{"title":"Studio Electronics","description":null,"products":[{"product_id":"studio-electronics-pre2","title":"Studio Electronics Pre2","description":"\u003cb\u003eKey Specs\u003c\/b\u003e \u003cul\u003e \u003cli\u003eNeve® 1272 type discrete class A mic pre \u003c\/li\u003e\n\u003cli\u003eInput attenuation with 15 - 70 db of gain in 5 db increments \u003c\/li\u003e\n\u003cli\u003ePhase reverse \u003c\/li\u003e\n\u003cli\u003e48 volt phantom power \u003c\/li\u003e\n\u003cli\u003eOutput level control \u003c\/li\u003e\n\u003cli\u003eInput level indicator \u003c\/li\u003e\n\u003cli\u003eHigh impedance FET buffered direct input that passes through mic transformer \u003c\/li\u003e\n\u003cli\u003eSowter® input and output transformers \u003c\/li\u003e\n\u003cli\u003eFrequency response: 10Hz - 30kHz \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449249001575,"sku":"5141","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_pre2.jpg?v=1787088306"},{"product_id":"studio-electronics-c2s","title":"Studio Electronics C2s","description":null,"brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449249067111,"sku":"5140","price":2179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_c2s.jpg?v=1787088305"},{"product_id":"studio-electronics-se-1x","title":"Studio Electronics SE-1X","description":"Seen where the sound of success was heard, the SE-1 recreated the power of the classic Moog tone and far more. The distinctive Oberheim filter and numerous additional features helped to make this Hiphop and R\u0026amp;B legend the serious professional's source for the boominest basses and smoothest, wormiest leads on the planet. The SE-1X continues in this tradition, remaining true to its roots, while stepping up its functionality and form; wide open to future expansion and exploration via its Flash-ROM operating system - not to mention the indefatigable creativity of our supernal sound designers! \u003cp\u003e\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449269547111,"sku":"5131","price":1749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_se_1x_0b9ef669-e8ae-4a8d-bc0c-daeb7cd0a41f.jpg?v=1787088377"},{"product_id":"studio-electronics-atcx","title":"Studio Electronics ATCX","description":"Electronica and Hiphop sounds emerge equally with transcendental control and flexibility... Wait... you know that already - or at least you should - from this updated ATC and it's crisp, wonderful fresh set of STUDIO ELECTRONICS X-Model strength patches and improved sound engine; continuing to keep it real with an expressly integrated multiple filter capability that cuts costs and sacrifices none of the greasy warm transparent thickness that define S.E.'s fresh-faced '02 ANALOG TONE CHAMELEON. Discrete hardware analog Distortion, externally patchable Ringmod circuits, programmable S.E.M. modes and a triangle\/square combi L.F.O. waveform round out the reeducation of this star pupil of ANALOGIA Inc. Now it's ready to teach you the analog street knowledge it's perfected. Also available in the ATC-1's classic \"black and crayon colors\" style as the ATC-1X.","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449269612647,"sku":"5132","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_atcx.jpg?v=1787088377"},{"product_id":"studio-electronics-omega-8","title":"Studio Electronics Omega 8","description":"The Omega 8 is an eight-voice, discrete circuit, multi-timbral, stereo, multi filtered, arpeggiating, DSP free Analog Dream Machine. Overflowing with elaborate MIDI control, dynamic signal processing, and expansive modulation, its sound creation and manipulation could very well exceed the boundaries of your imagination. Apparitional pads, foundational basses, revelatory leads, electrosonic drums, other-worldly sound effects and utterly massive synthetic soundscapes... The Studio Electronics Omega8 delivers true ANALOG stimulation. Exactly what you need to compete and remain a vital force in today's highly charged musical ecology.","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449269645415,"sku":"5133","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_omega_8.jpg?v=1787088377"},{"product_id":"studio-electronics-atcx-qfs","title":"Studio Electronics ATCX-QFS","description":"Electronica and Hiphop sounds emerge equally with transcendental control and flexibility... Wait... you know that already - or at least you should - from this updated ATC and it's crisp, wonderful fresh set of STUDIO ELECTRONICS X-Model strength patches and improved sound engine; continuing to keep it real with an expressly integrated multiple filter capability that cuts costs and sacrifices none of the greasy warm transparent thickness that define S.E.'s fresh-faced '02 ANALOG TONE CHAMELEON. Discrete hardware analog Distortion, externally patchable Ringmod circuits, programmable S.E.M. modes and a triangle\/square combi L.F.O. waveform round out the reeducation of this star pupil of ANALOGIA Inc. Now it's ready to teach you the analog street knowledge it's perfected. Also available in the ATC-1's classic \"black and crayon colors\" style as the ATC-1X.","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449269710951,"sku":"5142","price":1469.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_atcx_qfs.jpg?v=1787088377"},{"product_id":"studio-electronics-omega-2-lc","title":"Studio Electronics Omega 2 LC","description":"\u003cp class=\"bodyTextHeadline\"\u003eGENERAL SPECIFICATIONS\u003c\/p\u003e \u003cp class=\"bodyText\"\u003eVoices: two.\u003cbr\u003eMultitimbrality: two part; Parameters: patch, volume\u003cbr\u003eAudio outputs: one stereo per voice. One main stereo and main mono output.\u003cbr\u003eInterface: 1 rotary encoder, 12 knobs, 30 tactile switches, 21 LEDS.\u003cbr\u003eDisplay: 16 x 2 back lit liquid crystal.\u003cbr\u003eMemory: 256 sound patches,128 multi patches in RAM.\u003cbr\u003eWeight: 10 lbs.\u003cbr\u003eDimensions: 2 rack spaces, 15 inches deep.\u003cbr\u003ePower: 90 - 250 volts AC auto switching.\u003c\/p\u003e \u003cp class=\"bodyTextHeadline\"\u003eVOICE ARCHITECTURE\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eTwo voltage controlled discrete analog oscillators and one sub wave of Oscillator 1\u003cbr\u003e\u003c\/b\u003eWaveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eTwo voltage controlled discrete analog filters\u003c\/b\u003e\u003cbr\u003e24db (classic Moog), 12 db (classic Oberheim). 12db filter has low pass, bandpass, high pass and band reject modes. Each voice has the capability of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel. Current additional filters available: Roland 303, Arp 2600.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eThree low frequency oscillators\u003c\/b\u003e (LFO3 fixed to voice panning) \u003cbr\u003eWaveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOs 1\u0026amp;2 with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eThree multiple stage envelope generators\u003c\/b\u003e\u003cbr\u003eAttack, decay, sustain and release with inverting and multiple triggering. Envelopes 1\u0026amp;2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eArpeggiator\u003c\/b\u003e\u003cbr\u003eParameters: tempo, direction, range, interval, midi sync.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eGlide\u003c\/b\u003e\u003cbr\u003eLinear or exponential. Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eUnison Mode\u003c\/b\u003e\u003cbr\u003eOne or two voices.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eAdditional Features\u003c\/b\u003e\u003cbr\u003eOscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eModulation Destinations\u003c\/b\u003e\u003cbr\u003eLFOs1\u0026amp;2 and envelope 3: VCO 1\u0026amp;2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1\u0026amp;2 rate and depth, VCA level, external mix level.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eMIDI Specifications\u003c\/b\u003e\u003cbr\u003eIn out and thru. Receives: program change, bank select, glide on\/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignment: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions.\u003c\/p\u003e \u003cp class=\"bodyText\"\u003e\u003cb\u003eMIDI Controllers\u003c\/b\u003e\u003cbr\u003eDynamics, modwheel, bender, pressure, tracking, breath controller: all LFO1\u0026amp;2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release, amount.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449280163943,"sku":"6805","price":2399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio_electronics_omega_2_lc.jpg?v=1787088418"},{"product_id":"studio-electronics-se-1x-vintage","title":"Studio Electronics SE-1X (Vintage)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SE-1\u003c\/strong\u003e is an analog, monophonic synth-module designed to re-create that classic Moog sound perfect for Hip Hop, R\u0026amp;B and Dance music. The classic Moog sound comes from its distinctive 24 dB lowpass voltage controlled analog filter. There is also a 12 dB low-\/band-pass filter which emulates the classic sounds of Oberheim synthesizers.\u003cbr\u003e\u003cbr\u003eThe SE-1 uses three discrete voltage controlled analog oscillators for genuine analog synth sounds. And that's three VCO's, just like the Minimoog. They offer the basic waveforms you would expect from any analog: triangle, sawtooth, reverse sawtooth, square, noise, and random. There are also 4 multi-stage ADSR envelope generators used to shape your sound, the filter and more. Also available are Ring Modulation and Glide\/Auto-Glide effects.\u003cbr\u003e\u003cbr\u003eWith 24 knobs, 21 tactile switches, MIDI control over parameters and plenty of program storage memory (396 presets and 396 user patches), the SE-1 is a professional alternative to its classic forefathers. It is used by Fatboy Slim, Frontline Assembly, Dr. Dre, and Astral Projection.\u003cbr\u003eStudio Electronics SE-1x Image\u003cbr\u003e\u003cbr\u003eThe SE-1X is an improved version of the SE-1 with the following new features: A total of 198 new sounds - includes the \"Lexington G\" and \"Allec Series\" banks. Creatively expanded Modulation capabilities. Greatly enhanced MIDI specs. Tight new look - phatt new logo, sharper, more attractive front and back panel graphics and text. Flash-ROM Web-updateable Operating Software. Smoother tweaking and MIDI transmission of front panel pots (switches send info. as well). External Audio Input.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449675280487,"sku":"41306","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41306_1_358bd027-d1a0-46ab-bbf6-098e892772ef.jpg?v=1787089945"},{"product_id":"studio-electronics-boomstar-3003-analog-synthesizer","title":"Studio Electronics Boomstar 3003 Analog Synthesizer","description":"\u003cp\u003eDriven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the \u003cstrong\u003eStudio Electronics Boomstar® 3003 Desktop synth\u003c\/strong\u003e is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.nThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMonophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe synth is capable of many sounds, from mighty leads, thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBoomstar 3003 has a TB-303 style filter.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle\/sawtooth or sine\/pulse. VCO2 can be removed from the keyboard tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe filter is a resonant TB-303 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays open what makes filtering external sounds possible without constantly pressing a key.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eback:\u003c\/strong\u003e power inlet (6 pin DIN), MIDI In and Out (5-pin DIN), Audio output (6.35mm = 1\/4\" socket)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003efront:\u003c\/strong\u003e frequency CV input, gate input, fliter cutoff CV input, VCA CV input, oscillator output, external audio input (all 3.5mm sockets)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStudio Electronicnic's Boomstar systems include:\u003c\/strong\u003e\r\npatchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449751859303,"sku":"44017","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se.boomstar_3003_1front_3c3037af-7376-4be6-acc2-3b7e0c982a99.jpg?v=1787090260"},{"product_id":"studio-electronics-boomstar-4075-analog-synthesizer","title":"Studio Electronics Boomstar 4075 Analog Synthesizer","description":"\u003cp\u003eDriven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the \u003cstrong\u003eStudio Electronics Boomstar® 4075 Desktop synth\u003c\/strong\u003e is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe quick-turn shaft pots along the bottom for the hardware Ring Mod, Noise, Filter Feedback and VCO Levels make vital sonic change intimate, immediate, and indispensable; the adjacent Overdrive switch adds warmth and edge. Thirty one pots insure fluid, intuitive mastery over wide-ranging sweep and subtlety of tone: feather in the changes or whip them suddenly and rhythmically into shape.