{"title":"Used \u0026 Vintage Summing \u0026 Line Mixers","description":null,"products":[{"product_id":"tonelux-fx2-module-used","title":"Tonelux FX2+ Module (used)","description":"\u003cp\u003eThe\u003cstrong\u003eTonelux FX2+ Mixer\u003c\/strong\u003eis a dual stereo line mixer with a simple pair of level controls and a pair of panners. \u003c\/p\u003e\r\n\u003cp\u003eThe Pan control is a standard stereo pan circuit with a center detent. The FX2 has a unique Mute circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFX2+ \"AUX MSTR\" \u003c\/strong\u003eis an Optional send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, \u003cstrong\u003eall in one 3U rack\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe rear panel feature connector provides for an external fader for the send master option on the FX2+.\u003c\/p\u003e\r\n\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required.\u003c\/p\u003e\r\n\u003cp\u003eWhen used with the MX2 series, the addition of 4 FX2 modules will give you 8 returns and the masters for the 4 sends on the MX2, saving you the space of having 4 SM1 master modules.\u003c\/p\u003e\r\n\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to 8 sends from each MX2, including the onboard set of 4 sends.\u003c\/p\u003e\r\n\u003cp\u003eThis module, when used as a simple external summing module, will bring down the cost of a DAW external mixing system considerably.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449404190823,"sku":"12890","price":337.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fx2_used_pb_90a210a7-b7cd-4f40-bfbb-e4b556f3ed00.jpg?v=1787088871"},{"product_id":"tonelux-custom-24-channel-line-mixer-used","title":"Tonelux Custom 24 Channel Line Mixer (Used)","description":"One of a kind customized console full of Tonelux goodies. Made for Butch Walker.\u003cp\u003e\u003cb\u003eSystem includes:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTonelux V-Rack (4)\u003c\/li\u003e\n\u003cli\u003eTonelux PSU (2)\u003c\/li\u003e\n\u003cli\u003eTonelux FX2+ Module (3)\u003c\/li\u003e\n\u003cli\u003eTonelux MX2 Module (24)\u003c\/li\u003e\n\u003cli\u003eTonelux TB1 Module\u003c\/li\u003e\n\u003cli\u003eTonelux SM2 Module\u003c\/li\u003e\n\u003cli\u003eTonelux CR2 Module\u003c\/li\u003e\n\u003cli\u003eTonelux CR Adapter Kit\u003c\/li\u003e\n\u003cli\u003eTonelux F-Rack (2)\u003c\/li\u003e\n\u003cli\u003eTonelux FD1 Fader Module (24)\u003c\/li\u003e\n\u003cli\u003eTonelux FD2 Stereo Fader Module (2)\u003c\/li\u003e\n\u003cli\u003eTonelux VU4 VU Meter (7)\u003c\/li\u003e\n\u003cli\u003eTonelux Blank Panels\u003c\/li\u003e\n\u003cli\u003eSwitchcraft StudioPatch 9625 Patch Bay\u003c\/li\u003e\n\u003cli\u003eSterling Modular Master Plan B\u003c\/li\u003e\n\u003cli\u003e3ru Bridge Rack for Tonelux VU Meters\u003c\/li\u003e\n\u003cli\u003eSterling Modular LCD-AM\u003c\/li\u003e\n\u003c\/ul\u003e The \u003cb\u003eTonelux FX2\u003c\/b\u003e Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners.\n\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare.\n\u003c\/p\u003e\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required.\n\u003c\/p\u003e\u003cp\u003eWhen used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules.\n\u003c\/p\u003e\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends.\n\u003c\/p\u003e\u003cp\u003e\nThe \u003cb\u003eTonelux MX2 Mixer\u003c\/b\u003e is a stereo line mixer with many features of a large frame console. The MX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section.\n\u003c\/p\u003e\u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel.\n\u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent.\n\u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything.\n\u003c\/p\u003e\u003cp\u003eThe ST button turns on the stereo bus, which allows the module to send to the aux sends without going to the stereo bus.\n\u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path.\n\u003c\/p\u003e\u003cp\u003eThe 4 sends are internally configurable for PRE or POST fader signal. The MX2 has an optional DIRECT transformer output. \u003cbr\u003e\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449449377895,"sku":"23731","price":22500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_tonelux_custom_24_channel_line_mixer__5_439119fe-f23b-4034-a823-62dd1a213152.jpg?v=1787088999"},{"product_id":"tonelux-custom-system-used","title":"Tonelux Custom System (Used)","description":"One of a kind rack mounted mixer.  System was originally built in custom factory blue finish for Paul Reed Smith. VK can add and reconfigure system contents to buyer's specific needs. \u003cbr\u003e\u003cp\u003eFeatures:\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCustom built with Blue faceplates\u003c\/li\u003e\n\u003cli\u003e4x MP1A Preamps\u003c\/li\u003e\n\u003cli\u003e2x TXC Compressors\u003c\/li\u003e\n\u003cli\u003e 10x FX2+ effect send\/return modules\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e16x MX2 input module\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e12x EQ4P (2 are modded for a more vintage tone)\u003c\/li\u003e\n\u003cli\u003e3 V Racks\u003c\/li\u003e\n\u003cli\u003e2 Power Supplies (each supply powers 2 racks)\u003c\/li\u003e\n\u003cli\u003eDB25 ribbon cabling (4) 40\" length, (4) 78\" length, (1) 66\" length, (4) 52\" length\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003eThe \u003cb\u003eTonelux MP1a\u003c\/b\u003e is a DISCRETE mic preamp with a DIRECT INPUT on the front panel. The MIC IN is transformer coupled in and out, and has a 20 dB PAD switch (effects both MIC and DIR), a 48V Phantom switch and a Phase or POLARITY switch. The PAD and POLARITY switches effect both inputs. Identical to the MP1, but with the addition of an OUTPUT FADER to control the record level of the Mic Pre Output. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level.\n\u003cbr\u003e\u003cbr\u003e\nThe 8 seg LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from off to +28. The PEAK led is set at +14VU or +18 dBu and can grab a fast peak and display it. With the \"a\" version, an internal jumper selects the MIC PRE MAIN OUTPUT or the MIC PRE GAIN STAGE signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or the output level of the MP1a. When monitoring the Mic Pre Gain, the meter shows the actual gain stage level, and is not effected by the output fader.\n\u003cbr\u003e\u003cbr\u003e\nThe Combo XLR\/Direct input is for use with a hi-z instrument, etc. The TILT tone control works with both the MIC in and DIR in and has it's own TILT EQ IN switch, which is a hard wire bypass switch when out. When turned up, the tilt control has a 0 to 6 dB boost on the high end while cutting the low end the same. If it is turned down, tilt will boost the low end up to 6 dB and cut the high end up to 6 dB.\n\u003cbr\u003e\u003cbr\u003e\nThe Front panel XLR is multed to the rear panel XLR and that is also multed to the D-Sub \"INPUT\" on the rear of the V-Rack. The \"INSERT RETURN\" input of the V-Rack is a resistor isolated mic level input, that can be used when the MP1 is in a live recording situation and there is no splitter. It will bridge the mic line with 10X the impedance to minimize loading of the microphone.\n\u003cbr\u003e\u003cbr\u003e\nIncluded with the MP1a Mic Pre is the ability to PFL the output to an external amplifier or to the mixer\/master section for previewing the signal directly off the mic pre output.\nThe \u003cb\u003eTonelux TXC \u003c\/b\u003eis the new design from Paul Wolff that addresses the complex issues with compression.\n\u003cbr\u003e\u003cbr\u003e\nWith the ability to do in-module parallel mixing of the dry signal and the compressed signal, the engineer can now enjoy the parallel or \"side chaining\" of an instrument with itself and come up with the perfect blend of the original and compressed signal without the problems associated with in-the-box latency.\n\u003cbr\u003e\u003cbr\u003e\nThe TXC uses the proprietary all discrete TX-240 op-amp and the all discrete TX-260 output stage with the TX-280 transformer.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to the Input\/Compressor MIX knob, the TXC has many other unique features not found on any compressor made today. The ability of being able to switch between Feed Back and Feed Forward compression is something that is not new to Paul Wolff. With the TXC, he decided to take it one step further by allowing the ability to fade between Feed Back compression and Feed Forward compression with the TYPE control. This feature gives the engineer the freedom to combine the smooth nature of the Feed Back type of compression with the agressive effect of Feed Forward compression.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to the FB-FF Type control, the TXC has the ability to over compress with the RATIO control, which allows compression ratios from 1.5:1 to 20:1, and then beyond, with the \"OVER:\" ratio settings that cause the compressor to reduce the gain at a higher ratio than the gain is going into it. This means that the ratio control allows the compressor to compress an increase in signal of 10dB with a gain reduction of up to -8dB. If the signal goes up 10dB, the output will go DOWN 8dB.\n\u003cbr\u003e\u003cbr\u003e\nThis becomes useful when taking a pre compressed snare and by adjusting the Attack, and setting the Ratio in the OVER: area, you can actually recover the initial impact peak of the snare. This, with the MIX control, can then be blended back with the original \"flat\" snare and you now have a dynamic snare again, but with a very controlled peak.\n\u003cbr\u003e\u003cbr\u003e\nThe TXC also inserted the now famous \"TILT\" control into the side chain of the RMS detector, so you can increase the highs and decrease the lows going into the RMS detector, virtually eliminating the effects of pumping because the Detector is seeing a more uniform distribution of energy across the spectrum instead of a bass heavy signal like most compressors.\n\u003cbr\u003e\u003cbr\u003e\nThe Attack control has a X5 switch to allow for a range of extremely fast attack (in the micro second range) all the way through a very smooth slow attack, more suited for leveling.\n\u003cbr\u003e\u003cbr\u003e\nThe Release control can be almost instantaneous to 3 seconds. The release circuit is a unique 3 stage circuit that auto releases the faster signals at a rate of 10 times the release of the lower frequency signals. All of this and an auto-makeup gain system that always keeps the gain at unity regardless of the amount of compression.\n\u003cbr\u003e\u003cbr\u003e\nWith a 6 LED Gain Reduction meter and an adjustable link control, the TXC can be used in mono or stereo configurations with ease.\nThe \u003cb\u003eTonelux FX2\u003c\/b\u003e Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners.\n\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare.\n\u003c\/p\u003e\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required.\n\u003c\/p\u003e\u003cp\u003eWhen used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules.\n\u003c\/p\u003e\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends.\n\u003c\/p\u003e\u003cp\u003e\nThe \u003cb\u003eTonelux MX2 Mixer\u003c\/b\u003e is a stereo line mixer with many features of a large frame console. The MX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section.\n\u003c\/p\u003e\u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel.\n\u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent.\n\u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything.\n\u003c\/p\u003e\u003cp\u003eThe ST button turns on the stereo bus, which allows the module to send to the aux sends without going to the stereo bus.\n\u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path.\n\u003c\/p\u003e\u003cp\u003eThe 4 sends are internally configurable for PRE or POST fader signal. The MX2 has an optional DIRECT transformer output.\nThe \u003cb\u003eTonelux EQ4P\u003c\/b\u003e is a DISCRETE Parametric Equalizer with some very unique features. Notice that the panel has no Q control. The filter Q control is in relation to the Boost and Cut control, and uses a \"Constant Energy Curve\" that keeps the bandwidth wider at lower boost or cut levels and becomes narrow at higher boost or cut levels. This is musically pleasing. The curve is identical to many classic equalizers and is one of the reasons they are preferred over newer designs. When the PEAK button pressed, the 3 yellow \"peak\" buttons keep the width at a constant 1\/3 octave for more precision control.\n\u003c\/p\u003e\u003cp\u003eThe High Frequency has a Shelving button instead of a Peak button. Since the Constant Energy Curve is so broad in the lower frequencies, there is no need for a low frequency shelf button.\n\u003c\/p\u003e\u003cp\u003eWith 4 bands of controls, each of the lower 2 have slightly different frequencies, allowing the lower band to go to 16 Hz, and the upper 2 bands are identical. The IN button is a silent IN\/OUT button that does not bypass the unit, but it bypasses the filters.\n\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449449410663,"sku":"21104","price":12995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/front_of_tonelux_cat_97890b11-3bc4-463a-b5f4-fcaac4729aca.jpg?v=1787088999"},{"product_id":"dangerous-2-bus-mixer-126-used","title":"Dangerous 2-Bus Mixer #126 (Used)","description":"Digital Audio Workstations have taken over the world of recording and there is no going back. While we all embrace the wonderful benefits of the computer-based workflow, we also have to deal with the issues and limitations of digital recording and mixing. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eDangerous 2-Bus\u003c\/b\u003e analog summing mixer was created to bring back the analog sound quality you’ve been craving in your digital audio environment, while maintaining the fast workflow and recall capabilities we all depend on. 16 channels in, 2 channels out, one great sounding mix. \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe Choice of Top Mix Engineers Worldwide\u003c\/li\u003e\n\u003cli\u003eIncredible Imaging\u003c\/li\u003e\n\u003cli\u003eMore Punch and Detail\u003c\/li\u003e\n\u003cli\u003eUnbelievable Headroom\u003c\/li\u003e\n\u003cli\u003eIntegrate Your Analog Gear into the modern DAW studio\u003c\/li\u003e\n\u003c\/ul\u003eThe Dangerous 2-Bus is a 16X2 summing device designed to help DAW users achieve better mix performance through the use of cutting-edge analog audio circuit design. As engineers and musicians, the Dangerous Music team has noted that the resulting mix from DAW systems doesn’t equal those of high-end analog recording consoles. The solution is the 2-Bus’s pristine audio path - delivering nuance, depth and clarity to your mix without any added coloration or distortion. \u003cbr\u003e\u003cbr\u003eThe Dangerous Music 2-Bus allows the full potential of your digital audio workstation to be realized - audibly, in terms of sound quality, spatial detail and headroom as well as ergonomically in terms of outboard analog equipment integration. The transparent sound allows you to enjoy the true colors of your chosen outboard gear without clouding the issue. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components and a no-compromise attitude, the Dangerous 2-Bus sums 16 channels of audio to a stereo pair in a tried and true analog environment, delivering sound quality you would expect from a full-scale large format analog console, but from a compact 2RU device that was specifically designed for the modern studio. \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSuperb Sonic Performance\u003c\/li\u003e\n\u003cli\u003eMastering Quality Signal Path\u003c\/li\u003e\n\u003cli\u003eStepped Attenuator output control\u003c\/li\u003e\n\u003cli\u003eFully Linkable with 2-BUS, 2-BUS LT and MIXERDAW studio\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFrequency Response:\u003c\/b\u003e 1 Hz-100 kHz within 0.1 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTotal Harmonic Distortion:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e0.0045% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0008% +22 dBu input level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIntermodulation Distortion:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e0.0055% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0015% +22 dBu input level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCrosstalk:\u003c\/b\u003e \u0026gt; 101 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise floor:\u003c\/b\u003e \u0026lt;-83 dBu total energy in audio band\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMax level:\u003c\/b\u003e +28 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNominal operating level:\u003c\/b\u003e +4 dBu (1.228 volts)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput impedance:\u003c\/b\u003e 25kohm balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput impedance:\u003c\/b\u003e 50 ohms balanced (600 ohm drive capable)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eGain accuracy:\u003c\/b\u003e \u0026gt;0.02 dB @ 1 kHz for any gain setting\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower consumption:\u003c\/b\u003e 30 watts\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eWarranty:\u003c\/b\u003e 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449449672807,"sku":"22337","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_dangerous_2-bus_mixer__126_f606e3e9-3f42-4267-87f8-4e7acfb1db0f.jpg?v=1787089000"},{"product_id":"dangerous-8x2-mixer-used","title":"Dangerous 8x2 Mixer (Used)","description":"\u003cp\u003eVery nice condition unit that can integrate your outboard gear with your DAW. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 inputs and 2 sets of outputs via XLR \u003c\/li\u003e\n\u003cli\u003eIndividual level and pan controls, solo, mute per channel \u003c\/li\u003e\n\u003cli\u003eStepped output controls. \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz-100 kHz within 0.1 dB (-3dB @ 5 Hz) \u003c\/li\u003e\n\u003cli\u003eTHD: 0.004% in audio band\u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion: 0.006% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 1 kHz: -87 dB\u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 10 kHz: -85 dB \u003c\/li\u003e\n\u003cli\u003eNoise floor: -91 dBu\u003c\/li\u003e\n\u003cli\u003eMax output level: +26 dBu\u003c\/li\u003e\n\u003cli\u003eNominal operating level: +4 dBu (1.228 volts) \u003c\/li\u003e\n\u003cli\u003eInput impedance: 25k ohm balanced \u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003eGain accuracy: better than .05 dB @ 1 kHz for any gain setting \u003c\/li\u003e\n\u003cli\u003ePower consumption: 30 watts \u003c\/li\u003e\n\u003cli\u003e2u unit with external power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eDigital Audio Workstations are wonderful to work with, but there is so much more to\u003cbr\u003ethe modern digital studio than just a computer, an interface and a few plug-ins.\u003cbr\u003eWhat about that tried and true outboard reverb, or that vintage keyboard you use\u003cbr\u003eon every track? We don't think it's necessary to subject the output of these devices\u003cbr\u003eto unnecessary A\/D\/A conversions, so we created the Dangerous MIXER: the 8x2\u003cbr\u003eanalog summing mixer, designed specifically for integrating analog devices in the\u003cbr\u003edigital audio environment.\u003cbr\u003e\u003cbr\u003eThe Dangerous MIXER is an 8x2 line-source mixer designed to help users of digital\u003cbr\u003eaudio workstations achieve better mixes through the proper integration of hardware\u003cbr\u003esynths, multi-effects and outboard gear into their digital system. As engineers and\u003cbr\u003emusicians, the Dangerous team and their colleagues have noted that analog\u003cbr\u003eoutboard gear is often run through unnecessary and detrimental A\/D\/A conversions\u003cbr\u003ejust to enable it to be leveled, panned and placed within a mix.\u003cbr\u003e\u003cbr\u003eDangerous MIXER enables any MIDI device, outboard reverb or multi-effects unit,\u003cbr\u003emic preamp -- virtually any line-level source -- to be integrated into a mix along-\u003cbr\u003eside digital audio tracks. The Dangerous MIXER with is also ideal for sub-mixing\u003cbr\u003eoutputs of external mic preamps while tracking. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components, Dangerous MIXER\u003cbr\u003eallows users to keep their analog devices in a pristine analog environment, and\u003cbr\u003epreserves their sonic integrity throughout the mixing process. \u003cbr\u003e\u003cbr\u003eWith 8 inputs providing level control, panning, muting and phase reverse, the\u003cbr\u003eDangerous MIXER delivers sonic quality you would expect from a full scale analog\u003cbr\u003econsole, but from a compact 2RU device that was specifically designed for the\u003cbr\u003eprofessional digital studio. \u003cbr\u003e\u003cbr\u003eThe Dangerous MIXER is also a great alternative to the Dangerous 2-BUS for those who want external summing of their DAW mixes but only need 8 channels or would like to be able to keep level and pan control in the analog domain.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449449705575,"sku":"19314","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_dangerous_8x2_mixer_bc9cda02-70d5-4c32-9a3e-e88e112e603b.jpg?v=1787089000"},{"product_id":"neve-8816-summing-mixer-used","title":"Neve 8816 Summing Mixer (Used)","description":"The legendary sound of Neve now becomes available to DAW based producers with the launch of the Neve 8816 Summing Mixer. Comprehensive input, mixing and monitoring functions upgrade a DAW to a professional mixing facility. The sixteen input channels include level, pan, cut and cue controls. A +15dB gain range accommodates both - 10dBv and +4dbm input levels. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via the fixed level two track buss.\n\nThe ultimate analogue mix buss utilises classic Neve transformer mixing topology. The mix outputs appear simultaneously as balanced +4dBm and unbalanced - 10dBv. Mix Inserts are pre fade for full control and can be switched between normal insert mode and mastering style sum and difference mode with stereo width control. A post insert mix function can be used for mixing in a separate stem or blending the mix with a special effect.\n\nAn optional digital output converts the analogue mix to any standard PCM sample rate up to 192kHz or DSD, a unique feature extending Neve’s commitment to the ultimate analogue and digital sound. Output PPM meters are complemented by overload LEDs to indicate clipping at the ADC or analogue output. The monitor section selects between Mix Out, 2 Track Return, Channels 1 \u0026amp; 2 (DAW mix replay) and \"i- mon\" front panel input min-jack, handy for quick mix comparisons. The monitor level is independent of the mix level and the monitor outputs can be switched between Main and Alt speakers. A separate Cue Output can be fed from three sources and the inbuilt Talkback mic. Headphones can be used to listen to either Cue or Monitor source. A remarkable amount of mixing and monitoring technology for the price, but that’s not all. The final touch? Total recall! A USB connector allows snapshots of the 8816 setting to be saved to a PC and recalled ready for remix!\n\nCreating a professional mix environment for\n\n    DAW based producers\n    Legendary Neve transformer sound\n    Electronics from the famous 88R analogueconsole\n    Transformer balanced, 16 mono \/ 8 stereo inputs,pan fade\n    A\/D converters, total recall, cue\/solo feature,PPM metering\n    High quality, low noise 16 into 2 mixing with buss inserts and insert balance playback facilities","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449453310055,"sku":"8319","price":2650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve_8816_summing_mixer_cat_2fca439a-eae6-4307-b512-0d99855bfd63.jpg?v=1787089015"},{"product_id":"tube-tech-ssa2a-10333-used","title":"Tube-Tech SSA2A  #10333 (Used)","description":"The SSA 2A is a stereo summing amplifier from Tube Tech that performs summing of up to eight stereo pairs of input channels down to a single stereo output. The unit also has four mono inputs ready for hard-center panned tracks such as kick, snare, bass and lead vocals.\u003cbr\u003e\u003cbr\u003eMany users of Digital Audio Workstations (DAW) have experienced dissatisfaction with the internal digital summing of their systems. Providing the best of both digital and analog worlds, summing amplifiers can provide a more open, clear and punchier sound, allowing the mix to sounds like it was done on an expensive analog console.\u003cbr\u003e\u003cbr\u003eThe SSA 2A is a symmetrical two-stage amplifier, designed around two dual, low impedance and high transconductance triodes. The input transformer is part of the dual feedback configured as a so-called zero field transformer. The output stage is designed around two dual triodes in push-pull and an output transformer (with a static screen.) Both the summing amplifiers and the output amplifiers are symmetrical.\u003cbr\u003e\u003cbr\u003eNote! It is important that the mono inputs are connected to outputs (even if not used) or terminated by shorting plugs to prevent additional noise\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eStereo summing amplifier featuring two very low noise\/low distortion summing amplifiers with a very wide frequency response \u003c\/li\u003e\n\u003cli\u003eEight stereo plus four mono inputs to one stereo output \u003c\/li\u003e\n\u003cli\u003eTwenty-three step gold plated output gain control \u003c\/li\u003e\n\u003cli\u003eFully symmetrical circuitry from input to output \u003c\/li\u003e\n\u003cli\u003eZero field transformer balanced inputs \u003c\/li\u003e\n\u003cli\u003eTwo large VU meters display output level \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":44449455505511,"sku":"23753","price":3095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_tube-tech_ssa2a-__10333_52e9edd9-1c58-4f0b-a905-7dd19b9928d5.jpg?v=1787089025"},{"product_id":"dangerous-d-box-used","title":"Dangerous D-Box (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449460093031,"sku":"14167","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_dangerous_d-box_zoom_a6c2f9e4-50ff-4d1f-a73f-bbc80b5dc2a4.jpg?v=1787089044"},{"product_id":"gml-hrt-9100-mixing-system-163-used","title":"GML HRT 9100 Mixing System #163 (Used)","description":"Beautiful condition, custom 20 channel mixing system with the finest quality GML components. Includes 20x GML HRT 9115 modules (spec'd out by GML), one GML and one Millennia Media electronics rack, and GML HRT 9145 multi-output psu, and custom P \u0026amp; G faders. (The unit can also be operated via internal rotary faders).\u003cbr\u003e\u003cbr\u003eOver $38K invested in this system, including the original mixer, 10 additional modules and electronics rack, balanced insert modifications, cabling, and two custom 104 mm fader panels (made by David Kulka at Studio Electronics). The two red faders on the panel are stereo, and are meant for each bus module 9116\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHRT 9100 Specifications:\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eInput: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e20K Ohm balanced bridging, \u003c\/li\u003e\n\u003cli\u003e+27.4 dBv max before clipping @ 20kHz\u003c\/li\u003e\n\u003cli\u003eOutput: \u003c\/li\u003e\n\u003cli\u003e+27.4 dBv max output, \u003c\/li\u003e\n\u003cli\u003e3 nV output offset, servo-stabilized\u003c\/li\u003e\n\u003cli\u003eThroughput: \u003c\/li\u003e\n\u003cli\u003eCrosstalk – 104dBv, ref. 0 dBv at 10 kHz\u003c\/li\u003e\n\u003cli\u003eNoise – line in to line out at unity -92db\u003c\/li\u003e\n\u003cli\u003e170 kHz 3dB bandwidth\u003c\/li\u003e\n\u003cli\u003eLess than .005% harmonic distortion; any frequency, 20 hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e0.002% SMPTE intermodulation distortion\u003c\/li\u003e\n\u003cli\u003e30 uV low noise, high performance opamps\u003c\/li\u003e\n\u003cli\u003eNo electrolytic or tantalum interstage or output coupling capacitors\u003c\/li\u003e\n\u003cli\u003eMeter – 30 segment, peak and RMS\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eHRT9115 module features:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput Gain: -10 to +15 dB in 5 dB increments\u003c\/li\u003e\n\u003cli\u003ePan – True pan pot\u003c\/li\u003e\n\u003cli\u003e4x Aux level pots (stacked)\u003c\/li\u003e\n\u003cli\u003e4x Bus switch on\/off\u003c\/li\u003e\n\u003cli\u003e4x Aux switch Pre\/Off\/Post\u003c\/li\u003e\n\u003cli\u003eLine insert switch\u003c\/li\u003e\n\u003cli\u003eSolo switch\u003c\/li\u003e\n\u003cli\u003eMute key\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHRT9116 module features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMeter – 30 segment, peak and RMS\u003c\/li\u003e\n\u003cli\u003eSource mode switching – main \/ aux\u003c\/li\u003e\n\u003cli\u003e2x Main trim pots (stacked)\u003c\/li\u003e\n\u003cli\u003e2x Aux trim pots (stacked)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GML","offers":[{"title":"Default Title","offer_id":44449460453479,"sku":"27077","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_gml_hrt_9100_mixing_system__163_15df60dc-06c7-42be-82a7-eb3721246b34.jpg?v=1787089045"},{"product_id":"chandler-mini-mixer-039-used","title":"Chandler Mini Mixer #039 (Used)","description":"The Chandler Limited Mini Mixer is the culmination of Chandler's experience working with many types of vintage, discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60's and 70's that have been Chandlerized for modern usage. \n\nEach Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandler's other products but has been redesigned for use in this mixer. The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for today's digital environment. \n\nIn addition to the mixer section, the unit has a full-featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449474740327,"sku":"29261","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_chandler_mini_mixer_128_zoom_1_a25339e0-2c76-4561-9e73-e2c37a0236ec.jpg?v=1787089095"},{"product_id":"tonelux-otb-16-used","title":"Tonelux OTB-16 (Used)","description":"The Tonelux OTB16 is a 16 channel 1U mixer with 16 balanced inputs and a Tonelux discrete summing bus. Each channel has a level control and a panner. The access to the OTB16 is through 2 eight channel D-sub inputs at a level of +4dBu nominal.