{"title":"ThroBak Electronics","description":null,"products":[{"product_id":"throbak-electronics-fuzz-haze-pedal","title":"ThroBak Electronics Fuzz Haze Pedal","description":"\u003cp\u003eThe Dallas-Arbiter Fuzz Face is a true classic of ‘60s fuzz lore. Made famous by players like Jimi Hendrix, Cream-era Clapton and David Gilmour on Pink Floyd tracks like Shine On You Crazy Diamond. These big-hitters dug the original Fuzz Face for its thick, psychedelic sustain and all-out screaming fuzz tones.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHowever, anybody who has owned a vintage British car knows that quality control was not the English’s strong suit during the ‘60s and ‘70s, and Dallas-Arbiter was not immune from this phenomenon. Original Fuzz Faces were notoriously inconsistent in just about every area—tone, reliability, component quality, etc. Of course, the famous players we mentioned had the luxury of cherry picking the best pedals and then having them tweaked further by technicians like Roger Mayer, but who wants a vintage cast off, even if Jimi Hendrix rejected it?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLucky for us, Throbak Electronics offers the \u003cstrong\u003eFuzz Haze\u003c\/strong\u003e, a recreation of the Germanium Dallas-Arbiter Fuzz Face developed with stringent quality control, solving the major drawback of the originals with critical component selection and testing, as well as those tweaks only the stars of the time could find.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThrobak’s Fuzz Haze features a reverse audio taper potentiometer providing an unparalleled range of fuzz adjustment when compared to the original units. They also thought many Fuzz Face clones sucked the circuit of bass response that made the original such a powerhouse when paired with a Stratocaster. Throbak avoided this unfortunate condition by adding an internal user-adjustable pre gain and bias trim, giving you full control over the fuzz character and crucial bass response. Lastly, Throbak uses socketed transistors so they can tune and tweak each individual pedal, assuring each Fuzz Haze sounds like it was cherry-picked as the best.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e We think Throbak’s Fuzz Haze offers up the same thick screaming Fuzz that drew Hendrix to the original. We wear fringe jackets and play our Strats upside down almost every time we plug one in. You may not take it to the extremes we do, but we’re sure the Fuzz Haze will be your most stomped on boxes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44449517142119,"sku":"31459","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_fuzz_haze_front_a9649b8e-aaa6-4db6-830c-0127dc17cfca.jpg?v=1787089284"},{"product_id":"throbak-electronics-overdrive-boost-pedal","title":"ThroBak Electronics Overdrive Boost Pedal","description":"\u003cp\u003eThe tonemeisters at Vintage King are super chuffed to offer Throbak’s \u003cstrong\u003eOverdrive Boost\u003c\/strong\u003e, an incredibly versatile overdrive with enough touch sensitivity, amazing clean and distorted tones to rival the best boutique amps.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBased on the original Colorsound Overdriver MkIII\/Power Boost circuit, the silicon transistor based circuit can dial up an extremely transparent and substantial clean boost in low gain settings and the sickest all-out silicon fuzz when dimed. Of course you’d expect that with just about any dirtbox, but the settings between those extremes is where the Overdrive Boost really shines. Check out Jeff Beck’s trademark Midrange honk on Blow By Blow to get an idea of what the Overdrive Boost can do when paired with a Les Paul and non-master Marshall.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTo most, a great remake of the MkIII would be a godsend, but simple clones aren't what Throbak is all about. Jon Gundry and his tone tweakers have enhanced the original Colorsound circuit for massive gain and tonal flexibility. They replaced the original single bass\/treble control with active bass and treble knobs. This incredible flexible mod is especially useful in front of a tube amp as the original Colorsound high-end chime and bite is retained and enhanced, but its notorious habit of annihilating the bass content of your guitar’s signal can be mitigated with the active bass control. This crucial addition restores and enhances the low end content of your guitar, allowing you to dial in the exact amount of meaty low end you need to get those velvet bellbottoms flapping.