{"title":"Studio Tools","description":null,"products":[{"product_id":"manley-mono-tube-direct-interface-w-eq","title":"Manley Mono Tube Direct Interface with EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Tube Direct\u003c\/strong\u003e models feature exceptionally clean and quiet tube circuits which will warm up any electric guitar, bass, violin, and especially those sterile sounding synths. Unique with the Manley Tube DI's is the added five-position high pass shelf EQ, there to fight unwanted resonances. As splitter devices, the transformer-coupled balanced XLR output can be sent directly to a mic level input, such as through your console channel, while the 1\/4\" output drives the guitar amplifier cabinet which can be miked and mixed with the direct feed. Low impedance outputs, ground lift and console out boost switches make these units both versatile and compatible. Keep your Manley DI close at hand to get that noisy high impedance guitar cable into quiet lo-Z territory fast!\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449256472679,"sku":"255","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_tube_di_1.jpg?v=1787088339"},{"product_id":"prism-sound-over-killer-soft-knee-limiter-barrel","title":"Prism Sound Over-Killer Soft-Knee Limiter Barrel","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Over-Killer\u003c\/span\u003e, with its unique super soft clip circuit, stays soft even when large overloads are present and does not become hard like less sophisticated systems. \u003cp\u003eThe clip level is carefully set so that peak modulation is very close to the nominal maximum level. Many similar units lop off up to 1.25dB when switched into a circuit. With the flexibility of having the Over-Killer as an external unit, A\/D input sensitivity can be separately trimmed to push even closer to peak code. \u003c\/p\u003e \u003cp\u003eOrder a pair of Over-Killer barrels now and turn up the heat on your new cuts! Over- Killers are supplied as a set of two barrels suitable for use with balanced stereo analogue signals. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449256931431,"sku":"218","price":306.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1prism-overkiller_218_1_12467eb8-beab-4d59-9dcb-c96fd377c531.jpg?v=1787088341"},{"product_id":"manley-stereo-tube-direct-interface-w-eq","title":"Manley Stereo Tube Direct Interface with EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Tube Direct Interface\u003c\/strong\u003e models feature exceptionally clean and quiet tube circuits which will warm up any electric guitar, bass, violin, and especially those sterile sounding synths. Unique with the Manley Tube DI's is the added five-position high pass shelf EQ, there to fight unwanted resonances. As splitter devices, the transformer-coupled balanced XLR output can be sent directly to a mic level input, such as through your console channel, while the 1\/4\" output drives the guitar amplifier cabinet which can be miked and mixed with the direct feed. Low impedance outputs, ground lift and console out boost switches make these units both versatile and compatible. Keep your Manley DI close at hand to get that noisy high impedance guitar cable into quiet lo-Z territory fast!\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449257259111,"sku":"336","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_stereo_tube_di_1.jpg?v=1787088342"},{"product_id":"little-labs-ibp","title":"Little Labs IBP Phase Alignment Tool","description":"\u003cp\u003eThe\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP \u003c\/span\u003eeasily eliminates the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258209383,"sku":"654","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-ibp_654_1.jpg?v=1787088347"},{"product_id":"little-labs-ibp-junior","title":"Little Labs IBP Junior","description":"\u003cp\u003eThe\u003cspan style=\"font-weight: bold;\"\u003e Little Labs Junior\u003c\/span\u003e easily eliminates the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258274919,"sku":"655","price":490.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-ibp-junior_655_1.jpg?v=1787088347"},{"product_id":"little-labs-multi-z","title":"Little Labs Multi Z","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Multi Z PIP 3.0\u003c\/span\u003e is a completely updated, refined replacement for the now classic Little Labs Multi Z Direct Box. Little Labs added so many features to the original Multi Z Direct Box, we couldn’t call it just a direct box anymore. Every custom mod that was asked of Little Labs over the past ten years, of which there were many, has been incorporated into the new, but still compact, Multi Z PIP. Use it as a super instrument pre-amp, use it as a re-amp, use it as a DI, use it as a mini instrument mixer, use it all together at once. The Multi Z PIP is all about flexibility and superior sonics.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Multi Z source impedance optimized active DI circuitry\u003c\/li\u003e\n\u003cli\u003eSeperate on-board re-amplifer\u003c\/li\u003e\n\u003cli\u003eAllows simaltaneous re-amping and gain make up for vintage effect interfacing on a console insert\u003c\/li\u003e\n\u003cli\u003eSumming inputs (three extra inputs)\u003c\/li\u003e\n\u003cli\u003eInstrument pick up emulation transformer and line level transformer isolated outputs\u003c\/li\u003e\n\u003cli\u003ePre transformers insert (use pro gear before your guitar amp)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258242151,"sku":"656","price":575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_multiz_1.jpg?v=1787088347"},{"product_id":"eventide-eve-net","title":"Eventide EVE\/NET","description":"\u003cp\u003eIntroduced as a versatile and economical remote control system, the \u003cstrong\u003eEventide EVE\/NET\u003c\/strong\u003e system is a local network which links from one to four or more EVE\/NET remote control units with one to four or more Eventide Harmonizer brand effect processors. \u003cbr\u003e\u003cbr\u003e The flexibility of the EVE\/NET system makes it an ideal choice for multi-room recording, post production and broadcast facilities, as well as live sound venues. rs. \u003cbr\u003e\u003cbr\u003e EVE\/NET is flexible, inexpensive, and best of all, there's no learning curve.  If you know how to operate an Eventide Harmonizer effects processor, you'll instinctively know how to operate the EVE\/NET remote.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449258307687,"sku":"687","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_eve-net_1.jpg?v=1787088347"},{"product_id":"dbx-pb-48","title":"DBX PB-48 48-Point Patch Bay","description":"\u003cp\u003eWell, it's not very glamourous, but everybody needs a patch bay. 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It comes in two flavors: half-normalled or de-normalled, with 48 1\/4\" points on the front panel, connected to 48 1\/4\" points on the rear.  The PB 48 is a rugged, noise-free, versatile patch bay designed to serve all your patch bay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup.  \u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449258340455,"sku":"658","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx-pb-48-21_658_1.jpg?v=1787088347"},{"product_id":"switchcraft-studiopatch-9625-patch-bay","title":"Switchcraft StudioPatch 9625 Patch Bay","description":"\u003cp\u003eThe \u003cstrong\u003eSwitchcraft StudioPatch 9625\u003c\/strong\u003e is a versatile studio patch bay featuring 96 patch points for connecting all your gear. Each pair of front-panel TT (Bantam) jacks can be set to half, full, or non-normaled operation. Plus, the programmable grounds let you customize ground-lift settings to eliminate hum and ground loop issues. DB-25 connectors save space on the rear panel while providing full access to every patch point. Built to last with a solid metal chassis and gold-plated contacts, the StudioPatch 9625 delivers reliable performance and long-term durability in live and studio applications. A longtime favorite of recording, mixing, live sound, and broadcast engineers, this professional-grade patch bay ensures clean signal flow, efficient workflow, and full phantom power compatibility.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3 MODES OF OPERATION (HALF-NORMAL, FULL-NORMAL, NON-NORMAL)\u003c\/h3\u003e\r\n\u003cp\u003eThe StudioPatch 9625 provides three normaling positions for each pair of TT jacks. Full normaling (break in\/break out) pairs the top and bottom connections with direct routing unless a patch cable breaks the connection. Half-normal (break in\/branch out) mode allows you to tap the ouput without breaking the connection. Non-normaled (thru) mode disables any internal routing. Changing modes requires only a household flathead screwdriver.