{"title":"Triton Audio","description":null,"products":[{"product_id":"triton-audio-true-phantom-psu","title":"Triton Audio True Phantom PSU","description":"\u003cp\u003eThe only real update on the now standard Phantom powering scheme, the advantages of the \u003cstrong\u003eTriton Audio True Phantom PSU\u003c\/strong\u003e are easily heard and will work with all Phantom powered microphones. Literally a breath of fresh air when used with any such mic. True Phantom does not affect the frequency response of the microphone but lowers the mic output's THD significantly.\u003c\/p\u003e  \u003cp\u003eFor powering condenser microphones, the IEC 61938 Phantom Power supply has been the standard for years. Although being proven technology, there are several disadvantages to the current implementation. The microphone signal, for instance is not completely available to he microphone preamp. To the microphone's circuit, the 6K8 resistor presents a load, this causes distortion and reduces the available signal. Also, with the IEC 61938 Phantom Power implementation, isolation from the rest of the preamp or mixer circuit is not complete, this can negatively affect noise performance.\u003c\/p\u003e  \u003cp\u003eTrue Phantom uses patented technology which overcomes these problems. True Phantom's electronics enable the microphone to operate at no-load condition, which lowers distortion, compared to the current implementation it achieves lower distortion and an increase of the signal-to-noise ratio.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444542055,"sku":"122247","price":549.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-true-phantom2_122247_1_ecc3ee43-6765-48e8-bab2-4922c3640703.jpg?v=1787093091"},{"product_id":"triton-audio-phantom-blocker","title":"Triton Audio Phantom Blocker","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio Phantom Blocker\u003c\/strong\u003e blocks phantom power while leaving the audio signal intact. phantom power can be applied to either the male or the female side of Phantom Blocker's XLR connector and will not reach the opposing XLR connector while the audio signal travels without restriction in both directions.\u003c\/p\u003e  \u003ch3\u003eMicrophone preamps\u003c\/h3\u003e  \u003cp\u003eSome (older) preamps are sensitive for phantom power at the input. The preamp's input transformer cannot handle phantom power from another source. The transformer's thin silk isolations can burn out because a burst of phantom power switching on creates a high voltage in the input transformer, to prevent this a complete blocking is needed.\u003c\/p\u003e  \u003ch3\u003eUnbalanced TRS to XLR cables\u003c\/h3\u003e  \u003cp\u003eWhen connecting an unbalanced TRS to XLR cable pin 3 of the XLR connector is directly connected to ground, creating a short, this can damage input transformers and under-dimensioned phantom power circuits.\u003c\/p\u003e  \u003ch3\u003eBalanced device outputs\u003c\/h3\u003e  \u003cp\u003ePhantom blocker is a great solution to protect the output of any device connected to the XLR input of a mixing desk or preamp which has phantom power switched on, e.g. your computers audio interface.\u003c\/p\u003e  \u003ch3\u003eMicrophones\u003c\/h3\u003e  \u003cp\u003eThere are microphones (mainly ribbon microphones) which do not tolerate phantom power. Connecting a ribbon microphone to a cable which has phantom power applied sends a rush of current through the microphones transformer, this current gets amplified by the transformer into the primary circuit of the microphone and forces the ribbon out of the magnetic field it is suspended in, this can permanently stretch the ribbon.\u003c\/p\u003e     \u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note:\u003c\/em\u003e\u003c\/strong\u003e Before connecting the device you wish to shield from phantom power make sure Phantom blocker is attached, have phantom power switched on and wait 5 seconds during which Phantom blockers internal bleeder resistors will cancel out voltage differences. Connecting in this order prevents the transfer of an initial AC voltage burst created by the phantom power switching on.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444607591,"sku":"122239","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-phantom-blocker2_122239_1_c224ecfd-39d7-4a97-b771-ae22cd434f4f.jpg?v=1787093090"},{"product_id":"triton-audio-neolev","title":"Triton Audio NeoLev Magnetic Levitation Damper 4-Pack","description":"\u003cp\u003ePlaced under near-field monitors, home stereo speakers, turntables etcetera, \u003cstrong\u003eTriton Audio Neolev\u003c\/strong\u003e magnetic levitation dampers eliminate acoustic feedback and mechanical distortion and bring out the full potential of your gear. The stereo image is improved and bass frequencies are much tighter. Cancellation of contact induced resonance is very effective as forces perpendicular to the device are stopped from being transferred. Based on two repelling Neodium magnets one single NeoLev lifts up to 8 kg. NeoLev's are adjustable to ensure perfect leveling.