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe original Colorsound Overdrives lacked a master volume control so Throbak added one to the Overdrive Boost and a Pre Gain switch has been added for even greater control of low note definition—especially with distorted tones. Now, lesser designers would stop there, proud of their work in creating an awesome Cololorsound mod MkIII user Marc Bolan would’ve burned his feather boas for. Not Throbak. Their Killer App is the addition of a switchable Germanium transistor paired with a Germanium diode to this already awesome circuit mod. When switched on, the Germanium pair adds flexibility light years beyond the original Colorsound Overdriver, enhancing its edgy, compressed distortion tones you can only get from Germanium electronics.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWhen used with a great non-master volume vintage or boutique amp, the combination of the Overdrive Boost’s master volume and the Germanium pair creates an attenuator-like effect allowing you to crank your amp to 10 and still play at bedroom levels—all while keeping that great rich and complex maxed-out power amp tone. The original unmodified Colorsound Overdrive circuit cannot duplicate this attenuator like effect with a non-master volume amp.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLastly, each silicon transistor in Throbak’s Overdrive Boost has it's own internal trim pot to ensure each pedal is perfectly tuned. We recommend you fight the urge to tweeze these settings unless you are a Shaolin Electronics Master. Jon Gundry and the guys at Throbak are too busy making wicked pedals to return yours to factory condition any time soon.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44449517174887,"sku":"31456","price":319.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_overdrive_boost_front_05c01afd-3ef4-486f-b197-ae306bb523d0.jpg?v=1787089284"},{"product_id":"throbak-electronics-stone-bender-ii-pedal","title":"ThroBak Electronics Stone Bender II Pedal","description":"\u003cp\u003eThe Throbak Crew are mad for ‘60s English fuzz boxes, and few things prove it like their \u003cstrong\u003eStone Bender MKII Pro\u003c\/strong\u003e. A slavish reproduction of the fabled three-germanium transistor Sola Sound Tone Bender MKII circuit with the very wicked ability to user-tweak control elements within said circuit. Designer Jon Gundry knew that the likes Jimmy Page, Jimi Hendrix, Brian May and an influential bunch of other players were tone nuts too. They took their effects to the music electronics gurus of their day for tweaks and mods.  Throbak’s Stone Bender MkII Pro is a killer Sola Sound Tone Bender MKII Professional that lets you dial in those full-on-custom Roger Mayer and Peter Cornish Swinging London studio Tweaks. Paired with a tube amp, the Stone Bender MkII Pro can generate immensely cool lead, rhythm, fuzzy overdriven huge or thin sounds.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe first Throbak mod to the original Sola Sound circuit is their simple but powerful Pre Gain Switch. Flipping the switch lowers the input impedance set by a user-adjustable internal trim pot. This clever tweak eliminates the low-end muddiness fuzzboxes can impart on humbucking-equipped guitars.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eModifying the original Tone Bender’s transistor bias was one of the favorite mods of the legendary tweakers for giving artists a signature sound. Throbak’s user-adjustable internal transistor bias control puts that level of customization into your hands. Stick to the factory setting and enjoy the perfect idealized Tone Bender MKII Professional, or take advantage of the inherent inconsistency of germanium transistors for fuzz tones that we are having trouble finding words to describe!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor a special Vintage King bonus, Throbak is including a new feature called the Tone Color Switch. Having studied hundreds of different vintage Sola Tone Bender models in their search for fuzz perfection, Gundry and Co. found that the best-sounding three-knob Benders took a slight amount of treble edge off the tone. They wired up that additional circuit and made it switchable on their Stone Bender MKII Pro for even more... well... tone color.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll these brilliant mods make the Throbak Stone Bender MKII Pro a great overdrive pedal as well as a monster high-gain fuzz box, providing endless sustain and controllable feedback. These added features do not change the original circuit but put control of the tone and character of the effect in your hands.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHere at Vintage King, we love plugging in a Stone Bender MKII Pro and getting Heart Full of Soul on demand. We love how it slightly overdrives the preamp of a good tube amp so we can get all stoked when we nail a tone like Jimmy Page on Zep I or Mick Ronson on Ziggy Stardust—we live for this stuff.