{"title":"u-he","description":null,"products":[{"product_id":"u-he-repro-monosynth-electronic-delivery","title":"u-he Repro - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-he Repro\u003c\/strong\u003e dives into the past for analog inspiration, meticulously modeling two famous synthesizers. Repro contains Repro-1 and Repro-5. Every detail of the original was captured using component-level modeling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the originals are present in Repro. One product, one installer, two synths.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRepro-1\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRepro-1 is a fierce monosynth: hard working, raw sounding and immediately playable. The classic design is simple and intuitive but belies a deep feature set capable of a wide range of sounds.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUnashamedly monophonic\u003c\/li\u003e\r\n\u003cli\u003e4-pole resonant lowpass filter\u003c\/li\u003e\r\n\u003cli\u003eGlide control\u003c\/li\u003e\r\n\u003cli\u003eArpeggiator with latch mode\u003c\/li\u003e\r\n\u003cli\u003eSequencer with two 32-step patterns (or 64 steps when chained)\u003c\/li\u003e\r\n\u003cli\u003e3 modulation sources controlling 5 destination\u003c\/li\u003e\r\n\u003cli\u003e2 additional \"performance\" modulation assignments\u003c\/li\u003e\r\n\u003cli\u003e5 effects: wavefolder\/distortion, delay\/chorus, EQ\/resonator, reverb, sonic conditioner\/dynamics processor\u003c\/li\u003e\r\n\u003cli\u003e500 factory presets\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eRepro-5\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRepro-5 is the new polyphonic addition. It has a lot in common with Repro-1, a similar design and feature plus shared sonic DNA. But Repro-5 introduces new flavors, most notably is ability to play lush chords or thick unison leads, while keeping the authentic analog sound.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e8-voice polyphony\u003c\/li\u003e\r\n\u003cli\u003e1 to 8 voice unison with glide control\u003c\/li\u003e\r\n\u003cli\u003eAudio-rate voice modulation: oscillator FM (frequency and pulse width), filter FM\u003c\/li\u003e\r\n\u003cli\u003e4-pole resonant lowpass filter\u003c\/li\u003e\r\n\u003cli\u003eFlexible modulation options plus 2-slot matrix\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic distortion unit with 4 types including bit crusher\u003c\/li\u003e\r\n\u003cli\u003e5 effects: tape emulation, delay\/chorus, EQ\/resonator, reverb, sonic conditioner\/dynamics processor\u003c\/li\u003e\r\n\u003cli\u003eOver 950 factory presets\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSystem Requirements:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCurrent PC or Intel Mac\u003c\/li\u003e\r\n\u003cli\u003eModern CPU (Sandy Bridge architecture or newer recommended)\u003c\/li\u003e\r\n\u003cli\u003eMac OS X 10.7 or newer\u003c\/li\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e\r\n\u003cli\u003e60MB free disc space\u003c\/li\u003e\r\n\u003cli\u003eDisplay 1000x600px and up\u003c\/li\u003e\r\n\u003cli\u003eMac OS X: AAX, AU, NKS, VST2 or VST3 compatible host software\u003c\/li\u003e\r\n\u003cli\u003eWindows: AAX, NKS, VST2 or VST3 compatible host software\u003c\/li\u003e\r\n\u003cli\u003eSupports 32-bit and 64-bit in all formats\u003c\/li\u003e\r\n\u003cli\u003eAAX support for Pro Tools 10.3.7 or later, 11 \u0026amp; 12\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450235252839,"sku":"85644","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-repor-1_85644_1_f5df6783-609b-443d-8633-e2478b8858fd.jpg?v=1787092249"},{"product_id":"u-he-diva-modular-synth-electronic-delivery","title":"u-he Diva Modular Synth - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eu-he Diva\u003c\/strong\u003e captures the spirit of five decades of analog synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modeled for unmatched analog sound. Diva is more than a single synthesizer: Recreate an old favorite or mix-and-match modules to design your own unique hybrid.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFilters\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe filters are at the heart of Diva’s analog sound. A combination of realtime circuit simulation and zero delay feedback (ZDF) design give Diva its remarkable sound. With ZDF, the delays normally produced when modeling analog circuits are vastly reduced, resulting in a much more authentic resonance behavior.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDiva models five different filters found in classic hardware synthesizers. All filters have modulation options and the traditional cutoff and resonance controls, but each has their its character, quirks and options.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOscillators\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike the filters, Diva’s oscillators are also modeled on classic hardware. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Plus a few touches unique to each model.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTriple VCO With three oscillators, Triple VCO is the largest of the oscillator panels. Waveform shape selection is continuous rather than discrete: choose ramp, triangle, sawtooth, square or any position in between for hybrid shapes. Try out frequency modulation (fm), oscillator sync, waveform modulation for striking tones. Use feedback to route post-filter sound back into the oscillator mixer for effects ranging from mild bass boost to subharmonics\/low-frequency howling.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEffects and envelopes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOscillators and filters get your sound humming, but a little polish and refinement make it sing. Switching oscillators and filters on or off like an organ would be very limiting. Envelopes provide more nuanced and engaging results. Diva has two slots—one dedicated to the amplifier, the other to the filter—both with three models to choose from. Craft gently rising sounds, notes that fade slowly into the distance, or sharp percussion.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs a final touch you can put Diva’s two stereo effects slots to use. In keeping with the vintage feel, the available effects would be right at home in the studios of bygone days. Add space with the plate reverb and delay, or movement with the phaser, chorus and rotary speaker effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSubtle details\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSmall details can transform static, lifeless sounds into something much more lively and organic. The Trimmers panel is where you can make your sounds feel more analog. Control voice detuning per oscillator, adjust variance between individual voices (round robin), voice drift and more—adding life to your music. These options mirror the inherent variations in analog hardware. As the circuit boards are not always 100% the same (due to component tolerances), oscillator tuning may differ slightly, some envelopes are a little less snappy. The individual effects may be subtle, but they add up to a more authentic analog sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDive into the Modifications panel for more modulation options and an opportunity to push Diva into more experimental and unusual territories. 