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The library contains of more than 1.5 GB of sound effects (24-bit\/48kHz Wave files) that spans from ambiences to whooshes.  The Pro Sound Effects Library is fully searchable and licensed to you 100% royalty-free.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCategories include:\u003c\/strong\u003e Animals, Emergency, Fire, Foley, Horror, Household, Human, Impacts, Industry, Office, Science fiction, Sports, Technology, Transportation, Warfare, Water and much more\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNuage System Solution \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA new era in the pro-audio industry hast just begun. The most experienced Yamaha hardware engineers teamed up with the long-time software specialists of Steinberg to create a complete system solution for professional post- and audio-production studios. The Nuage system solution is made up of the Nuendo 6 software, the Nuage controller hardware and additional pro-grade studio gear.\u003c\/p\u003e","brand":"Steinberg","offers":[{"title":"Default Title","offer_id":44449547583591,"sku":"33394","price":1700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/steinberg_nuendo6_7c058f75-27f5-46a5-9382-e0fe1e9e4b7b.jpg?v=1787089405"},{"product_id":"sonic-studio-soundblade-hd","title":"Sonic Studio soundBlade HD - Electronic Delivery","description":null,"brand":"Sonic Studio","offers":[{"title":"Default Title","offer_id":44449591001191,"sku":"36381","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundblade_hd_all_3a362802-634e-488f-9dad-7716e7886035.jpg?v=1787089596"},{"product_id":"sonic-studio-soundblade-se","title":"Sonic Studio soundBlade SE - Electronic Delivery","description":null,"brand":"Sonic Studio","offers":[{"title":"Default Title","offer_id":44449591033959,"sku":"36378","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundblade_se_all_6a6a6f2b-2185-4281-85ff-6c49d300d206.jpg?v=1787089597"},{"product_id":"sonic-studio-soundblade-le","title":"Sonic Studio soundBlade LE - Electronic Delivery","description":null,"brand":"Sonic Studio","offers":[{"title":"Default Title","offer_id":44449591099495,"sku":"36377","price":295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundblade_hd_all_2_81e75409-3840-49ef-9c20-b29c372910f7.jpg?v=1787089596"},{"product_id":"slate-digital-virtual-mix-rack-electronic-delivery","title":"Slate Digital Virtual Mix Rack - Electronic Delivery","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eSlate Digital Virtual Mix Rack \u003c\/strong\u003econtinues the Slate Digital tradition of providing the absolute most authentically modeled analog sound in a digital audio plugin.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe ‘VMR’ includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe ‘VMR’ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in one window. This allows you to customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with the Slate ‘VMR’.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70’s. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. This equalizer is lush, fat, and bold. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. This is the ultimate workhorse mix eq that can be used on any track. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe FG-116 is the most precise digital replication of the classic American FET limiter. No expense was spared to capture every nuance of this classic sounding compressor\/limiter. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe FG-401 started as a recreation of the classic British console channel compressor, but morphed into quite a lot more. First, we gave it variable attack and release with increased range which added more tonal options.  Then, we added an optimal transformer input, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor. Last, we added an entirely unique second circuit path that provides an additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUnlike so many ‘analog modeled’ equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch3 class=\"p1\"\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSystem Requirements\u003c\/span\u003e\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMac:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual Core Intel Processor, 8 GB RAM Recommended\u003c\/li\u003e\r\n\u003cli\u003eMac OS® X 10.6 or later\u003c\/li\u003e\r\n\u003cli\u003eIntel Mac 32bit: RTAS, AAX\u003c\/li\u003e\r\n\u003cli\u003eIntel Mac 32bit and 64bit: AAX, VST2, VST3, and AU\u003c\/li\u003e\r\n\u003cli\u003eiLok2 Required\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eWindows:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual Core Intel or AMD Processor, 8 GB RAM Recommended\u003c\/li\u003e\r\n\u003cli\u003eWindows 7® (32\/64 Bit) or later\u003c\/li\u003e\r\n\u003cli\u003eWindows 32bit: RTAS, AAX\u003c\/li\u003e\r\n\u003cli\u003eWindows 32bit and 64bit: AAX VST2, and VST3\u003c\/li\u003e\r\n\u003cli\u003eiLok2 Required\u003c\/li\u003e\r\n\u003cli\u003eNote: AAX 64-bit, Pro Tools 11 