{"title":"Used \u0026 Vintage","description":null,"products":[{"product_id":"peluso-microphone-lab-2247-se-a02017-used","title":"Peluso Microphone Lab 2247 SE #A02017 (Used)","description":"\u003cp\u003eThis microphone is inspired by and styled after the \"Neumann U-47\", which was modified by German Radio in the '70s to incorporate a glass triode tube. That modification brought it up to broadcast standards.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e The Peluso 22 47 \u003c\/strong\u003ehas the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original \"47\" with smooth mids and balanced highs.\u003cbr\u003e\u003cbr\u003e The microphone comes as a complete system, with Microphone in Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. Hand built in the USA. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003cbr\u003e Type: Condenser Pressure Gradient with 34mm capsule\u003cbr\u003e Frequency Range: 20Hz - 22Khz\u003cbr\u003e Polar Pattern: 9 - Switchable from omni- to bi-directional\u003cbr\u003e Sensitivity: 12mv\/pa\u003cbr\u003e Impedance: 200 ohms\u003cbr\u003e SPL: 140 db\u003cbr\u003e Equivalent Noise: 12 db (A-weighted)\u003cbr\u003e Tube Type: CE6072A\u003cbr\u003e Power Requirements: Dedicated Power Supply\u003cbr\u003e Size: 58mm x 200 mm\u003cbr\u003e Weight: 775 g \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eAbout Peluso Microphone Lab\u003c\/strong\u003e\u003cbr\u003e Each of our microphones are hand-crafted, using the finest components. All the tubes in our microphones have been tested and hand selected in our lab to insure the highest quality and lowest noise possible. We carefully test and listen to each microphone, and all the components of systems, during construction and prior to shipment. Our commitment is to bring you the best possible microphone at a fair and affordable price. \u003cbr\u003e\u003cbr\u003e We have a full service repair lab with an extensive stock of vintage parts and a full service diaphragm repair lab. We offer the benefit of twenty-six years of experience repairing and restoring all brands of vintage and modern Microphones.\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449231208551,"sku":"9783","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_peluso_microphone_labs_2247_se__a02017_cat_2.jpg?v=1787088233"},{"product_id":"api-560a-used","title":"API 560a (Used)","description":"Vintage Avedis modfied 70s issue graphic EQ, predecessor to the 560B and 560 now available. 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On May 8, the Beatles released their final album, Let It Be, and two days later, Rupert Neve released the original 1073 microphone pre-amplifier with EQ. It remains the most desirable Class A discrete transistor mic pre to this day.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEQ controls are: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFixed 12 kHz high-shelf\u003c\/li\u003e\n\u003cli\u003eHighpass filter at four frequencies (50-80-160-300 Hz) \u003c\/li\u003e\n\u003cli\u003eLow EQ at four frequencies (35-60-110-220 Hz)\u003c\/li\u003e\n\u003cli\u003eHi-mid EQ at six frequencies (360-700 Hz - 1.6-3.2-4.8-7.2 KHz) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eAlso includes 30 dB of range for line gain or 60 dB for mic gain, phase reverse, and EQ bypass \u003cbr\u003e\u003cbr\u003eServiced unit. All pots, switches and card connector edges cleaned. Any faults corrected. Our servicing is regarded as the best in the industry worldwide !\u003cbr\u003e\u003cbr\u003eStereo matching is available. Also, a pair can be VK racked in our 2 channel, 3u chassis, or a single can be racked in our 2u, single channel chassis. VK Racks are expertly crafted, coming with 48v, output attenuation pots, XLR i\/o's, internal and selectable 110v\/220v PSU.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449358872679,"sku":"978","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve_1073_vintage.jpg?v=1787088697"},{"product_id":"genelec-1035a-used","title":"Genelec 1035A (Used)","description":"\u003cp\u003e\u003cspan style=\"font-size: small; color: #333333;\"\u003e\u003cspan id=\"internal-source-marker_0.22840709650437296\" style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eGenelec 1035A\u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e is an extremely powerful monitor system, designed for large control  rooms. It consists of a 600 liter speaker enclosure and a 19\"  electronics rack, which contains active crossovers, three channel power  amplifiers and sophisticated protection and diagnostic circuitry. The  speakers are designed for flush mounting in the control room wall,  although they may be used free standing and can produce peak sound  pressure levels in excess of 136 dB.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eBass,  midrange and treble controls are included to allow the speakers to be  matched to the acoustic conditions in different control rooms. The  sensitivity of the system to its environment is minimized by the unique  Directivity Control Waveguide (DCW) Technology, which provides excellent  stereo imaging and frequency balance even in difficult acoustic  situations. The system can be used in both vertical and horizontal  orientations by simply rotating the DCW unit.\u003c\/span\u003e\u003c\/p\u003e","brand":"Genelec","offers":[{"title":"Default Title","offer_id":44449380761703,"sku":"12543","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/genelec_1035b.jpg?v=1787088785"},{"product_id":"chandler-psu-1-for-tg-ltd-and-germanium-series-used","title":"Chandler PSU-1 for TG, LTD and Germanium Series (Used)","description":"Very clean used example of this psu. 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Includes Flex cable.","brand":"Digidesign","offers":[{"title":"Default Title","offer_id":44449403895911,"sku":"15497","price":375.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid___digidesign_hd_accel_card_pci__used__3071367_370f6526-f681-470d-94b7-48f438e6aac3.jpg?v=1787088870"},{"product_id":"lynx-studio-technology-aurora-8-hd-used","title":"Lynx Studio Technology Aurora 8 (Used)","description":"\u003cul\u003e\n\u003cli\u003e8-channel 24-bit \/ 192 kHz Analog I\/O \u003c\/li\u003e\n\u003cli\u003e8-channel 24-bit \/ 192 kHz Digital I\/O \u003c\/li\u003e\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eAurora 16 and Aurora 8 are 16 and 8 channel 24-bit\/192 kHz analog-to-digital\/digital-to-analog converters in a single-space rack-mount case. Representing Lynx Studio Technology’s first rack-mount product, Aurora was developed using the next generation of Lynx acclaimed conversion technology and rock-solid digital interface circuitry. Both units are identical in features and specifications except for the number of I\/O channels.\u003c\/p\u003e\n\u003cp\u003eAurora provides professional I\/O interfaces for ease of installation in most studios and live sound applications. The analog I\/O is electronically balanced and supports both +4dBU and –10dBV nominal levels. The AES digital I\/O is transformer coupled and is capable of driving 500 feet of cable at 192kHz. Both dual and single-wire AES channel modes are supported.\u003c\/p\u003e\n\u003cp\u003eAurora’s ergonomically designed front panel provides easy access to important controls and signal status. Unique to this product class, Aurora also offers extensive remote control capability. All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.\u003c\/p\u003e\n\u003cp\u003eThe on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.\u003c\/p\u003e\n\u003cp\u003eThe LSlot expansion port accepts cards that provide compatibility with current and emerging digital interface standards, including ADAT and others.\u003c\/p\u003e\n\u003cp\u003eLynx’s proprietary SynchroLock™ jitter reduction technology, from the AES16, is also included. This exclusive feature provides extreme jitter reduction of up to 3000:1, allowing Aurora to output an extremely clean clock output for driving the digital audio system.\u003c\/p\u003e\n\u003cp\u003eAll analog and digital connections use DB25 connectors with industry standard pin-outs which are compatible with off-the-shelf cables from Lynx as well as from manufacturers such as Mogami, ProCo, Hosa and others.\u003c\/p\u003e","brand":"Lynx Studio Technology","offers":[{"title":"Default Title","offer_id":44449403928679,"sku":"16564","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_lynx_studio_tech_aurora_8_cat_fe54a66d-072a-4828-b8ef-58edc720eab4.jpg?v=1787088870"},{"product_id":"amek-9098i-72-channel-console-vintage","title":"Amek 9098i 72 Channel Console (Vintage)","description":"\u003cp\u003eBeautiful 9098i loaded 72-channel console. Has lived the majority of its life in a private non-smoking home studio.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe 9098i is a fantastic tracking and mixing desk, with very versatile routing options. Full Sail Recording Studios liked them so much they installed three of the consoles in their training facility, teaching up-and-coming engineers on one of the best analog consoles available.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003chr\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eOccupying the flagship position in the Amek product range, the \u003cstrong\u003eAmek 9098i\u003c\/strong\u003e was quite simply the definitive master recording console of all time. Conceived by the brilliance of Mr. Rupert Neve, the 9098i was been made possible by Amek's innovative approach and ability to realize its designer's ideals. \u003cbr\u003e\u003cbr\u003eRuling its rivals from the summit of analog console design the 9098i came with the advantage of being engineered from the ground up in pursuit of sonic excellence. Possessing an unrivaled quality of audio circuitry, the 9098i achieved performance figures known to be unreachable in the digital domain and previously considered extreme even for analogue engineering.\u003cbr\u003e\u003cbr\u003ePrimarily a Music Recording console, the 9098i was specified with the future in mind by addressing multichannel formats up to and including 5.1. This built-in flexibility also made the 9098i a serious consideration for a variety of production applications where sonic performance ruled and where no compromises were acceptable.