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003ePROGRAMMABLE GROUNDS\u003c\/h3\u003e\r\n\u003cp\u003eThe StudioPatch 9625’s programmable ground feature allows you to lift or restore the ground connection on each channel independently, preventing ground loops and unwanted noise. By adjusting the ground selection switches on the rear, you can isolate troublesome channels or combine grounds for multi-channel connectivity. Programmable grounds also simplify troubleshooting, letting you pinpoint and eliminate noise sources without rewiring or external ground-lift adapters.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003ePREMIUM BUILD QUALITY\u003c\/h3\u003e\r\n\u003cp\u003eThe StudioPatch 9625 is housed in a rugged 1 RU steel chassis designed to withstand the demands of touring and daily studio use. The front-panel TT (Bantam) jacks are gold-plated for ideal signal transfer and corrosion resistance, while rear-panel DB-25 connectors provide screws for cable retention.\u003c\/p\u003e","brand":"Switchcraft","offers":[{"title":"Default Title","offer_id":44449263452263,"sku":"2742","price":1574.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/switchcraft_9625_angle.jpg?v=1787088359"},{"product_id":"radial-engineering-j48","title":"Radial Engineering J48 Direct Box","description":"The \u003cb\u003eRadial J48\u003c\/b\u003e is a great sounding active direct box that has been optimized to produce maximum headroom while working within the limited current available from standard 48V phantom power. By employing a unique switching power supply, the J48 is capable of peak transients to 9 volts without choking. The result is lower harmonic distortion, half the inter-modulation distortion and significantly improved dynamics over other DIs. \u003cp\u003e Features include a -15dB pad, 180º polarity reverse, a unique merge function to mix two signals to mono, an 80Hz high-pass rumble filter, and ground lift. Like all Radial products, the J48 is built to handle the abuse on the road and features a unique welded I-beam construction for years of trouble free performance.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263485031,"sku":"2745","price":259.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-engineering-j48-top_3e08df67-89ce-4ee6-8b25-84c8c5a1b472.jpg?v=1787088359"},{"product_id":"radial-engineering-x-amp","title":"Radial Engineering X-AMP","description":"\u003cp\u003eThe Radial X-Amp is an active Reamper™ that allows the engineer to play a pre-recorded track back through guitar amplifiers and pedals. This opens the door to explore new musical sounds and spur on the creative process so that your recording stands out.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUsing the X-Amp is easy: start by recording a dry track using a high quality direct box like the Radial J48. Send the new track from your recorder via the X-Amp to your guitar amps, effect pedals or combinations thereof. Once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving two amps at the same time, new sounds and textures can be created while allowing you to make artistic decisions as the recording progresses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFollowing the critically acclaimed Radial JD7 Injector, the X-Amp employs a unique class-A circuit design that has been optimized for use with guitars. Features include balanced line level input with LED peak indicator and level control, class-A circuit topology for optimal reach and frequency response, a transformer isolated output to eliminate hum and buzz caused by ground loops, a 180º polarity reverse switch to bring both amps into phase, and a dual ground lift switch for noise-free operation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs with all Radial products, the X-Amp is built like a tank to provide years of trouble-free performance. An internal I-beam skeleton provides maximum protection against external stress which could cause solder points to fail. This is supplemented with an innovative bookend design that creates a protective zone around the switches, potentiometer and connectors. A full bottom no-slip pad performs double duty by keeping the X-Amp from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation. Reamping works equally well on bass, keyboards, drums and voice. Once you start Reamping, you will never record any other way.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263517799,"sku":"2746","price":259.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_xamp_top.jpg?v=1787088359"},{"product_id":"radial-engineering-jdi-mkiii","title":"Radial Engineering JDI MKIII","description":"The \u003cb\u003eRadial JDI MK3\u003c\/b\u003e is considered by many to be the world’s finest direct box. It is a passive DI that employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. Being completely passive, the plug \u0026amp; play JDI does not require any powering and has the unique advantage of eliminating 60-cycle ground loops. This makes the JDI a definite favorite with informed audio engineers. The JDI is great for guitars, bass, and keyboards and is particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. The JDI may be rack-mounted using the J-Rak and is also available in a stereo (2-channel) version called the JDI Duplex and the 6-channel rack-mountable JD6. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRadial JDI\u003c\/b\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263550567,"sku":"2747","price":259.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-jdi-mk3-23_2747_1_c379f02e-d2b6-4f82-84ba-e4af45683b48.jpg?v=1787088360"},{"product_id":"radial-engineering-j-rak","title":"Radial Engineering J-Rak","description":"The \u003cb\u003eRadial J-Rak\u003c\/b\u003e is a 2RU rack shelf that allows as many as 8 Radial direct boxes to be rack mounted. These can face forward (input at front) or backward (XLRs at front), active (J48) or passive (JDI) in any combination, depending on the system designer's preference. The J-Rak also fits the Radial X-amp re-amplifying device and future Radial interface products to come! \u003cbr\u003e\u003cbr\u003eStemming from the adage 'necessity is the Mother of invention', the J-Rak was invented, to provide sound companies with a simple yet very functional solution for DI inventory management. The problem is simple: During peak season, most sound companies must resort to cross-renting just to fill rider requests. Inevitably, they go to a warehouse looking for a stand-alone DI and find that all that is left on the shelf are a few old 4-channel rack units. Or conversely, they have a show going on the road that needs 12 rack-mounted DIs but the investment seems impractical. \u003cbr\u003e\u003cbr\u003eAll you do is take the book-end cover off the JDI or J48 and attach one of the 8 insert sleeves supplied with the J-Rak. These are then screwed into the J-Rak shelf from the top. The direct boxes can have the XLR facing either the front or the rear of the rack depending on the application; whether one is racking up DIs for keyboards, sound modules, computers or other sound sources. \u003cbr\u003e\u003cbr\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263583335,"sku":"2748","price":194.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_engineering_j_rak.jpg?v=1787088360"},{"product_id":"radial-engineering-jdv-mk3","title":"Radial Engineering JDV Mk3","description":"The \u003cb\u003eRadial JDV Mk3 \u003c\/b\u003eis arguably the most advanced and sonically superior direct box made today. With 100% class-A circuit and a 30-Volt internal rail voltage, the JDV combines exceptional sonic quality and unmatched dynamic handling for the most natural and uncolored sound possible. \u003cbr\u003e\u003cbr\u003e Designed as a creative tool, the JDV introduces a concept of ‘Zones’ with choice of two inputs, four instrument amplifier outputs, and a unity-gain transformerless output. \u003cbr\u003e\u003cbr\u003e Features include Drag control for precise pickup load correction, 3.9 meg-ohm input impedance for piezo pickups, hi-pass and lo-pass filters, full LED status indicators, polarity reverse and all of the other features one would expect from a Radial DI. \u003cbr\u003e\u003cbr\u003e The Radial JDV Mk3 is designed for use in both the studio and live performance and is suitable for all instruments where added reach is required and retaining the original sound of the instrument without distortion or coloration is paramount.