compatible\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Slate Digital","offers":[{"title":"Default Title","offer_id":44449684783207,"sku":"42982","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/slate_vmr_rack_full_6c7d685c-9f79-4392-b2f8-57b1cad1e9e7.jpg?v=1787089976"},{"product_id":"izotope-ozone-7-advanced-upgrade-from-ozone-7","title":"iZotope Ozone 7 Advanced - Upgrade from Ozone 7","description":"\u003ch3\u003eiZotope Ozone 7 Advanced includes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVintage Tape module\u003c\/li\u003e \u003cli\u003eVintage Limiter module\u003c\/li\u003e \u003cli\u003eVintage Compressor\u003c\/li\u003e \u003cli\u003eVintage EQ\u003c\/li\u003e \u003cli\u003eUpdated Maximizer with IRC IV\u003c\/li\u003e \u003cli\u003eCodec Preview\u003c\/li\u003e \u003cli\u003eMP3\/AAC Export\u003c\/li\u003e \u003cli\u003eDynamic EQ\u003c\/li\u003e \u003cli\u003eEqualizer\u003c\/li\u003e \u003cli\u003eMaximizer\u003c\/li\u003e \u003cli\u003eDynamics\u003c\/li\u003e \u003cli\u003eExciter\u003c\/li\u003e \u003cli\u003eStereo Imaging\u003c\/li\u003e \u003cli\u003e10 Component Plug-ins\u003c\/li\u003e \u003cli\u003eiZotope Insight Metering Plug-in\u003c\/li\u003e \u003cli\u003ePresets\u003c\/li\u003e \u003cli\u003eDither\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eEssential Mastering Tools\u003c\/h3\u003e  \u003cp\u003eGlue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. 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Ozone 7 Advanced includes ten additional component plug-ins for direct access to individual Ozone modules in your host.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eOperating system requirements\u003c\/strong\u003e * Windows: 7, 8, and 10 * Mac: OS X 10.8–10.11 (Intel only)\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePlug-in formats\u003c\/strong\u003e Pro Tools 10-12 (RTAS, AudioSuite, 64-bit AAX), VST 2, VST 3, and Audio Unit.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePlug-in host compatibility\u003c\/strong\u003e Pro Tools 10-12, Logic Pro X, Ableton Live, Cubase, Digital Performer, SONAR, REAPER, and many more.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eGraphics card requirements\u003c\/strong\u003e For use of the scrolling 3D Spectrogram in Insight, Ozone 7 Advanced requires a graphics card that supports Open GL 2.0.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMinimum screen resolution\u003c\/strong\u003e Plug-in: 1,159 x 614 Standalone application: 1,166 x 827\u003c\/p\u003e  \u003cp\u003e\u003cem\u003eNote: The Ozone 7 standalone application does not currently support the Waveshell format for Waves plug-ins within the Ozone signal chain.\u003c\/em\u003e\u003c\/p\u003e","brand":"iZotope","offers":[{"title":"Default Title","offer_id":44449766015079,"sku":"51018","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/izotope-ozone-7-box_787fe26f-f7ab-4922-b777-7cc6643a3bfe.jpg?v=1787090318"},{"product_id":"izotope-ozone-7-advanced-upgrade-from-ozone-5-6-advanced","title":"iZotope Ozone 7 Advanced - Upgrade from Ozone 5-6 Advanced","description":"\u003ch3\u003eiZotope Ozone 7 Advanced includes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVintage Tape module\u003c\/li\u003e \u003cli\u003eVintage Limiter module\u003c\/li\u003e \u003cli\u003eVintage Compressor\u003c\/li\u003e \u003cli\u003eVintage EQ\u003c\/li\u003e \u003cli\u003eUpdated Maximizer with IRC IV\u003c\/li\u003e \u003cli\u003eCodec Preview\u003c\/li\u003e \u003cli\u003eMP3\/AAC Export\u003c\/li\u003e \u003cli\u003eDynamic EQ\u003c\/li\u003e \u003cli\u003eEqualizer\u003c\/li\u003e \u003cli\u003eMaximizer\u003c\/li\u003e \u003cli\u003eDynamics\u003c\/li\u003e \u003cli\u003eExciter\u003c\/li\u003e \u003cli\u003eStereo Imaging\u003c\/li\u003e \u003cli\u003e10 Component Plug-ins\u003c\/li\u003e \u003cli\u003eiZotope Insight Metering Plug-in\u003c\/li\u003e \u003cli\u003ePresets\u003c\/li\u003e \u003cli\u003eDither\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eEssential Mastering Tools\u003c\/h3\u003e  \u003cp\u003eGlue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. Audition masters before rendering with the new Codec Preview. Apply Ozone Advanced’s processing to mix busses, too, with individual plug-ins of all ten modules.\u003c\/p\u003e  \u003cp\u003ePlus, both versions of Ozone include the Maximizer, the Dynamic EQ, the new Vintage Limiter, Export Formats, and more. Use Ozone as a plug-in or as a standalone application.\u003c\/p\u003e  \u003ch3\u003eKey Highlights\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eGet essential mastering and mixing tools: Maximizer, Dynamic EQ (now in both Standard and Advanced), the new Vintage Limiter, Vintage Tape [Advanced Only], Vintage Compressor [Advanced Only], and Vintage EQ [Advanced Only].\u003c\/li\u003e \u003cli\u003eBuild a high-tech new mastering chain when you mix-and-match components, going from fully modern to fully vintage to anywhere in between.\u003c\/li\u003e \u003cli\u003eQuickly achieve authentic sounds for any genre and style with a comprehensive bank of presets.