.  That's what analog is all about. Not a static snapshot (no convolution here) but a changing responsive model of all those tubes and wires (and careful notes), and transistors.  The sound of real gear, but with the flexibility of software. Our modeled tone control lets you shape and contour, and our mix control lets you mix back in the dry signal without the need for routing and submixes.  The best of both worlds.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Models\u003c\/span\u003e\u003cbr\u003eIn our lab we gathered so much cool analog gear.  From preamps to compressors.  From tape machines to EQ's.  Vintage gear and modern gear.   All of it so we could listen to how the sound changed and moved and created its special vibe.  We picked some of the models that had the most distinct sounds, the models that had a flavor both subtle and extreme, and made them instantly accessible on the front panel.  By adding analog modeled tone control we increased the sonic possibilities far beyond many of the originals and give you a remarkably flexible \"analog\" palette to create with.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBad Boy\u003c\/span\u003e\u003cbr\u003eBecause we know that audio is not always nice, we've included a convenient way to make sure it's not nice.  Our \"Punish\" button kicks in another chuck of gain to push it over the edge.  This tool let's you drive hard and responds just like its analog counterpart. It screams in pain.  Not your standard stomp-box distortion, Decapitator gives you those unique qualities that only come from driving high end studio gear. Listen to how each model has its own sound of beautiful agony when you hit the \"Punish\" button and crank it up.\u003c\/p\u003e","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339867239,"sku":"15207","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_decapitator_1_1.jpg?v=1787088619"},{"product_id":"soundtoys-panman-native","title":"Soundtoys PanMan -  Electronic Delivery","description":"\u003cspan style=\"font-weight: bold;\"\u003eSoundtoys PanMan\u003c\/span\u003e takes the supposedly simple process of moving audio back and forth in the stereo field and gives it that special touch that you've come to expect from our twisted minds. It features an over the top range of panning modes to recreate classic analog auto-panners plus some of the cool modes from our other plugs to push it a bit further into the future. With MIDI sync to tempo, preset storage, dynamic control, and automation you get modern innovation alongside the classic features from hard to find vintage analog hardware. Control width, speed, direction and more with the most full featured panner you've ever seen.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Classics\u003c\/span\u003e\u003cbr\u003ePanMan pulls some of the coolest features from the coolest classics. What? There were classic auto-panners? Yep! Two of the most used were the Spanner, and the PanScan. They were the standards back the ancient times, and we tracked them down and dug into them. One of the coolest features comes from the PanScan and can now be found in PanMan. The trigger divider. What the heck does it do? We'll it let's you set the number of triggers it takes to move to the next pan position. That way you can set it to move from left to right every third trigger. Sounds simple but it's oh so cool. Toss in a bit of our classic analog mode for a real analog sound and you got vintage panning at it's best. Did we mention we even added a trigger filter so you can choose what frequency range the trigger listens for? That's right. We rock.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Moderns\u003c\/span\u003e\u003cbr\u003eNot to be outdone we've also put in super advanced rhythmic modes. Two different rhythm modes that give you outrageous panning options. A \"Step\" mode that lets you choose a new position on each beat and sync it to MIDI. Fully programmable or the easy to use step selector let you pan the way you wanna pan. Then a \"Shape\" rhythm mode that lets you pan in classic shapes for back and forth, left to right, and right to left style panning locked to MIDI and choosing note values or programming your own rhythm. Outrageous? Maybe, but we don't want nobody whining that they can't pan like they want to.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eIts a Pandemic\u003c\/span\u003e\u003cbr\u003eLike it wasn't enough, you can also control width, speed and offset position with dynamics. You can set your pan to only pan on the left side. You can automate the offset and actually pan your pan. That's a double pan that's fully pannable. Ouch. Broke my brain. OK, so needless to say this plug-in has your pan handled and if you feel overwhelmed then just pop open the preset manager and try starting with one of our lovely and talented presets to get you going. It's Pantastic! It's Pantabulous! It's a freakin Pandemic!!","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339932775,"sku":"15209","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_panman_tdm_1.jpg?v=1787088619"},{"product_id":"soundtoys-decapitator-native","title":"Soundtoys Decapitator 5","description":"\u003cp\u003eAnalog saturation has long been the magic mojo that engineers have used as their swiss army knife of mixing.  It's used on drums, bass, vocals guitars, everything.  