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Diva is compatible with nearly all DAWs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable as Audio Units (AU), VST2, VST3, AAX (Pro Tools 10.3.7 or later) NKS, plug-ins with 32-bit and 64-bit versions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDiva supports Native Instruments’ NKS format and is compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450318418023,"sku":"85647","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-diva_85647_1_39c4788b-5015-48f0-bb54-89e4274d2392.jpg?v=1787092572"},{"product_id":"u-he-twangstrom","title":"u-He Twangstrom - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eu-He Twangström\u003c\/strong\u003e is a flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. u-He took that one, then modeled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs a faithful emulation of a mechanical device, Twangström needs to be handled well. Many of the technical parameters are user-adjustable in real time, and these can be controlled via MIDI or using the internal LFO and envelope generator. With its multimode resonant filter, Twangström is a unique and powerful tool which can deliver highly unusual, evolving textures... especially when the signal is tossed around using the modulation matrix!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eShakeable springs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eHitting your computer won’t make Twangström shatter, so u-He added a twang control. This is used to shake the springs, either manually or through modulation and automation. You might think this is a gimmick for which you have no further use (apart from waking up the neighbors), but if you modulate it slightly, everything comes to life!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTank controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTwangström's reverb is based on physical modeling. As opposed to plug-ins based on impulse responses (IR), u-He's approach mimics the physics of mechanical reverberation. By simulating the wavefront traveling through a medium, all the aspects of excitation, reflection, dispersion, interference, and other audio properties can be included. Twangström does not mimic the sonic result, but simulates the physical device. This means that all dimensions of the device are controllable in realtime, on a per-sample-basis – which all boils down to quite some power at your fingertips!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEnvelope\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe envelope in Twangström features 4 different modes and can pick up the signal from either input, output or external sidechain. You can select between Envelope Follower, Attack and Decay, Attack and Release, or Cyclic modes. The last one is similar to a 2-stage LFO. Shown controls will adapt to the selected mode, with Threshold not appearing while in Envelope Follower mode.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eModulation Matrix\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe modulation matrix has three general purpose modulation slots, and yes, you can select shake as one of many targets to modulate the Twang control!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe LFO features different time bases, including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets. 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It delivers the kind of colouration people still love in classic BBD units, but with a wider variety of colors. Colour Copy started life as the little delay unit called \"Lyrebird\"  built into Repro-1, but the sound was too good not to be developed further and become an FX plug-in.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn most digital delays the delay time alters the size of the buffer. If you quickly modulate or sweep the delay time on a typical digital unit, unmusical glitches propagate through the feedback as the buffer is shortened or lengthened. Like a real BBD, Colour Copy changes the internal sample rate instead (i.e. how fast the \"buckets\" pass on their content), and this is why Colour Copy is smooth with a capital SMOO!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eColours\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDuring development u-He soon realized they could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned \"color\" macros. The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlexibility\u003c\/h3\u003e\r\n\r\n\u003cp\u003eColour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange\/chorus effects to regular ping-pong delays and longer \"looper\" effects. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy's left and right output \"taps\" can be placed anywhere along the delay lines. This feature lets you move echos independently \"forward in time\" for e.g. ping-pong or \"rushing\" delays as well as various stereo chorus or flanger effects. You never knew you'd want three different ways to create a ping-pong effect!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAnimation\u003c\/h3\u003e\r\n\r\n\u003cp\u003eColour Copy comes with a stereo LFO that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the LFO can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the LFO frequency and depth, adding realtime dynamics to the effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePerformance Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSome people like to perform on their BBD hardware, pitching the regeneration up and down by twisting the rate knob. u-He took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, MIDI key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMac OS X 10.7 or newer or Windows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e\r\n\u003cli\u003e50MB free disk space\u003c\/li\u003e\r\n\u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e\r\n\u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e\r\n\u003cli\u003eHost software\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450386640999,"sku":"114912","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-colour-copy_114912_1_50d44f1a-6473-46e5-bc81-35e2be5b12c3.jpg?v=1787092852"},{"product_id":"u-he-uhbik-electronic-delivery","title":"u-he Uhbik - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-he Uhbik\u003c\/strong\u003e is a collection of nine sophisticated studio effects. Sleek, intuitive and powerful. Each effect comes as a separate plug-in, so you only load what you need when you need it. Create crazy effects chains or add a delicate final touch to your projects. Uhbik supports common surround formats. From subtle to spectacular, Uhbik is ready.\u003c\/p\u003e  \u003ch3\u003eMeet the family\u003c\/h3\u003e  \u003cp\u003eUhbik is a diverse set of audio processing tools, with familiar controls plus some unusual options for more creative possibilities. They all share a common philosophy: high quality sound and ease of use.\u003c\/p\u003e  \u003cp\u003eThe Uhbiks share certain features, most notably surround sound: All of them can handle up to 8 audio channels including popular formats such as quadrophony, 5.1 and 7.1. No special version required, no confusing extra controls. Everything is right there and ready to go.