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44449517207655,"sku":"31457","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_stone_bender_front_1847baea-c396-4163-94eb-e67255de9bdb.jpg?v=1787089284"},{"product_id":"throbak-electronics-strange-master-pedal","title":"ThroBak Electronics Strange Master Pedal","description":"\u003cp\u003eIn the early ‘60s English guitarists were obsessed with treble. We’re not sure why—perhaps there was an earwax epidemic in the UK at the time or those Mod haircuts knocked off 10dB at 6kHZ. Whatever the reason, those cats were just begging for more treble and Dallas Electronics answered with their Rangemaster Treble Booster. It was a happy accident for guitarists world-wide that not only did the Rangemaster boost treble to near fatal levels, it also provided a nice gain bump to the front end of their tube amps, making for some of rock’s greatest guitar sounds. Eric Clapton used one with his Les Paul and Marshall Combo on the Bluesbreakers' uber-classic “Beano” album, while Tommy Iommi cranked his SG through a Rangemaster on those proto-metal early Black Sabbath cuts like War Pigs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThrobak Electronics couldn’t let this '60s tonal niche go unfulfilled, so they’ve made us really happy here at Vintage King with their \u003cstrong\u003eStrange Master Treble Boost\u003c\/strong\u003e, a recreation of the Germanium Dallas Rangemaster Treble Booster circuit—but with those user-tweakable mods that make Throbak pedals so tonally wicked.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFirst on the mod list, Throbak provides a switchable range control allowing guitarists to choose between the “ice pick in the forehead” treble boost of the original Rangemaster and a full range boost that kicks a tube amp into monster germanium distortion. Next they include a transistor bias adjustment control allowing you to change the character of boost from flabby to tight—a mod we’ve spent hours using to dial up nearly endless sustain to freaky gained out sputtering effects. As if that isn't nough to make the gnarliest booster pedal, Throbak added a switchable silicon transistor to the classic Germanium circuit so players can get higher gain silicon treble boost tones from one pedal!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44449517305959,"sku":"31458","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_strange_master_front_77ee13ae-9a30-4a98-b654-4a925710064e.jpg?v=1787089284"},{"product_id":"throbak-electronics-overdrive-boost-pedal-1","title":"ThroBak Electronics Overdrive Boost Pedal","description":"\u003cp\u003eThe tonemeisters at Vintage King are super chuffed to offer Throbak’s \u003cstrong\u003eOverdrive Boost\u003c\/strong\u003e, an incredibly versatile overdrive with enough touch sensitivity, amazing clean and distorted tones to rival the best boutique amps.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBased on the original Colorsound Overdriver MkIII\/Power Boost circuit, the silicon transistor based circuit can dial up an extremely transparent and substantial clean boost in low gain settings and the sickest all-out silicon fuzz when dimed. Of course you’d expect that with just about any dirtbox, but the settings between those extremes is where the Overdrive Boost really shines. Check out Jeff Beck’s trademark Midrange honk on Blow By Blow to get an idea of what the Overdrive Boost can do when paired with a Les Paul and non-master Marshall.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTo most, a great remake of the MkIII would be a godsend, but simple clones aren't what Throbak is all about. Jon Gundry and his tone tweakers have enhanced the original Colorsound circuit for massive gain and tonal flexibility. They replaced the original single bass\/treble control with active bass and treble knobs. This incredible flexible mod is especially useful in front of a tube amp as the original Colorsound high-end chime and bite is retained and enhanced, but its notorious habit of annihilating the bass content of your guitar’s signal can be mitigated with the active bass control. This crucial addition restores and enhances the low end content of your guitar, allowing you to dial in the exact amount of meaty low end you need to get those velvet bellbottoms flapping.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe original Colorsound Overdrives lacked a master volume control so Throbak added one to the Overdrive Boost and a Pre Gain switch has been added for even greater control of low note definition—especially with distorted tones. Now, lesser designers would stop there, proud of their work in creating an awesome Cololorsound mod MkIII user Marc Bolan would’ve burned his feather boas for. Not Throbak. Their Killer App is the addition of a switchable Germanium transistor paired with a Germanium diode to this already awesome circuit mod. When switched on, the Germanium pair adds flexibility light years beyond the original Colorsound Overdriver, enhancing its edgy, compressed distortion tones you can only get from Germanium electronics.