\u003c\/p\u003e\r\n\u003ch3\u003eApplications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNearfield monitors\u003c\/li\u003e\r\n\u003cli\u003eHiFi speakers\u003c\/li\u003e\r\n\u003cli\u003eTurntables\u003c\/li\u003e\r\n\u003cli\u003eCD\/DVD\/Blu-Ray players\u003c\/li\u003e\r\n\u003cli\u003ePreamps\u003c\/li\u003e\r\n\u003cli\u003ePower amps\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444640359,"sku":"122246","price":239.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-neolev2_122246_1_fb5e4da8-284b-4e5b-b980-1146ef2b6293.jpg?v=1787093090"},{"product_id":"triton-audio-fethead-phantom-mic-preamp","title":"Triton Audio FetHead Phantom Mic Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead Phantom\u003c\/strong\u003e is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for condenser microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e  \u003cp\u003eFetHead Phantom is a FetHead version specially designed for condenser microphones. It works very well with all condenser microphones. FetHead Phantom is also an indispensable tool for mobile recording and a real upgrade for camera microphone preamps, because it lowers the noise floor.\u003c\/p\u003e  \u003cp\u003eFetHead's Phantom circuit uses 48 V phantom power but also passes it on from its input to the microphone, so the condenser mic is powered with the same phantom power.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444705895,"sku":"122236","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-phantom2_122236_1.jpg?v=1787093090"},{"product_id":"triton-audio-fethead-mic-preamp","title":"Triton Audio FetHead Mic Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead\u003c\/strong\u003e is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for ribbon and dynamic microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e  \u003cp\u003eAll tested microphones showed sonic improvement. A Shure SM57 for instance, sounds more responsive over a broader frequency range. When mated with a high-end dynamic microphone like a Sennheiser MD441, or Shure SM7 FetHead really shines. Ribbon microphones benefit greatly too because of a much better impedance match, which lessens the load on the microphone, giving it better transient response characteristics. FetHead's high quality, low noise signal amplification also extends the usable range of a ribbon microphone, making it more suitable for recording softer passages.\u003c\/p\u003e  \u003cp\u003eSome ribbon microphones do not tolerate phantom power. 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The components which make up the filter are not directly in the signal path but are applied to the components which set the gain of FetHead Filters amplifier, thus making it frequency dependent. This way the sonic character which makes a FetHead attractive to the ear is preserved.\u003c\/p\u003e  \u003cp\u003eSome ribbon microphones do not tolerate phantom power. 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General layout consists of a high quality JFET gain stage, followed by a low impedance output buffer to enable output drive to long cables (up to 3000 meters).\u003c\/p\u003e  \u003cp\u003eFetHead Broadcast offers 25 dB of low noise, high quality amplification which can be applied to either dynamic or condenser microphones as phantom power is transferred to the microphone.\u003c\/p\u003e  \u003cp\u003eDuring live performances microphone signals often travel through long cables. If they travel adjacent to power lines or dimmed light cables, audible signal interference into the microphone cable often occurs usually resulting in a polluted signal. The FetHead Broadcast prevents this from happening by amplifying the signal before the cable. It improves the signal to noise ratio and offers a high quality signal to the mixer. Another advantage is that the FetHead Broadcast does not require main supplies or batteries.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444771431,"sku":"122238","price":149.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-broadcast2_122238_1_c1f4fa60-2af9-4b89-bf28-edde3bed784f.jpg?v=1787093091"},{"product_id":"triton-audio-d2o-mono-preamp","title":"Triton Audio D2O Mono Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio D2O Mono Preamp\u003c\/strong\u003e is a low noise discrete microphone preamp - a development of the famous German V series preamps, widely recognized as one of the best sounding preamps. These preamps were used at Abbey Road to record The Beatles, Pink Floyd among many others. Today V series preamps are still in demand, although most units are now at least 35 years old and need to be rebuilt or refurbished.