\u003c\/p\u003e  \u003cp\u003eShared features:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUp to 8-channel surround sound\u003c\/li\u003e \u003cli\u003eResizeable UI (70% to 200%)\u003c\/li\u003e \u003cli\u003eSoft bypass\u003c\/li\u003e \u003cli\u003eWet signal gain (±12 dB)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eUhbik-A interface (Ambience and reverb)\u003c\/li\u003e \u003cli\u003eUhbik-D interface (Delay and echo)\u003c\/li\u003e \u003cli\u003eUhbik-F interface (Flanger and chorus)\u003c\/li\u003e \u003cli\u003eUhbik-G interface (Granular pitch-shifter and phase vocoder)\u003c\/li\u003e \u003cli\u003eUhbik-P interface (Phaser)\u003c\/li\u003e \u003cli\u003eUhbik-Q interface (Semi-parametric equalizer)\u003c\/li\u003e \u003cli\u003eRunciter interface (Distorting filter)\u003c\/li\u003e \u003cli\u003eUhbik-S interface (Frequency shifter)\u003c\/li\u003e \u003cli\u003eUhbik-T interface (Tremolo and panning)\u003c\/li\u003e \u003cli\u003eUhbik-T pattern module (Tremolo and panning)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eUhbik is not a standalone product, it requires host software. 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It starts with warmth of classic analogue units and adds features only possible in the digital realm. The result is a powerful compressor with a rich feature set and a very musical soul.\u003c\/p\u003e  \u003cp\u003ePresswerk was designed to fit into any workflow, no matter what task you throw at it. Presswerk gives you the tools for better sound.\u003c\/p\u003e  \u003cp\u003ePresswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.\u003c\/p\u003e     \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003ePresswerk is not a standalone product, it requires host software. Presswerk is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, VST3, AAX (Pro Tools 10.3.7 or later) NKS, plug-ins with 32-bit and 64-bit versions. Presswerk supports Native Instruments’ NKS format and is compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417606759,"sku":"85642","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-presswerk_85642_1_bb3c7aeb-e6d9-4d67-bcf8-841ef0d14606.jpg?v=1787092979"},{"product_id":"u-he-zebra2-modular-synth-electronic-delivery","title":"u-he Zebra2 Modular Synth - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-he Zebra2\u003c\/strong\u003e is a sound-design playground. The powerful, high quality (but still CPU friendly) sound engine and the numerous sound sculpting tools make Zebra2 capable of a near-limitless range of new sounds and textures. A favorite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.\u003c\/p\u003e  \u003cp\u003eZebra2 combines many different types of synthesis with a powerful modulation engine. Imagine —you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter —the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.\u003c\/p\u003e  \u003ch3\u003eModules\u003c\/h3\u003e  \u003cp\u003eZebra2 is a wireless modular synthesizer designed for flexibility, ergonomy and low CPU hit. Its Modules only appear while they are in use: Add an oscillator to the patching grid and it will appear on the left, use an LFO for anything and it will appear on the right.\u003c\/p\u003e  \u003cp\u003eAfter a little practice you will find programming Zebra2 very comfortable and lightning fast. Which in the end translates to... more fun!\u003c\/p\u003e  \u003cp\u003eZebra’s modules are divided into Generators and Modulators, and include freely assignable controls that directly modulate important parameters.\u003c\/p\u003e  \u003ch3\u003eMix and Match\u003c\/h3\u003e  \u003cp\u003eThe center of the synthesis window is a Grid consisting of four vertical lanes. This area is used for connecting generators together, whereby the signal flow is top to bottom. Any module can route signals between lanes. Add modules, drag them around, and change the routing – it's a playground!\u003c\/p\u003e  \u003cp\u003eBelow the main grid is a 4-channel Mixer. This is where you adjust pans and volumes, select envelopes, and the routing to the FX grid for each lane.\u003c\/p\u003e  \u003cp\u003eThere are 3 different routing options for the FX bus. You can also select which envelope to use for each specific lane, and specify modulation for the pan and volume parameters.\u003c\/p\u003e  \u003ch3\u003eLower Pane\u003c\/h3\u003e  \u003cp\u003eThe Lower Pane is where you will find Zebra2's global settings and many other features: effects, in-depth controls for oscillators, MSEGs, performance control settings, arpeggiator\/sequencer, and the modulation matrix. The global settings include controls for the main synthesizer's pitch, glide, and voices. A Swing generator and microtuning options are also available.\u003c\/p\u003e  \u003cp\u003eNext to the global settings is the Effects section. Zebra2 includes Chorus \/ Phaser, a flexible multi-mode Delay, two different Reverb units, Compressor, and Equalizer. It's also possible to use certain generators as effects, such as Shape, VCF, Dist. Zebra lets you modulate practically all effect parameters (e.g. reverb size or delay feedback).\u003c\/p\u003e  \u003ch3\u003eIn-Depth Editors\u003c\/h3\u003e  \u003cp\u003eThe Wave Editor is where you create your own oscillator waveforms.  The Multi Stage Envelope Generator is a complex modulation source offering total shape control as well as continuous rate control. This is the expanded editor for the MMAP modulator.\u003c\/p\u003e  \u003ch3\u003eArpeggiate and Sequence\u003c\/h3\u003e  \u003cp\u003eZebra2 features a fully-fledged arpeggiator and sequencer. Up to 16 steps, with various loop and order options. It also includes two extra values per step, which can be used to modulate any parameter in step with the arpeggiator.\u003c\/p\u003e  \u003ch3\u003eModulation Matrix\u003c\/h3\u003e  \u003cp\u003eAll generators in Zebra2 include assignable knobs, but the plug-in also features a Modulation Matrix. This is where you set up any kind of (control rate) modulation. There are 12 modulation slots, allowing many possibilities.\u003c\/p\u003e  \u003ch3\u003ePerformance\u003c\/h3\u003e  \u003cp\u003eUp for a live performance? Zebra’s Perform panel includes four X\/Y pads which can control up to 16 parameters each, all at the same time.\u003c\/p\u003e  \u003ch3\u003eAlternative skin\u003c\/h3\u003e  \u003cp\u003eWith the release of update 2.8, Zebra2 got a new user interface. Apart from the new standard DotEight skin, the plug-in includes an alternative, darker one called DarkEight.\u003c\/p\u003e     \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eZebra2 is not a standalone product, it requires host software. Satin is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, VST3, AAX (Pro Tools 10.3.7 or later) NKS, plug-ins with 32-bit and 64-bit versions. Presswerk supports Native Instruments’ NKS format and is compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417573991,"sku":"85646","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-zebra2_85646_1_6053c4eb-6a9c-43d9-9009-b38fcfaee09c.jpg?v=1787092978"},{"product_id":"u-he-satin-electronic-delivery","title":"u-he Satin - Electronic Delivery","description":"\u003cp\u003eNothing else quite sounds like tape. \u003cstrong\u003eu-he Satin\u003c\/strong\u003e puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks. All the good (saturation, transient smoothing, compression) as well as the bad (noise modulation, flutter, hiss) qualities are under your control. Construct your (im)perfect tape machine.