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMonophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modulation and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle\/sawtooth or sine\/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eback:\u003c\/strong\u003e power inlet (6 pin DIN), MIDI In and Out (5-pin DIN), Audio output (6.35mm = 1\/4\" socket)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003efront:\u003c\/strong\u003e frequency CV input, gate input, fliter cutoff CV input, VCA CV input, oscillator output, external audio input (all 3.5mm sockets)\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 22,2cm wide  18.6cm deep  10.6cm high\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eweight:\u003c\/strong\u003e 2.3kg (synth only, without power supply and box)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStudio Electronicnic's Boomstar systems include:\u003c\/strong\u003e\r\npatchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449751892071,"sku":"44016","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se.boomstar_4075_1front_6ae4a77a-2eaa-4afa-ac3f-5dee73c82c41.jpg?v=1787090260"},{"product_id":"studio-electronics-boomstar-5089-analog-synthesizer","title":"Studio Electronics Boomstar 5089 Analog Synthesizer","description":"\u003cp\u003eDriven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the \u003cstrong\u003eStudio Electronics Boomstar® 5089 Desktop synth\u003c\/strong\u003e is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.nThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMonophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds. The version 5089 has a Moog low pass filter.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle\/sawtooth or sine\/pulse. VCO2 can be removed from the keyboard tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe filter is a resonant 24dB Moog-ladder low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays open what makes filtering external sounds possible without constantly pressing a key.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eback:\u003c\/strong\u003e power inlet (6 pin DIN), MIDI In and Out (5-pin DIN), Audio output (6.35mm = 1\/4\" socket)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003efront:\u003c\/strong\u003e frequency CV input, gate input, fliter cutoff CV input, VCA CV input, oscillator output, external audio input (all 3.5mm sockets)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStudio Electronicnic's Boomstar systems include:\u003c\/strong\u003e\r\npatchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449751924839,"sku":"44014","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se.boomstar_5089_1front_a8767d50-9aaf-4b66-8aa3-2eec5cb71946.jpg?v=1787090259"},{"product_id":"studio-electronics-boomstar-se80-analog-synthesizer","title":"Studio Electronics Boomstar SE80 Analog Synthesizer","description":"\u003cp\u003eDriven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the \u003cstrong\u003eStudio Electronics Boomstar® SE80 Desktop synth\u003c\/strong\u003e is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.nThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGet the sweet and penetrating sound of the classic Yamaha CS-80 lowpass filter with the Studio Electronics Boomstar SE80 analog synthesizer module. If you've always wanted to get your hands on a classic analog synth, but could never justify either the expense or the potential frustration of making that happen, then you're going love the vibe and style of the Boomstar SE80. This totally analog synth features a pair of super-flexible oscillators, tons of routing and modulation options, and a classic CS-80-style lowpass filter. And thanks to its extensive MIDI and CV capabilities, it's easy to add a Studio Electronics Boomstar SE80 to your keyboard rig.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eback: power inlet (6 pin DIN), MIDI In and Out (5-pin DIN), Audio output (6.35mm = 1\/4\" socket)\r\nfront: frequency CV input, gate input, fliter cutoff CV input, VCA CV input, oscillator output, external audio input (all 3.5mm sockets)\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDimensions: 22,2cm wide;  18,6cm deep;  10,6cm high\r\nweight: 2,3kg (synth only, without power supply and box)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStudio Electronicnic's Boomstar systems include:\u003c\/strong\u003e\r\npatchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449751957607,"sku":"44019","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se.boomstar_se80_1front_96c6bf51-00a9-46d1-84ec-d3f9c090b9d0.jpg?v=1787090260"},{"product_id":"studio-electronics-boomstar-sem-analog-synthesizer","title":"Studio Electronics Boomstar SEM Analog Synthesizer","description":"\u003cp\u003eDriven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the \u003cstrong\u003eStudio Electronics Boomstar® SEM Desktop synth\u003c\/strong\u003e is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.nThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle\/sawtooth or sine\/pulse. VCO2 can be removed from the keyboard tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe filter is a resonant Oberheim SEM 12dB low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays open what makes filtering external sounds possible without constantly pressing a key.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eback: power inlet (6 pin DIN), MIDI In and Out (5-pin DIN), Audio output (6.35mm = 1\/4\" socket)\u003c\/p\u003e\r\n\r\n\u003cp\u003efront: frequency CV input, gate input, fliter cutoff CV input, VCA CV input, oscillator output, external audio input (all 3.5mm sockets)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStudio Electronicnic's Boomstar systems include:\u003c\/strong\u003e\r\npatchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449752023143,"sku":"44018","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se.boomstar_sem_1front_e80b4cda-bd33-411e-a8b2-bd2b821565c0.jpg?v=1787090260"},{"product_id":"studio-electronics-vca2","title":"Studio Electronics VCA2","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics VCA2\u003c\/strong\u003e features two quality VCAs for audio or CV with level control—advantageous for creating a CV modulation chain: Patch the 1st (controlling) modulator into the CV input, and the 2nd and 3rd (the controlled) modulators into inputs A and B; the output can then be patched to a modulation destination such as an oscillator or filter frequency. The same approach is effective for enveloping an LFO, or dynamically modulating an LFO or envelope with key velocity, modwheel, key tracking, etc. One can even escape the highly colored Mini-flavord character of the AMP with this quad op-amp alternative for cleaner, sharper tonality in the near final stages of synthesis.\u003c\/p\u003e\u003cp\u003eOriginally set at unity gain (along with the MIX4), now units with a January 16 (2016) and greater marking will exceed unity and clip the op-amp, past 3:00 on the dial. Upshot: Fully clockwise the gain is doubled. Distortion of audio and modulation signals never hurt anyone, and add another tool to the box.\u003c\/p\u003e\u003cp\u003eNote: In the audio realm clipping may occur sooner dependent up signal input level.\u003c\/p\u003e\u003ch3\u003eTwo Pots\u003c\/h3\u003e\u003cp\u003eLEVEL 1, LEVEL 2.\u003c\/p\u003e\u003ch3\u003eEight Patch Points\u003c\/h3\u003e\u003cp\u003eCV 1, IN 1A, IN 1B, OUT 1; CV 2, IN 2A, IN 2B, OUT 2.\u003c\/p\u003e\u003ch3\u003eCommon Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLEVEL – Level\/Mix adjustment.\u003c\/li\u003e\n\u003cli\u003eCV – Controlling CV modulation input.\u003c\/li\u003e\n\u003cli\u003eIN A – Controlled Input 1A.\u003c\/li\u003e\n\u003cli\u003eIN B – Controlled Input 1B.\u003c\/li\u003e\n\u003cli\u003eOUT – Output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 5mA, 4mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888075879,"sku":"56793","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-vca2-1_91f970da-2381-4cb6-b8fa-e343585d4d01.jpg?v=1787090823"},{"product_id":"studio-electronics-two-stage-class-a-voltage-controller-amp","title":"Studio Electronics AMP","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics AMP\u003c\/strong\u003e is a 2 stage Class A discrete design using 3 pairs of hand matched transistors. Envelope is usually applied to ST1\/1. ST1\/2 goes thru an attenuverter and can be used for envelope or modulation. ST2\/1 goes to the 2nd stage, and is typically used for volume control. ST2\/2 goes thru an attenuverter and is typically used for modulation.\u003c\/p\u003e\u003cp\u003eThe AMP, the 5089, and the 3003 are Class A circuits. They draw more current from the +12 rail than from the -12 volt rail. If the system power supply is under-sized, hum or buzz may be heard. In that case, larger filter capacitors and\/or a larger power transformer will be needed. The 4075 draws equally from both rails, and is more immune to hum. Like the filters Boomstar Modular AMPs are hand-built entirely in the U. S. of A—just ask Rachael Herbison!\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eTwo attenuverters and two attenuation pots control the INPUT, ST1 CV2, ST2 CV2, and OUTPUT, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eUber useful continuous hypnotic DRONE for endless sustain\/release, and DRIVE—the overdrive circuit from the Boomstar desktop—for last stage energy, bite, soft clipping, and gonzo '70's era \"Distortion +\" crunchy fuzz.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSix patch points: INPUT, ST1 CV1, ST1 CV2, ST2 CV1, ST2 CV2, OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eST1 CV2 – Adjusts stage 1, control voltage 2.\u003c\/li\u003e\n\u003cli\u003eST2 CV2 – Adjusts stage 2, control voltage 2.\u003c\/li\u003e\n\u003cli\u003eDRONE – Sustains the last note received.\u003c\/li\u003e\n\u003cli\u003eDRIVE – Final output stage overdirve\/saturation.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eST1 CV1 – Stage 1, control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eST1 CV2 – Stage 1, control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eST2 CV1 - Stage 2, control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eST2 CV2 – Stage 2, control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Audio output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 35mA, 12mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888043111,"sku":"56779","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-amp-1_c49ddf82-f872-4584-8aa8-c2d9712ac427.jpg?v=1787090823"},{"product_id":"studio-electronics-tb303-toned-voltage-controlled-filter","title":"Studio Electronics 3003 Filter","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics 3003\u003c\/strong\u003e filter is a voltage controlled, discrete analog 18 db\/oct ladder low-pass filter, employing hand-matched transistors. Drop the FREQUENCY knob to 0 and things get pretty dull; swing it back up and those \"Transistor Bass” highs come crashing through the gate. The 3003's RESONANCE circuit at max will sing out more than the TB’s signature chirping in a fun, bubbly, if washy, poorer relation, Mini “clone-ish\" way; use it tastefully, or throw moderation to the wind for overwhelming chirp force.\u003c\/p\u003e\u003cp\u003eThe 3003 filter has the most gentle sonic touch of its partners in the Boomstar fold, but nevertheless is quite capable of shaping precise, very dynamic tone. Whether or not this STUDIO ELECTRONICS filter is filling its traditional baseline boxing niche, driving a harsh, liquid, acid-like tone, a softer more rubber-bandy SH-101-ish voice, or out of the bass range altogether, leading the way, all is within easy reach of this surprisingly warm and versatile VCF. The Modstar 3003 can be distinctly vocal at times, especially when one is willing to put grittier, more distorted desires aside.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, FREQ CV 2, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eClassic Minimoog FULL and HALF strength filter frequency keyboard\/voltage tracking for rounder low end with brilliant highs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: 1 V\/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT and 2x OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Adjusts the frequency, or cut-off of the filter.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the filter. *\u003c\/li\u003e\n\u003cli\u003eFULL HALF TRACK – Switch between full and half keyboard\/voltage tracking.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT x2 – Audio outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 37mA, 25mA (+12 \/ -12)\u003c\/p\u003e\u003cp\u003e-From 7:00 (0) to 9:00 our “Negative Resonance Saturation” adds beefiness, boosting the waveform amplitude and taming waveform transients; set to 9:00 to achieve the cleanest tone possible.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888108647,"sku":"56776","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-3003-1_4e62df74-e37b-4a0f-ab96-cfd3423f5aba.jpg?v=1787090824"},{"product_id":"studio-electronics-shapers","title":"Studio Electronics Shapers","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SHAPERS\u003c\/strong\u003e is a dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages. The Pittsbutgh Modular hybrid ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument, just like its antecedent. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\u003cp\u003eThe functionality of SHAPERS is easy enough: the incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the ATTACK determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. DECAY sets the amount of time needed to transition to the level set by the sustain knob. The SUSTAIN level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The RELEASE knob sets the time needed to close the envelope and return the ADSR output to 0 volts.\u003c\/p\u003e\u003cp\u003eSHAPERS envelopes can respond lightening fast or demonstrate the patience of a saint, especially in the LONG RANGE 1 and 2 settings. INV 1 makes topsy-turvy time fun with the inverting of the ADSR 1, and the LED indicators provide a useful visual assist.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eEight attenuation pots control the ATTACK (x2), DECAY (x2), SUSTAIN (x2), RELEASE (x2), delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eSHORT and LONG range time settings for both ADSRs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eFive patch points: IN 1, OUT 1, INV 1, IN 2, and OUT 2 connect and direct the deepest manipulation.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAll Controls and Patch Points\u003c\/li\u003e\n\u003cli\u003eATTACK (x2) - Adjusts the attack stage.\u003c\/li\u003e\n\u003cli\u003eDECAY (x2) - Adjusts the decay stage.\u003c\/li\u003e\n\u003cli\u003eSUSTAIN (x2) - Adjust the sustain stage.\u003c\/li\u003e\n\u003cli\u003eRELEASE (x2) - Adjusts the release stage.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 1 - Selects the envelope range for ADSR 1.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 2 - Selects the envelope range for ADSR 2.\u003c\/li\u003e\n\u003cli\u003eIN 1 - Control voltage input 1.\u003c\/li\u003e\n\u003cli\u003eOUT 1 - Control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eINV 1 - Inverted control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eIN 2 - Control voltage input 2.\u003c\/li\u003e\n\u003cli\u003eOUT 2 - Control voltage output 2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 16mA, 17mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888174183,"sku":"56791","price":171.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-shapers-1_60388f9a-1262-4718-b0a8-49c646c30f44.jpg?v=1787090824"},{"product_id":"studio-electronics-tonestar","title":"Studio Electronics ToneStar 2600","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics TONESTAR\u003c\/strong\u003e is an ARP 2600-inspired synth voice 31 years in the shaping, pre-patched like Pearlman's prodigy, and fully \"outs to outs\" in-the-box modular, allowing for highpass\/bandpass\/notch filter tones, and bristling X-mod effects. Connect CV \/ gate and twist 'n' switch, or pull its tones and voltages apart one 3.5mm cord at a time. 26 knobs, 7 switches, and 21 jacks make for complex and satisfying signal flow, color and collisions. If it gets reedy, route the triangle wave 'round the VCF, and push dat Sub. Nearly thrilling Out to Outs\/Interesting Patches (in case you missed it above).\u003c\/p\u003e\r\n\u003cp\u003eCaswell Knowledge (circuit designer):\u003c\/p\u003e\r\n\u003cp\u003e\"The VCO is the same affair as the Oscillation, the Boomstar, and the Omega. It's kind of a combination of Arp®, Oberheim® and Moog® circuits (sort of a greatest hits), time-tested, very stable—very good tracking over a very large range; certain parts have to be hand selected to achieve that level of exacting performance. Editors Note: This module is a TONESTAR—its own thing—and not a 2600 clone attempt; nevertheless, the Tone☆ tugs lovingly at times on the sleeve of the 1970's era classic.\u003c\/p\u003e\r\n\u003cp\u003eEnvelope FYI: The Tonestar Sustain control replicates the behavior of the 2600 and Odyssey: after the initial Decay, it continues to move (sink) very slowly, adding a little extra texture to the sound. It's technically a flaw, but after digging out my Odyssey, it is for sure a desirable \"quirk\", and the perfect companion to the 4072 filter (which is mistakenly titled a 4075 in the Boomstar Modular line).\u003c\/p\u003e\r\n\u003cp\u003eAnother bit of fun: The LFO is voltage controlled, so you can envelope, LFO, or otherwise modulate both the rate and the depth; the ADSR amount is also voltage controlled, so it can be manipulated by MIDI dynamics, MIDI volume, an LFO, etc. Greg [St. Regis] has decreed that anything must be patchable to anything, so some technically wrong patchings (for example, pulse wave out to ADSR out) may often produce unexpectedly interesting, x-mod\/notch filtering—quite pleasing effects.\u003c\/p\u003e\r\n\u003cp\u003eThe Tonestar was Greg's concept, but as I understood it, the goal was a single oscillator, 2600 VCF, pre-patched and yet fully modular classic synth voice, at a specific size, wielding every trick that Studio Electronics could cram in. Main use would be as a go-to bassline\/lead tool, or a premium quality, entry-level, complete synth module, for root-to-leaf sound design, and multiform analog exploration\/expression.\"\u003c\/p\u003e\r\n\u003cp\u003e( ) represents normalled connections, which will be explained in greater detail before long.\u003c\/p\u003e\r\n\u003ch3\u003e26 Knobbed and \"Shafted\" Potentiometers\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: FREQUENCY, PULSE WIDTH, LFO (^), GLIDE, MOD (ADSR), SAW, SQUARE, SUB, TUNE; Noise: LEVEL;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQUENCY, RESONANCE, TRACK, DRIVE, ADSR, MOD (LFO);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH (OSC), SPEED; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE;\u003c\/li\u003e\r\n\u003cli\u003eVCA: FEEDBACK (filter), VOLUME\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e7 Switches\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: OCT (up\/down), FREQ\/PW, NO VCF;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQ\/RESO;\u003c\/li\u003e\r\n\u003cli\u003eLFO: TRIANGLE\/SQUARE*;\u003c\/li\u003e\r\n\u003cli\u003eENVs: DRONE, MASTER;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e21 Jacks\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V\/O, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eNOISE: NOISE (white);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH, TRIANGLE*, SQUARE, SPEED;\u003c\/li\u003e\r\n\u003cli\u003eVCF: EXT IN, FIL OUT, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eENVs: MOD IN, ADSR OUT, AR OUT, GATE IN;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX, VCA IN, OUTPUT\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAll Controls—arranged in order of signal flow—and Patch Points\u003c\/h3\u003e\r\n\u003cp\u003eVCO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\r\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\r\n\u003cli\u003eOCT – +1\/-1 octave switch.\u003c\/li\u003e\r\n\u003cli\u003eLFO (^) – Triangle wave low frequency oscillation to pulse width control.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/PW – Oscillator frequency, or Pulse (square wave) width to ADSR modulation routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eGLIDE – Slew generator control.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE\/NO VCF – Triangle to VCA switch—bypasses VCF.\u003c\/li\u003e\r\n\u003cli\u003eMOD (ADSR) – Oscillation modulation via ADSR control.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Sawtooth wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Square wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSUB – Square wave Sub Oscillator attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eMIX – Composite waveform output.\u003c\/li\u003e\r\n\u003cli\u003e1V\/O – One volt per octave control voltage input.\u003c\/li\u003e\r\n\u003cli\u003eTUNE – Master fine tune (approx. -5\/+ 5 semitones).\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Modulation CV input. Normaled to ADSR; ADSR is replaced when alt. source connected.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eNoise:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNOISE – White noise generator output.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL – Noise attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCF:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Frequency, or cut-off attenuator\u003c\/li\u003e\r\n\u003cli\u003eRESONANCE – Resonance, or Q attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRACK – Keyboard\/voltage tracking attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDRIVE – Oscillator output to filter input attenuator.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/RESO – Filter Frequency, or Resonance to LFO modulation routing switch. Center off position.\u003c\/li\u003e\r\n\u003cli\u003eADSR – Filter to ADSR envelope attenuator.\u003c\/li\u003e\r\n\u003cli\u003eMOD (LFO) – Filter to LFO attenuator.\u003c\/li\u003e\r\n\u003cli\u003eEXT IN – External audio input.\u003c\/li\u003e\r\n\u003cli\u003eFIL OUT – Filter audio output.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Frequency or Resonance modulation CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eLFO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTRIANGLE\/SQUARE* – Waveform select switch (triangle core).\u003c\/li\u003e\r\n\u003cli\u003eDPTH (OSC) – LFO to Oscillator control.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDEPTH – Control voltage Input.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE*– Square wave output.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eENVs:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eATTACK – Attack stage control.\u003c\/li\u003e\r\n\u003cli\u003eDECAY – Decay stage control.\u003c\/li\u003e\r\n\u003cli\u003eSUSTAIN – Sustain stage control.\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eDRONE\/MASTER – Indefinite\/instant sustain, and master mode for ADSR routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eATTACK – Attack stage control\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Allows for dynamic modulation of the ADSR, eg., if you want the amount of modulation added to\/determined by a external source, jack in; or if you prefer, modulation input to the ADSR routing—use with velocity, or a sequencer: the sequencer could isolate the ADSR amount the amount to a single step in the phrase for example. Exciting. A second external envelope can provide an interesting effect, or the AR (in the box patching).\u003c\/li\u003e\r\n\u003cli\u003eADSR OUT – ADSR output.\u003c\/li\u003e\r\n\u003cli\u003eAR OUT – AR Output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCA:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFEEDBACK – Oscillator\/filter feedback loop control.\u003c\/li\u003e\r\n\u003cli\u003eVOLUME – Master volume control.\u003c\/li\u003e\r\n\u003cli\u003eVCA\/CV – Amplifier control voltage output.\u003c\/li\u003e\r\n\u003cli\u003eIN\/MIX – VCA mix input switch switch (normalled jack). When set to IN, external audio replaces filter output to VCA; when set to mix MIX, filter output is fed along with the filter audio to VCA.\u003c\/li\u003e\r\n\u003cli\u003eVCA IN – Audio input.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT – Main output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVitals:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePCB Mounting Scheme - Through-hole.\u003c\/li\u003e\r\n\u003cli\u003eFilter - Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors.\u003c\/li\u003e\r\n\u003cli\u003eSize - 32hp.\u003c\/li\u003e\r\n\u003cli\u003eDepth - 35mm including connectors.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional DIY Adjustments\u003c\/h3\u003e\r\n\u003cp\u003eUnits #2-15 \/ Noise - The noise on the Tonestar leans to the Pink side, a little dark and moody. Some may like it, some may want the more bright and sizzled white variety. One resistor or capacitor change will shift it to the white spectrum.\u003c\/p\u003e\r\n\u003cp\u003eUnits #2-22 \/ Feedback - The Feedback loop is big, bold and deep on the low end; maybe a bit too much so. One resistor change will reign it in, but still allow enough chaotic madness at maximum level.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888141415,"sku":"56792","price":639.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-tonestar_56792_1_acfcd9b1-ed86-478d-b9e2-77a32a131d39.jpg?v=1787090824"},{"product_id":"studio-electronics-sem","title":"Studio Electronics SEM","description":"\u003cp\u003eSensei Caswell: \"The \u003cstrong\u003eStudio Electronics SEM\u003c\/strong\u003e is known as a 'Voltage Controlled State Variable Filter' because it provides simultaneous high pass, low pass, and band pass outputs, all with a 12 dB\/oct slope. The notch is the inverse of the bandpass, achieved by summing the low pass and high pass outputs. This version is a combination of the original SEM filter and the newer design from the OBX, along with improvements by SE. It has a modest current draw, which it pulls evenly from the plus and minus rails.