\u003cbr\u003e\u003cbr\u003eSupertrue™ fader, switch and event automation was included as standard. This not only permits fast, precise and flexible control of console settings, but also ensures a successful commercial venture through delivery of intuitive and familiar ease of operation. Supertrue™ encompasses Virtual Dynamics™, Recall, Visual FX, synchronization to incoming SMPTE and software control of external devices.\u003cbr\u003e\u003cbr\u003eMany companies have tried to couple that 'classic' analog sound with the best in console automation, but only Amek was able to achieve this magic combination with the 9098i.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIn-line architecture\u003c\/li\u003e\n\u003cli\u003eClassic Mr. Rupert Neve Mic Amps with 0-78dB Gain\u003c\/li\u003e\n\u003cli\u003eMr. Rupert Neve designed 4 band Equalizer \u0026amp; swept filters\u003c\/li\u003e\n\u003cli\u003e5.1 monitoring and mixing capability\u003c\/li\u003e\n\u003cli\u003eSupertrue™ moving fader automation\u003c\/li\u003e\n\u003cli\u003eBoth signal paths automated on P \u0026amp; G faders\u003c\/li\u003e\n\u003cli\u003eVirtual Dynamics on both signal paths\u003c\/li\u003e\n\u003cli\u003eRecall\u003c\/li\u003e\n\u003cli\u003eExtensive machine control\u003c\/li\u003e\n\u003cli\u003eVisual FX\u003c\/li\u003e\n\u003cli\u003eBalanced Inserts on both signal paths\u003c\/li\u003e\n\u003cli\u003eTransformer outputs on insert sends and buss outputs\u003c\/li\u003e\n\u003cli\u003eChannel and monitor motorized faders\u003c\/li\u003e\n\u003cli\u003e48 track routing matrix\u003c\/li\u003e\n\u003cli\u003eLCRS buss \u0026amp; 4 additional Stereo busses\u003c\/li\u003e\n\u003cli\u003e16 automated aux sends - 8 mono \u0026amp; 4 stereo sends being switchable to 8 mono sends\u003c\/li\u003e\n\u003cli\u003eTFT Screen showing Supertrue automation\u003c\/li\u003e\n\u003cli\u003e16 user definable keys\u003c\/li\u003e\n\u003cli\u003eQuick control keys\u003c\/li\u003e\n\u003cli\u003eComprehensive talkback\u003c\/li\u003e\n\u003cli\u003eCentral assignment panel\u003c\/li\u003e\n\u003cli\u003e144 line in at mix\u003c\/li\u003e\n\u003cli\u003e72 mic pres\u003c\/li\u003e\n\u003cli\u003e4x band plus sweepable HP\/LP filters\u003c\/li\u003e\n\u003cli\u003e16x aux send \u003c\/li\u003e\n\u003cli\u003e4x stereo returns on faders \u003c\/li\u003e\n\u003cli\u003e4x stereo on rotaries\u003c\/li\u003e\n\u003cli\u003e48 buss\u003c\/li\u003e\n\u003cli\u003eSuperTrue moving fader automation\u003c\/li\u003e\n\u003cli\u003e144 moving faders in total (this includes center section and returns)\u003c\/li\u003e\n\u003cli\u003e4x 96 point bays w\/50’ Mogami\u003c\/li\u003e\n\u003cli\u003e75’ PSU cabling\u003c\/li\u003e\n\u003cli\u003e13'6\" wide \"un-winged\" 15'11\" wide \"winged\" at widest point. 5' deep\u003c\/li\u003e\n\u003cli\u003eMaintained on site yearly by Amek guru David Rochester\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Amek","offers":[{"title":"Default Title","offer_id":44449403961447,"sku":"17787","price":95000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/amek_9098i_72-channel_console_main_4b0bed54-fe73-47bd-9272-d646bcb7247e.jpg?v=1787088870"},{"product_id":"api-1608-16-channel-console-used","title":"API 1608 16-Channel Console (Used)","description":"Beautiful condition API 1608 loaded with: \u003cbr\u003e\u003cul\u003e\n\u003cli\u003e(12) API 550a EQ \u003c\/li\u003e\n\u003cli\u003e(4) 560 EQ \u003c\/li\u003e\n\u003cli\u003e(2) API 525 Compressors \u003c\/li\u003e\n\u003cli\u003e(1) Shadow Hills Mono Optogragh compressor \u003c\/li\u003e\n\u003cli\u003e3x Audio Accessories Shorti Quick Switch DB25\/TT 96 point patchbays\u003c\/li\u003e\n\u003cli\u003eMogami Gold 15' snakes bringing console terminations to the patchbays \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCustom Sterling Modular 1608 furniture. \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449404026983,"sku":"19144","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_1608_1_1_4_bd17b542-bd4a-4614-bfb5-38b54d80ac2d.jpg?v=1787088870"},{"product_id":"lynx-studio-technology-aurora-8-hd-w-lt-adat-used","title":"Lynx Studio Technology Aurora 8 w\/ LT-ADAT (Used)","description":"Features:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e8-channel 24-bit \/ 192 kHz Analog I\/O \u003c\/li\u003e\n\u003cli\u003e8-channel 24-bit \/ 192 kHz Digital I\/O \u003c\/li\u003e\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\u003cli\u003eLT-ADAT card pre-installed\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eAurora 16 and Aurora 8 are 16 and 8 channel 24-bit\/192 kHz analog-to-digital\/digital-to-analog converters in a single-space rack-mount case. Representing Lynx Studio Technology’s first rack-mount product, Aurora was developed using the next generation of Lynx acclaimed conversion technology and rock-solid digital interface circuitry. Both units are identical in features and specifications except for the number of I\/O channels.\u003cp\u003eAurora provides professional I\/O interfaces for ease of installation in most studios and live sound applications. The analog I\/O is electronically balanced and supports both +4dBU and –10dBV nominal levels. The AES digital I\/O is transformer coupled and is capable of driving 500 feet of cable at 192kHz. Both dual and single-wire AES channel modes are supported.\u003c\/p\u003e\u003cp\u003eAurora’s ergonomically designed front panel provides easy access to important controls and signal status. Unique to this product class, Aurora also offers extensive remote control capability. All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.\u003c\/p\u003e\u003cp\u003eThe on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.\u003c\/p\u003e\u003cp\u003eThe LSlot expansion port accepts cards that provide compatibility with current and emerging digital interface standards, including ADAT and others.\u003c\/p\u003e\u003cp\u003eLynx’s proprietary SynchroLock™ jitter reduction technology, from the AES16, is also included. This exclusive feature provides extreme jitter reduction of up to 3000:1, allowing Aurora to output an extremely clean clock output for driving the digital audio system.\u003c\/p\u003e\u003cp\u003eAll analog and digital connections use DB25 connectors with industry standard pin-outs which are compatible with off-the-shelf cables from Lynx as well as from manufacturers such as Mogami, ProCo, Hosa and others.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLT-ADAT\u003c\/p\u003e\u003cbr\u003eThe LT-ADAT adds up to 16 Lightpipe inputs and outputs to Aurora's already powerful I\/O capabilities. LT-ADAT is an LSlot device for Lynx Aurora 8 and Aurora 16 converters that adds up to 16 channels of high-performance ADAT Lightpipe input and output. The LT-ADAT is a full-function ADAT interface that provides two ADAT Lightpipe inputs and two outputs. Operating at a sample rate of 48 kHz, the LT-ADAT I\/O channel capacity is 16. Higher sample rates are supported using S\/MUX technology: 8 channels at 96 kHz and 4 channels at 192 kHz.\u003cp\u003eEasily installed inside the Aurora 16 and Aurora 8, the LT-ADAT connects via ribbon cable to the host converter. Channel routing is controlled from the Aurora front panel or by computer via the Lynx AES16. The LT-ADAT clock can be slaved to Aurora or a Lightpipe optical signal. Even when slaving to Lightpipe, Aurora’s SynchroLock technology provides immunity to high levels of jitter, which is typical in optical signals.\u003c\/p\u003e\u003cp\u003eLT-ADAT also allows Aurora to function as a bi-directional format converter, converting ADAT to AES\/EBU and analog and back to ADAT. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAdds 16 Lightpipe I\/O channels at up to 48 kHz to Aurora converters\u003c\/li\u003e\n\u003cli\u003eHigher sample rates attainable via S\/MUX technology\u003c\/li\u003e\n\u003cli\u003eEasily installed into Aurora’s LSlot bay\u003c\/li\u003e\n\u003cli\u003eControlled via Aurora front panel or by computer via AES16.\u003c\/li\u003e\n\u003cli\u003eADAT\/AES-EBU bidirectional format converter\u003c\/li\u003e\n\u003cli\u003eFlexible clocking options\u003c\/li\u003e\n\u003cli\u003eFPGA core allows field upgraded of firmware\u003c\/li\u003e\n\u003cli\u003eRoHS compliant\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx Studio Technology","offers":[{"title":"Default Title","offer_id":44449403994215,"sku":"17086","price":1345.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lynx_studio_technology_aurora_8_w__lt-adat__used__4904922_308089ae-7b63-419a-8233-fd29153fff09.jpg?v=1787088870"},{"product_id":"tonelux-fx2-module-used","title":"Tonelux FX2+ Module (used)","description":"\u003cp\u003eThe\u003cstrong\u003eTonelux FX2+ Mixer\u003c\/strong\u003eis a dual stereo line mixer with a simple pair of level controls and a pair of panners. \u003c\/p\u003e\r\n\u003cp\u003eThe Pan control is a standard stereo pan circuit with a center detent. The FX2 has a unique Mute circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFX2+ \"AUX MSTR\" \u003c\/strong\u003eis an Optional send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, \u003cstrong\u003eall in one 3U rack\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe rear panel feature connector provides for an external fader for the send master option on the FX2+.\u003c\/p\u003e\r\n\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required.\u003c\/p\u003e\r\n\u003cp\u003eWhen used with the MX2 series, the addition of 4 FX2 modules will give you 8 returns and the masters for the 4 sends on the MX2, saving you the space of having 4 SM1 master modules.\u003c\/p\u003e\r\n\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to 8 sends from each MX2, including the onboard set of 4 sends.\u003c\/p\u003e\r\n\u003cp\u003eThis module, when used as a simple external summing module, will bring down the cost of a DAW external mixing system considerably.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449404190823,"sku":"12890","price":337.