{"title":"Tiptop Audio","description":null,"products":[{"product_id":"tiptop-audio-bat-filter-zdsp-cartridge","title":"Tiptop Audio Bat Filter ZDSP Cartridge","description":"\u003cp\u003e \u003cstrong\u003eTipTop's Bat Filter\u003c\/strong\u003e for Z-DSP contains eight different voltage controllable digital filters.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449751990375,"sku":"50273","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bat_filter_d5a65d53-2dac-4fb7-bc4c-95be3aec725c.jpg?v=1787090259"},{"product_id":"tiptop-audio-bd808-tr808-bass-drum-generator","title":"Tiptop Audio BD808 Bass Drum Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio BD808\u003c\/strong\u003e is part of the drum module series that brings the iconic analog percussion of the Roland TR-808 into the modular synth world. This compact, minimalist module is cost-effective due to modern production methods, reviving the renowned bass drum sound.\u003c\/p\u003e  \u003cp\u003eThe BD808 adapts the TR-808’s Bass Drum circuit for Eurorack format, retaining the classic 80’s sound while adding new features. These include an independent Accent level, a high-powered gain stage, dual input pulse-shaper, and extended decay. The integrated high-powered gain stage can produce signals up to 20Vpp, allowing for a range of harmonized bass drum sounds from sharp attacks to distorted tones. The dual pulse-shaper circuit ensures stable sound from various pulse sources, making integration into your modular setup seamless. These enhancements unleash the power of true analog drums, delivering impactful bass sounds.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752055911,"sku":"50224","price":134.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-bd808-white_50224_1_14abc0b6-ef15-4ac2-8f87-e83aabd1a501.jpg?v=1787090260"},{"product_id":"tiptop-audio-bd909-tr909-bass-drum-generator","title":"Tiptop Audio BD909 Bass Drum Generator Module","description":"\u003cp\u003eReverse-engineered from the original machine, the \u003cstrong\u003eTiptop Audio BD909\u003c\/strong\u003e is an identical recreation of the original all-analog drum circuit of the TR-909. Tiptop have added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory – all tightly packed into an 8HP module. The BD909 sound differs from the BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass lines to deeply fill up the low end while the kick drum rides on top – creating a clear and punchy mix.\u003c\/p\u003e  \u003cp\u003eThe BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent, and Level. Tiptop have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, there is now a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune the 909 kick with your bass lines. There are control knobs for the tuning attack and extending tuning decay. Each one affects the other, allowing for intuitive and interactive sound shaping, opening Z8000 up numerous “sweet spots” and provides the ability to center the energy peak at different parts of the sound. Finally, there is additional punch and distortion with complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.\u003c\/p\u003e  \u003cp\u003eBeginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909’s flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive – and everything in between.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752088679,"sku":"50241","price":138.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-bd909-white_50241_1_69dcc16a-90cd-43b0-9e1e-e4afc31abb3e.jpg?v=1787090260"},{"product_id":"tiptop-audio-bitrot-bit-manipulation-zdsp-cartridge","title":"Tiptop Audio BitROT Bit Manipulation ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eBit-Rot\u003c\/strong\u003e is an independent collection of 8 voltage-controlled waveform-combination and bit-manipulation effects written by segoh (Sebastian Gutsfeld) and released by Equinoxoz from Australia.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe algorithms cover a wide range from soft ring modulation with stereo spread to glitchy distortion and harsh digital noise. Particular care was taken to create effects with consistent control parameters which allow the usage of the Z-DSP's sequential program control in a more musical way.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe bit-rot parameter defines the amount of harshness in the nonlinear combination of both inputs. Increase it to tear the bits apart or leave it at 0 to skip the waveform-combination and send the left input signal directly to the left output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll 8 effects include a ring modulation of the output signal with the right input (set the amount with the rmod-r parameter). The right output is an inverted and delayed (0ms to 100ms) copy of the left output, controllable by the dly-r parameter (try hard panning each output for nice stereo effects and mix both outputs or add some feedback for strange phase cancellations).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWaveform-combination Algorithms:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eINTERLEAVE L\/R:\u003c\/strong\u003e Interleaved bitwise combination of both inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eXOR:\u003c\/strong\u003e Single bits are xor'ed - \"true\" means the left input is sent to out, \"false\" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMIX:\u003c\/strong\u003e Both inputs are mixed together. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMIN:\u003c\/strong\u003e The minimum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eINTERLEAVE MIX\/L\/R:\u003c\/strong\u003e Interleaved bitwise combination of the mix and both individual inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eC-GATE:\u003c\/strong\u003e A Muller C-gate to compare single bits - \"true\" means the left input is sent to out, \"false\" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePOS\/NEG:\u003c\/strong\u003e The positive part of left input is mixed with the negative part of the right input. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMAX:\u003c\/strong\u003e The maximum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752121447,"sku":"50276","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_bitrot2_3799f47e-01ac-4364-b9e9-7f76ea0f8f4c.jpg?v=1787090260"},{"product_id":"tiptop-audio-blank-zdsp-cartridge","title":"Tiptop Audio Blank ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eTipTop Audio´s Z-DSP Blank Cartridge\u003c\/strong\u003e memory card, for writing programs.  The TipTop Audio Numberz is required.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Z-DSP blank cartridges are rewriteable memory cards for use with Numberz and the Z-DSP with up to one million write\/erase cycles. These cards are made of printed circuit board material with two memory chips soldered on their bottom side providing a low cost non volatile memory of Z-DSP programs and display data.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752154215,"sku":"50277","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_numberz_w-chip_4fa028b8-a081-4bc2-935f-69267ac06b7b.jpg?v=1787090260"},{"product_id":"tiptop-audio-black-90cm-stackcables","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Black, 90 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752186983,"sku":"50282","price":6.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-stackcables-black-90cm-23_50282_1_fc37ab51-2f14-4427-b1ac-cf6d8531b133.jpg?v=1787090260"},{"product_id":"tiptop-audio-cb808-tr808-cowbell-generator","title":"Tiptop Audio CB808 TR808 Cowbell Generator","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Analog Cowbell\u003c\/strong\u003e from Roland's TR-808 is now available as a narrow Eurorack module from TipTop Audio. Re-creating the original sound was the main focus when developing this clone but the circuitry has been extended with a pitch modulation by an internal LFO that will give the cowbell an even more living sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs all TipTop drum modules the CB808 can generate loud and hot levels so you can distort the sound and create additional harmonics. Full level can be reached when you crank up the Level and Accent parameters. For a clean sound keep the level maximum at 70%.