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe \u003c\/span\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263747175,"sku":"2825","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_engineering_jdv_mk3_08f7cac7-e439-4c15-b143-f5b635f831fd.jpg?v=1787088360"},{"product_id":"d-w-fearn-lp-1-dual-channel-line-pad","title":"D.W. Fearn LP-1 Dual Channel Line Pad","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eD.W. Fearn LP-1 Line Pad\u003c\/span\u003e is a two-channel accessory for use with the VT-1 or VT-2 Vacuum Tube Microphone Preamplifiers.  It is simply a high-quality bridging-type pad that accepts line-level inputs (+4 dBm nominal) and produces a mic level output.  The actual pad loss is 45 dB.  When used in conjunction with the VT-1 or VT-2 Input Pad (-20 dB), it allows the mic preamp to accomodate line-level signals from consumer-level (-10 dBV) to high professional levels (+10 dBm or more).\u003c\/p\u003e\r\n\u003cp\u003eThe LP-1 is packaged in a heavy-duty die-cast aluminum box, painted with the same high-quality red paint and gold silk-screened labels as the other D.W. Fearn products. The Input and Output connectors are gold-contact XLR.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-1 is typically used when the subtle signal-modifying characteristics of the VT-1 or VT-2 are needed on a line-level source, such as a previously-recorded track, or at the end of a processing chain.  Several LP-1\/VT-2 owners use the combination on the overall mix.  At least one CD mastering facility uses the LP-1\/VT-2 in the mastering chain.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-1\/VT-2 combination can also often be used to effectively salvage tracks that are otherwise too distorted or \"edgy\" for master use.\u003c\/p\u003e","brand":"D.W. Fearn","offers":[{"title":"Default Title","offer_id":44449263812711,"sku":"2849","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dw-fearn-lp-1_2849_1.jpg?v=1787088361"},{"product_id":"d-w-fearn-pdb-passive-direct-box","title":"D.W. 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Fearn","offers":[{"title":"Default Title","offer_id":44449263878247,"sku":"2850","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dw-fearn-pdb_2850_1.jpg?v=1787088361"},{"product_id":"radial-engineering-jd7-injector","title":"Radial Engineering JD7 Injector Guitar Distro\/Splitter","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering JD7\u003c\/strong\u003e allows you to feed up to seven amplifiers simultaneously, with premium Jensen transformers on the outputs that ensure distortion-free signal transfer while blocking hum and buzz from ground loops. To help retain the natural tone of your instrument, Drag control load correction is also featured on the input so you won't lose the tone and feel of connecting your guitar directly to an amplifier.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eRECORD DIRECT AND REAMP THROUGH MULTIPLE AMPS\u003c\/h3\u003e\r\n\u003cp\u003eThe JD7 has a built-in Radial DI box, so you can take a clean guitar track directly to your recording interface while simultaneously playing through multiple amplifiers. A Reamp input allows you to send your recorded guitar track from your recording device back through any or all of your amps, so you can focus on the performance and have the freedom to tweak your amps and microphones later on.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eAPPLICATIONS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUsing the JD7 as a splitter: The JD7 is equipped with A or B inputs and 6 guitar outs on the front panel plus a tuner out on the rear. Use ch-1 with a properly grounded amp, then add as many as you like. All outputs are isolated to eliminate hum and buzz.\u003c\/li\u003e\r\n\u003cli\u003eUsing the JD7 for Reamping: Start by recording a dry track using the JD7's DI output. Then send the clean track back to the Radial JD7's rear panel XLR input. Adjust the level and you are now set to drive as many amps as you need. Move the mics, change the tone settings.\u003c\/li\u003e\r\n\u003cli\u003eUsing the JD7 with effects: A great way to quiet down noisy guitars is to run all your signals through the JD7. The high performance class-A buffers and Jensen transformer isolated outputs are truly amazing! Channels 5 and 6 are also equipped with effects loops.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449263845479,"sku":"2827","price":1399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-jd7-2023_2827_1_2dee42d3-d455-46fc-a680-7fd66e99132f.jpg?v=1787088361"},{"product_id":"radial-engineering-jd6","title":"Radial Engineering JD6 Six-Channel Passive Direct Box","description":"\u003cp\u003eStemming from the industry-standard JDI, the \u003cstrong\u003eRadial Engineering JD6\u003c\/strong\u003e incorporates six premium Jensen transformers with extra RF filtering to ensure optimal signal transfer with the minimal noise, phase shift, or distortion. 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Each JD6 channel is equipped with a rear-mounted ¼\" instrument input and thru-put for the artist's amp plus a balanced XLR output to feed the mixing desk, while Channels 1 and 2 include front panel connectors that switch the input as soon as a cable is inserted for improved efficiency in the studio.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eAPPLICATIONS:\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE JD6 ON STAGE\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eUse channels 1 and 2 to patch in a stereo master keyboard via the front panel and connect your rack-mount synths and modules using the rear panel connectors.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSING THE JD6 IN THE STUDIO\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe JD6 is great to patch in all kinds of instruments… not just keys! 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The MADI Bridge adds to RME's MADI series as a comfortable, even MIDI controlled device management solution - as always with RME for a sensational low price! \u003c\/p\u003e\u003cp\u003eAll input signals are routed unaltered to the desired outputs. Like this, the MADI Bridge supports any format, no matter if it is 56 or 64 channels or includes special invisible control commands, any sample rates and even out-of-spec data rates or violations of the MADI protocol. Thanks to a special equalizing and highly sensitive input stages, coaxial cable lengths of 100 m can be used - even between several devices. Some application examples: \u003c\/p\u003e\u003cp\u003e- 8 x 8 MADI matrix\u003cbr\u003e- MADI coaxial from \/ to optical converter and distributor\u003cbr\u003e- MADI patchbay, route \u003c\/p\u003e\u003cp\u003eThe MADI Bridge is compatible to MADI interfaces from Sony, Merging, Lawo, Euphonix, Stagetec, Jünger, Audio Service. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274888295,"sku":"6032","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_madi_bridge_1.jpg?v=1787088398"},{"product_id":"simon-systems-db-1a","title":"Simon Systems DB-1A","description":"\u003cp align=\"left\"\u003e\u003cfont size=\"2\"\u003eThe Simon Systems DB-1A is the ultimate in direct insertion capability. For too \u003c\/font\u003e\u003cfont size=\"2\"\u003elong, the direct box has been the \"weak link\" in the professional audio \u003c\/font\u003e\u003cfont size=\"2\"\u003echain. The DB-1A changes that. The DB-1A does not use nor require \u003c\/font\u003e\u003cfont size=\"2\"\u003ephantom power (even though it can be connected to phantom powered \u003c\/font\u003e\u003cfont size=\"2\"\u003esystems), and therefore is not limited to the constraints of phantom \u003c\/font\u003e\u003cfont size=\"2\"\u003epowered designs. It utilizes state-of-the-art design techniques that cannot \u003c\/font\u003e\u003cfont size=\"2\"\u003ebe found in conventional direct boxes, active or passive. The DB-1A boasts \u003c\/font\u003e\u003cfont size=\"2\"\u003ea totally active transformerless audio path. Therefore, there is no insertion \u003c\/font\u003e\u003cfont size=\"2\"\u003eloss (unless the attenuation mode is used). 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Test and compare with any other DI and we are sure you will agree;\u003c\/font\u003e\u003c\/p\u003e \u003cp align=\"left\"\u003e\u003cfont size=\"2\"\u003e\"Simon Systems - Simply the Best!\" Simon Systems Products are \u003c\/font\u003e\u003cfont size=\"2\"\u003emanufactured by Simon-Kaloi Engineering, Ltd.