{"title":"Vertigo Sound","description":null,"products":[{"product_id":"vertigo-sound-vsm-2-mix-satellite-mk2-basic","title":"Vertigo Sound VSM-2 Mix Satellite MK2 - Basic","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSM-2\u003c\/strong\u003e is a creative fully analog Mix and Mastering tool. The VSM offers MS, Blending and two sophisticated coloration generators in 2U size.\u003cbr\u003eThe VSM-2 is also available in a “basic version” without harmonic generators. This represents a \"All In One\"-solution for Mastering studios with no more need to invest in mastering consoles, switching devices, monitor controllers, MS En \u0026amp; de-coders etc.\u003c\/p\u003e\r\n\u003cp\u003eLike all Vertigo Sound products, the VSM-2 is manufactured to the highest industry standards to guarantee the utmost performance and maximum durability. The VSM-2 Mix Satellite (MK2) now comes with new potentiometers. The noise floor is 4dB lower than the already very low noise Mk1 version. All controls are stepped excluding 2nd\/3rd Drive (Full Version), Mix, level \u0026amp; shape.\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eVSM-2 Basic:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll analog, latency free processing\u003c\/li\u003e\r\n\u003cli\u003eTwo fully balanced inserts on XLR offering MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eInsert 1 provides Dry-Wet Mix control \"Parallel Compression\" for LR and MS\u003c\/li\u003e\r\n\u003cli\u003eInsert 2 provides \"M\u0026amp;S Stereo Width\" control\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated AFL Solo for M and S-Signal\u003c\/li\u003e\r\n\u003cli\u003eAll controls can be easily recalled via stepped controls, pointer knobs \u0026amp; fine scales\u003c\/li\u003e\r\n\u003cli\u003eHardwire bypass for all and each processing stage\u003c\/li\u003e\r\n\u003cli\u003eExcellent headroom with up to +30dbu at the Ins \u0026amp; Outs\u003c\/li\u003e\r\n\u003cli\u003eLevel matching of the inputs and outputs\u003c\/li\u003e\r\n\u003cli\u003eFast input and output metering plus various clip leds\u003c\/li\u003e\r\n\u003cli\u003eColor coded switch controls for easy intuitive operation\u003c\/li\u003e\r\n\u003cli\u003eSuperior crafted \u0026amp; anodized front plate in \"sun orange\" \u0026amp; blue metallic silk screen print\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eThe VSM-2 a.k.a. Mix Satellite offers plenty of hugely useful functions for mixing and mastering in one unit. Of course in daily studio life, even in the worst case scenario, you won't need all the functions of the VSM-2 at once. Carefully spot the problems you want to fix and choose the appropriate processing technique of the VSM-2.\u003cbr\u003eThe Mix Satellite allows you to try different processing strategies without any loss of time!\u003c\/p\u003e\r\n\u003cp\u003eYou can switch between conventional Stereo and MS processing within seconds or you can blend the Mix with the unprocessed signal by dialing only one knob.The Solo M\u0026amp;S Function allows you to listen closely to M or S and to optimize your processing setting!\u003c\/p\u003e\r\n\u003cp\u003eTechnical progress and purity of analogue and digital equipment effectively removed distortion as a stylistic device from the audio engineers' tool repertoire of today.The VSM-2 Harmonic generators allow you to colour, saturate, enhance, compress, limit or distort your program material! Now you are able to put real analog life into \"dead sounds\" out of the box. All parameters to create your own kind of musical coloration are on the hand with the Mix Satellite VSM-2!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll Ins \u0026amp; Outs electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 128 db\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10 Hz ... 100 kHz (+- 1 db)\u003c\/li\u003e\r\n\u003cli\u003eMax. Output Level: + 30 dBu\u003c\/li\u003e\r\n\u003cli\u003eTHD at +28dbu \u0026lt;= 0,003%\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 104 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\r\n\u003cli\u003eNoise: – 98 dBu (20 Hz – 22 khz – unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: max 30 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\r\n\u003chr\u003e\r\n\u003c\/h3\u003e\r\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\r\n\u003cp\u003e\"A quick look into my analog side. And if you're unfamiliar with the orange box... Vertigo Sound VSM-2 Mix Satellite is always on my 2 bus. Nothing else does what it does.\"\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCraig Bauer - Grammy Award Winning Mix Engineer\/Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449446297703,"sku":"50729","price":5037.33,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo_vsm-2_basic_front_2c5ac153-5232-4279-a4d1-d9f3961e6397.jpg?v=1787088985"},{"product_id":"vertigo-sound-vsc-2-compressor","title":"Vertigo Sound VSC-2 Compressor","description":"The Mercedes of VCA compressors from German manufacturer Vertigo Sound! The \u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Quad Discrete Compressor\u003c\/span\u003e is so named because it uses 4 VCA’s built by hand using only discrete components. It’s design is a nod toward the best VCA based compressors of the 70s and 80s.