\n\nThe summing of the 16 channels is through the famous Tonelux TX-240 and TX-260 discrete op-amps, and then through the main output transformer, which can be adjusted by the MASTER fader pot, which comes out of a pair of XLR connectors. Additionally there is a monitor output for monitoring or for expansion, which is balanced but transformer-less. Two additional balanced inputs to the MIX bus. The pre-fader monitor output can be plugged into the BUS input to extend the number of channels with a second or third OTB16. 120 or 230 volts AC powered 50\/60 Hz.","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":44449474805863,"sku":"29347","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_tonelux_otb-16_b9a0904c-292a-47b8-9514-27bec6025fea.jpg?v=1787089095"},{"product_id":"api-8200-used","title":"API 8200 (Used)","description":"\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli\u003e8 Inputs \u003c\/li\u003e\n\u003cli\u003e2 Aux Sends \u003c\/li\u003e\n\u003cli\u003eLevel Control \u003c\/li\u003e\n\u003cli\u003ePan \u003c\/li\u003e\n\u003cli\u003eSolo \u003c\/li\u003e\n\u003cli\u003eMute \u003c\/li\u003e\n\u003cli\u003eInsert \u003c\/li\u003e\n\u003cli\u003eD-sub Interface \u003c\/li\u003e\n\u003cp\u003eThe 8200 8 Channel Line Mixer allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. \u003c\/p\u003e\n\u003cp\u003eThe 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. \u003c\/p\u003e\n\u003cp\u003eRequires a 7800 Master Controller. Power Cable is included. May require ribbon cable.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449485520999,"sku":"17268","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_api_8200_cat_10cdbe23-16a1-4750-aa2b-d6762f026099.jpg?v=1787089140"},{"product_id":"chandler-universal-mix-control-used","title":"Chandler Universal Mix Control (Used)","description":"The \u003cb\u003eChandler Universal Mix Control\u003c\/b\u003e is inspired by the popular Wet\/Dry feature used on the Germanium Compressor. Each channel of the UMC can function as either a Wet\/Dry control or as a 2 x 1 summing mixer for those needing a high quality solution for combining multi mic’ed sources. \u003cbr\u003eSimply put, you can now add Wet\/Dry to anything you want. Ever wanted some Dry signal on your EMI Limiter, 1176, Alan Smart, LA2s, 33609? How about a Fairchild 670 with a Mix Control :-) \u003cbr\u003e\u003cbr\u003eDon’t stop with just compressors. Distortion with a Culture Vulture or Sans Amp, Transient Designer, Leslie Cabinet, Guitar Pedals. The list is nearly endless. No latency, saves channels, little patching, and a very high quality, transformer balanced, low noise discrete circuit that allows you to use it anywhere without concern. And of course, the sound is all Chandler. Tracking? A must have. Mix Buss? Absolutely. Mastering? Not a problem! \u003cbr\u003e\u003cbr\u003eSomething very new and fun waits for you!!! \u003cbr\u003e\u003cbr\u003e\u003cb\u003eWet\/Dry or Mixer Control\u003c\/b\u003e \u003cbr\u003eThe heart of the Mix Control starts here. Each channel or the UMC can function as a Wet\/Dry control or as a 2 x 1 summing mixer. Simply Turn the knob left or right to mix between Wet and Dry or Inputs 1 and 2. To hook up simply patch your comp to the insert point on back, or for mixing, connect the output of each signal path to Inputs 1 and 2 on the rear and balance the levels with the front panel control. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVU Meter\u003c\/b\u003e \u003cbr\u003e \n\u003cul\u003e \n\u003cli\u003eEach channel has a 10-segment LED meter that shows the unit output in two ranges. \u003cul\u003e \n\u003cli\u003eLow range -12 to +3 db. \n\u003c\/li\u003e\n\u003cli\u003eHigh range +5 to +20 db. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e \n\u003cb\u003eApplications\u003c\/b\u003e \u003cbr\u003e \n\u003cul\u003e \n\u003cli\u003eUse the Mix Control as a stereo Wet\/Dry to add life back to your mixes or masters. Compress with fewer artifacts while maintaining the Compressor punch we all love. \n\u003c\/li\u003e\n\u003cli\u003eBring the world of “console submixing” to your tracking session. \n\u003c\/li\u003e\n\u003cli\u003eThe mixer section finally brings a high quality, transformer balanced, discrete transistor mixing solution for combining microphones, tracks, and more. No more submixes in the computer or through an IC based console. \n\u003c\/li\u003e\n\u003cli\u003eCombine both features when tracking. Sum microphones to your comp and Wet\/Dry the mixture to your recorder. \n\u003c\/li\u003e\n\u003cli\u003eRuns on any existing Chandler Power Supply. We’ve put it on just about everything. Ask us!\u003c\/li\u003e\n\u003c\/ul\u003e \n\u003cdiv align=\"left\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cfont size=\"3\"\u003eWade Goeke on the Chandler Universal Mix Control\u003cbr\u003e\u003c\/font\u003e\u003cbr\u003e\u003c\/b\u003e“The coolest part of designing and using the Mix Control was that I got to pull out every toy I could find and put it on there. Originally the idea came from customers asking us to add the Wet\/Dry feature from the Germ Comp to TG1 and Zener Limiters, so my early testing concentrated on that but then evolved into other gear as I saw how much fun it was to use it on all sorts of things. \u003cbr\u003e\u003cbr\u003eThere were some very nice surprises that came up as work continued. First was using the Wet\/Dry feature in a tracking situation. Normally sub-mixing has been reserved for mix sessions but this really opened up a new area for me. I love the smash you can get with vintage type compressors but popping in the Mix Control lets you do it in a much more usable way. My Retro 176, Vintage EMI Limiters and Altecs all took on a whole new dimension. \u003cbr\u003e\u003cbr\u003eAnother surprise was using it with a Transient Designer and most people I’ve told that to have said HUH? Yep. On drums I would set the attack just a touch slower and the Sustain from half to full on. Set the Mix to around 50\/50 and you can move a dry\/kick snare to gymnasium but still have the punch and attack of the original tracks. During mixing I found myself also using it on toms just as mentioned. Really did the trick. \u003cbr\u003e\u003cbr\u003eWhat else have I used it on? Retro 176 and Altec 436’s on bass were excellent. I found myself squashing the bass mic and setting the mix control about 60% wet. I brought in the DI with a Pultec or GERM Tone Control and it really saved my bad bass tracking :-) \u003cbr\u003e\u003cbr\u003eOn vocals I had beautiful results with EMI TG1 and Zener Limiter. Again hit pretty hard and mixed 40-60% wet. The Inward Connections Vac Rac TSL-3 was also great at this in its own beautiful way. \u003cbr\u003e\u003cbr\u003eAnother favorite was the Alan Smart. Normally it’s a bit too soft for my liking and I don’t use it on the stereo buss where it’s intended. Letting a little of the dry peek through on the mix buss was very nice and made me want to keep my Alan Smart. \u003cbr\u003e\u003cbr\u003eAnother surprise, that I actually started learning on the Germanium Comp, was that even though you are essentially duplicating a sub-mix type setting it does have a sound of its own. For me it tends to actually blend more and feel like it’s actually part of the sound as opposed to \"Ok now I’m bringing up the sub mix faders\". This \"side effect\", for me, is especially useful in a tracking situation. \u003cbr\u003e\u003cbr\u003eWhat else...33609 worked well, 1176 in four button mode is a sweet match for the Mix control....In the end I installed five Mix Controls in my studio and permanently wired them in. I placed them in strategic places so I could easily switch to another unit close by if needed. So...\u003cbr\u003e\u003cbr\u003e#1 is on the Transient Designer, with the Alan Smart right next. \u003cbr\u003e\u003cbr\u003e#2 is on my Vintage EMI TG Limiters that I modified to have all the Zener options. \u003cbr\u003e\u003cbr\u003e#3 Channel 1 is on the Retro 176 and Altec 436 with a TSL3 and my Vintage EMI RS114 (one of a kind :-) right next for easy switch over. \u003cbr\u003e\u003cbr\u003e#4 is EMI Vertical Amplitude Limiters, which are EMI disk cutting Limiters (heavily modified by me and SWEEEEEET!). \u003cbr\u003e\u003cbr\u003e#5 is on the 33609 with PYEs right next to switch as needed. \u003cbr\u003e\u003cbr\u003eSo for me this has been a great learning experience. Not just putting my gear through its paces but looking at compression in a fun and different way. \u003cbr\u003e\u003cbr\u003eHope you like the Universal Mix Control and Best wishes!\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWade Goeke\u003cbr\u003ePresident\u003cbr\u003eChandler Limited\u003c\/b\u003e\n\u003c\/div\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449485553767,"sku":"29034","price":1050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_chandler_universal_mix_control_front_19cbd4ad-fd57-4714-8103-d7c8de981ec2.jpg?v=1787089141"},{"product_id":"tonelux-sm2-module-used","title":"Tonelux SM2 Module (Used)","description":"\u003cp\u003eTonelux SM2 is a STEREO DISCRETE Summing module, with selectable inputs   (on the PC board with jumpers) so you can grab any pair of buses and use   the SM2 as the summing master for the Stereo bus, Surround Bus or the   Solo Bus, etc.\u003c\/p\u003e\n\u003cp\u003eThe two 8 seg LED VU meters follows the outputs of the   both final stages. The Summing inputs use the Tonelux DISCRETE op-amp   for summing, then feeds the Tonelux DISCRETE output op-amp into a   transformer for the summing (or ACA) outputs. The return from the ACA   out comes back into a DISCRETE booster amp, the master fader and   transformer for the final output stages.\u003c\/p\u003e\n\u003cp\u003eThis configuration allows   you to insert a Stereo compressor after the summing amp and before the   master fader (either the front panel pot or the external fader option),   then returning it back into the fader and to the final Booster outputs.   This modules works the same way any typical professional recording   console would work.\u003c\/p\u003e\n\u003cp\u003eThe INS (insert) button allows the engineer to   compare or insert the device such as a compressor for IN\/OUT comparison   or when required for a special CUE point. One switch controls both   channels.\u003c\/p\u003e\n\u003cp\u003eThe rear panel connector allows the user to insert a Stereo fader, which will serve as the Master fader.\u003c\/p\u003e\n\u003cp\u003eBoth the ACA outputs and the BOOSTER outputs are transformer coupled.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449485586535,"sku":"12892","price":625.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_tonelux_sm2_1_eb0cef7b-9641-4aac-bd4f-5da33ed0881c.jpg?v=1787089141"},{"product_id":"rascal-audio-tonebuss-16-channel-used","title":"Rascal Audio Tonebuss - 16 Channel (Used)","description":"\u003cp\u003eTone.  It's what the \u003cspan style=\"font-weight: bold;\"\u003eRascal Audio Analogue ToneBuss\u003c\/span\u003e is all about.  Not bells and whistles, not a bunch of unwanted features you don't need and won't use.  Just large, full, detailed, opulent analogue TONE.  The kind you'd expect from a classic, all-discrete recording desk of the early 1970's.  The Analogue ToneBuss uses discrete, class-A circuitry with custom wound input and output transformers specifically designed to provide the larger-than-life punch and authority of the most coveted vintage signal paths.  Additonally, the Analogue ToneBuss supports the instant recall of your DAW by offering minimal, practical facilities, all on logable, rotary switches, so you can use your time for mixing instead of wasting it trying to recall your previous settings.  If  you'd love your DAW mixes to possess the dynamic richness and spacial definition of those mixed on classic, large-format consoles, then look no further.  Rascal Audio's Analogue ToneBuss delivers with simplicity and elegance. \u003cbr\u003e\u003cbr\u003eFront panel controls include pan switches for channels 1 thru 4 and switchable direct thruputs for channels 5 and 6. The pan controls, each of which affects a stereo pair of inputs, allow the user the option of panning individual signals, such as kick, snare, bass, and lead vocal, to the center of the mix in the analogue domain yielding much more focus and definition while simultaneously allowing the user to incorporate their favorite mono processors during mixing.  The unique channel 5 and 6 direct thruputs give users without a 'proper' patchbay the ability to hardwire a couple of their favorite outboard processors to their D\/A outputs.  When editing simply switch to the 'DIR' position, process and re-record the audio, and  then switch back to 'L' or 'R' when it's time for mixdown.\u003c\/p\u003e","brand":"Rascal Audio","offers":[{"title":"Default Title","offer_id":44449498464359,"sku":"30194","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_30194_1_ef4ee887-b58b-42f8-a27d-5b346c5cf112.jpg?v=1787089213"},{"product_id":"ssl-48-channel-surround-sound-mixer-used","title":"SSL 48 Channel Surround (4000 Series) Sound Mixer (Used)","description":"\u003cp\u003eVery clean example of this unit, from the Desk Doctor.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis custom mixer, built by Solid State Logic in 1994, is one of only 3 ever made. Commissioned by Warner Bros Post Production, it was originally designed to enhance the capabilities of SSL G+ large format mixers on major film projects. This is a rare opportunity to own a piece of SSL and Warner Bros history.