\u003c\/font\u003e\u003c\/p\u003e \u003cp align=\"left\"\u003e\u003cfont size=\"2\"\u003e* Simon Systems Optional PS-1 Power Supply is Recommended\u003c\/font\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Simon Systems","offers":[{"title":"Default Title","offer_id":44449276002407,"sku":"6271","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/simon_systems_db_1a.jpg?v=1787088403"},{"product_id":"simon-systems-rdb-400","title":"Simon Systems RDB-400","description":"\u003cfont size=\"2\"\u003eThe RDB-400 is four independent direct boxes in one 2U rack space with features and performance that set it in a class by itself. 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It also has two outputs for splitting between two amps or between an amp and a direct injection box, with a selectable ground lift on one output to eliminate ground loop problems.\u003cbr\u003e\u003cbr\u003eThe STD is the perfect solution for: the live player who is tired of the tone sucking wireless rigs but still needs to be able to walk more than ten feet from his amp; the studio player who needs his amplifier in isolation, but himself in close proximity to his band mates; the recording engineer using control room rack mounted direct injection boxes with a player located in the studio or isolation booth.\u003cbr\u003e\u003cbr\u003eThe single transistor unity gain buffer circuit utilized in the STD is mounted inside the special copper tipped phone plug itself. This elegantly simple buffer circuit was designed to load the instrument pickup properly for a natural frequency response regardless of cable length and also will eliminate susceptibility of the cable to extraneous noise sources. The rugged cast aluminum base unit which sits next to the amp or direct injection box contains the mating circuitry which utilizes high quality audio graded parts, including Elna Cerafine and Dale Vishay. The STD base unit is powered by two nine volt batteries that with regular use will last over one year. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449277149287,"sku":"6547","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-std-2_6547_1_9d3fb572-169e-4569-ac3a-62d83d198980.jpg?v=1787088407"},{"product_id":"smart-research-deluxe-d-i-box","title":"Smart Research Deluxe D.I. Box","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSmart Research Deluxe D.I Box\u003c\/span\u003e was designed to solve many instrument recording and D.i problems. For instance, one guitar feeding down long cables to 3 amps in a different area, without hums or change of tone. Includes: Balanced line driver for long cables; speaker level D.i input, and one unity gain Di Box\/Splitter for two D.i or Amp feeds. Conceived at Real World Studios, to solve the problem of a guitarist wanting to play in the control room and have amplifiers set up in a live room sometimes several hundred feet away. Prototypes were also used at Virgin\/ EMI Townhouse and Manor studios. Since then producers and artists such as Tom Lord Alge, Peter Gabriel, Paul Weller, and Tears for Fears have bought systems. Four systems were used to cure problems for Peter Gabriel's live show, where two stages had to be inter -connected with 300 feet of cable carrying guitar signals from radios to effects pedals on both stages and back to amps on the main stage without degradation, (allowing each stage to be patched independently). The system comprises a TRANSMIT box and RECEIVE box. The TRANSMIT box has a high impedance input and line driver, which will drive long cables to the RECEIVE box input, which feeds the Di\/splitter giving two isolated outputs.(In the Deluxe version, there are two Di\/splitters in both the TRANSMIT and RECEIVE boxes, giving 8 isolated outputs) In addition, the RECEIVE unit has a speaker simulator input, so you can plug the speaker output of an amp in for 'dirty' Di sounds with or without a speaker connected. All the Di\/splitters on both boxes have break jack inputs and can be used as separate Di's if desired, as well as earth lift switches to stop hum problems. This means there are a total of 8 outputs with the Deluxe version, (or 2 on the normal system); a line driver and receiver; and a speaker simulator. As above, but including: Balanced line driver for long cables; speaker level D.i input, 4 unity gain Di Box\/Splitter for up to 8 D.i's or Amp feeds","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":44449277182055,"sku":"6549","price":425.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/smart_research_deluxe_di_box.jpg?v=1787088407"},{"product_id":"avenson-audio-small-di","title":"Avenson Audio Small DI","description":"\u003cp\u003eThis phantom powered active DI is the perfect instrument interface.  It transparently passes the sound of your instrument to the preamp without adding its own sound.\u003c\/p\u003e\r\n\u003cp\u003eThe Small DI has a very high impedance input FET buffer inside designed for wide bandwidth and clean reproduction.  The buffer circuit runs on +48V phantom power and is unity gain.\u003c\/p\u003e\r\n\u003cp\u003eOne of the best features of the \u003cspan style=\"font-weight: bold;\"\u003eAvenson Small DI\u003c\/span\u003e is that it comes before the preamp, so that your input signal uses all the electronics of the preamp.  The Small DI is also the perfect accessory for microphone preamps that don't have a DI.  Its also great for preamps that put the DI input in an inconvenient place like the back!\u003c\/p\u003e\r\n\u003cp\u003eIt's not much bigger than an XLR connector and at only 3.25\" long it fits anywhere unobtrusively.  The red LED tells you when phantom is turned on making last minute troubleshooting easier.\u003c\/p\u003e","brand":"Avenson Audio","offers":[{"title":"Default Title","offer_id":44449277476967,"sku":"6585","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avenson_small_di.jpg?v=1787088408"},{"product_id":"mytek-digital-ddd-603-vertical","title":"Mytek Digital DDD-603 - Vertical","description":"\u003cp\u003eThe \u003cstrong\u003eMytek DDD603\u003c\/strong\u003e stand-alone mastering meter includes the 1630 standard ballistics and overload indication, plus many additional features such as peak counter, phase meter, VU metering and more. Its extensive features made it a home with many top mastering studios including Bob Ludwig’s Gateway Mastering. The meter is software based and it’s upgradeable via firmware ROM. The meter dimensions are 1.43 x 5.25 (3U) x 5.5\" (12 units fit into 19\" rack). The unit is powered through an external international (100-240 VAC) power adaptor (included). DDD-603 is portable, can be placed on top of a console meter bridge, mounted in a console faceplate, or in a 19\" rack (w\/ optional hardware). Digital input and digital throughput are provided on two rear mounted XLR connectors. The meter accepts regular 44.1\/48k and single hi-speed 96k AES\/EBU or SPDIF inputs. RCA to XLR adaptor described in the manual is required for SPDIF signals. DDD603 works with any sample frequency between 25-100kHz and it’s manufactured in two physical configurations: horizontal and vertical.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449278230631,"sku":"6665","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_ddd_603_meter_vertical_1_eee5faea-d523-42bf-8d27-b4538cb05315.jpg?v=1787088411"},{"product_id":"a-designs-audio-reddi","title":"A Designs Audio REDDI All-Tube Direct Box","description":"\u003cp\u003eDesigned and built by former career studio bassists, the \u003cstrong\u003eA Designs Audio REDDI\u003c\/strong\u003e has been hailed by engineers and bassists alike as the best-sounding DI around. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, its 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer, which is key to providing a harmonically rich tone. Its wide-bandwidth design from 20 Hz to 60 kHz reduces in-band phase shift, which results in greater detail and realism in the audible spectrum. Another big plus of its wide-bandwidth design is the prevention of LF phase shifts by maintaining a linear response extending below the audible bass range, which is the secret to achieving a big, full sound.