\"\u003c\/p\u003e\u003cp\u003eIf you've heard the SEM filter in the Boomstar desktop, you also know that this 12 dB favorite is capable of lighter, more subtle tones than the other three models. This isn't to suggest the filter's Low Pass mode can't cater for fat and punchy, because it can. Looking for deeply gratifying tonal variance and this emotional warmth? our friend Fred Falke's favorite—it can reach into your head and heart, and stay as long as desired. Thank you Lord Tom Oberheim for this marvelous design\/template from which we were able to work our very own Studio Electronics Eurorack filter enchantments—we do like to hit our SEM a bit harder though ;)\u003c\/p\u003e\u003cp\u003eTim Caswell on the easy bonking: \"Right. This filter is a 'State Variable' circuit, which is an analog computer model of a pendulum. When the resonance is increased, the \"damping\" or stabilizing of the circuit is actually decreased. This makes the pendulum swing more wildly. If it is hit hard enough, it will swing all the way to one side and 'stick' there, what we call 'bonk out'. Greg likes the sounds that can be gotten as it goes into and out of 'bonk out', so, against my objections, we have not made the filter 'idiot proof' by limiting the input level and resonance amount. If you don't like it, limit your input level and\/or resonance amount. Otherwise, go wild! It won't hurt the circuit. TC\"\u003c\/p\u003e\u003cp\u003eMarc St. Regis on fear and flammability: \"Fear not, your SEM is not broken; it does not lie bleeding and battered; distortion is not flammable; you can and will—must—survive this \"strange design decision\" and all will be right with your 12dB filtered world, biscuits and all. More sound creation possibilities = more better design realities ;) MSR\"\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, LP HP, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eFULL and HALF strength filter frequency keyboard\/voltage tracking, and BP \/ LP-HP modes.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: 1 V\/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT, BP LP-HP, and OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Adjusts the frequency, or cut-off of the filter.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the filter.\u003c\/li\u003e\n\u003cli\u003eFULL HALF TRACK – Switch between full and half keyboard\/voltage tracking.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eLP HP – Low Pass \/ High Pass attenuverter.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eBP OUT – Band Pass Output. No cable patched, BP passes through the mains.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eBP LP-HP – Switch between Band Pass and Low Pass - High Pass modes.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Audio output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 32mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888206951,"sku":"56790","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-sem-1_94fb1142-1cf8-4940-a70d-13b382a86256.jpg?v=1787090824"},{"product_id":"studio-electronics-se88","title":"Studio Electronics SE88","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SE88\u003c\/strong\u003e is their version of the boxy, Blade Runner-sweet and Boomstar-brash dual mode CS80 filter, initially married to the Omega Series Synths, and then tucked-in the 'Stars, now joins the Modstar Collective. They twisted and turned the SE88 to unflatten the earth, so to speak; the original CS80 fed a HP filter into a LP filter, but with the SE88 your can select MODE 1's HP or BR to feed MODE 2's LP or BP, or patch it to reverse that pleasant path. The audio signal is completely controllable with input and output levels for each filter. Cherish and respect your filter's input gain stages, for a smooth yet often brassy sound—shed your mercy to strike hard for boiling, snarling bite, even to the blackout\/cutout point (see Greg St. Regis, Tim Caswell, and Marc St. Regis' SEM filter commentary for a detailed diatribe on this \"feature too far\"); then and only then, uniquely blend mode settings for the filter family values you revere.\u003c\/p\u003e\u003cp\u003eTo get things merrily modulating, each filter employs attenuverters for frequency and resonance experimentation and decimation. While the SE88 does not self oscillate (Yamaha's creation didn't either), the resonance level was amped up for full-throttle squelching. An additional master FM (frequency modulation) attenuverter-controlled level can feed both filters (when hungry enough) simultaneously, and tracking switches allow for individual keyboard response for each of the contrasting and complimentary filter modes.\u003c\/p\u003e\u003cp\u003eSpeaking of responses, the Boomstar SE80 - Dual Resonant Powerhouse, features the same core filter architecture, and is our current SoundCloud play king of the hill: soundcloud.com\/studio-electronics\/sets\/the-se80s.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eFive attenuverter and eight attenuation pots control the FREQUENCY MODE 1, FM IN, FREQUENCY MODE 2, RESONANCE, M1 FM, RESONANCE, M1 RES CV 1, M2 RES CV, INPUT, M2 FM, OUTPUT, LEVEL (M1 OUT), and LEVEL (M2 OUT).\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003e2\/3 - 1\/3 TRACK (M1), FULL - HALF TRACK (M2), HP - BR, LP - BP.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eTen patch points: 1 V\/O, FM IN, M1 FM, M2 FM, M1 RES CV, M2 RES CV, M1 IN, M1 OUT,M2 IN, M2 OUT.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY MODE 1 – Adjusts the frequency, or cutoff of Mode 1.\u003c\/li\u003e\n\u003cli\u003e2\/3 - 1\/3 TRACK - Toggles tracking options for Mode 1.\u003c\/li\u003e\n\u003cli\u003eFM IN - Adjusts the master frequency modulation input.\u003c\/li\u003e\n\u003cli\u003eFULL - HALF TRACK - Toggles tracking options for Mode 2.\u003c\/li\u003e\n\u003cli\u003eFREQUENCY MODE 2 - Adjusts the frequency, or cutoff of Mode 2.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of Mode 1's filter.\u003c\/li\u003e\n\u003cli\u003eM1 FM - Adjusts Mode 1's frequency modulation.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the Mode 2's filter.\u003c\/li\u003e\n\u003cli\u003eHP \/ BR - Toggles the High-Pass and Band-Reject option.\u003c\/li\u003e\n\u003cli\u003eM1 RES CV – Adjusts Mode 1's resonance control voltage.\u003c\/li\u003e\n\u003cli\u003eM2 RES CV – Adjusts Mode 2's resonance control voltage.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the master audio input.\u003c\/li\u003e\n\u003cli\u003eM2 FM – Adjusts Mode 2's frequency modulation.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjust the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFM IN – Master frequency modulation input.\u003c\/li\u003e\n\u003cli\u003eM1 FM – Mode 1 frequency modulation input.\u003c\/li\u003e\n\u003cli\u003eM2 FM – Mode 2 frequency modulation input.\u003c\/li\u003e\n\u003cli\u003eM1 RES CV – Mode 1 resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eM2 RES CV – Mode 2 resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eM1 IN – Mode 1 input.\u003c\/li\u003e\n\u003cli\u003eLEVEL – Level control for Mode 1.\u003c\/li\u003e\n\u003cli\u003eM1 OUT – Mode 1 output.\u003c\/li\u003e\n\u003cli\u003eM2 IN – Mode 2 input.\u003c\/li\u003e\n\u003cli\u003eLEVEL – Level control for Mode 2.\u003c\/li\u003e\n\u003cli\u003eM2 OUT – Mode 2 output.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888239719,"sku":"56789","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-se88-1_83ed075b-9866-4f6f-9627-ee1ac75b615b.jpg?v=1787090824"},{"product_id":"studio-electronics-sci-fi","title":"Studio Electronics Sci Fi","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SCI FI\u003c\/strong\u003e is an ingeniously vintage-circuit-inspired Richard Nicol\/Pittsburgh Modular original—jump cut to matttechmodular to see just how much fun can be wrung out of it!\u003c\/p\u003e\u003cp\u003eAs the reader might already know, ring modulation is a signal-processing electronic function: an implementation of amplitude modulation or frequency mixing, performed by multiplying two signals. This beloved other-worldly, warm, and at times clangorous coloring dates at least as far back to Bode's Melochord of 1947 technology, which was ultimately licensed to Robert Moog in the early 1960s. Of course analog maestros Don Buchla, and Lord Tom Oberheim made their indelible marks, with circuitry culminating—to the ears—in the brilliantly rhythmic, and wildly expressive Yamaha CS-80 Ringmod's sonic alchemy and \"Electone\" informed controls.\u003c\/p\u003e\u003cp\u003eBack at the Modstar Ranch: The SCI FI's outputted ring-modulated signal is the sum and difference of the frequencies present in each waveform—a signal rich in partials—often producing a haunting, bell-like, metallic, and sometimes softly grinding, understated modulation awash in harmonic and non-harmonic tones. S.E. brought its own brand of dynamic ModMax Pedal-flavored Ringmod to the world in 2002.\u003c\/p\u003e\u003cp\u003eSCI FI is getting better all the time with its companion LFO FREQ (low frequency oscillator), true analog PINK, and digital WHITE noise, S \u0026amp; H—a true sample and hold generator, with RANGE control, and LAG generator—a slew limiter which craftily smooths out changes in audio or modulation signals: higher values = smoother signal flowing. This module is every bit as creamy sounding as it is electrically charged: the higher frequencies coat the sound with a sparkling quality one wouldn't naturally expect, but it is a welcome sound indeed.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eSix attenuation pots: RING MOD, LFO FREQ, WHITE, PINK, RANGE, and LAG.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: RM X IN, RM Y IN, GATE, SOURCE, RM OUT, WHITE, PINK, and S \u0026amp; H OUT.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eRING MOD – Adjusts the ring mod depth.\u003c\/li\u003e\n\u003cli\u003eLFO FREQ – Adjusts the rate of the sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eWHITE – Adjusts the white noise level.\u003c\/li\u003e\n\u003cli\u003ePINK – Adjusts the pink noise level.\u003c\/li\u003e\n\u003cli\u003eRANGE – Adjusts the sample \u0026amp; hold depth or intensity.\u003c\/li\u003e\n\u003cli\u003eLAG – Adjusts the sample and hold lag or slew limiting (glide): in the circuit after the sample \u0026amp; hold and before the range attenuator.\u003c\/li\u003e\n\u003cli\u003eRM X IN – Ring Mod X waveform input.\u003c\/li\u003e\n\u003cli\u003eRM Y IN – Ring Mod Y waveform input.\u003c\/li\u003e\n\u003cli\u003eGATE – External gate input for sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eSOURCE – External audio input for sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eRM OUT – Ring Mod output.\u003c\/li\u003e\n\u003cli\u003eWHITE – White noise output.\u003c\/li\u003e\n\u003cli\u003ePINK – Pink noise output—the pink noise is normaled to the source input of the sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eS \u0026amp; H OUT – Sample \u0026amp; hold output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 48mA, 41mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888272487,"sku":"56788","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-scifi-1_7a8335df-6a10-4bc8-9f81-7d5a5f44aec3.jpg?v=1787090824"},{"product_id":"studio-electronics-router","title":"Studio Electronics Router","description":"\u003cp\u003eThe Studio Electronics Router is two audio or CV routers—bi-directional—despite what the nomenclature states. Bring a signal in and switch between two desirable destinations. Center off switch. Great for instantaneous audio or CV effects: flip your wilson between polar opposites, or subtly nebulous contrasts with your fingers... mainly.\u003c\/p\u003e\u003ch3\u003eTwo Switches\u003c\/h3\u003e\u003cp\u003e1-2, 1-2\u003c\/p\u003e\u003ch3\u003eSix Patch Points\u003c\/h3\u003e\u003cp\u003eOUT 1, OUT 2, IN A (top), IN B, OUT 1, OUT 2 (bottom).\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eOUT 1 – Output #1.\u003c\/li\u003e\n\u003cli\u003eOUT 2 – Output #2.\u003c\/li\u003e\n\u003cli\u003eIN A – Input A.\u003c\/li\u003e\n\u003cli\u003e1-2 (IN A) – Switch between output 1 and 2.\u003c\/li\u003e\n\u003cli\u003e1-2 (IN B) – Switch between output 1 and 2.\u003c\/li\u003e\n\u003cli\u003eIN B – Input B.\u003c\/li\u003e\n\u003cli\u003eOUT 1 – Output #1.\u003c\/li\u003e\n\u003cli\u003eOUT 2 – Output #2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - Passive\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888305255,"sku":"56787","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-router-1_c974c0d1-ee0a-4f8b-8db4-eec113574d11.jpg?v=1787090824"},{"product_id":"studio-electronics-quadnic","title":"Studio Electronics Quadnic","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics QUADNIC\u003c\/strong\u003e reps. the 2nd collobaration with SpaceHardware—a deeply featured 12hp module with four digital oscillators—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V\/O CV input and widely detuned, or switched to a preset chord formation—a major move beyond the 'one note samba' monophonic, module choreography we all know and mainly love, but... scooch over Grainy, Quadnic is cookin' up digi-vittles for four. \"Come 'n' git it!\"\u003c\/p\u003e\u003ch3\u003eMaster Matters\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWith MASTER mode switched on, the oscillator responds to it's own CV input.