{"title":"Standard Audio","description":null,"products":[{"product_id":"standard-audio-level-or","title":"Standard Audio Level-Or","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eStandard Audio Level-Or\u003c\/span\u003e is an API 500-Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more. \u003cbr\u003e\u003cbr\u003e In \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds. \u003cbr\u003e\u003cbr\u003e In \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material. \u003cbr\u003e\u003cbr\u003e Between these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material. \u003cbr\u003e\u003cbr\u003e *Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise. \u003cbr\u003e\u003cbr\u003e We consider this a good thing!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSound Clips:\u003c\/strong\u003e Click instrument for sample\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"features2\"\u003e\u003ca title=\"Drums Sound Clip\" href=\"http:\/\/www.standard-audio.com\/drums-sample.html\" target=\"_blank\"\u003eDrums\u003c\/a\u003e: 0-4 seconds = straight signal; 4-9 seconds = level mode; 9-13 seconds = crunch mode;   13-17 seconds = crunch mode maxed\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"features2\"\u003e\u003cspan class=\"features2\"\u003e\u003ca title=\"Synth Bass Sound Clip\" href=\"http:\/\/www.standard-audio.com\/synthbass-sample.html\" target=\"_blank\"\u003eSynth               Bass\u003c\/a\u003e: 0-5 seconds = straight sound; 5-19 seconds = crunch mode gradually; turning up input until maxed\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"features2\"\u003e\u003cspan class=\"features2\"\u003e\u003cspan class=\"features2\"\u003e\u003ca title=\"Piano Sound Clip\" href=\"http:\/\/www.standard-audio.com\/piano-sample.html\" target=\"_blank\"\u003ePiano\u003c\/a\u003e: 0-5 seconds = straight signal; 5-10 seconds = level mode; 10-15 crunch mode gradually turning up input until maxed\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eWord on the Street:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“...It sounds great on bass, drums, piano, vocals. It basically does everything that a Level Loc would do but with so much more control and finesse, not to mention so much quieter. The quality of the audio is great. It’s simple to use and it always amuses drummers....”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Chiccarelli\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Hey guys, just wanted to let you know that I came across some “LEVELOR-ed” drums tracks and loved them! I’m engineering a record for Joe Chiccarelli and he’s already got a unit and tracked a mono drum room thru the LEVEL-OR to add grit to the drum sound. $%*ing mission accomplished! I used the LEVEL-OR as a parallel distortion track for a wulritzer and it added a nice grimy sparkle as well. You guys have any other 500 series designs in the works? I’ve got one more space in my lunch box!”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTravis Huff\u003c\/strong\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449236779111,"sku":"10414","price":525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_level-or_cat.jpg?v=1787088257"},{"product_id":"standard-audio-level-or-demo-deal","title":"Standard Audio Level-Or (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eStandard Audio Level-Or\u003c\/span\u003e is an API © 500-Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more. \u003cbr\u003e\u003cbr\u003e In \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds. \u003cbr\u003e\u003cbr\u003e In \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material. \u003cbr\u003e\u003cbr\u003e Between these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material. \u003cbr\u003e\u003cbr\u003e *Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise. \u003cbr\u003e\u003cbr\u003e We consider this a good thing! \u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures\u003c\/b\u003e \u003cul\u003e \u003cli\u003eTransformer balanced input \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, line level output stage capable of driving balanced loads as low as 600 ohms. \u003c\/li\u003e\n\u003cli\u003eTwo modes of operation: \u003c\/li\u003e\n\u003cli\u003eLevel – Sound of unit is dominated by JFET limiter \u003c\/li\u003e\n\u003cli\u003eCrunch – Sound of unit is dominated by harmonic distortion from the discrete transistor-based, Class A amplification stages \u003c\/li\u003e\n\u003cli\u003eAdditional release time added that is twice as fast as original release \u003c\/li\u003e\n\u003cli\u003eOutput level control to enable the input of the Level-Or to be driven hard without clipping the device that the Level-Or is driving (DAW input, Tape Machine, Console Line Amplifier, etc). \u003c\/li\u003e\n\u003cli\u003e¼\" line input on front panel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449367621735,"sku":"14008","price":472.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_level-or_cat_1.jpg?v=1787088734"},{"product_id":"standard-audio-stretch-500-series-compressor","title":"Standard Audio Stretch 500 Series Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eStandard Audio Stretch\u003c\/strong\u003e is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective “encode” modes. However, the Stretch adds new features to employ this old trick in a multitude of new ways.