\u003c\/p\u003e\r\n\u003cp\u003eComplimenting its distinctive bright red steel chassis, the A-Designs Audio REDDI has a front-panel Neutrik XLR\/1\/4\" combo input jack, balanced XLR output, and a 1\/4\" thru-put, for those who desire the reassurance of sending signal to a bass amp (before they wind up discarding the miked track and go with the REDDI track alone). There is also a 0-16dB-gain control on the front panel as well. Take note, the REDDI is not a high-gain device. Gain has been carefully designed and controlled in order to avoid the slightest compromise to sound quality. Finishing up the front panel is an extremely bright blue LED power indicator. The exceptional brightness of the LED was intentionally provided for easy visual confirmation that the REDDI is powered on, and also to temporarily blind annoying A\u0026amp;R reps lingering in the control room. On the back panel are toggle switches for power and ground lift, along with the REDDI’s IEC power connector.\u003c\/p\u003e\r\n\u003cp\u003eNot just for bass, the REDDI’s all-tube circuitry can enhance the character of any instrument run through it; with an airy top end to go with the full, rich mids and bass it also imparts. That’s why Grammy-winning producer Ted Perlman (Chicago, Bob Dylan, Burt Bacharach, Elton John) runs all his guitars through the REDDI. The ever-increasing list of world-class bassists and engineers who rely on the REDDI includes notable bass players, such as Reggie Hamilton, Justin Meldal-Johnsen, Viktor Krauss, Jamiroquai’s Paul Turner, Steve Bailey, Don Boyette, Carlitos del Puerto, and Millard Powers of Counting Crows; along with producer-engineers such as Tony Sheppard, Dylan Dresdow, Ross Hogarth, Billy Bush, Ronan Chris Murphy, and Russ Long.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449280065639,"sku":"6800","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a-designs-reddi-23_6800_1.jpg?v=1787088418"},{"product_id":"coleman-audio-sm5-1-surround-vu-meter-system","title":"Coleman Audio SM5.1 Surround VU Meter System","description":"\u003cp\u003eProviding precise measurement of audio levels in a surround environment, the SM5.1 allows easy alignement of the surround system as well as monitoring levels at a glance.  Coleman Audio has assembled the finest movements and combined all the necessary features in it's line of analog metering systems to satisfy the most discerning engineers.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Coleman Audio","offers":[{"title":"Default Title","offer_id":44449293271143,"sku":"7789","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coleman_sm5.1_1.jpg?v=1787088440"},{"product_id":"coleman-audio-ls3-line-level-selector","title":"Coleman Audio LS3 Line Level Selector","description":"\u003cp\u003eWith over 1,000 units in the field the \u003cstrong\u003eColeman Audio LS3\u003c\/strong\u003e is our most versatile selector for balanced audio routing.  The LS3 provides passive switching of three stereo outputs from a single stereo source. Or as a source selector any of three stereo sources to a single stereo output.  As a speaker selector, you can select multiple outputs simultaneously.  An excellent tool for isolating your subwoofer or using it with multiple pairs of speakers.  All inputs and outputs are on ¼\" TRS jacks. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Coleman Audio","offers":[{"title":"Default Title","offer_id":44449293664359,"sku":"7801","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coleman_ls3_ce_front_1f5452dd-38cf-4b8e-9f0a-17b1c9b8d4c1.jpg?v=1787088442"},{"product_id":"spl-master-bay-2","title":"SPL Master Bay 2","description":"Automated routing of processors in a mastering chain is becoming more and more of an issue for mastering engineers. The SPL MasterBay system allows for instant comparison of single processors or processor chains which can be determined and stored in three different sequences. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eMasterBay\u003c\/b\u003e is available as a \u003cb\u003edual\u003c\/b\u003e or eight-channel system. Each of the fully balanced, entirely passive insert boxes is controlled by the MasterBay Remote Control which can be placed upon the desktop or built into a desk. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDual-channel MasterBay:\u003c\/b\u003e\u003cbr\u003eRemote Control model 2487 and insert box model 2488 \u003cbr\u003e\u003cbr\u003eThe MasterBay Remote Control is connected to one of the MasterBay Insert boxes via the rear DB25 connector (10 m cable included). The remote houses a CPU to control 146 (dual-channel MasterBay) or 584 (eight-channel MasterBay) gold plated relay switches. It is powered from the respective insert box through the DB25 wiring, so no additional power supply is needed. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDual-channel MasterBay\u003c\/b\u003e\u003cbr\u003eThe MasterBay system is based on a completely passive design with fully balanced signal paths from input to output. All 146 relays are placed on large, double-sided PCBs for switching operation with maximum neutrality in sound quality. A ground path between all audio signal paths ensures the highest possible shielding.\u003cbr\u003e\u003cbr\u003eLavishly dimensioned, linear power supplies based on toroidal transformers are capable of providing adequate current regardless of any demands. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e \u003cbr\u003eThe dual-channel MasterBay insert box comes with detachable 19 inch brackets.\u003cbr\u003eHeight: 177 mm\/7,08 inch\u003cbr\u003eWidth: 440mm\/17,6 inch w\/o brackets, 482mm\/19,28 inch with brackets\u003cbr\u003eDepth: 500mm\/20 inch \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003cbr\u003eTo help alleviate the complexity of high-end audio patching, the MasterBay system features dual or eight channel insert boxes to which up to eight processors can be connected. The unique advantage of the MasterBay is that the engineer can specify up to three routings, called “sequences”, which can be stored and re-called.\u003cbr\u003e\u003cbr\u003eThe MasterBay8, model 2268 supports the connection of eight processors with up to eight channels (64 channels). The MasterBay2, model 2488 supports the connection of eight dual-channel processors (16 channels).\u003cbr\u003e\u003cbr\u003eThe MasterBay remote control provides a button for each of the eight external processors. Labels can be changed to the user’s requirements. The covers of the buttons can be lifted to insert a new label. The order in which the processor selection buttons are activated determines the processor sequence. A seven segment LED-display next to each button indicates the current position of a processor. The mastering engineer can use this feature to compare between sequences in varying order or to compare the same type of processors. \u003cbr\u003e\u003cbr\u003eThree memory banks are available which allow an active signal flow sequence to be compared instantly at a button push with three others (for a total of four). An Insert On switch engages the Insert Box or switches to hard-bypass.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449293762663,"sku":"7857","price":4749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_masterbay.jpg?v=1787088442"},{"product_id":"spl-master-bay-8","title":"SPL Master Bay 8","description":"Automated routing of processors in a mastering chain is becoming more and more of an issue for mastering engineers. 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It is powered from the respective insert box through the DB25 wiring, so no additional power supply is needed.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEight-channel MasterBay\u003c\/b\u003e\u003cbr\u003eThe MasterBay system is based on a completely passive design with fully balanced signal paths from input to output. All 584 relays are placed on large, double-sided PCBs for switching operation with maximum neutrality in sound quality. A ground path between all audio signal paths ensures the highest possible shielding. Lavishly dimensioned, linear power supplies based on toroidal transformers are capable of providing adequate current regardless of any demands. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003cbr\u003eThe dual-channel MasterBay insert box comes with detachable 19 inch brackets.\u003cbr\u003eHeight: 355mm\/14.2 inch\u003cbr\u003eWidth: 440mm\/17,6 inch w\/o brackets, \u003cbr\u003e482mm\/19,28 inch with brackets Depth: 500mm\/20 inch \u003cbr\u003e\u003cbr\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003cbr\u003eTo help alleviate the complexity of high-end audio patching, the MasterBay system features dual or eight channel insert boxes to which up to eight processors can be connected. The unique advantage of the MasterBay is that the engineer can specify up to three routings, called “sequences”, which can be stored and re-called.