\u003c\/p\u003e  \u003ch3\u003eThe sound\u003c\/h3\u003e  \u003cp\u003eOnce reserved for major studios, digital recording has become widespread. It offers pristine sound and comfortable editing at a fraction of the cost of multitrack tape. Despite all the advantages, however, digital audio can easily sound too clean and impersonal. So musicians, producers and audio engineers have turned to traditional analog tools to bring some life back into overly clinical recordings. A world of non-linear behaviours, distortion, saturation and much more arises during tape recording and playback. Bringing these coveted characteristics of magnetic tape into the digital realm, in unprecedented quality—this is what Satin is all about.\u003c\/p\u003e  \u003cp\u003eThat tape sound depends on interaction between the various parts of a tape machine. Each contributes in one way or another—enhancing, reducing, combining—to generate the final sound.\u003c\/p\u003e  \u003cp\u003eSatin models individual components and lets them interact in the same way. For maximum flexibility in sound shaping, Satin is a toolkit of alternative parts, not an emulation of a single machine. Build your own custom tape unit. The perfect final sheen for your mixdown, or “glue” multiple drum tracks together, decode old NR-encoded cassette tape, or misuse Satin for extreme effects.\u003c\/p\u003e  \u003ch3\u003eDelay and flange\u003c\/h3\u003e  \u003cp\u003eDelay mode lets you construct your own tape delay machine rather than emulate any specific model. A few clicks and you will be deep in echo in no time. Choose between two or four “tape heads”, adjust tape speed, select tape material, turn up the feedback, select signal routing, add some filtering. You can add motion to each individual “tape head” for a more organic feel. Tweak the Service Panel options and give your sound the characteristic shimmer of a classic tape echo.\u003c\/p\u003e  \u003cp\u003eFlange mode emulates the special technique of running identical recordings on two tape machines, then lightly pressing a finger on the reels to move the recordings in and out of phase. It was a skill that required patience and light touch. Luckily, Satin now makes it much easier and faster, all at the press of a button. For longer flanging effects or more precise control you can use the slider, either manually or automated.\u003c\/p\u003e  \u003ch3\u003eIn service\u003c\/h3\u003e  \u003cp\u003eImagine opening up a tape machine, peeking “under the hood” and tinkering with the parts. That is what service technicians used to do, and it is what the Service Panel in Satin is for. It gives you detailed control over some of the more esoteric and characterful elements.\u003c\/p\u003e  \u003cp\u003eIn the Tape section are perhaps the more readily identifiable attributes of tape recording: hiss, asperity, wow \u0026amp; flutter, crosstalk and bias. Dial in a little of each for a retro vibe or “glue”. Dial in the extreme settings and you can end up with the sound of poor quality tape left in someone’s basement far too long.\u003c\/p\u003e  \u003cp\u003eThe Repro Head(s) parameters control the physical attributes of the tape heads. With Gap Width and Bump you can cut or boost certain frequencies and introduce resonances and fluctuations. Azimuth pushes the audio off-centre for interesting spatial effects, mimicking a skewed tape head.\u003c\/p\u003e  \u003cp\u003eFinally the Circuit section lets you change the inner EQ circuitry. Included are various industry standard EQ curves, should you want to mimic specific machines. But Satin goes a step further by allowing independent selection of the recording and reproduction EQ curves. Which you can abuse for weird processing effects, or to correct EQ errors in old recordings (see below).\u003c\/p\u003e  \u003ch3\u003eDecoding\u003c\/h3\u003e  \u003cp\u003eSelectable Compander and Circuit settings make Satin useful as a format converter.\u003c\/p\u003e  \u003cp\u003eIf you have a tape recording with an unsuitable EQ, using Circuit’s independent RecEQ and ReproEQ selectors you can set a new target EQ curve and make changes. Similarly, Compander can handle audio recorded with specific noise reduction (NR) encodings. Just run it through Satin with Decoder set to match the known NR encoding type.\u003c\/p\u003e     \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eSatin is not a standalone product, it requires host software. Satin is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, VST3, AAX (Pro Tools 10.3.7 or later) NKS, plug-ins with 32-bit and 64-bit versions. Presswerk supports Native Instruments’ NKS format and is compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417639527,"sku":"85641","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-satin_85641_1_7543edca-b805-4d12-bc88-d711b8fdf4b9.jpg?v=1787092978"},{"product_id":"u-he-bazille-modular-synth-electronic-delivery","title":"u-he Bazille Modular Synth - Electronic Delivery","description":"\u003cp\u003eThe second spawn of the Berlin Modular project, \u003cstrong\u003eu-he Bazille Modular Synth\u003c\/strong\u003e is a large polyphonic modular system with digital (PD, FM based) oscillators, multimode filters and plenty of modulation options. With so much connectivity to explore, patching in Bazille should keep you fascinated for many years – it’s definitely a “geek machine”!\u003c\/p\u003e  \u003cp\u003eBazille is a large modular system combining digital oscillators with analogue-style filters and modeled effects, with a flexibility that only modular patching can provide. After ACE, the second spawn of u-He's ongoing Berlin Modular project, this one is a very different, much larger beast...\u003c\/p\u003e  \u003ch3\u003eUltraflexible modules\u003c\/h3\u003e  \u003cp\u003eBazille is highly unusual for a modular synth. Although the filters are traditional analogue models, the oscillators are unashamedly digital: They combine the two technologies that made digital synthesis affordable (and analogue synths suddenly unfashionable) in the 1980s – FM (frequency modulation, more correctly ‘phase modulation’) and PD (phase distortion).\u003c\/p\u003e  \u003cp\u003eIn Bazille, each oscillator panel has five distinct sections:  Pitch, Phase \/ FM, Phase Distortion, Fractal Resonance, and the Outputs, each with a modulation input.\u003c\/p\u003e  \u003cp\u003eSince the 4 main oscillators have a frequency range which starts at zero Hertz, they can be used as synchronized or unsynchronized LFOs or also adopt custom shapes thanks to Bazille's mapping generators. The oscillators are also capable of all kinds of FM sounds by plugging an audio-frequency source into the phase modulation input.\u003c\/p\u003e  \u003cp\u003eOne of the most interesting features included in Bazille's powerful oscillators is an unusual process called Fractalize (fractal resonance). This can be used to create very bold sounds from tame waveforms, with a similar result to the classic cutting sound of the sync effect.\u003c\/p\u003e  \u003ch3\u003eMapping generators\u003c\/h3\u003e  \u003cp\u003eThe pair of Mapping Generators can be used for a variety of purposes: To reshape modulation sources, to define per-MIDI-note offsets or to step through values e.g. for round-robin effects... There are 4 modes available, and both generators can have maps with up to 128 steps. They are very flexible, allowing custom shapes thanks to the drawing tools and presets accessible with a right-click of the mouse.