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePlease Note\u003c\/strong\u003e: For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via an unbalanced output to interface with the console properly. We have provided a jumper (labeled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/em\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449588576359,"sku":"36067","price":730.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_stretch_cat.jpg?v=1787089588"},{"product_id":"standard-audio-stretch-demo-deal","title":"Standard Audio Stretch (Demo Deal)","description":"\u003cp class=\"p1\"\u003eThe \u003cstrong\u003eStandard Audio Stretch\u003c\/strong\u003e is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective “encode” modes. However, the Stretch adds new features to employ this old trick in multitude of new ways.   \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via unbalanced output to interface with the console properly. We have provided a jumper (labelled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449696252007,"sku":"43916","price":649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_stretch_cat_1.jpg?v=1787090026"},{"product_id":"standard-audio-stretch-015-used","title":"Standard Audio Stretch #015 (Used)","description":"500 Series multi-band dynamics unit inspired by classic tape noise reduction circuits","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449735704679,"sku":"49052","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_stretch__015__used__5013433_02020dab-ebe5-46bc-bdef-613ec649f22a.jpg?v=1787090193"},{"product_id":"standard-audio-stretch-012-used","title":"Standard Audio Stretch #012 (Used)","description":"500 Series multi-band dynamics unit inspired by classic tape noise reduction circuits","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449735999591,"sku":"49051","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_stretch__012__used__5013430_f11715d9-15f9-474d-981a-0028bd56f7a1.jpg?v=1787090193"},{"product_id":"standard-audio-level-or-4016-used","title":"Standard Audio Level-Or #4016 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ﾩ 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449737572455,"sku":"49053","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_level-or__4016__used__5037109_9984477c-810a-44c6-b00a-4faef9205809.jpg?v=1787090199"},{"product_id":"standard-audio-level-or-4037-used","title":"Standard Audio Level-Or #4037 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ﾩ 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449737605223,"sku":"49054","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_level-or__4037__used__5037106_6ea6e11f-f7d6-46fd-b7fe-78ca7da6c467.jpg?v=1787090200"},{"product_id":"standard-audio-level-or-314059-used","title":"Standard Audio Level-Or #314059 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449753530471,"sku":"50366","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard_audio_level-or__314059__used__5207982_fe61d581-461a-4468-bec3-0f415e525360.jpg?v=1787090267"},{"product_id":"standard-audio-level-or-0510-255-used","title":"Standard Audio Level-Or #0510-255 (Used)","description":"The \u003cstrong\u003eStandard Audio Level-Or \u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449827586151,"sku":"53396","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-0510-255-used-5774279_d983595d-bc4f-4a23-b90d-b1d83cce1a24.jpg?v=1787090591"},{"product_id":"standard-audio-level-or-4209-229-used","title":"Standard Audio Level-Or #4209-229 (Used)","description":"The \u003cstrong\u003eStandard Audio Level-Or \u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44449827815527,"sku":"53371","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-4209-229-used-5774275_014e8b83-3b22-486b-a3f3-9389bfff2e0e.jpg?v=1787090592"},{"product_id":"standard-audio-level-or-3009-209-used","title":"Standard Audio Level-Or #3009-209 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450047262823,"sku":"64636","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-3009-209-used-6911571_6a49727d-797c-4db2-b18b-81d126380b49.jpg?v=1787091467"},{"product_id":"standard-audio-level-or-3009-207-used","title":"Standard Audio Level-Or #3009-207 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450047623271,"sku":"64635","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-3009-207-used-6937352_e6643b5e-6806-4165-ba44-4e197eb1ed4e.jpg?v=1787091469"},{"product_id":"standard-audio-level-or-603-used","title":"Standard Audio Level-Or #603 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450117124199,"sku":"78495","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_78495_1_7e2665d2-bf8c-49a5-807f-06d7fe215b86.jpg?v=1787091763"},{"product_id":"standard-audio-level-or-596-used","title":"Standard Audio Level-Or #596 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450117156967,"sku":"78494","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_78494_1_ec12d69a-a50a-4ae7-8cb0-34e5838fbad9.jpg?v=1787091764"},{"product_id":"standard-audio-stretch-124-used","title":"Standard Audio Stretch #124 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003eStandard Audio Stretch is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective “encode” modes. However, the Stretch adds new features to employ this old trick in multitude of new ways. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePlease Note: For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via unbalanced output to interface with the console properly. We have provided a jumper (labelled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450153562215,"sku":"82234","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-stretch-124-used_82234_1_b3446bb0-4e14-478f-84c7-d46b0757a0ad.jpg?v=1787091898"},{"product_id":"standard-audio-stretch-136-used","title":"Standard Audio Stretch #136 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003eStandard Audio Stretch is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective “encode” modes. However, the Stretch adds new features to employ this old trick in multitude of new ways. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePlease Note: For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via unbalanced output to interface with the console properly. We have provided a jumper (labelled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450153594983,"sku":"82233","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-stretch-136-used_82233_1_8f2b7d36-648c-4e3d-8ee4-57ae9a9a7234.jpg?v=1787091899"},{"product_id":"standard-audio-level-or-anniversary-edition","title":"Standard Audio Level-Or MK2 Anniversary Edition","description":"\u003cp\u003eAfter 10 years of production and over 1,000 units sold, Stand Audio have decided that it is time to release a new version of the Level-Or that retains the sound and vibe of the original, but includes improvements and features suggested by customers over the years. For those not familiar with the original Level-Or, it is an aggressive JFET limiter and harmonic distortion generator inspired by the SHURE Level- Loc PA limiter from the 60s and 70s. The MK2 version takes the original concept to a new level with improved performance and added features making it an extremely versatile studio tool. To celebrate 10 years of smashing and crunching, the first run of the \u003cstrong\u003eStandard Audio Level-Or MK2\u003c\/strong\u003e is released as a limited “ANNIVERSARY EDITION” in black.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eNEW AND IMPROVED CONTROLS AND FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLower Noise: Due to the aggressive nature of the circuit, a common issue with the\r\noriginal Level-Or was the noise present in Level mode. With extensive R\u0026amp;D and listen testing,\r\nStandard found a way to lower the noise considerably while remaining true to the tone and vibe of the original circuit. As a result the Mk2 noise floor is 12 - 15 dB BETTER than the original Level-Or.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Switch – Switches between Level, Crunch, and Bypass modes.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBypass Mode: Standard have included a relay based true-bypass.\u003c\/li\u003e\r\n\u003cli\u003eLevel Mode: Sound of the unit is dominated by an extreme JFET limiter. Use this mode to slam, squash, and pummel your audio signal.\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: Sound of the unit is dominated by distortion generated from a series of discrete transistor based, Class A amplifier stages. Use this mode to provide subtle saturation and harmonic enhancement all the way to heavier distortion and outright destruction of your audio signal.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eLED Indicator – A dual color LED serves two functions. When the unit is in Crunch mode, the LED is red and in Level mode, the LED is green. While in bypass, the LED is off. While in Crunch or Level modes, the LED will get brighter according to how much compression (Level) or THD (Crunch) is occurring. This can provide helpful feedback to the engineer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpeed Switch – Formerly, the speed switch provides two release times (fast\/slow) while in Level mode, and was un-used in Crunch mode. Standard have expanded to a 3-way switch and added functionality that changes, depending on mode.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLevel Mode: There are now 3 release times, FAST, MED, and SLOW. The FAST and SLOW settings are the same as the original, with the added medium time constant in between.\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: The speed switch now controls a 3-way low pass filter on the output. This can be very useful for reducing harsh, higher harmonics while distorting. When set to FAST, the filter is bypassed. When set to MEDIUM, the LPF is 15 kHz. When set to SLOW, the LPF is 8 kHz.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eInstrument DI - The original Level-Or had a line input via a front panel 1\/4” jack. While useful for interfacing with a drum machine or synthesizer, it was not useful for guitar, bass, or any other instrument level source. On the Level-Or Mk2, Standard have changed this to an instrument-level DI input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDI MODES - The unit detects when a 1\/4” jack is inserted and switches over to the DI input.