{"title":"WesAudio","description":null,"products":[{"product_id":"wesaudio-mimas-500-series-compressor","title":"Wesaudio Mimas 500 Series FET Compressor","description":"\u003cp\u003eIt’s all about that significant sound which can’t be beaten by any digital plug-in or processor. Most audio engineers mix in the box because of the plug-in usability: total recall, automation, settings comparison, etc. They love digital, however, it’s always missing something crucial... the sound. The \u003cstrong\u003eWes Audio Mimas\u003c\/strong\u003e is a solution for that: hardware analog gear with digital control, benefits from both worlds: analog and digital. Thanks to the pure analog path, this device acts like proper analog gear but the digital control gives you exactly the same spectrum of compressor control possibilities as you can find in a digital plug-in. The proprietary GCon protocol, which allows to communicate hardware with DAW, makes operating fast and easy to use. The Mimas is the world’s first 1176 style compressor with digital control through VST\/AAX plug-in.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e1176-STYLE ANALOG COMPRESSOR WITH DIGITAL RECALL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSince 1968, FET-style compression has been a dominant force in countless recordings, remaining one of the most popular processing techniques to this day. Known for its lightning-fast attack and release times, it has become an essential tool for audio engineers. Wes Audio proudly introduces _MIMAS — an ng500 series processor that incorporates the legendary FET design, now enhanced with the highly sought-after feature of digital recall.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCARNHILL TRANSFORMERS AT THE CORE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe most important feature of _MIMAS is its fully balanced analog design (IN\/OUT) with +24 dBu of headroom. Despite offering digital control, the signal path remains entirely analog, delivering the authentic FET compression sound that professionals expect.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eFOUR RATIO SETTINGS AND LEGENDARY ALL BUTTONS IN\u003c\/h3\u003e\r\n\r\n\u003cp\u003e_MIMAS offers selectable classic ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. For those needing a more aggressive compression style, the “All Buttons In” mode is ready to use. And just to be clear—it’s an analog compressor, so the “All Buttons In” mode is fully analog too!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSATURATION KNOB\u003c\/h3\u003e\r\n\r\n\u003cp\u003eClassic 1176 compressors allow users to disable compression while still adding warmth and character to the signal. _MIMAS follows this tradition but takes it a step further by using a single knob to control the amount of saturation applied to the signal, making it easier to achieve the desired effect without needing to adjust both the input and output knobs.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449801142375,"sku":"53329","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-mimas-500-series-compressor_53329_1_02a1cdee-d542-4e33-bc49-fb8c11c61159.jpg?v=1787090477"},{"product_id":"wes-audio-dione-500-series-stereo-bus-compressor","title":"WesAudio _Dione 500 Series Stereo Bus Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eWes Audio DIONE\u003c\/strong\u003e implements famous bus compressor design made with best components available on the market. The unit is fully compatible with GCon protocol which allows complete parameters management over USB or through open specification 500 series frame – _TITAN. Besides it's vintage and transparent nature, the unit itself implements many modern features which brings extreme flexibility to shape your sound – like parallel compression or configurable harmonic distortion.