\u003c\/li\u003e \u003cli\u003eMaster within your audio editing software with Ozone as a plug-in or in its own environment with the standalone option.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecs\u003c\/h3\u003e  \u003cp\u003eOzone 7 runs as a standalone application, or as a plug-in in your audio editing software. Ozone 7 Advanced includes ten additional component plug-ins for direct access to individual Ozone modules in your host.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eOperating system requirements\u003c\/strong\u003e * Windows: 7, 8, and 10 * Mac: OS X 10.8–10.11 (Intel only)\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePlug-in formats\u003c\/strong\u003e Pro Tools 10-12 (RTAS, AudioSuite, 64-bit AAX), VST 2, VST 3, and Audio Unit.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePlug-in host compatibility\u003c\/strong\u003e Pro Tools 10-12, Logic Pro X, Ableton Live, Cubase, Digital Performer, SONAR, REAPER, and many more.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eGraphics card requirements\u003c\/strong\u003e For use of the scrolling 3D Spectrogram in Insight, Ozone 7 Advanced requires a graphics card that supports Open GL 2.0.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMinimum screen resolution\u003c\/strong\u003e Plug-in: 1,159 x 614 Standalone application: 1,166 x 827\u003c\/p\u003e  \u003cp\u003e\u003cem\u003eNote: The Ozone 7 standalone application does not currently support the Waveshell format for Waves plug-ins within the Ozone signal chain.\u003c\/em\u003e\u003c\/p\u003e","brand":"iZotope","offers":[{"title":"Default Title","offer_id":44449766047847,"sku":"51019","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/izotope-ozone-7-box_1_f3314b21-23a6-4740-ab37-4256d1726330.jpg?v=1787090319"},{"product_id":"izotope-ozone-7-advanced","title":"iZotope Ozone 7 Advanced","description":"\u003ch3\u003eiZotope Ozone 7 Advanced includes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVintage Tape module\u003c\/li\u003e \u003cli\u003eVintage Limiter module\u003c\/li\u003e \u003cli\u003eVintage Compressor\u003c\/li\u003e \u003cli\u003eVintage EQ\u003c\/li\u003e \u003cli\u003eUpdated Maximizer with IRC IV\u003c\/li\u003e \u003cli\u003eCodec Preview\u003c\/li\u003e \u003cli\u003eMP3\/AAC Export\u003c\/li\u003e \u003cli\u003eDynamic EQ\u003c\/li\u003e \u003cli\u003eEqualizer\u003c\/li\u003e \u003cli\u003eMaximizer\u003c\/li\u003e \u003cli\u003eDynamics\u003c\/li\u003e \u003cli\u003eExciter\u003c\/li\u003e \u003cli\u003eStereo Imaging\u003c\/li\u003e \u003cli\u003e10 Component Plug-ins\u003c\/li\u003e \u003cli\u003eiZotope Insight Metering Plug-in\u003c\/li\u003e \u003cli\u003ePresets\u003c\/li\u003e \u003cli\u003eDither\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eEssential Mastering Tools\u003c\/h3\u003e  \u003cp\u003eGlue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. 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Film 6000 will help you create those amazing, epic, scary, sad, moving, hilarious, exciting, thoughtful, evocative moments for cinema and TV.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. We have simply gathered and pre-installed all the tools relevant for film production so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eCreating realistically sounding spaces is key in film production - and reverb is absolutely essential in making this happen. Film 6000 comes with 19 of the best reverb algorithms known to audio in stereo, surround and even unlimited multichannel versions.\u003c\/p\u003e\u003cp\u003eAnother essential tool is the legendary UnWrap HD, which has been used for more than a decade by virtually all major Hollywood studios for unfolding a stereo signal to 5.1 surround.\u003c\/p\u003e\u003cp\u003eFurther, loudness has also become an issue in film. Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. 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Film 6000 comes with 19 of the best reverb algorithms known to audio in stereo, surround and even unlimited multichannel versions.\u003c\/p\u003e\u003cp\u003eAnother essential tool is the legendary UnWrap HD, which has been used for more than a decade by virtually all major Hollywood studios for unfolding a stereo signal to 5.1 surround.\u003c\/p\u003e\u003cp\u003eFurther, loudness has also become an issue in film. Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eFilm 6000 Tools\u003c\/h3\u003e\u003cp\u003eFilm 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs. Plus the 8-channel Rev8 algorithm that was not available for the original Reverb 6000.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in film production, including UnWrap HD, LM6, AM6, Varipitch 8 and Toolbox 5.1.\u003c\/p\u003e\u003ch3\u003eVSS™ Surround:\u003c\/h3\u003e\u003cp\u003eUnique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt\/Rt signal.\u003c\/p\u003e\u003ch3\u003eVSS™ 6.1:\u003c\/h3\u003e\u003cp\u003eIf you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.\u003c\/p\u003e\u003ch3\u003eVSS™ 5.1 Source:\u003c\/h3\u003e\u003cp\u003eA true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.