\u003cbr\u003e\u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Unique Features\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e \u003cli\u003eOne for all! True Mono and True Stereo \u003c\/li\u003e\n\u003cli\u003eDual - Mono, no shared contols \u003c\/li\u003e\n\u003cli\u003eIn Stereo Mode Channel A controls become master \u003c\/li\u003e\n\u003cli\u003eThe Stereo signal is phase coherent under all settings \u003c\/li\u003e\n\u003cli\u003eNo phase shift or L-R problems can occur due to the innovative SC design \u003c\/li\u003e\n\u003cli\u003eThe Signal path is of Mastering quality \u003c\/li\u003e\n\u003cli\u003eReal stereo mode! Channel A is stereo master \u003c\/li\u003e\n\u003cli\u003eThere is a minimum of circuitry with a hard relay bypass \u003c\/li\u003e\n\u003cli\u003eSettings from Soft Knee (Soft=TipToe) to Hard Knee (Brick) \u003c\/li\u003e\n\u003cli\u003eThe Ratio selection switch compensates to provide equal loudness, allowing immediate comparison \u003c\/li\u003e\n\u003cli\u003eSide chain High Pass Filters with two switchable frequencies are provided onboard \u003c\/li\u003e\n\u003cli\u003eMetering is analogue with carefully chosen ballistics, and beautifully lit! \u003c\/li\u003e\n\u003cli\u003eHandsome parameter control via customized scale ranges \u003c\/li\u003e\n\u003cli\u003eInternal components are of the ultimate quality, modified where necessary \u003c\/li\u003e\n\u003cli\u003eA Toroid transformer ensures no PSU noise \u003c\/li\u003e\n\u003cli\u003eThe ‘1979’ VCA is made of individual components, no Integrated Circuits \u003c\/li\u003e\n\u003cli\u003eEncased in a ceramic material for thermal stability \u003c\/li\u003e\n\u003cli\u003eThis 1979 unit adds character to the sound, similar to some Vintage units; \u003c\/li\u003e\n\u003cli\u003eThe harder it compresses the more it colours \u003c\/li\u003e\n\u003cli\u003eThis VCA delivers Real Analogue punch, so difficult to achieve with modern software plug-ins \u003c\/li\u003e\n\u003cli\u003eA Jensen transformer and a state of the art line-out driver complete the picture by providing perfectly balanced In and Outs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe heart of the VSC-2 – the discrete VCA 1979\u003c\/span\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost extensive.\u003cbr\u003e\u003cbr\u003eHere's the big difference!\u003cbr\u003e\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt V-oltage C-ontrolled A-mplifier.\u003cbr\u003e\u003cbr\u003eThis VCA colours the signal the more you compress and \"make up\" the output.\u003cbr\u003e\u003cbr\u003eThis basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003cbr\u003e\u003cbr\u003eThe precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstallk is less than minus 100dB, like two separate units!\u003cbr\u003e\u003cbr\u003eThis provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eTechnical Specifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e \u003cli\u003eStereo \/ Dual Mono switchable \u003c\/li\u003e\n\u003cli\u003eJensen Balanced In. That 1646 or Burr Brown Balanced Out \u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db \u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz ... 70 kHz (- 3 db) \u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 25 dBu \/ 600 Ohm balanced floating \u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS) \u003c\/li\u003e\n\u003cli\u003eNoise: – 91 dBu (20 Hz – 22 khz – unweighted, RMS) @ 0 db Unity Gain \u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency \u003c\/li\u003e\n\u003cli\u003ePower consumption: max 8 Watts \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449446330471,"sku":"11057","price":4956.31,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigosound_vsc2_366d5a73-5dae-447c-a79a-02a876487de4.jpg?v=1787088985"},{"product_id":"vertigo-sound-vsm-2-mix-satellite-mk2-full-version","title":"Vertigo Sound VSM-2 Mix Satellite MK2 - Full Version","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSM-2\u003c\/strong\u003e is a creative fully analog Mix and Mastering tool. The VSM offers MS, Blending and two sophisticated coloration generators in 2U size.\u003cbr\u003eThe VSM-2 is also available in a “basic version” without harmonic generators. This represents a \"All In One\"-solution for Mastering studios with no more need to invest in mastering consoles, switching devices, monitor controllers, MS En \u0026amp; de-coders etc.\u003c\/p\u003e\r\n\u003cp\u003eLike all Vertigo Sound products, the VSM-2 is manufactured to the highest industry standards to guarantee the utmost performance and maximum durability. The VSM-2 Mix Satellite (MK2) now comes with new potentiometers. The noise floor is 4dB lower than the already very low noise Mk1 version. All controls are stepped excluding 2nd\/3rd Drive (Full Version), Mix, level \u0026amp; shape.