\u003c\/p\u003e\n\u003cp\u003eThe mixer is built from these modules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8x SL632A Input modules – with Master level, Cut\/Solo buttons and group selector; 6 inputs - each of which has 8 group selects, Main trim pot \u0026amp; On\/Check buttons, and Aux selector and trim pot \u003c\/li\u003e\n\u003cli\u003e8x SL632B Output modules - with 12 pt LED meter (-24 to +16dB), Cut\/Solo buttons, -10 to +10 trim pot\u003c\/li\u003e\n\u003cli\u003e 2x SL632C Aux Output modules – with 12 pt LED meter (-24 to +16dB), Cut\/Solo\/Pre buttons, -10 to +10 trim pot\u003c\/li\u003e\n\u003cli\u003e1x SL632D Headphone and Solo module – with Solo in Place and trim pot\u003c\/li\u003e\n\u003cli\u003e1x SL632E Interface module – with LED indicators for +18, -18, +5 or +24v\u003c\/li\u003e\n\u003cli\u003e1x 8 channel Group Fader pack with Solo\/Cut functions for each group and Master fader\u003c\/li\u003e\n\u003cli\u003e1x SL564 Dual Power Supply (plus a spare)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMixer is mounted in a rolling flight case – dimensions with the case are: 26” W x 28” D x 50” H\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449504690279,"sku":"21140","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_ssl_48_ch_surround_mixer_cat_6f547dc3-6723-4590-a6c8-0d5b71625cad.jpg?v=1787089238"},{"product_id":"neve-8816-summing-mixer-with-aes-card-used","title":"Neve 8816 Summing Mixer with AES Card (Used)","description":"\u003cp\u003eClean used example of this unit, with AES expansion card.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe legendary sound of Neve now becomes available to DAW based producers with the launch of the \u003cem\u003eNeve 8816 Summing Mixer.\u003c\/em\u003e Comprehensive  input, mixing and monitoring functions upgrade a DAW to a professional  mixing facility. The sixteen input channels include level, pan, cut and  cue controls. A +15dB gain range accommodates both - 10dBv and +4dbm  input levels. If sixteen inputs aren’t enough for your mix, multiple  8816 units can be cascaded together via the fixed level two track buss.The  ultimate analogue mix buss utilises classic Neve transformer mixing  topology. The mix outputs appear simultaneously as balanced +4dBm and  unbalanced - 10dBv. Mix Inserts are pre fade for full control and can be  switched between normal insert mode and mastering style sum and  difference mode with stereo width control. A post insert mix function  can be used for mixing in a separate stem or blending the mix with a  special effect. An optional digital output converts the analogue mix to  any standard PCM sample rate up to 192kHz or DSD, a unique feature  extending Neve’s commitment to the ultimate analogue and digital sound.  Output PPM meters are complemented by overload LEDs to indicate clipping  at the ADC or analogue output. The monitor section selects between Mix  Out, 2 Track Return, Channels 1 \u0026amp; 2 (DAW mix replay) and \"i- mon\"  front panel input min-jack, handy for quick mix comparisons. The monitor  level is independent of the mix level and the monitor outputs can be  switched between Main and Alt speakers. A separate Cue Output can be fed  from three sources and the inbuilt Talkback mic. Headphones can be used  to listen to either Cue or Monitor source. A remarkable amount of  mixing and monitoring technology but that’s not all. The final touch?  Total recall! A USB connector allows snapshots of the 8816 setting to be  saved to a PC and recalled ready for remix! Creating a professional mix  environment for DAW based producers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Neve transformer sound\u003c\/li\u003e\n\u003cli\u003eElectronics from the famous 88R analogue console\u003c\/li\u003e\n\u003cli\u003eTransformer balanced, 16 mono \/ 8 stereo inputs, pan fade\u003c\/li\u003e\n\u003cli\u003eA\/D converters, total recall, cue\/solo feature, PPM metering\u003c\/li\u003e\n\u003cli\u003eHigh quality, low noise 16 into 2 mixing with buss inserts and insert balance playback facilities\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449505050727,"sku":"29487","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve_8816_with_aes_card_cat_8038c0cd-fc0a-4228-b075-3a06ce9697de.jpg?v=1787089239"},{"product_id":"manley-16x2-line-mixer-used","title":"Manley 16x2 Line Mixer (Used)","description":"\u003cb\u003eThe 16x2 comes in 3 flavors:\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe LINE version has 16  line inputs, with one aux send per channel. The LINE version is  intended for workstations and allows users to avoid the digital mix buss  which is often less than great sounding. Folks with huge expensive  keyboard rigs who have inexpensive mixers that just ain’t cutting it  have also been grabbing up the Manley 16x2 LINE version mixers. \u003cbr\u003e \u003cbr\u003eWhat's in this thing?\u003cbr\u003e \u003cbr\u003eThe  channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone  plugs. It is perfectly happy with either balanced or unbalanced sources.  There are balanced direct outputs on every channel post fade and pre  cut for multi-track recording. \u003cbr\u003e \u003cbr\u003eEach channel uses the best  sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology  LT1010) in Hutch’s circuits with exceptional headroom and very low  noise, real pro level input and output levels, and bulletproof Manley  quality throughout. Spec-wise we know of no mixer ever with better  headroom or higher output levels and, well, this mixer’s subterranean  noise floor and crosstalk figures are simply quite amazing. The signal  path has just 3 superb polystyrene caps from input to output. No carbon  resistors, just 1\/2 watt metal film, Bourns conductive plastic pots,  Grayhill stepped attenuators, etc. All the good stuff.  \u003cbr\u003e \u003cbr\u003eSorry  we didn’t make this thing all-tube for \"ad appeal\" and sales hype. We  certainly could have, but this puppy would have grown into the size of a  small house, and needed an accompanying 5-Ton AC unit. However, the  tube mix amps\/line drivers are right at the end and impart that \"Manley  Sound\" to your final outputs with all the richness, loudness and BIG  sound you expect from us. Built like a tank and easy to service. \u003cbr\u003e \u003cbr\u003eMutes  and Solos use superior relay switching techniques not crummy FETs or  CMOS switching. Please! The Solo is of the \"mute everything else\" type.  The buttons are EAO Series 19 and light up to indicate Mute and Solo.  Insert and Phase Reverse also use high quality relays and both functions  have tiny switches and red LED’s to clearly indicate when they’re  selected.  \u003cbr\u003e\u003cbr\u003eThe master section provides mixdown to 2 channels  achieved with similar tube circuits as used in the Massive Passive,  featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs  allow two or more mixers to be combined for 32 or more channels with a  mini-banana post linking the Solo functions. There are both transformer  balanced and transformerless unbalanced (+4dBm) outputs with tons of  headroom, +36dBu, about 10dB better than million-dollar consoles. The  master section has an aux mix gain (master effects send) in the LINE  version. There are two sets of monitor outputs, MAIN and MINI, so you  can feed two different sets of power amps or powered speakers. We  included MUTE and DIM buttons plus a rotary switch to monitor the main  mix, the mono mix, 2 track tape playback (more balanced inputs), the Ext  inputs (for linked consoles or effects returns), and the aux mix (only  on LINE version).  \u003cbr\u003eThe dedicated power supply unit cranking out all  the necessary filtered and regulated DC voltages to power up this beast  is external further reducing noise and heat.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449514782823,"sku":"10611","price":4795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_manley_16x2_line_mixer_cat_b3b3744a-916d-4d74-a6fe-596ad7298a21.jpg?v=1787089275"},{"product_id":"roll-music-systems-216-folcrom-used","title":"Roll Music Systems 216 Folcrom (Used)","description":"The \u003cb\u003eRoll Music Systems Folcrom\u003c\/b\u003e is a high quality passive mixer  intended for multichannel analog summing of digital mixes. It uses no  active circuitry and provides no gain or level controls. The idea is to  control the level, panning, EQ, and effects sends of your mix from  within the DAW, and send as many as 16 different tracks or submixes to a  high quality multichannel outboard DAC which in turn feeds the Folcrom.  You then perform only the summing in the analog domain. This enables  you to maintain absolute repeatability from within your DAW.\u003cbr\u003e\u003cbr\u003eEach  of the Folcrom's input channels features a balanced connection on  standard 8-channel DB25 connectors and a pair of pushbutton switches to  assign that channel to the Left or Right output, neither, or both. The  output of the Folcrom is a stereo pair of balanced, 150-ohm signals on  XLR connectors and requires approximately 30-40dB of make-up gain  (program dependent). This signal is ideally suited for feeding into an  outboard microphone preamp of your choosing. The Folcrom is therefore  able to assume a wide variety of tonal character dependent on your  choice of amplifier. The Folcrom itself has an extremely simple, pure,  and transparent signal path. The absence of faders, EQ, aux sends, pan  knobs, or any other superfluous features allows for an entirely passive  circuit. There are no amplifiers, ICs, transistors, capacitors, or  transformers in the signal path whatsoever. The simplicity of the fully  balanced, symmetrical signal path allows the use of no-compromise  passive components for ultimate fidelity. The unit passes signals \"from  DC to daylight\" without coloration. The \"sound\" of your mixer is up to  you and your preamps. Chances are your mic preamps just sit there unused  at mixdown time anyway, so why not put them to work?\u003cbr\u003e\u003cbr\u003eBy  excluding the make-up gain amplifier from the Folcrom, RMS is able to  provide an ultimate quality summing buss without compromise and at a  price that's less than you paid for your car. At the same time, it  provides a unique opportunity for wide tonal control by allowing you to  choose your flavor of make-up gain. Put those old Telefunken or RCA tube  preamps to work when you want super thick warmth; or plug into your  Great River MP-2NV when you need pristine clarity.","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":44449514848359,"sku":"9071","price":425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_roll_216_folcrum_cat_c4a0426a-f6cc-4bb4-b62a-22e39a3ff0b3.jpg?v=1787089275"},{"product_id":"dangerous-music-d-box-used","title":"Dangerous Music D-BOX (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449530675303,"sku":"31574","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_dangerous_music_d-box_cat_e8de1616-cc94-4103-85a1-9cc546cd62be.jpg?v=1787089336"},{"product_id":"innertube-audio-sumthang-used","title":"InnerTUBE Audio Sumthang (Used)","description":"\u003cp\u003e\u003cstrong\u003eManufacturer's Description:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld-school analog crustaceans that we are, we at InnerTube recognize the productivity that digital audio workstations (like Digidesign Pro Tools and others) has made possible. Running the outputs through a high-quality mixing console has become a favorite best-of-both worlds solution for those who want digital flexibility and analog sound quality. But what if you don't have a large-format console, or prefer to mix \"inside the box\"? Well, we thought up the \u003cstrong\u003eSumthang\u003c\/strong\u003e just for you.\u003c\/p\u003e\n\u003cp\u003eIt sums eight line-level (+4) inputs into two outputs, using a top-secret vacuum tube circuit for sound quality that we think mops the floor with any other \"analog\" summing box on the market today. Ins and outs are transformer-balanced. Units can be cascaded together to bring as many analog outs as your DAW has into the stereo outs of your main Sumthang unit, and we've been kicking around plans for a 16-channel dedicated expander. An oversized output volume knob and super-accurate VU meters let you tweak the signal to the liking of your two-track recording or monitoring system, and even better, they look important.\u003c\/p\u003e","brand":"InnerTUBE Audio","offers":[{"title":"Default Title","offer_id":44449542176871,"sku":"14233","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_innertube_audio_sumthang__000024_cat_9a3705af-b8a1-496c-a8dc-1a9d9c8f716e.jpg?v=1787089384"},{"product_id":"neve-8816-summing-mixer-3828-4-used","title":"Neve 8816 Summing Mixer #3828-4 (Used)","description":"Clean used example of this unit. This item does not have the A\/D converter option.\u003cbr\u003e\u003cbr\u003eThe legendary sound of Neve now becomes available to DAW based producers with the launch of the \u003cstrong\u003eNeve 8816 Summing Mixer\u003c\/strong\u003e\u003cem\u003e.\u003c\/em\u003e Comprehensive input, mixing and monitoring functions upgrade a DAW to a professional mixing facility. The sixteen input channels include level, pan, cut and cue controls. A +15dB gain range accommodates both - 10dBv and +4dbm input levels. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via the fixed level two track buss.The ultimate analogue mix buss utilizes classic Neve transformer mixing topology. The mix outputs appear simultaneously as balanced +4dBm and unbalanced - 10dBv. Mix Inserts are pre fade for full control and can be switched between normal insert mode and mastering style sum and difference mode with stereo width control. A post insert mix function can be used for mixing in a separate stem or blending the mix with a special effect. An optional digital output converts the analogue mix to any standard PCM sample rate up to 192kHz or DSD, a unique feature extending Neve’s commitment to the ultimate analogue and digital sound. Output PPM meters are complemented by overload LEDs to indicate clipping at the ADC or analogue output. The monitor section selects between Mix Out, 2 Track Return, Channels 1 \u0026amp; 2 (DAW mix replay) and \"i- mon\" front panel input min-jack, handy for quick mix comparisons. The monitor level is independent of the mix level and the monitor outputs can be switched between Main and Alt speakers. A separate Cue Output can be fed from three sources and the inbuilt Talkback mic. Headphones can be used to listen to either Cue or Monitor source. A remarkable amount of mixing and monitoring technology but that’s not all. The final touch? Total recall! A USB connector allows snapshots of the 8816 setting to be saved to a PC and recalled ready for remix! Creating a professional mix environment for DAW based producers.\u003cul\u003e\n\u003cli\u003eLegendary Neve transformer sound\u003c\/li\u003e\n\u003cli\u003eElectronics from the famous 88R analogue console\u003c\/li\u003e\n\u003cli\u003eTransformer balanced, 16 mono \/ 8 stereo inputs, pan fade\u003c\/li\u003e\n\u003cli\u003eA\/D converters, total recall, cue\/solo feature, PPM metering\u003c\/li\u003e\n\u003cli\u003eHigh quality, low noise 16 into 2 mixing with buss inserts and insert balance playback facilities\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449548664935,"sku":"32388","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-8816-summing-mixer-3828-4-used_32388_1_458ecf36-3046-4b22-97fc-e70f36e49c24.jpg?v=1787089410"},{"product_id":"spl-mix-dream-9840384-used","title":"SPL Mix Dream #9840384 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eSPL Mix Dream\u003c\/strong\u003e design plan provides for the integration of analog equipment in digital production environments and stereo mixdown at the analog level.