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fx2_used_pb_90a210a7-b7cd-4f40-bfbb-e4b556f3ed00.jpg?v=1787088871"},{"product_id":"trident-series-24-28-channel-console-vintage","title":"Trident Series 24 28-Channel Console (Vintage)","description":"Clean, well maintained console, with some minor quirks.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRecently refurbished by Matt Marinelli of Coral Sound, including having all of the modules recapped, (some of the electrolytics being replaced with bipolar capacitors); all module controls cleaned and lubricated; the master module given a new P\u0026amp;G master stereo fader and a new stereo CR monitor pot. Refurb also included several NOS rebuilt Acopian Gold Box power supplies, replacement of the original Cinch Jones power connector with a locking EP power connector, and an all new power and ground distribution system for the frame with 16ga cable. \u003cbr\u003e\u003cbr\u003eConsole is being sold “as-is”. Some issues with the console are: \u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cbr\u003eThe meter lights are not functioning. LEDs have been installed on one of the meters and the rest of them are prepared for installation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cbr\u003eThe \"solo\" light does not light up.\u003c\/li\u003e\n\u003cli\u003e\n\u003cbr\u003eThe phantom power is not functioning. \u003c\/li\u003e\n\u003cli\u003e\n\u003cbr\u003eThe mic amp on input channel 1 needs replacing. \u003c\/li\u003e\n\u003cli\u003e\n\u003cbr\u003eThe Solo Master pot cuts into full volume intermittently.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e24x channel monitor section dumps into 2 mix w\/aux sends, hi\/lo eq, long throw faders. \u003c\/li\u003e\n\u003cli\u003e28x mic or line inputs \u003c\/li\u003e\n\u003cli\u003e24x buss\u003c\/li\u003e\n\u003cli\u003e3x band EQ with sweepable mid, fixed top and bottom, sweepable hi pass filter \u003c\/li\u003e\n\u003cli\u003e8x aux sends, \u003c\/li\u003e\n\u003cli\u003e8x stereo aux returns, \u003c\/li\u003e\n\u003cli\u003e24x channel monitor section with hi-lo EQ, and aux sends, Monitors dump to main mix with fader, pan, mute and solo. \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"Default Title","offer_id":44449404289127,"sku":"17658","price":5995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_trident_24_series_cat_ed953733-94e4-4def-a32c-065783897ac0.jpg?v=1787088871"},{"product_id":"c-bechstein-grand-piano-used","title":"C. Bechstein Grand Piano (Used)","description":"Grand Piano","brand":"Vintage King Audio","offers":[{"title":"Default Title","offer_id":44449404354663,"sku":"14966","price":45000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_c_bechstein_1_f7663c92-b80f-4cca-ae59-102172729682.jpg?v=1787088871"},{"product_id":"akg-c61-vintage","title":"AKG C61 (Used)","description":"Comes with CK28 cardioid capsule and 7586 tube. Microphone only, no cable or psu.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDetailed tone with musical sounding amplifier. Tight lows, sweet mids with an open top end. More forgiving sounding than current 451 versions now available new. Very nice choice for hi-hat, overheads, acoustic guitars, most stringed instruments, piano, etc.\u003cbr\u003e\u003cbr\u003eThe C61 was a cousin of the C60, using a Nuvistor tube instead of the AC701. One of the last of the original tube mics manufactured by AKG before the transistors took over, it was only made for a few years in the late 1960s.","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449404387431,"sku":"1294","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_c61__used__4197591_e776fb25-9638-449a-b1a8-db1aa00626d9.jpg?v=1787088871"},{"product_id":"sennheiser-md-421-ii-vintage","title":"Sennheiser MD 421 II (Vintage)","description":"\u003cp\u003eUsed on more recordings than almost any other dynamic microphone.\u003cbr\u003e\u003cbr\u003eThe MD 421 II continues the tradition of the MD 421 which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern, and five-position bass control make it an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"background-color: #ffffff; color: #d89126;\"\u003e\u003cstrong style=\"color: #d89126;\"\u003ePlease note: \u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eStock photo used. Available items are sure to be in similar condition, but may not be the exact item pictured.\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449404485735,"sku":"10112","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_sennheiser_421_stock_1_f00a1828-af9e-4ae1-ada6-85f96db4934b.jpg?v=1787088872"},{"product_id":"neve-1889-reverb-return-module-vintage","title":"Neve 1889 Reverb Return Module (Vintage)","description":"Reverb\/FX Return module from a vintage Neve 8014 console. Pan switch, four groups, gain pot.\u003cbr\u003e\u003cbr\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449404584039,"sku":"16823","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve_1889_reverb_return_module_zoom_d57d2470-929f-49a7-b1ae-8709645376b1.jpg?v=1787088872"},{"product_id":"free-standing-modular-acoustic-control-room-used","title":"Free-standing Modular Acoustic Control Room (Used)","description":"A unique, free-standing “portable” audio control room, designed by Chris Pelonis. This room can be set up in any area that has 20’ x 25’ feet of floor space, and 14’ of ceiling clearance. Entire module is presently disassembled and ready to ship anywhere from Santa Barbara, California. The shipping\/storage container is NOT included in the sale price.\u003cbr\u003e\u003cbr\u003eWhat IS included are the Crest FA-901 power amps, and Tannoy System 215-DMT main monitors, as well as all the building components: ceiling and wall panels, all acoustical treatments, floating floor, producers desk\/racks, hardwood roll around area, and HVAC plenums and registers. HVAC can be connected directly to the ceiling of the module.\u003cbr\u003e\u003cbr\u003eThese control rooms retail for $90K; you can own one for about half that price. Re-assembly would require two-three weeks for the Soundwaves Acoustics crew, and cost approximately $10K.","brand":"Vintage King Audio","offers":[{"title":"Default Title","offer_id":44449404616807,"sku":"16800","price":34750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_free-standing_modular_acoustic_control_room_cat_b66049fa-6830-4e0f-8561-6d5bd60caae9.jpg?v=1787088872"},{"product_id":"ams-rmx-16-digital-reverb-vintage","title":"AMS RMX-16 Digital Reverb (Vintage)","description":"This was one of the first gated reverb units and was released by Advanced Music Systems of Burnley, England. The RMX is a non-linear reverb. It has one of the all-time trademark reverb presets. Famously used as part of the drum sound for the Phil Collins classic \"In the Air Tonight\", which helped spawn an entire sound of recorded drums in the 1980s.\u003cbr\u003e\u003cbr\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":44449404682343,"sku":"7237","price":2795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ams_rmx16_vintage_22cab703-933b-41cb-bcd2-6efe38f7e439.jpg?v=1787088873"},{"product_id":"isolation-room-used","title":"Isolation Room (Used)","description":"Modular Iso room built for a Williamsburg, Brooklyn loft.\u003cbr\u003eLike a Whisper Room, but performs much better!\u003cbr\u003eOriginal Cost to seller $15,000 Now available at $8,000!\u003cbr\u003e\u003cbr\u003eAccording to the current owner: \"I could play drums every day, record drummers, practice piano in peace, etc... all in the middle of one of the loudest buildings in Brooklyn. The room was custom built by Ken Capton of Solar 2 Design, and is in perfect shape. \u003cbr\u003eGreat thing to own if you lease and are in a city as it can be moved when you move without having to build a new room, and thus, lose the money on building into a leased space. \u003cbr\u003e\u003cbr\u003eI advise the use of Ken to help break down and set the room back up in the destination city where it will be used next. Once he shows you how it is done you can easily do it yourself with some help. Awesome thing to have in NYC, it can change your musical life.\"\u003cbr\u003e\u003cbr\u003eBooth was custom fabricated and assembled in July 2006 by Solar 2 LLC, a recording studio builder out of Detroit, MI. \u003cbr\u003e\u003cbr\u003eInside dimensions. 108\" x 132\" x 94\" height \u003cbr\u003eOutside dimensions. 117\" x 141\" x 101\" height \u003cbr\u003e\u003cbr\u003eBooth consists of following. . .. . .. . .. . .. . .. . ... \u003cbr\u003eWall and ceiling panel construction consists of panels 3 ¼\" thick with inner ½\" and outer 3\/8\" MDF plywood. Panels inserted with 3\" acoustic grade cotton insulation and mass loaded vinyl strips attach to MDF. Exterior finished with black road case carpeting. \u003cbr\u003eBase consists of 2\" x 3\" welded aluminum tube in 3 sections. Sections are bolted together and have bottom mounted casters. Walls and ceiling are joined together with aluminum angle and T-bar which are bolted together and to base and sealed with rubber gasket. Floor has a ¾'' plywood substrate with a 1\/8\" layer of mass loaded vinyl and edged carpet pad finished to fit. \u003cbr\u003eInner wall and ceiling panels consist of 89% 1\" absorptive acoustical cotton and 11% diffusive slat work panels. All panels finished with Guilford brand Fr 701 fabric, color 424 amethyst. \u003cbr\u003eDoor is 34\" x 78.5\" x 1 ½\" and consists of double wall MDF and acoustical cotton inert. Interior finished with 1\" acoustical cotton panel finished with Guilford fabric to match. Exterior finished with black road case carpet to match. Door and jam is framed with aluminum angle. Door has double 3\/8\" pane glass window 10.5\" x 6.5\". \u003cbr\u003eBooth contains 2 double 3\/8\" pane glass window 3' x 2'. All windows are sealed with rubber gasket and framed with aluminum angle trim. \u003cbr\u003eBooth has one intake and one exhaust fan box both mounted on exterior. 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This unique feature allows real-time adjustments without changing the output level.  Both \"feed forward\" (new) and \"feed back\" (old) gain reduction methods are selectable on the front panel.  