\u003c\/p\u003e  \u003cp\u003eThe D2O mono is a single unit preamp housed in a rugged aluminum enclosure. The portable format is ideal for the new generation of mobile recording interfaces.\u003c\/p\u003e  \u003cp\u003eD2O's general layout consists of a Lundahl 1571 input transformer followed by 2 single ended gain stages. The second gain stage can be selected to be either a high gain FET or a Tube stage. when the high gain, all FET circuit is engaged D2O becomes an ideal companion for microphones with a relatively low output like ribbon microphones. With the hybrid FET\/Tube circuit is engaged the sonic benefits of having a tube in the signal path can be utilized. Output drive is supplied by a discrete low impedance FET buffer with superb sonic properties. Quality Paper in oil coupling capacitors are used, all other used components are high-end grade as well.\u003c\/p\u003e  \u003ch3\u003eLow noise\/low ESR power supply\u003c\/h3\u003e  \u003cp\u003eIn single ended preamp designs the quality of the power supply is crucial, D2O is fitted with a discrete low ESR voltage regulator built with low noise components enabling optimal performance to the amplifier circuit.\u003c\/p\u003e  \u003ch3\u003eSwitchable transformer ratio\/input impedance\u003c\/h3\u003e  \u003cp\u003eBy selecting the transformer ratio switch a selection between a 1:1.75 (LO) or 1:3.5 (HI) transformation ratio can be made. Besides setting voltage gain, this also switches the input impedance of the amplifier between 2.25 kOhm and 6.25 kOhm. Different transformation rate and impedance selection options are very desirable as they allow for more sonic options from the connected microphone.\u003c\/p\u003e  \u003ch3\u003eselectable all Fet or Tube-Fet circuit\u003c\/h3\u003e  \u003cp\u003eThe Tube-FET switch determines whether D2O functions with the hi-gain, all FET or hybrid Tube-FET circuit, each with its unique sonic character.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444804199,"sku":"122243","price":765.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-d2o-mono_122243_1_4fbd4c5a-c998-43c2-b49d-64c2f12a097e.jpg?v=1787093091"},{"product_id":"triton-audio-d2o-stereo-preamp","title":"Triton Audio D2O Stereo Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio D2O Stereo Preamp\u003c\/strong\u003e is a low noise discrete microphone preamp - a development of the famous German V series preamps, widely recognized as one of the best sounding preamps. These preamps were used at Abbey Road to record The Beatles, Pink Floyd among many others. Today V series preamps are still in demand, although most units are now at least 35 years old and need to be rebuilt or refurbished.\u003c\/p\u003e  \u003cp\u003eD2O Stereo comes in a high quality 19\" aluminum enclosure and has a built in power supply. A big Stereo sound in a single unit rack!\u003c\/p\u003e  \u003cp\u003eD2O's general layout consists of a Lundahl 1571 input transformer followed by 2 single ended gain stages. The second gain stage can be selected to be either a high gain FET or a Tube stage. when the high gain, all FET circuit is engaged D2O becomes an ideal companion for microphones with a relatively low output like ribbon microphones. With the hybrid FET\/Tube circuit is engaged the sonic benefits of having a tube in the signal path can be utilized. Output drive is supplied by a discrete low impedance FET buffer with superb sonic properties. Quality Paper in oil coupling capacitors are used, all other used components are high-end grade as well.\u003c\/p\u003e  \u003ch3\u003eLow noise\/low ESR power supply\u003c\/h3\u003e  \u003cp\u003eIn single ended preamp designs the quality of the power supply is crucial, D2O is fitted with a discrete low ESR voltage regulator built with low noise components enabling optimal performance to the amplifier circuit.\u003c\/p\u003e  \u003ch3\u003eSwitchable transformer ratio\/input impedance\u003c\/h3\u003e  \u003cp\u003eBy selecting the transformer ratio switch a selection between a 1:1.75 (LO) or 1:3.5 (HI) transformation ratio can be made. Besides setting voltage gain, this also switches the input impedance of the amplifier between 2.25 kOhm and 6.25 kOhm. Different transformation rate and impedance selection options are very desirable as they allow for more sonic options from the connected microphone.\u003c\/p\u003e  \u003ch3\u003eselectable all Fet or Tube-Fet circuit\u003c\/h3\u003e  \u003cp\u003eThe Tube-FET switch determines whether D2O functions with the hi-gain, all FET or hybrid Tube-FET circuit, each with its unique sonic character.