\u003c\/p\u003e\u003ch3\u003eVSS™ M4:\u003c\/h3\u003e\u003cp\u003e4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.\u003c\/p\u003e\u003ch3\u003eReflector6:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eSpacePan:\u003c\/h3\u003e\u003cp\u003e8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. TC has designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. 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The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eAM6:\u003c\/h3\u003e\u003cp\u003eThe AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. 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Film 6000 comes with 19 of the best reverb algorithms known to audio in stereo, surround and even unlimited multichannel versions.\u003c\/p\u003e\u003cp\u003eAnother essential tool is the legendary UnWrap HD, which has been used for more than a decade by virtually all major Hollywood studios for unfolding a stereo signal to 5.1 surround.\u003c\/p\u003e\u003cp\u003eFurther, loudness has also become an issue in film. Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eFilm 6000 Tools\u003c\/h3\u003e\u003cp\u003eFilm 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs. Plus the 8-channel Rev8 algorithm that was not available for the original Reverb 6000.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in film production, including UnWrap HD, LM6, AM6, Varipitch 8 and Toolbox 5.1.\u003c\/p\u003e\u003ch3\u003eVSS™ Surround:\u003c\/h3\u003e\u003cp\u003eUnique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt\/Rt signal.\u003c\/p\u003e\u003ch3\u003eVSS™ 6.1:\u003c\/h3\u003e\u003cp\u003eIf you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.\u003c\/p\u003e\u003ch3\u003eVSS™ 5.1 Source:\u003c\/h3\u003e\u003cp\u003eA true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.\u003c\/p\u003e\u003ch3\u003eVSS™ M4:\u003c\/h3\u003e\u003cp\u003e4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.\u003c\/p\u003e\u003ch3\u003eReflector6:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eSpacePan:\u003c\/h3\u003e\u003cp\u003e8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. TC has designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. 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The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eAM6:\u003c\/h3\u003e\u003cp\u003eThe AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. 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Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. 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Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. 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Starting in the 80s, TC pioneered the field of digital audio and later did the same regarding perceived loudness. Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. Use this analog-sounding effect alone or in conjunction with other algorithms.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. TC has designed this processor to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449885978727,"sku":"56437","price":13000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-mastering-1_4057d91a-7182-4139-809d-bea7870e1f4b.jpg?v=1787090814"},{"product_id":"tc-electronic-mastering-6000-mkii-with-tc-icon-mkii","title":"TC Electronic Mastering 6000 MKII with TC ICON MKII","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Mastering 6000 MKII\u003c\/strong\u003e is all about audio mastering. Starting in the 80s, TC pioneered the field of digital audio and later did the same regarding perceived loudness. Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. Use this analog-sounding effect alone or in conjunction with other algorithms.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. TC has designed this processor to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. TC has even included the remote as software so you can also run it on your Mac or PC.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncredibly Fast Touch Screen and Faders Response\u003c\/li\u003e\n\u003cli\u003eIntuitive and User-friendly Interface\u003c\/li\u003e\n\u003cli\u003eControls Even More TC Studio and Broadcast Units with Dual Ethernet and Dual USB Ports\u003c\/li\u003e\n\u003cli\u003eIntegrate Multiple Mainframes and TC ICONS\/Editors Into Your Network\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449886011495,"sku":"18504","price":16600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-mastering-icon-1_6cdd524e-347d-4447-9bc7-544d187d27b4.jpg?v=1787090814"},{"product_id":"tc-electronic-music-6000-mkii-coax-incl-tc-icon-mkii","title":"TC Electronic Music 6000 MKII Coax with TC Icon MKII","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Music 6000 MKII\u003c\/strong\u003e is tailor made for music production in all forms. Regardless of whether you're tracking and need to setup a bit of subtle comfort reverb for the performer, or have reached the mixing stage, Music 6000 delivers all of your favorite tools and effects.