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe accent circuitry is dynamic and also affects the sound. The louder the pulse at the accent inputis the louder the sound gets and in addition it has more attack. The accent level can be set with a potentiometer. The accent input is normalized to the gate input when no cable is inserted to the accent input. This will provide for a fat loud sound and you don´t have to worry about inserting an accent pulse. In addition the accent control will act as a fine output level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlthough the sound of the real TR 808 cowbell is not static at all, TipTop has extended the circuitry by pitch modulation thru an internal LFO. Its rate and modulation depth can be set with the according controls.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGate input, accent input, audio output (3,5mm socket, mono)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS:\u003c\/strong\u003e\r\n3U Eurorack module, 4HP wide\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752252519,"sku":"50238","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_cb808_d481a965-b0a3-4a22-be9b-f32e9ad69250.jpg?v=1787090261"},{"product_id":"tiptop-audio-circadian-rhythms-grid-sequencer","title":"Tiptop Audio Circadian Rhythms Grid Sequencer Module - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio Circadian Rhythms\u003c\/strong\u003e is a professional performance gate sequencer in Eurorack format. Sitting at the center of your system the Circadian provides triggers and gates to all your drum modules and percussive sounds as well as clocking your other sequencers with exceptional timing accuracy. Each channel voice can be programmed directly from the intelligent, eight-channel, 512-step master gate sequencer designed for composers looking to make music on the modular and perform live. Building up from basic step programming, multi-channel patterns of musical phrases can be repeated, looped, chained, muted, and manipulated in real-time, and, most importantly, all through a simple, clearly labeled menu-free interface.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eLED GRID\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt around 72 buttons set as a multi-color illuminated 8×9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view, turning the grid into a set of programming and real-time playing functions like Mutes, Loops, Swing, Fills, Copy and Paste, Grouping, Randomizing, and Manual drum-machine-style trigger entry. Activate any of those functions with only a button press or two.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing an array of multi-color, illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful, glowing appearance that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, the Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system and can also act as a high precision bridge for DAW synchronization.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCLOCK\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of the groove. The four modes of clock sync make interfacing with other modules, hardware, or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eUNDER THE HOOD\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long-time pros will immediately feel a machine made for their needs, while newcomers can instantly dive into next-level programming and performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSYNCBUS TECHNOLOGY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Tiptop-Audio-designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so there is no need to patch anything together.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752285287,"sku":"50221","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_circadian-rhythms_cecac961-6ab2-466d-aa87-9566a62899b7.jpg?v=1787090261"},{"product_id":"tiptop-audio-blue-70cm-stackcables","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Blue, 70 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752219751,"sku":"50281","price":6.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-stackcables-blue-70cm-23_50281_1_900d34f0-a69d-462b-8c98-02d717dfd7ce.jpg?v=1787090261"},{"product_id":"tiptop-audio-cp909-tr909-clap-generator","title":"Tiptop Audio CP909 Clap Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio CP909\u003c\/strong\u003e is the TR-909’s analog clap sound generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further. The CP909 is an exact reproduction of the original analog circuit and with the addition of just one extra knob, “trashing” the frequency of the internal noise generator, Tiptop have added greatly to the spectrum of sounds that can be generated. All that without compromising the signature sound of the TR-909.\u003c\/p\u003e  \u003cp\u003eThe CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic- based noise generator. Some might call it “digital noise”, though this term might be misleading in today’s world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so 80s, and so much the sound of the 909 Clap!\u003c\/p\u003e  \u003cp\u003eThe CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, Tiptop have designed a pulse-shaper circuit so you can trigger the CP909 with trigger\/gate signals from step sequencers, clocks, dividers, or any other pulse\/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752350823,"sku":"50242","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-cp909-white_50242_1_58770689-e36a-4073-96ea-07106fdcde77.jpg?v=1787090261"},{"product_id":"tiptop-audio-dragonfly-delay-zdsp-cartridge","title":"Tiptop Audio Dragonfly Delay ZDSP Cartridge","description":"\u003cp\u003eReplacement for the \"Dragonfly Delay\" effect cartridge that is supplied with each new Z-DSP.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis card with eight delay effects is supplied with every new Z-DSP. Here you can order it a s a replacement part in case your \"Dragonfly Delay\" card is defective or if it was not included in your 2nd hand Z-DSP.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/strong\u003e\r\n0,05 kg\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752318055,"sku":"50274","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_dragonfly-delay_9fd1e281-4a44-40c6-ab90-db6e8909dde4.jpg?v=1787090261"},{"product_id":"tiptop-audio-halls-of-valhalla-reverb-zdsp-cartridge","title":"Tiptop Audio Halls of Valhalla Reverb ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eValhalla DSP's \"The Halls of Valhalla\"\u003c\/strong\u003e is an effect cartridge with eight reverberation algorithms, designed to work with the strengths of the Z-DSP and tailored towards electronic music.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe eight reverb algorithms are ordered from shortest to longest and are called Room, Chamber, Plate, EnsembleVerb, Cathedral, Niflheim, Asgard and Ginnungagap.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGenerally the reverbs have a nice dense sound and even the short reverbs can be quite long with the decay control turned all the way up. Tone control is a powerful control damping the reverbs and has a strong effect especially with the Plate and EnsembleVerb algorithms. Chorus controls the frequency of a (more or less) slight motion, vibration or chorus.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA few remarks about some of the algiorothms: PLATE is definitely a natural but a clearly digital plate reverb. ENSEMBLEVERB softens attacks and sounds much like a string ensemble, especially with chorus. CATHEDRAL can have a long hovering space-ish sound with slight ensemble effect. NIFLHEIM's special behaviour is the the lower volume at short decay times; nice effect when controlled with voltages. GINNUNGAGAP sound very orchestral and you can turn monophonic sounds easily into pads.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cartridge is manufactured by Valhalla DSP but is being distributed by TipTop Audio who have no influence on production and quantites.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePre-programmed effect cartridge for the Z-DSP\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752383591,"sku":"50275","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_valhalla_037f68c1-e71c-4133-be4b-bdc79c34deae.jpg?v=1787090261"},{"product_id":"tiptop-audio-hats808-tr808-hi-hats-drum-generator","title":"Tiptop Audio HATS808 Hi-Hats Drum Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio HATS808\u003c\/strong\u003e is a a drum module that brings the classic TR-808 closed and open hi-hat sounds to the Eurorack modular synth format. This module includes features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and adjustable Filter Q and VC-Q knobs for additional tuning.