\u003c\/li\u003e\n\u003cli\u003eOscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +\/-1 octave offset.\u003c\/li\u003e\n\u003cli\u003eOscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master.\u003c\/li\u003e\n\u003cli\u003eWhen all 4 oscillator switches\/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to same pitch, adjust the Pitch and Fine controls.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to play the same sound (they are quite independent), adjust all controls.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with Master selected: unison and Chord can detune massively up to 4 octaves.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with master not selected: unison and Chord produce chords.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1V\/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.\u003c\/li\u003e\n\u003cli\u003eProc CV - Process CV input. +\/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.\u003c\/li\u003e\n\u003cli\u003eOut 1 - Oscillator 1 output.\u003c\/li\u003e\n\u003cli\u003eOut 2 - Oscillator 2 output.\u003c\/li\u003e\n\u003cli\u003eOut 3 - Oscillator 3 output.\u003c\/li\u003e\n\u003cli\u003eOut 4 - Oscillator 4 output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 50mA max\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888338023,"sku":"56786","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-quadnic-1_14ceac77-ead0-4fef-9275-43a744f063cc.jpg?v=1787090824"},{"product_id":"studio-electronics-oscillation","title":"Studio Electronics Oscillation","description":"\u003cp\u003eAt the beginning of the tone parade, another cagey Tim Caswell hybrid, which utilizes an exponential current source in a sympathetic spirit, to the through-hole, glory days circuits of ARP and Oberheim, followed in perfect sync by wave shaping circuits adapted from 2nd generation Minimoog Model D oscillator boards, and an incorporation of waveform mixing circuits pioneered by little old SE; that's us here at STUDIO ELECTRONICS! The gorgeous 100k spray on top all the way down to a boomin' sub bottom, engineer a extravagant variety of tones that would otherwise require several patch cords, and an external mixer; with a two oscillator system, 9 or 10 patch cords and an 8 input mixer would have to be tucked into your carry-on. Where then would you secret your laptop and raw almonds?\u003c\/p\u003e\u003cp\u003eWhat's nice about the \u003cstrong\u003eStudio Electronics OSCILLATION\u003c\/strong\u003e stunner (according to Tim) \"is that the waveforms are DC-coupled [components connected directly together without any coupling capacitors], so they keep their shape even at sub-Hz speeds. The outputs are also buffered, so the amplitude is independent of the load they are driving. The waveform levels on some modern Eurorack OSCs are often all different, and they vary depending if they go into the mixer or directly to the filter!\" Coupling the circuitry without capacitors in-line gives the go-ahead for the full spectrum of frequencies to do their thing, and ensures near identical response over the years—audiophile, transistor-protecting signal path stuff here. You should see these beauts on the scope: a Class-A ballet of balance and proportion, only drawing modest current, evenly from plus and minus.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuation, and three attenuverter pots control the FREQUENCY, TUNE, PW CV IN, PUSLE WIDTH, FM CV IN, and SUB LEVEL, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eNORMAL and LOW RANGE - wide sweeping audio frequencies, or clicks (respectively) for creating a rhythmic pulse or sweep; SINE, TRI, SAW, SQR - your friendly waveform on and offs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eEleven patch points: 1 V\/O, FM IN, WAVE MIX, SYNC IN, PW IN, SUB OUT, SINE OUT, TRI OUT, SAW OUT, RAMP OUT, SQR OUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\n\u003cli\u003eNORMAL \/ LOW RANGE – Oscillator domain switch.\u003c\/li\u003e\n\u003cli\u003eTUNE – Oscillator fine-tune attenuverter.\u003c\/li\u003e\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\n\u003cli\u003eSINE – Sine wave on\/off.\u003c\/li\u003e\n\u003cli\u003eTRI – Triangle wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSAW – Sawtooth wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSQR – Square (pulse) wave on\/off.\u003c\/li\u003e\n\u003cli\u003eFM CV IN – Frequency Modulation control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eSUB LEVEL – Sub (one octave down) level attenuator.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFM IN – Frequency Modulation control voltage input.\u003c\/li\u003e\n\u003cli\u003eSYNC IN – Oscillator Sync control voltage input.\u003c\/li\u003e\n\u003cli\u003ePW IN – Pulse Width control voltage input.\u003c\/li\u003e\n\u003cli\u003eSUB OUT – Sub Oscillator output.\u003c\/li\u003e\n\u003cli\u003eSINE OUT – Sine Oscillator output.\u003c\/li\u003e\n\u003cli\u003eTRI OUT – Triangle wave output.\u003c\/li\u003e\n\u003cli\u003eSAW OUT– Sawtooth wave output.\u003c\/li\u003e\n\u003cli\u003eRAMP OUT – Ramp (reverse sawtooth) wave output.\u003c\/li\u003e\n\u003cli\u003eSQR OUT – Square wave output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 20mA, 39mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888370791,"sku":"56785","price":269.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-oscillation-1_ca008529-60d7-4880-a64f-30921259351d.jpg?v=1787090825"},{"product_id":"studio-electronics-modstar-sensei-hybrid-kanco","title":"Studio Electronics Modstar Sensei Hybrid - Kanco","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SENSEI HYBRID\u003c\/strong\u003e resists analog purity for richly contrasting tones, modulation, and points of origin and purpose. Two stellar Eowave digital creations: the hypnotic and compelling CHARCOT CIRCLES: a 16 x 8 step sequencer, and STE. 16: a fiery, expansive, dual digital LFO, seem to have been waiting in the wings for just this moment to shine, as you might have guessed from their center-staging. Space Hardware's* GRAINY CLAMPIT: a granular and phase distortion additive oscillator, and QUADNIC: a 4 voice, 64 waveform digital oscillator, pair and push away from our pristine 8+ octave tracking discrete Class-A OSCILLATION module, in ways which must be experienced firsthand—a best of both worlds arrangement...\u003c\/p\u003e\u003cp\u003eThree revered SE filters more than keep pace: SEM, 4075, and SE88.\u003c\/p\u003e\u003cp\u003eTwo case options: MonoRocket SE-M6104 Black Carbon Case, and Kahnco Modular Case System, powered by 4MS Row Power 30.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThink PGH's \"Symbiotic Waves\"\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e4MS ROW POWER 30 - Clean, regulated, and protected power solution for eurorack systems. Row Power 30 provides 30W of power, suited for any typical eurorack row (84HP to 168HP).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e4075 - Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e5089 - Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eAMP - 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eCHARCOT CIRCLES - 16 x 8 step sequencer, that can be utilized as an 8 x 16 step track preset (8 CVs \u0026amp; gates), 4 x 32 (4 CVs \u0026amp; gates), 2 x 64 (2 CVs \u0026amp; gates), and 1 x 128 step track preset (1 CV, 1 gate). CV and gate expansion via our BBOX (Breakout Box).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eGRAINY CLAMPIT - Granular and phase distortion additive digital oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLEVELS - Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLFO2 - Potent all analog dual LFO module; two independent low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIDI 3 - Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMULTIPLE - Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOSCILLATION - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOUTS - Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\", optimized by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eQUADNIC - Four voice digital oscillator—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSCI FI - Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSE88 - CS-80 inspired dual resonant powerhouse with hi pass\/band reject, low pass\/band pass filter modes, and \"Pendulum Chaos Generation”—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSEM - Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum ChaosGenerator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHAPERS - Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages. Short and long range settings deliver smooth, detailed, and complex expression.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHPR - Half-strength Shapers.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSTE. 16 - Dual digital LFO, featuring a hI-freq mode, complex waveform mixing possibilities and expressive patching possibilities.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eATTENULAG - Switchable dual attenuator, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIX4 - Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eROUTER (R) - Dual bi-directional (despite what the nomenclature states) audio \/ CV router.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eVCA2 - Dual high quality VCA for audio or CV level control—perfect for creating a CV modulation chain.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMonorocket M6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888403559,"sku":"56773","price":6299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-hybrid-1_496f5037-0ca6-4620-aecf-98e39accdb61.jpg?v=1787090824"},{"product_id":"studio-electronics-modstar-sensei-hybrid-carbon","title":"Studio Electronics Modstar Sensei Hybrid - Carbon","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SENSEI HYBRID\u003c\/strong\u003e resists analog purity for richly contrasting tones, modulation, and points of origin and purpose. Two stellar Eowave digital creations: the hypnotic and compelling CHARCOT CIRCLES: a 16 x 8 step sequencer, and STE. 16: a fiery, expansive, dual digital LFO, seem to have been waiting in the wings for just this moment to shine, as you might have guessed from their center-staging. Space Hardware's* GRAINY CLAMPIT: a granular and phase distortion additive oscillator, and QUADNIC: a 4 voice, 64 waveform digital oscillator, pair and push away from our pristine 8+ octave tracking discrete Class-A OSCILLATION module, in ways which must be experienced firsthand—a best of both worlds arrangement...\u003c\/p\u003e\u003cp\u003eThree revered SE filters more than keep pace: SEM, 4075, and SE88.\u003c\/p\u003e\u003cp\u003eTwo case options: MonoRocket SE-M6104 Black Carbon Case, and Kahnco Modular Case System, powered by 4MS Row Power 30.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThink PGH's \"Symbiotic Waves\"\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e4MS ROW POWER 30 - Clean, regulated, and protected power solution for eurorack systems. Row Power 30 provides 30W of power, suited for any typical eurorack row (84HP to 168HP).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e4075 - Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e5089 - Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eAMP - 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eCHARCOT CIRCLES - 16 x 8 step sequencer, that can be utilized as an 8 x 16 step track preset (8 CVs \u0026amp; gates), 4 x 32 (4 CVs \u0026amp; gates), 2 x 64 (2 CVs \u0026amp; gates), and 1 x 128 step track preset (1 CV, 1 gate). CV and gate expansion via our BBOX (Breakout Box).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eGRAINY CLAMPIT - Granular and phase distortion additive digital oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLEVELS - Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLFO2 - Potent all analog dual LFO module; two independent low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIDI 3 - Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMULTIPLE - Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOSCILLATION - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOUTS - Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\", optimized by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eQUADNIC - Four voice digital oscillator—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSCI FI - Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSE88 - CS-80 inspired dual resonant powerhouse with hi pass\/band reject, low pass\/band pass filter modes, and \"Pendulum Chaos Generation”—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSEM - Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum ChaosGenerator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHAPERS - Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages. Short and long range settings deliver smooth, detailed, and complex expression.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHPR - Half-strength Shapers.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSTE. 16 - Dual digital LFO, featuring a hI-freq mode, complex waveform mixing possibilities and expressive patching possibilities.