\u003c\/p\u003e\u003cp\u003eYou can even keep an eye on your loudness level at all times with the LM6 Loudness Radar Meter, which is particularly important if your content is meant for broadcast.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed all the tools relevant for music production so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMusic 6000 gives you no less than 18 pristine, multichannel and stereo reverbs plus the M5000 state-of-the-art delay, chorus and phaser effects as well as hundreds of presets. For dynamics processing, the acclaimed MD3 and MD4 multiband compressors as well as Brickwall Limiter 2 have you covered. Also included is Matrix 88, a digital 8-channel summing mixer, offering upsampled limiting, 48 bit summing, accurate delays and bit transparency. On top of this, you get the famous LM6 Loudness Radar Meter and the unmatched, sweet MDW HiRes EQ developed strictly to the personal specifications of the legendary George Massenburg.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Music 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMusic 6000 Tools\u003c\/h3\u003e\u003cp\u003eMusic 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in music production, including pristine Stereo Mastering tools, the LM Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. Now you can modulate delays with full control over the relative L\/R phase to emulate chorus or tape delay perfectly.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.\u003c\/p\u003e\u003ch3\u003ePhaser:\u003c\/h3\u003e\u003cp\u003eA Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.\u003c\/p\u003e\u003ch3\u003eChorus:\u003c\/h3\u003e\u003cp\u003eHigh-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. This processor was designed to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. TC has even included the remote as software so you can also run it on your Mac or PC.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncredibly Fast Touch Screen and Faders Response\u003c\/li\u003e\n\u003cli\u003eIntuitive and User-friendly Interface\u003c\/li\u003e\n\u003cli\u003eControls Even More TC Studio and Broadcast Units with Dual Ethernet and Dual USB Ports\u003c\/li\u003e\n\u003cli\u003eIntegrate Multiple Mainframes and TC ICONS\/Editors Into Your Network\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449886044263,"sku":"56440","price":16599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-music-coax-icon-1_fc44be4a-a688-4ed6-9601-87c0cce10696.jpg?v=1787090814"},{"product_id":"tc-electronic-music-6000-mkii-mac-pc","title":"TC Electronic Music 6000 MKII Mac and PC","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Music 6000 MKII\u003c\/strong\u003e is tailor made for music production in all forms. Regardless of whether you're tracking and need to setup a bit of subtle comfort reverb for the performer, or have reached the mixing stage, Music 6000 delivers all of your favorite tools and effects.\u003c\/p\u003e\u003cp\u003eYou can even keep an eye on your loudness level at all times with the LM6 Loudness Radar Meter, which is particularly important if your content is meant for broadcast.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed all the tools relevant for music production so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMusic 6000 gives you no less than 18 pristine, multichannel and stereo reverbs plus the M5000 state-of-the-art delay, chorus and phaser effects as well as hundreds of presets. For dynamics processing, the acclaimed MD3 and MD4 multiband compressors as well as Brickwall Limiter 2 have you covered. Also included is Matrix 88, a digital 8-channel summing mixer, offering upsampled limiting, 48 bit summing, accurate delays and bit transparency. On top of this, you get the famous LM6 Loudness Radar Meter and the unmatched, sweet MDW HiRes EQ developed strictly to the personal specifications of the legendary George Massenburg.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Music 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMusic 6000 Tools\u003c\/h3\u003e\u003cp\u003eMusic 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in music production, including pristine Stereo Mastering tools, the LM Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. Now you can modulate delays with full control over the relative L\/R phase to emulate chorus or tape delay perfectly.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. 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This provides an additional summing stage with effects plug-ins, gain and pan controls. Track Groups are especially useful for stem mastering and, alongside Track Lanes, another way to apply a common track group effect chain to stem mastering projects.\u003c\/p\u003e\r\n\u003cp\u003eTrack Groups can be created by selecting tracks from a corresponding Group Channel. Using the Track Group Editor, tracks and track groups can be named\/renamed, have colors assigned and moved per drag and drop.