\u003c\/p\u003e  \u003cp\u003eThe HATS808 uses six analog square wave oscillators to create its signature sizzling sound, maintaining the unique metallic character of the original. The original “choke” circuitry is fully implemented but can be disabled if needed. The high-powered gain stage allows for further sound harmonization through distortion and clipping. The dual pulse-shaper circuit ensures consistent sound quality from any pulse source, making the HATS808 an easy and powerful addition to any modular synth setup.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752416359,"sku":"50237","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-hats808-white_50237_1_79a8814d-9309-4fea-a4eb-c14fb7a77892.jpg?v=1787090262"},{"product_id":"tiptop-audio-hats909-tr909-hi-hats-generator","title":"Tiptop Audio HATS909 Hi-Hats Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio HATS909\u003c\/strong\u003e is a part of their series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine. HATS909 is the TR-909’s original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was designed to sound like a machine coming fresh off the assembly line back in the 80’s. Improving on the original, Tipto have added some great new features that expand the sound palette that can be produced with this small, powerful module.\u003c\/p\u003e  \u003cp\u003eThe original TR-909 circuit was made with a combination of low-fi sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample’s tuning, which provides anything from crushed hats and short ticks to the original sound and anything between. Additional controls allow you to send a voltage control signal to either the tune input or the internal VCA for modulation with external control signals and, using a modulation switch, add AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any other sound source. Lastly, HATS909 also offers a switch that allows you to tap directly into the raw output of the module for a unique sound source that can used throughout your system.\u003c\/p\u003e  \u003cp\u003eJust like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, Tiptop have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger\/gate signals from step sequencers, clock dividers, or any other pulse\/clock sources.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752449127,"sku":"50243","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-hats909-white_50243_1_6237a7c9-d3d5-4810-89c3-2f78bdfa4a29.jpg?v=1787090262"},{"product_id":"tiptop-audio-ma808-tr808-maracas-generator","title":"Tiptop Audio MA808 Maracas Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio MA808\u003c\/strong\u003e is a Eurorack module that recreates the TR-808’s analog Maracas drum voice and white noise generator at a low cost, expanding your Tiptop Audio modular drum machine. It features a fluffy, harmonically rich sound that enhances Hi-Hats dynamics. The Attack control knob allows adjustments from sharp Hi-Hat to slow-rise Maracas, with a marker for the original 808 setting.\u003c\/p\u003e  \u003cp\u003eThe MA808 also includes the 808’s continuous analog white noise generator, ideal for creating custom drum sounds or general white noise use. It faithfully reproduces the original 1980s circuit and includes a high-powered gain stage for hot, distortable signals. The dual input pulse-shaper ensures stable triggering from various pulse sources, making the MA808 an easy and powerful addition to any modular synth setup.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752514663,"sku":"50240","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-ma808-white_50240_1_bcbf0d4f-bc9c-4a37-b406-9290ad012e50.jpg?v=1787090262"},{"product_id":"tiptop-audio-mixz-low-noise-dual-mixer-with-tiptop-bus-mix","title":"Tiptop Audio MIXZ Low-Noise Dual Mixer with Tiptop Bus Mix","description":"\u003cp\u003e\u003cstrong\u003eTipTop's MIXZ\u003c\/strong\u003e is a low cost multi-channel mixer with three sections for mixing audio, CVs and gate signals. \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMIXZ consists of three sections:\r\n- Mixer A: four-channel mixer with individual gain controls per channel.\r\n- Mixer B: four-channel mixer with a master gain control\r\n- Bus Mix: multi channel mixer that mixes signals from modules utilizing the Tiptop Bus Mix\u003c\/p\u003e\r\n\r\n\u003cp\u003eMixers A and B can be combined and used as a eight-channel mixer because Mixer output A is normalized to input of Mixer B.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe BusMix is a new method for simple and convenient, yet not low-noise mixing of signals without using patch cords. Signals of TipTop Audio drum modules are mixed internally and are available at the MIXZ's master output at the flick of the Bus mix switch. Sections A and B are not occupied and are available for other mixing applications.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMixer sections A and B each have four inputs and one output.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 10HP wide, 36mm deep.\r\ncurrent draw: 14mA @ +12V and 14mA @ -12V\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752481895,"sku":"50216","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_mixz_front_0e5d5ea2-b0f7-4335-a939-86a90c068a55.jpg?v=1787090262"},{"product_id":"tiptop-audio-numberz-digital-audio-lab-usb-programmer","title":"Tiptop Audio Numberz Digital Audio Lab USB Programmer","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Numberz\u003c\/strong\u003e is a USB device that communicates with a software front-end on your PC. It can be used to download Z-DSP programs including the display text to non-volatile blank cards. On the other hand you can plug it in directly into the Z-DSP for realtime programming.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWriting your own programs is possible with the software Spin ASM (for Windows only) which you can download direcly from Spin. All other information, manuals and examples can be found at TipTop Audio´s product page. See links section at the bottom of the page.\r\nNumberz contains the USB device, a USB cable and three blank DSP cards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWith Numberz you can:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003edownload free DSP programs from the web and \"burn\" them into cartridges\u003c\/li\u003e\r\n\u003cli\u003emodify existing programs for new and interesting effects\u003c\/li\u003e\r\n\u003cli\u003ewrite and debug Z-DSP programs in a real-time environment\u003c\/li\u003e\r\n\u003cli\u003eshare your programs online with other Numberz users\u003c\/li\u003e\r\n\u003cli\u003eshare your programs on Z-DSP cartridges with other users\u003c\/li\u003e\r\n\u003cli\u003ecreate your own text for the Z-DSP display\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUSB Standard A socket for connecting to your PC\r\nsocket for inserting Z-DSP cards into Numberz\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.5 kg   -   1.1 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752547431,"sku":"50272","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_numbers_e1e691a5-7f26-4415-98de-016b638b4d61.jpg?v=1787090262"},{"product_id":"tiptop-audio-purple-150cm-stackcables","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Purple, 150 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752580199,"sku":"50283","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-stackcables-purple-150cm-23_50283_1_24e8eee0-1d83-4922-9b2c-f2b5c2e9fbf4.jpg?v=1787090262"},{"product_id":"tiptop-audio-red-30cm-stackcables","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Red, 30 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752612967,"sku":"50279","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-stackcable-red-30cm-single-23_50279_1_1_06262c51-81df-462f-92c8-d96fa8d3b1f0.jpg?v=1787090262"},{"product_id":"tiptop-audio-rs808-tr808-rimshot-clavs-generator","title":"Tiptop Audio RS808 Rimshot\/Clavs Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio RS808\u003c\/strong\u003e is a Eurorack module that brings the TR-808’s analog Rimshot and Claves sounds to your modular drum machine at a low cost. It offers the classic sounds plus two unique snappy “click” variations. Two control knobs, labeled Pitch and Snap, adjust the oscillator frequency and envelope decay, providing greater sound variation and control.\u003c\/p\u003e  \u003cp\u003eThe RS808 faithfully reproduces the original 1980s TR-808 circuit and includes a high-powered gain stage for hot, distortable signals. It features a dual input pulse-shaper for stable triggering from various pulse sources. These enhancements make the RS808 an easy and powerful addition to any modular synth setup, delivering authentic analog drum sounds.