\u003cbr\u003e\u003cbr\u003eThe MasterBay8, model 2268 supports the connection of eight processors with up to eight channels (64 channels). The MasterBay2, model 2488 supports the connection of eight dual-channel processors (16 channels).\u003cbr\u003e\u003cbr\u003eThe MasterBay remote control provides a button for each of the eight external processors. Labels can be changed to the user’s requirements. The covers of the buttons can be lifted to insert a new label. The order in which the processor selection buttons are activated determines the processor sequence. A seven segment LED-display next to each button indicates the current position of a processor. The mastering engineer can use this feature to compare between sequences in varying order or to compare the same type of processors. \u003cbr\u003e\u003cbr\u003eThree memory banks are available which allow an active signal flow sequence to be compared instantly at a button push with three others (for a total of four). An Insert On switch engages the Insert Box or switches to hard-bypass.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449293795431,"sku":"7858","price":10449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_masterbay_1.jpg?v=1787088442"},{"product_id":"avalon-u5","title":"Avalon U5 Single-Channel DI\/Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eAvalon U5\u003c\/strong\u003e high-voltage DI\/preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eSONIC EXCELLENCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDEEP AND CONTROLLED BASS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAvalon U5 DI\/preamps have been in use around the world since 1995. They have found their way into the world's leading musicians rigs and recording sessions and been featured on thousands of the best selling (and sounding) albums and live performances.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMINIMUM SIGNAL PATH DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing. The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth loop or AC buzz problems with complete safety.\u003c\/p\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":44449294024807,"sku":"7928","price":936.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avalon-u5-2025_7928_1.jpg?v=1787088443"},{"product_id":"d-w-fearn-vt-3-dual-channel-vacuum-tube-di","title":"D.W. 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It has been tested and used by many guitar professionals in studio recording environments, and the comments are always the same.....The overdrive is fantastic, the guitar sounds clean, clear, and un-restrained. This is the definitive DI!!!. The DI’s characteristics are very noticeable on any input source, and is superb for “sweetening” the output from DAW or any other signal source. \u003c\/p\u003e\u003cp\u003e The result is a brighter, clearer sound. A transformation of your instrument. And a STEREO unit for the price of many mono units.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449294647399,"sku":"8043","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_nice_di_front.jpg?v=1787088446"},{"product_id":"dorrough-40-a-meter-racked-pair","title":"Dorrough 40-A Meter (Racked Pair)","description":"\u003cp\u003e\u003cspan\u003eYears of hands-on experience and frustration with both VU and PPM metering led to the development of the DORROUGH Loudness Monitors. 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It simultaneously displays peak and average, and the relative difference, in dB, between these two ballistics is derived from the integration time of the persistence scale.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The operator has only to adjust the level until either the peak or persistence reference is reached. This will result in the maximum level, regardless of program content. Material with or without compression can easily be matched for the same listening level.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e Each DORROUGH Loudness Monitor features Right and Left inputs for use in stereo mixing applications. With one instrument, the operator can easily see the stereo mix and avoid the classic in-phase\/out-of-phase problem. “Center channel build-up,” the addition of in-phase or monophonic material which causes the mix to be perceived as louder, will appear as a sudden increase in level. This is especially important in preparing stereo program material for broadcast, while still being able to maintain monaural compatibility.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40 Series\u003c\/strong\u003e\u003cbr\u003e The 40-A series Loudness Meters are considered the standard models with built-in power supplies. They are the large ARC-Style, three color LED display single channel meters.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The Remote Control is now available for these units and will access the functions of phase correlation display, peak hold, sum\/diff, and activate a reference mode allowing for accurate 0 setting within .1dB. A red LED notification alarm is present on the front of the unit.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003e The 40-C has a scale allowing for 20dB of headroom in 1dB steps. 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It simultaneously displays peak and average, and the relative difference, in dB, between these two ballistics is derived from the integration time of the persistence scale.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The operator has only to adjust the level until either the peak or persistence reference is reached. This will result in the maximum level, regardless of program content. Material with or without compression can easily be matched for the same listening level.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e Each DORROUGH Loudness Monitor features Right and Left inputs for use in stereo mixing applications. With one instrument, the operator can easily see the stereo mix and avoid the classic in-phase\/out-of-phase problem. “Center channel build-up,” the addition of in-phase or monophonic material which causes the mix to be perceived as louder, will appear as a sudden increase in level. This is especially important in preparing stereo program material for broadcast, while still being able to maintain monaural compatibility.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40 Series\u003c\/strong\u003e\u003cbr\u003e The 40-A series Loudness Meters are considered the standard models with built-in power supplies. They are the large ARC-Style, three color LED display single channel meters.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The Remote Control is now available for these units and will access the functions of phase correlation display, peak hold, sum\/diff, and activate a reference mode allowing for accurate 0 setting within .1dB. A red LED notification alarm is present on the front of the unit.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003e The 40-C has a scale allowing for 20dB of headroom in 1dB steps. 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This is especially important in preparing stereo program material for broadcast, while still being able to maintain monaural compatibility.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40 Series\u003c\/strong\u003e\u003cbr\u003e The 40-A series Loudness Meters are considered the standard models with built-in power supplies. They are the large ARC-Style, three color LED display single channel meters.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The Remote Control is now available for these units and will access the functions of phase correlation display, peak hold, sum\/diff, and activate a reference mode allowing for accurate 0 setting within .1dB. A red LED notification alarm is present on the front of the unit.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003e The 40-C has a scale allowing for 20dB of headroom in 1dB steps. 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Material with or without compression can easily be matched for the same listening level. \u003cbr\u003e\u003cbr\u003eEach Dorrough Loudness Monitor features Right and Left inputs for use in stereo mixing applications. 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Material with or without compression can easily be matched for the same listening level. \u003cbr\u003e\u003cbr\u003eEach Dorrough Loudness Monitor features Right and Left inputs for use in stereo mixing applications. With one instrument, the operator can easily see the stereo mix and avoid the classic in-phase\/out-of-phase problem.  “Center channel build-up,” the addition of in-phase or monophonic material which causes the mix to be perceived as louder, will appear as a sudden increase in level.  