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444935271,"sku":"122245","price":1420.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-d2o-stereo_122245_1_fc9c64c0-12ed-4092-b2c6-fba905be4cc4.jpg?v=1787093091"},{"product_id":"triton-audio-bigamp-preamp","title":"Triton Audio BigAmp Preamp","description":"\u003cp\u003e\u003cstrong\u003eTriton Audio BigAmp Preamp\u003c\/strong\u003e is a small sized, high quality JFET instrument preamp which performs equally well on stage as it does in a studio environment. It has a 1\/4\" female jack input which accepts signals ranging from the pickup of an electric bass or (acoustic) guitar to the line level output of a synthesizer. BigAmp's low noise Class A amplifier provides high end amplification and converts the instrument output signal from unbalanced to balanced.\u003c\/p\u003e  \u003cp\u003eBring your own high quality DI everywhere. No hassle with batteries because BigAmp's circuit is powered with 24\/48 V phantom power. The small form factor combined with the ease of use makes that every touring musician should have a BigAmp in their case or gigbag.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444869735,"sku":"122240","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-bigamp2_122240_1_5425c625-ca35-4ec8-ab63-0ae32eaca773.jpg?v=1787093091"},{"product_id":"triton-audio-d2o-500-series-mic-preamp","title":"Triton Audio D2O 500 Series Tube\/FET Hybrid Mic Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio D2O 500 Series Mic Preamp\u003c\/strong\u003e is a development of the famous German V series preamps. These are known as one of the best in the market. At Abbey Road the V series were used to record some of the biggest names in the music industry including The Beatles and Pink Floyd. The 500 series version comes in a single slot format.\u003c\/p\u003e  \u003cp\u003eThe D2O 500 series is the perfect tool for microphones with a relatively low output, like ribbon microphones. The single unit preamp is housed in a rugged aluminum enclosure. The portable format is ideal for the new generation of mobile recording interfaces.\u003c\/p\u003e  \u003cp\u003eVarious functions can be selected like hi-gain, all FET, hybrid tube-FET circuit allowing you to create your own unique sonic character.\u003c\/p\u003e  \u003ch3\u003eLow noise\/low ESR power supply\u003c\/h3\u003e  \u003cp\u003eIn single ended preamp designs the quality of the power supply is crucial, D2O is fitted with a discrete low ESR voltage regulator built with low noise components enabling optimal performance to the amplifier circuit.\u003c\/p\u003e  \u003ch3\u003eSwitchable transformer ratio\/input impedance\u003c\/h3\u003e  \u003cp\u003eBy selecting the transformer ratio switch a selection between a 1:1.75 (LO) or 1:3.5 (HI) transformation ratio can be made. Besides setting voltage gain, this also switches the input impedance of the amplifier between 2.25 kOhm and 6.25 kOhm. Different transformation rate and impedance selection options are very desirable as they allow for more sonic options from the connected microphone.\u003c\/p\u003e  \u003ch3\u003eselectable all Fet or Tube-Fet circuit\u003c\/h3\u003e  \u003cp\u003eThe Tube-FET switch determines whether D2O functions with the hi-gain, all FET or hybrid Tube-FET circuit, each with its unique sonic character.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444902503,"sku":"122244","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-d2o-500_122244_1_10de3509-4efa-431c-8fb5-742f9aa00298.jpg?v=1787093091"},{"product_id":"triton-audio-bigamp-piezo-preamp","title":"Triton Audio BigAmp Piezo Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio BigAmp Piezo Preamp\u003c\/strong\u003e is a compact, high-quality JFET instrument preamp that performs as well  on stage as it does in a studio environment. With 1\/4\" female jack input, BigAmp's low noise Class A amplifier provides high end amplification and converts the instrument output signal from unbalanced to balanced.\u003c\/p\u003e  \u003cp\u003eA piëzo transducer typically has an impedance of several Mega Ohms, which is much higher compared to the high-Z input of instrument preamps or mixing consoles. This prevents the transducer from delivering its potential output signal to the preamp and restricts transient response. Additionally, the high impedance combined with the capacity of the cable to the preamp forms a low pass filter, making a piëzo transducer often sound uninspiring.