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752678503,"sku":"50239","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-rs808-white_50239_1_2fcd3870-38d5-41e0-a5ed-637dafd4774e.jpg?v=1787090262"},{"product_id":"tiptop-audio-sd808-tr808-snare-drum-generator","title":"Tiptop Audio SD808 Snare Drum Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio SD808\u003c\/strong\u003e is a drum module that brings the TR-808’s analog snare drum sound to the Eurorack modular synth format. This module includes special features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and an adjustable noise source, all while retaining the classic 1980s TR-808 sound.\u003c\/p\u003e  \u003cp\u003eThe SD808’s analog design ensures tight, snappy sounds, using two sine waves and a noise source. It also offers versatile front panel controls for creating various electronic percussion sounds. The noise source is based on a later TR-808 circuit, producing a slightly darker and more realistic snare. The high-powered gain stage and dual pulse-shaper circuit ensure consistent, high-quality sound from any pulse source, making the SD808 an easy and powerful addition to any modular synth setup.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752645735,"sku":"50229","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-sd808-white_50229_1_ec0a2a76-99ed-4b1a-8e91-81bab0ec8bea.jpg?v=1787090263"},{"product_id":"tiptop-audio-toms909-tr909-vc-analog-toms-generator","title":"Tiptop Audio TOMS909 VC Analog Toms Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio TOMS909\u003c\/strong\u003e replicates the warmth of the classic, all-analog, punchy tom-toms from the TR-909 drum machine. The TOMS909 contains all three of the TR-909’s original LOW, MID and HIGH tom-tom circuits adapted for use in the modular format. The module was designed to sound like a fresh machine coming off the assembly line back in the 80’s. To add flavor to the beast, Tiptop have extended each tom’s tuning range so it’s easier to dial soft bass drums on the low end and high-pitched toms on the other.\u003c\/p\u003e  \u003cp\u003eThe toms circuitry is made up of 9 triangle oscillators and a stack of filters, VCAs, and envelopes which, in total, took about half of the space on the original 909’s circuit board. Utilizing the latest in electronic design technology, Tiptop have managed to squeeze this enormous circuit, consisting of more than 450 components, into an area only 16HP wide. It is a beautiful board with hundreds of tiny, shiny components: it’s a little analog jewel.\u003c\/p\u003e  \u003cp\u003eEach tom includes a trigger and accent input with accent level control, manual tune, voltage-control tune input with attenuator and independent audio out. In addition, a MIX out is available that sums all three toms together as well as access to the MIXZ MixBus on the back. On each gate input, Tiptop have designed a dual pulse-shaper circuit so you can trigger your TOMS909 with trigger\/gate signals from sequencers or any other pulse\/clock sources.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752711271,"sku":"50244","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-toms909-white_50244_1_9d218d66-63e8-44e7-a691-a9eacc989252.jpg?v=1787090263"},{"product_id":"tiptop-audio-trigger-riot-sequencer","title":"Tiptop Audio Trigger Riot Sequencer","description":"\u003cp\u003eAn innovative and unique trigger sequencer with memory and an entirely new concept. \u003cstrong\u003eTipTop's Trigger Riot\u003c\/strong\u003e has an internal a clock generator but can be synched to an external clock, too. Eight channels process clocks, each by passing four clock dividers in a row. Each clock divider has manipulators like probability of trigger output, clock shift, clock multiplication and pulse width. Combine thee parameters and you´ll get very diversified and living trigger sequences.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe eight channels are laid out in four columns and four rows. In Matrix Mode the columns and rows interact with each other as the controls affect both. In Independent Mode you can select the channel you want to by pressing the Mute\/Sel button. the Trigger Riot has an integrated precise clock generator but can be synched to an external clock of course. the tempo can be set in BPM. Besides that a Cycle Mode is available with adjustable start adn reset point,\u003c\/p\u003e\r\n\u003cp\u003eEach channel has four clock dividers. Following parameters can be set for each of those:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDivide: sets the clock division\u003c\/li\u003e\r\n\u003cli\u003eStep: allows setting of a single trigger on a given count\u003c\/li\u003e\r\n\u003cli\u003eProbability: sets the probability a trigger will fire\u003c\/li\u003e\r\n\u003cli\u003eSpeed: sets the time base in internal clocks\u003c\/li\u003e\r\n\u003cli\u003eClock Shift: delays the division by full clocks\u003c\/li\u003e\r\n\u003cli\u003eTime Shift: delays the division by fractions of a clock\u003c\/li\u003e\r\n\u003cli\u003ePulse Width: duty cycle of the trigger\/gate from 0% to 100%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003ecombining this parameters will lead to overlapping of clocks, cancelling, shifting and will result in interesting rhythmical structures in the end Please check the extensive operation manual for more details, tips and tricks.\u003c\/p\u003e\r\n\u003cp\u003eThe Trigger Riot understands TipTop's own SyncBus which carries clock, reset and preset data and is used for synchronize multiple TipTop Syncbus compatible devices like Circadian Rhythm. Connect it with the optionally available SyncBus-Cable.\u003c\/p\u003e\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\u003cp\u003eClock In and clock Out\u003cbr\u003e Reset In and Reset Out\u003cbr\u003e four outputs for rows 1, 2, 3 and 4 and four outputs for colums A, B, C and D\u003c\/p\u003e\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\u003cp\u003e3U Eurorack module, 28HP wide, 28mm deep\u003c\/p\u003e\r\n\u003cp\u003eCurrent draw: 200mA@+12V and 0mA@-12V\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.263 kg   -   0.58 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752744039,"sku":"50213","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_trigger_riot_5b398498-cd5d-41db-a988-93ca05ef07a9.jpg?v=1787090263"},{"product_id":"tiptop-audio-z2040-4-pole-prophet-5-vcf","title":"Tiptop Audio Z2040 4-Pole Prophet 5 VCF","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z2040\u003c\/strong\u003e is a discrete clone of the Prophet 5`s low pass filter with come additonal features like voltage controlled gain and resonance. The gain parameter allows for overdriving the filter.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eVoltage controlled, 24dB\/octave steep, 4-pole lowpass filter based on the original US patent of the SSM2040 filter chip from Sequential Circuits' Prophet 5 Rev2.\r\nFM is the cutoff modulation parameter with a voltage controllable modulation depth (VC-FM)\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe gain is adjustable and until the 1h position (marked with \"0dB\") the filter is pretty smooth but above that the sound gets more and more overdriven. A VCA pre-filter makes the gain voltage controllable; alternatively you can route the VCA post-filter with a jumper.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eaudio: input and output\r\nCV inputs for cutoff (FM), cutoff modulation depth (VC-FM), gain and resonance\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 8HP wide, 42mm deep\r\ncurrent draw 20mA\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752842343,"sku":"50192","price":235.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptiop-audio-z2040_50192_1_78df9261-980a-4740-bf80-330d1943d0b6.jpg?v=1787090263"},{"product_id":"tiptop-audio-z3000-mkii-smart-vco","title":"Tiptop Audio Z3000 mkII Smart VCO","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z3000\u003c\/strong\u003e has an all-analog Voltage Controlled Oscilaltor with an integrated tuner, linear and exponential FM, two sync methods and waveshaping on the sine wave. A proven and tested classic!\u003c\/p\u003e  \u003ch3\u003eFeatures\u003c\/h3\u003e  \u003cp\u003eVCO with arithmetic processor that analyzes the frequency once per second.The display shows the current frequency - depending on the chosen mode the VCO frequency is shown as frequency in Hertz, note value or octave range. The external audio input offers the ability to use the arithmetic processor for tuning other VCOs.