{"title":"SPL Audio","description":null,"products":[{"product_id":"spl-rackpack500-frame","title":"SPL RackPack500 Frame","description":"SPL is the first manufacturer to open a proprietary modular system for API 500 compatible modules. The focus on the SPL RackPack system has always been the modular idea, not a proprietary platform. It was great to find out that API is just as open-minded as we are to offer more choices to customers.\u003cbr\u003e\u003cbr\u003eWhether you need an eight channel preamp, an effects rack or individual channel strips, The \u003cspan style=\"font-weight: bold;\"\u003eSPL RackPack 500\u003c\/span\u003e system offers the maximum freedom to compose customized setups for varying challenges in any live or studio environment.\u003cbr\u003e\u003cbr\u003eThe RackPack 500 frame offers eight slots to host four SPL and four Series 500 compatible modules.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449236451431,"sku":"13218","price":1529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack500.jpg?v=1787088255"},{"product_id":"spl-dynamaxx-rackpack-module","title":"SPL DynaMaxx RackPack Module","description":"Part of the SPL RackPack modular system series, the \u003cb\u003eDynaMaxx\u003c\/b\u003e probably is the most consequent interpretation of a \"set \u0026amp; forget\" compressor concept. In keeping with the SPL design philosophy, it incorporates many features not found on standard compressors, and a unique control system makes is surprisingly easy to use. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eSPL DynaMaxx\u003c\/b\u003e also offers a de-compression mode which may be used to counter the effects of overcompression in previously processed source material. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhy is DynaMaxx so different?\u003c\/b\u003e \u003cbr\u003eThough auto attack and release functions are nothing new, in the DynaMaxx design, the time constants are automated in a very musical way. DynaMaxx optimizes all time constants in real time during processing so that the compression characteristics are continually matched to the source material. \u003cbr\u003e\u003cbr\u003eThe DynaMaxx circuitry actually uses two of the excellent THAT 2181 VCAs in SPL’s Double VCA-Drive mode configuration, which doubles the operating range while increasing transparency and reducing distortion. Another benefit of the DynaMaxx circuitry is that high compression ratios do not affect high frequency detail – high amplitude, low-end bass can be controlled without introducing pumping or other negative side-effects. Similarly, complex stereo sources can be processed easily and very musically. \u003cbr\u003e\u003cbr\u003eThe DynaMaxx has numerous applications in recording and mixing, as well as for live applications, and because of the level of intelligent processing within the unit, there are only two controls to adjust per chan- nel, making operation very intuitive.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248247911,"sku":"10199","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_dynamaxx.jpg?v=1787088302"},{"product_id":"spl-charisma-2","title":"SPL Charisma 2","description":"The \u003cb\u003eSPL Charisma 2\u003c\/b\u003e is a dual channel tube processor designed to improve the power, punch, dynamics and the subjective loudness of processed signals. Designed to introduce a subjective tonal warmth and a smooth bottom end into digitally recorded material, Charisma exceeds the mere simulation of tape saturation. \u003cbr\u003e\u003cbr\u003eCharisma also helps to prevent overload and clipping on digitally or analogue recorded tracks. Charisma gives your signals more clarity, transparency and presence. Each part of the mix, instrument or vocal can easier be distinguished and located. Using the Charisma on single instruments alone lets those signals stick out of the mix. It also helps you to place vocals in a densed playback and maintaining their presence. The Charisma is equipped with XLR-connectors and TRS stereo jacks for balanced operation.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248149607,"sku":"5465","price":718.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_charisma2_1.jpg?v=1787088302"},{"product_id":"spl-channel-one","title":"SPL Channel One Complete Channel Strip","description":"The \u003cb\u003eSPL\u003c\/b\u003e \u003cb\u003eChannel One\u003c\/b\u003e is a complete channel strip with all the tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality: a transistor\/tube preamplifier (12AX7-LPS tube type), a de-esser, a compressor\/limiter with noise gate, an EQ section and a headphone monitor. \u003cbr\u003e\u003cbr\u003eThe concept of the Channel One is as the ideal recording tool – for hard disk tracking as well as for analog environments. Intelligent automation ensures intuitive, fast operation and guarantees the finest recording results. \u003cbr\u003e\u003cbr\u003eThe preamp stage provides three (four with converter option) optimised inputs: The microphone input features 48V phantom power, phase reverse function and a subsonic filter. The low-impedance Line input has a precise balancing stage for connecting studio equipment. The low-noise, high-impedance instrument input is easily accessible on the front panel. Digital insert is possible using the optional AD\/DA converter. \u003cbr\u003e\u003cbr\u003eThe de-esser subtly yet effectively removes offending sibilants by processing only the “S” frequencies. The Auto-Threshold mode ensures constant processing even when the microphone distance varies. All the user need do is set the desired S-reduction. Insert (Send\/Return) allows external effects devices to be looped in or the unprocessed pre-stage signal to be sent out. \u003cbr\u003e\u003cbr\u003eThe Compressor\/Limiter section is based on SPL’s Double-VCA-Drive® circuitry with its outstanding noise and distortion characteristics. The compressor is extremely easy to use via a single knob; its strength lies in the inconspicuous, musical way in which it works. \u003cbr\u003e\u003cbr\u003eThe Noise Gate operates flawlessly; reverbs are recognized and not cut off. For the Channel One an EQ section was designed especially for processing voices as well as acoustic or electronic instruments. In addition to Low, Mid-Hi and Air-Band filters, a field-effect distortion stage is used to subtly distort the signals in a way that lends character. \u003cbr\u003e\u003cbr\u003eThe headphone monitor allows the singer or speaker to get an individual mix directly and without latency problems in hard disk recording systems. \u003cbr\u003e\u003cbr\u003eThe options include a 24\/96 AD\/DA converter as well as a sound enhancing Lundahl in- and output transformer.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248182375,"sku":"5472","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_channel_one2950_1.jpg?v=1787088302"},{"product_id":"spl-de-esser","title":"SPL De-esser Dual-Channel Dynamic De-Esser","description":"The \u003cb\u003eSPL Auto-Dynamic De-Esser\u003c\/b\u003e is a highly specialized yet simple-to-use audio tool for removing undesired sibilant frequencies in a musically appropriate way without compromising the timbre and natural character of the voice.\u003cbr\u003e\u003cbr\u003eTo solve this difficult problem, SPL has developed a new circuit design that combines ease of use with natural sound characteristics and the highest level of technical performance. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eConventional De-Essing\u003c\/b\u003e\u003cbr\u003eTraditional de-essers use compression techniques. In addition to the threshold parameter used to set the processing level, there is a frequency controller for setting the center frequency of the process (with bandwidths generally up to 4 kHz). Processing therefore compresses the entire selected range, notjust the sibilant or S sounds. This results in the familiar and undesired side-effects such as lisping and a nasal-sounding vocal. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSPL’s De-Essing\u003c\/b\u003e\u003cbr\u003eSPL’s Auto Dynamic De-Esser monitors the entire frequency spectrum and automatically detects the sibilant frequencies. The bandwidth is set so narrowly around the range of the sibilance that neighboring frequencies remain unaffected. This frequency band is mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high s-reduction values the de-essing has an egligible effect on the character and timbre of the voice. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuto-Threshold\u003c\/b\u003e \u003cbr\u003eRounding our this outstanding concept is an automaticthreshold-adjusting function: Differences in the input levelcaused by the singer moving in relation to the microphone are automatically compensated, so that the selected reduction value remains constant. In traditional de-essers, the processing intensity drops off with increasing distance, and compressors placed after the de-esser for signal correction tend to respond incorrectly to the changed values.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMale\/Female\u003c\/b\u003e\u003cbr\u003eThe SPL system doesn’t just look for sibilance in a wide ’general sibilance’ region of the spectrum. Instead, the user simply sets a front-panel switch to Male or Female to adjust for the vocal characteristics of male or female voices.Features Symmetrical XLR and jack plugs for the in- and outputs, internal power supply with toroidal transformer, GNDlift switch, relay hard bypass\/power fail safety, voltage selector switch.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248215143,"sku":"1483","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_de_esser_1.jpg?v=1787088302"},{"product_id":"spl-dynamaxx","title":"SPL DynaMaxx","description":"The \u003cb\u003eSPL DynaMaxx\u003c\/b\u003e compressor\/limiter\/noise gate offers disarmingly ease of use due to signal-dependent automation of time constants and premiers unique de-compression features to regain vitality i. e. from over-compressed audio files. \u003cbr\u003e\u003cbr\u003eThe Dyna Maxx is used for unobstrusive compression or as sound tool delivering compression effects. It makes use of excellent THAT 2181 VCAs in SPL's Differential Drive technology for maximum transparency, dynamics, and lowest distortion. I\/Os: both XLR-connectors and 1\/4 inch TRS stereo jacks for balanced operation.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248280679,"sku":"5463","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_dynamaxx_1.jpg?v=1787088302"},{"product_id":"spl-gain-station-1","title":"SPL Gain Station 1 Microphone\/Instrument Preamp","description":"\u003cb\u003eSPL Gain Station 1\u003c\/b\u003e \u003cbr\u003eModern audio production relies increasingly on digital systems for recording and mixing processes (DAW's, digital consoles etc.). But still digital systems do not offer the same audio qualities and sound characteristics of high-end analog equipment. Especially digital equalizers and other aspects of the mixing domain cannot compete with the open, transparent sound of the best analog gear. So today more than ever, your input signal has to sound as good as possible—the quality of your original tracks will largely define the end result. \u003cbr\u003e\u003cbr\u003eAttacking this problem on the preamplification front, with the goal of noticeably improving a signal and sending it along its path with a healthy foundation, requires a great deal of thought and engineering effort – like with the GainStation 1. \u003cbr\u003e\u003cbr\u003eIts very compact design allows for free placing also outside of a rack (e. g. close to the microphone). Musicians can place the GainStation 1 easily on a rack or amplifier. To accommodate portability, the optionally available SPL GainBag ensures safe transport of the GainStation 1 and offers additional storage for cables and an average-sized microphone. For more permanent installations, up to four GainStation 1's can be rack-mounted in one optionally available 3-unit mounting frame.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248313447,"sku":"5469","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gain_station1_1.jpg?v=1787088303"},{"product_id":"spl-frontliner","title":"SPL Frontliner Channel Strip\/Processing Unit","description":"This \u003cspan style=\"font-weight: bold;\"\u003eSPL Frontliner\u003c\/span\u003e channel strip combines Preamp, De-Esser, Compressor, EQ and Tube Output for a fully featured recording channel. But often the particular stages would also be a great addition to an engineers mixing tools arsenal – and that is why SPL has spent dedicated I\/Os to each section of this unit. \u003cbr\u003e\u003cbr\u003e Each stage can be used separately and for example be routed via a patchbay to insert the whole toolbox into a studio environment. The Frontliner features a hybrid, Class A preamp design with discrete solid state stage and a tube section with switchable drive settings.