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDI Bypass Mode: When the DI is used, putting the unit into Bypass mode sends the clean DI signal to the output of the unit. The unit functions as a clean DI with gain, no external amplifier required. The output control is active to adjust level as needed.\u003c\/li\u003e\r\n\u003cli\u003eDI Crunch Mode: The DI signal is sent through the input gain stage and all controls work as normal including the filter switch.\u003c\/li\u003e\r\n\u003cli\u003eDI Level Mode: The DI signal is sent to the limiter and all controls work as normal.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eIt is possible for the user to configure the front panel 1\/4” input to be configured as a line input if desired.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULLY ENCLOSED STEEL CHASSIS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA 100% enclosed steel chassis reduces the chance of electrical interference or noise from adjacent modules, gear, etc.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRELIABILITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter delivering over 1,000 original Level-Or modules out into the world, the reliability of the design has been incredible. The Level-Or Mk2 ANNIVERSARY EDITION follows the same robust design approach and attention to detail\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450274934887,"sku":"100180","price":570.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-mk2-anniversary-edition_100180_1_e157f0e2-104c-4043-9140-e3941c280590.jpg?v=1787092414"},{"product_id":"standard-audio-level-or-847-used","title":"Standard Audio Level-Or #847 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450329329767,"sku":"104982","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-847-used_104982_1_a144b6ce-fb55-4ff4-a4f1-98ccd476c1d7.jpg?v=1787092609"},{"product_id":"standard-audio-level-or-380894-used","title":"Standard Audio Level-Or #380894 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450335195239,"sku":"105746","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-380894-used_105746_1.jpg?v=1787092635"},{"product_id":"standard-audio-level-or-380686-used","title":"Standard Audio Level-Or #380686 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450335228007,"sku":"105747","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-380686-used_105747_1_356009cb-320b-4af9-8dc0-9c86a8d9c05c.jpg?v=1787092635"},{"product_id":"standard-audio-level-or-313957-used","title":"Standard Audio Level-Or #313957 (Used)","description":"The\u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003eis an API ? 500 Series rack compatible JFET limiter \/ distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003cbr\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003cbr\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003cbr\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003cbr\u003e*Note: Due to the nature of the design of this unit, it is very aggressive sounding; with noticeable pumping, distortion, and some noise.\u003cbr\u003eWe consider this a good thing!\u003cbr\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450337816679,"sku":"106783","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-313957-used_106783_1_61edfe1f-5b98-4b3f-a497-c9c3b2db648f.jpg?v=1787092645"},{"product_id":"standard-audio-level-or-mk2-anniversary-edition-demo-deal","title":"Standard Audio Level-Or MK2 Anniversary Edition (Demo Deal)","description":"\u003cp\u003eAfter 10 years of production and over 1,000 units sold, Stand Audio have decided that it is time to release a new version of the Level-Or that retains the sound and vibe of the original, but includes improvements and features suggested by customers over the years. For those not familiar with the original Level-Or, it is an aggressive JFET limiter and harmonic distortion generator inspired by the SHURE Level- Loc PA limiter from the 60s and 70s. The MK2 version takes the original concept to a new level with improved performance and added features making it an extremely versatile studio tool. To celebrate 10 years of smashing and crunching, the first run of the \u003cstrong\u003eStandard Audio Level-Or MK2\u003c\/strong\u003e is released as a limited “ANNIVERSARY EDITION” in black.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eNEW AND IMPROVED CONTROLS AND FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLower Noise: Due to the aggressive nature of the circuit, a common issue with the\r\noriginal Level-Or was the noise present in Level mode. With extensive R\u0026amp;D and listen testing,\r\nStandard found a way to lower the noise considerably while remaining true to the tone and vibe of the original circuit. As a result the Mk2 noise floor is 12 - 15 dB BETTER than the original Level-Or.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Switch – Switches between Level, Crunch, and Bypass modes.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBypass Mode: Standard have included a relay based true-bypass.\u003c\/li\u003e\r\n\u003cli\u003eLevel Mode: Sound of the unit is dominated by an extreme JFET limiter. Use this mode to slam, squash, and pummel your audio signal.\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: Sound of the unit is dominated by distortion generated from a series of discrete transistor based, Class A amplifier stages. Use this mode to provide subtle saturation and harmonic enhancement all the way to heavier distortion and outright destruction of your audio signal.