\u003c\/p\u003e     \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency response: 20Hz-20kHz (0.1dB)\u003c\/li\u003e \u003cli\u003eTHD+N (WET): 0.008% (1kHz,0dBu)\u003c\/li\u003e \u003cli\u003eTHD+N (DRY): 0.004% (1kHz,0dBu)\u003c\/li\u003e \u003cli\u003eInput impedance: 10kohm\u003c\/li\u003e \u003cli\u003eOutput impedance: \u0026lt;100ohm\u003c\/li\u003e \u003cli\u003eMax gain: 21dB\u003c\/li\u003e \u003cli\u003eCrosstalk:\u003c\/li\u003e \u003cli\u003e\u0026lt; -90dB\u003c\/li\u003e \u003cli\u003eAttack: 0.1,0.3,1,3,10,30 (ms)\u003c\/li\u003e \u003cli\u003eRelease: 0.1,0.3,0.6,0.9,1.2,Auto (s)\u003c\/li\u003e \u003cli\u003eRatio: 1.5,2.4.10\u003c\/li\u003e \u003cli\u003eSC Filter: 60,90,150,T1,T2\u003c\/li\u003e \u003cli\u003eTHD (MID switch): 1%\u003c\/li\u003e \u003cli\u003eTHD (HIGH switch): 4%\u003c\/li\u003e \u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e This unit will not work with the Rupert Neve Designs R6 500 Series rack\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449821294695,"sku":"53508","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-dione_53508_1_6841fd87-7384-4b97-8aaa-52b21fd3b3ff.jpg?v=1787090563"},{"product_id":"wesaudio-titan-500-series-rack-frame","title":"WesAudio _Titan 500 Series Rack Frame","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio _TITAN 500 Series Rack Frame\u003c\/strong\u003e is a complete recall system designed to provide total integration with your beloved analog equipment. It implements special connector which is part of new open standard  “Next Generation 500 series” (ng500)where modules can be designed to communicate with the outside environment to support digital recall or any other vendor specific functionalities. The ng500 connector is compatible with most of standard 500 series modules* and allows total integration with GCon compatible modules.\u003c\/p\u003e  \u003cp\u003e_TITAN supports USB connection, which can be used to directly connect your workstation to your modules, and Ethernet connection where modules can be accessed through LAN network (currently only one subnet is supported).\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449930379367,"sku":"57831","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wes-audio-titan-500_57831_1.jpg?v=1787090995"},{"product_id":"wesaudio-due-pre-500-series-preamp","title":"WesAudio DUE-PRE 500 Series Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio DUE-PRE 500 Series Preamp\u003c\/strong\u003e has a preamps circuit which is switchable between two amps: RED and GREEN. RED mode is a British classic style preamp (1073) and GREEN is an American vintage style preamp (discrete opamp). Both preamps have unique sonic textures known as a best classical sound preamps. Carnhill transformers are responsible for matching impedance and de\/symmetrization circuits. Preamp is loaded with two PADs: IN 20dB PAD and OUT 8dB PAD which allows to saturate both preamp and output transformer.\u003c\/p\u003e  \u003cp\u003eAdditionally DUE-PRE has front input XLR Combo socket which can be used in both ways: as a mic input and as a instrumental input. Instrumental input is a high impedance input of which signal feeds input transformer through FET transistor. Module can draw up to 5 W of power.\u003c\/p\u003e  \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHigh quality Grayhill gain switch\u003c\/li\u003e \u003cli\u003e64 dB of gain (preamps are matched with 0.5 dB accuracy)\u003c\/li\u003e \u003cli\u003eCanrhill in\/out transformers\u003c\/li\u003e \u003cli\u003e20 dB input PAD\u003c\/li\u003e \u003cli\u003e8 dB output PAD (allowing saturation of both preamp and transformer)\u003c\/li\u003e \u003cli\u003ePolarity Reverse switch\u003c\/li\u003e \u003cli\u003e+48 V phantom power\u003c\/li\u003e \u003cli\u003eFront autosense XLR mic\u003c\/li\u003e \u003cli\u003eHiz Fet DI front input (the signal passes through the input transformer)\u003c\/li\u003e \u003cli\u003eLED VU meter\u003c\/li\u003e \u003cli\u003eInput impedance: 1200 Ohm\u003c\/li\u003e \u003cli\u003eOutput impedance: 600 Ohm\u003c\/li\u003e \u003cli\u003eMax output level: RED (+27 dBu); GREEN (+23 dBu)\u003c\/li\u003e \u003cli\u003eMin THD ratio: 0.005%\u003c\/li\u003e \u003cli\u003eTotal gain: 64 dB\u003c\/li\u003e \u003cli\u003ePower: up to 5 