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248346215,"sku":"10684","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_frontliner_1.jpg?v=1787088303"},{"product_id":"spl-gain-station-8-mk2","title":"SPL Gain Station 8 Mk2","description":"\u003cp\u003eThe \u003cstrong\u003eSPL GainStation8\u003c\/strong\u003e is a superb studio or live front end providing the unsurpassed sound qualitites of exquisite, high-end analog—and exactly the kind of optimal input results needed in digital mixing. Its state-of-the-art design includes switchable pre-output stage peak and FET mode limiting, three input levels for microphone impedence matching, phase reversal, 50Hz high pass filter, 48-volt phantom power, source switching and variable-luminescence LED level indicators. \u003cbr\u003e\u003cbr\u003e GainStation preamplifier stages are based on newly developed fully discrete components operating on a 60-volt rail. That doubles the voltage in traditional preamplifier designs, resulting in a superior 130dB dynamic range and an extraordinarily alive, detailed aural image. \u003cbr\u003e\u003cbr\u003e The advent of digital recording and the fact that more and more material remains in the digital domain from start to finish have raised demands on preamplifiers. The GainStation 8 is predestined to act as a premium recording front end, ensuring that signals of all kinds are preamplified with the highest quality, whether as an alternative to existing console preamps or as a stand-alone solution between source and A\/D converter. \u003cbr\u003e\u003cbr\u003e The quality of your recordings has a major influence on the subsequent mixing process – good recordings require less processing in later stages. Improved transparence and understandability can be achieved with less equalization and compression if the signals are recorded optimally, often allowing individual signals to be mixed at lower levels without compromising their presence. \u003cbr\u003e\u003cbr\u003e The GainStation 8 can also effectively improve live recordings and mixes. Particularly in live situations, microphone signals must often travel extremely long distances to reach the FOH or mobile console, resulting in high cable capacities, which can degrade and color the sound. In this application, we recommend placing the GainStation 8 on stage. This allows for short cable runs to the preamps, whereas the GainStation's gain structure and fast output stages can easily drive the longer runs that ensue.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Specifications:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Range: 1Hz-310kHz (+\/- 3dB, Clean Gain 30dB, Tube Gain off, Output Level 0dB)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 1Hz-125kHz (+\/- 0.5dB, Clean Gain 30dB, Tube Gain 1dB, Output Level 0dB)\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.00038% (Cl. Gain 24dB, T. Gain off, 20-22kHz, Outp. Level +6dB, +25dBu out)\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.032% (Cl. Gain 23dB, T. Gain 1dB, 20-22kHz, Outp. Level +6dB, +25dBu out)\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: -99.6dBu (Cl. Gain 10dB, T. Gain off, Output Level 0dB, 20-22kHz, A-weighted)\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: -94.6dBu (Cl. Gain 30dB, T. Gain off, Output Level 0dB, 20-22kHz, A-weighted)\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: -86.5dBu (Cl. Gain 20dB, T. Gain 10dB, Outp. Level 0dB, 20-22kHz, A-weighted)\u003c\/li\u003e\n\u003cli\u003eEIN: 128.4dB (Cl. Gain 60dB, T. Gain off, Outp. Level 0dB, 20-22kHz, A-weighted, 40Ohm)\u003c\/li\u003e\n\u003cli\u003eDynamic Response: ›130dB (20-22kHz, A-weighted)\u003c\/li\u003e\n\u003cli\u003eCMRR: ›80dB (Cl. Gain 30dB, T. Gain off, 1kHz, Input -30dBu, Outp. Level 0dB)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: +34dBu\u003c\/li\u003e\n\u003cli\u003eMax. Input Level: +17dBu (Mic \u0026amp; Instrument Input)\u003c\/li\u003e\n\u003cli\u003eInput Impedance: ›1MOhm (Instrument Input)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: ›75Ohm\u003c\/li\u003e\n\u003cli\u003eSlew Rate: ›40V\/µs (Clean Gain 30dB, Tube Gain off, Output Level +6dB)\u003c\/li\u003e\n\u003cli\u003ePower Consumption: 140W (without converter)\u003c\/li\u003e\n\u003cli\u003eWeight: 6,3kg\/13,86lb\u003c\/li\u003e\n\u003cli\u003eWeight Power Supply incl. cable: 5,3kg\/11,66lb\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248378983,"sku":"26146","price":5341.7,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gainstation_8_mk2_front.jpg?v=1787088303"},{"product_id":"spl-gold-mike-mkii","title":"SPL Gold Mike MKII Dual-Channel Microphone Preamp","description":"The \u003cb\u003eSPL Gold Mike MK2\u003c\/b\u003e is the result of all our experience and knowledge from its successful predecessor and represents an improved, more flexible and, more modern version.\u003cbr\u003e\u003cbr\u003eWe have added technologies that have already proven to provide superior tonal results in other SPL products. For example, the instrument input is designed around a class A impedance converter which premiered in the SPL GainStation.\u003cbr\u003e\u003cbr\u003eA significant contribution to the success of the predecessor was the hybrid preamplifier concept. It combines transistor and tube preamplifier stages and specifically utilizes their technological and sonic advantages: The efficiency and low noise of a discrete transistor stage is enriched with musical coloration of a tube stage. \u003cbr\u003e\u003cbr\u003eThe transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. You will not find any IC’s in this preamplifier stage because they cannot be optimized for this specific application to the degree we at SPL aim for. This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.\u003cbr\u003e\u003cbr\u003eThe degree of tube pre-amplification is no longer the fixed +6 dB value of its predecessor. The Gold Mike MKII sports the selection of three different tube pre-amplifications: +6 dB remains the standard complemented by +12 dB and +18 dB. This allows creative variety with the tube saturation and limiting effects. \u003cbr\u003e\u003cbr\u003eWe have also added an extra setting to the popular Flair circuitry to give more flexibility to the presence improvement. Because the GoldMikeMKII is a dual channel preamplifier, its channel separation is of fundamental importance for the stereo image. Therefore the print-board layout is symmetrically mirrored around the power supply in the center from channel 1 to channel 2. This results in an identical signal flow to supporting a naturally balanced stereo image. Additionally the print-board provides extra-large ground areas maximizing the shielding against crosstalk and interference.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248444519,"sku":"5474","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gold_mike_mk2_1.jpg?v=1787088303"},{"product_id":"spl-kultube","title":"SPL Kultube","description":"The Kultube is an extremely versatile compressor with a broad range of control facilities that cover all typical compressor applications. From improved stereo mixes in the “MIDI Studio“ to surround mastering with several devices connected, all jobs can be undertaken to the highest degree of sound quality.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIdeally suited ...\u003c\/b\u003e \u003cul\u003e \u003cli\u003efor stereo and surround mix or single channel processing \u003c\/li\u003e\n\u003cli\u003eto produce massive attacks and to significantly increase loudness without destructive side-effects \u003c\/li\u003e\n\u003cli\u003efor effortless integration into digital environments with the optional 24\/96-AD\/DA converter \u003c\/li\u003e\n\u003cli\u003efor ‘softening‘ too harsh sounds, for example, for making digital recordings more \"musical\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248477287,"sku":"5462","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_kultube_1.jpg?v=1787088303"},{"product_id":"spl-preference-mic-pre-rackpack-module","title":"SPL Preference Mic Pre RackPack Module","description":"The \u003cb\u003eSPL Preference Mic Pre\u003c\/b\u003e offers preamplification values of up to +72 dB with lowest noise operation and a high common mode rejection. \u003cbr\u003e\u003cbr\u003eA VU meter with two modes for average levels (VU) and peak levels (PPM) displays the output levels. \u003cbr\u003e\u003cbr\u003eA very stable phantom power supply (48 V) is provided to power con- denser microphones. \u003cbr\u003e\u003cbr\u003eThe polarity of the microphone can be switched with the phase reverse switch. \u003cbr\u003e\u003cbr\u003eA high-pass filter protects against low frequency interferences. \u003cbr\u003e\u003cbr\u003eTwo LEDs are placed into the VU window to concentrate all displays in one area. \u003cbr\u003e\u003cbr\u003eThe signal LED (SIG.) indicates that an input signal is present, the overdrive LED (OVL) warns against potential overdrives.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248542823,"sku":"10197","price":413.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_preference_pre_rackpack.jpg?v=1787088303"},{"product_id":"spl-premium-mic-pre-rackpack-module","title":"SPL Premium Mic Pre RackPack Module","description":"The Premium Mic Pre offers preamplification values of up to +80 dB with lowest noise operation and a high common mode rejection. \u003cbr\u003e\u003cbr\u003e Input stage and Output 1 are equipped with Lundahl Transformers (High Performance Series). \u003cbr\u003e\u003cbr\u003e A VU meter with two modes for average levels (VU) and peak levels (PPM) displays the output levels. \u003cbr\u003e\u003cbr\u003e A very stable phantom power supply (48V) is provided to power condenser microphones. \u003cbr\u003e\u003cbr\u003e The polarity of the microphone can be switched with the phase reverse switch. \u003cbr\u003e\u003cbr\u003e A high-pass filter protects against low frequency interferences. \u003cbr\u003e\u003cbr\u003e Two LEDs are placed into the VU window to concentrate all displays in one area. \u003cbr\u003e\u003cbr\u003e The signal LED indicates that an input signal is present, the overdrive LED warns against potential overdrives.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248575591,"sku":"10198","price":760.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_premium_pre_rackpack.jpg?v=1787088304"},{"product_id":"spl-track-one","title":"SPL Track One Channel Strip","description":"The\u003cb\u003e SPL Track One\u003c\/b\u003e is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. In addition to the pre-amplifiers, which are suitable for all types of microphones, the unit incorporates SPL's highly effective De-Esser, a compressor\/limiter, a three-band EQ section and an output stage with metering for output level and gain reduction. The Track One is ideal for the fast and reliable recording of vocals or acoustic instruments but it is also suitable for live performance and AV post-editing. \u003cbr\u003e\u003cbr\u003eThe intelligent, program-dependent De-Esser and compressor stages combine the best possible sound with extreme ease of use and for stereo operation, two devices can be linked so that both compressors track together and are controlled from a single master unit. \u003cbr\u003e\u003cbr\u003eTwo separate precision pre-amplifiers optimised for microphones (with 48 V phantom power) and instruments ensure the lowest noise performance combined with an open, neutral sound while an LF cut filter is available to both inputs. \u003cbr\u003e\u003cbr\u003eThe De-Esser is one of the most effective designs available, unobtrusively and effectively removing unwanted sibilant S-sounds via a single control. Auto-threshold control circuitry ensures consistent processing even if the vocal level or the distance to the microphone varies leaving the operator to decide only how much sibilance to remove. \u003cbr\u003e\u003cbr\u003eThe compressor\/limiter section displays excellent noise and distortion values yet again is operated via a single control. Its strength lies in its unobtrusive, musical method of operation where its parameters respond to the characteristics of the incoming signal. \u003cbr\u003e\u003cbr\u003eThe EQ section has been specifically designed to process vocals and acoustic or electronic instruments and the specifications are as follows: \u003cul\u003e \u003cli\u003eLow Band filter: 30 Hz to 720 Hz (cut\/boost +\/- 14 dB) \u003c\/li\u003e\n\u003cli\u003eMid Hi filter: 650 Hz to 14 Hz (cut\/boost +\/-12 dB) \u003c\/li\u003e\n\u003cli\u003eAir Band: based on a coil\/condenser filter with bell characteristic and a centre frequency of 17.5 kHz, maximum cut\/boost+\/- 10 dB.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003eThe output amplification stage is adjustable over the range -20dB to +6 dB for optimal drive of subsequent units and the output is via balanced XLR and jack plugs that can be used in parallel if necessary. An A\/D converter and a Lundahl input transformer can be provided as options.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248608359,"sku":"5473","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_track_one_e5fe4a61-9111-444d-802a-95c865c60a9f.jpg?v=1787088303"},{"product_id":"spl-transient-designer-2","title":"SPL Transient Designer 2","description":"\u003cb\u003eA world's first from SPL\u003c\/b\u003e \u003cp\u003eThe \u003cb\u003eTransient Designer\u003c\/b\u003e offers a completely new technology for level-independent shaping of the dynamic response of a sound: For the first time it is possible to control the attack and sustain of a signal in a very simple way! \u003c\/p\u003e\u003cp\u003eUnlike other dynamic devices, the processing is not goverened by the signal level but rather by its dynamic characteristics, so all signals (loud and soft) are processed equally. \u003c\/p\u003e\u003cp\u003eThe Transient Designer allows you to emphasise or smooth the attack and extend or shorten the sustain. For the first time it is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made. \u003c\/p\u003e\u003cp\u003eWith no effort you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snares, toms, congas etc. to give them more kick, or to flatten the signals. It s almost like being able to change the amount of drum damping after the recording. The same applies to virtually any other signal: Amplify or reduce the picking sound of an acoustic guitar, hold the sound of the strings longer, reduce the reverbtime of a choir, compress solo vocals, increase intelligibility, actuate the piano pedal electronically , turn down the slapbass a notch or give it even more attack, etc.