\u003c\/p\u003e\n\u003cp\u003eThis concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. One MixDream can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreams may be linked together.\u003c\/p\u003e\n\u003cp\u003eThe MixDream discrete class A technology is based on a 60-volt rail (+\/- 30V). Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a low noise level of -97dBu (A-weighted, all channels active) and a dynamic level of over 125dB. Thus the MixDream easily realizes the technical level of the best analog consoles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog vs. Digital Summing\u003c\/strong\u003e\u003cbr\u003eNowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? We at SPL don‘t know of anyone who says so. We do know that summing with the MixDream creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions. These are analog summing differences that we hear—and that you can expect.\u003c\/p\u003e\n\u003cp\u003eHowever, in contrast to simple summing devices the MixDream‘s insert and processing capabilities clearly spotlight a factor that is most important in a quality mix: while quality summing is the basis of a good mix, quality processing in the mixing process has the biggest influence on sound. When engineers discuss the qualities of highly-acclaimed analog consoles, it is very often the superior analog processing potential of such consoles that is an integral part of such “shop talk”.\u003c\/p\u003e\n\u003cp\u003eThe MixDream now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReduction of A\/D conversions\u003c\/strong\u003e\u003cbr\u003eCalculated with 16 units for all MixDream inserts, 14 A\/D conversions can be spared in the summing process: DAW insertion of 16 analog units through A\/D-D\/A converters requires 32 conversions, while with the MixDream only the summed signal needs to be converted (18 conversions). Especially the critical A\/D conversions are reduced to a minimum and the analog effects are summed before any (in principle not loss-free) A\/D conversion has to be made at all.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe MixDream in Mastering\u003c\/strong\u003e\u003cbr\u003eMulti-channel sessions can be mixed and processed in analog, something that may also be of special importance when an engineer wishes to upsample to SACD or DVD-A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls for stereo summing\u003cbr\u003e\u003c\/strong\u003e• Adjustable insert level\u003cbr\u003e• Stereo expansion control with infinite gradation\u003cbr\u003e• Adjustable analog peak limiter\u003cbr\u003e• Adjustable outputs with added in\/out switching of Lundahl transformers\u003c\/p\u003e\n\u003cp\u003eProcessing, but you choose the mix\u003cbr\u003eEach input channel is equipped with a signal-present LED and a switchable insert-loop. A three stage toggle switch per channel allows the choice of whether or not a channel should be added to the mix buss.\u003cbr\u003eWith the No-Mix switch control, a channel may be removed from the mix while remaining available for re-recording through its Direct Output. The No-Mix function can be particularly useful, for example, when the engineer wishes to add track compression. The compressed signal can be re-recorded to the DAW for level automation. This is also known as “bounce back” capability, and without it, compressed signals could n\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449548697703,"sku":"33142","price":2550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_spl_mix_dream__9840384_cat_b0c5d6b7-a1ce-47c9-882d-6f9097b48eee.jpg?v=1787089410"},{"product_id":"black-lion-audio-pm-8-mkii-summing-mixer-blsm0095a-used","title":"Black Lion Audio PM-8 MKII Summing Mixer #BLSM0095A (Used)","description":"Purchase price includes VK premium servicing with a 1 year warranty!\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSumming in the analog domain is widely regarded as superior to mixing \"in the box.\" The DSP required to sum individual channels into a stereo pair is prone to clock-based errors and mathematically unrelated signal artifacts, something avoided entirely by mixing down in the analog domain. While issues of channel cross-talk, thermal noise and distortion are problems faced in the analog world, these artifacts are considered more euphonic than those created in the digital domain.\u003c\/p\u003e\u003cbr\u003eIntroducing the \u003cspan style=\"font-weight: bold;\"\u003eBlack Lion Audio PM8\u003c\/span\u003e summing mixer. It features 8 channels of transformer-coupled inputs and three separate master outputs: a passive output, a transformerless output, and a transformer coupled output. It has mute, volume and pan capability on each channel, plus a DB25 connection to link a second summing box. Huge 3\/4 watt bus resistors provide isolation between channels while minimizing the thermal noise typically found in a small format console bus. Grain oriented silicon steel input and output transformers lend a rich coloration to the sound by adding just a touch of low-order distortion below 250hz. It's like having a vintage console in your studio, but at a fraction of the price. It's exactly what you need to give your mixes that fat body you've been looking for.","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449555316839,"sku":"33622","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_black_lion_audio_pm-8_mkii_summing_mixer__bl5m0095a_cat_2301aa33-1f03-40fa-a87b-8932fc07aa39.jpg?v=1787089440"},{"product_id":"neve-8816-summing-mixer-42014615-used","title":"Neve 8816 Summing Mixer #42014615 (Used)","description":"The legendary sound of Neve now becomes available to DAW based producers with the launch of the Neve 8816 Summing Mixer. Comprehensive input, mixing and monitoring functions upgrade a DAW to a professional mixing facility. The sixteen input channels include level, pan, cut and cue controls. A +15dB gain range accommodates both - 10dBv and +4dbm input levels. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via the fixed level two track buss.\u003cbr\u003e\u003cbr\u003eThe ultimate analogue mix buss utilises classic Neve transformer mixing topology. The mix outputs appear simultaneously as balanced +4dBm and unbalanced - 10dBv. Mix Inserts are pre fade for full control and can be switched between normal insert mode and mastering style sum and difference mode with stereo width control. A post insert mix function can be used for mixing in a separate stem or blending the mix with a special effect.\u003cbr\u003e\u003cbr\u003eAn optional digital output converts the analogue mix to any standard PCM sample rate up to 192kHz or DSD, a unique feature extending Neve’s commitment to the ultimate analogue and digital sound. Output PPM meters are complemented by overload LEDs to indicate clipping at the ADC or analogue output. The monitor section selects between Mix Out, 2 Track Return, Channels 1 \u0026amp; 2 (DAW mix replay) and \"i- mon\" front panel input min-jack, handy for quick mix comparisons. The monitor level is independent of the mix level and the monitor outputs can be switched between Main and Alt speakers. A separate Cue Output can be fed from three sources and the inbuilt Talkback mic. Headphones can be used to listen to either Cue or Monitor source. A remarkable amount of mixing and monitoring technology for the price, but that’s not all. The final touch? Total recall! A USB connector allows snapshots of the 8816 setting to be saved to a PC and recalled ready for remix!\u003cbr\u003e\u003cbr\u003eCreating a professional mix environment for:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDAW based producers\u003c\/li\u003e\n\u003cli\u003eLegendary Neve transformer sound\u003c\/li\u003e\n\u003cli\u003eElectronics from the famous 88R analogue console\u003c\/li\u003e\n\u003cli\u003eTransformer balanced, 16 mono \/ 8 stereo inputs,pan fade\u003c\/li\u003e\n\u003cli\u003eA\/D converters, total recall, cue\/solo feature,PPM metering\u003c\/li\u003e\n\u003cli\u003eHigh quality, low noise 16 into 2 mixing with buss inserts and insert balance playback facilities\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449557774439,"sku":"33428","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve_8816_summing_mixer__42014615_cat_d00ff386-3c28-4f57-bc33-acc30f26071a.jpg?v=1787089450"},{"product_id":"neve-8816-summing-mixer-4201491-used","title":"Neve 8816 Summing Mixer #4201491 (Used)","description":"The legendary sound of Neve now becomes available to DAW based producers with the launch of the Neve 8816 Summing Mixer. Comprehensive input, mixing and monitoring functions upgrade a DAW to a professional mixing facility. The sixteen input channels include level, pan, cut and cue controls. A +15dB gain range accommodates both - 10dBv and +4dbm input levels. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via the fixed level two track buss.\u003cbr\u003e\u003cbr\u003eThe ultimate analogue mix buss utilises classic Neve transformer mixing topology. The mix outputs appear simultaneously as balanced +4dBm and unbalanced - 10dBv. Mix Inserts are pre fade for full control and can be switched between normal insert mode and mastering style sum and difference mode with stereo width control. A post insert mix function can be used for mixing in a separate stem or blending the mix with a special effect.\u003cbr\u003e\u003cbr\u003eAn optional digital output converts the analogue mix to any standard PCM sample rate up to 192kHz or DSD, a unique feature extending Neve’s commitment to the ultimate analogue and digital sound. Output PPM meters are complemented by overload LEDs to indicate clipping at the ADC or analogue output. The monitor section selects between Mix Out, 2 Track Return, Channels 1 \u0026amp; 2 (DAW mix replay) and \"i- mon\" front panel input min-jack, handy for quick mix comparisons. The monitor level is independent of the mix level and the monitor outputs can be switched between Main and Alt speakers. A separate Cue Output can be fed from three sources and the inbuilt Talkback mic. Headphones can be used to listen to either Cue or Monitor source. A remarkable amount of mixing and monitoring technology for the price, but that’s not all. The final touch? Total recall! A USB connector allows snapshots of the 8816 setting to be saved to a PC and recalled ready for remix!\u003cbr\u003e\u003cbr\u003eCreating a professional mix environment for:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDAW based producers\u003c\/li\u003e\n\u003cli\u003eLegendary Neve transformer sound\u003c\/li\u003e\n\u003cli\u003eElectronics from the famous 88R analogue console\u003c\/li\u003e\n\u003cli\u003eTransformer balanced, 16 mono \/ 8 stereo inputs,pan fade\u003c\/li\u003e\n\u003cli\u003eA\/D converters, total recall, cue\/solo feature,PPM metering\u003c\/li\u003e\n\u003cli\u003eHigh quality, low noise 16 into 2 mixing with buss inserts and insert balance playback facilities\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449557807207,"sku":"33429","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve_8816_summing_mixer__4201491_cat_46bd0527-96a1-438b-965c-461748f21e04.jpg?v=1787089451"},{"product_id":"speck-x-sum-line-mixer-with-breakout-box-xs01098-used","title":"Speck X.Sum Line Mixer with Breakout Box #XS01098 (Used)","description":"Purchase price includes VK premium servicing with a 1 year warranty!\u003cbr\u003e\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eSpeck Electronics X.Sum\u003c\/span\u003e is a  32 x 4 line mixer that can be used for external DAW summing or as a  line mixer for synths, samplers, and effect returns. Any of the 16  stereo channels can be assigned to either the main stereo Mix output or  the stereo Mix-B output.\u003c\/p\u003e \u003cbr\u003e The X.Sum design takes you beyond the simple “hard-left” or “hard-right”  summing box, and gives you 16 stereo input channels with level, pan,  mix assign and mono select.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe In's \u0026amp; Out's\u003c\/span\u003e\u003cbr\u003e All audio inputs and outputs are fully balanced and available on TRS connectors.\u003cbr\u003e \u003cbr\u003e Connect the X.Sum to virtually any line level source: balanced,  unbalanced, transformer, or transformer-less. The X.Sum has high  headroom that will handle balanced signals up to +28dBu.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003e16 Stereo Line Inputs\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eStereo level control\u003c\/li\u003e\n\u003cli\u003ePan\/balance control\u003c\/li\u003e\n\u003cli\u003eMix assign switch that routes input channel to the main stereo mix or Mix-B stereo mix\u003c\/li\u003e\n\u003cli\u003eMono Switch\u003c\/li\u003e\n\u003cli\u003eLeft and right balanced TRS inputs\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eMaster Section\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eMaster level control\u003c\/li\u003e\n\u003cli\u003eStereo\/mono switch\u003c\/li\u003e\n\u003cli\u003eMonitor\/Phone level provides adjustment to headphone jack and Mix-B output\u003c\/li\u003e\n\u003cli\u003eBalanced TRS stereo mix output\u003c\/li\u003e\n\u003cli\u003eRJ-45 expander connector\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Speck Electronics","offers":[{"title":"Default Title","offer_id":44449563705447,"sku":"33991","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_speck_x.sum_line_mixer_w_breakout_box__xs010098_cat_af0f380c-dcbb-41ec-8f5d-725b32d55a00.jpg?v=1787089475"},{"product_id":"chandler-mini-mixer-000222-used","title":"Chandler Mini Mixer #000222 (Used)","description":"The Chandler Limited Mini Mixer is the culmination of Chandlers experience working with many types of vintage, discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60s and 70s that have been Chandlerized for modern usage. Each Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandlers other products but has been redesigned for use in this mixer. The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for todays digital environment. In addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.\u003cb\u003e \u003c\/b\u003e\u003cbr\u003e \u003cp\u003e\u003cb\u003eRead what others are saying:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\"My first impression was that the difference that the Mini Rack Mixer makes is bigger than the difference mastering makes... The Chandler Mini Rack Mixer will inevitably get compared to all the new summing boxes, but because of its 100% discrete design, Class-A line amps, transformer balanced I\/O-and resulting sound quality-it has no real competition short of a vintage Neve console.