\u003c\/p\u003e  \u003cp\u003eOf course, the Z3000 has manual and voltage controlled pulse width modulation and the waveforms sine, triangle, pulse and sawtooth. Besides the hard sync input for synching the VCO using square or sawtooth waves there is an additional Hard Sync Modulation input (HSM). This will not only accept any waveform but any audio signal which will modulate and distort the waveforms of the synchronised Z3000. Additionaly there are 3 FM inputs, two exponential and a linear one. The CV inputs FM2 and Linear FM share a common attenuator. Frequency range of the Z3000 is 0.7Hz - 30kHz.\u003c\/p\u003e  \u003cp\u003eThe version 2 is now built with SMD components and thus it´s PCB is very flat (pcb parallel to the faceplate). By the use of modern transistors the tracking got much more exact. The sawtooth now sounds a bit better and there´s a new feature: VC waveshaping on the sine and triangle wave! It blends from \"trashy sawtooth\" to sine\/triangle.\u003c\/p\u003e  \u003ch3\u003eConnectors\u003c\/h3\u003e  \u003cp\u003eCV inputs: 1V\/oct, Hard Sync, Hard Sync Modulation, PWM, FM1, FM2, linear FM, waveshaper CV input audio input: external in (tuner input) oscillator outputs: sine, triangle, sawtooth, pulse\u003c\/p\u003e  \u003ch3\u003eDimensions\u003c\/h3\u003e  \u003cp\u003e3U Eurorack module, 14HP wide, 26mm deep. current draw max. 50mA\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.3 kg - 0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752809575,"sku":"50203","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_z3000_86a957a3-085a-4cde-be84-ff11351db67d.jpg?v=1787090263"},{"product_id":"tiptop-audio-yellow-50cm-stackcables","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Yellow, 50 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752776807,"sku":"50280","price":6.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-stackables-yellow_50280_1_69e71f8e-b9b3-48f1-bcda-8f85d245dd69.jpg?v=1787090264"},{"product_id":"tiptop-audio-z8000-matrix-sequencer","title":"Tiptop Audio Z8000 Matrix Sequencer","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z8000\u003c\/strong\u003e is a versatile and compact modulation source package based on ten separate sequencers which share 16 potentiometers. When you combine the sequencer rows with each other interesting and living sequences can be generated. If you turn one potentiometer, this can affect all ten sequences!\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eper sequencer: clock input, direction cv input, reset input and CV output.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3HE Eurorack module, 28HP wide, 47mm deep\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.5 kg   -   1.1 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752875111,"sku":"50209","price":365.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_matrix_169290f8-1d65-46b6-bb5d-66de2947d54f.jpg?v=1787090263"},{"product_id":"tiptop-audio-zdsp-voltage-controlled-dgtl-signal-processor","title":"Tiptop Audio ZDSP Voltage Controlled Dgtl Signal Processor","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z-DSP\u003c\/strong\u003e is a stereo DSP processor, with 24-bit sampling, 15khz of bandwidth, voltage controlled parameters, and has the ability to be programmed with a powerful assembly language - all in a Eurorack format. The Z-DSP gives you all the tools you need to control and manipulate digital effects to explore the new sonic spectrum DSP is bringing to the modular synth, including; VC digital parameters, VC Mix\/Dry, manual and sequential program switching and a pair of VC Feedback-loop path with exposed patch points that let you insert the rest of your modular inside the DSP process.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Z-DSP has two totally independent audio channels with separate input level controls and feedback loops that you can break up. thus cross-feedbacks are possible what gives interesting effects e.g. with delays, three digital parameters per effect can be set manually or with control voltages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou can step through the eight programs of the memory card with a pushbutton or via a trigger signal. A CV can determine the direction (fwd\/bwd). Also you can address the eight effects with a CV. The dry\/wet mix of the Z-DSP can be set either with a manual control and\/or a CV.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eParameters of the DSP:\u003c\/strong\u003e 24bit AD\/DA converters, speed: 6MB\/sec, 32k RAM, THD at 1kHz: 0,015%\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluded is the \"Dragonfly Delay\" cartridge which gives you following eight delays:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003emono delay with lowpass filter on feedback\u003c\/li\u003e\r\n\u003cli\u003estereo ping-pong\u003c\/li\u003e\r\n\u003cli\u003estereo delay with independent delay times per channel\u003c\/li\u003e\r\n\u003cli\u003estereo delay with independent feedback settings per channel\u003c\/li\u003e\r\n\u003cli\u003e3-taps stereo delay with 25% feedback\u003c\/li\u003e\r\n\u003cli\u003e3-taps stereo delay with 75% feedback\u003c\/li\u003e\r\n\u003cli\u003estereo in\/out polyrhythm\u003c\/li\u003e\r\n\u003cli\u003emono in\/ stereo out polyrhythm\u003c\/li\u003e\r\n\u003cli\u003eadditional cartridge: Broken Silicon Error Codes 1\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003ecommon connections: CV input for dry\/wet mix. For switching thru the eight programs there is a trigger input, a fwd\/bwd input and a CV input for addressing the programs.\r\nEach channel has a signal input and an output. Feedback in and out jacks and a CV input for amount of feedback.\r\nSlot for inserting the memory cards.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module; 28HP wide, 59mm deep.\r\nCurrent draw : 166mA [130mA at +12V and 36mA at -12V]\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.5 kg   -   1.1 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752907879,"sku":"50271","price":355.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_zdsp-lit_e47a7a92-99d9-4ace-b314-71fc9c33e5a2.jpg?v=1787090264"},{"product_id":"tiptop-audio-z4000-voltage-controlled-envelope-generator","title":"Tiptop Audio Z4000 Voltage Controlled Envelope Generator","description":"\u003cp\u003eThe attack, decay and release potantiometers are scaled in a special way: the first 50% of the knob´s rotation are used for finest adjustment of very short envelope times from miliseconds to one second. This is useful to create snappy envelopes with minimum times without popping or clicking sounds. The rest of the knob´s rotation controls times from one second up to the minute range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAttack, Decay, Sustain and Release can be controlled with voltages from 0V to 5V. The ATK switch selects between an exponential and a logarithmic attack curve. The Shoot button allows you to fire the envelope manually.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe voltage processor at the output has several functions. The Attenuverter attenuates and\/or inverts the output voltage. The voltage controllable Deviator adds a static positive or negative offset voltage to the envelope. By combining those\r\nameters you can mirror the envelope or clip it. A bicolor LED indicates whether the envelope is in negative or positive voltage range.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGate input, Retrigger input, envelope output.\r\nCV inputs for attack, decay, sustain, release and the deviator parameter\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 8HP wide, 2.8cm deep.\r\nCurrent draw: 34mA @ +12V and 18mA @ -12V\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.25 kg   -   0.55 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752940647,"sku":"50211","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-z4000-voltage-controlled-envelope-generator_50211_1_1_b4f115b6-a5dc-4ac5-94d3-e5f41d611c1e.jpg?v=1787090263"},{"product_id":"tiptop-audio-stackcables-green-20cm","title":"Tiptop Audio Stackcable 3.5mm Eurorack Patch Cable - Green, 20 cm","description":"\u003cp\u003eThe revolutionary \u003cstrong\u003eTiptop Audio Stackcable\u003c\/strong\u003e 3.5mm Eurorack patch cable is the world’s first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module. Stackcables are made in the USA and are compatible with all audio gear that uses the 3.5mm \/ 1\/8\" jacks and plugs. (please note: do not use Stackcables with Switchcraft Tini-Jax brand jacks).