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248641127,"sku":"769","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_transient_designer2_1.jpg?v=1787088304"},{"product_id":"spl-transient-designer-tx","title":"SPL Transient Designer TX","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Transient Designer TX Module\u003c\/strong\u003e provides  a revolutionary concept for level-independent dynamic processing. In  this it differs in principle from common compressors that are based upon  processing signals of a specific level. Working with the Transient  Designer is very simple: Attacks can be amplified or attenuated and  sustain may be prolonged or shortened. However, the possibilities for  studio and live application are seemingly endless.\u003cbr\u003e\u003cbr\u003eTechnical  foundation is in SPL's Differential Envelope Technology (DET) which allows  level-independent dynamic processing by calculating differences in  generated envelopes. These envelopes are always tracking the curve of  the original signal to provide optimal results in every moment of the  music.\u003cbr\u003e\u003cbr\u003eThanks to the level-independent processing DET the setting of a threshold is  needless. Other common controls of dynamic processing, such as ratio or  parameters for time-constants are automated and optimized adaptively in a musical manner according to the characteristics of the input signal. Only two controls per channel are required to allow the user to  completely reshape the attack and sustain characteristics of a sound:  attack can be amplified or attenuated by up to 15dB while sustain can be  amplified or attenuated by up to 24 dB.\u003cbr\u003e\u003cbr\u003eA  new feature of the Transient Designer module for the RackPack series is  the output gain control that enables you to compensate changes in the  level of the processed signal. This ensures a simple and safe adjustment  of levels for any following device - especially A\/D converters.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248706663,"sku":"10693","price":526.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_transient_designer_tx.jpg?v=1787088304"},{"product_id":"spl-transient-designer-4","title":"SPL Transient Designer 4","description":"The \u003cb\u003eSPL Transient Designer\u003c\/b\u003e offers a completely new technology for level-independent shaping of the dynamic response of a sound: For the first time it is possible to control the attack and sustain of a signal in a very simple way! \u003cp\u003eUnlike other dynamic devices, the processing is not goverened by the signal level but rather by its dynamic characteristics, so all signals (loud and soft) are processed equally. \u003c\/p\u003e\u003cp\u003eThe Transient Designer allows you to emphasise or smooth the attack and extend or shorten the sustain. For the first time it is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made. \u003c\/p\u003e\u003cp\u003eWith no effort you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snares, toms, congas etc. to give them more kick, or to flatten the signals. It s almost like being able to change the amount of drum damping after the recording. The same applies to virtually any other signal: Amplify or reduce the picking sound of an acoustic guitar, hold the sound of the strings longer, reduce the reverbtime of a choir, compress solo vocals, increase intelligibility, actuate the piano pedal electronically , turn down the slapbass a notch or give it even more attack, etc.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInput \u0026amp; Output\u003c\/b\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eInstrumentation amplifier, electronically balanced (differential), transformerless \u003c\/li\u003e\n\u003cli\u003eNominal input level: +6dB \u003c\/li\u003e\n\u003cli\u003eInput impedance: = 22kOhms \u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt; 600Ohms \u003c\/li\u003e\n\u003cli\u003eMax. input level : +24dBu \u003c\/li\u003e\n\u003cli\u003eMax. output level: +22,4dBu \u003c\/li\u003e\n\u003cli\u003eMinimum load ohms: 600Ohms \u003c\/li\u003e\n\u003cli\u003eRelay Hard Bypass \u003c\/li\u003e\n\u003cli\u003ePower Fail Safety \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248673895,"sku":"770","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_transient_designer4_1.jpg?v=1787088304"},{"product_id":"spl-transpressor","title":"SPL Transpressor","description":"The\u003cspan style=\"font-weight: bold;\"\u003e SPL Transpressor\u003c\/span\u003e is the first processor that combines the two most important dynamic processing techniques: compression and level-independent treatment of transients. By blending these techniques in a single path, SPL aims to void the previous limitations of dynamic processing.\u003cbr\u003e\u003cbr\u003eThe Transpressor is designed as a single channel unit but you can always couple two in order to do some stereo processing. Our intent to offer a flexible and powerful audio processing tool, based on the interaction between transient processing and compression, is made evident by the freedom to place the modules in any order in the signal path. That way you can compress attacks that have been heavily amplified by the Transient Designer more precisely or enhance the transients once they have been compressed.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications: \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eInputs \u0026amp; Outputs\u003c\/span\u003e\u003cbr\u003eElectronically balanced instrumentation amplifiers\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInputs: XLR and TRS\u003c\/li\u003e\n\u003cli\u003eSide Chain: TS\u003c\/li\u003e\n\u003cli\u003eOutputs: XLR and TRS\u003c\/li\u003e\n\u003cli\u003eStereo Link\/Slave: RJ 45, for 568 A cable\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 kOhm bal., 5 kOhm unbal., Side Chain ca. 80 kOhm\u003c\/li\u003e\n\u003cli\u003eOutput impedance 150 Ohm bal., 75 Ohm unbal.\u003c\/li\u003e\n\u003cli\u003eNominal input level: +4 dBu\/-10 dBV\u003c\/li\u003e\n\u003cli\u003eMax. input level 20,5 dBu @ +4 dBu, 13,2 dBu @ -10 dBV\u003c\/li\u003e\n\u003cli\u003eMax. output level: 21 dBu\u003c\/li\u003e\n\u003c\/ul\u003eInput impedance: 10 kOhm bal., 5 kOhm unbal., Side Chain ca. 80 kOhm\u003cbr\u003e Output impedance 150 Ohm bal., 75 Ohm unbal.\u003cbr\u003e Nominal input level: +4 dBu\/-10 dBV\u003cbr\u003e Max. input level 20,5 dBu @ +4 dBu, 13,2 dBu @ -10 dBV\u003cbr\u003e Max. output level: 21 dBu\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMeasurements\u003c\/span\u003e\u003cbr\u003eFrequency range (-3 dB): 10 Hz - › 200 kHz\u003cbr\u003e\u003cbr\u003eCommon mode rejection: › 60 dB\u003cbr\u003e(@1 kHz, 0 dBu input level and unity gain)\u003cbr\u003e\u003cbr\u003eTotal harmonic distortion: Transient Designer 0,004, Compressor 0,005 \u003cbr\u003e(in %, @ 1 kHz, 0 dBu input level and unity gain)\u003cbr\u003e\u003cbr\u003eSignal to noise ratio (A-weighted)\u003cbr\u003eTransient Designer: -96,4 dB, Compressor: -96,5 dB, overall: 94,6 dB \u003cbr\u003e\u003cbr\u003eDynamic range (unweighted) \u003cbr\u003eTransient Designer: 114,5 dB, Compressor: 114,5 dB, overall: 112,5 dB\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFilter\u003c\/span\u003e\u003cbr\u003eLow pass 1: 100 Hz, 18 dB\/Octave\u003cbr\u003eLow pass 2: 540 Hz,18 dB\/Okcave\u003cbr\u003eBand pass: 800 Hz-3,1 kHz, 12 dB\/Octave\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePower Supply\u003c\/span\u003e \u003cbr\u003eToroidal transformer\u003cbr\u003eFuses: 230 V AC, 50 Hz: 315 mA, 120 V AC, 60 Hz: 630 mA\u003cbr\u003eVoltage selector: 115V\/230V\u003cbr\u003ePower consumption: 19 VA\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDimensions and Weight\u003c\/span\u003e\u003cbr\u003eHousing (B x H x T): 482 x 88 x 239 mm \u003cbr\u003eDepth including controls and sockets: 263 mm\u003cbr\u003eWeight: 3,8 kg","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449248739431,"sku":"15726","price":1296.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_transpressor_1.jpg?v=1787088304"},{"product_id":"spl-transient-designer-rackpack-module","title":"SPL Transient Designer RackPack Module","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Transient Designer RackPack Module\u003c\/strong\u003e provides  a revolutionary concept for level-independent dynamic processing. In  this it differs in principle from common compressors that are based upon  processing signals of a specific level. Working with the Transient  Designer is very simple: Attacks can be amplified or attenuated and  sustain may be prolonged or shortened. However, the possibilities for  studio and live application are seemingly endless.\u003cbr\u003e\u003cbr\u003eTechnical  foundation is in SPL's Differential Envelope Technology (DET) which allows  level-independent dynamic processing by calculating differences in  generated envelopes. These envelopes are always tracking the curve of  the original signal to provide optimal results in every moment of the  music.\u003cbr\u003e\u003cbr\u003eThanks to the level-independent processing DET the setting of a threshold is  needless. Other common controls of dynamic processing, such as ratio or  parameters for time-constants are automated and optimized adaptively in a musical manner according to the characteristics of the input signal. Only two controls per channel are required to allow the user to  completely reshape the attack and sustain characteristics of a sound:  attack can be amplified or attenuated by up to 15dB while sustain can be  amplified or attenuated by up to 24 dB.\u003cbr\u003e\u003cbr\u003eA  new feature of the Transient Designer module for the RackPack series is  the output gain control that enables you to compensate changes in the  level of the processed signal. This ensures a simple and safe adjustment  of levels for any following device - especially A\/D converters.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449251393639,"sku":"10687","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_transient_designer.jpg?v=1787088316"},{"product_id":"spl-qure","title":"SPL Qure","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL Qure\u003c\/span\u003e is ideally suited for demanding tonal shaping of individual instruments, voices and complex musical signals. All applications benefit from the unique tonal potential and the sophisticated filtering design that perfectly complements the fine details of the sound being processed.\u003cbr\u003e \u003cbr\u003e The highly sophisticated circuitry of the Qure forms the basis for its outstanding tonal qualities: each filter is serially connected on separate boards with individual op-amps, resulting in excellent noise and distortion values, with a hard bypass available for each individual filter.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2 x 3-band fully parametric EQ\u003c\/li\u003e\n\u003cli\u003eProportional Q operation\u003c\/li\u003e\n\u003cli\u003eVariable HF and LF cut filters\u003c\/li\u003e\n\u003cli\u003eUnique QURE control\u003c\/li\u003e\n\u003cli\u003eVariable input gain (-12dB to +18dB)\u003c\/li\u003e\n\u003cli\u003eVariable output gain (-7dB to +4dB)\u003c\/li\u003e\n\u003cli\u003eHard-Bypass for each filter band and both cut filters\u003c\/li\u003e\n\u003cli\u003eMaster relay hard-bypass for entire unit\u003c\/li\u003e\n\u003cli\u003eCentral Grounded Shield Layout\u003c\/li\u003e\n\u003cli\u003eSPL's Super-Balancing Hybrids (CMRR \u0026gt; 80dB)\u003c\/li\u003e\n\u003cli\u003eTube warm up circuitry for prolonged tube-life\u003c\/li\u003e\n\u003cli\u003eOverrated internal toroidal power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449252769895,"sku":"5466","price":1918.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_qure_1.jpg?v=1787088322"},{"product_id":"spl-pq-recording-edition","title":"SPL PQ Recording Edition","description":"SPL is constantly pushing analog signal processing to its limits by combining the best possible components with perfectly optimized circuit design. As our latest achievement in this ongoing process, SPL‘s High Gain Series surpasses the hitherto accepted limits of audio signal processing and combines truly unparalleled analog sound quality with the control and convenience of digital units. \u003cbr\u003e\u003cbr\u003eFurther High Gain projects are in planning, including a microphone preamplifier and a compressor, although no availability projections can be made for these currently. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eWho needs another equalizer? Check this:\u003c\/b\u003e \u003cul\u003e \u003cli\u003ePure analog, discrete Class A equalization circuitry \u003c\/li\u003e\n\u003cli\u003eConstant Q and proportional Q equalization (selectable per band) \u003c\/li\u003e\n\u003cli\u003eDigital storability and total recall with motorized controls \u003c\/li\u003e\n\u003cli\u003eChannel link and master\/slave unit link modes (deactivatable per band) \u003c\/li\u003e\n\u003cli\u003e120 Volt internal operating voltage for clean, consistent audio \u003c\/li\u003e\n\u003cli\u003eRemote control unit controls up to four PQ‘s for surround processing* \u003c\/li\u003e\n\u003cli\u003eSPL‘s discrete SUPRA op-amps with 150 dB dynamic range \u003c\/li\u003e\n\u003cli\u003eExactly the equalizer you‘ve been wishing someone would build ... \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449252802663,"sku":"5468","price":9974.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_pq2050_1.jpg?v=1787088322"},{"product_id":"spl-passeq","title":"SPL PASSEQ","description":"\u003cp\u003eWith 72 passive filters (36 x Boost, 36 x Cut per channel), the \u003cstrong\u003eSPL PASSEQ\u003c\/strong\u003e surpasses all previous designs of this type by a wide margin. Each channel is divided into three Cut and three Boost bands, each offering 12 switchable frequency ranges. The Cut and Boost ranges are not identical; crossovers are designed to work with like a precise mechanic cogwheel so as to allow the engineer access to the largest possible number of optimal, wide-band S-curves with variable slopes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA further noteworthy PASSEQ feature is its individual sonic adaptation of each inductive filter through separate coil\/condenser\/resistor combinations: In stark contrast to earlier filter design and construction, each PASSEQ filter is optimized for the frequency assigned.\r\nTo ensure the best possible signal warmth, richness and musicality in processing, coils for critical voice frequencies are custom-made for the PASSEQ.\r\nThis achieves the widest possible range and tonally appealing sound color palette from any passive EQ.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449253490791,"sku":"7545","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-passeq_7545_1.jpg?v=1787088325"},{"product_id":"spl-full-ranger-rackpack-module","title":"SPL Full Ranger RackPack Module","description":"The \u003cb\u003eSPL Full Ranger\u003c\/b\u003e EQ module features ISO frequencies to process the entire frequency range. It can be used as a versatile addition to the specialized versions of the RackPack system modules.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449253785703,"sku":"10688","price":553.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_full_ranger.jpg?v=1787088327"},{"product_id":"spl-bass-ranger-rackpack-module","title":"SPL Bass Ranger RackPack Module","description":"The \u003cb\u003eSPL RackPack Bass Ranger\u003c\/b\u003e EQ module features 8 passive boost\/cut filters and dry\/wet control. The RackPack modular system allows for free configuration of an analog rack fully loaded with all SPL specialties. It meets individual demands in studio or live applications.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449253851239,"sku":"10689","price":539.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_bass_ranger.jpg?v=1787088327"},{"product_id":"spl-vox-ranger-rackpack-module","title":"SPL Vox Ranger RackPack Module","description":"The \u003cb\u003eSPL RackPack Vox Ranger\u003c\/b\u003e is an EQ module for the mid\/vocal range with 8 passive boost\/cut filters and dry\/wet control. The RackPack modular system allows for free configuration of an analog rack fully loaded with all SPL specialties. It meets individual demands in studio or live applications.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449253884007,"sku":"10690","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_vox_ranger.jpg?v=1787088327"},{"product_id":"spl-pq-mastering-edition","title":"SPL PQ Mastering Edition","description":"SPL is constantly pushing analog signal processing to its limits by combining the best possible components with perfectly optimized circuit design. As our latest achievement in this ongoing process, The \u003cspan style=\"font-weight: bold;\"\u003eSPL PQ Mastering Edition\u003c\/span\u003e pushes hitherto accepted limits of audio signal processing and combines truly unparalleled analog sound quality with the control and convenience of digital units. \u003cbr\u003e\u003cbr\u003e Further High Gain projects are in planning, including a microphone preamplifier and a compressor, although no availability projections can be made for these currently.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449254441063,"sku":"5467","price":14154.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_pq2050_1_1.jpg?v=1787088331"},{"product_id":"spl-track-one-w-lundahl-input-transformer-option","title":"SPL Track One w\/ Lundahl Input Transformer Option","description":"The\u003cb\u003e SPL Track One\u003c\/b\u003e is a complete mono channel strip for the high-quality recording and processing of vocals and instruments and in spite of its high level of performance, it is very competitively priced. In addition to the pre-amplifiers, which are suitable for all types of microphones, the unit incorporates SPL's highly effective De-Esser, a compressor\/limiter, a three-band EQ section and an output stage with metering for output level and gain reduction. The Track One is ideal for the fast and reliable recording of vocals or acoustic instruments but it is also suitable for live performance and AV post-editing. \u003cbr\u003e\u003cbr\u003eThe intelligent, program-dependent De-Esser and compressor stages combine the best possible sound with extreme ease of use and for stereo operation, two devices can be linked so that both compressors track together and are controlled from a single master unit. \u003cbr\u003e\u003cbr\u003eTwo separate precision pre-amplifiers optimised for microphones (with 48 V phantom power) and instruments ensure the lowest noise performance combined with an open, neutral sound while an LF cut filter is available to both inputs. \u003cbr\u003e\u003cbr\u003eThe De-Esser is one of the most effective designs available, unobtrusively and effectively removing unwanted sibilant S-sounds via a single control. Auto-threshold control circuitry ensures consistent processing even if the vocal level or the distance to the microphone varies leaving the operator to decide only how much sibilance to remove. \u003cbr\u003e\u003cbr\u003eThe compressor\/limiter section displays excellent noise and distortion values yet again is operated via a single control. Its strength lies in its unobtrusive, musical method of operation where its parameters respond to the characteristics of the incoming signal. \u003cbr\u003e\u003cbr\u003eThe EQ section has been specifically designed to process vocals and acoustic or electronic instruments and the specifications are as follows: \u003cul\u003e \u003cli\u003eLow Band filter: 30 Hz to 720 Hz (cut\/boost +\/- 14 dB) \u003c\/li\u003e\n\u003cli\u003eMid Hi filter: 650 Hz to 14 Hz (cut\/boost +\/-12 dB) \u003c\/li\u003e\n\u003cli\u003eAir Band: based on a coil\/condenser filter with bell characteristic and a centre frequency of 17.5 kHz, maximum cut\/boost+\/- 10 dB.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003eThe output amplification stage is adjustable over the range -20dB to +6 dB for optimal drive of subsequent units and the output is via balanced XLR and jack plugs that can be used in parallel if necessary. An A\/D converter and a Lundahl input transformer can be provided as options.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449254932583,"sku":"15629","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_track_one_lundahl.jpg?v=1787088333"},{"product_id":"spl-gain-station-1-with-ad","title":"SPL Gain Station 1 with AD","description":"\u003cb\u003eSPL Gain Station 1 with AD\u003c\/b\u003e\u003cbr\u003eModern audio production relies increasingly on digital systems for recording and mixing processes (DAW's, digital consoles etc.). But still digital systems do not offer the same audio qualities and sound characteristics of high-end analog equipment. Especially digital equalizers and other aspects of the mixing domain cannot compete with the open, transparent sound of the best analog gear. So today more than ever, your input signal has to sound as good as possible—the quality of your original tracks will largely define the end result. \u003cbr\u003e\u003cbr\u003eAttacking this problem on the preamplification front, with the goal of noticeably improving a signal and sending it along its path with a healthy foundation, requires a great deal of thought and engineering effort – like with the GainStation 1. \u003cbr\u003e\u003cbr\u003eIts very compact design allows for free placing also outside of a rack (e. g. close to the microphone). Musicians can place the GainStation 1 easily on a rack or amplifier. To accommodate portability, the optionally available SPL GainBag ensures safe transport of the GainStation 1 and offers additional storage for cables and an average-sized microphone. For more permanent installations, up to four GainStation 1's can be rack-mounted in one optionally available 3-unit mounting frame.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449255817319,"sku":"5470","price":1708.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gain_station1_1_1.jpg?v=1787088336"},{"product_id":"spl-stereo-vitalizer-mk2-t","title":"SPL Stereo Vitalizer MK2-T","description":"\u003cp class=\"p1\"\u003eThe \u003cstrong\u003eSPL Vitalizer MK2-T \u003c\/strong\u003eis the tube version of the Vitalizer MK2. The tubes are employed in the mid-hi processing and in the Stereo Expander circuitry for the summed signal. Coil filtering stages ideally complement vintage tube sound characteristics. Multi award winning patented technology. Likely the best audio enhancer available. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eThe Vitalizer applies psychoacoustic and audiometric principles to achieve a verifiable improvement while enhancing the sound. The Vitalizer processes only the original signal and generates no artifacts. SPL's patented filtering techniques highlight the richness of the audio signal in all its detail, while the interactive parameters make it possible to alter the sound in a musical and effective way. This unique combination of precise filtering and intuitive usability enable you to instantly make any music production more stimulating and natural. Music and speech are made clearly distinguishable and comprehensible, loudness more intense, and the whole soundscape becomes wider. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eThe frequency spectrum is usually divided into three frequency bands: highs, mids and lows, all of which are provided in the Vitalizer, even though, as opposed to conventional usage, low and mid filter settings are interrelated. The high frequency control allows processing of high frequencies and harmonics. You can adjust each of the three frequency bands separately and control the intensity of the process independently. \u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449261060199,"sku":"807","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-stereo-vitalizer-mk2-t_807_1.jpg?v=1787088349"},{"product_id":"spl-mtc-2381-monitor-talkback-controller","title":"SPL MTC 2381 Monitor and Talkback Controller","description":"The \u003cb\u003eSPL Monitor and Talkback Controller MTC 2381 \u003c\/b\u003ecombines volume level control, source switching and loudspeaker management for stereo monitoring with comfortable talkback and cue mixing functions. The organizational focus that such essential services bring, coupled with an extraordinary tonal quality, makes possible an unrivaled convenience in DAW-based monitor management – in all areas of signal processing and playback: stereo productions\/recording studios movie and video post production video and computer game production audio-visual media and multimedia production The latency-free Cue Mix signal for the musician can be composed of the musician’s track and the track mix. The Talkback communications option via built-in microphone provides a footswitch input for remote control and a separate output with the dry talkback signal. These features mean that monitoring in any DAW-based studio now can be expanded to include the kind of essential functionality that to now has only been available in large analog consoles. \u003cbr\u003e\u003cbr\u003e A fully discrete, analog design dispenses with VCAs, DACs, etc., providing loss-free signal processing Six rear-panel stereo inputs (four balanced and two unbalanced sources), balanced XLR outputs for three loudspeaker pairs, slave output \u003cbr\u003e\u003cbr\u003e  The sleek, ergonomic construction makes the MTC perfect for desktop placement – for example, near or under computer screens.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449262207079,"sku":"1485","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_mtc2381_1.jpg?v=1787088354"},{"product_id":"spl-tube-vitalizer","title":"SPL Tube Vitalizer Stereo Mastering Enhancer","description":"\u003cp\u003eA completely different type of EQ, with which almost virtuoso interventions in the sound image become possible. When mixing, mastering and restoring, the \u003cstrong\u003eSPL Tube Vitalizer\u003c\/strong\u003e goes beyond traditional equalization.