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eLED Indicator – A dual color LED serves two functions. When the unit is in Crunch mode, the LED is red and in Level mode, the LED is green. While in bypass, the LED is off. While in Crunch or Level modes, the LED will get brighter according to how much compression (Level) or THD (Crunch) is occurring. This can provide helpful feedback to the engineer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpeed Switch – Formerly, the speed switch provides two release times (fast\/slow) while in Level mode, and was un-used in Crunch mode. Standard have expanded to a 3-way switch and added functionality that changes, depending on mode.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLevel Mode: There are now 3 release times, FAST, MED, and SLOW. The FAST and SLOW settings are the same as the original, with the added medium time constant in between.\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: The speed switch now controls a 3-way low pass filter on the output. This can be very useful for reducing harsh, higher harmonics while distorting. When set to FAST, the filter is bypassed. When set to MEDIUM, the LPF is 15 kHz. When set to SLOW, the LPF is 8 kHz.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eInstrument DI - The original Level-Or had a line input via a front panel 1\/4” jack. While useful for interfacing with a drum machine or synthesizer, it was not useful for guitar, bass, or any other instrument level source. On the Level-Or Mk2, Standard have changed this to an instrument-level DI input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDI MODES - The unit detects when a 1\/4” jack is inserted and switches over to the DI input.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDI Bypass Mode: When the DI is used, putting the unit into Bypass mode sends the clean DI signal to the output of the unit. The unit functions as a clean DI with gain, no external amplifier required. The output control is active to adjust level as needed.\u003c\/li\u003e\r\n\u003cli\u003eDI Crunch Mode: The DI signal is sent through the input gain stage and all controls work as normal including the filter switch.\u003c\/li\u003e\r\n\u003cli\u003eDI Level Mode: The DI signal is sent to the limiter and all controls work as normal.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eIt is possible for the user to configure the front panel 1\/4” input to be configured as a line input if desired.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULLY ENCLOSED STEEL CHASSIS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA 100% enclosed steel chassis reduces the chance of electrical interference or noise from adjacent modules, gear, etc.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRELIABILITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter delivering over 1,000 original Level-Or modules out into the world, the reliability of the design has been incredible. The Level-Or Mk2 ANNIVERSARY EDITION follows the same robust design approach and attention to detail\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450374844519,"sku":"111058","price":484.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-mk2-anniversary-edition_100180_1_1_85045013-4d5b-4dd4-abd4-b75783a37185.jpg?v=1787092801"},{"product_id":"standard-audio-level-or-mk2","title":"Standard Audio Level-Or Mk2 500 Series Limiter","description":"\u003cp\u003eAfter 10 years of production and over 1,000 units sold, Standard Audio decided that it was time to release the \u003cstrong\u003eStandard Audio Level-Or Mk2\u003c\/strong\u003e, a new version of the Level-Or that retains the sound and vibe of the original, but includes improvements and features suggested by customers over the years.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor those not familiar with the original Level-Or, it is an aggressive JFET limiter and harmonic distortion generator inspired by the Level- Loc PA limiter from the 60s and 70s. The Mk2 version takes the original concept to a new level with improved performance and added features making it an extremely versatile studio tool.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLower Noise\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDue to the aggressive nature of the circuit, a common issue with the original Level-Or was the noise present in Level mode. With extensive R\u0026amp;D and listen testing,\r\nStandard Audio found a way to lower the noise considerably while remaining true to the tone and vibe of the original circuit. As a result the Mk2 noise floor is 12 - 15 dB BETTER than the original Level-Or.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMode Switch\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSwitches between Level, Crunch, and Bypass modes.