\u003c\/p\u003e  \u003ch3\u003eMultiplex\u003c\/h3\u003e  \u003cp\u003eThe little multiple\" modules you can find in most analogue modular systems are simple mix\/split devices. As Bazille’s output sockets can accommodate several cables, the humble multiple underwent a serious redesign, emerging as something so flexible that it was renamed Multiplex. The 4 units are very “general-purpose”: They can be used as signal mixers, cross faders, ring modulators, amplitude modulators, and more...\u003c\/p\u003e  \u003ch3\u003eModulation sequencer\u003c\/h3\u003e  \u003cp\u003eThe onboard modulation sequencer lets you set up much more complex movements than are available with a regular LFO. It can be divided into 2, 3 or 4 sections, two of which can also be used as a per-voice note sequencers (steps can trigger envelopes). Also present is a modulatable Rotate control, which lets you morph between up to 8 different sequences.\u003c\/p\u003e  \u003ch3\u003eAlternative skin\u003c\/h3\u003e  \u003cp\u003eWould you prefer all controls on a single page? Bazille ships with a larger but more compact skin called GearPorn which dramatically alters the user experience. Ideal for Bazille experts, the skin of choice for ambitious novices. To enable the skin, just right-click on Bazille's interface and select it from the menu.\u003c\/p\u003e     \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eBazille is not a standalone product, it requires host software. Bazille is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, AAX (Pro Tools 10.3.7 or later) plug-ins with 32-bit and 64-bit versions.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417705063,"sku":"85649","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-bazille_85649_1_72971819-2ca1-4a35-afc1-f95ee2f85ced.jpg?v=1787092979"},{"product_id":"u-he-hive-modular-synth-electronic-delivery","title":"u-he Hive Modular Synth - Electronic Delivery","description":"\u003cp\u003eWith its effortless workflow and low processor usage, you can create your patches in next to no time at all. \u003cstrong\u003eu-he Hive Modular Synth\u003c\/strong\u003e is quick and uncomplicated, but that doesn’t mean sacrificing flexibility, sound quality, or creativity. It's packed with features and controls – with a dazzling character that delivers stunning sound.\u003c\/p\u003e  \u003ch3\u003eHow it works\u003c\/h3\u003e  \u003cp\u003eHive version 1.2 Hive includes Wavetables! These appear as oscillator waveforms, and are controlled in the central hexagon. You can manually select wavetables, modulate the position via the modulation matrix, or even scan them automatically using various envelope and loop options, which let you animate wavetables without requiring an extra modulation source.\u003c\/p\u003e  \u003cp\u003eMore features include a Reverse option to flip the wavetable back to front, Cyclic mode for seamless wavetable cycling, and different real-time interpolation methods.\u003c\/p\u003e  \u003ch3\u003eMulti-Table\u003c\/h3\u003e  \u003cp\u003eThis feature splits the wavetable from between 2 and 16 parts. For instance, a wavetable with 30 frames can be split into 3 wavetables with 10 frames each - by setting the number of Tables to 3. The Multi Position knob scans those set tables. This opens up a second dimension of wavetable scanning, such as velocity crossfades or multisample support.\u003c\/p\u003e  \u003ch3\u003eOptional scripting\u003c\/h3\u003e  \u003cp\u003eWant to go even more in-depth? Wavetables in Hive are also available as .uhm files. These files contain scripts made with a proprietary wavetable generation and manipulation language. Getting started is easy and fun.\u003c\/p\u003e  \u003ch3\u003eInterpolation\u003c\/h3\u003e  \u003cp\u003eWhen using Wavetables, Hive provides 4 different algorithms for interpolating between frames: switch, crossfade, spectral, and zero phase. The appearance (and CPU usage) of waveforms can differ significantly, depending on the interpolation. The spectral and zero phase modes shift the relative phases of partials differently. The switch option only shows non-interpolated waveforms.\u003c\/p\u003e  \u003ch3\u003eArpeggiator and Sequencer\u003c\/h3\u003e  \u003cp\u003eHive's hexagon includes an ARP\/SEQ area in which you can sculpt your complex and rhythmic loops.\u003c\/p\u003e  \u003cp\u003eHive's arpeggiator features 4 octaves to select from, 6 different directions, and 4 options for the order. Additional features are Restart, which lets you set the number of notes the arpeggiator will play before jumping back to the beginning, and Frame, which limits the the length while driving the sequencer from the arpeggiator.\u003c\/p\u003e  \u003cp\u003eThe sequencer features 3 different modes: Modulator, which doesn't trigger notes, but only CC values and Gate. Select Play, to trigger notes. Like the arpeggiator, the sequence will run whenever notes are being played and will stop when all notes are released. The last mode is Record, this lets you record sequences manually or through the arpeggiator.\u003c\/p\u003e  \u003ch3\u003eFlexible Effects\u003c\/h3\u003e  \u003cp\u003eHive's hexagon includes 7 different effects: Distortion, Reverb, Equalizer, Chorus, Delay, Compressor, and Phaser.\u003c\/p\u003e  \u003cp\u003eEach effect state and position in the chain is easily controllable from the center of the hexagon. Click on one to enable or disable it, and order them to your liking: Like in other u-he plugins, effects in Hive are rearrangeable through drag and drop! This allows you to sculpt your sound even more through many experimental combinations.\u003c\/p\u003e  \u003cp\u003eEffects in Hive are fully-featured with many editable controls, a selection of presets, and the well known u-he quality. Want more? All controls are also modulatable thorugh the modulation matrix!\u003c\/p\u003e  \u003ch3\u003eModulation Matrix\u003c\/h3\u003e  \u003cp\u003eHive features a 2-page, 12-slot (6 per page) modulation matrix which allows you to connect modulation sources (LFOs, MIDI controls, envelopes, etc.) to more than 80 targets. Each modulator can be turned on or off, and lets you select 2 different targets, each with its own modulation depth control. The assignment is made easy with drag and drop. Preset support is also included.\u003c\/p\u003e  \u003ch3\u003eNew in 1.2: Performance controls\u003c\/h3\u003e  \u003cp\u003eVersion 1.2 introduces another new tab in Hive's hexagon: XY. In this page, you'll find a pad with 4 controls – simply connect them to your MIDI controllers for maximum fun on stage!\u003c\/p\u003e  \u003cp\u003eHive is able to assign XY controls to parameters automatically. It looks into the structure of presets that have unused XY controls, and assigns them to the most appropriate XY macros (pre-defined sets of parameters).\u003c\/p\u003e     \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eHive is not a standalone product, it requires host software. Hive is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, AAX (Pro Tools 10.3.7 or later) plug-ins with 32-bit and 64-bit versions.