\u003c\/p\u003e\r\n\u003cp\u003eThe Vitalizer is based on findings of psychoacoustics and audiometry. Its filter network is one of the few patented filters. It makes the richness of detail of audio signals more audible. Interventions in the sound image are more of a musical nature. Music productions sound more natural, lively, differentiated, easier to understand, more deeply layered and more widely spread apart.\u003c\/p\u003e\r\n\u003cp\u003eThese are the five controls of the Vitalizer core circuit. Drive controls the level going into the filter network. The bass emphasizes a soft or hard tone. The coil filter (LC) makes the bass more pithy and the compressor catches level peaks. Mid-Hi Tune sets the frequency of operation above which frequencies are boosted and below which frequencies are cut. Process Level adjusts the intensity of Mid-Hi Tune and bass.\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the Vitalizer core circuit, the Tube Vitalizer has a high frequency and harmonics processing stage with Frequency and Intensity controls and switchable coil filter (LC) as well as compressor.\u003c\/p\u003e\r\n\u003cp\u003eThe switchable tube stage is constructed with three tubes: first, left and right pass through their channel output tube, then the channels pass jointly through the third tube as a stereo signal. As a little treat, the Tube Vitalizer offers a shunt limiter. This limits the level according to a characteristic curve tuned to the tubes and provides the signal with a sonic effect similar to the saturation effect of analog tape machines.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eDE-MASKING\u003c\/h3\u003e\r\n\u003cp\u003eA key feature of the Vitalizer is the unmasking of superimposed sound components. The Vitalizer thereby relates the time of perception of a frequency to its amplitude. Through a minimal temporal offset of loud frequencies, quieter, previously superimposed sound components are “de-masked” and thus become audible.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eADAPTATION TO CURVES OF EQUAL LOUDNESS\u003c\/h3\u003e\r\n\u003cp\u003eThe non-linear sensitivity of the human hearing is described already in the 1930s by the “Fletcher-Munson curves”. These “curves of equal loudness” (today defined by the standard ISO 226:2003) illustrate the equal perception of loudness as a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The Vitalizer adapts the frequency spectrum to the curves of equal loudness, which improves the loudness perception in particular.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eI\/O\u003c\/h3\u003e\r\n\u003cp\u003eThe two channels of the Tube Vitalizer are equipped with Neutrik XLR sockets and jack sockets connected in parallel. The signal transmission is electronically balanced with a nominal level of +6 dB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eI\/O SPECIFICATIONS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInstrumentation amplifier, electronically balanced (differential), transformerless, XLR and jack connectors\u003c\/li\u003e\r\n\u003cli\u003eNominal input level +6 dB\u003c\/li\u003e\r\n\u003cli\u003eInput impedance =22 kOhm\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance \u0026lt; 600 Ohm\u003c\/li\u003e\r\n\u003cli\u003eMax. input level +24 dBu\u003c\/li\u003e\r\n\u003cli\u003eMax. output level +22 dBu\u003c\/li\u003e\r\n\u003cli\u003eMinimum load 600 Ohm\u003c\/li\u003e\r\n\u003cli\u003eRelay hard bypass \/ power fail safety\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449262239847,"sku":"1484","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-tube-vitalizer_1484_1.jpg?v=1787088355"},{"product_id":"spl-mix-dream","title":"SPL MixDream 16-in-2 Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eSPL MixDream\u003c\/strong\u003e design plan provides for the integration of analog equipment in digital production environments and stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. One MixDream can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreams may be linked together.\u003c\/p\u003e\r\n\u003cp\u003eThe MixDream discrete class A technology is based on a 60-volt rail (±30V). Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a low noise level of -97 dBu (A-weighted, all channels active) and a dynamic level of over 125 dB. Thus the MixDream easily realizes the technical level of the best analog consoles.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eANALOG VS. DIGITAL SUMMING\u003c\/h3\u003e\r\n\u003cp\u003eNowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? Summing with the MixDream creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions. These are analog summing differences that we hear—and that you can expect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, in contrast to simple summing devices the MixDream‘s insert and processing capabilities clearly spotlight a factor that is most important in a quality mix: while quality summing is the basis of a good mix, quality processing in the mixing process has the biggest influence on sound. When engineers discuss the qualities of highly-acclaimed analog consoles, it is very often the superior analog processing potential of such consoles that is an integral part of such “shop talk”.\u003c\/p\u003e\r\n\u003cp\u003eThe MixDream now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eREDUCTION OF A\/D CONVERSIONS\u003c\/h3\u003e\r\n\u003cp\u003eCalculated with 16 units for all MixDream inserts, 14 A\/D conversions can be spared in the summing process: DAW insertion of 16 analog units through A\/D-D\/A converters requires 32 conversions, while with the MixDream only the summed signal needs to be converted (18 conversions). Especially the critical A\/D conversions are reduced to a minimum and the analog effects are summed before any (in principle not loss-free) A\/D conversion has to be made at all.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTHE MIXDREAM IN MASTERING\u003c\/h3\u003e\r\n\u003cp\u003eMulti-channel sessions can be mixed and processed in analog, something that may also be of special importance when an engineer wishes to upsample to SACD or DVD-A.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCONTROLS FOR STEREO SUMMING:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAdjustable insert level\u003c\/li\u003e\r\n\u003cli\u003eStereo expansion control with infinite gradation\u003c\/li\u003e\r\n\u003cli\u003eAdjustable analog peak limiter\u003c\/li\u003e\r\n\u003cli\u003eAdjustable outputs with added in\/out switching of Lundahl transformers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_4\"\u003ePROCESSING, BUT YOU CHOOSE THE MIX\u003c\/h3\u003e\r\n\u003cp\u003eEach input channel is equipped with a signal-present LED and a switchable insert-loop. A three stage toggle switch per channel allows the choice of whether or not a channel should be added to the mix buss. With the No-Mix switch control, a channel may be removed from the mix while remaining available for re-recording through its Direct Output. The No-Mix function can be particularly useful, for example, when the engineer wishes to add track compression. The compressed signal can be re-recorded to the DAW for level automation. This is also known as “bounce back” capability, and without it, compressed signals could not employ level automation, since the compressor is inserted post fader.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449262895207,"sku":"2587","price":3699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-mixdream_2587_1.jpg?v=1787088357"},{"product_id":"spl-stereo-vitalizer-mk2","title":"SPL Stereo Vitalizer MK2","description":"The\u003cb\u003e Stereo Vitalizer Mk2\u003c\/b\u003e is the next generation of Stereo Vitalizer in which we have translated our customers' wishes and demands using our latest knowledge of the Vitalizer-filter network. The result is a totally new circuit design which adds new filters and controls to the existing parameters to fulfil the demands of the rapidly changing recording industry. It is designed for mastering, post production work and sound reinforcement. \u003cbr\u003e \u003cbr\u003e The signal-to-noise ratio has effectively been improved by 8 dB (at full effect), and this is especially beneficial when the Stereo Vitalizer Mk2 is wired between the mixer's output and a power amplifier, as it might be in PA or disco applications. To set the operation level of the filter network more precisely, a Drive control has been added that enables you to set continuously variable levels between -20 dB and +6 dB. A Clip LED illuminates to indicate a potential overload. Another new feature is the integrated compressor, which only works where it is most useful: in the bass range. When recording on digital equipment, it is essential not to overload the inputs of such systems which would otherwise result in invalid samples or digital peaks. As the bass frequencies carry most of the level, it makes a lot of sense to integrate a compressor into the bass path. We designed the compressor as a 'one-knob' solution to make it easy to operate, and a soft-knee characteristic was chosen for unobtrusive operation. The threshold, attack and release are automatically adjusted while the Compression control sets the ratio value. The blue Gain Reduction LED indicates the point at which the compressor starts to operate. The characteristic of the Process control has been changed in order to produce a mid-damping effect that sounds more consistent for the soft as well as the tight bass sound. To freshen up the top-end of a recording, the new High EQ and Intensity controls have been integrated. The High EQ works with steep filters and controlled changes of phase relationships of the high frequencies and harmonics. The Mid-Hi Tune and the High EQ filter complement each other in an ideal fashion, while the Mid-Hi Tune sets the frequency above which the programme material is lifted and below which damping takes place. The High EQ and Intensity controls also extract certain frequencies during this process which is very helpful when you are processing material with lead vocals: Using the Mid-Hi Tune will generally damp some speech frequencies so the voice moves into the mix losing a bit of its presence. Use the High EQ to catch the voice and the Intensity control to bring it back up front. \u003cbr\u003e \u003cbr\u003e The Active function is a relay-switched hard-bypass, which automatically routes the input to the output in the event of a power failure to maintain signal flow. The Stereo Vitalizer Mk2 is equipped with both XLRs \u0026amp; stereo jacks for balanced operation. We use the new SSM precision input \u0026amp; output stages which feature laser-trimmed resistors, providing a common mode rejection of better than 87 dB. Mono-jacks may be used for unbalanced operation without level change!","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449269907559,"sku":"5191","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_stereo_vitalizer_mk2.jpg?v=1787088378"},{"product_id":"spl-mix-dream-xp","title":"SPL Mix Dream XP","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eSPL MixDreamXP\u003c\/span\u003e design plan provides for stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. In use, the MixDreamXP requires almost no departures from an engineer‘s usual working mode, so that all his trusted DAW features and familiar working routines remain available while the MixDreamXP seamlessly expands his aural mixing palette.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eActive analog summing on just 1U rack space—no analog mixing console necessary\u003c\/li\u003e\r\n\u003cli\u003eSophisticated, active Class A\/6oV stages for analog summing in the quality of the best consoles\u003c\/li\u003e\r\n\u003cli\u003eAll analog tracks can be summed before A\/D conversion.\u003c\/li\u003e\r\n\u003cli\u003eChannel adjustments and automation (level, panorama etc.) remain controlled from the DAW - no digital efficiency is lost\u003c\/li\u003e\r\n\u003cli\u003eLower DAW processor utilization rates\u003c\/li\u003e\r\n\u003cli\u003eLatency free monitoring\u003c\/li\u003e\r\n\u003cli\u003eSurround capable (from up to 3 MixDreamXP units)\u003c\/li\u003e\r\n\u003cli\u003eChannel capacity expandable through linked units\u003c\/li\u003e\r\n\u003cli\u003eProprietary differential amplifiers for each input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eOne MixDreamXP can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreamXP may be linked together. Owners of a MixDream, model 2384, can expand this unit with the cost effective MixDreamXP at an identical quality level and by the way, that‘s where the suffix „XP“ comes from (=Expansion).\u003cbr\u003e \u003cbr\u003e The MixDreamXP discrete class A technology is based on the same 60-volt rails (+\/- 30V) of the MixDream model 2384. Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a very low noise level of -97dBu and a dynamic range of 125dB. Thus the MixDreamXP easily reaches the technical level of the best analog consoles.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog vs. Digital Summing\u003c\/span\u003e\u003cbr\u003e Nowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? We at SPL don‘t know of anyone who says so. We do know that summing with the MixDreamXP creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions.\u003cbr\u003e \u003cbr\u003e These are analog summing results that we appreciate from past decades of the best analog technology. The MixDreamXP now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnection of Sampler, Keyboards etc.