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLevel Mode: Sound of the unit is dominated by an extreme JFET limiter - use this mode to slam, squash, and pummel your audio signal\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: Sound of the unit is dominated by distortion generated from a series of discrete transistor based, Class A amplifier stages - use this mode to provide subtle saturation and harmonic enhancement all the way to heavier distortion and outright destruction of your audio signal\u003c\/li\u003e\r\n\u003cli\u003eBypass Mode: Relay based true-bypass now included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLED Indicator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA dual color LED serves two functions. When the unit is in Crunch mode, the LED is red and in Level mode, the LED is green. While in bypass, the LED is off. While in Crunch or Level modes, the LED will get brighter according to how much compression (Level) or THD (Crunch) is occurring. This can provide helpful feedback to the engineer.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpeed Switch\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFormerly, the speed switch provides two release times (fast\/slow) while in Level mode, and was un-used in Crunch mode. It has been expanded to a 3 way switch and added functionality that changes, depending on mode.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInstrument DI\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe original Level-Or had a line input via a front panel 1\/4” jack. While useful for interfacing with a drum machine or synthesizer, it was not useful for guitar, bass, or any other instrument level source. On the Level-Or Mk2, we have changed this to an instrument-level DI input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe unit detects when a 1\/4” jack is inserted and switches over to the DI input:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDI Bypass Mode: When the DI is used, putting the unit into Bypass mode sends the clean DI signal to the output of the unit, the unit functions as a clean DI with gain, no external amplifier required, the output control is active to adjust level as needed.\u003c\/li\u003e\r\n\u003cli\u003eDI Crunch Mode: The DI signal is sent through the input gain stage and all controls work as normal including the filter switch\u003c\/li\u003e\r\n\u003cli\u003eDI Level Mode: The DI signal is sent to the limiter and all controls work as normal\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eFULLY ENCLOSED STEEL CHASSIS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA 100% enclosed steel chassis reduces the chance of electrical interference or noise from adjacent modules, gear, etc.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRELIABILITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter delivering over 1,000 original Level-Or modules out into the world, the reliability\r\nof the design has been incredible. The Level-Or Mk2 follows the same robust design approach and attention to detail\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450468102247,"sku":"122297","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-levelor-mk2_122297_1_1_f8b6edff-1027-435a-8788-6765dab1dbfa.jpg?v=1787093183"},{"product_id":"standard-audio-level-or-mk2-demo-deal","title":"Standard Audio Level-Or Mk2 (Demo Deal)","description":"\u003cp\u003eAfter 10 years of production and over 1,000 units sold, Standard Audio decided that it was time to release the \u003cstrong\u003eStandard Audio Level-Or Mk2\u003c\/strong\u003e, a new version of the Level-Or that retains the sound and vibe of the original, but includes improvements and features suggested by customers over the years.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor those not familiar with the original Level-Or, it is an aggressive JFET limiter and harmonic distortion generator inspired by the Level- Loc PA limiter from the 60s and 70s. The Mk2 version takes the original concept to a new level with improved performance and added features making it an extremely versatile studio tool.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLower Noise\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDue to the aggressive nature of the circuit, a common issue with the original Level-Or was the noise present in Level mode. With extensive R\u0026amp;D and listen testing,\r\nStandard Audio found a way to lower the noise considerably while remaining true to the tone and vibe of the original circuit. As a result the Mk2 noise floor is 12 - 15 dB BETTER than the original Level-Or.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMode Switch\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSwitches between Level, Crunch, and Bypass modes.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLevel Mode: Sound of the unit is dominated by an extreme JFET limiter - use this mode to slam, squash, and pummel your audio signal\u003c\/li\u003e\r\n\u003cli\u003eCrunch Mode: Sound of the unit is dominated by distortion generated from a series of discrete transistor based, Class A amplifier stages - use this mode to provide subtle saturation and harmonic enhancement all the way to heavier distortion and outright destruction of your audio signal\u003c\/li\u003e\r\n\u003cli\u003eBypass Mode: Relay based true-bypass now included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLED Indicator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA dual color LED serves two functions. When the unit is in Crunch mode, the LED is red and in Level mode, the LED is green. While in bypass, the LED is off. While in Crunch or Level modes, the LED will get brighter according to how much compression (Level) or THD (Crunch) is occurring. This can provide helpful feedback to the engineer.