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWhen used with a great non-master volume vintage or boutique amp, the combination of the Overdrive Boost’s master volume and the Germanium pair creates an attenuator-like effect allowing you to crank your amp to 10 and still play at bedroom levels—all while keeping that great rich and complex maxed-out power amp tone. The original unmodified Colorsound Overdrive circuit cannot duplicate this attenuator like effect with a non-master volume amp.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLastly, each silicon transistor in Throbak’s Overdrive Boost has it's own internal trim pot to ensure each pedal is perfectly tuned. We recommend you fight the urge to tweeze these settings unless you are a Shaolin Electronics Master. Jon Gundry and the guys at Throbak are too busy making wicked pedals to return yours to factory condition any time soon.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44450017804391,"sku":"63064","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_overdrive_boost_front_1_f690258b-a73b-4796-aebe-bb4875f0779d.jpg?v=1787091347"},{"product_id":"throbak-electronics-strange-master-demo-deal","title":"ThroBak Electronics Strange Master (Demo Deal)","description":"\u003cp\u003eIn the early ‘60s English guitarists were obsessed with treble. We’re not sure why—perhaps there was an earwax epidemic in the UK at the time or those Mod haircuts knocked off 10dB at 6kHZ. Whatever the reason, those cats were just begging for more treble and Dallas Electronics answered with their Rangemaster Treble Booster. It was a happy accident for guitarists world-wide that not only did the Rangemaster boost treble to near fatal levels, it also provided a nice gain bump to the front end of their tube amps, making for some of rock’s greatest guitar sounds. Eric Clapton used one with his Les Paul and Marshall Combo on the Bluesbreakers' uber-classic “Beano” album, while Tommy Iommi cranked his SG through a Rangemaster on those proto-metal early Black Sabbath cuts like War Pigs.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThrobak Electronics couldn’t let this '60s tonal niche go unfulfilled, so they’ve made us really happy here at Vintage King with their \u003cstrong\u003eStrange Master Treble Boost\u003c\/strong\u003e, a recreation of the Germanium Dallas Rangemaster Treble Booster circuit—but with those user-tweakable mods that make Throbak pedals so tonally wicked.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFirst on the mod list, Throbak provides a switchable range control allowing guitarists to choose between the “ice pick in the forehead” treble boost of the original Rangemaster and a full range boost that kicks a tube amp into monster germanium distortion. Next they include a transistor bias adjustment control allowing you to change the character of boost from flabby to tight—a mod we’ve spent hours using to dial up nearly endless sustain to freaky gained out sputtering effects. As if that isn't nough to make the gnarliest booster pedal, Throbak added a switchable silicon transistor to the classic Germanium circuit so players can get higher gain silicon treble boost tones from one pedal!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44450017771623,"sku":"63061","price":139.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_strange_master_front_1_9290af44-cfe6-40c3-b02c-91a6fd992fb6.jpg?v=1787091348"},{"product_id":"throbak-electronics-fuzz-haze-pedal-demo-deal","title":"ThroBak Electronics Fuzz Haze Pedal (Demo Deal)","description":"\u003cp\u003eThe Dallas-Arbiter Fuzz Face is a true classic of ‘60s fuzz lore. Made famous by players like Jimi Hendrix, Cream-era Clapton and David Gilmour on Pink Floyd tracks like Shine On You Crazy Diamond. These big-hitters dug the original Fuzz Face for its thick, psychedelic sustain and all-out screaming fuzz tones.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eHowever, anybody who has owned a vintage British car knows that quality control was not the English’s strong suit during the ‘60s and ‘70s, and Dallas-Arbiter was not immune from this phenomenon. Original Fuzz Faces were notoriously inconsistent in just about every area—tone, reliability, component quality, etc. Of course, the famous players we mentioned had the luxury of cherry picking the best pedals and then having them tweaked further by technicians like Roger Mayer, but who wants a vintage cast off, even if Jimi Hendrix rejected it?\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLucky for us, Throbak Electronics offers the \u003cstrong\u003eFuzz Haze\u003c\/strong\u003e, a recreation of the Germanium Dallas-Arbiter Fuzz Face developed with stringent quality control, solving the major drawback of the originals with critical component selection and testing, as well as those tweaks only the stars of the time could find.