\u003c\/p\u003e  \u003cp\u003eBigAmp Piëzo is a BigAmp version specially designed to overcome above issues. It has a 7.5 Mega Ohms input Impedance, which enables the piëzo transducer to deliver its full potential. Signal amplification is low (3 dB) to allow for the highest possible headroom. Because of its small size BigAmp piëzo can be connected as close to the transducer as possible which keeps cable capacitance to a minimum.\u003c\/p\u003e  \u003cp\u003eBring your own high quality DI everywhere. No hassle with batteries because BigAmp's circuit is powered with 24\/48 V phantom power. The small form factor combined with the ease of use makes that every touring musician should have a BigAmp in their case or gigbag.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450444836967,"sku":"122242","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-bigamp-piezo2_122242_1_de0fd31b-4c98-4673-a65c-46cafd0daf3e.jpg?v=1787093092"},{"product_id":"triton-audio-fethead-germanium","title":"Triton Audio FetHead Germanium","description":"\u003cp\u003eThe \u003cstrong\u003eTriton FetHead Germanium\u003c\/strong\u003e is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eGermanium flavor\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGermanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the \"Germanium\" sound and at the same time achieve the same sonic quality we are known for.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eProtects the microphone\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSome ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450537767015,"sku":"134538","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-germanium2_134538_1_2f191c79-3714-45b8-9a2b-0ea01fea3bc9.jpg?v=1787093470"},{"product_id":"triton-audio-fethead-filter-mic-preamp-demo-deal","title":"Triton Audio FetHead Filter Mic Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead Filter\u003c\/strong\u003e is a FetHead version with a built-in 6 dB\/octave high pass filter with a corner frequency of 220 Hz. It is specially designed for microphones which exhibit an excessive proximity effect\/low frequency response, like long motor ribbon microphones. The components which make up the filter are not directly in the signal path but are applied to the components which set the gain of FetHead Filters amplifier, thus making it frequency dependent. This way the sonic character which makes a FetHead attractive to the ear is preserved.\u003c\/p\u003e  \u003cp\u003eSome ribbon microphones do not tolerate phantom power. FetHead's circuit uses 48 V phantom power but shields it from the microphone, so the microphone is protected.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450593210471,"sku":"140594","price":81.85,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-filter2_140594_1_aeaede99-b569-43e5-876e-b59b627d746a.jpg?v=1787093678"},{"product_id":"triton-audio-fethead-mic-preamp-demo-deal","title":"Triton Audio FetHead Mic Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead\u003c\/strong\u003e is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for ribbon and dynamic microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e  \u003cp\u003eAll tested microphones showed sonic improvement. A Shure SM57 for instance, sounds more responsive over a broader frequency range. When mated with a high-end dynamic microphone like a Sennheiser MD441, or Shure SM7 FetHead really shines. Ribbon microphones benefit greatly too because of a much better impedance match, which lessens the load on the microphone, giving it better transient response characteristics. FetHead's high quality, low noise signal amplification also extends the usable range of a ribbon microphone, making it more suitable for recording softer passages.\u003c\/p\u003e  \u003cp\u003eSome ribbon microphones do not tolerate phantom power. FetHead's circuit uses 48 V phantom power but shields it from the microphone, so the microphone is protected.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450635087975,"sku":"146294","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead2_146294_1_27de696a-f91d-4c08-b3dd-cbf653b1ccd4.jpg?v=1787093849"},{"product_id":"triton-audio-fethead-phantom-mic-preamp-demo-deal","title":"Triton Audio FetHead Phantom Mic Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead Phantom\u003c\/strong\u003e is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for condenser microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e  \u003cp\u003eFetHead Phantom is a FetHead version specially designed for condenser microphones. It works very well with all condenser microphones. FetHead Phantom is also an indispensable tool for mobile recording and a real upgrade for camera microphone preamps, because it lowers the noise floor.\u003c\/p\u003e  \u003cp\u003eFetHead's Phantom circuit uses 48 V phantom power but also passes it on from its input to the microphone, so the condenser mic is powered with the same phantom power.