This is especially important in preparing stereo program material for broadcast, while still being able to maintain monaural compatibility. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40 Series\u003c\/strong\u003e\u003cbr\u003eThe 40-A series Loudness Meters are considered the standard models with built-in power supplies.  They are the large ARC-Style, three color LED display single channel meters. \u003cbr\u003e\u003cbr\u003eThe Remote Control is now available for these units and will access the functions of phase correlation display, peak hold, sum\/diff, and activate a reference mode allowing for accurate 0 setting within .1dB. A red LED notification alarm is present on the front of the unit. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003eThe 40-C has a scale allowing for 20dB of headroom in 1dB steps.  The headroom scale is identical to the AES\/EBU Digital Standard.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Dorrough Meters","offers":[{"title":"Default Title","offer_id":44449299169383,"sku":"8718","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dorrough-40-b-meter_8718_1.jpg?v=1787088458"},{"product_id":"dorrough-40-c-meter-single","title":"Dorrough 40-C Meter (Single)","description":"\u003cdiv\u003e\r\n\u003cp\u003eYears of hands-on experience and frustration with both VU and PPM metering led to the development of the \u003cstrong\u003eDorrough Loudness Monitors\u003c\/strong\u003e.  Dorrough’s research has established the relationship between integration time, RMS metering and the display of peak levels. \u003cbr\u003e\u003cbr\u003eThe Dorrough Loudness Monitor displays, in an easy-to-read format, the actual energy content of the program material, regardless of frequency, while still indicating the peak amplitude of the complex audio signal.  It allows the operator to ride levels in a manner such that all program material can be adjusted for equal perceived loudness while protecting the peak of the waveform.  Now, one meter gives you more complete and more usable information than any combination of peak hold, VU and PPM indicators.  The Dorrough Loudness Monitor integrates on the same scale, two ballistics, showing the relationship between the average and the peak.  It simultaneously displays peak and average, and the relative difference, in dB, between these two ballistics is derived from the integration time of the persistence scale. \u003cbr\u003e\u003cbr\u003eThe operator has only to adjust the level until either the peak or persistence reference is reached.  This will result in the maximum level, regardless of program content. Material with or without compression can easily be matched for the same listening level. \u003cbr\u003e\u003cbr\u003eEach Dorrough Loudness Monitor features Right and Left inputs for use in stereo mixing applications. 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A red LED notification alarm is present on the front of the unit. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003eThe 40-C has a scale allowing for 20dB of headroom in 1dB steps.  The headroom scale is identical to the AES\/EBU Digital Standard.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Dorrough Meters","offers":[{"title":"Default Title","offer_id":44449299234919,"sku":"8719","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dorrough-40-c_8719_1.jpg?v=1787088458"},{"product_id":"dorrough-40-c-meter-racked-pair","title":"Dorrough 40-C Meter (Racked Pair)","description":"\u003cp\u003eYears of hands-on experience and frustration with both VU and PPM metering led to the development of the \u003cstrong\u003eDorrough Loudness Monitors\u003c\/strong\u003e.  Dorrough’s research has established the relationship between integration time, RMS metering and the display of peak levels. \u003cbr\u003e\u003cbr\u003eThe Dorrough Loudness Monitor displays, in an easy-to-read format, the actual energy content of the program material, regardless of frequency, while still indicating the peak amplitude of the complex audio signal.  It allows the operator to ride levels in a manner such that all program material can be adjusted for equal perceived loudness while protecting the peak of the waveform.  Now, one meter gives you more complete and more usable information than any combination of peak hold, VU and PPM indicators.  The Dorrough Loudness Monitor integrates on the same scale, two ballistics, showing the relationship between the average and the peak.  It simultaneously displays peak and average, and the relative difference, in dB, between these two ballistics is derived from the integration time of the persistence scale. \u003cbr\u003e\u003cbr\u003eThe operator has only to adjust the level until either the peak or persistence reference is reached.  This will result in the maximum level, regardless of program content. Material with or without compression can easily be matched for the same listening level. \u003cbr\u003e\u003cbr\u003eEach Dorrough Loudness Monitor features Right and Left inputs for use in stereo mixing applications. With one instrument, the operator can easily see the stereo mix and avoid the classic in-phase\/out-of-phase problem.  “Center channel build-up,” the addition of in-phase or monophonic material which causes the mix to be perceived as louder, will appear as a sudden increase in level.  This is especially important in preparing stereo program material for broadcast, while still being able to maintain monaural compatibility. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40 Series\u003c\/strong\u003e\u003cbr\u003eThe 40-A series Loudness Meters are considered the standard models with built-in power supplies.  They are the large ARC-Style, three color LED display single channel meters. \u003cbr\u003e\u003cbr\u003eThe Remote Control is now available for these units and will access the functions of phase correlation display, peak hold, sum\/diff, and activate a reference mode allowing for accurate 0 setting within .1dB. A red LED notification alarm is present on the front of the unit. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e40-C\u003c\/strong\u003e\u003cbr\u003eThe 40-C has a scale allowing for 20dB of headroom in 1dB steps.  The headroom scale is identical to the AES\/EBU Digital Standard.\u003c\/p\u003e","brand":"Dorrough Meters","offers":[{"title":"Default Title","offer_id":44449299267687,"sku":"8720","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dorrough_40b_meter_racked_pair_1_a90a09f9-34bc-4516-8be4-8b0509a97851.jpg?v=1787088458"},{"product_id":"switchcraft-studiopatch-6425-patch-bay","title":"Switchcraft StudioPatch 6425 Patch Bay","description":"For the first time a professional audio patch bay has been developed to fit the needs of users of both analog and digital audio workstations. The \u003cb\u003eStudioPatch® 6425\u003c\/b\u003e simply connects to I\/O interfaces with common DB25 cables. The StudioPatch® 6425 is conveniently laid out with four groups of eight channels of TT (Bantam) jacks. Each group of eight has its own in and out DB25. \u003cbr\u003e\u003cbr\u003eDepending on your studio's normaling requirements, the StudioPatch®6425 has changeable normals by the turn of a household flathead screwdriver. For each of the thirty-two channels these normaling positions can be set to either full normal, half normal, or non-normal modes. And yes, the StudioPatch®6425 can pass the phantom power that powers your condenser microphones.","brand":"Switchcraft","offers":[{"title":"Default Title","offer_id":44449299300455,"sku":"8828","price":1269.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/switchcraft_studiopatch_6425_front_b72b4709-944c-4d90-872c-dea72de42377.jpg?v=1787088458"},{"product_id":"radial-engineering-jpc","title":"Radial Engineering JPC Active Direct Box for Laptop Computers","description":"\u003cp\u003eThe \u003cstrong\u003eRadial Engineering JPC\u003c\/strong\u003e is a stereo direct box that is easy to use with practically any consumer electronic device. It utilizes active buffers and transformer isolation to create a hybrid circuit that blocks ground loops and reduces system noise, along with AC blocking capacitors to prevent any audio system noise from bleeding back into the computer. The choice of ¼\", RCA and 3.5mm input connectors make it easy to interface with all types of unbalanced audio sources such as computers, smartphones, and tablets, and the outputs are XLR balanced mic level to feed snake systems and PAs. Powering the JPC is accomplished via 48V phantom from a mixing console, allowing the JPC to be used in concert environments without requiring an external power supply.