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTrack Lanes for multitrack\/stems workflows\u003c\/h3\u003e\r\n\u003cp\u003eTrack Lanes is a flexible new feature that can divide an audio track into eight sub lanes, each lane hosting audio clips, a facility especially useful when working with mix stems inside the Montage. As well as clip effects, track effects can be applied to all clips, providing a final processing chain for all stems on the track. Track Lanes can also be used for sound design tasks like assembling, editing and processing sound effects from layered clips. Each Track Lane features comprehensive controls for selection, solo\/mute, fold\/unfold, lanes can be converted to tracks, selected tracks can be merged as lanes and more.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eParameter automation with clip envelopes\u003c\/h3\u003e\r\n\u003cp\u003eYou can now use clip envelopes to automate the parameters of VST 3 plug-ins. Along with the volume, pan and effect wet\/dry parameters, clip envelopes are managed from the new Automation Envelope panel in the Inspector window. Envelopes can be assigned to parameters by right-clicking on the parameter, single envelope points can be text edited, envelopes can be turned on\/off and their visibility is easily managed, individually or globally.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSuperVision analyzer\u003c\/h3\u003e\r\n\u003cp\u003eAs well as the WaveLab analysis meter, WaveLab 11 features a new professional analysis tool, SuperVision. SuperVision is a fully customizable, multi-meter audio analyzer, with 27 different modules that can be applied in up to nine module slots for level, spectral, phase and waveform analysis. It allows the creation of a fully customized layout for a supremely accurate visual picture of any audio project. Multiple instances can be opened to monitor the audio signal at different stages.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eNew VST 3 effects plug-ins\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab 11 includes a range of new VST 3 effects plug-ins, delivering even greater possibilities for the most surgically precise sound-shaping.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDeReverb: DeReverb is a completely new plug-in for WaveLab, designed to remove the reverb from the input signal in real time. Using an impulse response generated by a physical mode, the plugin has a Learn function to record the input signal and set the physical model parameters for the impulse response.\u003c\/li\u003e\r\n\u003cli\u003eLIN Pro dithering: The new LIN Pro dithering plug-in replaces outdated engines that rely on decades-old approaches to dithering. Developed by the plug-in specialists at MAAT Audio, the new dithering plug-in delivers top-notch results.\u003c\/li\u003e\r\n\u003cli\u003eFrequency 2: Frequency 2’s eight bands can be individually set to dynamic mode. Dynamic bands support sidechaining, there is a Linear Phase mode for each band and a spectrum display.\u003c\/li\u003e\r\n\u003cli\u003eSquasher: The dynamic Squasher combines up and down compression for up to three bands. It’s designed to help lead sounds cut through, tame aggressive bass frequencies and enhance subtle reverberation.\u003c\/li\u003e\r\n\u003cli\u003eImager: Imager is designed to achieve a cleaner mix by placing audio tracks in up to four bands in the stereo field, to expand or reduce the stereo width. It includes individual scope and correlation displays.\u003c\/li\u003e\r\n\u003cli\u003eQuadrafuzz v2: Quadrafuzz is a versatile multi-band, multi-mode distortion which can be creatively applied to any sound, delivering everything from the subtlest warmth to crushing fuzz.\u003c\/li\u003e\r\n\u003cli\u003eMixConvert V6: Loaded into one of the Playback Processing slots in the Master Section, MixConvert allows the monitoring of surround audio in a stereo environment, with options to downmix surround audio to several target setups. A dedicated channel mixer allows very fine-tuning.\u003c\/li\u003e\r\n\u003cli\u003eVST AmbiDecoder: VST AmbiDecoder decodes a first, second or third order Ambisonics mix to immersive, HRTF-based binaural sound for headphones, or to an immersive sound speaker configuration. Users can import an HTRF file for their individual head and ear shapes.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_6\"\u003eReplacing audio in video\u003c\/h3\u003e\r\n\u003cp\u003eIn WaveLab 11, part or all the audio of a video file can be replaced with the audio from another track. The original audio can also be refined and replaced with an edited version, without changing the video quality. Importing, editing and rendering are straightforward. (It is recommended that any video editing should be completed in a dedicated video application before refining the audio in WaveLab).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_7\"\u003ePodcast host service support\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab 11 comes with the same podcast features as the dedicated WaveLab Cast. They include the direct upload of podcasts to five popular podcast hosts: Buzzsprout, Castro, PodBean, SoundCloud and Spreaker. For more detailed information on these features, please visit the WaveLab Cast product page.