There also is a soft or hard selector for either an \"over easy\" compression resulting in a very natural, uncompressed sound or a typical sharp knee type that has a much more severe limiting effect.  The 225L is designed for individual channel use or two units can be combined for stereo applications via a rear access pin.  The 225L also has a side chain input for the detector amplifier.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449404715111,"sku":"11660","price":425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_11660_1_712f17b5-d9da-4708-8208-1cdffcaa3683.jpg?v=1787088873"},{"product_id":"api-312-mic-pre-card-vintage","title":"API 312 Mic Pre Card (Used)","description":"Clean used example of this item.","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449404747879,"sku":"1479","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_312_mic_pre_card__used__27049_4fe1409a-065e-4fb1-b4c6-11710431f197.jpg?v=1787088873"},{"product_id":"api-325-line-amp-card-vintage","title":"API 325 Line Amp Card (Vintage)","description":"Clean used example of this item. Serviced, in good working order.","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449404780647,"sku":"2844","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_325_card_e940d4cf-53ce-4b7e-a82e-28f72bf74021.jpg?v=1787088873"},{"product_id":"api-550a-sw-eq-saul-walker-edition-vintage","title":"API 550A SW EQ - Saul Walker Edition (Used)","description":"\u003cp\u003eFew equalizers enjoy the respect and admiration of the coveted \u003cstrong\u003eAPI 550A\u003c\/strong\u003e.  Designed by the now legendary Saul Walker, an adjunct instructor in  music technology, the 550A has been used in recording studios throughout  the world, among them the Record Plant and Sunset Sound, and by such  musical greats as Jimmy Page, Phil Ramone, the Doobie Brothers, Stevie  Wonder, Leon Russell, Frank Zappa, Marvin Gaye, Herbie Hancock, and Bob  Dylan. In 2008 the API 550A was inducted into the Technology Hall of  Fame at the annual Audio Engineering Society (AES) Convention held in  San Francisco.\u003cbr\u003e\u003cbr\u003eWalker, a fellow of AES, designed the equalizer in  1968, and the discrete 550A was first used as a modular OEM equalizer.  As the industry rapidly embraced the sonic quality of the 550A, it  quickly found its way into many custom console designs by Frank DeMedio  and other leading engineers. Many of these consoles are still in use  today. \u003cbr\u003e\u003cbr\u003eForty years later, the 550A remains the standard against  which other EQs are measured, and it has played a major role in the  recording industry for decades. Still copied but never duplicated, the  550A became API's standard channel module EQ when the company began  manufacturing consoles in 1971. With virtually all existing units spoken  for, popular demand for this EQ resulted in API finally resuming  production in 2004. \u003cbr\u003e\u003cbr\u003eWhat accounts for its popularity and  longevity?  \"The 550A design provides a fast, repeatable, and virtually  foolproof mechanism to enhance or accentuate specific segments of the  audio spectrum or to de-emphasize other tonalities while maintaining the  essential integrity of the program material,\" Walker says. He notes  that though newer technology provides greater flexibility at lower cost,  permitting more drastic alteration of the sound spectrum, many artists  just prefer the sound of the original 550A.\u003cbr\u003e\u003cbr\u003eUsers of Walker's  equalizer are fond of its acoustic properties – the 'sweet tonal change'  coursing through the mix and its settings that allow for 'more bite or  body' in the basses. \"An equalizer is, in a way, a musical instrument,\"  Walker says.\u003cbr\u003e\u003cbr\u003eThe 550A provides reciprocal equalization at 15  points in 5 steps of boost to a maximum of 12dB of gain at each point.  The fifteen equalization points are divided into three overlapping  ranges. The high and low frequency ranges are individually selectable as  either peaking or shelving, and a band-pass filter may be inserted  independently of all other selected equalization settings. Frequency  ranges and boost\/cut are selected by three dual-concentric switches and a  push-button \"in\" switch allows the EQ to be silently inserted into the  signal path. A small toggle switch is used to engage the band-pass  filter.\u003cbr\u003e\u003cbr\u003eThe combination of Walker's incomparable 2520 op-amp, and  his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way  to generate acoustically superior equalization. \u003cbr\u003e\u003cbr\u003eThis  long-awaited, limited edition reissue is a continuation of the  equalizers produced by API exactly as they were in the 1960's, featuring  hand-wired switches, the original circuit board design and API founder  Saul Walker's signature on the chassis. an EQ that has had such a part  in the history of recording is continuing to make history in today's  music. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449404813415,"sku":"17100","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintage_api_550a_sw_eq-saul_walker_edition_7ff1f816-e0d7-4030-92e1-e8576635895c.jpg?v=1787088874"},{"product_id":"audix-35101-mic-pre-w-three-band-eq-vintage","title":"Audix 35101 Mic Pre w\/ Three-Band EQ (Vintage)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAudix 35101 Mic Pre\/EQ's\u003c\/span\u003e were built by ex-Neve employees in the 70's as competition to the Neve 33114. You can't touch this classic British sound quality and versatile EQ at this price! Great for Pro Tools front end.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e3 band mic pre\/eq\u003c\/li\u003e\n\u003cli\u003eNearly all-discrete circuit\u003c\/li\u003e\n\u003cli\u003eLo-hi pass filters\u003c\/li\u003e\n\u003cli\u003eStepped, hi end attenuators\u003c\/li\u003e\n\u003cli\u003eExact same EQ\/filter points as 3 band Neve 33114\u003c\/li\u003e\n\u003cli\u003eSt. Ives transformers\u003c\/li\u003e\n\u003cli\u003eLightly serviced. 30 day warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":44449404878951,"sku":"957","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_957_1.jpg?v=1787088874"},{"product_id":"calrec-pq-1161-02-mic-pre-w-three-band-eq-vintage","title":"Calrec PQ 1161-02 Mic Pre w\/ Three-Band EQ (Vintage)","description":"1161-02 model. 3 band discrete mic pre\/EQ, switchable top end, lo\/hi pass filters. These babies ROCK! They are very tight and powerful. Cross between the punchy API and fluffy Neve tone. These are sleepers!!! When you get tired of the boring new bargain boxes you see in every Mix ad these days, try these out and get some color into your life.\u003cbr\u003e\u003cbr\u003e We can mount 1, 2 or any combination up to 8 in a custom Vintage King Rack with DI in, 48v, output pots, XLR's, and PSU.","brand":"Calrec","offers":[{"title":"Default Title","offer_id":44449404944487,"sku":"959","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_959_1_4bd06d8f-d7a9-49f1-b72a-907cf44f1030.jpg?v=1787088874"},{"product_id":"dbx-902-de-esser-module-vintage","title":"DBX 902 De-esser Module (Used)","description":"Likely the best analog de-esser on the market. Still outsells all de-essers available. Sweepable frequency range of 800Hz to 8kHz.\u003cbr\u003e\u003cem\u003e\u003cstrong style=\"color: #d89126;\"\u003ePlease note: \u003c\/strong\u003eStock photo used. Available items are sure to be in similar condition, but may not be the exact item pictured.\u003c\/em\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":44449405010023,"sku":"930","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dbx_902_de-esser_module__used__113106_a2e5fcb2-1a4b-4600-befc-744ff934ecc6.jpg?v=1787088874"},{"product_id":"emi-tg-12345-d632a-group-module-vintage","title":"EMI TG 12345 D632A Group Module (Vintage)","description":"Discrete 'class A' module from an original EMI TGI desk - same as the Abbey Road 'Dark Side of the Moon' EMI console. The TG12345 console was built by the EMI engineering department exclusively for use in EMI studios around the world; it was never available for sale during its years of production.\u003cbr\u003e\u003cbr\u003eTwo channel 'group' module features:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMain faders\u003c\/li\u003e\n\u003cli\u003ePan - from 30 degrees left to 30 degrees right (stepped)\u003c\/li\u003e\n\u003cli\u003eEcho send level from -40 to 0 dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003ePresence at .5, .8, 1.2, 1.8, 2.8, 4.2, 6.5, 10 kHz\u003c\/li\u003e\n\u003cli\u003ePresence attenuation from -10 to +10 dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003eInput level: -10dB to +10dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003e3-position input selector for monitoring: (input to group \/ off \/ echo send)\u003c\/li\u003e\n\u003cli\u003eCompressor with out \/ compression\/ limiting toggle, gang setting (to join the channels);6-position Recovery switch; continuously-variable Hold potentiometer \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449405108327,"sku":"15302","price":4250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi_tg_12345_d632a_group_module_zoom_d827a87c-8685-4fd6-9174-6860fa8bf43b.jpg?v=1787088874"},{"product_id":"emi-tg-12345-d662a-control-room-module-vintage","title":"EMI TG 12345 D662A Control Room Module (used-B)","description":"Discrete 'class A' module from an original EMI TGI desk - same as the Abbey Road 'Dark Side of the Moon' EMI console.\u003cbr\u003e \u003cbr\u003eControl Room Monitor module features:\u003cbr\u003e\u003cbr\u003e• 9-position selector for monitoring VU meter levels (with 10db boost switch): Off\/CRM Input\/Output to Loudspeaker\/Cue Line Out\/Check Group 1\/Check group 2\/Check S.P.\/Oscillator\/External source.\u003cbr\u003e• Control Room Loudspeaker selector (sets the monitoring choices), Off\/Left\/Right\/Stereo\/Parallel. \u003cbr\u003e• L \u0026amp; R Monirtor Selectors: (selects what signal to monitor): Off\/Sync (signal from tape machine)\/Normal (regular control room monitor)\/Cue Mix 1\/Cue Mix 2. \u003cbr\u003e• L \u0026amp; R Sync Replay Level to Cue (sets the level of the tape machine sync mix in the cue {headphone} mix). \u003cbr\u003e• Main Cue Level 1 \u0026amp; 2; Attenuation from -40 to 0 dB\u003cbr\u003e• Correlator selector: Off\/Monitor\/Main\/Meters (used to check the phase of the selected signal. Set to ‘Mon’ it gives an overall phase reading of all the tracks in the monitor mix).