It can be used to beef things up, thin things out, give them some edge, fry them up nice, add a bit of warmth, pull things out of the mix, or even create a signature sound. Subtle to extreme, analog saturation is the golden child of great mixes.  That's why we took our time, bought and listened to all the great analog classics, and painstakingly created that magic for you in \u003cspan style=\"font-weight: bold;\"\u003eSoundtoys Decapitator\u003c\/span\u003e.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog Feel\u003c\/span\u003e\u003cbr\u003e Decapitator is more than just an emulation of the analog sound. It has the analog feel.  You can hear the subtle changes reacting to the track, following the dynamics of the instrument.  That's what analog is all about. Not a static snapshot (no convolution here) but a changing responsive model of all those tubes and wires (and careful notes), and transistors.  The sound of real gear, but with the flexibility of software.  Our modeled tone control lets you shape and contour, and our mix control lets you mix back in the dry signal without the need for routing and submixes.  The best of both worlds.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe Models\u003c\/span\u003e\u003cbr\u003e In our lab we gathered so much cool analog gear.  From preamps to compressors.  From tape machines to EQ's.  Vintage gear and modern gear. All of it so we could listen to how the sound changed and moved and created its special vibe.  We picked some of the models that had the most distinct sounds, the models that had a flavor both subtle and extreme, and made them instantly accessible on the front panel.  By adding analog modeled tone control we increased the sonic possibilities far beyond many of the originals and give you a remarkably flexible \"analog\" palette to create with.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eBad Boy\u003c\/span\u003e\u003cbr\u003e Because we know that audio is not always nice, we've included a convenient way to make sure it's not nice.  Our \"Punish\" button kicks in another chuck of gain to push it over the edge.  This tool let's you drive hard and responds just like its analog counterpart. It screams in pain.  Not your standard stomp-box distortion, Decapitator gives you those unique qualities that only come from driving high end studio gear.   Listen to how each model has its own sound of beautiful agony when you hit the \"Punish\" button and crank it up.\u003c\/p\u003e","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339900007,"sku":"15208","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_decapitator_1.jpg?v=1787088619"},{"product_id":"soundtoys-filterfreak-native","title":"Soundtoys FilterFreak -  Electronic Delivery","description":"\u003cspan style=\"font-weight: bold;\"\u003eManufacturer's Description\u003c\/span\u003e\u003cbr\u003e We're big on analog. We think that sound is important. So we designed \u003cspan style=\"font-weight: bold;\"\u003eSoundtoys FilterFreak \u003c\/span\u003eto be fat. To be warm. To be, well, analog. All the reviews and feedback say we got it. We also designed it to do all the things you do with filters. From funky envelope followers like Mutron, to classic synth style reshaping with ADSR, to big resonant LFO sweeps like the Sherman Filterbank, as well as the classic sound of the old Morley WahWah pedals. Even two flavors of the great old Sci-Fi sample and hold sound. But a plug-in needs to be more. So, we added a unique Rhythm Mode that lets you create cool custom patterns that lock to MIDI. A ll the fat and the flexibility of a whole closet full of filters and beyond.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog Sound\u003c\/span\u003e\u003cbr\u003e You can select emulations of different filter types to get a wide range of classic sounds. Crank up the resonance to make it squeal. Flip on the Analog Mode switch and hit it hard to add Dirt, Pump, Shred or Fat. Yep, you can hit it hard coming in and going out, kind of like that old piece of hardware, only no batteries or cables, just great analog sound. (Oh and simulated wood side panels)\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eGroovy\u003c\/span\u003e\u003cbr\u003e The Rhythm Mode gets you moving with the music. Flip the MIDI switch, select 1\/4 notes and a sine wave, instant auto wah. To get a little more creative, you can pop open the Rhythm Editor and create a custom pattern that fits your tune. (Save that pattern and use it in PhaseMistress, Tremolator, or EchoBoy). Grab the Groove knob and use swing or shuffle to drop it in the pocket. The only filter that lets you get to your sound and feel fast.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDouble your Pleasure\u003c\/span\u003e\u003cbr\u003e Need more power? Fire up FilterFreak2 (It's part of the package). That's two fat analog filters you can run serial or parallel for total filter dominance. Each can select from Low Pass, High Pass, Band Pass and Band Reject. As well as, 2, 4, 6, or 8 pole filters. Bass, guitar, drums, synths, vocals, anything you want to put through it and anyway you want it.","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339965543,"sku":"15211","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_filterfreak_native.jpg?v=1787088619"},{"product_id":"soundtoys-tremolator-tdm","title":"Soundtoys Tremolator - TDM - Electronic Delivery","description":"\u003cspan style=\"font-weight: bold;\"\u003eSoundtoys Tremolator\u003c\/span\u003e emulates the tremolo effect of classic guitar amps such as the Fender, and even the great tremolo sound of the Wurlitzer electric piano. Add dynamic control of speed and depth that lets the tremolo respond to the music. Then toss in MIDI sync to lock to your tempo. Oh, yeah, then there's our programmable Rhythm Editor that let's you write custom patterns and turns this amazing tremolo into a outrageous rhythmic auto-gate. Vintage guitar effect and modern remix tool at your service.