W\u003c\/li\u003e \u003c\/ul\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449991393383,"sku":"60603","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-due-pre-1_caf38fce-eb30-48b3-83cb-9634ffc36695.jpg?v=1787091234"},{"product_id":"wesaudio-beta76-fet-compressor-limiter","title":"WesAudio Beta76 FET Compressor Limiter","description":"\u003cp\u003e\u003cstrong\u003eWesAudio Beta76\u003c\/strong\u003e is a continuation of the WesAudio 1176 compressor. The introduction of several structural updates have improved upon the original version. One of the most important changes is two mode switch – Modern \/ Vintage –  which decides the circuit of the desymmetrization of the input signal. Modern Mode is an  electronic circuit, exactly the same as the previous version of the compressor and the Vintage mode – it’s a Carnhill input transformer. The result is a universal device with two different sound possibilities.\u003c\/p\u003e  \u003cp\u003eA True Bypass switch was introduced,  as well as  a high-pass filter in the Compressor’s  Side Chain  path.There are three cutoff frequencies – 60, 90, 150 Hz – thanks to which Beta76 is less sensitive to low frequencies. The filter is particularly beneficial to the operation of two compressors in a stereo pair, which are easily connected with a  prepared Jack-Jack cable.\u003c\/p\u003e  \u003cp\u003eThe entire system operates in class A. The element responsible for the gain reduction is a  FET transistor,  giving the effect of rapid and pure compression. There is a  high quality Carnhill audio transformer  on the output favorably affecting the final sound of the compressor. The housing is made from high quality brushed stainless steel, whereas  the panel  is 4 mm brushed aluminum.\u003c\/p\u003e  \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAttack time: 20 us – 800 us\u003c\/li\u003e \u003cli\u003eRelease time: 50 ms – 1100 ms\u003c\/li\u003e \u003cli\u003eCompression ratio : 4:1; 8:1; 12:1; 20:1\u003c\/li\u003e \u003cli\u003eTrue Bypass\u003c\/li\u003e \u003cli\u003eSC High Pass filter – 60, 90, 150 Hz\u003c\/li\u003e \u003cli\u003eOutput impedance : 600o Ohm\u003c\/li\u003e \u003cli\u003eFrequency response : 20 Hz - 20 kHz (± 1 dB)\u003c\/li\u003e \u003cli\u003eSignal to noise ratio SNR : \u0026gt;83 dB\u003c\/li\u003e \u003cli\u003eEnhanced link function\u003c\/li\u003e \u003cli\u003eBalanced output and input (XLR Neutrik)\u003c\/li\u003e \u003cli\u003eCase rack 2U\u003c\/li\u003e \u003cli\u003eDimensions : 88 x 483 x 235 mm\u003c\/li\u003e \u003cli\u003eWeight 6 kg\u003c\/li\u003e \u003cli\u003e3 year warranty\u003c\/li\u003e \u003c\/ul\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449991426151,"sku":"60588","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-beta76-1_bec109c7-aae9-4f25-a800-f836067bb182.jpg?v=1787091234"},{"product_id":"wesaudio-supercarrier-500-series-power-supply-rack","title":"WesAudio Supercarrier 500 Series Power Supply Rack","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio Supercarrier 500 Series Power Supply Rack\u003c\/strong\u003e is a 500 series frame fully compatible with API standard.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449991458919,"sku":"60590","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-supercarrier-1_43107f6a-1c33-4615-b428-e67a3931d065.jpg?v=1787091234"},{"product_id":"wesaudio-lc-eqp-single-channel-passive-eq","title":"WesAudio LC-EQP Single Channel Passive EQ","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio LC-EQP\u003c\/strong\u003e sound can be described as clean and clear with a tube nature. It is an ideal equalizer on both, single  tracks and the sum. LC-EQP WesAudio handles well controlling  other studio devices thanks to low output impedance. It was designed  as a universal musical equalizer to use in professional recording studios.\u003c\/p\u003e  \u003cp\u003eThe equalizer input system is based on a  Carnhill linear transformer which matching input impedance.  