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417737831,"sku":"85645","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-hive_85645_1_d088c7b5-9353-48a6-876d-e9f9d0d4cc9f.jpg?v=1787092979"},{"product_id":"u-he-ace-modular-synth-electronic-delivery","title":"u-he ACE Modular Synth - Electronic Delivery","description":"\u003cp\u003eCompact, clear, a careful selection of modules and semi-modular architecture makes \u003cstrong\u003eu-he ACE Modular Synth\u003c\/strong\u003e easy to learn. Simple but not simplistic. Compact but not limited. Clear but definitely not underpowered. With the ability to connect any output into any input, ACE is a powerful synth with tools and features ready for beginners or seasoned users.\u003c\/p\u003e  \u003cp\u003eThe “boxes and cables” philosophy of modular synthesizers gives you the freedom to create your own custom instruments. Once you start connecting the sixteen modules in ACE—exploring new combinations, cross-pollinating ideas— the vast potential of modular soon becomes clear.\u003c\/p\u003e  \u003ch3\u003eSounds\u003c\/h3\u003e  \u003cp\u003eThe two VCOs act as the main sound generators, but as ACE does not differentiate between audio and control (modulation) signals, the full-range LFOs can also be used to generate audio frequencies.\u003c\/p\u003e  \u003cp\u003eACE’s oscillators are modelled on analogue circuits, including instabilities and various non-linear characteristics. You can push these characteristics further using the Circuit Bending options.\u003c\/p\u003e  \u003cp\u003eIf the bottom end needs beefing up, try adding the sub-oscillator. For more intense, complex sounds, try VCO2’s ring modulation, sync and cross modulation.\u003c\/p\u003e  \u003ch3\u003eMapping Generator\u003c\/h3\u003e  \u003cp\u003eNot typically found in analogue synthesizers, ACE’s Mapping Generator is a useful addition with a variety of uses. The Mapping Generator is a list of up to 128 values. You can use the drawing tools to edit the values and create your own patterns, or choose pre-built shapes. This map can be stepped through for each played note, it can create per-note offsets, it can transform any modulation source or be used as the LFO2 waveform.\u003c\/p\u003e  \u003ch3\u003eFilter\u003c\/h3\u003e  \u003cp\u003eLike the oscillators, the two filters are modelled on analogue hardware and deliver satisfyingly analogue results. You can overdrive the filters without introducing any harsh distortion, and the resonance remains intact. Or you can take advantage of the self-oscillation feature for chaotic timbres and more experimental sound design.\u003c\/p\u003e  \u003cp\u003eFor an extra aggressive sound, route your signal through both filters and crank the resonance on the second filter. Both filters are cascade type multimode circuits with two parallel outputs each.\u003c\/p\u003e  \u003ch3\u003eCables anywhere and everywhere\u003c\/h3\u003e  \u003cp\u003eACE takes after hardware modular synthesizers, although it is not a truly modular design, more correctly it is semi-modular. ACE has a default fixed architecture (like for instance the ARP 2600), which means you can start making noise immediately ‘out-of-the-box’. Any default routing can be overridden by patching cables, which means that the options are practically limitless.\u003c\/p\u003e  \u003cp\u003eACE does not differentiate between audio signals and control signals. Any of the outputs can be plugged into any of the signal inputs. Hook things up, explore new ideas and crazy combinations. Try LFOs as audio oscillators or a VCO as LFO. Plug an LFO into a filter, then use the filter as an FM source for an oscillator.\u003c\/p\u003e  \u003cp\u003eSound experimentation awaits, limited only by your imagination… and dinner time.\u003c\/p\u003e  \u003ch3\u003eSignal sources\u003c\/h3\u003e  \u003cp\u003eAn array of output sockets provide signals from a variety of different sources: noise, MIDI controls (modwheel, velocity etc.), mapping generator and more…\u003c\/p\u003e  \u003cp\u003eUse these to add organic life-like dynamics, modulation and refinements your sounds.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eEffects: Add final touches using the global effects. Pick from a classic stereo chorus with four modes (including phaser) to add richness, a stereo delay with seven immediately selectable modes to add movement, and finally a pair of controls to boost treble and bass.\u003c\/li\u003e \u003cli\u003eRamp generator: If the two ADSRs and two LFOs are not enough, try the host-syncable Ramp Generator (essentially a trapezoid, which combines elements of both).\u003c\/li\u003e \u003cli\u003eMultiples: Common to most modular setups, multiples are mix\/split devices. Signals are merged and sent onward, or split and sent to different inputs. In ACE the multiples do act as a simple mixer, or can be enlisted for much more interesting possibilities. That is why u-He renamed them Multiplex. Using the modulation input and some clever cable arrangements, the Multiplex modules can do ring modulation (RM), amplitude modulation (AM) or both at the same time. Or crossfading or inversion…\u003c\/li\u003e \u003cli\u003eEnvelopes: Without envelopes, your patches would just turn on and off with each note, organ style. Envelopes add dynamics over the length of the note. ACE has classic ADSR envelopes, but with a few extras directly available for more interesting results: Snap, fall\/rise, level modulation, rate modulation, velocity. The envelopes can be further with modified in the Envelope Tweaks section. Switch on the singing envelopes for classic analogue retriggering behavior, or adjust the fall\/rise limits.\u003c\/li\u003e \u003c\/ul\u003e      \u003ch3\u003eSystem Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer, Windows 7 or newer, or Linux\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eACE is not a standalone product, it requires host software. ACE is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, AAX (Pro Tools 10.3.7 or later) plug-ins with 32-bit and 64-bit versions.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44450417836135,"sku":"85648","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-ace_85648_1_3d03d061-6704-4482-ad38-25b9a7f09170.jpg?v=1787092979"},{"product_id":"u-he-filterscape-electronic-delivery","title":"u-He Filterscape - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-HE Filterscape\u003c\/strong\u003e is a trio of plug-ins with morphing EQ. At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different \"snapshots\". Each EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMULTI-BAND MORPHING EQ\u003c\/h3\u003e  \u003cp\u003eGet surgical with the classic LS-Peak-Peak-HS mode or try your hand at the more exotic multi-bandpass modes. Either way, you can get up to 24 dB of cut and boost per band. EQ bands can be individually modulated at the snapshot level as well as globally.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSNAPSHOT MORPHING\u003c\/h3\u003e  \u003cp\u003eSmoothly transition between up to 8 different EQ settings: either manually, in auto-mode or using any of the available modulation sources. Automate these snapshots in your DAW to suit different sections of your track.