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_8\"\u003eAudio ducking\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab 11 includes simplified ducking — using an audio track to control the volume of a different one. The ducking controls on an Audio Montage track allow one or more modulator tracks to control the ducked track. Straightforward parameters include Voice Threshold (triggers the Ducker), Music Attenuation (the level reduction on the ducked track), fade out\/in times\/profiles and how long the volume on the ducked track is reduced for.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_9\"\u003eNew Clean and Enhance track inspector sections\u003c\/h3\u003e\r\n\u003cp\u003eThe Track Inspector adds two new sections with specialized channel strips for real-time audio processing, radically simplifying the enhancement of audio tracks with straightforward “one knob” controls. Alongside the familiar Insert Effects and Gain and Pan sections, the new Clean and Enhance sections provide very quick and easy ways of cleaning up and improving the quality of audio recordings.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_10\"\u003eAudio montage performance boost\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab Pro now supports multi-core processing for audio montages, increasing the processing performance of montages with multiple tracks, clips, and effects. This is especially noticeable when working with multiple tracks or\/and overlapping clips, for instance when stem mastering. It is now also possible to suspend the processing of track plug-ins if their input signal is detected as silent, conserving CPU resources.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_11\"\u003eNew Start-Up Assistant\u003c\/h3\u003e\r\n\u003cp\u003eThe Start-Up Assistant has been revised and divided into Recent and Templates sections, which can be filtered by file types. An additional search field allows you filtering by name, using text input.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_12\"\u003eRevised external FX plug-in window\u003c\/h3\u003e\r\n\u003cp\u003eThe external FX plug-in window has been overhauled with level meters for the input and output gain sections to avoid audio clipping. An image of the external device can also be added for reference.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_13\"\u003eVST plug-in handling features\u003c\/h3\u003e\r\n\u003cp\u003eImprovements to VST 2 and VST 3 plug-in handling include each instance now having its own, independent undo\/redo history; switching between two independent plug-in parameter sets for easy comparison of different settings; saving plug-in parameter settings as a custom default preset and separate controls for Bypass Effect and Listen to Effect Signal Only in the Master Section plug-in header.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_14\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOperating systems (Windows): 64-bit Windows 10 Version 20H2, 64-bit Windows 10 Version 21H1\u003c\/li\u003e\r\n\u003cli\u003eOperating systems (Mac): macOS Catalina, macOS Big Sur\u003c\/li\u003e\r\n\u003cli\u003eApple silicon–based Mac: Rosetta 2 App\u003c\/li\u003e\r\n\u003cli\u003eCPU minimum: 64-bit Intel or AMD multi-core\u003c\/li\u003e\r\n\u003cli\u003eCPU recommended: Intel i5 or faster\u003c\/li\u003e\r\n\u003cli\u003eRAM minimum: 4 GB\u003c\/li\u003e\r\n\u003cli\u003eRAM recommended: 8 GB\u003c\/li\u003e\r\n\u003cli\u003eHard disk free space: 4 GB\u003c\/li\u003e\r\n\u003cli\u003eDisplay resolution recommended: 1920 x 1080\u003c\/li\u003e\r\n\u003cli\u003ePort: USB Type-A for USB-eLicenser\u003c\/li\u003e\r\n\u003cli\u003eOS compatible audio hardware\u003c\/li\u003e\r\n\u003cli\u003eASIO compatible audio hardware recommended for low-latency performance\u003c\/li\u003e\r\n\u003cli\u003eInternet connection for license activation, installer download, account sign up and product registration\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Steinberg","offers":[{"title":"Default Title","offer_id":44450729164903,"sku":"159505","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stenberg-wavelab-pro-11_159505_1_3e81bf7c-2712-4ea3-a1e5-49cfa1e322b1.jpg?v=1787094277"},{"product_id":"steinberg-wavelab-elements-11","title":"Steinberg WaveLab Elements 11 - Electronic Delivery","description":"\u003cp\u003eAn ideal complement to any DAW, \u003cstrong\u003eSteinberg WaveLab Elements\u003c\/strong\u003e is the right choice for aspiring musicians and sound designers who want to improve their mixes quickly and get great results. WaveLab Elements includes a wide range of easy-to-use tools that help you create stunning audio masters in no time. WaveLab Elements also includes the entire palette of functions from the dedicated WaveLab Cast app for creating podcasts and audio for vlogs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eEasy to use. Fast results. Convincing quality.