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450638430311,"sku":"147458","price":89.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-phantom2_147458_1_a846d0f9-fb7f-440b-b83e-53274406482b.jpg?v=1787093865"},{"product_id":"triton-audio-fethead-germanium-demo-deal","title":"Triton Audio FetHead Germanium (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton FetHead Germanium\u003c\/strong\u003e is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eGermanium flavor\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGermanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the \"Germanium\" sound and at the same time achieve the same sonic quality we are known for.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eProtects the microphone\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSome ribbon microphone do not tolerate phantom power. 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A novel class-A jFET circuit combined with a custom wound nickel core transformer delivers 28 dB of transformer infused gain.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePODCAST AND VOICE RECORDING\u003c\/h3\u003e\r\n\u003cp\u003eThe FetHead Transformer will get you an instant ‘radio’ voice that works wonders on podcasts and voice-overs. After extensive tests and prototyping we came up with a very portable solution to get a stellar sound with just a regular dynamic microphone. Get a produced sound within seconds.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTRANSFORMER COLOR\u003c\/h3\u003e\r\n\u003cp\u003eMany high end studio grade preamps, compressors, equalizers and consoles have something in common. They all have transformers in the signal path. These transformers impart a huge sonic footprint on those designs. Audio transformers affect the sound quality because they are non-linear. They add a little harmonic distortion to the signal which our ears perceive as warm and thic”.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eOPERATION\u003c\/h3\u003e\r\n\u003cp\u003eYour Fethead Germanium will latch straight onto any XLR equipped microphone, or anywhere else in the signal path between microphone and preamp\/mixer. The electronics are housed in a robust metal chassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003ePROTECTS THE MICROPHONE\u003c\/h3\u003e\r\n\u003cp\u003eSome older ribbon microphones do not tolerate phantom power. Fethead uses phantom power to power its circuitry, but doesn’t pass phantom power to the microphone, so rest assured your ribbon mics are safe.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44450912764007,"sku":"188887","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-transformer_188887_1.jpg?v=1787095069"},{"product_id":"triton-audio-fethead-transformer-demo-deal-open-box","title":"Triton Audio FetHead Transformer (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead Transformer\u003c\/strong\u003e is a high quality inline microphone preamplifier. It provides a very warm and thick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirable character is a really great addition to (interface) preamps which sound rather neutral. A novel class-A jFET circuit combined with a custom wound nickel core transformer delivers 28 dB of transformer infused gain.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003ePODCAST AND VOICE RECORDING\u003c\/h3\u003e\n\u003cp\u003eThe FetHead Transformer will get you an instant ‘radio’ voice that works wonders on podcasts and voice-overs. After extensive tests and prototyping we came up with a very portable solution to get a stellar sound with just a regular dynamic microphone. Get a produced sound within seconds.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eTRANSFORMER COLOR\u003c\/h3\u003e\n\u003cp\u003eMany high end studio grade preamps, compressors, equalizers and consoles have something in common. They all have transformers in the signal path. These transformers impart a huge sonic footprint on those designs. Audio transformers affect the sound quality because they are non-linear. They add a little harmonic distortion to the signal which our ears perceive as warm and thic”.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eOPERATION\u003c\/h3\u003e\n\u003cp\u003eYour Fethead Germanium will latch straight onto any XLR equipped microphone, or anywhere else in the signal path between microphone and preamp\/mixer. The electronics are housed in a robust metal chassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003ePROTECTS THE MICROPHONE\u003c\/h3\u003e\n\u003cp\u003eSome older ribbon microphones do not tolerate phantom power. Fethead uses phantom power to power its circuitry, but doesn’t pass phantom power to the microphone, so rest assured your ribbon mics are safe.