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eMULTI-MODE FILTERS\u003c\/h3\u003e  \u003cp\u003e2 parallel state-variable filters (lowpass, bandpass, highpass and notch) offer both legacy and novel analogue-modeled designs. The blender control lets you seamlessly fade between all 4 modes. It even lets you blur the boundaries between the modes as you fade into an allpass, which is great for phasing effects.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eFEATURES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e2 multimode filters, each with mixable lowpass, bandpass, highpass and notch\u003c\/li\u003e \u003cli\u003e9 additional analog filter options (2-pole, 3-pole, 4-pole)\u003c\/li\u003e \u003cli\u003e4-band parametric EQ with five modes:\u003c\/li\u003e \u003cli\u003eLS-Peak-Peak-HS, 4 Peaks, LP-BP-BP-HP, 4 Bandpasses , Panned Bandpasses\u003c\/li\u003e \u003cli\u003e8 morphable snapshots for user-defined EQ settings\u003c\/li\u003e \u003cli\u003eModulation options for each EQ band\u003c\/li\u003e \u003cli\u003e2 signal mixers (roles depend on selected routing configuration)\u003c\/li\u003e \u003cli\u003eStereo delay with independent times for each channel\u003c\/li\u003e \u003cli\u003e2 host-synchronized sequencers, up to 16 steps, blend (glide) control\u003c\/li\u003e \u003cli\u003e2 host-synchronized LFOs with 8 waveforms\u003c\/li\u003e \u003cli\u003e4 envelope followers\u003c\/li\u003e \u003cli\u003e5 routing options for delay, filter and EQ signal path\u003c\/li\u003e \u003cli\u003eOverhauled + expanded factory library - improved categorization, volume balancing, larger variety\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_4\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eMac:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.10 or newer\u003c\/li\u003e \u003cli\u003eHost software \/ DAW\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003e50-200 MB free disk space\u003c\/li\u003e \u003cli\u003ePlug-in formats: AU, VST2, VST3, CLAP, AAX\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eWindows:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRequires Windows 7 or newer\u003c\/li\u003e \u003cli\u003eHost software \/ DAW\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003e50-200 MB free disk space\u003c\/li\u003e \u003cli\u003ePlug-in formats: VST2, VST3, CLAP, AAX\u003c\/li\u003e \u003c\/ul\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44451027943527,"sku":"211387","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/uhe-filterscapefx-24_211387_1_cfff32c5-c454-48cd-b1c5-3f69541109b3.jpg?v=1787095536"},{"product_id":"u-he-mfm2-delay-electronic-delivery","title":"u-He MFM2 Delay - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-He MFM2 Delay\u003c\/strong\u003e is their over-the-top digital delay plug-in. You can create anything from subtle textured echos to huge spacey reverbs, from wild tonal steps on a pad to rhythmic deconstruction of a drum track. As a regular delay MFM2 already offers as much control and inspiration as possible, while the advanced features in version 2.5 open up wider horizons. More feedback, more control, more inspiration!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003e2 INPUT PROCESSORS\u003c\/h3\u003e  \u003cp\u003eInput signals can be processed in pairs before being sent to the delay lines. The \"Transient\" controls suppress or boost spikes. The two non-resonant input filters can reduce the frequency range or even split the frequencies into two stereo bands with independent delay settings (set In 1+2 to Lowpass and In 3+4 to Highpass with the same Cutoff value).\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003e4 DELAY LINES\u003c\/h3\u003e  \u003cp\u003eIndependent delay modes: synchronized, free, or even controlled by MIDI notes. The dark field below each knob is a modulation source selector, and the amount of modulation is controlled by the \"pip\" which appears at the top right of the knob.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003e4 MAIN FILTERS\u003c\/h3\u003e  \u003cp\u003eResonant filters can be placed in various positions within the signal path. On offer here: 2x low pass, 2x high pass, band pass, band reject, allpass (phaser).\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTHE FEEDBACK MATRIX\u003c\/h3\u003e  \u003cp\u003eThis is where you can specify how the delay lines feed into each other: The \"User Matrix\" option lets you freely route signals between all 4 delay lines.\u003c\/p\u003e  \u003cp\u003eThe large control at the top adjusts the overall amount of feedback. At the bottom of the panel are the output level controls, allowing for normal and inverted polarity.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003e2 EFFECTS\u003c\/h3\u003e  \u003cp\u003ePre-feedback processing. Limiter, bit crusher, phaser, frequency shifter, lowpass\/highpass filter, granular pitch shifter, diffusor.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003e2 COMPRESSORS\u003c\/h3\u003e  \u003cp\u003eThe final polish! Peak or RMS mode compression. In PeakComp mode you can compress one pair of channels using a sidechain from the other.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eFEATURES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput section with gain, filter and transient balance\u003c\/li\u003e \u003cli\u003e4 delay lines with independent absolute time or tempo-synced modes\u003c\/li\u003e \u003cli\u003eEach delay line has its own multimode filter: 2x lowpass, bandpass, 2x highpass, bandreject or allpass\u003c\/li\u003e \u003cli\u003e6 default delay configurations or user matrix (freely route signals between all 4 delay lines)\u003c\/li\u003e \u003cli\u003e4 syncable LFOs with 8 waveform options or user definable shapes\u003c\/li\u003e \u003cli\u003e2 syncable and loopable multi-stage envelope generator (MSEG) modulation sources\u003c\/li\u003e \u003cli\u003e4-slot modulation matrix with depth modulation from a second source\u003c\/li\u003e \u003cli\u003e2 channel-pair effects: soft clipper, bit crusher, phaser, frequency shifter, filter...\u003c\/li\u003e \u003cli\u003eNew in version 2.5: granular (pitch shift, reverse delays) and diffusor (reverb)\u003c\/li\u003e \u003cli\u003e2 channel-pair compressor\/limiters, with peak or maximize modes\u003c\/li\u003e \u003cli\u003eNew in version 2.5: output shield (soft clipper) with strength and threshold options\u003c\/li\u003e \u003cli\u003eScalable UI from 70% to 200%\u003c\/li\u003e \u003cli\u003e400+ factory presets\u003c\/li\u003e \u003cli\u003ePing-pong and panning delays\u003c\/li\u003e \u003cli\u003eFiltered and frequency-shifted delays\u003c\/li\u003e \u003cli\u003eChorus, flanger, resonator\u003c\/li\u003e \u003cli\u003eReverb, diffusion and ambience\u003c\/li\u003e \u003cli\u003eGranular effects\u003c\/li\u003e \u003cli\u003eDegrading \u0026amp; distorting delays\u003c\/li\u003e \u003cli\u003eDucked and compressed delays\u003c\/li\u003e \u003cli\u003eEndless loops\u003c\/li\u003e \u003cli\u003eKeyboard-controlled (tuned) comb filter\u003c\/li\u003e \u003cli\u003eMassive glitch effects\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_7\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eMac:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.10 or newer\u003c\/li\u003e \u003cli\u003eHost software \/ DAW\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003e50-200 MB free disk space\u003c\/li\u003e \u003cli\u003ePlug-in formats: AU, VST2, VST3, CLAP, AAX\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eWindows:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRequires Windows 7 or newer\u003c\/li\u003e \u003cli\u003eHost software \/ DAW\u003c\/li\u003e \u003cli\u003e1GB RAM, more recommended\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003e50-200 MB free disk space\u003c\/li\u003e \u003cli\u003ePlug-in formats: VST2, VST3, CLAP, AAX\u003c\/li\u003e \u003c\/ul\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44451027976295,"sku":"211507","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/uhe-mfm2-delay-24_211507_1_46616081-4598-4f7f-8461-0848dfd535c4.jpg?v=1787095536"},{"product_id":"u-he-diva-tom-wolfe-bundle","title":"u-He Diva Modular Synth Virtual Instrument with Tom Wolfe Bundle - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eu-he Diva\u003c\/strong\u003e captures the spirit of five decades of analog synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modeled for unmatched analog sound. Diva is more than a single synthesizer: Recreate an old favorite or mix-and-match modules to design your own unique hybrid.