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449301168231,"sku":"9191","price":259.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-jpc_9191_1.jpg?v=1787088466"},{"product_id":"radial-engineering-sgi-studio-guitar-interface-system","title":"Radial Engineering SGI Studio Guitar Interface System","description":"\u003cb\u003eRadial SGI Studio Guitar Interface\u003c\/b\u003e is a transmit (SGI-TX) and receive (SGI-RX) pair of modules that allows a guitar signal to travel across 500 feet of balanced cable to a distant amplifi er. The SGI is a unity gain device that features 100% discreet Class-A circuitry for great sound and transformer isolation to eliminate ground loops. \u003cbr\u003e\u003cbr\u003e For the studio, the SGI allows the guitarist to play in the control room while listening to the studio monitors. For live performance, the SGI allows amplifi ers to be located off stage while improving sound and reliability over wireless systems. \u003cul\u003e \u003cli\u003eDrive a guitar signal 300 feet without loss \u003c\/li\u003e\n\u003cli\u003e100% discreet class-A electronics \u003c\/li\u003e\n\u003cli\u003eDrag Control pickup load correction \u003c\/li\u003e\n\u003cli\u003eTransformer isolated to eliminate noise \u003c\/li\u003e\n\u003cli\u003eRoutes using standard balanced XLR cable \t\u003c\/li\u003e\n\u003c\/ul\u003e The Radial SGI studio guitar interface allows a guitar signal to travel 100 meters (328 feet) over a standard balanced XLR mic cable. This enables the guitarist to play through a distant amplifier while listening to the performance in the control room. On large stages, the SGI allows a guitar signal to travel from the wireless system to a pedal board and amplifier. The SGI employs a proprietary drive and balancing circuit that is made up of two modules: the SGI-TX transmit module and SGI-RX receive module. The SGI-TX is active with 100% discreet class-A circuitry and Drag™ control load correction to ensure the most natural sound. The SGI-RX is completely passive. To eliminate hum and buzz caused by ground loops, each module is equipped with isolation transformers that are wired in opposing directions to counteract any artifact. Best of all, the SGI is plug \u0026amp; play easy to use and comes equipped with power supply.","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449301233767,"sku":"9233","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial-sgi-23_9233_1_1_1_fcfdfe4d-6433-4117-a645-25ff524f8443.jpg?v=1787088466"},{"product_id":"yamaha-mb02r96","title":"Yamaha MB02R96","description":"The \u003cb\u003eYamaha MB02R96\u003c\/b\u003e Meterbridge For The 02R96. Meterbridge that accurately displays channel level for the Yamaha 02R96 Console. The Yamaha MB02R96 accurately displays channel level for the Yamaha 02R96 Console. 12-12 Segment meters display pre-EQ, pre-fader and post fader channel level. Additional 8 channel meters display bus-level and 32-segment stereo meters provide level display of stereo output. \u003cbr\u003e \u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eMeterbridge that accurately displays channel level for the Yamaha 02R96 Console \u003c\/li\u003e\n\u003cli\u003e12-12 segment meters display pre-Eq, pre-fader and post fader channel level\u003c\/li\u003e\n\u003cli\u003eAdditional 8 channel meters display bus-level \u003c\/li\u003e\n\u003cli\u003e32-segment stereo meters provide level of display of stereo output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449301299303,"sku":"9288","price":1099.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha_mb02r96.jpg?v=1787088466"},{"product_id":"audio-accessories-48e-12a-type-1-2x48x1ru-patchbay","title":"Audio Accessories 48E-12A Type 1 2x48x1RU Patch Bay","description":"Since 1980, \u003cb\u003eAudio Accessories Mini (Bantam\/TT) \u003c\/b\u003ejacks and panels have become our most popular audio patch bays. With capacity for 48 or 52 jacks per row, they make it possible to incorporate more patching into each rack—particularly important in mobile units where space is at a premium. Remember, our audio jacks and panels are manufactured start to finish right here in Marlow, NH, USA, where time stands still and the moose run free!\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePanel Highlights:\u003c\/b\u003e \u003cul\u003e \u003cli\u003ePanels may be ordered with or without jacks. \u003c\/li\u003e\n\u003cli\u003ePanels come equipped with EIA mounting slots and tie bar. \u003c\/li\u003e\n\u003cli\u003eAll one rack-unit (1RU) panels (1-3\/4”) come standard with 2-line designation strips. \u003c\/li\u003e\n\u003cli\u003eAll two rack-unit (2RU) panels (3-1\/2”) come standard with 4-line designation strips. \u003c\/li\u003e\n\u003cli\u003eIf you have a special need, we’ll design a panel to any specification. Just call. \u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eJack Highlights:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e.078” Western Electric #1 gold alloy contacts. \u003c\/li\u003e\n\u003cli\u003eHot-solder-dipped terminals, fanned for ease in wiring. \u003c\/li\u003e\n\u003cli\u003eOffset ground terminals for bussing of grounds are available upon request. \u003c\/li\u003e\n\u003cli\u003eNylon support bumper ensures solid contact. \u003c\/li\u003e\n\u003cli\u003eJack frame and bushing are plated with copper, nickel and bright chrome.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio Accessories","offers":[{"title":"Default Title","offer_id":44449301921895,"sku":"31875","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio_accessories_mini_bantam_tt.jpg?v=1787088469"},{"product_id":"redco-tt-db25-96pt-patchbay","title":"Redco R196-D25PG TT\/DB25 96-Point Bantam Patch Bay","description":"\u003cp\u003eThe \u003cstrong\u003eRedco R196-D25PG TT\/DB25\u003c\/strong\u003e patch bay delivers versatile analog and AES digital signal routing in a compact 1U design. Featuring programmable grounding\/normalling switches, industry-standard 25-pin D-Sub Tascam pinouts, and a built-in cable support tray, this 96-point patch bay is built for efficiency and versatility.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eVERSATILE 96-POINT BANTAM PATCH BAY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith 96 balanced patch points in just 1U of rack space, the R196-D25PG is the perfect solution for streamlining your workflow. \"Bantam\" refers to the Tiny Telephone (TT) connector, which is widely used in professional studios for its durability and space-saving efficiency. This high-density configuration makes the Redco R196-D25PG TT patch bay ideal for complex routing in large-scale studios, broadcast facilities, and live rigs where organization and efficiency are key.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINDUSTRY-STANDARD D-SUB PINOUT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Redco R196-D25PG TT patch bay uses the Tascam pinout scheme on all rear-panel 25-pin D-Sub connections for straightforward and reliable integration with outboard gear. Each D-Sub connector is precision-machined and secured with durable threading for a solid, vibration-resistant fit. Whether you’re wiring a permanent installation or a mobile rig, the Redco R196-D25PG 1U patch bay streamlines setup and keeps your signal path clean and consistent.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePROGRAMMABLE GROUNDING\/NORMALLING SWITCHES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLocated on the top of the chassis for quick access, the programmable grounding and normalling switches give you complete control over your signal flow. Normalling switches let you pre-configure default signal paths, while programmable grounding allows you to choose the optimal grounding scheme for your setup.\r\nQuality Construction and Convenient Cable Support Tray\r\nWith a rugged steel chassis and premium connectors rated for thousands of insertion cycles, the Redco R196-D25PG TT patch bay is built to last. An integrated cable tray that supports the weight of your cabling to prevent stress on connectors, reduce wear, and extend the life of both the patch bay and your cables.\u003c\/p\u003e","brand":"Redco Audio","offers":[{"title":"Default Title","offer_id":44449302970471,"sku":"9517","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/redco-tt-db25-96pt-patchbay_9517_1.jpg?v=1787088471"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/tools-accessories-studio-tools.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}