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eATTENULAG - Switchable dual attenuator, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIX4 - Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eROUTER (R) - Dual bi-directional (despite what the nomenclature states) audio \/ CV router.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eVCA2 - Dual high quality VCA for audio or CV level control—perfect for creating a CV modulation chain.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMonorocket M6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888436327,"sku":"56771","price":5599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-hybrid-carbon_56771_fb875f40-74ce-45b5-9709-7d27e83f77a2.jpg?v=1787090825"},{"product_id":"studio-electronics-modstar-sensei-analog","title":"Studio Electronics Modstar Sensei Analog","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SENSEI ANALOG\u003c\/strong\u003e is a lustrous, three discrete Oscillator, all analog duophonic dream machine (OK, the customized MIDI 3 is a clever forgivable digital necessity) which could, should, be thought of in the same breath as celestial chariots of old—here transporting earthly creations beyond the hammered bowl\/barrier of the firmament into a synthetic, sonic paradise. Four supreme, exalted filters: SEM, 4075, 5089 and SE88, one for each Class-A OSC, stamp this Sensei with the trademark SE warmth; the extra SE88 filter provides the final resonant subtraction, and sanction. The Special Edition SE MonoRocket M6104 Black Carbon Case holds it all together, especially where beefy power delivery, clarity of sound, solid build quality, and handsome, rugged portability are concerned. Internally mounted IEC supply makes your pack \u0026amp; setup nice 'n' easy—does it every time.\u003c\/p\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cp\u003e• OSCILLATION: (x3) - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003cp\u003e• MULTIPLE: Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003cp\u003e• SEM: Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum Chaos Generator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003cp\u003e• 4075: Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003cp\u003e• 5089: Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003cp\u003e• MIDI 3: Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003cp\u003e• ATTENULAG: Switchable dual attenuation, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003cp\u003e• MIX4: Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003cp\u003e• VCA2: Discrete quad op-amp dual VCAs for audio and level chaining, control, and sharper tonality.\u003c\/p\u003e\u003cp\u003e• SHAPERS: (x2) Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages.\u003c\/p\u003e\u003cp\u003e• LFO2: Potent all analog dual LFO module—two different low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003cp\u003e• AMP: (x2) 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003cp\u003e• ROUTER (R): Compact switchable dual audio\/CV router.\u003c\/p\u003e\u003cp\u003e• SCI FI: Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003cp\u003e• LEVELS: Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003cp\u003e• OUTS: Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\".\u003c\/p\u003e\u003ch3\u003eM6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888469095,"sku":"56770","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-analog-1_024364a7-847b-493e-8600-dede581d8c1a.jpg?v=1787090825"},{"product_id":"studio-electronics-modstar-seito-rising","title":"Studio Electronics Modstar Seito Rising","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Modstar Seito Rising\u003c\/strong\u003e comes wrapped up in the same Monorocket M6104 (212hp actual) black “carbon” case, with 106hp of free space—identical to Modstar Sensei Analog system enclosure. Count on uber-beefy power, clarity of sound, supreme build quality, and handsome, rugged portability. Internally mounted power supply makes transport and setup nice 'n easy—does it every time, you know.\u003c\/p\u003e\u003ch3\u003eModules:\u003c\/h3\u003e\u003cp\u003eMIDI 3: Third generation extremely full-featured MIDI to CV converter.\u003c\/p\u003e\u003cp\u003eMULTIPLE: (x2) Passive utility module with two independent sections of four linked jacks—splits signals into three copies.\u003c\/p\u003e\u003cp\u003eOSCILLATION: (x2) Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003cp\u003e4075: Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003cp\u003eLEVELS: Versatile, low-noise six channel summing mixer\/attenuatorfor audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003cp\u003eSCI FI: Ring Mod, White and Pink Noise, Sample and Hold “Classic Synth Toolbox,” with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003cp\u003eSHAPERS: Dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages.\u003c\/p\u003e\u003cp\u003eAMP: 2 stage Class A discrete design, using 3 pairs of hand matched transistors; Drive—‘70s era distortion and Drone control.\u003c\/p\u003e\u003cp\u003eLFO2: Potent all analog dual LFO module—two different low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003cp\u003eOUTS: Dual independent output module featuring a stereo 1\/4\"headphone amplifier output and dual mono 1\/4\" line level outputs\u003c\/p\u003e\u003ch3\u003eDimensions:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded and keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analog Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cul\u003e\u003cli\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/li\u003e\u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888501863,"sku":"56769","price":2899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-sieto-rising-1_bd72e689-fb67-4510-ae2d-2ec48f86905c.jpg?v=1787090825"},{"product_id":"studio-electronics-model-d-toned-voltage-controlled-filter","title":"Studio Electronics Model 5089","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics 5089\u003c\/strong\u003e filter is a voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter, employing hand-matched transistors. The ladder low-pass filter—a subtractive analog sound synthesis foundation—in its lowest FREQUENCY setting removes, or cuts off higher frequency harmonics; its RESONANCE or Q circuit emphasizes those harmonics to the point of “squealy,” giddy self-oscillation, tracking the keyboard in its FULL setting quite nicely if seeking an alternative sine wave.\u003c\/p\u003e\u003cp\u003eThe 5089 has the roundest, slickest tone of all the Boomstar's filters. Go easy on it, and round, creamy buttery flavors wrap the oscillators in earthy warmth; smash it and a meaty, satisfying overdrive—a maximum harvest of vintage 1960s and 1970s organic sounding, second order harmonic distortion fill the plate. Every setting is balanced and bountiful. Looking for traditional R ’n B baselines and leads? Focus here on the rich saturation of this benchmark filter and its symmetrical cascades of generation-stretching timbres. All Boomstar Modular filters are hand-built in the U. S. Pick-and-Place all the way.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, FREQ CV 2, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eClassic Minimoog FULL and HALF strength filter frequency keyboard\/voltage tracking for rounder low end with brilliant highs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: 1 V\/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT and 2x OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Adjusts the frequency, or cut-off of the filter.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the filter. *\u003c\/li\u003e\n\u003cli\u003eFULL HALF TRACK – Switch between full and half keyboard\/voltage tracking.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT x2 – Audio outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 40mA, 27mA (+12 \/ -12)\u003c\/p\u003e\u003cp\u003e-From 7:00 (0) to 9:00 “Negative Resonance Saturation” adds beefiness, boosting the waveform amplitude and taming waveform transients; set to 9:00 to achieve the cleanest tone possible.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888567399,"sku":"56778","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-5089-1_2689a99c-8748-4c10-ab88-2ab739429c33.jpg?v=1787090825"},{"product_id":"studio-electronics-mix4","title":"Studio Electronics Mix4","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Mix4\u003c\/strong\u003e is a space conscious, 4 in\/1 out, high quality audio and CV mixer. Originally set at unity gain (along with the VCA2), but tinkering provided useful intell and design changes. Upshot: With the pot set at 3:00 you are at unity, fully clockwise, expect a 2 Volt increase.\u003c\/p\u003e\u003ch3\u003eFour Pots\u003c\/h3\u003e\u003cp\u003eLVL 1, LVL 2, LVL3, LVL 4.\u003c\/p\u003e\u003ch3\u003eFive Patch Points\u003c\/h3\u003e\u003cp\u003eOUT, IN 1, IN 2, IN 3, IN 4.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAll Controls and Patch Points\u003c\/li\u003e\n\u003cli\u003eLVL 1 – Adjusts the level of IN 1.\u003c\/li\u003e\n\u003cli\u003eLVL 2 – Adjusts the level of IN 2.\u003c\/li\u003e\n\u003cli\u003eLVL 3 – Adjusts the level of IN 3.\u003c\/li\u003e\n\u003cli\u003eLVL 4 – Adjusts the level of IN 4.\u003c\/li\u003e\n\u003cli\u003eOUT – Composite output.\u003c\/li\u003e\n\u003cli\u003eIN 1 – Audio\/CV input 1.\u003c\/li\u003e\n\u003cli\u003eIN 2 – Audio\/CV input 2.\u003c\/li\u003e\n\u003cli\u003eIN 3 – Audio\/CV input 3.\u003c\/li\u003e\n\u003cli\u003eIN 4 – Audio\/CV input 4.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 4mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888632935,"sku":"56784","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-mix4-1_d45a6dc5-1453-4905-8f8a-81bd94f7130b.jpg?v=1787090825"},{"product_id":"studio-electronics-levels","title":"Studio Electronics Levels","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics LEVELS\u003c\/strong\u003e is a versatile, low-noise six channel summing mixer\/attenuator for audio and CV, re-designed by Tim Caswell, which can be used rather effectively in a variety of ways: 6 in 1 out, or two separate mixers: 4 in 1 out, and 2 in 1 out, e. g., when only jacked-in to MIX 5\/6 output all input channels pass through; utilizing the 1-4 OUT removes channels 1-4 from the MIX 5\/6 output. Handy indeed.\u003c\/p\u003e\u003cp\u003eThe pots are wired with a logarithmic volume curve that is tuned for use with audio but it will work splendidly with CV as well. Pressing LEVELS into service as a wave-shaper by patching all of the individual OSCILLATION waveform outs (sub, sine, tri, saw, ramp, square) into CHANNEL inputs 1-6, makes for vivid beguiling shapes—a morphable hybrid waveform of your innermost sound designs. Consider pairing the two Modstar modules when building your system.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eSix attenuation pots control CHANNEL 1, CHANNEL 2, CHANNEL 3, CHANNEL 4, CHANNEL 5, and CHANNEL 6.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eEight patch points: CH1 IN, CH 2 IN, CH 3 IN, CH 4 IN, CH 5 IN,CH 6 IN, 1-4 OUT, MIX\/5-6.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCHANNEL 1 – Adjusts the level or value of 1.\u003c\/li\u003e\n\u003cli\u003eCHANNEL 2 – Adjusts the level or value of 2.\u003c\/li\u003e\n\u003cli\u003eCHANNEL 3 – Adjusts the level or value of 3.\u003c\/li\u003e\n\u003cli\u003eCHANNEL 4 – Adjusts the level or value of 4.\u003c\/li\u003e\n\u003cli\u003eCHANNEL 5 – Adjusts the level or value of 5.\u003c\/li\u003e\n\u003cli\u003eCHANNEL 6 – Adjusts the level or value of 6.\u003c\/li\u003e\n\u003cli\u003eCH 1 IN – Channel 1 input.\u003c\/li\u003e\n\u003cli\u003eCH 2 IN – Channel 2 input.\u003c\/li\u003e\n\u003cli\u003eCH 3 IN – Channel 3 input.\u003c\/li\u003e\n\u003cli\u003eCH 4 IN – Channel 4 input.\u003c\/li\u003e\n\u003cli\u003eCH 5 IN – Channel 5 input.\u003c\/li\u003e\n\u003cli\u003eCH 6 IN – Channel 6 input.\u003c\/li\u003e\n\u003cli\u003e1-4 OUT – Channels 1-4 output.\u003c\/li\u003e\n\u003cli\u003eMIX\/5-6 – All channels output (MIX), or 5-6 when cable is plugged into any of the 1-4 channel inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 39mA, 40mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888534631,"sku":"56783","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-levels-1_262c8816-7611-4643-ab80-2f0793747e6b.jpg?v=1787090825"},{"product_id":"studio-electronics-grainy-clampit","title":"Studio Electronics Grainy Clampit","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics GRAINY CLAMPIT\u003c\/strong\u003e is a granular and phase distortion additive oscillator—brand new heavy territory for Studio Electronics... wait till you hear the stunning contrast it creates when paired with the discrete Class-A OSCILLATION module, and the inorganic to downright 1970's combo organy \/ CS-80-ish tones it can generate. Pure voltage-controlled candy. Be sure to wash off the sticky...\u003c\/p\u003e\u003cp\u003eBest to break Granny Clampett's namesake down in stages, and time travel a bit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Stage\u003c\/strong\u003e - Additive mixing of 4 harmonics using one of 16 waveforms and one of 16 combinations of harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSecond Stage\u003c\/strong\u003e - Granular or phase distorted mixing of the signal from the first stage, with a sync option.