\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eVSM-2 Basic:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll analog, latency free processing\u003c\/li\u003e\r\n\u003cli\u003eTwo fully balanced inserts on XLR offering MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated MS En \u0026amp; DE-coding\u003c\/li\u003e\r\n\u003cli\u003eInsert 1 provides Dry-Wet Mix control \"Parallel Compression\" for LR and MS\u003c\/li\u003e\r\n\u003cli\u003eInsert 2 provides \"M\u0026amp;S Stereo Width\" control\u003c\/li\u003e\r\n\u003cli\u003eLevel compensated AFL Solo for M and S-Signal\u003c\/li\u003e\r\n\u003cli\u003eAll controls can be easily recalled via stepped controls, pointer knobs \u0026amp; fine scales\u003c\/li\u003e\r\n\u003cli\u003eHardwire bypass for all and each processing stage\u003c\/li\u003e\r\n\u003cli\u003eExcellent headroom with up to +30dbu at the Ins \u0026amp; Outs\u003c\/li\u003e\r\n\u003cli\u003eLevel matching of the inputs and outputs\u003c\/li\u003e\r\n\u003cli\u003eFast input and output metering plus various clip leds\u003c\/li\u003e\r\n\u003cli\u003eColor coded switch controls for easy intuitive operation\u003c\/li\u003e\r\n\u003cli\u003eSuperior crafted \u0026amp; anodized front plate in \"sun orange\" \u0026amp; blue metallic silk screen print\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eThe VSM-2 a.k.a. Mix Satellite offers plenty of hugely useful functions for mixing and mastering in one unit. Of course in daily studio life, even in the worst case scenario, you won't need all the functions of the VSM-2 at once. Carefully spot the problems you want to fix and choose the appropriate processing technique of the VSM-2.\u003cbr\u003eThe Mix Satellite allows you to try different processing strategies without any loss of time!\u003c\/p\u003e\r\n\u003cp\u003eYou can switch between conventional Stereo and MS processing within seconds or you can blend the Mix with the unprocessed signal by dialing only one knob.The Solo M\u0026amp;S Function allows you to listen closely to M or S and to optimize your processing setting!\u003c\/p\u003e\r\n\u003cp\u003eTechnical progress and purity of analogue and digital equipment effectively removed distortion as a stylistic device from the audio engineers' tool repertoire of today.The VSM-2 Harmonic generators allow you to colour, saturate, enhance, compress, limit or distort your program material! Now you are able to put real analog life into \"dead sounds\" out of the box. All parameters to create your own kind of musical coloration are on the hand with the Mix Satellite VSM-2!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll Ins \u0026amp; Outs electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 128 db\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10 Hz ... 100 kHz (+- 1 db)\u003c\/li\u003e\r\n\u003cli\u003eMax. Output Level: + 30 dBu\u003c\/li\u003e\r\n\u003cli\u003eTHD at +28dbu \u0026lt;= 0,003%\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 104 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\r\n\u003cli\u003eNoise: – 98 dBu (20 Hz – 22 khz – unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: max 30 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\r\n\u003chr\u003e\r\n\u003c\/h3\u003e\r\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\r\n\u003cp\u003e\"A quick look into my analog side. And if you're unfamiliar with the orange box... Vertigo Sound VSM-2 Mix Satellite is always on my 2 bus. Nothing else does what it does.\"\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCraig Bauer - Grammy Award Winning Mix Engineer\/Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449446396007,"sku":"15049","price":7950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo_vsm-2_full_front.jpg?v=1787088985"},{"product_id":"vertigo-vsc-2-electronic-delivery","title":"Vertigo VSC-2 - Electronic Delivery","description":"\u003cp\u003eThe VSC-2 is Vertigo’s first plugin release, made in close cooperation with Brainworx, and based upon Vertigo’s “Big Impact Design”. The VSC-2 plugin captures all the fine nuances of this $6,000 flagship VCA compressor.   The Mercedes of VCA compressors from German manufacturer Vertigo Sound! The VSC-2 Quad Discrete Compressor is so named because it uses 4 VCAs built by hand using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. The Vertigo VCA is in fact named 1979. Some of the best features of the “classic” Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in “Soft” mode.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIts precision makes the VSC-2 a first choice for mastering applications and the stereo mix bus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracking \u0026amp; Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough the VSC-2 was developed as a Stereo Bus Compressor each channel provides a complete set of controls which also makes the VSC-2 a dual mono “Must Have” in recording and mix situations.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlugin \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe VSC-2 plugin offers the same flexibility and precision in the stereo version, and to emulate the dual mono approach of the hardware we have developed a true mono version of the plugin as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Word From Vertigo \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“We are amazed how accurate the plugin simulates the real deal. We have compared it to the hardware several times now in a professional studio and cannot hear any difference at all. Is that good or bad?!?”, says Andreas Eschenwecker, CEO of Vertigo Sound.\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449523171431,"sku":"29466","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo_vsc-2_box_71329dc0-7134-4c43-b794-2b804c6a1fab.gif?v=1787089306"},{"product_id":"vertigo-sound-vsc-2-compressor-used","title":"Vertigo Sound VSC-2 Compressor (Used)","description":"\u003cp\u003eThe Mercedes of VCA compressors from German manufacturer Vertigo Sound! The \u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Quad Discrete Compressor\u003c\/span\u003e is so named because it uses 4 VCA’s built by hand using only discrete components. It’s design is a nod toward the best VCA based compressors of the 70s and 80s.