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451058483303,"sku":"218144","price":85.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-transformer_188887_1_60038797-d14b-4c7a-bd52-8392e2f3b1b9.jpg?v=1787095670"},{"product_id":"triton-audio-fethead-phantom-mic-preamp-demo-deal-open-box","title":"Triton Audio FetHead Phantom Mic Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio FetHead Phantom\u003c\/strong\u003e is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for condenser microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.\u003c\/p\u003e  \u003cp\u003eFetHead Phantom is a FetHead version specially designed for condenser microphones. It works very well with all condenser microphones. FetHead Phantom is also an indispensable tool for mobile recording and a real upgrade for camera microphone preamps, because it lowers the noise floor.\u003c\/p\u003e  \u003cp\u003eFetHead's Phantom circuit uses 48 V phantom power but also passes it on from its input to the microphone, so the condenser mic is powered with the same phantom power.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451061661799,"sku":"218735","price":75.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-phantom2_122236_1_cd975af1-4783-42a3-9d5d-06fe4c80612b.jpg?v=1787095686"},{"product_id":"triton-audio-fethead-germanium-demo-deal-open-box","title":"Triton Audio FetHead Germanium (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTriton FetHead Germanium\u003c\/strong\u003e is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_0\"\u003eGermanium flavor\u003c\/h3\u003e\n\n\u003cp\u003eGermanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the \"Germanium\" sound and at the same time achieve the same sonic quality we are known for.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_1\"\u003eProtects the microphone\u003c\/h3\u003e\n\n\u003cp\u003eSome ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451156820071,"sku":"462262","price":87.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-fethead-germanium2_134538_1.jpg?v=1787096058"},{"product_id":"triton-audio-airhead-v2","title":"Triton Audio AirHead v2 In-Line Passive Variable Attenuator","description":"\u003cp\u003eThe \u003cstrong\u003eTriton AirHead v2\u003c\/strong\u003e is a passive attenuator plug for all types of microphones. Whether capturing booming drums or roaring guitar amps, AirHead's variable attenuation prevents clipping, ensuring pristine recordings. Your signal can be continuously attenuated by -6 to -18 dB. AirHead is an excellent match with Triton's Kompressor when recording really loud sources.\u003c\/p\u003e\r\n\u003cp\u003eIn addition, by attenuating your signal, you can crank your favorite preamp without overloading. This way your preamp can operate in a higher gain range, so the sonic character of your preamp is more emphasized. With AirHead, Phantom power can still reach your microphone, and its balanced XLR input and output guarantees seamless integration into your setup.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451197517927,"sku":"474541","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-airhead-v2_474541_1.jpg?v=1787096239"},{"product_id":"triton-audio-kompressor","title":"Triton Audio Kompressor In-Line FET\/Opto Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eTriton Audio Kompressor\u003c\/strong\u003e is a Phantom powered analog FET-Opto compressor with a one-knob design delivering smooth and natural compression. Designed with both seasoned audio engineers and beginners in mind, Kompressor offers a one knob solution that makes achieving the perfect compression effortless. Perfect for home studios, podcasts, and professional recording environments. Compression made easy.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eOPERATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eYour Kompressor will latch straight onto any XLR equipped microphone, or anywhere else in the signal path between microphone and preamp\/mixer. The electronics are housed in a robust metal chassis with a balanced XLR input and output. Kompressor is powered by 48V Phantom power.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eHOW TO USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eKompressor adds 25 dB of gain, which decreases as more compression is dialed in. The design features a single knob that adjusts compression levels from Less to More. An orange LED inside the knob indicates when the signal reaches the compression threshold. If the LED flashes, it signifies light to medium compression; a continuously lit LED suggests heavy compression, which can be desirable for specific uses, such as on a drum room mic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDue to the one-knob design, compression levels will vary depending on the microphone’s output. For example, with a low-output dynamic microphone like the Shure SM7B, the compression effect is more subtle. In contrast, higher-output microphones such as the Shure Beta58 or a beyerdynamic M88 can trigger more pronounced compression.