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThrobak’s Fuzz Haze features a reverse audio taper potentiometer providing an unparalleled range of fuzz adjustment when compared to the original units. They also thought many Fuzz Face clones sucked the circuit of bass response that made the original such a powerhouse when paired with a Stratocaster. Throbak avoided this unfortunate condition by adding an internal user-adjustable pre gain and bias trim, giving you full control over the fuzz character and crucial bass response. Lastly, Throbak uses socketed transistors so they can tune and tweak each individual pedal, assuring each Fuzz Haze sounds like it was cherry-picked as the best.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e We think Throbak’s Fuzz Haze offers up the same thick screaming Fuzz that drew Hendrix to the original. We wear fringe jackets and play our Strats upside down almost every time we plug one in. You may not take it to the extremes we do, but we’re sure the Fuzz Haze will be your most stomped on boxes.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44450017837159,"sku":"63060","price":139.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_fuzz_haze_front_1_e28438ae-94e8-4a0e-bd6f-6190510c3f9c.jpg?v=1787091347"},{"product_id":"throbak-electronics-stone-bender-ii-pedal-demo-deal","title":"ThroBak Electronics Stone Bender II Pedal (Demo Deal)","description":"\u003cp\u003eThe Throbak Crew are mad for ‘60s English fuzz boxes, and few things prove it like their \u003cstrong\u003eStone Bender MKII Pro\u003c\/strong\u003e. A slavish reproduction of the fabled three-germanium transistor Sola Sound Tone Bender MKII circuit with the very wicked ability to user-tweak control elements within said circuit. Designer Jon Gundry knew that the likes Jimmy Page, Jimi Hendrix, Brian May and an influential bunch of other players were tone nuts too. They took their effects to the music electronics gurus of their day for tweaks and mods.  Throbak’s Stone Bender MkII Pro is a killer Sola Sound Tone Bender MKII Professional that lets you dial in those full-on-custom Roger Mayer and Peter Cornish Swinging London studio Tweaks. Paired with a tube amp, the Stone Bender MkII Pro can generate immensely cool lead, rhythm, fuzzy overdriven huge or thin sounds.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe first Throbak mod to the original Sola Sound circuit is their simple but powerful Pre Gain Switch. Flipping the switch lowers the input impedance set by a user-adjustable internal trim pot. This clever tweak eliminates the low-end muddiness fuzzboxes can impart on humbucking-equipped guitars.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eModifying the original Tone Bender’s transistor bias was one of the favorite mods of the legendary tweakers for giving artists a signature sound. Throbak’s user-adjustable internal transistor bias control puts that level of customization into your hands. Stick to the factory setting and enjoy the perfect idealized Tone Bender MKII Professional, or take advantage of the inherent inconsistency of germanium transistors for fuzz tones that we are having trouble finding words to describe!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFor a special Vintage King bonus, Throbak is including a new feature called the Tone Color Switch. Having studied hundreds of different vintage Sola Tone Bender models in their search for fuzz perfection, Gundry and Co. found that the best-sounding three-knob Benders took a slight amount of treble edge off the tone. They wired up that additional circuit and made it switchable on their Stone Bender MKII Pro for even more... well... tone color.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eAll these brilliant mods make the Throbak Stone Bender MKII Pro a great overdrive pedal as well as a monster high-gain fuzz box, providing endless sustain and controllable feedback. These added features do not change the original circuit but put control of the tone and character of the effect in your hands.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eHere at Vintage King, we love plugging in a Stone Bender MKII Pro and getting Heart Full of Soul on demand. We love how it slightly overdrives the preamp of a good tube amp so we can get all stoked when we nail a tone like Jimmy Page on Zep I or Mick Ronson on Ziggy Stardust—we live for this stuff.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"ThroBak Electronics","offers":[{"title":"Default Title","offer_id":44450017902695,"sku":"63057","price":144.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/throbak_stone_bender_front_1_5192aab6-2eff-427c-aec5-1b09281e7add.jpg?v=1787091348"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/throbak-electronics.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}