\u003c\/span\u003e\u003cbr\u003e Along with DAW audio tracks and effects machines or processors in the insert loops, samplers, keyboards and expanders may also be connected directly to the MixDreamXP. Then the Midi tracks need only be added in the DAW project, the outputs (for example, from a keyboard) are then routed directly to the MixDreamXP.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMono Controls\u003c\/span\u003e\u003cbr\u003e To save converter channels, all channels may be switched to Mono so that two signals can be converted by a paired D\/A.\u003cbr\u003e \u003cbr\u003e In this case such signals are characteristically chosen which would receive a more central placement in the stereo mix (e.g. kick, snare, lead vocal, bass). All channel pairs must otherwise be panned hard left\/right in the mix.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming\u003c\/span\u003e\u003cbr\u003e Tracks destined for analog summing are routed from the DAW to the MixDreamXP via A\/D converters. Identical converters are ideal to exclude level and sound differences.\u003cbr\u003e \u003cbr\u003e Although you may often wish to sum more than 16 tracks, a general recommendation to reduce track numbers is to route those tracks to a common output bus of the sequencing program which are not played back simultaneously in your arrangement. This way you avoid digital summing and your production benefits from the full potential of 100% analog summing.\u003cbr\u003e \u003cbr\u003e With mono signals one should switch these to mono mode to confine them to single D\/A converter, thereby avoiding the waste of having to use a D\/A pair for one mono track. In the DAW such signals must be panned hard left or right.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming of Subgroups\u003c\/span\u003e\u003cbr\u003e To reduce track numbers, there are two other options besides the above mentioned \"Summing\" tip:\u003cbr\u003e Well, you could buy additional MixDreamXP or sum your grouped tracks with the MixDreamXP itself.\u003cbr\u003e \u003cbr\u003e For example, if you've done a chorus backup in 16 solo tracks, you can adjust your panning in the DAW and the MixDreamXP sums a stereo mix which is recorded again—the sound benefits of analog summing are larger than the disadvantage of a further A\/D-D\/A conversion.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMixDreamXP in Mastering Applications\u003c\/span\u003e\u003cbr\u003e The MixDreamXP is predestined for mastering applications, as SPL planned its superior sound quality for just such occasions.\u003cbr\u003e \u003cbr\u003e Two applications are especially interesting: discrete Mastering, and up-sampling to SACD\/DVD-A formats. Normally a studio mastering engineer requires that a stereo file be made available for his or her work. But in such a mixdown, any problems (for example, significant variations in volume among instrumental subgroups) will mean equally significant limitations to your final mastering options. Instead, however, if one masters from a discrete mix with single tracks or subgroups, each of these can be adjusted just as easily and quickly in the mastering process - to the extent that even individual groups can be tweaked with different processing. Your final result is clearly better and the time needed, minimal - especially since it is less likely that a new mix will be called for.\u003cbr\u003e \u003cbr\u003e Multichannel sessions can be summed in the infinite resolution of analog signal processing equipment, something that may also be of special importance when an engineer wishes to up-sample to SACD or DVD-A.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLinking Several MixDream XP\u003c\/span\u003e\u003cbr\u003e An expansion connector provides for a second MixDream XP input should 16 channels not suffice. The Main Outputs of the second MixDream XP must be connected to the Expansion Inputs of the first unit; do not connect both Expansion Inputs.\u003cbr\u003e \u003cbr\u003e If more than three MixDream XP are to be summed, SPL recommends to employ a further MixDream XP as master - otherwise the signals from the first MixDream XP (to cite a \"worst case scenario“) would unnecessarily be summed in each following unit.\u003cbr\u003e \u003cbr\u003e In such a chain One MixDream XP is connected to the Expansion Inputs while all other units are connected to the usual (DB25) Input Channels.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449270038631,"sku":"5258","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_mixdream_xp_1.jpg?v=1787088378"},{"product_id":"spl-mmc-1","title":"SPL MMC 1","description":"As the first manufacturer worldwide, SPL has developed a stereo and multi-channel mastering console. The goal of the development was a console which is superior in audio quality to all known and foreseeable audio formats, whether analogue or digital, allowing an unrestricted reproduction of the sonic quality of SACD and DVD-Audio and to be a safe capital investment\u003cbr\u003e\u003cbr\u003eThe MMC 1 operates in the centre of a mastering environment fulfilling the tasks of speaker management, source connectivity, audio metering, track assignment, master and monitor level setting and automated insert routing of external processors. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFade In ...\u003c\/b\u003e\u003cbr\u003eDigital audio formats are subject to further development and change. The degree of incompatibility enforced by the “format war” between PCM and DSD has persuaded us to decide for a technology that is superior in dynamic range, headroom and sound quality – and that is discrete analogue technology in its most advanced implementation. \u003cbr\u003e\u003cbr\u003eAnd there are further requirements speaking for the employment of high-performance analogue technology: \u003cbr\u003e\u003cbr\u003e \u003cul\u003e \u003cli\u003eThe number of necessary AD\/DA conversions should be reduced to a minimum. Digital sources can be connected to a digital router (i.e. of Z-Systems), which outputs the selected source through the preferred DA converter to the MMC 1. Thus it is ensured that the sound quality remains comparable and is not affected by converter differences. \u003c\/li\u003e\n\u003cli\u003eFrom a sound-aesthetical view, high-quality analogue outboard processing is superior to digital processing. The analogue concept allows for problem-free integration of those processors. \u003c\/li\u003e\n\u003cli\u003eMonitors and power amplifiers are mostly analogue designs. Why have another converter in that chain? \u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eNew Technologies\u003c\/b\u003e\u003cbr\u003eIn the MMC 1 SPL’s new SUPRA operation amplifiers are used throughout. They operate at 120 V operating voltage. During a four-year period, SPL has researched this discrete operation amplifier, until the basis of a new generation of analogue audio technology was found. The SUPRA operation amplifier obtains a signal-to-noise ratio of 116dB with an headroom of 34dB. The dynamic range amounts to 150dB with a frequency bandwidth ranging to 200kHz. \u003cbr\u003e\u003cbr\u003eWith these basic specs, the MMC 1 is beyond the requirements of today's PCM digital formats up to 24 bit and 192kHz sampling rate or DSD digital format with 1 bit and 256 fs. \u003cbr\u003e\u003cbr\u003eIt is not to be expected that digital technology will offer an environment in foreseeable time, in which the MMC 1 could become a “bottle neck","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449271414887,"sku":"5478","price":78849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_mmc1.jpg?v=1787088385"},{"product_id":"spl-mmc-2","title":"SPL MMC 2","description":"Our aim in the development of 120V mastering equipment was the creation of a technology that would be superior in audio quality to all known and foreseeable audio formats, whether analog or digital. Such a console would provide both for an unaltered reproduction of the sonic quality of SACD and DVD-Audio and in the process, remain a safe capital investment for many years. Digital audio formats have undergone continuous development and change and will continue to do so. The degree of incompatibility created by the “format war” between PCM and DSD is a main argument for a technology that is superior in dynamic range, headroom and sound quality to either or any other such format – and that is discrete analogue technology in its most advanced implementation. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eMoreover additional aspects speak for the employment of high-performance analog technology:\u003c\/b\u003e\u003cbr\u003eThe number of necessary AD\/DA conversions should be reduced to a minimum. With the MMC2, digital sources can be connected to a digital router, which outputs the selected source through the preferred DA converter. This ensures that the sound quality remains comparable and is not affected by converter differences. From a purely aesthetic standpoint, high quality analog outboard processing consistently proves itself superior to digital processing. The analog concept allows for problem-free integration of such analog processors. \u003cbr\u003e\u003cbr\u003eMonitors and power amplifiers are almost exclusively analog in design. Yet another converter at this point in the chain only degrades monitoring signal paths. Furthermore DSD signals cannot be monitored on a digital monitoring that operates in PCM. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eNew Analog Technology\u003c\/b\u003e\u003cbr\u003eSPL’s SUPRA operation amplifiers are used throughout. They perform at an industry benchmark of 120 volt. The SUPRA op amp achieves a signal-to-noise ratio of 116dB with a headroom of 34dB. The dynamic range amounts to 150dB with a frequency bandwidth of 200kHz.\u003cbr\u003e\u003cbr\u003eWith such specifications, the MMC2 rides comfortably beyond the requirements of either the current maximum 24Bit\/192kHz PCM format or 1Bit\/256 fs DSD format. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eMMC2 Configuration\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSource\u003c\/b\u003e\u003cbr\u003eThe Source section is divided into two parts: Stereo and Multi-Channel Inputs and Stereo and Multi-Channel Returns. The inputs are fed to the mastering path. The MMC2 accepts two stereo inputs and two 8-channel inputs here.\u003cbr\u003e\u003cbr\u003eThe Return On switch allows for selection of two stereo and four multi-channel returns in total to offer selection options for returns from recorders, DAW, SACD and DVD-Players, AC3\/DTS encoder\/decoder, and so on. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eInput\u003cbr\u003e\u003c\/b\u003eSignals selected in the Source section are routed to the Input section. The signal passes a passive Phase Reverse switch, followed by the detended Trim control. The trimming range covers –10dB to +10dB in 0.5dB detentions. The trimming stages can be switched out of the signal path entirely. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eInsert\u003c\/b\u003e\u003cbr\u003eThe signal is now routed to the Insert send\/return connector. The MMC2 offers a switchable Insert point to include external processors into the signal path.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449271480423,"sku":"5479","price":25649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_mmc2_1.jpg?v=1787088385"},{"product_id":"spl-dmc","title":"SPL DMC","description":"The aim in the development of 120V mastering equipment was the creation of a technology that would be superior in audio quality to all known and foreseeable audio formats, whether analog or digital. Such a console would provide both for an unaltered reproduction of the sonic quality of SACD and DVD-Audio and in the process, remain a safe capital investment for many years. \u003cbr\u003e\u003cbr\u003eDigital audio formats have undergone continuous development and change and will continue to do so. The degree of incompatibility created by the “format war” between PCM and DSD is a main argument for a technology that is superior in dynamic range, headroom and sound quality to either or any other such format – and that is discrete analogue technology in its most advanced implementation. \u003cbr\u003e\u003cbr\u003eMoreover additional aspects speak for the employment of high-performance analog technology: \u003cbr\u003e\u003cbr\u003eThe number of necessary AD\/DA conversions should be reduced to a minimum. With the DMC, digital sources can be connected to a digital router, which outputs the selected source through the preferred DA converter. This ensures that the sound quality remains comparable and is not affected by converter differences. \u003cbr\u003e\u003cbr\u003eFrom a purely aesthetic standpoint, high quality analog outboard processing consistently proves itself superior to digital processing. The analog concept allows for problem-free integration of such analog processors. \u003cbr\u003e\u003cbr\u003eMonitors and power amplifiers are almost exclusively analog in design. Yet another converter at this point in the chain only degrades monitoring signal paths. Furthermore, DSD signals cannot be monitored on a digital monitoring that operates in PCM. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eNew Analog Technology\u003c\/b\u003e\u003cbr\u003eSPL’s SUPRA operation amplifiers are used throughout. They perform at an industry benchmark of 120 volt. The SUPRA op amp achieves a signal-to-noise ratio of 116dB with a headroom of 34dB. The dynamic range amounts to 150dB with a frequency bandwidth of 200kHz. With such specifications, the DMC rides comfortably beyond the requirements of either the current maximum 24Bit\/192kHz PCM format or 1Bit\/256 fs DSD format.