\u003cbr\u003e• Replay to Cue: On\/Off selector\u003cbr\u003e• Screwdriver-operated controls for Loudspeaker volume: (these set the volume level of the monitor speakers when the producer’s talkback mike is engaged. ‘OP’ is Operator, ‘A.M.’ is Artist’s Manager. ‘Key’ is overall level).\u003cbr\u003e• Control Room Monitor (master volume level to control room)\u003cbr\u003e• Monitor Selector switches: Tracks (selects tracks 1-8, 9-16 or 1-16), Extras (selects Off\/Mic\/Echo\/Mic \u0026amp; Echo)\u003cbr\u003e• Loudspeaker quiet (quickly lowers control room monitor volume by 20dB)\u003cbr\u003e• L \u0026amp; R Mute (completely mutes either channel)\u003cbr\u003e• Monitor Select (toggles between Record {signal to tape machine} and Replay {signal from tape machine})\u003cbr\u003e• Meter Select (toggles between Record, Follow and Replay; ‘follow’ causes the meter to reflect whatever Monitor source is selected by the ‘monitor select’ toggle\u003cbr\u003e• Buzzer and Red Light controls (for recordings in progress)","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449405141095,"sku":"15306","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi_tgi_crm_zoom_98b23911-b246-443a-ac77-d7a9f9120fc2.jpg?v=1787088875"},{"product_id":"helios-type-69-mic-pre3-band-eq-reissue-used","title":"Helios Type 69 Mic Pre\/3 Band EQ Reissue (Used)","description":"These hand-built units have a Sowter input transformer based on the highly desirable Lustraphone (Olympic) transformer models. Discrete, with switchable lo\/mid, fixed top, hi-pass. \u003cbr\u003e\u003cbr\u003eThe Helios Type 69 is unlike anything you have ever used. If you are stuck in API-Neve land, you will find the Type 69 a unique departure. The mids are woody and sweet - guitars and snare drums from heaven! - with 700 to 2k to die for. Lows and highs reminiscent of Pultecs. An extremely open mic pre. In mic shootouts, these are as open as the king daddy Telefunken V76m.\u003cbr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eHelios Type 69 Mic Pre\/EQ Module Born Again! \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Legendary Helios Electronics Ltd has resurrected with much anticipation and patience, the Olympic Type69 Series EQ as used by the Beatles, Rolling Stones, Bob Marley, Led Zepplin and so on. Helios became known as the musician's choice of recording consoles. \u003cbr\u003e\u003cbr\u003eBrought in line with modern expectations, these units are built to military specifications with supervision of gear fanatic and music producer Tony Arnold. Endorsed by the late Dick Swettenham, of the original Helios Electronics Ltd, to maintain and service all of the original consoles, Tony later purchased the original company, including all of its circuits and parts. \u003cbr\u003e\u003cbr\u003eThe Olympic Series is a classic 3-band EQ-Pre module, available in a dual mono 1U rack mount or a mono vertical module. The modern circuit is similar to the original, aside from one vast improvement, the build quality and reliability. The openness and clarity has been upheld with the addition of EQ frequency selections. Tony Arnold explains, \"We asked many of the original users of the Helios Desks what they felt was missing, and could we make any improvements. Most wanted the 30 Hz added to the Lo-EQ. In order to meet todays CD standards, some wanted a tight high frequency around 16 k, which has been added without changing the original Helios sound whatsoever.\"\u003c\/p\u003e","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449405239399,"sku":"14271","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/helios-type-69-mic-pre3-band-eq-reissue-used-147436_2c136e73-e67b-4e89-972b-f2e7d8f661f3.jpg?v=1787088875"},{"product_id":"helios-vintage-type-69-w-sowter-transformer-vintage","title":"Helios Vintage Type 69 w\/ Sowter Transformer (Vintage)","description":"\u003cp\u003eClassic mic pre with a 3 band EQ. Variant of the type 69, with a sweepable top end and 14db cut\/boost. Discrete. Comes with a new Sowter version of the Lustraphone transformer.  Unlike anything you have used, if you are stuck in API-Neve land. These are so unique. The mids are so funky and sweet ---- guitars and snare drums from heaven-woody and sweet tone!!! 700 to 2k to die for. Lows and highs reminiscent of Pultec. Extremely open mic pre. In mic shootouts, these are as open as the king daddy Telefunken V76m. What else is there to say? Transform your life!\u003c\/p\u003e","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449405272167,"sku":"15348","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_helios_vintage_type_69_w_sowter_transformer_e933cd3c-186a-41c4-bbcc-fa38ac58249c.jpg?v=1787088875"},{"product_id":"helios-vintage-type-69-w-lustraphone-transformer-vintage","title":"Helios Vintage Type 69 w\/ Lustraphone Transformer (Vintage)","description":"Classic mic pre with a 3 band EQ. Discrete. Switchable lo\/mid. Fixed 10k top. Hi-pass. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eUnlike anything you have used, if you are stuck in API-Neve land. These are so unique. The mids are so funky and sweet ---- guitars and snare drums from heaven-woody and sweet tone!!! 700 to 2k to die for. Lows and highs reminiscent of Pultec. Extremely open mic pre. In mic shootouts, these are as open as the king daddy Telefunken V76m. What else is there to say? Transform your life!","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449405337703,"sku":"10926","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintage_helios_vintage_type_69_w_lustraphone_transformer_f142fd4d-00dc-44ac-9c26-e1958860d29f.jpg?v=1787088875"},{"product_id":"helios-vintage-type-79-mic-pre-eq-pair-vintage","title":"Helios Vintage Type 79 Mic Pre\/EQ Pair (Vintage)","description":"\u003cp\u003eOriginal light green three-band Type 79 mic pre\/EQs with Sowter transformers. Optional Vintage King two-channel rack is available – call for details on pricing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic input: 16db to 76db in 6db stepped increments\u003c\/li\u003e\n\u003cli\u003eLine input: -10 to +10 db\u003c\/li\u003e\n\u003cli\u003eLow pass filter: 8, 12, 15 KhZ\u003c\/li\u003e\n\u003cli\u003eHigh pass filter: 40, 80, 120 hZ\u003c\/li\u003e\n\u003cli\u003eLow freq: 40 Hz to 700 Hz continuously variable\u003c\/li\u003e\n\u003cli\u003eMid freq: 700 Hz to 7 kHz continuously variable\u003c\/li\u003e\n\u003cli\u003eHigh freq: 7 kHz to 17 kHz continuously variable\u003c\/li\u003e\n\u003cli\u003ePhase, line, -18db pad, and EQ switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eRenowned Helios coloration, with open, punchy pres that add size to the source. The three-band sweepable EQ ranges from 30Hz to 17k, providing a round low end without being too fluffy, sweet mids and an open top end. The perfect compliment to Neve and API gear.\u003cbr\u003e\u003cbr\u003eSome of the greatest albums of the 70s were made on Helios consoles, including Led Zeppelin, The Stones, The Who, Humble Pie, Bad Company, or anything cut in the Rolling Stones Mobile truck.\u003cbr\u003e\u003cbr\u003eGet some color in your life!\u003c\/p\u003e","brand":"Helios","offers":[{"title":"Default Title","offer_id":44449405304935,"sku":"16345","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_helios_vintage_cream_modules_pair_ecb29694-df03-4619-8486-48cc249ac428.jpg?v=1787088875"},{"product_id":"innertube-audio-atomic-squeeze-box-used","title":"InnerTUBE Audio Atomic Squeeze Box (Used)","description":"The \u003cb\u003eInnerTUBE Audio Atomic Squeeze Box\u003c\/b\u003e is designed to control the\n amplitude of an audio signal that is passed through it while imparting \nvirtually none of the sonic artifacts traditionally associated with \ncompression and limiting. In short, our intention is that it does not \nhave a sound, though we certainly hope it is this very fact that will \nhelp make your final product sound better. As such, it can take a little\n getting used to, and new users sometimes find themselves experimenting \nwith steep ratios and low thresholds just to \"hear it working.\" As you \nlearn to dial in exactly what you need, though, we think you'll begin to\n find that owning an ASB is best compared to having a skilled assistant,\n who knows the program material backwards and forwards, riding faders. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eGeneral Description:\u003c\/b\u003e Full-band analog dynamics processor, employing a proprietary electrical circuit based on dual triode vacuum tubes. \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eGain Reduction:\u003c\/b\u003e From 0dB to over 20dB. \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDistortion (typical):\u003c\/b\u003e Less than 0.1% total harmonic distortion (THD) at 0 VU. \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise Floor (typical):\u003c\/b\u003e Less than -85 dB below program at threshold of compression. \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFrequency Response:\u003c\/b\u003e 20 Hz to over 20,000 Hz \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput Level:\u003c\/b\u003e -20 dBm to +20 dBm \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput Level:\u003c\/b\u003e +4 dBm (nominal) \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput Impedance:\u003c\/b\u003e 600 ohms, floating \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput Impedance:\u003c\/b\u003e 600 ohms, floating \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePanel Size:\u003c\/b\u003e 2U (two vertical rack spaces) \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDepth behind panel:\u003c\/b\u003e 12 inches \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMeter(s):\u003c\/b\u003e Reads output level or gain reduction in dB. (0 VU = +4 dBm) \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eConnections:\u003c\/b\u003e Audio I\/O via 3-pin XLR connectors (pin 2 \nhot), AC line entry via IEC type III connector. Stereo link (single \nchannel ASB only). \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFuse:\u003c\/b\u003e 1.5 amperes, 3AG \n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower Requirements:\u003c\/b\u003e 115 - 120 volts AC, 50 to 60 Hz, 50 VA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"InnerTUBE Audio","offers":[{"title":"Default Title","offer_id":44449405436007,"sku":"10353","price":2350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_innertube_audio_atomic_squeeze_box_1_2c0d0fac-c746-422e-ba9e-6638f975f2c5.jpg?v=1787088876"},{"product_id":"inward-connections-vac-rac-tsl-3-stereo-limiter-used","title":"Inward Connections Vac Rac TSL-3 Stereo Limiter (Used)","description":"\u003cp\u003eSteve Firlotte's beautiful recreation of his legendary VAC RAC tube compressor\/limiter, in a stereo 19\" rack mount version.