\u003cbr\u003e\u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Unique Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne for all! True Mono and True Stereo\u003c\/li\u003e\n\u003cli\u003eDual - Mono, no shared contols\u003c\/li\u003e\n\u003cli\u003eIn Stereo Mode Channel A controls become master\u003c\/li\u003e\n\u003cli\u003eThe Stereo signal is phase coherent under all settings\u003c\/li\u003e\n\u003cli\u003eNo phase shift or L-R problems can occur due to the innovative SC design\u003c\/li\u003e\n\u003cli\u003eThe Signal path is of Mastering quality\u003c\/li\u003e\n\u003cli\u003eReal stereo mode! Channel A is stereo master\u003c\/li\u003e\n\u003cli\u003eThere is a minimum of circuitry with a hard relay bypass\u003c\/li\u003e\n\u003cli\u003eSettings from Soft Knee (Soft=TipToe) to Hard Knee (Brick)\u003c\/li\u003e\n\u003cli\u003eThe Ratio selection switch compensates to provide equal loudness, allowing immediate comparison\u003c\/li\u003e\n\u003cli\u003eSide chain High Pass Filters with two switchable frequencies are provided onboard\u003c\/li\u003e\n\u003cli\u003eMetering is analogue with carefully chosen ballistics, and beautifully lit!\u003c\/li\u003e\n\u003cli\u003eHandsome parameter control via customized scale ranges\u003c\/li\u003e\n\u003cli\u003eInternal components are of the ultimate quality, modified where necessary\u003c\/li\u003e\n\u003cli\u003eA Toroid transformer ensures no PSU noise\u003c\/li\u003e\n\u003cli\u003eThe ‘1979’ VCA is made of individual components, no Integrated Circuits\u003c\/li\u003e\n\u003cli\u003eEncased in a ceramic material for thermal stability\u003c\/li\u003e\n\u003cli\u003eThis 1979 unit adds character to the sound, similar to some Vintage units;\u003c\/li\u003e\n\u003cli\u003eThe harder it compresses the more it colours\u003c\/li\u003e\n\u003cli\u003eThis VCA delivers Real Analogue punch, so difficult to achieve with modern software plug-ins\u003c\/li\u003e\n\u003cli\u003eA Jensen transformer and a state of the art line-out driver complete the picture by providing perfectly balanced In and Outs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe heart of the VSC-2 – the discrete VCA 1979\u003c\/span\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost extensive.\u003cbr\u003e\u003cbr\u003eHere's the big difference!\u003cbr\u003e\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt V-oltage C-ontrolled A-mplifier.\u003cbr\u003e\u003cbr\u003eThis VCA colours the signal the more you compress and \"make up\" the output.\u003cbr\u003e\u003cbr\u003eThis basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003cbr\u003e\u003cbr\u003eThe precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. 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The \u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Quad Discrete Compressor\u003c\/span\u003e is so named because it uses 4 VCA’s built by hand using only discrete components. It’s design is a nod toward the best VCA based compressors of the 70s and 80s.\u003c\/p\u003e\n\u003cp\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eVSC-2 Unique Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne for all! True Mono and True Stereo\u003c\/li\u003e\n\u003cli\u003eDual - Mono, no shared contols\u003c\/li\u003e\n\u003cli\u003eIn Stereo Mode Channel A controls become master\u003c\/li\u003e\n\u003cli\u003eThe Stereo signal is phase coherent under all settings\u003c\/li\u003e\n\u003cli\u003eNo phase shift or L-R problems can occur due to the innovative SC design\u003c\/li\u003e\n\u003cli\u003eThe Signal path is of Mastering quality\u003c\/li\u003e\n\u003cli\u003eReal stereo mode! Channel A is stereo master\u003c\/li\u003e\n\u003cli\u003eThere is a minimum of circuitry with a hard relay bypass\u003c\/li\u003e\n\u003cli\u003eSettings from Soft Knee (Soft=TipToe) to Hard Knee (Brick)\u003c\/li\u003e\n\u003cli\u003eThe Ratio selection switch compensates to provide equal loudness, allowing immediate comparison\u003c\/li\u003e\n\u003cli\u003eSide chain High Pass Filters with two switchable frequencies are provided onboard\u003c\/li\u003e\n\u003cli\u003eMetering is analogue with carefully chosen ballistics, and beautifully lit!\u003c\/li\u003e\n\u003cli\u003eHandsome parameter control via customized scale ranges\u003c\/li\u003e\n\u003cli\u003eInternal components are of the ultimate quality, modified where necessary\u003c\/li\u003e\n\u003cli\u003eA Toroid transformer ensures no PSU noise\u003c\/li\u003e\n\u003cli\u003eThe ‘1979’ VCA is made of individual components, no Integrated Circuits\u003c\/li\u003e\n\u003cli\u003eEncased in a ceramic material for thermal stability\u003c\/li\u003e\n\u003cli\u003eThis 1979 unit adds character to the sound, similar to some Vintage units;\u003c\/li\u003e\n\u003cli\u003eThe harder it compresses the more it colours\u003c\/li\u003e\n\u003cli\u003eThis VCA delivers Real Analogue punch, so difficult to achieve with modern software plug-ins\u003c\/li\u003e\n\u003cli\u003eA Jensen transformer and a state of the art line-out driver complete the picture by providing perfectly balanced In and Outs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe heart of the VSC-2 – the discrete VCA 1979\u003c\/span\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost extensive.