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eTremolo of Old\u003c\/span\u003e\u003cbr\u003eGear heads that we are, we broke out the test gear and analyzed the waveforms created by some of our favorite old gear. Then we used our custom LFO waveshape editor built into Tremolator to perfectly recreate them. It's very interesting to look at these shapes and see why each of these vintage pieces has a unique sound. Pass that through our Analog mode, which emulates going in and out of a piece of analog hardware, and you've got all the pieces of a great sounding tremolo..\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eChop Shop: Auto-Gate Mania\u003c\/span\u003e\u003cbr\u003eSwitch the nice smooth tremolo waveforms over to a sharp squarewave and you turn this into a monster of an auto-gate. You can lock it to MIDI with the flip of a switch, then select 1\/8th notes, 16th notes or whatever fits the rhythm you need. If straight note pulses isn't what you need, use the Rhythm Editor to write your own cool groove (You can even pull a groove from our library). More? Add some swing or shuffle, accents, and analog mode. You can even use the Waveshape Editor to tighten or loosen the gate time.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGet Dynamic\u003c\/span\u003e\u003cbr\u003eIn the Tweak menu you'll find the Dynamics controls. These parameters let your playing control the speed and\/or depth of the modulation. You can create cool speed ups or slow downs based on how loud or soft you play. You can create smooth increases in depth as your cords fade out, or heavy tremolo that fades away. Plus there are already some great presets in our Dynamics folder that you can \"tweak\" to fit your needs.","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449339998311,"sku":"15212","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_tremolator_tdm_screen.jpg?v=1787088619"},{"product_id":"soundtoys-crystallizer-native","title":"Soundtoys Crystallizer 5","description":"Inspired by the Crystal Echoes preset in the Eventide H3000, \u003cspan style=\"font-weight: bold;\"\u003eSoundtoys Crystallizer\u003c\/span\u003e combines granular reverse echo slicing and retro pitch processing to create a huge range of radical sonic manipulations and classics with a twist. Use it to create synth-like textures from simple acoustic guitar rhythms, lush detuned echos, or completely psychedelic pitch-shifted reverse echo effects. Great for drums, guitar, bass, sound design, electronic music, and just about anything else - Crystallizer is a truly unique and creative effects processor.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eCrystal Method\u003c\/span\u003e\u003cbr\u003eIf you listened to the radio in the late 80s, you've heard the original Crystal Echoes effect. It's sound was absolutely unmistakable, and was often used on an intro or at the end of a song to create a synth-like pad from simple guitar chords. With our new Crystallizer algorithm, we couldn't help but add a few improvements. Like MIDI sync. Yep, midi sync'd reverse delays. Now that's cool. How about a built-in Gate\/Duck control, and high-cut and low-cut filters to help tame this sometimes unruly effect. Of course, automation is also supported. It's a classic sound with modern control.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRetro Shifter\u003c\/span\u003e\u003cbr\u003eOld school pitch-shifting just like, uh, the old school. Modern pitch-shifters use sophisticated mathematical algorithms to transform music and vocals as naturally as possible (like our PurePitch and SPEED products). The original old school devices (like Eventide's classic H910 Harmonizer) used a resample and cross-fade technique that introduced audible 'glitches' in the pitch-shifted audio. Glitch is good. Well, in this case it is. That's a big part of the sound. A sound we've all heard countless times, on tons of hit songs. So dig into the past and enjoy the true retro sound.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWhat's on the Menu?\u003c\/span\u003e\u003cbr\u003eThe best place to start with this creature is in the preset menu. We've served up a wide range of flavors from subtle to over-the-top. We stuck them in categories to make your selection easier, but you don't have to listen to us. Experiment. Listen. If one preset is way off, the next may be the one that hits the spot. It really is that diverse. Don't let the outrageous stuff fool you into missing the subtly different. There's gold in them there hills.","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":44449340063847,"sku":"15213","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundtoys_crystalizer_native_screen.jpg?v=1787088619"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/software-audio-processing-plug-ins.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}