\u003c\/p\u003e\n\u003cp\u003eThis particular unit has been upgraded by Steve Firlotte himself.  Along with VK premium servicing, this unit comes with: detented pots, NOS (new old stock) tubes, and transformer-balanced output.\u003c\/p\u003e","brand":"Inward Connections","offers":[{"title":"Default Title","offer_id":44449405468775,"sku":"10266","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_inward_connections_tsl-3_vac-rac_front_3afc978e-854f-40bd-b9ca-bc94563c8152.jpg?v=1787088876"},{"product_id":"lachapell-audio-992eg-mic-pre-used","title":"LaChapell Audio 992EG Mic Pre (Used)","description":"The \u003cb\u003eLaChapell Audio Model 992 \u003c\/b\u003eis a two channel fully balanced \nall-tube preamplifier and instrument input amplifier.\nMeticulously hand assembled, every aspect of the 992 speaks of our \ndedication to quality of sound and solid, robust construction.\u003cbr\u003e\u003cbr\u003e\nUtilizing a total of eight vacuum tubes promises that the 992 will \nabsolutely awaken your ears with its warm melodic character and rich\nlow-end response. With the 992 you have the option of choosing between \ntwo unique input topology configurations- TLS or EG. The\n992 EG \n(extended gain) utilizes a Jensen\nJT-115k transformer and the timeless \n12AX7\/ECC83 vacuum tube, and is able to provide a generous \u0026gt;74dB of\nraw internal gain. With over 40dB of gain deployed to the input pot \nalone your ability to explore the sonic richness of each stage\nbecomes even more dramatic than that of the 992 TLS. The direct \ninstrument input (Hi-Z) utilizes a high performance\nCinemag direct transformer which feeds the balanced differential \namplifier input.\n\u003cbr\u003e\u003cbr\u003e\nFrom there the signal reaches the cross-coupled push-pull output stage \nwhere we’ve place two 12AU7 tubes in parallel along\nwith the Jensen JT-11 transformer to balance the outputs. The balanced \nclass-A circuitry used throughout this amplifier provides twice\nthe headroom of single ended designs as well as low noise performance. \nWith the use of four tubes per channel, the 992 easily delivers\nperformance well beyond the limits of audibility.\n\u003cbr\u003e\u003cbr\u003e\nIn operation, the user has individual control over the input and output gain stages of each\nchannel. This provides uncommon flexibility to delve into the 992’s broad sonic pallet making\nit one of the most versatile preamplifiers in any environment. Push the inputs hard and capture\nthat elusive air that can only come from fully balanced tube gain. Or, pull the inputs back and\nfavor the output stage for a cleaner, more linear signal - the choice is yours. Output signal\nstrength is easily monitored through an isolated Sifam back-lit VU meter. There are also five\nilluminated toggle switches per channel for Meter On\/Off, 48v (Phantom), -20db input pad,\nphase reverse and Mute.\n\u003cbr\u003e\u003cbr\u003e\nAll of this is housed in a chassis that is built like a tank. Designed with reliability and “on the\nroad” stamina as a requirement, we start with high grade aluminum stock milled to a sturdy 1\/4”\nfront panel with chip resistant powder coating for the finish. All internal components are well\nsecured using PEM type fasteners and tie-downs. And, of course, ultra-premium components\nare used throughout: 3\/4w Vishay resistors, ASC caps, sealed premium relays ... Our goal is to\ncommunicate a sense of robust sturdiness when interfacing with the 992. Each unit is assembled\nby hand with much care and attention to detail with the hope of preparing it to be the next\ncenter piece for any professional recording or broadcast environment. We encourage you to try\none and experience for yourself what we think is a new standard of pure tube amplification.\n\u003cbr\u003e\u003cbr\u003e\n\u003cb\u003eFeatured Highlights:\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eAmplifier Isolated VU Meters\n\u003c\/li\u003e\n\u003cli\u003eEight Total Vacuum Tubes\n\u003c\/li\u003e\n\u003cli\u003eFully Variable Input~Output Control\n\u003c\/li\u003e\n\u003cli\u003eRobust Construction\n\u003c\/li\u003e\n\u003cli\u003eBalanced Circuitry Throughout\n\u003c\/li\u003e\n\u003cli\u003eHi-Z Instrument Input\n\u003c\/li\u003e\n\u003cli\u003ePremium Tubes Components\n\u003c\/li\u003e\n\u003cli\u003eJensen JT-11 Output Transformer\n\u003c\/li\u003e\n\u003cli\u003eIndividual Channel Mute Function\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"LaChapell Audio","offers":[{"title":"Default Title","offer_id":44449405501543,"sku":"18103","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_lachapell_992eg_front_3301e04b-db3a-40fc-8d30-aec91c377e54.jpg?v=1787088876"},{"product_id":"millennia-stt-1-used","title":"Millennia STT-1 (Used)","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwin Mic Preamps — M-2B vacuum tube or HV-3 discrete solid state\u003c\/li\u003e\n\u003cli\u003eTwin NSEQ-2 Mastering-Grade Parametric Eqs — vacuum tube or discrete solid state\u003c\/li\u003e\n\u003cli\u003eThree Opto Compressor\/Limiter Paths — TCL vacuum tube, discrete solid state, passive\u003c\/li\u003e\n\u003cli\u003eTwin Opto De-Esser Paths — vacuum tube or discrete solid state\u003c\/li\u003e\n\u003cli\u003eVacuum tube or discrete solid state line level paths\u003c\/li\u003e\n\u003cli\u003eInput coupling with or without MIT-01 audio transformer\u003c\/li\u003e\n\u003cli\u003e1\/4” vacuum tube DI input — route via tube or solid state gain path\u003c\/li\u003e\n\u003cli\u003eEffortless, lifelike musical performance at all levels\u003c\/li\u003e\n\u003cli\u003eMusically rich vacuum tubes available\u003c\/li\u003e\n\u003cli\u003eGold audio connectors, tube sockets, relays and switches\u003c\/li\u003e\n\u003cli\u003e3\/8“ thick radius extruded aluminum face plate\u003c\/li\u003e\n\u003cli\u003eDurable black mirror-gloss anodized finish\u003c\/li\u003e\n\u003cli\u003eMil spec 16 gauge cold-rolled steel chassis\u003c\/li\u003e\n\u003cli\u003eUltra-clean toroid power supply: internal sub-chassis\u003c\/li\u003e\n\u003cli\u003eHand machined aluminum knobs, illuminated IT\u0026amp;T pushbuttons\u003c\/li\u003e\n\u003cli\u003eMogami Neglex OFC audio wiring\u003c\/li\u003e\n\u003cli\u003eSilver Teflon power wiring\u003c\/li\u003e\n\u003cli\u003eTrue audio VU meter for output level or dynamics gain reduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e\u003cem\u003eORIGIN® STT-1\u003c\/em\u003e\u003c\/strong\u003e (tm) is a single channel music recording system offering a selection of Millennia's core vacuum tube or solid state circuits, including mic preamps, line input with gain, opto-compressor\/limiters, parametric equalizers, DI instrument input with gain, and opto-inductive de-essers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVirtually every audio function is available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology, each topology selectable with the touch of a button. The Origin also offers a choice of colorful transformer-coupled or transformerless audio paths, all switch selectable. Audio transformers provide an extra layer of \"preamp personality\" ~ what we call Presonality.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eORIGIN has been called the Mambo Combo* of all-in-one recording channels and could very quickly become among the only front-end analog paths you'll ever need. With 134 different product combinations in one 2U rack chassis, and the associated range of sonic possibilities, STT-1 is designed for the producer\/engineer\/musician who doesn't have large blocks of time to spend patching and repatching racks of analog front-end gear trying to achieve \"that sound.\" Now, in one chassis, it's possible to easily and quickly patch Class-A vacuum tube equipment with Class A discrete solid state equipment, transformer-coupling and non-transformer coupling, various inputs and outputs; it's all here in one compact chassis. The STT-1 vastly expands the range of every artist's sonic palette at a price\/performance level previously unknown in professional audio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor example, select the transformerless M-2 vacuum tube mic preamp feeding the NSEQ discrete solid state parametric EQ. Or select the transformerless solid state line level input feeding the vacuum tube gain amplifier, routed into the vacuum tube TCL compressor and vacuum tube NSEQ parametric EQ. Or plug an electronic instrument (guitar, bass, etc..) into the vacuum tube DI input and feed this to the solid state gain amplifier, and compress it with the TCL solid state opto-compressor. Or use the acclaimed HV-3 solid state mic amplifier, the choice of top audio professionals worldwide, routed via transformer-coupling to both the direct mic preamp output and NSEQ solid state parametric EQ and solid state de-essing circuits.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo select the tube mic preamp, tube line input gain stage, tube EQ, tube compressor\/limiter, or tube de-esser, simply press the appropriate front panel switch(es). To use the solid-state mic preamp, s\/s line input gain stage, s\/s EQ, s\/s compressor\/limiter, or s\/s de-esser, press the switch(es) again. Twin Topology! To use the input transformer, press the associated switch. For transformerless operation, press the switch again. All circuit topologies are designed to deliver a musical optimization of their inherent character. \u003c\/p\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44449405534311,"sku":"8927","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_millennia_stt-1_zoom_f3e7e91a-59ce-46da-8f84-c185952c30fd.jpg?v=1787088876"},{"product_id":"neve-1064-mic-pre-eq-vintage","title":"Neve 1064 Mic Pre\/3 Band EQ (Used)","description":"Neve 80 series modules. 