\u003cbr\u003e\u003cbr\u003eHere's the big difference!\u003cbr\u003e\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt V-oltage C-ontrolled A-mplifier.\u003cbr\u003e\u003cbr\u003eThis VCA colours the signal the more you compress and \"make up\" the output.\u003cbr\u003e\u003cbr\u003eThis basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003cbr\u003e\u003cbr\u003eThe precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. 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Further the low ratio of the transformer forces the discrete OP Amp to provide most of the amplification in the VSP-2. This \" full throttle\",\"pedal to the floor\" circuitry enables a unique, rich, full and characterful sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain control:\u003c\/strong\u003e 10-position Grayhill Rotaryswitch with 6db step increments. The full range of the unit is 12-72db\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFine Gain control:\u003c\/strong\u003e 41 click Alps 0-6db fine gain trim\u003c\/p\u003e\n\u003cp\u003e120Hz\/off\/80hz:  Switch that engages lowcut input filter 12db\/oct at 80hz or 120 HZ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal \u0026amp; Clip LED:\u003c\/strong\u003e This LED either indicates Green for a reasonable signal level presence at the output or red for close to Overload. There is no inbetween orange state to indicate clipping clearly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLED green:\u003c\/strong\u003e - 6dBu to 19dBu at the output of the VSP-2 \u0026gt;\u0026gt;\u0026gt;\u0026gt; reasonable output level\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLED red:\u003c\/strong\u003e +19dBu at the output of the VSP-2 \u0026gt;\u0026gt;\u0026gt;\u0026gt; close to clipping level\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The maximum output of the VSP-2 is +24dbU, the red clipping led indicates the maximum capable input level of most common converters and analog gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINSTRUMENT IN:\u003c\/strong\u003e This is an unbalanced input for guitar, bass, samples, etc. This unbalanced input goes directly to the TWIN OPA input without using any circuitry inbetween. (Real DI Input)  Simply throw the toggle switch and you're off. 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The Pad does not effect the sound of your signal but settings like 54dB with Pad engaged e.G. will worsen your signal to noise ratio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePHASE:\u003c\/strong\u003e Reverses the polarity of the pre amp's output.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe heart of the VSP-2 – the discrete OP AMP 1976 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e99% of all newer designs use an I-ntegrated C-ircuit for this job which makes production easy and cost extensive.  Here's the big difference!\u003c\/p\u003e\n\u003cp\u003eThe Vertigo Sound 1976 is a fully discrete operational amplifier.\u003c\/p\u003e\n\u003cp\u003eThis very well thought out classic circuitry together with the Jensen JT16 transormer and Panasonic Coupling Caps plus the specific choice of components of the OP Amp gives you a fresh, punchy precise colourful sound without sounding dull or nasty at anytime.\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449565671527,"sku":"34494","price":3910.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo_sound_vsp2_front_f09fd345-b568-4a16-8368-e78a1cce3a89.jpg?v=1787089484"},{"product_id":"vertigo-sound-vsm-2-mix-satellite-mk2-full-ve-42m-used","title":"Vertigo Sound VSM-2 Mix Satellite MK2 - Full Ve #42M (Used)","description":"The \u003cstrong\u003eVertigo Sound VSM-2\u003c\/strong\u003e is a creative fully analog Mix and Mastering tool. 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Its design is a nod toward the best VCA based compressors of the 70s and 80s. \u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in Soft mode.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe heart of the VSC-2 - the discrete VCA 1979\u003c\/strong\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost inexpensive. Here's the big difference!\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt Voltage Controlled Amplifier. This VCA colours the signal the more you compress and \"make up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstalk is less than minus 100dB, like two separate units!\u003cbr\u003eThis provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eStereo \/ Dual Mono switchable\u003c\/li\u003e\n\u003cli\u003eJensen Balanced In. That 1646 or Burr Brown Balanced Out\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz ... 70 kHz (- 3 db)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 25 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\n\u003cli\u003eNoise: 91 dBu (20 Hz 22 khz unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\n\u003cli\u003ePower consumption: max 8 Watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44449984053351,"sku":"59873","price":4395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc-2-compressor-3219c-used-6373914_c3276f7a-d1ad-4d3b-8566-0ed4b6414dad.jpg?v=1787091202"},{"product_id":"vertigo-sound-vsc-2-compressor-vs1700-used","title":"Vertigo Sound VSC-2 Compressor #VS1700 (Used)","description":"The \u003cstrong\u003eVertigo Sound\u003c\/strong\u003e \u003cstrong\u003eVSC-2 Quad Discrete Compressor \u003c\/strong\u003eis so named because it uses 4 VCAs built by hand using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. \u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in Soft mode.