\"\u003cbr\u003e\u003cb\u003eMike Caffrey, Tape Op #49 Sept\/Oct 2005\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"We weren't necessarily in the market for another mixer, but we've learned that it's definitely worthwhile to check out anything Chandler is coming out with! It's such a well thought out and designed unit and like everything Chandler makes, it sounds awesome. It seems everything sounds better when run through the Chandler line amps! It's incredibly versatile and useful as a sidecar, line mixer or summing device plus it's great to have as the control section for a Pro Tools room.\"\u003cbr\u003e\u003cb\u003e- Billy Bush, engineer for Garbage and Butch Vig\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"...gotta say it does sound amazing. It is a beautiful piece of gear........and made a huge difference as soon as I was able to split out multiple tracks and recombine thru a proper stereo buss....it sounded warm and really fat...it made my speakers come alive! my mix sounded clearer and the vocal had especially nice detail...........Also, it's very easy to use....\"\u003cbr\u003e\u003cb\u003e- Joe Barresi\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eI am absolutely stunned by your mixer. It may be sacrilegious to say, but the Chandler has become my preferred choice in virtually every instance that I have would normally desired a vintage Neve console (in fact, I ditched the one I previously had). This makes absolutely no sense to me, hence I would suggest that you have made some sort of pact with Satan to fabricate such a thing. Heaven help you, but thanks all the same for creating such a remarkable recording device.\u003cbr\u003e\u003cb\u003e- Michael Beinhorn\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449566195815,"sku":"34484","price":4995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_chandler_mini_mixer__000222_cat_963cea4b-5b15-4078-b04f-46e859e2c6e0.jpg?v=1787089486"},{"product_id":"dangerous-2-bus-lt-745-used","title":"Dangerous 2-Bus LT #745 (Used)","description":"\u003cp\u003eFor those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the \u003cstrong\u003eDangerous Music 2-BUS LT\u003c\/strong\u003e. Built with the same award-winning active summing electronics that have made head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world’s best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of the summing mixers together for even more channels.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS LT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you’re also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT’s exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You’ll struggle less, work faster and enjoy mixing more!\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449570422887,"sku":"34671","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_dangerous_2-bus__745_cat_f19f98ac-a3f6-448d-b013-a57fa886a30e.jpg?v=1787089505"},{"product_id":"chandler-mini-mixer-190-used","title":"Chandler Mini Mixer #190 (Used)","description":"The Chandler Limited Mini Mixer is the culmination of Chandlers experience working with many types of vintage, discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60's and 70's that have been Chandlerized for modern usage. Each Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandlers other products but has been redesigned for use in this mixer. The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for todays digital environment. In addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.\u003cb\u003e \u003c\/b\u003e\u003cbr\u003e \u003cp\u003e\u003cb\u003eRead what others are saying:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\"My first impression was that the difference that the Mini Rack Mixer makes is bigger than the difference mastering makes... The Chandler Mini Rack Mixer will inevitably get compared to all the new summing boxes, but because of its 100% discrete design, Class-A line amps, transformer balanced I\/O-and resulting sound quality-it has no real competition short of a vintage Neve console.\"\u003cbr\u003e\u003cb\u003eMike Caffrey, Tape Op #49 Sept\/Oct 2005\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"We weren't necessarily in the market for another mixer, but we've learned that it's definitely worthwhile to check out anything Chandler is coming out with! It's such a well thought out and designed unit and like everything Chandler makes, it sounds awesome. It seems everything sounds better when run through the Chandler line amps! It's incredibly versatile and useful as a sidecar, line mixer or summing device plus it's great to have as the control section for a Pro Tools room.\"\u003cbr\u003e\u003cb\u003e- Billy Bush, engineer for Garbage and Butch Vig\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"...gotta say it does sound amazing. It is a beautiful piece of gear........and made a huge difference as soon as I was able to split out multiple tracks and recombine thru a proper stereo buss....it sounded warm and really fat...it made my speakers come alive! my mix sounded clearer and the vocal had especially nice detail...........Also, it's very easy to use....\"\u003cbr\u003e\u003cb\u003e- Joe Barresi\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eI am absolutely stunned by your mixer. It may be sacrilegious to say, but the Chandler has become my preferred choice in virtually every instance that I have would normally desired a vintage Neve console (in fact, I ditched the one I previously had). This makes absolutely no sense to me, hence I would suggest that you have made some sort of pact with Satan to fabricate such a thing. Heaven help you, but thanks all the same for creating such a remarkable recording device.\u003cbr\u003e\u003cb\u003e- Michael Beinhorn\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449579040871,"sku":"34791","price":4995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_34791_1_f93b0399-2816-4a49-89ad-802685a408be.jpg?v=1787089544"},{"product_id":"ssl-x-desk-superanalogue-mixer-489-used","title":"SSL X-Desk SuperAnalogue Mixer #489 (Used)","description":"Very clean example of this unit. \u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449581170791,"sku":"34907","price":2095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_ssl_x-desk_superanalogue_mixer__489_1_fd138e99-ca93-4c41-9310-5022a5e6c93e.jpg?v=1787089554"},{"product_id":"dangerous-music-2-bus-1539-used","title":"Dangerous Music 2-BUS #1539 (Used)","description":"We all know what incredible tools Digital Audio Workstations are. But have you ever noticed that some of the finer points of your music get lost in the final step? So have we. When you mix digitally in your PC, you can lose information and sound quality. \u003cbr\u003e\u003cbr\u003eThat's why we created the \u003cb\u003eDangerous 2-BUS LT\u003c\/b\u003e: the analog summing mixer designed specifically for the digital audio environment. 16 channels in, 2 channels out – one great-sounding mix. \u003cul\u003e\n\u003cli\u003eAnalog summing for under $1500 \u003c\/li\u003e\n\u003cli\u003eFully linkable with 2-BUS and 2-BUS LT \u003c\/li\u003e\n\u003cli\u003eCost-effective alternative to the Dangerous 2-BUS \u003c\/li\u003e\n\u003c\/ul\u003eThe 2-BUS LT is a 16x2 summing amplifier designed to help users of digital audio workstations (DAWs) better mix performance through the use of the existing equipment in their studios. As engineers and musicians, the Dangerous team and their colleagues have noted that while digital audio workstations offer unprecedented flexibility in multi-track recording and editing, the resulting mix from these systems generally doesn't equal those of high-end analog recording consoles in terms of sound quality and preservation of spatial detail. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Essential Tool for Serious Digital Audio Mixing \u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eIt will change the way you mix \u003c\/li\u003e\n\u003cli\u003eIncredible imaging \u003c\/li\u003e\n\u003cli\u003eMore punch and detail \u003c\/li\u003e\n\u003cli\u003eFor pro and project studios \u003c\/li\u003e\n\u003cli\u003eIntegrate your analog gear into the studio of the future \u003c\/li\u003e\n\u003c\/ul\u003eDangerous Music's 2-BUS LT allows the full potential of your digital audio workstation to be realized – audibly. It sums 16 channels of audio to a stereo pair in a high quality analog environment while occupying only one rack space.\u003cbr\u003e\u003cbr\u003eThe 2-BUS LT delivers quality you would expect from a full-scale analog console, but from a compact unit that was specifically designed for the home, project, and professional digital studio. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications: \u003c\/span\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 1 Hz-100 kHz within 0.3 dB \u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion: 0.006% in audio band \u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion: 0.007% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 1 kHz: -97 dB \u003c\/li\u003e\n\u003cli\u003eNoise floor: -81 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003eMax level: +27 dBu \u003c\/li\u003e\n\u003cli\u003eNominal operating level: +4 dBu \u003c\/li\u003e\n\u003cli\u003eInput impedance: 25 kohm balanced \u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003eGain accuracy: +\/- .25 dB \u003c\/li\u003e\n\u003cli\u003ePower consumption: 25 watts \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449583693927,"sku":"34792","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_34792_1_cd6b226a-b013-4a9a-b838-97f04adcdd46.jpg?v=1787089565"},{"product_id":"dangerous-music-2-bus-lt-1092-used","title":"Dangerous Music 2-BUS LT #1092 (Used)","description":"\u003cp\u003eFor those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the \u003cstrong\u003eDangerous Music 2-BUS LT\u003c\/strong\u003e. Built with the same award-winning active summing electronics that have made head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world’s best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of the summing mixers together for even more channels.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS LT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you’re also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT’s exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You’ll struggle less, work faster and enjoy mixing more!\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449583857767,"sku":"35065","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35065_1_427d3e08-7c24-42ec-9516-cb52f7c012b8.jpg?v=1787089566"},{"product_id":"great-river-mixmaster-20-27047-used","title":"Great River MixMaster 20 #27017 (Used)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eGreat River MixMaster 20\u003c\/span\u003e is a comprehensive analog centerpiece for your DAW based recording system. Tracking, editing, and mixing are all facilitated with this unit.\u003cbr\u003e\u003cbr\u003eThe MixMaster 20 includes four transformer coupled high gain low noise microphone preamplifiers that work with any type of microphone, ribbon, dynamic or condenser. Polarity and phantom power switching is provided on the front panel.\u003cbr\u003e \u003cbr\u003eLine and instrument duties are handled by transformer coupled input bridging amplifiers with wide gain ranges, suitable for anything from keyboards to tape machines.\u003cbr\u003e \u003cbr\u003eEach of the four input channels has a balanced insert point as well as four auxiliary output mix sends. Each channel may also be fed to the main stereo mix bus.\u003cbr\u003e \u003cbr\u003eMixing duties are handled by the four input channels plus the 16 transformer-less line input channels. Each of these channels has fully controllable level and pan settings to the stereo mix bus. Mix settings can be stored and recalled via the USB port and a GUI compatible with most digital recording programs is in development to make the MixMaster 20 an automated analog mixer.\u003cbr\u003e \u003cbr\u003eThe mixing is done passively, with the summing gain provided by transformer coupled mixing amplifiers. The balanced output of this stage is available as a patch point for the insertion of compressors, equalizers or other signal processing equipment. The return is also transformer balanced and feeds the Penny \u0026amp; Giles stereo fader and output line amplifier, also transformer coupled.\u003cbr\u003e \u003cbr\u003eControl room monitoring functions are also provided. These include a versatile solo system, multiple speaker system selector and level control, mix replay monitoring and talkback. Talkback feeds the cut outputs and dims the main monitoring system to aid communications and minimize feedback.","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449583988839,"sku":"35159","price":4195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35159_1_9f592013-56a7-4d05-a1c2-0916c3756c41.jpg?v=1787089567"},{"product_id":"spl-mix-dream-xp-9910295-used","title":"SPL Mix Dream XP #6910113 (Used)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL MixDreamXP\u003c\/span\u003e design plan provides for stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. In use, the MixDreamXP requires almost no departures from an engineer‘s usual working mode, so that all his trusted DAW features and familiar working routines remain available while the MixDreamXP seamlessly expands his aural mixing palette.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eActive analog summing on just 1U rack space—no analog mixing console necessary\u003c\/li\u003e\n\u003cli\u003eSophisticated, active Class A\/6oV stages for analog summing in the quality of the best consoles\u003c\/li\u003e\n\u003cli\u003eAll analog tracks can be summed before A\/D conversion.\u003c\/li\u003e\n\u003cli\u003eChannel adjustments and automation (level, panorama etc.) remain controlled from the DAW - no digital efficiency is lost\u003c\/li\u003e\n\u003cli\u003eLower DAW processor utilization rates\u003c\/li\u003e\n\u003cli\u003eLatency free monitoring\u003c\/li\u003e\n\u003cli\u003eSurround capable (from up to 3 MixDreamXP units)\u003c\/li\u003e\n\u003cli\u003eChannel capacity expandable through linked units\u003c\/li\u003e\n\u003cli\u003eProprietary differential amplifiers for each input\u003c\/li\u003e\n\u003c\/ul\u003e One MixDreamXP can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreamXP may be linked together. Owners of a MixDream, model 2384, can expand this unit with the cost effective MixDreamXP at an identical quality level and by the way, that‘s where the suffix „XP“ comes from (=Expansion).