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the First Stage\u003c\/strong\u003e - Additive section with selection of 16 different combinations of harmonics. The harmonics can be based on a sinewave or on one of 15 other waveforms.There's a separate control for mixing the selected harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the Second Stage\u003c\/strong\u003e - The second processing stage allows granular processing or phase distortion. Granular processing gives you control over grain length and grain position, and can produce sync, detune, and wave sequencing effects. Phase distortion allows the signal from stage one to looked up non-linearly, and can produce thick detune sounds and wildly varying pitch\/timbre effects.\u003c\/p\u003e\u003cp\u003eBoth settings have a choice of long buffer length (for wave sequencing effects) or short buffer length (for smoother detuned effects).\u003c\/p\u003e\u003cp\u003eSee it's just additive mixing of several combinations of harmonics using a choice of 16 waveforms, followed by granular or phase distortion processing for detuned and wave sequencing effects, with a sync option for further pitch variations. Capiche?\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888600167,"sku":"56782","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-griany-clampit-1_6b028db0-9403-4c92-97b2-e6abfb3120d2.jpg?v=1787090825"},{"product_id":"studio-electronics-charcot-circles","title":"Studio Electronics Charcot Circles","description":"\u003cp\u003eSurrender yourselves to the hypnotic, borderline hysterical sway of the \u003cstrong\u003eStudio Electronics CHARCOT CIRCLES\u003c\/strong\u003e (named for Jean-Martin Charcot* \"founder of modern neurology”) to awaken your mind and muse. Only the C. C. possesses the organic power and intelligence to identify specific sites in the brain responsible for detailed, sequential, musical functions. Was it not Doc. Jean-Martin who said: \"In the last analysis, we see only what we are ready to see, what we have been taught to see.\"Who can argue with that, or find fault with Marc Sirguy's compelling and mesmerizing design of the 1st Eurorack collaboration with Eowave—a 16 x 8 step sequencer, that can be utilized as an 8 x 16 step track preset (8 CVs \u0026amp; gates), 4 x 32 (4 CVs \u0026amp; gates), 2 x 64 (2 CVs \u0026amp; gates), and 1 x 128 step track preset (1 CV, 1 gate). CV and gate expansion is made possible through our BBOX—breakout box (not yet pictured) interface, which features 4 CVs \u0026amp; 4 gates. Up to 2 breakout boxes per Charcot can be connected.\u003c\/p\u003e\u003cp\u003eThink of the hierarchy from top to bottom this way: 8 banks: a collection of up to 16 presets per bank; presets: a collection of tracks composed of 1-16 Notes; and notes: base level data, or steps. Up to 128 presets can be stored in the 8 banks of 16 presets. In TRACK PLAY—the most expressive performance mode—you decide which tracks you want to play together in the preset. In Global mode \"8\" for instance, tracks 1-8; 1 and 8; 1, 2, 3 and 8—just track 5, etc. In Global mode \"4\", tracks 1-4; 1, 2, 3; 1 and 4, etc. In Global mode \"2\", tracks 1, 2; 1; 2. In Global mode \"1\", 1 track of 128 steps.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC. C.'s Attraction and Connections\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eUSB in\/out, CV in, clock in, reset in, clock out, reset (out), velocity (out), gate (out), CV (out), are certain to attract both scientific and social notoriety. Let your predispositional creativity (think of that as the outer circle of white LEDs) mesh with an inspirational \"Circles\" influence (think of that as the inner circle of red LEDs) to exceed the threshold of the dissed-ordinary.\u003c\/p\u003e\u003cp\u003eWatch what happens when you combine the Charcot Circle's traditionally meticulous design methods with your own novel experimental techniques. Will hypnotism, magnetism, the electricity of sound 'n' soul, the inducement of mania follow, or as some have termed it: \"The Beatles Effect\"?\u003c\/p\u003e\u003cp\u003eTHEY WILL!—when you enter the ocularcentric world of Charcot's digital amphitheater.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888665703,"sku":"56781","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-charcot-circles-1_a3b8e23a-f8ca-4449-a2f9-e4e1c2850f44.jpg?v=1787090826"},{"product_id":"studio-electronics-attenulag-dual-lag-and-attenuation","title":"Studio Electronics Attenulag","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Attenulag\u003c\/strong\u003e is a multi-purpose heavy lifter. The attenuators reduce level, audio or CV, when switch is set to off. With the switch up the audio\/signal passes through at full level. The inputs are linked together: patching into channel 1 drives both attenuators; patching into channel 2 breaks the link. Experimentation with key tracking to create alternative tunings, or interaction with audio inputs that don't afford attenuation—does good things. The two lag circuits provide a handy CV mult\/hub for oscillator and filter tracking (perfect for CV-ing up our OSCILLATION module with its switchable one in\/three out structure for both attenuation and slewing—x2) and are linked together: if you patch into channel 1 only, the outputs of both channels are driven (just like the attenuation circuit); patching into channel 2 breaks the link and they become two separate CV mult\/lag circuits—envelopes look out.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888698471,"sku":"56780","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-attenulag-1_ca83cf8b-9b7d-406c-aaf5-19bf18418cad.jpg?v=1787090826"},{"product_id":"studio-electronics-arp-toned-voltage-controlled-filter","title":"Studio Electronics 4075 Filter","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics 4075\u003c\/strong\u003e filter is a discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors. In its lowest FREQUENCY setting, it shaves off higher frequency harmonics; its RESONANCE or “Q” circuit pushes those harmonics past the self-oscillation boiling point, projecting a thumpy, thrashing squeal, with explosive low to mid-range power and depth. The design is actually pulled from the four-pole ARP 4072 (better: more parts and trims), sans the 12kHz design flaw which hamstrung the original’s high end. The 4075 name has stuck—no sense correcting the little misnomer misstep now.\u003c\/p\u003e\u003cp\u003eThe 4075 filter is the most requested of the Boomstar filter models, perhaps owing to its uniqueness. Has there ever been a better match for a square wave? It weaves dreams with “glidey,” 70s basslines, is a natural in the lead department, and feels as if a temper tantrum simmers a mere micron beneath its veneer of faux respectability. Aggressive and articulate, this fresh ARP can snap punishing kick drum sounds out as well as color with bright, edgy, stringy tones for essential arpeggiations.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, FREQ CV 2, INPUT and OUTPUT, delivering smooth, detailed and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eClassic Minimoog FULL and HALF strength filter frequency keyboard\/voltage tracking for rounder low end with brilliant highs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: 1 V\/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT and 2x OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Adjusts the frequency, or cut-off of the filter.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the filter. *\u003c\/li\u003e\n\u003cli\u003eFULL HALF TRACK – Switch between full and half keyboard\/voltage tracking.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT x2 – Audio outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 27mA, 34mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888731239,"sku":"56777","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-4075-1_4995fc36-1364-4ad8-9c5d-5b8c70f0f453.jpg?v=1787090826"},{"product_id":"studio-electronics-ste-16","title":"Studio Electronics STE. 16","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics STE. 16\u003c\/strong\u003e (the second collaboration with eowave designer Marc Sirguy), is a dual LFO featuring a HI-freq mode and complex waveform mixing possibilities producing thousands of different modulation and audio frequency shifts and wiggles.\u003c\/p\u003e  \u003cp\u003eThe STE's amplitude modulation, frequency modulation, and waveform mixing and blending push the envelope far above and beyond typical\/classic four waveform LFOs construction and limit, and so now shall you. The 1 SHOT function dramatically transforms the STE into a punchy and varied percussive tool; applied to an external VCA, one can generate compact and expansive, concussive encounters. More experimental tonal space can be explored via the AM function, with LFO 1's starting rate somewhere near the low end of the STE's vibrational spectrum: 5 Hz (about 3:40s), and LFO 2 ultimately demanding its 6 kHz scream, shatter, and fracture ceiling of thrills and audio frequency chills.\u003c\/p\u003e  \u003cp\u003eWith sixteen waveforms per LFO, setting the initial fragmentizing, gyrating, LoFi digital oscillating process (whenever you are ready), can be a most impulsive, and highly engrossing pursuit.\u003c\/p\u003e  \u003ch3\u003eCommon Parameters\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSPEED - sets rate of LFO\u003c\/li\u003e \u003cli\u003e1 SHOT - LFO waveform plays once—needs to be triggered by the reset input.\u003c\/li\u003e \u003cli\u003eHI\/LO - in HI mode (6 kHz at the top of its range) the LFO reaches the audio range—think LoFi digital oscillator; in LO mode, (starting at 5 Hz) a very patient 3:40 long sweep is possible\u003c\/li\u003e \u003cli\u003eWAVE - Sets one of 16 different waveforms: triangle, sine, dome, ramp up, ramp down, stairchase, square, 1\/2 square, impulse, four decreasing squares, random, random increasing, random pulse with, random triangles, pitched noise, and digital noise\u003c\/li\u003e \u003cli\u003eFM - Frequency modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eAM - Amplitude modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eMIX - Mix setting of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eMX (MIX) - Mix output of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eCV - Affects the speed via an external voltage\u003c\/li\u003e \u003cli\u003eRESET - Resets the waveform\u003c\/li\u003e \u003cli\u003eOUT - Balanced LFO output: FM\/M\/AM three position switch sets the type or mix of modulation outputted\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eEleven patch points: 1 SHOT, HI\/LO (x2), MX, CV In 1, RESET 1, OUT 1, CV In 2, RESET 2, OUT 2\u003c\/li\u003e \u003cli\u003eSize - 10hp\u003c\/li\u003e \u003cli\u003eDepth - 25 mm with ribbon cable attached\u003c\/li\u003e \u003cli\u003ePower Usage - 150 mA (+12 V) \/ 35 mA (-12 V)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450011611239,"sku":"55381","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-ste-16-1_6576eb1f-d4d4-4dd0-bd10-ba3c919480a6.jpg?v=1787091320"},{"product_id":"studio-electronics-4075-filter-demo-deal","title":"Studio Electronics 4075 Filter (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics 4075\u003c\/strong\u003e filter is a discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors. In its lowest FREQUENCY setting, it shaves off higher frequency harmonics; its RESONANCE or “Q” circuit pushes those harmonics past the self-oscillation boiling point, projecting a thumpy, thrashing squeal, with explosive low to mid-range power and depth. The design is actually pulled from the four-pole ARP 4072 (better: more parts and trims), sans the 12kHz design flaw which hamstrung the original’s high end. The 4075 name has stuck—no sense correcting the little misnomer misstep now.\u003c\/p\u003e\u003cp\u003eThe 4075 filter is the most requested of the Boomstar filter models, perhaps owing to its uniqueness. Has there ever been a better match for a square wave? It weaves dreams with “glidey,” 70s basslines, is a natural in the lead department, and feels as if a temper tantrum simmers a mere micron beneath its veneer of faux respectability. Aggressive and articulate, this fresh ARP can snap punishing kick drum sounds out as well as color with bright, edgy, stringy tones for essential arpeggiations.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, FREQ CV 2, INPUT and OUTPUT, delivering smooth, detailed and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eClassic Minimoog FULL and HALF strength filter frequency keyboard\/voltage tracking for rounder low end with brilliant highs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: 1 V\/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT and 2x OUTPUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Adjusts the frequency, or cut-off of the filter.\u003c\/li\u003e\n\u003cli\u003eRESONANCE – Adjusts the resonance of the filter. *\u003c\/li\u003e\n\u003cli\u003eFULL HALF TRACK – Switch between full and half keyboard\/voltage tracking.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input attenuverter.