\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSTACKCABLES VS MULTIPLES\u003c\/h3\u003e  \u003cp\u003eThe Stackcable opens up a whole new approach to the art of synthesizer patching. Complex signal flow is more visible and easier to follow and you’ll never again have to interrupt your workflow to stop, trace back, and insert a multiple. Spend more time concentrating on music making and less time on figuring how to run multiple signal paths. In addition, when comparing multiple modules vs Stackcables, the Stackcables can come out cheaper and provide you with more mult points, whenever you need them, in any configuration, without taking up any rack space in your system.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSTACKCABLES VS REGULAR PATCH CABLES\u003c\/h3\u003e  \u003cp\u003eWhen comparing the Stackcables with regular patch cables, the Stackcables always keep your jacks reusable no matter how many connections are running to or from a jack. Using standard patch cables effectively “seals up” a jack once patched in, a major limitation in the dynamic workflow of a modular synthesizer. And when it comes to carrying your audio signals, the Stackcable is superior to low-cost patch cables because they are made with heavy-gauge signal conductor and signal shielding, providing both low capacitance, low impedance, and excellent noise rejection. Additionally, by providing shielding from electrical interference, the Stackcable outperforms any other signal splitter at handling audio and control signals in a professional studio environment, keeping both your studio quiet and your modular synth signals clean.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSTACKCABLES UNIQUE MECHANISM\u003c\/h3\u003e  \u003cp\u003eThe Stackcable’s elegant connectors hide a complex sub-miniature electromechanical design that tightly integrates a 3.5mm plug and a 3.5mm jack together at each end of the cable, all the while handling both ground and signal. This innovative mechanism is what makes the Stackcable a reality, yet it provides an even more compact connector than a single-conductor banana cable. So if you have never experienced stack-ability, then get ready to feel how effortless, creative, and mind-altering your patching will become with Stackcables.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449811464295,"sku":"50278","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-stackable-green_db787e49-22a4-46b3-9b02-d33f9e9449b1.jpg?v=1787090519"},{"product_id":"tiptop-audio-station-252hp-folding-case-black-widow","title":"Tiptop Audio Station 252HP Folding Case - Black Widow","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio Station 52HP Black Widow\u003c\/strong\u003e is a portable Eurorack system that transforms your collection of modules in a distinctive looking musical instrument that is great for the studio, easy to travel with and powerful on stage.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn the studio, Station 252's ergonomic design provides a natural interface that allows you to work comfortably with your knobs, cable and tactile elements.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTraveling is a breeze; it folds down and is ready to go in less that a minute. It's easy to carry even when loaded with modules. It was made to fit in an airplane overhead bin and provides the convenience of a universal power supply wherever you go.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnder the spotlight, Station 252's clean, professional design enhances your system's appearance and seamlessly integrates with your electronic music performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStation 252 is the product of careful electromagnetic engineering. The result is a rack system made of three rows of 84HP for a total module space of 252HP that converts into four different positions. Constructed from carefully selected lightweight materials, this entire Eurorack weighs only 13 lbs when empty and is built to last.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStation 252 comes equipped with a complete hardwired ZEUS Studio Bus power supply, the world's only high-power system that can guarantee low noise with minimal bleed-through between modules for a clear sounding synth. This monster power system has a proven record of reliability, safety, and performance all around the world. Included are three Zeus Studio Bus boards supplying up to 7200 mA of audio grade power to your modules, that is twice more than the previous version of Zeus. ZEUS keeps you modules in a cool space, optimizing their performance and extending their lifecycle. The Station 252 can take power anywhere in thew world form 100 - 240 VAC.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal power supply is not included. Station 252 is compatible with all Cincon power supplies. 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It's easy to carry even when loaded with modules. It was made to fit in an airplane overhead bin and provides the convenience of a universal power supply wherever you go.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnder the spotlight, Station 252's clean, professional design enhances your system's appearance and seamlessly integrates with your electronic music performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStation 252 is the product of careful electromagnetic engineering. The result is a rack system made of three rows of 84HP for a total module space of 252HP that converts into four different positions. Constructed from carefully selected lightweight materials, this entire Eurorack weighs only 13 lbs when empty and is built to last.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStation 252 comes equipped with a complete hardwired ZEUS Studio Bus power supply, the world's only high-power system that can guarantee low noise with minimal bleed-through between modules for a clear sounding synth. This monster power system has a proven record of reliability, safety, and performance all around the world. Included are three Zeus Studio Bus boards supplying up to 7200 mA of audio grade power to your modules, that is twice more than the previous version of Zeus. ZEUS keeps you modules in a cool space, optimizing their performance and extending their lifecycle. The Station 252 can take power anywhere in thew world form 100 - 240 VAC.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal power supply is not included. Station 252 is compatible with all Cincon power supplies. 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In the second half of the 1970s, digital technology became ‘affordable’ enough to start showing up in professional audio equipment. Digital memory allowed the sampled audio to remain in memory without degradation and this ability led not only to delay and reverb devices, but some clever people (like Tony Agnello at Eventide) found that playing the samples back at a different rate than recorded produced pitch changes. With some careful engineering this effect could work in real time on any audio signal, and thus pitch shifting emerged.\u003c\/p\u003e  \u003cp\u003eFirst, Lexicon released their Varispeech device aimed at aiding in transcription and speech research (dubious for the intended use, but great at mangling sounds), but it was really the Eventide H910 ‘Harmonizer’ that made Pitch Shifting a must have effect. Although designed to provide automatic ‘Harmony’ for any signal, the effect was so wild and new it became instantly recognizable when abused. Pitch shifting became the method for the wacky sounds and voices on P-Funk records, snare drum on the above mentioned Bowie album ‘Low’, and any male voice shifted down an octave became the voice of Satan in countless 80s horror films.\u003c\/p\u003e  \u003cp\u003ePitch shifting would eventually have both more experimental applications like the Eno\/Lanois ‘Shimmer’ and crazy backwards Eventide ‘Crystals’ effects, but also be relegated to mundane tasks like doubling country music vocals and widening hair metal guitars. 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Also, “avoir un grain de folie” is a typically French expression to describe people behaving in a non conventional way, thus a fitting play on words quite nicely describing the unpredictable nature of this set of algorithms. Enter: the \u003cstrong\u003eTiptop Audio Grain de Folie\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eGranular Synthesis uses small slices of sounds (‘grains’) to compose new sounds from existing material. By combining multiple grains of differing lengths, amplitude, pitch and speed new sounds are created which are often very different from the original sound recorded in. Xenakis claims to have invented the technique and indeed his ‘Analogique A-B’, composed of tiny tape splices of pure tones, is credited as the first piece of granular music back in 1959.