\u003cbr\u003e \u003cbr\u003e The MixDreamXP discrete class A technology is based on the same 60-volt rails (+\/- 30V) of the MixDream model 2384. Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a very low noise level of -97dBu and a dynamic range of 125dB. Thus the MixDreamXP easily reaches the technical level of the best analog consoles.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog vs. Digital Summing\u003c\/span\u003e\u003cbr\u003e Nowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? We at SPL don‘t know of anyone who says so. We do know that summing with the MixDreamXP creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions.\u003cbr\u003e \u003cbr\u003e These are analog summing results that we appreciate from past decades of the best analog technology. The MixDreamXP now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnection of Sampler, Keyboards etc.\u003c\/span\u003e\u003cbr\u003e Along with DAW audio tracks and effects machines or processors in the insert loops, samplers, keyboards and expanders may also be connected directly to the MixDreamXP. Then the Midi tracks need only be added in the DAW project, the outputs (for example, from a keyboard) are then routed directly to the MixDreamXP.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMono Controls\u003c\/span\u003e\u003cbr\u003e To save converter channels, all channels may be switched to Mono so that two signals can be converted by a paired D\/A.\u003cbr\u003e \u003cbr\u003e In this case such signals are characteristically chosen which would receive a more central placement in the stereo mix (e.g. kick, snare, lead vocal, bass). All channel pairs must otherwise be panned hard left\/right in the mix.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming\u003c\/span\u003e\u003cbr\u003e Tracks destined for analog summing are routed from the DAW to the MixDreamXP via A\/D converters. Identical converters are ideal to exclude level and sound differences.\u003cbr\u003e \u003cbr\u003e Although you may often wish to sum more than 16 tracks, a general recommendation to reduce track numbers is to route those tracks to a common output bus of the sequencing program which are not played back simultaneously in your arrangement. This way you avoid digital summing and your production benefits from the full potential of 100% analog summing.\u003cbr\u003e \u003cbr\u003e With mono signals one should switch these to mono mode to confine them to single D\/A converter, thereby avoiding the waste of having to use a D\/A pair for one mono track. In the DAW such signals must be panned hard left or right.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming of Subgroups\u003c\/span\u003e\u003cbr\u003e To reduce track numbers, there are two other options besides the above mentioned \"Summing\" tip:\u003cbr\u003e Well, you could buy additional MixDreamXP or sum your grouped tracks with the MixDreamXP itself.\u003cbr\u003e \u003cbr\u003e For example, if you've done a chorus backup in 16 solo tracks, you can adjust your panning in the DAW and the MixDreamXP sums a stereo mix which is recorded again—the sound benefits of analog summing are larger than the disadvantage of a further A\/D-D\/A conversion.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMixDreamXP in Mastering Applications\u003c\/span\u003e\u003cbr\u003e The MixDreamXP is predestined for mastering applications, as SPL planned its superior sound quality for just such occasions.\u003cbr\u003e \u003cbr\u003e Two applications are especially interesting: discrete Mastering, and up-sampling to SACD\/DVD-A formats. Normally a studio mastering engineer requires that a stereo file be made available for his or her work. But in such a mixdown, any problems (for example, significant variations in volume among instrumental subgroups) will mean equally significant limitations to your final mastering options. Instead, however, if one masters from a discrete mix with single tracks or subgroups, each of these can be adjusted just as easily and quickly in the mastering process - to the extent that even individual groups can be tweaked with different processing. Your final result is clearly better and the time needed, minimal - especially since it is less likely that a new mix will be called for.\u003cbr\u003e \u003cbr\u003e Multichannel sessions can be summed in the infinite resolution of analog signal processing equipment, something that may also be of special importance when an engineer wishes to up-sample to SACD or DVD-A.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLinking Several MixDream XP\u003c\/span\u003e\u003cbr\u003e An expansion connector provides for a second MixDream XP input should 16 channels not suffice. The Main Outputs of the second MixDream XP must be connected to the Expansion Inputs of the first unit; do not connect both Expansion Inputs.\u003cbr\u003e \u003cbr\u003e If more than three MixDream XP are to be summed, SPL recommends to employ a further MixDream XP as master - otherwise the signals from the first MixDream XP (to cite a \"worst case scenario“) would unnecessarily be summed in each following unit.\u003cbr\u003e \u003cbr\u003e In such a chain One MixDream XP is connected to the Expansion Inputs while all other units are connected to the usual (DB25) Input Channels.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449584840807,"sku":"35357","price":1050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35357_1_9bbd3144-f132-45a6-bcc3-ece00d53f3dd.jpg?v=1787089571"},{"product_id":"manley-16x2-line-mixer-m162l156-used","title":"Manley 16x2 Line Mixer #M162L156 (Used)","description":"\u003cb\u003eThe 16x2 comes in 3 flavors:\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe LINE version has 16 line inputs, with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss which is often less than great sounding. Folks with huge expensive keyboard rigs who have inexpensive mixers that just ain’t cutting it have also been grabbing up the Manley 16x2 LINE version mixers. \u003cbr\u003e \u003cbr\u003eWhat's in this thing?\u003cbr\u003e \u003cbr\u003eThe channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone plugs. It is perfectly happy with either balanced or unbalanced sources. There are balanced direct outputs on every channel post fade and pre cut for multi-track recording. \u003cbr\u003e \u003cbr\u003eEach channel uses the best sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise we know of no mixer ever with better headroom or higher output levels and, well, this mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1\/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. \u003cbr\u003e \u003cbr\u003eSorry we didn’t make this thing all-tube for \"ad appeal\" and sales hype. We certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps\/line drivers are right at the end and impart that \"Manley Sound\" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. \u003cbr\u003e \u003cbr\u003eMutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. Please! The Solo is of the \"mute everything else\" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. \u003cbr\u003e\u003cbr\u003eThe master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master section has an aux mix gain (master effects send) in the LINE version. There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. We included MUTE and DIM buttons plus a rotary switch to monitor the main mix, the mono mix, 2 track tape playback (more balanced inputs), the Ext inputs (for linked consoles or effects returns), and the aux mix (only on LINE version). \u003cbr\u003eThe dedicated power supply unit cranking out all the necessary filtered and regulated DC voltages to power up this beast is external further reducing noise and heat.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449584971879,"sku":"35369","price":5195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35369_1_3feceeb0-2c86-4130-8746-007e31ec538d.jpg?v=1787089571"},{"product_id":"api-7800-803-1017-used","title":"API 7800 #803.1017 (Used)","description":"Like new unit. Includes L100 PSU and API ribbon cable.\u003cbr\u003e\u003cbr\u003eServiced, with a 1 year warranty. \u003cbr\u003e\u003cbr\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449591918695,"sku":"36048","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36048_1_6544f614-1f6b-41ff-b8c5-17c1e0ba50cc.jpg?v=1787089600"},{"product_id":"api-8200-203-1051-used","title":"API 8200 #203.1051 (Used)","description":"\u003cb\u003eFeatures:\u003c\/b\u003e \u003cli\u003e8 Inputs \u003c\/li\u003e\u003cli\u003e2 Aux Sends \u003c\/li\u003e\u003cli\u003eLevel Control \u003c\/li\u003e\u003cli\u003ePan \u003c\/li\u003e\u003cli\u003eSolo \u003c\/li\u003e\u003cli\u003eMute  \u003c\/li\u003e\u003cli\u003eInsert \u003c\/li\u003e\u003cli\u003eD-sub Interface \u003c\/li\u003e \u003cp\u003eThe 8200 8 Channel Line Mixer allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. \u003c\/p\u003e\u003cp\u003eThe 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. \u003c\/p\u003e\u003cp\u003eRequires a 7800 Master Controller. Power Cable is included. May require ribbon cable.\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449591951463,"sku":"36049","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36049_1_0d1b51b4-75bd-4883-afd0-e6ef17a49b8e.jpg?v=1787089600"},{"product_id":"api-8200-203-1050-used","title":"API 8200 #203.1050 (Used)","description":"\u003cb\u003eFeatures:\u003c\/b\u003e \u003cli\u003e8 Inputs \u003c\/li\u003e\u003cli\u003e2 Aux Sends \u003c\/li\u003e\u003cli\u003eLevel Control \u003c\/li\u003e\u003cli\u003ePan \u003c\/li\u003e\u003cli\u003eSolo \u003c\/li\u003e\u003cli\u003eMute  \u003c\/li\u003e\u003cli\u003eInsert \u003c\/li\u003e\u003cli\u003eD-sub Interface \u003c\/li\u003e \u003cp\u003eThe 8200 8 Channel Line Mixer allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. \u003c\/p\u003e\u003cp\u003eThe 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. \u003c\/p\u003e\u003cp\u003eRequires a 7800 Master Controller. Power Cable is included. May require ribbon cable.\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449592016999,"sku":"36050","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36050_1_dec3e63a-fb0f-4a56-9be1-386412da0491.jpg?v=1787089600"},{"product_id":"api-8200-203-1021-used","title":"API 8200 #203.1021 (Used)","description":"\u003cb\u003eFeatures:\u003c\/b\u003e \u003cli\u003e8 Inputs \u003c\/li\u003e\u003cli\u003e2 Aux Sends \u003c\/li\u003e\u003cli\u003eLevel Control \u003c\/li\u003e\u003cli\u003ePan \u003c\/li\u003e\u003cli\u003eSolo \u003c\/li\u003e\u003cli\u003eMute  \u003c\/li\u003e\u003cli\u003eInsert \u003c\/li\u003e\u003cli\u003eD-sub Interface \u003c\/li\u003e \u003cp\u003eThe 8200 8 Channel Line Mixer allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. \u003c\/p\u003e\u003cp\u003eThe 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. \u003c\/p\u003e\u003cp\u003eRequires a 7800 Master Controller. Power Cable is included. May require ribbon cable.\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449592049767,"sku":"36051","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36051_1_a5751bf6-db67-4274-9a03-2cdb9cd93a15.jpg?v=1787089600"},{"product_id":"spl-mix-dream-xp-9910295-used-1","title":"SPL Mix Dream XP #9910295 (Used)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSPL MixDreamXP\u003c\/span\u003e design plan provides for stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. In use, the MixDreamXP requires almost no departures from an engineer‘s usual working mode, so that all his trusted DAW features and familiar working routines remain available while the MixDreamXP seamlessly expands his aural mixing palette.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eActive analog summing on just 1U rack space—no analog mixing console necessary\u003c\/li\u003e\n\u003cli\u003eSophisticated, active Class A\/6oV stages for analog summing in the quality of the best consoles\u003c\/li\u003e\n\u003cli\u003eAll analog tracks can be summed before A\/D conversion.\u003c\/li\u003e\n\u003cli\u003eChannel adjustments and automation (level, panorama etc.) remain controlled from the DAW - no digital efficiency is lost\u003c\/li\u003e\n\u003cli\u003eLower DAW processor utilization rates\u003c\/li\u003e\n\u003cli\u003eLatency free monitoring\u003c\/li\u003e\n\u003cli\u003eSurround capable (from up to 3 MixDreamXP units)\u003c\/li\u003e\n\u003cli\u003eChannel capacity expandable through linked units\u003c\/li\u003e\n\u003cli\u003eProprietary differential amplifiers for each input\u003c\/li\u003e\n\u003c\/ul\u003e One MixDreamXP can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreamXP may be linked together. Owners of a MixDream, model 2384, can expand this unit with the cost effective MixDreamXP at an identical quality level and by the way, that‘s where the suffix „XP“ comes from (=Expansion).\u003cbr\u003e \u003cbr\u003e The MixDreamXP discrete class A technology is based on the same 60-volt rails (+\/- 30V) of the MixDream model 2384. Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a very low noise level of -97dBu and a dynamic range of 125dB. Thus the MixDreamXP easily reaches the technical level of the best analog consoles.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog vs. Digital Summing\u003c\/span\u003e\u003cbr\u003e Nowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? We at SPL don‘t know of anyone who says so. We do know that summing with the MixDreamXP creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions.\u003cbr\u003e \u003cbr\u003e These are analog summing results that we appreciate from past decades of the best analog technology. The MixDreamXP now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnection of Sampler, Keyboards etc.\u003c\/span\u003e\u003cbr\u003e Along with DAW audio tracks and effects machines or processors in the insert loops, samplers, keyboards and expanders may also be connected directly to the MixDreamXP. Then the Midi tracks need only be added in the DAW project, the outputs (for example, from a keyboard) are then routed directly to the MixDreamXP.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMono Controls\u003c\/span\u003e\u003cbr\u003e To save converter channels, all channels may be switched to Mono so that two signals can be converted by a paired D\/A.\u003cbr\u003e \u003cbr\u003e In this case such signals are characteristically chosen which would receive a more central placement in the stereo mix (e.g. kick, snare, lead vocal, bass). All channel pairs must otherwise be panned hard left\/right in the mix.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming\u003c\/span\u003e\u003cbr\u003e Tracks destined for analog summing are routed from the DAW to the MixDreamXP via A\/D converters. Identical converters are ideal to exclude level and sound differences.