3-band, Class A discrete mic pre\/EQ; (the preamplifier and equalizer are the same as a 1066, but in a longer module to fit 1081-size slots). \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eHigh-pass filter points at 45, 70, 160, 360 Hz\u003c\/li\u003e\n\u003cli\u003eLow EQ points: 35, 60, 100 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid EQ points: 700 Hz, 1.2, 2.4, 3.6, 7 KHz\u003c\/li\u003e\n\u003cli\u003eSeparate mic and line inputs\u003c\/li\u003e\n\u003cli\u003eMic input attenuation from +10 to -80 dB in 5 dB increments\u003c\/li\u003e\n\u003cli\u003eLine input attenuation from +10 to -20 dB in 5dB increments\u003c\/li\u003e\n\u003cli\u003eHi\/Lo impedance switch on rear of unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003ePrice includes Premium VK Servicing - a $450 value! Unit will be recapped, with all pots, switches and card connector edges cleaned and any faulty components repaired.Our servicing is regarded as the best in the industry worldwide!","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449405599847,"sku":"6714","price":4195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve_1064_mic_pre_3_band_eq__used__4049840_12af1607-0598-4357-841d-46c164debe31.jpg?v=1787088877"},{"product_id":"neve-1079-mic-pre-eq-vintage","title":"Neve 1079 Mic Pre\/EQ (Vintage)","description":"\u003cp\u003eClassic, discrete mic pre\/three-band EQ, with high-pass filter. Relay-switched input between mic \u0026amp; line. Fat, pillowy low end, with the perfect midrange points and sweet top end. The 1079 has the same EQ section as the 1066, with a selectable high or low impedance for the input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp class=\"MsoPlainText\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003eRecapped, with all pots, switches and card connector edges cleaned and any faulty components repaired. Our servicing is regarded as the best in the industry worldwide!\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003eStereo matching is also available. A pair can be racked up in a Vintage King two-channel 3u chassis or a single module can be racked in a Vintage King single-channel 2u chassis. Vintage King racks are expertly crafted, with 48v phantom power, output attenuation pots, XLR I\/O, internal and selectable 110v \/ 220v PSU.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449405632615,"sku":"4920","price":3095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_neve1079__2808_cat_5b12ee2e-c3ce-438d-9cdc-eae3a16e0cdc.jpg?v=1787088877"},{"product_id":"neve-31102-mic-pre-eq-vintage","title":"Neve 31102 Mic Pre\/EQ (Vintage)","description":"\u003cp\u003e31102 modules came standard in legendary Neve 8058\/8068\/8088 consoles. To many, this was the finest sounding class A mic pre\/EQ module Neve ever made, with lots of Neve mojo. Same EQ\/pre as the 1084. Or look at it as a 1073 with switchable top end, 10\/12\/16k, hi-q switch on mid's and lo-hi pass filter.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEQ controls are:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable 10, 12 , 16 kHz high-shelf\u003c\/li\u003e\n\u003cli\u003eHigh pass filter at four frequencies (45 - 70 - 160 - 360 Hz) \u003c\/li\u003e\n\u003cli\u003eLow pass filter at four frequencies (8 - 10 - 14 - 18 kHz)\u003c\/li\u003e\n\u003cli\u003eLow EQ at four frequencies (35 - 60 - 110 - 220 Hz)\u003c\/li\u003e\n\u003cli\u003eHi-mid EQ at six frequencies (350 - 700 Hz  - 1.6 - 3.2 - 4.8 - 7.2 KHz) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eAlso includes 70 dB of range for mic gain; phase reverse, Hi-Q, and EQ bypass\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eStereo matching is available. A pair can be VK racked in our 2 channel, 3u chassis, or a single can be racked in our 2u, single channel chassis. VK Racks are expertly crafted, coming with 48v, output attenuation pots, XLR i\/o's, internal and selectable 110v\/220v PSU. \u003cbr\u003e\u003cbr\u003e(VK techs can also perform the popular Line-input mod, adding a three position line attenuator-line amp for an extra charge per channel)\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449405763687,"sku":"988","price":3795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintage_neve_31102_mic_pre-3_band_eq_2_62439c85-0b82-483f-ab9b-2b97ebd84a9d.jpg?v=1787088877"},{"product_id":"ssl-superanalogue-dynamics-module-xr618-used","title":"SSL SuperAnalogue Dynamics Module XR618 (Used)","description":"Designed to be the perfect level control tool kit for recording, the Dynamics Module is densely packed with control features yet simple to use. The combination of separate Compressor and Gate\/Expander section is powerful, graceful and ideal for gentle and unobtrusive level control.\u003cbr\u003e\u003cbr\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449405796455,"sku":"16152","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_ssl_superanalogue_dynamics_module_xr618_cat_a92f6362-fec5-4e4b-8588-c0e3f30a2f2f.jpg?v=1787088878"},{"product_id":"trident-b-range-mic-pre-eq-racked-pair-vintage","title":"Trident B-Range Mic Pre\/EQ Racked Pair (Vintage)","description":"\u003cp\u003eClean used example of these units.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic\/Line switch\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eGain: Stepped at -60, -50, -40, -30, -20, -10, -5, 0, +5 dB\u003c\/li\u003e\n\u003cli\u003ePre\/post switch \u003c\/li\u003e\n\u003cli\u003eFoldback 1 \u0026amp; 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ Points\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow Shelf: 60Hz, 120Hz -- Attenuation from -16 to +16 dB\u003c\/li\u003e\n\u003cli\u003eMids: 1.4, 2.8, 4.1, 5.6, 7.0 KHz -- Attenuation from -12 to +12 dB\u003c\/li\u003e\n\u003cli\u003eHigh Shelf: 8 KHz, 10KHz -- Attenuation from -16 to +16 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eThough not as well-known as the first Trident consoles, (the A-range, of which only about a dozen were made), the B-Range was introduced in 1973 as Trident's second split-design console. \u003cbr\u003e\u003cbr\u003eTony Visconti was an avid fan of Trident gear, and used a Trident B-Range to mix both Diamond Dogs and Young Americans, by David Bowie.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"Default Title","offer_id":44449405894759,"sku":"14280","price":3150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_trident_b-range_mic_pre-3_band_eq_racked-pair_7eb7ea60-f21f-4e7a-8805-515061cb078e.jpg?v=1787088877"},{"product_id":"sony-c38b-used","title":"Sony C38B (Used)","description":"The Sony C38B is a large diaphragm FET condenser microphone for studio use.\u003cbr\u003e\u003cbr\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44449442889831,"sku":"20466","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sony_c38b_2e38b8f1-0a9c-4c42-9f8e-849af39f2b3a.jpg?v=1787088976"},{"product_id":"akg-c12b-063-vintage","title":"AKG C12b #063 (Vintage)","description":"\u003cp\u003eThe \u003cstrong\u003e AKG C12B\u003c\/strong\u003e is nearly identical to its predecessor, the famous C12A -  using the same Nuvistor tube and brass CK12 capsule with 9 polar  patterns - but with the addition of a -20db pad to handle higher SPL's.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449446953063,"sku":"11783","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_akg_c12b_063_set_862f41f6-3749-4b09-adc9-16382a75d855.jpg?v=1787088988"},{"product_id":"trident-a-range-console-13-of-13-vintage","title":"Trident A-Range Console #13 of 13 (Vintage)","description":"\u003cp\u003e\u003cspan class=\"MainText\"\u003e\u003cbr\u003eHand-built fully discrete desk from a historic facility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e40 input channels w\/FF automation. (left side of console).\u003c\/li\u003e\n\u003cli\u003e24 busses (except the last 8 channels that only have busses 1-8).\u003c\/li\u003e\n\u003cli\u003e24 monitor returns. (on the right side of the console, 2 rows of 12) No automation. 2 band passive EQ. Panning is buttons (L, R, SL, SR) rather than a pan knob.\u003c\/li\u003e\n\u003cli\u003e4 mono Fold-Backs on each channel, each having there own pot, but sharing a single pre\/post switch. \u003c\/li\u003e\n\u003cli\u003e6 Echo Routes on each channel. 6 on\/off switches that share the same small fader, and a pre\/post switch.\u003c\/li\u003e\n\u003cli\u003eFB\/EchoRoute Masters each have a volume, mute, insert switch and 2 band EQ.\u003c\/li\u003e\n\u003cli\u003e5 way custom speaker selector w\/Shalco switch. Penny and Giles monitor volume pot.\u003c\/li\u003e\n\u003cli\u003eLambda power supply for the +50V rail. \u003c\/li\u003e\n\u003cli\u003eOpen frame linear supply for the +24V rail.\u003c\/li\u003e\n\u003cli\u003e1\/4\" militaryBantam patchbay.\u003c\/li\u003e\n\u003cli\u003eDimensions: 107\" W x 48\" D x 43\" H\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003eThis fully discrete, class A, hand wired console is a split design, with 40 inputs, 24 busses, and 24 monitor returns, totaling 64 inputs on mixdown, updated with 40 channels of Neve Flying Faders, and has a grand total of 3,746 knobs, switches, buttons and faders! \u003cbr\u003e\u003cbr\u003eA large number of the electrolytic capacitors in the audio path have been replaced on an as-needed basis with WIMA poly caps. Input gain switches have also been replaced on an as-needed basis and extras are included, some of which have already been wired up with the proper resistor network. Switch assemblies and EQ faders on all but 7 of the modules have been replaced. The remaining switch assemblies, faders, and bracket hardware are available to complete the desk.