\u003c\/p\u003e  \u003cp\u003eIn the context of the Z-DSP, a block of memory is set to hold digital samples for playback: the Z-DSP has one second of memory for the audio used in processing. 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Several techniques have been developed for physical modeling, and two variants of them are available in this cartridge: waveguide (or Karplus- Strong based) modeling, and a spring model that could be considered as a “state space model” as defined in the Julius O. Smith III classification.\u003c\/p\u003e  \u003ch3\u003eWaveguide:\u003c\/h3\u003e  \u003cp\u003eThe term “digital waveguide synthesis” was coined by Julius O. Smith III, one of the great contributors to this type of synthesis, and describes a set of different techniques utilizing the Karplus–Strong algorithm. Invented by Alexander Strong and Kevin Karplus, this algorithm is based on a small delay line where an impulse (or short sound impact) is provided as input and the output is fed back to the input after being filtered by a low pass filter. The circulation of the impulse in the delay line is very similar to the circulation of a wave on a string. The pitch is then controlled by the length of the delay line. The “digital waveguides” are based on a set of such algorithms connected together in different manners.\u003c\/p\u003e  \u003ch3\u003eSpring model:\u003c\/h3\u003e  \u003cp\u003eThe \u003cstrong\u003eTiptop Audio Spring Waves\u003c\/strong\u003e cartridge also features two unique Spring models. This model calculates at the sampling rate all of the Newtonian forces controlling the behavior of a mass-spring system, and takes into account the following factors: the spring itself and its return force (with a potentially non linear behavior), a point where one side of the spring is attached, a mass attached on the other side, fluid friction (potentially non linear) depending on the speed of the mobile mass, mechanical limits (a physical spring can’t stretch out infinitely) and static and dynamic frictions (friction due to the contact with a rough surface). The audio input is used either to “move” the point where one side of the spring is attached, or as force directly applied to the moving mass on the other side. The audio output is directly provided by the motion of the moving mass.\u003c\/p\u003e  \u003ch3\u003eHow it works:\u003c\/h3\u003e  \u003cp\u003eIn the context of the Z-DSP, the FV1 chip (its brain) computes these physical modeling algorithms. Physical modeling is known to have heavy CPU consumption, but, despite its limited power, the nice design of the chip allows running up to four waveguide lines or one spring model, with optimized code.\u003c\/p\u003e  \u003cp\u003eFor waveguides, the one second delay line is split in 2 to 4 parts and necessary lowpass and DC-cut filters are inserted in each feedback loop. The rest of the code manages the connections between the waveguide lines and the controls. When used as effects, as it is the case for Z-DSP, waveguides can be used in different ways:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e\u003cp\u003einput very short sound burst or impulse and let the waveguide ring, with low damping (controlling the tuning and additional parameters). A variant is of course to use drum sounds as input. Very interesting results can also be obtained using sequences. For drums and sequences, the damping needs to be lowered to fit the BPM.\u003c\/p\u003e\u003c\/li\u003e \u003cli\u003e\u003cp\u003einput a continuous sound (with a not too high level to avoid clipping) and use the wave guide as a resonator. This can even give very nice results processing an instrument track or even a voice. In this case the damping needs to be quite high.\u003c\/p\u003e\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eFor the spring model, the whole program is dedicated to arithmetics to calculate all the newtonian forces and their consequences on the motion (and resulting sound). As only one spring can be run by the FV-1, the more spontaneous way to use it as a filter, but, like the waveguide, you can also input a short audio burst to make it ring or use it as a resonator.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cp\u003eFor the waveguide models, the first six programs have common controls:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLeft and right inputs can be used the same way\u003c\/li\u003e \u003cli\u003eControl 1 is defining the pitch of the waveguide (low frequencies on the right). Note that for programs 1 and 2, control 3 is also for pitch since control 1 sets the pitch for one half of the waveguide lines and control 3 the other half.\u003c\/li\u003e \u003cli\u003eControl 2 is damping (low damping, meaning longer ringing, is clockwise).\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eFor the spring models, the last two programs have common controls:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eThe Left input is the “regular” input and is moving the point the spring is attached to (the output will be the resulting end position of the spring where le “Mass” is attached)\u003c\/li\u003e \u003cli\u003eThe Right input is an “alternate” input that is going to be used as a force directly applied to the moving mass (be careful with low frequencies ....). This input needs to remain at a very low level.\u003c\/li\u003e \u003cli\u003eControl 1 is always the hardness of the spring (thus determining the force that will bring the mass to the center point). You can compare its behavior a bit to the frequency control of a regular filter.\u003c\/li\u003e \u003cli\u003eControl 3 is always the Fluid Friction, that will slow the moving mass (the friction depends on speed). 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The delay programs include mono and dual delay lines for a variety of classic effects.\u003c\/p\u003e  \u003ch3\u003eQuick Start with Trigger Riot or Circadian Rhythms:\u003c\/h3\u003e  \u003cp\u003eNote: the Clock control knob has to be set to 0 (full counter clockwise) in order for tracking to work!\u003c\/p\u003e  \u003ch3\u003eTrigger Riot:\u003c\/h3\u003e  \u003cp\u003eThe Clock output from the Trigger Riot cannot be used with these programs, so connect output 1 to the VC-P2 CV input on the Z-DSP.\u003c\/p\u003e  \u003cp\u003eStart with a blank Preset, set the BPM to 120BPM, and start by adjusting the Pulse Width on all division knobs to between 25 and 50%. You can save that into a preset as a template you can easily recall later. Switch back to Divide and set a division of 4 on one output for the quarter note clock into the Z-DSP.\u003c\/p\u003e  \u003cp\u003eIn the range of 60 to 180 BPM, divisions from 3 to 7 can be used if the Speed setting is 16ths (the default). Above 120 BPM, a division of 8 will provide much longer times which is particularly useful on the Dual programs.\u003c\/p\u003e  \u003cp\u003eAdjusting the pulse width to 50% on shorter divisions may also work for slower tempos.\u003c\/p\u003e  \u003ch3\u003eCircadian Rhythms:\u003c\/h3\u003e  \u003cp\u003eThe Clock output from the Circadian Rhythms cannot be used with these programs, so connect output of channel 1 to the VC-P2 CV input on the Z-DSP.\u003c\/p\u003e  \u003cp\u003eUse consistent 4th note intervals on the CR for the best sync. The output needs to be a GATE with at least 2 steps length for the Z-DSP to track. Try a Gate on steps 1+2 (hold steps 1 and 2 until they turn Red) and 5+6 to send 4th notes. 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Tiptop use an exact reproduction of the original analog circuit for the RS909. Its sound is generated by a clever set of three T-bridge oscillators, each producing a damped sine wave at a different frequency. The mix of those oscillators goes through a VCA whose gain is controlled by an envelope generator providing the well-known attack that gives the sound its unique “feel”.\u003c\/p\u003e  \u003cp\u003eIn the RS909, Tiptop bring frequency control of the two internal oscillators, OSC1 and OSC2, to the front panel, allowing for adjustment of their pitch, and thereby extending the sounds this circuit is capable of and allowing fine adjustment of the classic sound.