\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab Elements automatically creates crossfades, letting you arrange, cut, fade, and blend music and voices exactly to your taste. It comes with a range of easy-to-use modules, combined in a handy channel strip, which help you to improve the sound of your master. The “single knob” concept means that you hear the results of your sound manipulation immediately, in real time.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eMastering-grade effects\u003c\/h3\u003e\r\n\u003cp\u003eEQ your music, enhance speech with the voice exciter and give the entire mix more punch using the compressor module — you need no in-depth knowledge of audio technology to create great results! If you want to explore more possibilities, WaveLab Elements’ Master Section includes more than 20 additional VST plug-ins, among them the mighty MasterRig suite, derived from WaveLab Pro. In WaveLab Elements, MasterRig comprises five studio-grade modules, including Limiter, EQ, Compressor, Saturator and Imager, offering a great choice of tools to improve the sound of your recordings with punch, saturation and more presence.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003ePrecise metering. Multiple file formats\u003c\/h3\u003e\r\n\u003cp\u003eKeep track of your frequencies with metering options including Spectroscope, Level Meter and Oscilloscope. Once finished, you can render your audio into more than 15 different file formats, including WAV and MP3, ready to be published on almost any music platform.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSimple, accurate editing\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab Elements is ready when audio needs to be edited quickly and precisely. A dedicated Audio Editor workspace provides a wide choice of processing tools which are valued by everyone who needs to be certain their audio is always correct. High quality zoom functions provide views down to individual sample level (micro seconds); tools for time stretching, pitch shifting and phase invert are there to manipulate your favorite sounds. The magnet snap functions make it easy to combine several audio files with no overlaps.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eAudio clean-up\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab Elements comes with a renowned professional restoration suite. RestoreRig is your first stop for removing unwanted noises, such as buzzes, clicks or wind. Together with Global Analysis, which automatically finds peaks, a comprehensive feature set is at hand to clean-up and improve your mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eCreate stunning podcasts\u003c\/h3\u003e\r\n\u003cp\u003eWaveLab Elements lets you record and produce podcasts in great quality. Easily create professional arrangements including voice, music and background effects. To make the interaction between voice and music sound really professional, use the new ducking feature which lowers the background music when speech is detected on the voice track. With WaveLab Elements you can use easily arrange a compilation of different podcasts and recordings all at once. Once your podcast is created, you can upload it directly to podcast directories services such as Spreaker, Podbean and Soundcloud. In addition, you can create and publish RSS feeds, using your own choice of FTP server or other online storage.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOperating systems (Windows): 64-bit Windows 10 Version 20H2, 64-bit Windows 10 Version 21H1\u003c\/li\u003e\r\n\u003cli\u003eOperating systems (Mac): macOS Catalina, macOS Big Sur\u003c\/li\u003e\r\n\u003cli\u003eApple silicon–based Mac: Rosetta 2 App\u003c\/li\u003e\r\n\u003cli\u003eCPU minimum: 64-bit Intel or AMD multi-core\u003c\/li\u003e\r\n\u003cli\u003eCPU recommended: Intel i5 or faster\u003c\/li\u003e\r\n\u003cli\u003eRAM minimum: 4 GB\u003c\/li\u003e\r\n\u003cli\u003eRAM recommended: 8 GB\u003c\/li\u003e\r\n\u003cli\u003eHard disk free space: 4 GB\u003c\/li\u003e\r\n\u003cli\u003eDisplay resolution recommended: 1920 x 1080\u003c\/li\u003e\r\n\u003cli\u003eOS compatible audio hardware\u003c\/li\u003e\r\n\u003cli\u003eASIO compatible audio hardware recommended for low-latency performance\u003c\/li\u003e\r\n\u003cli\u003eInternet connection for license activation, installer download, account sign up and product registration\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Steinberg","offers":[{"title":"Default Title","offer_id":44450729230439,"sku":"159509","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stenberg-wavelab-elements-11_159509_1_5fe373d1-4023-4c3f-adf5-c417bd862fd1.jpg?v=1787094277"},{"product_id":"weiss-saracon-pcm-sampling-rate-conversion-software-electronic-delivery","title":"Weiss SARACON PCM Sampling Rate Conversion Software - Electronic Delivery","description":"\u003cp\u003eWhether for working on multiple projects with different sample rates or for delivering audio to various distribution outlets, a quality sample rate converter is a must-have. \u003cstrong\u003eWiess SARACON\u003c\/strong\u003e runs on Mac or Windows computers and offers the highest possible quality sample rate, bit rate, and digital audio format conversion. 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