\u003cbr\u003e\u003cbr\u003eBuilt by hand in the mid 70s in London, England, \u003cspan style=\"font-weight: bold;\"\u003eTrident’s A-Range #13\u003c\/span\u003e was designed by Malcom Toft, Barry Porter, and Producer Roy Thomas Baker (Queen, The Cars, Devo). Originally intending on making only 12 A-Ranges, Trident was forced to follow through with their promise of a 13th, or face a hefty lawsuit from Cherokee Sound in Los Angeles, California.\u003cbr\u003e\u003cbr\u003eOver the years, the Trident A-Range has become one of the most well-respected, indeed legendary, vintage recording consoles in the world. This particular console was known as 'Old Blue' (since #13 is the only A-Range powder-coated in dark blue). 'Old Blue' was in heavy use at Cherokee Studios in Los Angeles, from the years of 1975-1983, and according to studio owner Bruce Robb it was used by some of world's greatest recording artists, on some of the finest recordings of all time. To name but a few:\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAerosmith\u003c\/li\u003e\n\u003cli\u003eAl Dimeola\u003c\/li\u003e\n\u003cli\u003eAl Green\u003c\/li\u003e\n\u003cli\u003eAl Stewart\u003c\/li\u003e\n\u003cli\u003eAlice Cooper\u003c\/li\u003e\n\u003cli\u003eAretha Franklin\u003c\/li\u003e\n\u003cli\u003eArt Garfunkel\u003c\/li\u003e\n\u003cli\u003eB.B. King\u003c\/li\u003e\n\u003cli\u003eBarbara Streisand\u003c\/li\u003e\n\u003cli\u003eBilly Preston\u003c\/li\u003e\n\u003cli\u003eBob Dylan\u003c\/li\u003e\n\u003cli\u003eCarly Simon\u003c\/li\u003e\n\u003cli\u003eCat Stevens\u003c\/li\u003e\n\u003cli\u003eCount Basie\u003c\/li\u003e\n\u003cli\u003eDavid Bowie\u003c\/li\u003e\n\u003cli\u003eDevo\u003c\/li\u003e\n\u003cli\u003eDolly Parton\u003c\/li\u003e\n\u003cli\u003eDonovan\u003c\/li\u003e\n\u003cli\u003eDuran Duran\u003c\/li\u003e\n\u003cli\u003eEarth Wind and Fire\u003c\/li\u003e\n\u003cli\u003eElla Fitzgerald\u003c\/li\u003e\n\u003cli\u003eELO\u003c\/li\u003e\n\u003cli\u003eElton John\u003c\/li\u003e\n\u003cli\u003eFleetwood Mac\u003c\/li\u003e\n\u003cli\u003eFour Tops\u003c\/li\u003e\n\u003cli\u003eFrank Sinatra\u003c\/li\u003e\n\u003cli\u003eFrank Zappa\u003c\/li\u003e\n\u003cli\u003eHall and Oates\u003c\/li\u003e\n\u003cli\u003eJean Luc Ponty\u003c\/li\u003e\n\u003cli\u003eJeff Beck\u003c\/li\u003e\n\u003cli\u003eJohn \u0026amp; Yoko\u003c\/li\u003e\n\u003cli\u003eJohn Lee Hooker\u003c\/li\u003e\n\u003cli\u003eJohn Mellencamp\u003c\/li\u003e\n\u003cli\u003eJoni Mitchell\u003c\/li\u003e\n\u003cli\u003eJourney\u003c\/li\u003e\n\u003cli\u003eKenny Loggins\u003c\/li\u003e\n\u003cli\u003eKiss\u003c\/li\u003e\n\u003cli\u003eLed Zeppelin\u003c\/li\u003e\n\u003cli\u003eLinda Ronstadt\u003c\/li\u003e\n\u003cli\u003eLou Rawls\u003c\/li\u003e\n\u003cli\u003eMadonna\u003c\/li\u003e\n\u003cli\u003eMichael Jackson\u003c\/li\u003e\n\u003cli\u003eNatalie Cole\u003c\/li\u003e\n\u003cli\u003eNeil Diamond\u003c\/li\u003e\n\u003cli\u003eOlivia Newton-John\u003c\/li\u003e\n\u003cli\u003eOscar Peterson\u003c\/li\u003e\n\u003cli\u003eOzzy Osborne\u003c\/li\u003e\n\u003cli\u003ePatty Labelle\u003c\/li\u003e\n\u003cli\u003ePaul McCartney\u003c\/li\u003e\n\u003cli\u003ePeter Frampton\u003c\/li\u003e\n\u003cli\u003eQuincy Jones\u003c\/li\u003e\n\u003cli\u003eRay Charles\u003c\/li\u003e\n\u003cli\u003eRick James\u003c\/li\u003e\n\u003cli\u003eRingo Starr\u003c\/li\u003e\n\u003cli\u003eRod Stewart\u003c\/li\u003e\n\u003cli\u003eRon Wood\u003c\/li\u003e\n\u003cli\u003eRoy Orbison\u003c\/li\u003e\n\u003cli\u003eStanley Clarke\u003c\/li\u003e\n\u003cli\u003eStephen Stills\u003c\/li\u003e\n\u003cli\u003eStevie Nicks\u003c\/li\u003e\n\u003cli\u003eStevie Wonder\u003c\/li\u003e\n\u003cli\u003eTemptations\u003c\/li\u003e\n\u003cli\u003eThe Cars\u003c\/li\u003e\n\u003cli\u003eThe Jacksons\u003c\/li\u003e\n\u003cli\u003eTom Petty\u003c\/li\u003e\n\u003cli\u003eVan Halen\u003c\/li\u003e\n\u003cli\u003eYes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\u003c\/ul\u003e\u003cp\u003eAfter making the move to Smart Studio in Madison, Butch Vig and Steve Marker put 'Old Blue' to good use, recording countless Midwest bands and some of the most popular acts of the last decade, including:\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGarbage\u003c\/li\u003e\n\u003cli\u003eDeath Cab For Cutie\u003c\/li\u003e\n\u003cli\u003eFallOut Boy\u003c\/li\u003e\n\u003cli\u003eSparklehorse\u003c\/li\u003e\n\u003cli\u003eDangermouse\u003c\/li\u003e\n\u003cli\u003eHotel Lights\u003c\/li\u003e\n\u003cli\u003eChris Walla\u003c\/li\u003e\n\u003cli\u003eRascal Flatts\u003c\/li\u003e\n\u003cli\u003eKate Pierson\u003c\/li\u003e\n\u003cli\u003eTalib Kweli\u003c\/li\u003e\n\u003cli\u003eAgainst Me!\u003c\/li\u003e\n\u003cli\u003eHawthorne Heights\u003c\/li\u003e\n\u003cli\u003eCompany Of Thieves\u003c\/li\u003e\n\u003cli\u003eSkybox\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"Default Title","offer_id":44449446985831,"sku":"16116","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_trident_a-range_13_front_8871d2c5-bb45-4b82-8ef9-396954aeb2e0.jpg?v=1787088989"},{"product_id":"schoeps-mk-2h-omnidirectional-capsule-used","title":"Schoeps MK 2H Omnidirectional Capsule (Used)","description":"\u003cp\u003eVery clean used condition. Can be used with the Schoeps Colette series mics, such as the CMC 6, sold separately.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449447018599,"sku":"20804","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_schoeps_mk_2h_omnidirectional_capsule_4e1de624-89b7-4401-9b21-b3d2d5709623.jpg?v=1787088988"},{"product_id":"little-labs-ibp-junior-used","title":"Little Labs IBP Junior (Used)","description":"The\u003cstrong\u003e Little Labs IBP and IBP Junior\u003c\/strong\u003e easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eIBP includes the above features plus all the following:\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449447084135,"sku":"21421","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_ibp_junior__used__1508754_709d08ff-fb5c-42f1-9e50-a662067bbf3f.jpg?v=1787088989"},{"product_id":"radial-engineering-jdx-500-used","title":"Radial Engineering JDX 500 (used)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRadial JDX 500\u003c\/span\u003e is a guitar amp to speaker direct box and preamp which emulates a 4 X 12 half stack. Variable \"phizz\" control tames odd harmonics and can extend response for 300 watt bass amps. The Radial JDX 500 module is designed to capture the explosive dynamics and warm tone of the electric guitar by connecting between the head and cabinet of a guitar amplifier to provide a direct feed to the PA or recording system.","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449447116903,"sku":"22253","price":175.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_radial_engineering_jdx_500_a4c59885-0113-43ab-b3af-2c4418ac60ec.jpg?v=1787088989"},{"product_id":"a-designs-audio-em-peq-500-series-eq-used","title":"A-Designs Audio EM-PEQ 500 Series EQ (Used)","description":"Beautiful used 500 Series EQ module that sonically nods to the classic Pultec EQP-1A sound.\u003cbr\u003e\u003cbr\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449447182439,"sku":"11902","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_a_designs_audio_em-peq_500_series_eq_07731d09-7d7f-496c-83fa-bb432450eb58.jpg?v=1787088989"},{"product_id":"api-550a-1-eq-used","title":"API 550 A-1 EQ (Vintage)","description":"\u003cp\u003eClean used example of this unit. Formerly used in Studio A at Looking  Glass Studio in NYC, where the likes of David Glass, David Bowie and  David Byrne recorded.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAvedis describes the 550A-1 best: Same features as the 550A but made to  be an economical version in the late 70s. Key differences with the 550A  are:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eElectronically balanced input in contrast to the  unbalanced input of previous three band eq's. This alone makes some  prefer using it when experiencing the 6 db drop when interfacing  electronically balanced output to an unbalanced input. \u003c\/li\u003e\n\u003cli\u003eConstant Q instead of the proportional Q of the 550A \u003c\/li\u003e\n\u003cli\u003eUse of integrated circuits (IC) \u003c\/li\u003e\n\u003cli\u003eUses one 2520 opamp in the output stage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e \u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAccording  to Al Davis, a designer at API, it should have been called a 551 but  readily available old stock 550A faceplates were used instead. One way I  can usually identify an A-1, without looking inside, is the rubbery  feel of the rotary switches instead of the snap you feel with a 550A.  550A-1's were sometimes found on ebay and sold as 550A's by sellers who  may or may not have known what it was because often the serial number  sticker said \"550A\" without a mention of A-1, and sometimes there was no  serial number sticker.\u003cbr\u003e\u003cbr\u003eLooking at the inside, there is one 2520  driving the output transformer with a feed-forward design using a NPN  transistor. The other amps are IC's with an LF356 balancing the input  and a TL074CN quad amp powering the bands and filter. The front rotary  switches plugged into the circuit board with connectors.\u003cbr\u003e\u003cbr\u003eContrary  to what internet loudmouths may say, the 550A-1 was not a bad module,  it sounds very similar to a 550A with 2 or 4 db and becomes more  noticeable when pushed to 9 or 12 db, which is probably where most  people would boost or cut if something was wrong. Overall, it was a good  design with good noise performance and had the same headroom as any  550A due to the 2520 and output transformer in the output stage. It is  not exactly a 550A with the Q difference and not quite as full in the  low end, in my own tests, but still better than other eq designs of its  time, as the popularity of using IC throughout in the late 70s became  prevalent and overall quality diminished.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449447215207,"sku":"4959","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_api_550a-1_eq_f347ff82-33e7-4cb3-bb03-8e4fdc82dd1c.jpg?v=1787088989"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/used-vintage.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}