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpeed Switch\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFormerly, the speed switch provides two release times (fast\/slow) while in Level mode, and was un-used in Crunch mode. It has been expanded to a 3 way switch and added functionality that changes, depending on mode.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInstrument DI\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe original Level-Or had a line input via a front panel 1\/4” jack. While useful for interfacing with a drum machine or synthesizer, it was not useful for guitar, bass, or any other instrument level source. On the Level-Or Mk2, we have changed this to an instrument-level DI input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe unit detects when a 1\/4” jack is inserted and switches over to the DI input:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDI Bypass Mode: When the DI is used, putting the unit into Bypass mode sends the clean DI signal to the output of the unit, the unit functions as a clean DI with gain, no external amplifier required, the output control is active to adjust level as needed.\u003c\/li\u003e\r\n\u003cli\u003eDI Crunch Mode: The DI signal is sent through the input gain stage and all controls work as normal including the filter switch\u003c\/li\u003e\r\n\u003cli\u003eDI Level Mode: The DI signal is sent to the limiter and all controls work as normal\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eFULLY ENCLOSED STEEL CHASSIS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA 100% enclosed steel chassis reduces the chance of electrical interference or noise from adjacent modules, gear, etc.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRELIABILITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter delivering over 1,000 original Level-Or modules out into the world, the reliability\r\nof the design has been incredible. The Level-Or Mk2 follows the same robust design approach and attention to detail\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450533081191,"sku":"125296","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-level-or-mk2_122297_1_1_619a0317-6bbe-4881-b693-f74761f77ef1.jpg?v=1787093451"},{"product_id":"standard-audio-stretch-316-used","title":"Standard Audio Stretch #316 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003eStandard Audio Stretch is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective \"encode\" modes. However, the Stretch adds new features to employ this old trick in multitude of new ways. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePlease Note: For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via unbalanced output to interface with the console properly. We have provided a jumper (labelled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450674147431,"sku":"150448","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-stretch-316-used_150448_1_517b2563-810e-4492-a3e8-65e7c714d9c6.jpg?v=1787094029"},{"product_id":"standard-audio-stretch-315-used","title":"Standard Audio Stretch #315 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003eStandard Audio Stretch is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective \"encode\" modes. However, the Stretch adds new features to employ this old trick in multitude of new ways. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePlease Note: For some 500 series based consoles (API 1608 for example), it may be necessary to connect the Stretch via unbalanced output to interface with the console properly. We have provided a jumper (labelled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450674311271,"sku":"150449","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-stretch-315-used_150449_1_0006d7e4-a086-4c60-a8d0-965bef7bb639.jpg?v=1787094031"},{"product_id":"standard-audio-level-or-mk2-dual-jfet-limiter","title":"Standard Audio Level-Or Mk2 Dual JFET Limiter","description":"\u003cp\u003eThe \u003cstrong\u003eStandard Audio Level-Or Mk2 Dual\u003c\/strong\u003e is a two channel JFET limiter and harmonic distortion processor in a single space, 19” rack. The design is based on the 500 series format Level-Or Mk2 with some additional features \u0026amp; functions.\u003c\/p\u003e\r\n\u003cp\u003eThe Level-Or Mk2 Dual includes all the features and improvements of the Mk2 500-series module (lower noise, bypass switch, instrument DI) PLUS a mix knob, stereo linking, and a unique Cascade Mode. The unit includes an over-designed internal power supply and a rugged, corrosion-resistant steel chassis along with an aluminum front panel.\u003c\/p\u003e\r\n\u003cp\u003eThe core of each Level-Or Mk2 Dual channel is a JFET transistor-based limiter, originally inspired by the Shure Level-Loc PA limiter. In Level mode, this section acts as an extremely high ratio limiter. In Crunch mode, this section uses (and abuses) a series of Class A discrete transistor stages to provide anything from subtle harmonic enhancement to complete destruction of the audio signal.