\u003cbr\u003e \u003cbr\u003e Although you may often wish to sum more than 16 tracks, a general recommendation to reduce track numbers is to route those tracks to a common output bus of the sequencing program which are not played back simultaneously in your arrangement. This way you avoid digital summing and your production benefits from the full potential of 100% analog summing.\u003cbr\u003e \u003cbr\u003e With mono signals one should switch these to mono mode to confine them to single D\/A converter, thereby avoiding the waste of having to use a D\/A pair for one mono track. In the DAW such signals must be panned hard left or right.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming of Subgroups\u003c\/span\u003e\u003cbr\u003e To reduce track numbers, there are two other options besides the above mentioned \"Summing\" tip:\u003cbr\u003e Well, you could buy additional MixDreamXP or sum your grouped tracks with the MixDreamXP itself.\u003cbr\u003e \u003cbr\u003e For example, if you've done a chorus backup in 16 solo tracks, you can adjust your panning in the DAW and the MixDreamXP sums a stereo mix which is recorded again—the sound benefits of analog summing are larger than the disadvantage of a further A\/D-D\/A conversion.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMixDreamXP in Mastering Applications\u003c\/span\u003e\u003cbr\u003e The MixDreamXP is predestined for mastering applications, as SPL planned its superior sound quality for just such occasions.\u003cbr\u003e \u003cbr\u003e Two applications are especially interesting: discrete Mastering, and up-sampling to SACD\/DVD-A formats. Normally a studio mastering engineer requires that a stereo file be made available for his or her work. But in such a mixdown, any problems (for example, significant variations in volume among instrumental subgroups) will mean equally significant limitations to your final mastering options. Instead, however, if one masters from a discrete mix with single tracks or subgroups, each of these can be adjusted just as easily and quickly in the mastering process - to the extent that even individual groups can be tweaked with different processing. Your final result is clearly better and the time needed, minimal - especially since it is less likely that a new mix will be called for.\u003cbr\u003e \u003cbr\u003e Multichannel sessions can be summed in the infinite resolution of analog signal processing equipment, something that may also be of special importance when an engineer wishes to up-sample to SACD or DVD-A.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLinking Several MixDream XP\u003c\/span\u003e\u003cbr\u003e An expansion connector provides for a second MixDream XP input should 16 channels not suffice. The Main Outputs of the second MixDream XP must be connected to the Expansion Inputs of the first unit; do not connect both Expansion Inputs.\u003cbr\u003e \u003cbr\u003e If more than three MixDream XP are to be summed, SPL recommends to employ a further MixDream XP as master - otherwise the signals from the first MixDream XP (to cite a \"worst case scenario“) would unnecessarily be summed in each following unit.\u003cbr\u003e \u003cbr\u003e In such a chain One MixDream XP is connected to the Expansion Inputs while all other units are connected to the usual (DB25) Input Channels.","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449599225959,"sku":"36921","price":1050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36921_1_5387568f-d889-4c20-82d5-d62894c558c4.jpg?v=1787089633"},{"product_id":"dangerous-music-d-box-284-used","title":"Dangerous Music D-BOX #284 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449602142311,"sku":"37252","price":1150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37252_1_f88edcaf-6892-4dc8-8182-d3d824a18338.jpg?v=1787089646"},{"product_id":"chandler-mini-mixer-with-psu-000022-used","title":"Chandler Mini Mixer with PSU #000022 (Used)","description":"The Chandler Limited Mini Mixer is the culmination of Chandlers experience working with many types of vintage, discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60's and 70's that have been Chandlerized for modern usage. Each Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandlers other products but has been redesigned for use in this mixer. The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for todays digital environment. In addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.\u003cb\u003e \u003c\/b\u003e\u003cbr\u003e \u003cp\u003e\u003cb\u003eRead what others are saying:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\"My first impression was that the difference that the Mini Rack Mixer makes is bigger than the difference mastering makes... The Chandler Mini Rack Mixer will inevitably get compared to all the new summing boxes, but because of its 100% discrete design, Class-A line amps, transformer balanced I\/O-and resulting sound quality-it has no real competition short of a vintage Neve console.\"\u003cbr\u003e\u003cb\u003eMike Caffrey, Tape Op #49 Sept\/Oct 2005\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"We weren't necessarily in the market for another mixer, but we've learned that it's definitely worthwhile to check out anything Chandler is coming out with! It's such a well thought out and designed unit and like everything Chandler makes, it sounds awesome. It seems everything sounds better when run through the Chandler line amps! It's incredibly versatile and useful as a sidecar, line mixer or summing device plus it's great to have as the control section for a Pro Tools room.\"\u003cbr\u003e\u003cb\u003e- Billy Bush, engineer for Garbage and Butch Vig\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\"...gotta say it does sound amazing. It is a beautiful piece of gear........and made a huge difference as soon as I was able to split out multiple tracks and recombine thru a proper stereo buss....it sounded warm and really fat...it made my speakers come alive! my mix sounded clearer and the vocal had especially nice detail...........Also, it's very easy to use....\"\u003cbr\u003e\u003cb\u003e- Joe Barresi\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eI am absolutely stunned by your mixer. It may be sacrilegious to say, but the Chandler has become my preferred choice in virtually every instance that I have would normally desired a vintage Neve console (in fact, I ditched the one I previously had). This makes absolutely no sense to me, hence I would suggest that you have made some sort of pact with Satan to fabricate such a thing. Heaven help you, but thanks all the same for creating such a remarkable recording device.\u003cbr\u003e\u003cb\u003e- Michael Beinhorn\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449603027047,"sku":"36242","price":4995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36242_1_68ac35f2-7184-4ad0-a2d0-004996966b89.jpg?v=1787089650"},{"product_id":"manley-16x2-line-mixer-m162l129-used","title":"Manley 16x2 Line Mixer #M162L129 (Used)","description":"\u003cb\u003eThe 16x2 comes in 3 flavors:\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe LINE version has 16 line inputs, with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss which is often less than great sounding. Folks with huge expensive keyboard rigs who have inexpensive mixers that just ain‚Äôt cutting it have also been grabbing up the Manley 16x2 LINE version mixers. \u003cbr\u003e \u003cbr\u003eWhat's in this thing?\u003cbr\u003e \u003cbr\u003eThe channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone plugs. It is perfectly happy with either balanced or unbalanced sources. There are balanced direct outputs on every channel post fade and pre cut for multi-track recording. \u003cbr\u003e \u003cbr\u003eEach channel uses the best sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch‚Äôs circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise we know of no mixer ever with better headroom or higher output levels and, well, this mixer‚Äôs subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1\/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. \u003cbr\u003e \u003cbr\u003eSorry we didn‚Äôt make this thing all-tube for \"ad appeal\" and sales hype. We certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps\/line drivers are right at the end and impart that \"Manley Sound\" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. \u003cbr\u003e \u003cbr\u003eMutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. Please! The Solo is of the \"mute everything else\" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED‚Äôs to clearly indicate when they‚Äôre selected. \u003cbr\u003e\u003cbr\u003eThe master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master section has an aux mix gain (master effects send) in the LINE version. There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. We included MUTE and DIM buttons plus a rotary switch to monitor the main mix, the mono mix, 2 track tape playback (more balanced inputs), the Ext inputs (for linked consoles or effects returns), and the aux mix (only on LINE version). \u003cbr\u003eThe dedicated power supply unit cranking out all the necessary filtered and regulated DC voltages to power up this beast is external further reducing noise and heat.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449608499303,"sku":"37483","price":5195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37483_1_3b60ec42-a1e3-4dd9-b4f5-634c26ce18a4.jpg?v=1787089674"},{"product_id":"manley-16x2-mic-mixer-m16m143-used","title":"Manley 16x2 Mic Mixer #M16M143 (Used)","description":"\u003cb\u003eThe 16x2 comes in 3 flavors:\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe LINE version has 16 line inputs, with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss which is often less than great sounding. Folks with huge expensive keyboard rigs who have inexpensive mixers that just ain‚Äôt cutting it have also been grabbing up the Manley 16x2 LINE version mixers. \u003cbr\u003e \u003cbr\u003eWhat's in this thing?\u003cbr\u003e \u003cbr\u003eThe channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone plugs. It is perfectly happy with either balanced or unbalanced sources. There are balanced direct outputs on every channel post fade and pre cut for multi-track recording. \u003cbr\u003e \u003cbr\u003eEach channel uses the best sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch‚Äôs circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise we know of no mixer ever with better headroom or higher output levels and, well, this mixer‚Äôs subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1\/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. \u003cbr\u003e \u003cbr\u003eSorry we didn‚Äôt make this thing all-tube for \"ad appeal\" and sales hype. We certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps\/line drivers are right at the end and impart that \"Manley Sound\" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. \u003cbr\u003e \u003cbr\u003eMutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. Please! The Solo is of the \"mute everything else\" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED‚Äôs to clearly indicate when they‚Äôre selected. \u003cbr\u003e\u003cbr\u003eThe master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master section has an aux mix gain (master effects send) in the LINE version. There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. We included MUTE and DIM buttons plus a rotary switch to monitor the main mix, the mono mix, 2 track tape playback (more balanced inputs), the Ext inputs (for linked consoles or effects returns), and the aux mix (only on LINE version). \u003cbr\u003eThe dedicated power supply unit cranking out all the necessary filtered and regulated DC voltages to power up this beast is external further reducing noise and heat.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449608990823,"sku":"37459","price":5795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37459_1_8a0d1c97-1335-4924-84a0-646ee3016dbc.jpg?v=1787089676"},{"product_id":"ssl-x-rack-eight-input-module-145526-used","title":"SSL X-Rack Eight Input Module #145526 (Used)","description":"The \u003cb\u003eSSL XRack Eight Input Module\u003c\/b\u003e was developed in response to requests from X-Rack users for a line input module designed to accommodate larger quantities of stereo line level inputs from studio sources such as multichannel audio interfaces, sub mixers and synthesizers.\u003cbr\u003e\u003cbr\u003eThe Eight Input Module offers greater connectivity than the Four Input Module but does not offer independent Level, Solo \u0026amp; Pan control. The Four and Eight Input Modules are both designed for use in conjunction with the recently released Master Bus Module, the summing, metering \u0026amp; control room module that enables users to configure the X-Rack as a multi input, dual stereo bus mini SSL summing mixer with Total Recall®. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eKey features of the X-Rack Eight Input Module include:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eEight line level inputs configured as four stereo pairs \u003c\/li\u003e\n\u003cli\u003eMono\/stereo switching for each stereo pair \u003c\/li\u003e\n\u003cli\u003eAdditional insert points for inputs 1\u0026amp;2 and 3\u0026amp;4 \u003c\/li\u003e\n\u003cli\u003eIndependent On\/Off switches for each stereo pair. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449613348967,"sku":"37669","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37669_1_9cca99d0-c9be-4ea4-8bcc-178ccec3f6f7.jpg?v=1787089695"},{"product_id":"dangerous-d-box-1421-used","title":"Dangerous D-Box #1421 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449614364775,"sku":"37648","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37648_1_4e44c82f-e12e-4754-be23-5bb51770de54.jpg?v=1787089700"},{"product_id":"manley-16x2-mic-line-mixer-8-8-62mi255-used","title":"Manley 16x2 Mic\/Line Mixer 8+8 #62MI255 (Used)","description":"Clean example of this unit.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449616560231,"sku":"37819","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37819_1_7438f62c-9856-4fd5-a70d-35b981246f4e.jpg?v=1787089710"},{"product_id":"dangerous-d-box-568-used","title":"Dangerous D-Box #568 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449616920679,"sku":"37755","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37755_1_76f4cdc8-292d-4fc6-9506-78d46df9332d.jpg?v=1787089712"},{"product_id":"dangerous-d-box-2138-used","title":"Dangerous D-Box #2138 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":44449620361319,"sku":"37776","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37776_1_6c7b2a53-4a4e-424d-8352-20df5dbae8d1.jpg?v=1787089727"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/used-vintage-summing-line-mixers.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}