\u003c\/p\u003e  \u003cp\u003eu-he Diva includes 3 Tom Wolfe preset packs with 150 unique sounds:\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDEEP BASSES\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDeep Basses is a refined toolkit of bass sounds crafted using U-he Diva’s powerful analog modelling. It features 50 presets from deep and dark, to light and bright, with plenty in between, this soundbank features a wide range of bass synths for your tracks. Whether you’re a media composer or electronic producer of any genre, you’ll find a toolkit full of instant low end inspiration. Just pick a preset, choose your notes and let the mood flow.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eLUSCIOUS PADS\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eFeaturing 50 presets, Luscious Pads is a refined toolkit crafted using U-he Diva’s powerful analog modelling. From thick and warm, to soft and serene, this soundbank features a wide range of pads for your tracks. Whether you’re a media composer or electronic producer of any genre, you’ll find a toolkit full of instant atmospheric inspiration. Just pick a preset, choose a chord sequence and let the mood flow.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eATMOSPHERIC ARPEGS\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWith 50 presets, Atmospheric Arpegs is a refined toolkit of arpeggiated sounds crafted using U-he Diva’s beautiful analog modelling. From soft and sweeping, to powerful and punchy, with much more in between, this soundbank features a wide range of arpeggiated synths for your tracks. Whether you’re a media composer or electronic producer of any genre, you’ll find a toolkit full of instant atmospheric inspiration. Just pick a preset, choose your notes and let the mood flow.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eFILTERS\u003c\/h3\u003e  \u003cp\u003eThe filters are at the heart of Diva’s analog sound. A combination of realtime circuit simulation and zero delay feedback (ZDF) design give Diva its remarkable sound. With ZDF, the delays normally produced when modeling analog circuits are vastly reduced, resulting in a much more authentic resonance behavior. Diva models five different filters found in classic hardware synthesizers. All filters have modulation options and the traditional cutoff and resonance controls, but each has their its character, quirks and options.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eOSCILLATORS\u003c\/h3\u003e  \u003cp\u003eLike the filters, Diva’s oscillators are also modeled on classic hardware. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad. All five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Plus a few touches unique to each model.\u003c\/p\u003e  \u003cp\u003eTriple VCO With three oscillators, Triple VCO is the largest of the oscillator panels. Waveform shape selection is continuous rather than discrete: choose ramp, triangle, sawtooth, square or any position in between for hybrid shapes. Try out frequency modulation (fm), oscillator sync, waveform modulation for striking tones. Use feedback to route post-filter sound back into the oscillator mixer for effects ranging from mild bass boost to subharmonics\/low-frequency howling.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eEFFECTS AND ENVELOPES\u003c\/h3\u003e  \u003cp\u003eOscillators and filters get your sound humming, but a little polish and refinement make it sing. Switching oscillators and filters on or off like an organ would be very limiting. Envelopes provide more nuanced and engaging results. Diva has two slots—one dedicated to the amplifier, the other to the filter—both with three models to choose from. Craft gently rising sounds, notes that fade slowly into the distance, or sharp percussion.\u003c\/p\u003e  \u003cp\u003eAs a final touch you can put Diva’s two stereo effects slots to use. In keeping with the vintage feel, the available effects would be right at home in the studios of bygone days. Add space with the plate reverb and delay, or movement with the phaser, chorus and rotary speaker effects.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eSUBTLE DETAILS\u003c\/h3\u003e  \u003cp\u003eSmall details can transform static, lifeless sounds into something much more lively and organic. The Trimmers panel is where you can make your sounds feel more analog. Control voice detuning per oscillator, adjust variance between individual voices (round robin), voice drift and more—adding life to your music. These options mirror the inherent variations in analog hardware. As the circuit boards are not always 100% the same (due to component tolerances), oscillator tuning may differ slightly, some envelopes are a little less snappy. The individual effects may be subtle, but they add up to a more authentic analog sound.\u003c\/p\u003e  \u003cp\u003eDive into the Modifications panel for more modulation options and an opportunity to push Diva into more experimental and unusual territories. Modulation processors such as Invert, Add, Quantize and Lag open up fresh ideas for manipulating Diva. These capabilities take Diva beyond the original hardware that inspired it.\u003c\/p\u003e    \u003ch3 id=\"toc_5\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMac OS X 10.7 or newer\u003c\/li\u003e \u003cli\u003eWindows 7 or newer\u003c\/li\u003e \u003cli\u003eLinux logo Linux\u003c\/li\u003e \u003cli\u003e1GB ram, more recommended\u003c\/li\u003e \u003cli\u003e50MB free disk space\u003c\/li\u003e \u003cli\u003e1000 × 600 or larger display\u003c\/li\u003e \u003cli\u003eModern CPU (Sandy Bridge or newer recommended)\u003c\/li\u003e \u003cli\u003eHost software\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eDiva is not a standalone product, it requires host software. Diva is compatible with nearly all DAWs. Available as Audio Units (AU), VST2, VST3, AAX (Pro Tools 10.3.7 or later) NKS, plug-ins with 32-bit and 64-bit versions. Diva supports Native Instruments’ NKS format and is compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":44451256795239,"sku":"483761","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/u-he-diva-tom-wolfe_483761_1.jpg?v=1787096507"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/u-he.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}