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449271513191,"sku":"5480","price":12349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_dmc_1.jpg?v=1787088385"},{"product_id":"spl-rackmount-frame-3u","title":"SPL Rackmount Frame 3U","description":"For more permanent installations, up to four GainStation 1's can be rack-mounted in one optionally available 3-unit mounting frame.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449271578727,"sku":"5483","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackmount_frame_3u.jpg?v=1787088386"},{"product_id":"spl-gainbag","title":"SPL GainBag","description":"SPL GainBag ensures safe transport of the GainStation 1 and offers additional storage for cables and an average-sized microphone.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449271545959,"sku":"5481","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_gainbag.jpg?v=1787088385"},{"product_id":"spl-smc-surround-monitor-controller","title":"SPL SMC - Surround Monitor Controller","description":"\u003cp\u003eDesigned to provide only the necessary functions with excellent audio quality, the \u003cstrong\u003eSPL SMC 2489 - Surround Monitor Controller\u003c\/strong\u003e offers a uniquely cost-effective stereo and surround speaker and source management solution for essentially any audio application:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSurround and stereo production \u003c\/li\u003e\n\u003cli\u003eDVD-V, DVD-A, SACD and DTS authoring \u003c\/li\u003e\n\u003cli\u003eFilm and video postproduction \u003c\/li\u003e\n\u003cli\u003eVideo and game production \u003c\/li\u003e\n\u003cli\u003eA\/V and multimedia production \u003c\/li\u003e\n\u003cli\u003eAudiophile home entertainment systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe advantages of the SMC become especially apparent in combination with modern audio and video production tools such as ProTools™, Nuendo™, Cubase™, Logic™, Deck™ etc. Monitor levels and source management can be handled independently of the software and with virtually no loss in quality. You no longer need to set up additional aux sends or an alternative surround master for monitoring. In addition, you won't have to worry about over- or underdriving the converters due to monitor levels.\u003c\/p\u003e\n\u003cp\u003eOne of the SMC's biggest advantages is the possibility to manage several input sources: comparing and monitoring SACD or DVD material is much easier than having to import all of your audio files and set up monitor mixes – not to mention the conversion of multichannel audio.\u003c\/p\u003e\n\u003cp\u003eStandard A\/V receivers are often used for this task. The problem with this is that the audio has to be either AD\/DA converted or manipulated by signal-degenerating control circuitry (VCA's, DAC's etc.) for volume control, so you never hear the unadulterated audio – especially frustrating when you're working on SACD or DVD-A projects.\u003c\/p\u003e\n\u003cp\u003eIn addition to a surround speaker set, a stereo pair can be connected to and managed by the SMC. A Sub-D input connector provides six surround and two stereo input channels. Eight additional RCA connectors allow easy connection of SACD, DVD, CD or DAT players. A slave output allows the stereo or surround input signal to be routed directly to a recording device. Volume control is handled by a discrete six-layer potentiometer and all switching functions by extremely durable precision pushbuttons.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449292288103,"sku":"6506","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_smc2489.jpg?v=1787088436"},{"product_id":"spl-master-bay-2","title":"SPL Master Bay 2","description":"Automated routing of processors in a mastering chain is becoming more and more of an issue for mastering engineers. The SPL MasterBay system allows for instant comparison of single processors or processor chains which can be determined and stored in three different sequences. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eMasterBay\u003c\/b\u003e is available as a \u003cb\u003edual\u003c\/b\u003e or eight-channel system. Each of the fully balanced, entirely passive insert boxes is controlled by the MasterBay Remote Control which can be placed upon the desktop or built into a desk. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDual-channel MasterBay:\u003c\/b\u003e\u003cbr\u003eRemote Control model 2487 and insert box model 2488 \u003cbr\u003e\u003cbr\u003eThe MasterBay Remote Control is connected to one of the MasterBay Insert boxes via the rear DB25 connector (10 m cable included). The remote houses a CPU to control 146 (dual-channel MasterBay) or 584 (eight-channel MasterBay) gold plated relay switches. It is powered from the respective insert box through the DB25 wiring, so no additional power supply is needed. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDual-channel MasterBay\u003c\/b\u003e\u003cbr\u003eThe MasterBay system is based on a completely passive design with fully balanced signal paths from input to output. All 146 relays are placed on large, double-sided PCBs for switching operation with maximum neutrality in sound quality. A ground path between all audio signal paths ensures the highest possible shielding.\u003cbr\u003e\u003cbr\u003eLavishly dimensioned, linear power supplies based on toroidal transformers are capable of providing adequate current regardless of any demands. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e \u003cbr\u003eThe dual-channel MasterBay insert box comes with detachable 19 inch brackets.\u003cbr\u003eHeight: 177 mm\/7,08 inch\u003cbr\u003eWidth: 440mm\/17,6 inch w\/o brackets, 482mm\/19,28 inch with brackets\u003cbr\u003eDepth: 500mm\/20 inch \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003cbr\u003eTo help alleviate the complexity of high-end audio patching, the MasterBay system features dual or eight channel insert boxes to which up to eight processors can be connected. The unique advantage of the MasterBay is that the engineer can specify up to three routings, called “sequences”, which can be stored and re-called.\u003cbr\u003e\u003cbr\u003eThe MasterBay8, model 2268 supports the connection of eight processors with up to eight channels (64 channels). The MasterBay2, model 2488 supports the connection of eight dual-channel processors (16 channels).\u003cbr\u003e\u003cbr\u003eThe MasterBay remote control provides a button for each of the eight external processors. Labels can be changed to the user’s requirements. The covers of the buttons can be lifted to insert a new label. The order in which the processor selection buttons are activated determines the processor sequence. A seven segment LED-display next to each button indicates the current position of a processor. The mastering engineer can use this feature to compare between sequences in varying order or to compare the same type of processors. \u003cbr\u003e\u003cbr\u003eThree memory banks are available which allow an active signal flow sequence to be compared instantly at a button push with three others (for a total of four). An Insert On switch engages the Insert Box or switches to hard-bypass.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449293762663,"sku":"7857","price":4749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_masterbay.jpg?v=1787088442"},{"product_id":"spl-master-bay-8","title":"SPL Master Bay 8","description":"Automated routing of processors in a mastering chain is becoming more and more of an issue for mastering engineers. The SPL MasterBay system allows for instant comparison of single processors or processor chains which can be determined and stored in three different sequences. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eMasterBay\u003c\/b\u003e is available as a dual or \u003cb\u003eeight-channel\u003c\/b\u003e system. Each of the fully balanced, entirely passive insert boxes is controlled by the MasterBay Remote Control which can be placed upon the desktop or built into a desk. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eEight-channel MasterBay:\u003c\/b\u003e \u003cbr\u003eRemote Control model 2487 and insert box model 2268 \u003cbr\u003e\u003cbr\u003eThe MasterBay Remote Control is connected to one of the MasterBay Insert boxes via the rear DB25 connector (10 m cable included). The remote houses a CPU to control 146 (dual-channel MasterBay) or 584 (eight-channel MasterBay) gold plated relay switches. It is powered from the respective insert box through the DB25 wiring, so no additional power supply is needed.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEight-channel MasterBay\u003c\/b\u003e\u003cbr\u003eThe MasterBay system is based on a completely passive design with fully balanced signal paths from input to output. All 584 relays are placed on large, double-sided PCBs for switching operation with maximum neutrality in sound quality. A ground path between all audio signal paths ensures the highest possible shielding. Lavishly dimensioned, linear power supplies based on toroidal transformers are capable of providing adequate current regardless of any demands. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003cbr\u003eThe dual-channel MasterBay insert box comes with detachable 19 inch brackets.\u003cbr\u003eHeight: 355mm\/14.2 inch\u003cbr\u003eWidth: 440mm\/17,6 inch w\/o brackets, \u003cbr\u003e482mm\/19,28 inch with brackets Depth: 500mm\/20 inch \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003cbr\u003eTo help alleviate the complexity of high-end audio patching, the MasterBay system features dual or eight channel insert boxes to which up to eight processors can be connected. The unique advantage of the MasterBay is that the engineer can specify up to three routings, called “sequences”, which can be stored and re-called.\u003cbr\u003e\u003cbr\u003eThe MasterBay8, model 2268 supports the connection of eight processors with up to eight channels (64 channels). The MasterBay2, model 2488 supports the connection of eight dual-channel processors (16 channels).\u003cbr\u003e\u003cbr\u003eThe MasterBay remote control provides a button for each of the eight external processors. Labels can be changed to the user’s requirements. The covers of the buttons can be lifted to insert a new label. The order in which the processor selection buttons are activated determines the processor sequence. A seven segment LED-display next to each button indicates the current position of a processor. The mastering engineer can use this feature to compare between sequences in varying order or to compare the same type of processors. \u003cbr\u003e\u003cbr\u003eThree memory banks are available which allow an active signal flow sequence to be compared instantly at a button push with three others (for a total of four). An Insert On switch engages the Insert Box or switches to hard-bypass.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449293795431,"sku":"7858","price":10449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_masterbay_1.jpg?v=1787088442"},{"product_id":"spl-rackpack-frame-w-psu","title":"SPL RackPack Frame w\/PSU","description":"The new \u003cb\u003eSPL RackPack\u003c\/b\u003e modular system allows for free configuration of an analog rack fully loaded with proven and new SPL specialties. \u003cbr\u003e\u003cbr\u003eWhether eight-channel preamp, effects rack or an individual channel strip, the RackPack system meets all demands in studio or live applications. \u003cbr\u003e\u003cbr\u003eTwo new preamps and the Transient Designer module were the first modules in 2007, now followed by innovative EQ and other signal processing modules. The Preference Mic Pre is a straightforward, transformerless IC preamp, while the Premium Mic Pre offers a triple stage solid state design with discrete transistor circuitry and Lundahl input and output transformers. Based upon the preamp designs of the Atmos® Surround Recording System, the two new modules continue the tradtion SPL's first-class, proven and successful solid state preamp designs.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449305690215,"sku":"10196","price":1349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_frame_psu_1.jpg?v=1787088483"},{"product_id":"spl-transducer","title":"SPL Transducer","description":"In studio and on stage the \u003cb\u003eSPL Transducer\u003c\/b\u003e replaces the guitar speaker cabinet and microphone(s) so that the time and resource-intensive microphone processing of this loud sonic source is no longer necessary. In addition the Transducer offers much more sonic flexibility and variety than a single mike and cabinet setup because it allows for varied speaker and mike simulations while allowing to retain accustomed features of individual setups (such as the ability to vary level-dependent loudspeaker characteristics and microphone distances).