\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44450823798887,"sku":"175235","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-level-or-mk2-dual_175235_1.jpg?v=1787094677"},{"product_id":"standard-audio-level-or-mk2-dual-jfet-limiter-demo-deal","title":"Standard Audio Level-Or Mk2 Dual JFET Limiter (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStandard Audio Level-Or Mk2 Dual\u003c\/strong\u003e is a two channel JFET limiter and harmonic distortion processor in a single space, 19” rack. The design is based on the 500 series format Level-Or Mk2 with some additional features \u0026amp; functions.\u003c\/p\u003e\r\n\u003cp\u003eThe Level-Or Mk2 Dual includes all the features and improvements of the Mk2 500-series module (lower noise, bypass switch, instrument DI) PLUS a mix knob, stereo linking, and a unique Cascade Mode. The unit includes an over-designed internal power supply and a rugged, corrosion-resistant steel chassis along with an aluminum front panel.\u003c\/p\u003e\r\n\u003cp\u003eThe core of each Level-Or Mk2 Dual channel is a JFET transistor-based limiter, originally inspired by the Shure Level-Loc PA limiter. In Level mode, this section acts as an extremely high ratio limiter. In Crunch mode, this section uses (and abuses) a series of Class A discrete transistor stages to provide anything from subtle harmonic enhancement to complete destruction of the audio signal.\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44451031580775,"sku":"214595","price":1529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-level-or-mk2-dual_175235_1_c7b1df0c-1429-4646-9261-fc7b536b3093.jpg?v=1787095552"},{"product_id":"standard-audio-500-series-level-or-jfet-limiter-630-used","title":"Standard Audio 500 Series Level-Or JFET Limiter #630 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eStandard Audio Level-Or\u003c\/strong\u003e is an API 500 Series rack compatible JFET limiter\/distortion processor. The design was inspired by the Shure Level-Loc PA limiter, popular for its trashy, ultra compressed sound. The extended features of the Level-Or allows it to achieve what the Level-Loc does and much, much more.\u003c\/p\u003e  \u003cp\u003eIn \"Level\" mode, the Level-Or acts very much like the Level-Loc. An additional, faster release time has been added for even more flexibility and a broader range of compressed sounds.\u003c\/p\u003e  \u003cp\u003eIn \"Crunch\" mode, the Level-Or sets itself apart from anything else like it. By sweeping the input level over the range provided, a huge palette of sounds can be reached from slight harmonic enhancement, to aggressive crunch, to buzz-saw like distortion, to complete and utter destruction of the original source material.\u003c\/p\u003e  \u003cp\u003eBetween these two available modes, there is a huge array of sounds that can be produced from this unit. Simple drum loops can be taken from boring to unique and drum room mics can be crushed or distorted to taste adding size and character to the overall sound. Bass, guitar, and keyboard sounds can be manipulated, taking on completely new and different sounds than the original source material.\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44451105964135,"sku":"214960","price":529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-500-series-level-or-jfet-limiter-630-used_214960_1_f1858b82-7931-4493-9fe1-fd6ea1b29d2b.jpg?v=1787095860"},{"product_id":"standard-audio-stretch-500-series-compressor-018-used","title":"Standard Audio Stretch 500 Series Compressor #018 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eStandard Audio Stretch\u003c\/strong\u003e is a 500 Series, multi-band compression\/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their respective “encode” modes. However, the Stretch adds new features to employ this old trick in a multitude of new ways.\u003c\/p\u003e  \u003cp\u003eThe Stretch allows the user to use the 4 separate frequency bands in different combinations to sculpt or accentuate individual tracks or a mix in ways no other compressor or EQ can achieve. The onboard Mix Control dials in the perfect amount processing with the original dry signal. Use the Stretch to add air to vocals, add sparkle to acoustic guitars, add sheen to overheads, add punch to drums, make bass tracks thunderous, or even create additional depth and detail on the whole mix bus. The possibilities are endless!\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e \u003cem\u003eFor some 500 Series based consoles (API 1608 for example), it may be necessary to connect the Stretch via an unbalanced output to interface with the console properly. We have provided a jumper (labeled J2) on the Stretch PCB that lets the engineer choose the output configuration. Using the provided shorting plug, connect pins 2 \u0026amp; 3 for balanced operation (factory default). Connect pins 1 \u0026amp; 2 for unbalanced operation. Please do not hesitate to contact us if you have any questions.\u003c\/em\u003e\u003c\/p\u003e","brand":"Standard Audio","offers":[{"title":"Default Title","offer_id":44451379609703,"sku":"505862","price":619.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/standard-audio-stretch-500-series-compressor-018-used_505862_1.jpg?v=1787097008"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/standard-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}