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe heart of the VSC-2 - the discrete VCA 1979\u003c\/strong\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost inexpensive. Here's the big difference!\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt Voltage Controlled Amplifier. This VCA colours the signal the more you compress and \"make up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstalk is less than minus 100dB, like two separate units!\u003cbr\u003eThis provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eStereo \/ Dual Mono switchable\u003c\/li\u003e\n\u003cli\u003eJensen Balanced In. That 1646 or Burr Brown Balanced Out\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz ... 70 kHz (- 3 db)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 25 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\n\u003cli\u003eNoise: 91 dBu (20 Hz 22 khz unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\n\u003cli\u003ePower consumption: max 8 Watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44450004074599,"sku":"61958","price":3955.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc-2-compressor-vs1700-used-6580461_3d014a83-fece-48a8-9878-2dac9781cbe0.jpg?v=1787091287"},{"product_id":"vertigo-sound-vsc-3-compressor","title":"Vertigo Sound VSC-3 Quad Discrete VCA Compressor - Standard Version","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSC-3\u003c\/strong\u003e is the successor of the VSC-2 - a modern classic found in many top class studios around the world. Vertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do all the tricks the VSC-2 is known and loved for plus a bunch of new features and options. The VSC-3 is still named Quad Discrete Compressor because its topology stays the same. It is so named, because it uses four VCAs built using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. The Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based topology is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTHE DISCRETE VCA 1979\u003c\/h3\u003e\r\n\u003cp\u003e99% of all newer designs use an integrated circuit for this job which makes production easy and cost extensive. Here‘s the big difference! The Vertigo Sound 1979 is a fully discrete voltage-controlled amplifier. This VCA colors the signal the more you compress and \"Make Up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHE CONCEPT OF THE VSC-3\u003c\/h3\u003e\r\n\u003cp\u003eThe Quad Discrete Compressor uses four discrete 1979 VCAs in its two channels. Each channel has one VCA in the Audio Path and another in the sidechain. In Stereo SC Mode both sidechains are fully active; they are not summed together. The higher signal peak on either channel results in equal compression of both. In Stereo SC Mode the VSC-2 reacts even to out of phase signal peaks without image shift. This is a unique innovation, far removed from simple Stereo Linking. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Bus compression. The Mono SC Mode is the exact opposite and is primarily designed to work in combination with RMS or for effect compression. With Dual Mode each channel has entirely separate controls and metering. Crosstallk is less than minus 100 dB, like two separate units!\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44450265530471,"sku":"99328","price":6099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc3_99328_1_74817915-d206-423f-8718-7fcd29632cd5.jpg?v=1787092374"},{"product_id":"vertigo-sound-vsc-2-compressor-vs253c-used","title":"Vertigo Sound VSC-2 Compressor #VS253C (Used)","description":"The \u003cstrong\u003eVertigo Sound\u003c\/strong\u003e \u003cstrong\u003eVSC-2 Quad Discrete Compressor \u003c\/strong\u003eis so named because it uses 4 VCAs built by hand using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. \u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in Soft mode.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe heart of the VSC-2 - the discrete VCA 1979\u003c\/strong\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost inexpensive. Here's the big difference!\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt Voltage Controlled Amplifier. This VCA colours the signal the more you compress and \"make up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstalk is less than minus 100dB, like two separate units!\u003cbr\u003eThis provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eStereo \/ Dual Mono switchable\u003c\/li\u003e\n\u003cli\u003eJensen Balanced In. That 1646 or Burr Brown Balanced Out\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz ... 70 kHz (- 3 db)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 25 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\n\u003cli\u003eNoise: 91 dBu (20 Hz 22 khz unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\n\u003cli\u003ePower consumption: max 8 Watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44450331426919,"sku":"106306","price":3495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc-2-compressor-vs253c-used_106306_1_71cb765e-133f-4781-be11-4d7850045dea.jpg?v=1787092618"},{"product_id":"vertigo-sound-vsc-2-compressor-vs185c-used","title":"Vertigo Sound VSC-2 Compressor #VS185C (Used)","description":"The \u003cstrong\u003eVertigo Sound\u003c\/strong\u003e \u003cstrong\u003eVSC-2 Quad Discrete Compressor \u003c\/strong\u003eis so named because it uses 4 VCAs built by hand using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. \u003cbr\u003eThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in Soft mode.