\u003cbr\u003e\u003cbr\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449307263079,"sku":"10682","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_transducer_1.jpg?v=1787088491"},{"product_id":"spl-atmos","title":"SPL Atmos","description":"The new \u003cb\u003eSPL Atmos system\u003c\/b\u003e is a complete, system independent surround miking system either including the ASM5 microphone with the superb Brauner VM1 capsules or the INA5-R made by Microtech Gefell, which is perfectly suited for in- and outdoor applications. \u003cbr\u003e\u003cbr\u003e Ten years of experience in surround miking technology result in a new reference system for surround sound in highest definition. The new Atmos Controller incorporates the five channel, remotely controllable preamplifier section, a LFE channel composer with level control and a headphone monitor. The Controller is now focused on basic features to reduce costs and complexity dramatically for a pure, high definition preamp\/microphone setup. \u003cbr\u003e\u003cbr\u003e The preamplifier section ensures a homogeneous preamplification over all channels for a coherent imaging of rooms and source widths. The high precision preamplifiers are based upon SPL‘s Triple Gain Stage to capture the superb sound of the ASM5 or INA5-R microphones in the most transparent, noiseless and uncoloured way. In the first stage, a Lundahl transformer provides galvanic isolation and a passive 1:5 preamplification. Amplification and DC offset compensation with SPL‘s ServoDrive circuitry are realized by the followoing two stages. \u003cbr\u003e\u003cbr\u003e The ASM5 is based upon five selected and matched VM1 large diaphragm capsules. The positions of the all microphone heads are variable +\/-90 degrees. \u003cbr\u003e\u003cbr\u003e The INA5-R is made by Microtech Gefell with five matched M930 microphones. Each single mic can be adjusted as well to find a perfect individual position for each capsule. \u003cbr\u003e\u003cbr\u003e Individual microphone solutions can be connected to the Atmos controller as well. The Atmos provides balanced XLR and DB25 outputs (parallel).","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449307295847,"sku":"10681","price":6699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_atmos2600_1.jpg?v=1787088491"},{"product_id":"spl-twin-tube-rackpack-module","title":"SPL Twin Tube RackPack Module","description":"The \u003cb\u003eSPL TwinTube\u003c\/b\u003e module is a tube effects processor to apply typical tube sound effects to any signal. Tube saturation can be regulated to add subtle to heavy tube distortions for more punch and rougher sounds. The Harmonics control enhances the presence of a signal and allows for example to move signals up front in a mix. In general, the top end can be sweetened with the nice touch of tube harmonics. Both effects can be used separately or simultaneously. Main studio and live applications are in single track processing.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449307328615,"sku":"10686","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_rackpack_twin_tube.jpg?v=1787088490"},{"product_id":"spl-phonitor-2-silver","title":"SPL Phonitor 2 - Silver","description":"\u003cp\u003e\u003cspan\u003eSPL is uber-happy to introduce the successor of their legendary Phonitor headphone preamp. They have kept all proven features, while incorporating some major improvements. The \u003cstrong\u003eSPL Phonitor 2\u003c\/strong\u003e can be used as the ultimate monitor controller and preamp for three different sources. SPL has also revisited the 120-Volt technology to make sure the Phonitor 2 is able to perform at the highest possible levels. This resulted in their measurement gear being in a class of its own.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eNEW in Phonitor 2\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003ePreamplifier\/Monitor Controller functionality\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eSuited for all headphones and impedances\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eVolume remotely controllable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003eSpecial Features\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eThe Reference ─ the Phonitor2 sets new technical and sound standards.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eDual-channel 120 Volt amp for headphones and active loudspeakers or power amps\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eFor dynamic and balanced headphones\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eOptimallyy suited for low-impedance headphones starting from 10 Ohm (40 Ohm for balanced headphones)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eRemote volume control with motor potentiometer\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHigh-resolution laterality correction compensates right\/left hearing differences\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eSwitchable level adjustment (consumer to professional level, 1:1, +6dB, +12 dB)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003eApplications\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eStereo preamplification and headphone amplification for three sources\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHigh-quality music playback at home\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eCentral monitoring unit with phase reverse L\/R , solo L\/R, mono switch functions\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eLaterality control to compensate hearing imbalances\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eHeadphone amplifier for all headphone systems and impedances (from 10Ω)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eLoudspeaker simulation with headphones\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eMonitoring alternative in studios and mobile units\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eAdjustment of headphone playback to match familiar monitor speakers\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003eMobile reproduction of usual monitoring conditions\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInputs: XLR connectors, electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eImpedance: bal. ca. 20 kΩ, unbal. ca. 10 kΩ\u003c\/li\u003e\r\n\u003cli\u003eMax. Input Level: +32,5 dBu\u003c\/li\u003e\r\n\u003cli\u003eOutputs: Monitor\/Line Outputs: XLR connectors, electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 4 Hz to 480 kHz ( -3 dB)\u003c\/li\u003e\r\n\u003cli\u003eCMR: -82 dBu (at 1 kHz, 0dBu input level and unity gain)\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk at 1 kHz: -106 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD\u0026amp;N at 1 kHz: 0,00085 % (at 0dBu input level and unity gain)\u003c\/li\u003e\r\n\u003cli\u003eNoise: Unweighted -101,87 dB; A-weighted -104,76 dB; CCIR: -96,1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 134,37 dB\u003c\/li\u003e\r\n\u003cli\u003eHeadphone Output:\u003c\/li\u003e\r\n\u003cli\u003e6.3-mm TRS connector\u003c\/li\u003e\r\n\u003cli\u003ePin wiring: Tip = Left, Ring = Right, Sleeve = GND\u003c\/li\u003e\r\n\u003cli\u003eImpedance: 0,18 Ω\u003c\/li\u003e\r\n\u003cli\u003eAttenuation Factor: 180 @ 40Ohm\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 4 Hz to 480 kHz ( -3 dB)\u003c\/li\u003e\r\n\u003cli\u003eCMR: -106 dBu (at 1 kHz, 0dBu input level and unity gain)\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk at 1 kHz: -106 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD\u0026amp;N at 1 kHz: 0,00091 % (at 0dBu input level and unity gain)\u003c\/li\u003e\r\n\u003cli\u003eNoise: Unweighted -101,12 dBu; A-weighted - 103,98 dBu; CCIR -95,02 dBu\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 133,62 dB\u003c\/li\u003e\r\n\u003cli\u003eMax. Output Power: \u003cbr\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e65m W (+20 dBm) at 1 kHz and 600 Ω connected impedance\u003c\/li\u003e\r\n\u003cli\u003e560 mW (+20 dBm) at 1 kHz and 40 Ω connected impedance\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eVoltages: 230 V AC, 50 Hz \/ 120 V AC, 60 Hz\u003c\/li\u003e\r\n\u003cli\u003ePower Consumption: max 23,7 VA\u003c\/li\u003e\r\n\u003cli\u003eFuses: 100-120 V AC: T 1 A \/ 200-240 V AC: T 630 mA\u003c\/li\u003e\r\n\u003cli\u003eHeight x Width x Depth: 99 x 277 x 305 mm \/ 3.9 x 10.9 x 12 in\u003c\/li\u003e\r\n\u003cli\u003eWeight: 4.3 kg \/ 9.5 lbs\u003c\/li\u003e\r\n\u003cli\u003e0 dBu = 0.775 V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449307426919,"sku":"39152","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_phonitor_2_silver_front.jpg?v=1787088491"},{"product_id":"spl-2control","title":"SPL 2Control","description":"The \u003cb\u003eSPL 2Control\u003c\/b\u003e combines speaker and headphone monitoring control with innovative features in an attractive high-quality package. The all-analog 2Control allows for connection and selection of two stereo input sources, two stereo speaker sets and two headphones. A third mono speaker output can feed a subwoofer. Speaker volume is controlled by the central, massive volume potentiometer. Each headphone output is fed by its own amplifier stage and can be controlled independently. Mono and DIM switches provide further necessary monitoring functions. \u003cbr\u003e\u003cbr\u003e But the key function is undoubtedly the \u003cspan style=\"font-weight: bold;\"\u003ecrossfeed control\u003c\/span\u003e, a new innovation from SPL. It simulates frequency-dependent interaural level differences from both channels so that the super stereo effect on headphones can be adjusted to the stereo width of a given speaker set, which essentially means that the user is able to adjust the crossfeed with the headphones to match the stereo imaging of the speakers in the room. This is a new and unique feature which allows audio to be mixed on headphones. \u003cbr\u003e\u003cbr\u003e The 2 Control addresses all DAW users in audio mixing and AV production with the need for monitoring control and is especially effective in avoiding acoustically problematic environments (desktop workspaces, recording mobiles etc.).","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449307459687,"sku":"10714","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_2_control_black_front.jpg?v=1787088491"},{"product_id":"spl-auditor","title":"SPL Auditor","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL Auditor\u003c\/span\u003e is our interpretation of a high-end headphone amplifier. We strictly followed a purist approach to achieve the highest sound quality.\u003cbr\u003e\u003cbr\u003eThe basis for such high-end developments is our proved 120 volts reference technology. Core elements are the handmade SPL SUPRA op-amps running on 120 volts – it corresponds to approximately twice that of most modern analog audio semiconductor technologies. Through such 120 volts circuitry and processing we reach performance levels far beyond conventional designs in dynamic range and distortion levels, and such technical specifications exceed all known analog or digital standards.\u003cbr\u003e\u003cbr\u003eIn other words: simply sounds.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449331511399,"sku":"13837","price":768.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_auditor_1.jpg?v=1787088585"},{"product_id":"spl-m-s-master","title":"SPL M\/S Master","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL M\/S Master\u003c\/span\u003e is your key to access the mid and side information of a mix. Discover the classic alternative to the L\/R format and adjust the M\/S proportions yourself. Insert all your outboard gear via intelligent send\/returns and use it for L\/R or M\/S processing at the touch of a button.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe SPL M\/S Master Features:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAnalog tool for M\/S encoding\u003c\/li\u003e\n\u003cli\u003eActive control of M\/S mix ratio\u003c\/li\u003e\n\u003cli\u003eSeamless integration of external processors\u003c\/li\u003e\n\u003cli\u003eOne-button insertion of outboard gear in the M\/S or L\/R path\u003c\/li\u003e\n\u003cli\u003eDifferent VU-meter modes\u003c\/li\u003e\n\u003cli\u003eLow cut filter for the Side signal\u003c\/li\u003e\n\u003cli\u003eFLOAT function for better mono compatibility\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eInputs \u0026amp; Outputs\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eElectronically balanced instrumentation amplifiers\u003c\/li\u003e\n\u003cli\u003eSockets: XLR\u003c\/li\u003e\n\u003cli\u003eInput impedance: 20 kOhm balanced\/10 kOhm unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 150 Ohm balanced\/75 Ohm unbalanced\u003c\/li\u003e\n\u003cli\u003eMax. input level: 20 dBu\u003c\/li\u003e\n\u003cli\u003eMax. output level: 20 dBu\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eMeasurements\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFrequency response (-3 dB): 10 Hz - 100 kHz\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio: › 60 dB\u003c\/li\u003e\n\u003cli\u003e(@ 1 kHz, 0 dBu input level and unity gain)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion \u0026amp; noise: 0,007 %\u003c\/li\u003e\n\u003cli\u003e(@ 1 kHz, 0 dBu input level and unity gain)\u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio (A-weighted): -82 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (unweighted): 102 dB\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePower supply \u003cbr\u003e\u003c\/span\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449341669479,"sku":"15723","price":1536.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_msmaster_1.jpg?v=1787088626"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/spl-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}