\u003c\/li\u003e\n\u003cli\u003eINPUT – Adjusts the audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT – Adjusts the audio output.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 1 – Frequency control voltage 1 input.\u003c\/li\u003e\n\u003cli\u003eFREQ CV 2 – Frequency control voltage 2 input.\u003c\/li\u003e\n\u003cli\u003eRESO CV – Resonance control voltage input.\u003c\/li\u003e\n\u003cli\u003eINPUT – Audio input.\u003c\/li\u003e\n\u003cli\u003eOUTPUT x2 – Audio outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 27mA, 34mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450036711527,"sku":"64529","price":242.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-4075-1_1_d6007989-c07c-4f51-a916-ca49a4a32515.jpg?v=1787091423"},{"product_id":"studio-electronics-grainy-clampit-demo-deal","title":"Studio Electronics Grainy Clampit (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics GRAINY CLAMPIT\u003c\/strong\u003e is a granular and phase distortion additive oscillator—brand new heavy territory for Studio Electronics... wait till you hear the stunning contrast it creates when paired with the discrete Class-A OSCILLATION module, and the inorganic to downright 1970's combo organy \/ CS-80-ish tones it can generate. Pure voltage-controlled candy. Be sure to wash off the sticky...\u003c\/p\u003e\u003cp\u003eBest to break Granny Clampett's namesake down in stages, and time travel a bit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Stage\u003c\/strong\u003e - Additive mixing of 4 harmonics using one of 16 waveforms and one of 16 combinations of harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSecond Stage\u003c\/strong\u003e - Granular or phase distorted mixing of the signal from the first stage, with a sync option.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the First Stage\u003c\/strong\u003e - Additive section with selection of 16 different combinations of harmonics. The harmonics can be based on a sinewave or on one of 15 other waveforms.There's a separate control for mixing the selected harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the Second Stage\u003c\/strong\u003e - The second processing stage allows granular processing or phase distortion. Granular processing gives you control over grain length and grain position, and can produce sync, detune, and wave sequencing effects. Phase distortion allows the signal from stage one to looked up non-linearly, and can produce thick detune sounds and wildly varying pitch\/timbre effects.\u003c\/p\u003e\u003cp\u003eBoth settings have a choice of long buffer length (for wave sequencing effects) or short buffer length (for smoother detuned effects).\u003c\/p\u003e\u003cp\u003eSee it's just additive mixing of several combinations of harmonics using a choice of 16 waveforms, followed by granular or phase distortion processing for detuned and wave sequencing effects, with a sync option for further pitch variations. 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The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with \u003cem\u003edrone\u003c\/em\u003e and \u003cem\u003emaster\u003c\/em\u003e modes, is accented expressively by hardware XMod and exponential glide, extensive modulation routing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go \"off synth\" with the external input and color exotic oscillations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe quick-turn shaft pots along the bottom for the hardware Ring Mod, Noise, Filter Feedback and VCO Levels make vital sonic change intimate, immediate, and indispensable; the adjacent Overdrive switch adds warmth and edge. Thirty one pots insure fluid, intuitive mastery over wide-ranging sweep and subtlety of tone: feather in the changes or whip them suddenly and rhythmically into shape.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMonophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe synth is capable of many sounds, from mighty leads to thick basses, crazy FM sounds to cutting sync sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modulation and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle\/sawtooth or sine\/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first ADSR type envelope is assigned to the filter. It can be inverted and even looped. 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Hardware envelopes with invert, loop, drone and master mode deliver that flexible, funky snap and shift.\u003c\/p\u003e  \u003cp\u003eThe quick-turn shaft pots along the bottom for the hardware ring mod, noise, feedback: now diode-based for more complex and interesting harmonic distortion, and VCO Levels make vital sonic changes intimate, immediate, and indispensable; the adjacent overdrive switch adds beefy boost, warmth, and edge. 29+ pots insure a fluid, intuitive groove over wide-ranging sweeps, and subtle tone variations: whip them suddenly and rhythmically into shape, or feather in the changes.\u003c\/p\u003e  \u003ch3\u003eNew In MKII:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eRefaced for clarity of function, signal flow and an overall visual\/tactile assist\u003c\/li\u003e \u003cli\u003eRevoiced for purity of tone—more headroom into amplifier; browning-out is delayed\u003c\/li\u003e \u003cli\u003eDiode-based feedback circuit for greater dynamic range and harmonic distortion content\u003c\/li\u003e \u003cli\u003eExotic and rugged hand-picked and handcrafted lumber\/microlumber sides: Bocote, Marblewood, Pau Ferro, and Rosewood\u003c\/li\u003e \u003cli\u003eLined, fluted knobs and lined quick-turn pot shafts top and bottom for more precise programming and patch recall\u003c\/li\u003e \u003cli\u003eMetal-shafted pots installed throughout, apart from the envelopes, where the custom taper plastic-shafted pots are strengthened with an added bushing\u003c\/li\u003e \u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450423767143,"sku":"116551","price":1849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-boomstar-sem-mkii_116551_1_c8ed871b-4204-4172-996c-5961b491c29f.jpg?v=1787093004"},{"product_id":"studio-electronics-boomstar-se80-mkii","title":"Studio Electronics Boomstar SE80 MKII","description":"\u003cp\u003eBoomstar is a return to the raw power and purity of non-programmable discrete analog, where STUDIO ELECTRONICS started in 1985 with the Midimoog. 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Refaced, and revoiced for 2018, the Boomstar MKII is likely the ultimate desktop analog synthesizer for those who remember, and desire still, analog synth sounds that changed the music, and for sound seekers who have yet to discover that magic in their time.  The \u003cstrong\u003eStudio Electronics Boomstar 4072 MKII\u003c\/strong\u003e features the powerfully resonant, thumpy and mid-rangy ARP 2600.\u003c\/p\u003e  \u003cp\u003eThe Boomstar's alchemy of combinable waveform oscillations—with sub, OSC1-OSC2 sync—filter and oscillator xmod, ring mod, 5 revered filter types, extensive modulation routing made easy via its 18+ toggle switches, and a flexible software LFO, make sound and music design a daring delight. 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Studio Electronics were hyped when Arias told the, \"I like your layout - it's very approachable. And you've got some hex things happening which I'm all about.\" Who knew the Tonestar was so hexy?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlaze continued \"I'm a circle person so you're going to end up with something that circle driven. The design will end up like a mescaline vision. If you're not into that, say the word now...\" Oh but we were. He continued—well he wrote this bit before the last, \"One of my goals is not just to throw some image stuff on this but to create something that makes sense visually as it corresponds to functionality. I find that kind of thing difficult with complex layouts like this - it's difficult to find the room for pure design, yours or mine. 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The gorgeous 100k spray on top all the way down to a boomin' sub bottom, engineer a extravagant variety of tones that would otherwise require several patch cords, and an external mixer; with a two oscillator system, 9 or 10 patch cords and an 8 input mixer would have to be tucked into your carry-on. Where then would you secret your laptop and raw almonds?\u003c\/p\u003e\u003cp\u003eWhat's nice about the \u003cstrong\u003eStudio Electronics OSCILLATION\u003c\/strong\u003e stunner (according to Tim) \"is that the waveforms are DC-coupled [components connected directly together without any coupling capacitors], so they keep their shape even at sub-Hz speeds. The outputs are also buffered, so the amplitude is independent of the load they are driving. The waveform levels on some modern Eurorack OSCs are often all different, and they vary depending if they go into the mixer or directly to the filter!\" Coupling the circuitry without capacitors in-line gives the go-ahead for the full spectrum of frequencies to do their thing, and ensures near identical response over the years—audiophile, transistor-protecting signal path stuff here. You should see these beauts on the scope: a Class-A ballet of balance and proportion, only drawing modest current, evenly from plus and minus.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuation, and three attenuverter pots control the FREQUENCY, TUNE, PW CV IN, PUSLE WIDTH, FM CV IN, and SUB LEVEL, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eNORMAL and LOW RANGE - wide sweeping audio frequencies, or clicks (respectively) for creating a rhythmic pulse or sweep; SINE, TRI, SAW, SQR - your friendly waveform on and offs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eEleven patch points: 1 V\/O, FM IN, WAVE MIX, SYNC IN, PW IN, SUB OUT, SINE OUT, TRI OUT, SAW OUT, RAMP OUT, SQR OUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\n\u003cli\u003eNORMAL \/ LOW RANGE – Oscillator domain switch.\u003c\/li\u003e\n\u003cli\u003eTUNE – Oscillator fine-tune attenuverter.\u003c\/li\u003e\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\n\u003cli\u003eSINE – Sine wave on\/off.\u003c\/li\u003e\n\u003cli\u003eTRI – Triangle wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSAW – Sawtooth wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSQR – Square (pulse) wave on\/off.\u003c\/li\u003e\n\u003cli\u003eFM CV IN – Frequency Modulation control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eSUB LEVEL – Sub (one octave down) level attenuator.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFM IN – Frequency Modulation control voltage input.\u003c\/li\u003e\n\u003cli\u003eSYNC IN – Oscillator Sync control voltage input.\u003c\/li\u003e\n\u003cli\u003ePW IN – Pulse Width control voltage input.\u003c\/li\u003e\n\u003cli\u003eSUB OUT – Sub Oscillator output.\u003c\/li\u003e\n\u003cli\u003eSINE OUT – Sine Oscillator output.\u003c\/li\u003e\n\u003cli\u003eTRI OUT – Triangle wave output.\u003c\/li\u003e\n\u003cli\u003eSAW OUT– Sawtooth wave output.\u003c\/li\u003e\n\u003cli\u003eRAMP OUT – Ramp (reverse sawtooth) wave output.\u003c\/li\u003e\n\u003cli\u003eSQR OUT – Square wave output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 20mA, 39mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450481111143,"sku":"125377","price":256.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-oscillation-1_1_b981d525-9e06-4a98-b5c9-42124c77c40f.jpg?v=1787093238"},{"product_id":"studio-electronics-quadnic-demo-deal","title":"Studio Electronics Quadnic (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics QUADNIC\u003c\/strong\u003e reps. the 2nd collobaration with SpaceHardware—a deeply featured 12hp module with four digital oscillators—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V\/O CV input and widely detuned, or switched to a preset chord formation—a major move beyond the 'one note samba' monophonic, module choreography we all know and mainly love, but... scooch over Grainy, Quadnic is cookin' up digi-vittles for four. \"Come 'n' git it!\"\u003c\/p\u003e\u003ch3\u003eMaster Matters\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWith MASTER mode switched on, the oscillator responds to it's own CV input.\u003c\/li\u003e\n\u003cli\u003eOscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +\/-1 octave offset.\u003c\/li\u003e\n\u003cli\u003eOscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master.\u003c\/li\u003e\n\u003cli\u003eWhen all 4 oscillator switches\/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to same pitch, adjust the Pitch and Fine controls.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to play the same sound (they are quite independent), adjust all controls.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with Master selected: unison and Chord can detune massively up to 4 octaves.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with master not selected: unison and Chord produce chords.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1V\/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.\u003c\/li\u003e\n\u003cli\u003eProc CV - Process CV input. +\/-5V input range. 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