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe heart of the VSC-2 - the discrete VCA 1979\u003c\/strong\u003e\u003cbr\u003e99% of all newer designs use an Integrated Circuit for this job which makes production easy and cost inexpensive. Here's the big difference!\u003cbr\u003eThe Vertigo Sound 1979 is a fully discrete handbuilt Voltage Controlled Amplifier. This VCA colours the signal the more you compress and \"make up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e\u003cbr\u003eMono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstalk is less than minus 100dB, like two separate units!\u003cbr\u003eThis provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eStereo \/ Dual Mono switchable\u003c\/li\u003e\n\u003cli\u003eJensen Balanced In. That 1646 or Burr Brown Balanced Out\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz ... 70 kHz (- 3 db)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 25 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS)\u003c\/li\u003e\n\u003cli\u003eNoise: 91 dBu (20 Hz 22 khz unweighted, RMS) @ 0 db Unity Gain\u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\n\u003cli\u003ePower consumption: max 8 Watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44450331459687,"sku":"106305","price":3495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc-2-compressor-vs185c-used_106305_1_fbaf53ad-85e9-4902-aace-430aa8be6ec5.jpg?v=1787092617"},{"product_id":"vertigo-sound-vsc-3-vca-compressor-demo-deal","title":"Vertigo Sound VSC-3 VCA Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSC-3 Compressor\u003c\/strong\u003e is the legal successor of the VSC-2, which now is a modern classic and can be found in many top class studios around the world.\nVertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do all the tricks the VSC-2 is known and loved for plus a bunch of new features and options.\u003c\/p\u003e\n\n\u003cp\u003eThe VSC-3 is still named QUAD DISCRETE COMPRESSOR because it`s topology stays the same.\nIt is so named, because it uses 4 VCAs built using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s.\nThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC.\u003c\/p\u003e\n\n\u003cp\u003eThis classic based topology is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003c\/p\u003e\n\n\u003ch3\u003eTHE DISCRETE VCA 1979\u003c\/h3\u003e\n\n\u003cp\u003e99% of all newer designs use an I-ntegrated C-ircuit for this job which makes production easy and cost extensive. Here‘s the big difference!\u003c\/p\u003e\n\n\u003cp\u003eThe Vertigo Sound 1979 is a fully discrete V-oltage C-ontrolled A-mplifier. This VCA colors the signal the more you compress and \"Make Up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003c\/p\u003e\n\n\u003ch3\u003eTHE CONCEPT OF THE VSC-3\u003c\/h3\u003e\n\n\u003cp\u003eThe Quad Discrete Compressor uses four discrete 1979 VCAs in its two channels. Each channel has one VCA in the Audio Path and another in the sidechain. In Stereo SC Mode both sidechains are fully active; they are not summed together. The higher signal peak on either channel results in equal compression of both.\u003c\/p\u003e\n\n\u003cp\u003eIn Stereo SC Mode the VSC-2 reacts even to out of phase signal peaks without image shift. This is a unique innovation, far removed from simple Stereo Linking. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Bus compression. The Mono SC Mode is the exact opposite and is primarily designed to work in combination with RMS or for effect compression.With Dual Mode each channel has entirely separate controls and metering.\u003c\/p\u003e\n\n\u003cp\u003eCrosstallk is less than minus 100 dB, like two separate units!\u003c\/p\u003e\n\n\n\n\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003eTrue Stereo SC \/Mono summed SC\/ Dual Mono switchable\u003c\/li\u003e\n\u003cli\u003eCinemag Balanced In. That 1646 out\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz - 70 kHz at -3 dB gain reduction\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +27 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio at +6 dBu = 97 db (20 HZ -20 kHz, unweighted, RMS)\u003c\/li\u003e\n\u003cli\u003eNoise: -91 dBu (20 Hz – 22 khz – unweighted, RMS)  @0 db Unity Gain\u003c\/li\u003e\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\n\u003cli\u003ePower consumption: max 12 Watts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44450909290599,"sku":"123517","price":5598.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc3_99328_1_efe83584-10e9-4ad6-bdf1-f97c14b83d82.jpg?v=1787095052"},{"product_id":"vertigo-sound-vsc-3-vca-demo-deal","title":"Vertigo Sound VSC-3 VCA Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSC-3 Compressor\u003c\/strong\u003e is the legal successor of the VSC-2, which now is a modern classic and can be found in many top class studios around the world.\r\nVertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do all the tricks the VSC-2 is known and loved for plus a bunch of new features and options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VSC-3 is still named QUAD DISCRETE COMPRESSOR because it`s topology stays the same.