\u003c\/p\u003e  \u003cp\u003eThe RS909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, Tiptop have designed a pulse-shaper circuit so you can trigger the RS909 with trigger\/gate signals from step sequencers, clock dividers or any other pulse\/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All of these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449953775719,"sku":"59595","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-rs909-white_59595_1_7e378185-451f-4b27-8940-2cbf400cf065.jpg?v=1787091085"},{"product_id":"tiptop-audio-chorus-cartridge-for-zdsp","title":"Tiptop Audio Chorus Cartridge for ZDSP","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eTiptop Audio Chorus Z-DSP Card\u003c\/strong\u003e. For best results, even with mono signals, use both inputs on the Z-DSP and the stereo out. A short Stackcable can be used to connect the left and right inputs to a mono signal.\u003c\/p\u003e  \u003cp\u003eChorus is one of the most essential effects for synthesizers and the chorus unit on many classic poly synths created much of their sonic signatures. This card for the Z-DSP offers 8 different algorithms inspired by some of the most classic effects in the genre.\u003c\/p\u003e  \u003cp\u003eChorus effects use one or more delay lines which are modulated to produce a ‘doubling’ of the sound as if more voices are present. Programs vary from two to six delay line ‘taps’ or voices. Generally, the more voices the thicker and more complex the sound.\u003c\/p\u003e  \u003cp\u003eThe delay times of these programs tend to be in the 18-24 millisecond range which is common to most of the high end studio devices. Analog pedals are more in the flanger \u0026lt; 10ms range in order to use cheaper BBD parts, but there is also a Dual Flanger program with shorter times on the card.\u003c\/p\u003e  \u003cp\u003eLFO modulation provides a way to not only break up the comb filtering of a static delay, but also creates a sense of movement in stereo. Several of the programs use one or more methods like multiple LFOs, quadrature LFO, random walk and phasing to produce even more movement in the stereo field.\u003c\/p\u003e  \u003cp\u003eLFOs have both Rate and Depth controls: Rate is simply the speed of the LFO, and depth is how wide the LFO sweeps through the delay line. Most of the Programs on the card have Rates from several seconds to several times a second (0.1 Hz to 6+ Hz). Depth can vary the delay line position from less than 1ms to the entire delay range of 20ms or more. As the LFO sweeps through the delay line the sound changes pitch producing a ‘detune’ effect. Detuning is really what makes the ‘choral’ element in a Chorus effect.\u003c\/p\u003e  \u003cp\u003eSetting a slow Rate and higher Depth makes the pitch change subtler and can be very effective on pad and other ambient sound sources. Increasing the Rate will introduce a more pronounced vibrato effect and extreme settings of Rate and Depth can sound underwater.\u003c\/p\u003e  \u003cp\u003eAdding external Feedback can make the Chorus sound more intense and high levels of feedback can add a small room ambience. The Dual Flanger program has an internal feedback for the classic Flanger swoosh.\u003c\/p\u003e  \u003cp\u003eChorus effects can sound quite subtle compared to many other types of effect, and in some cases the effect is only noticed when it is switched off!.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449953808487,"sku":"59593","price":47.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-chorus-cartridge-for-zdsp_59593_1_1ddf78c9-256b-42dc-bab1-6dfac4a09377.jpg?v=1787091085"},{"product_id":"tiptop-audio-mantis-2x104hp-eurorack-case-blue","title":"Tiptop Audio Mantis 2x104HP Eurorack Case -  Blue","description":"\u003cp\u003eWith the \u003cstrong\u003eTiptop Audio Mantis 2x104HP Eurorack Case Mantis\u003c\/strong\u003e has taken years of experience with Eurorack to create a low cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. 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It also has keyed power connectors to help protect your modules from damage by plugging power in reverse.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSPECIFICATIONS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBus board: Zeus Powered Mantis series with 36 Eurorack keyed connectors\u003c\/li\u003e\r\n\u003cli\u003eInput Voltage 13 VDC\u003c\/li\u003e\r\n\u003cli\u003eDC Regulator model: Zeus DC4000\u003c\/li\u003e\r\n\u003cli\u003eDC4000 maximum output current: +12 V @ 3 A with split zone topology (1A per zone, 3 zone total) \/ -12 V@ 1.1 A \/ +5 V @ 300 ma\u003c\/li\u003e\r\n\u003cli\u003ePower Adapter: Tiptop Audio 3000ma Mantis Universal Power Adapter\u003c\/li\u003e\r\n\u003cli\u003eExtra features: SyncBus signal distribution\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449991196775,"sku":"61351","price":355.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-mantis-blue_61351_1_66cc1b44-b215-4647-820f-760ad63ff7c8.jpg?v=1787091233"},{"product_id":"tiptop-audio-mantis-2x104hp-eurorack-case-green","title":"Tiptop Audio Mantis 2x104HP Eurorack Case - Green","description":"\u003cp\u003eWith the \u003cstrong\u003eTiptop Audio Mantis 2x104HP Eurorack Case\u003c\/strong\u003e Mantis has taken years of experience with Eurorack to create a low cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. 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It also has keyed power connectors to help protect your modules from damage by plugging power in reverse.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449991262311,"sku":"61348","price":355.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-mantis_61348_1_1_63696f44-6f8f-4b87-a17d-05e0fb79d89e.jpg?v=1787091233"},{"product_id":"tiptop-audio-bd909-tr909-bass-drum-generator-demo-deal","title":"Tiptop Audio BD909 TR909 Bass Drum Generator (Demo Deal)","description":"\u003cp\u003eBassdrum voice of the TR-909 as Eurorack module in \u003cstrong\u003eTipTop's BD909\u003c\/strong\u003e with a really great sound, partially extended parameters and voltage control.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJust like the TR-909 this bassdrum module has controls for tune, level, attack and decay but with an extendede decay range.\r\nIn addition there´s an adjustable accent with accent socket (prepatched to the gate input), attack and decay parameters for the tuning, voltage control of the tuning and a voltage controlled overload for distorted sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGate input, Accent input, BD output\r\nCV inputs for Tune (with attenuator) and Overload\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 4HP wide\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44450036842599,"sku":"64513","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_bd909_main_1_f757bdaa-f51b-468d-9db3-85af9f075faa.jpg?v=1787091423"},{"product_id":"tiptop-audio-hats808-tr808-hihats-drum-generator-demo-deal","title":"Tiptop Audio HATS808 TR808 HiHats Drum Generator (Demo Deal)","description":"\u003cp\u003eBoth the open and the closed HiHat sound of the TR808 come in  \u003cstrong\u003eHats808, TipTop's Hi-Hats Module\u003c\/strong\u003e come in this Eurorack drum voice module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAccurate clone of the TR808´s HiHat section. The decay of the open HiHat is voltage controllable. OH and CH can be triggered separately and have individual outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the +\/-12V the module needs also a +5V operational voltage\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInputs: Tune CV (0-12V), CH Accent (0-12V), CH Trigger (5-12V), OH Accent (0-12V), OH Trigger (5-12V), OH Decay CV (0-12V)\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio outputs for open and closed hihats\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 10HP wide, depth unknown. 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The ten sequencers are as follows:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFour 4 step CV sequencers on the horizontal\u003c\/li\u003e \u003cli\u003eFour 4 step CV sequencers on the vertical\u003c\/li\u003e \u003cli\u003eOne 16 step CV sequencer on the horizontal\u003c\/li\u003e \u003cli\u003eOne 16 step CV sequencer on the vertical\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThe Z8000 can simultaneously modulate up to 10 CV parameters poly-rhythmically, with unprecedented motion complexity. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob. With it’s 30 gate and clock inputs and 10 CV outputs one can only imagine the possibilities, and all clock inputs can even be driven at audio rates. 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