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePROTECTS THE MICROPHONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSome older ribbon microphones do not tolerate Phantom power. Kompressor uses Phantom power to power its circuitry, but doesn’t pass Phantom power to the microphone, so rest assured your ribbon mics are safe.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451197616231,"sku":"474540","price":98.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-kompressor_474540_1.jpg?v=1787096238"},{"product_id":"triton-audio-neolev-magnetic-levitation-damper-4-pack-demo-deal","title":"Triton Audio NeoLev Magnetic Levitation Damper 4-Pack (Demo Deal)","description":"\u003cp\u003ePlaced under near-field monitors, home stereo speakers, turntables etcetera, \u003cstrong\u003eTriton Audio Neolev\u003c\/strong\u003e magnetic levitation dampers eliminate acoustic feedback and mechanical distortion and bring out the full potential of your gear. The stereo image is improved and bass frequencies are much tighter. Cancellation of contact induced resonance is very effective as forces perpendicular to the device are stopped from being transferred. Based on two repelling Neodium magnets one single NeoLev lifts up to 8 kg. NeoLev's are adjustable to ensure perfect leveling.\u003c\/p\u003e\n\u003ch3\u003eApplications:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNearfield monitors\u003c\/li\u003e\n\u003cli\u003eHiFi speakers\u003c\/li\u003e\n\u003cli\u003eTurntables\u003c\/li\u003e\n\u003cli\u003eCD\/DVD\/Blu-Ray players\u003c\/li\u003e\n\u003cli\u003ePreamps\u003c\/li\u003e\n\u003cli\u003ePower amps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451392684135,"sku":"511990","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-neolev2_122246_1.jpg?v=1787097065"},{"product_id":"triton-audio-tilt-eq-phantom-powered-microphone-preamp-and-equalizer","title":"Triton Audio Tilt EQ Phantom Powered Microphone Preamp and Equalizer","description":"\u003cp\u003eAt Triton Audio, they believe great sound shouldn’t be complicated. That’s why they engineered \u003cstrong\u003eTriton Audio Tilt EQ Phantom Powered Microphone Preamp and Equalizer\u003c\/strong\u003e. Instead of relying on multiple bands and endless tweaking, Tilt EQ gives you one intuitive control that naturally rebalances the frequency spectrum of your microphone in a smooth and transparent way. Tilt EQ not only reshapes your microphone’s tonal signature but also boosts its output by +22 dB of clean gain. Designed for both experienced engineers and creators who want fast, professional results, Tilt EQ lets you subtly enhance clarity, add warmth, or rebalance the natural character of your microphone with a single intuitive control. Tone shaping made easy.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eHOW TO USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTilt EQ not only reshapes your microphone’s tonal signature but also boosts its output by +22 dB of clean gain. Their design features a single knob that adjusts the frequency spectrum from Low to High. With a gentle turn, you can subtly enhance vocal clarity and articulation, add warmth and body to thinner-sounding microphones, or make a snare drum snap. Whether you want to bring more presence to spoken word recordings, create a richer vocal tone, or better match a microphone to a particular voice or instrument, Tilt EQ makes tonal shaping fast, effortless, and musical. At Triton Audio, they believe great sound should inspire creativity, not slow it down. Tilt EQ gives engineers, musicians, podcasters, and creators a powerful tonal shaping tool that stays intuitive, transparent, and enjoyable to use.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePROTECTS THE MICROPHONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSome older ribbon microphones do not tolerate phantom power. Tilt EQ uses phantom power to power its circuitry, but doesn’t pass phantom power to the microphone, so rest assured your ribbon mics are safe.\u003c\/p\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":44451399598183,"sku":"505692","price":109.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/triton-audio-tilt-eq-phantom-powered-microphone-preamp-and-equalizer_505692_1.jpg?v=1787097095"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/triton-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}