\r\nIt is so named, because it uses 4 VCAs built using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s.\r\nThe Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis classic based topology is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTHE DISCRETE VCA 1979\u003c\/h3\u003e\r\n\r\n\u003cp\u003e99% of all newer designs use an I-ntegrated C-ircuit for this job which makes production easy and cost extensive. Here‘s the big difference!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Vertigo Sound 1979 is a fully discrete V-oltage C-ontrolled A-mplifier. This VCA colors the signal the more you compress and \"Make Up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTHE CONCEPT OF THE VSC-3\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Quad Discrete Compressor uses four discrete 1979 VCAs in its two channels. Each channel has one VCA in the Audio Path and another in the sidechain. In Stereo SC Mode both sidechains are fully active; they are not summed together. The higher signal peak on either channel results in equal compression of both.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn Stereo SC Mode the VSC-2 reacts even to out of phase signal peaks without image shift. This is a unique innovation, far removed from simple Stereo Linking. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Bus compression. The Mono SC Mode is the exact opposite and is primarily designed to work in combination with RMS or for effect compression.With Dual Mode each channel has entirely separate controls and metering.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCrosstallk is less than minus 100 dB, like two separate units!\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTrue Stereo SC \/Mono summed SC\/ Dual Mono switchable\u003c\/li\u003e\r\n\u003cli\u003eCinemag Balanced In. That 1646 out\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range: 115 db\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10 Hz - 70 kHz at -3 dB gain reduction\u003c\/li\u003e\r\n\u003cli\u003eMax Output Level: +27 dBu \/ 600 Ohm balanced floating\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise Ratio at +6 dBu = 97 db (20 HZ -20 kHz, unweighted, RMS)\u003c\/li\u003e\r\n\u003cli\u003eNoise: -91 dBu (20 Hz – 22 khz – unweighted, RMS)  @0 db Unity Gain\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk between channels: \u0026gt; 100 db at any frequency\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: max 12 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44451050324071,"sku":"218395","price":5489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc3_99328_1_b1b72c75-6757-4c3c-ad74-f0f8951d8ebe.jpg?v=1787095634"},{"product_id":"vertigo-sound-vsc-3-vca-compressor-mastering-version","title":"Vertigo Sound VSC-3 Quad Discrete VCA Compressor - Mastering Version","description":"\u003cp\u003eThe \u003cstrong\u003eVertigo Sound VSC-3\u003c\/strong\u003e is the successor of the VSC-2 - a modern classic found in many top class studios around the world. Vertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do all the tricks the VSC-2 is known and loved for plus a bunch of new features and options. The VSC-3 is still named Quad Discrete Compressor because its topology stays the same. It is so named, because it uses four VCAs built using only discrete components. Its design is a nod toward the best VCA based compressors of the 70s and 80s. The Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based topology is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode. The master version features 41-click detented threshold and makeup knobs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE DISCRETE VCA 1979\u003c\/h3\u003e\r\n\r\n\u003cp\u003e99% of all newer designs use an integrated circuit for this job which makes production easy and cost extensive. Here‘s the big difference! The Vertigo Sound 1979 is a fully discrete voltage-controlled amplifier. This VCA colors the signal the more you compress and \"Make Up\" the output. This basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE CONCEPT OF THE VSC-3\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Quad Discrete Compressor uses four discrete 1979 VCAs in its two channels. Each channel has one VCA in the Audio Path and another in the sidechain. In Stereo SC Mode both sidechains are fully active; they are not summed together. The higher signal peak on either channel results in equal compression of both. In Stereo SC Mode the VSC-2 reacts even to out of phase signal peaks without image shift. This is a unique innovation, far removed from simple Stereo Linking. The precision of this technique makes the Vertigo ideally suited for Mastering and Mix Bus compression. The Mono SC Mode is the exact opposite and is primarily designed to work in combination with RMS or for effect compression. With Dual Mode each channel has entirely separate controls and metering. Crosstallk is less than minus 100 dB, like two separate units!\u003c\/p\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":44451277832295,"sku":"118596","price":6220.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vertigo-sound-vsc3_118596_1.jpg?v=1787096595"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/vertigo-sound.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}