The input impedance is \u0026gt;1.5 kOhm. It Is higher than in  similar class devices. As a result, the equalizer does not load the signal source, by which it is controlled. The equalization block is a passive system based on coils, resistors and capacitors. The block has been expanded with additional bands for LOW and HIGH section. The EQ section introduces a high attenuation,  exceeding  25 dB. A signal regenerative  amplifier is a  tube system,  based on two triodes. The amplifier has been designed without feedback which does not distort transients. The equalizer output is symmetrical. A  Carnhill transformer is responsible for output symmetrization, which provides a low output impedance. The anode and heater voltage are stabilized. WesAudio LC-EQP is powered by alternating current 230 V \/ 115 V, which can  be selected by a  voltage selector. The casing is 2U rack  made of 1.5 mm stainless steel whereas the aluminum front panel is 4 mm. LOW section has separate boost regulations and frequency cut offering six bands. HIGH BOOST section has a selection of 12 bands and a regulation of  Q factor . HIGH CUT section is equipped with 6 bands. An EQ IN switch is a  “True Bypass” type. Switching the equalizer is indicated by a red LED.\u003c\/p\u003e  \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eGain: 0 dB (± 0.5 dB)\u003c\/li\u003e \u003cli\u003eInput impedance: \u0026gt;1.5 kOhm\u003c\/li\u003e \u003cli\u003eOutput impedance: 150 ohm\u003c\/li\u003e \u003cli\u003eMax output level: +22 dBu (0.8% THD)\u003c\/li\u003e \u003cli\u003eFrequency response: 5 Hz – 65 kHz (-3 dB)\u003c\/li\u003e \u003cli\u003eSNR ratio: 90 dB\u003c\/li\u003e \u003cli\u003eLOW BOOST: max +18 dB\u003c\/li\u003e \u003cli\u003eLOW CUT: max -18 dB\u003c\/li\u003e \u003cli\u003eHIGH BOOST: max +20 dB\u003c\/li\u003e \u003cli\u003eHIGH CUT: max -18 dB\u003c\/li\u003e \u003cli\u003eLOW BOOST: 20, 30, 60, 100, 120, 250 Hz\u003c\/li\u003e \u003cli\u003eLOW CUT: 20, 30, 60, 100, 120, 250 Hz\u003c\/li\u003e \u003cli\u003eHIGH BOOST: 1, 1.5, 2, 3, 4, 5, 6, 8, 10, 12, 16, 20 kHz\u003c\/li\u003e \u003cli\u003eHIGH CUT: 2, 4, 6, 12, 16, 20 kHz\u003c\/li\u003e \u003cli\u003eAC mains: 115 V (60 Hz) \/ 230 V (50 Hz)\u003c\/li\u003e \u003cli\u003eTransformer balanced output and input (XLR Neutrik)\u003c\/li\u003e \u003cli\u003eCase Rack 2U\u003c\/li\u003e \u003cli\u003eDimensions : 88 x 483 x 237 mm\u003c\/li\u003e \u003cli\u003eWeight: 7 kg\u003c\/li\u003e \u003cli\u003e3 year warranty\u003c\/li\u003e \u003c\/ul\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449991491687,"sku":"60589","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-lc-eqp-1_5e2917ec-72bd-481d-b936-130a495ba44b.jpg?v=1787091234"},{"product_id":"wesaudio-timbre-tube-compressor","title":"WesAudio Timbre Tube Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio Timbre\u003c\/strong\u003e is an all tube vari-mu compressor based on the 6386 tube, and inspired by the old, famous and much desired Gates STA-Level compressor. The Timbre is easy to use, full of color and sweetness. It is a vintage-style compressor made from the highest quality of components.\u003c\/p\u003e  \u003cp\u003eAugmenting the design are new features like the third mode of operation with shorter attack time, a high-pass sidechain filter, a link for stereo operation and a bypass function. Timbre utilizes a novel program controlled release circuit which creates density and consistency while minimizing typical compressor side-effects at up to 40 dB of gain reduction!\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency response: 20 Hz - 30 kHz (0.5 dB)\u003c\/li\u003e \u003cli\u003eTHD+N: up to 1%\u003c\/li\u003e \u003cli\u003eInput impedance: transformer balanced: 600 Ohm\u003c\/li\u003e \u003cli\u003eOutput impedance: transformer balanced: 600 Ohm\u003c\/li\u003e \u003cli\u003eMax gain: 45 dB\u003c\/li\u003e \u003cli\u003eMax gain reduction : 40 dB\u003c\/li\u003e \u003cli\u003eMode: single, double,triple\u003c\/li\u003e \u003cli\u003eBalanced output and input (XLR Amphenol)\u003c\/li\u003e \u003cli\u003eCase rack 2U\u003c\/li\u003e \u003cli\u003eDimensions : 88 x 483 x 235 mm\u003c\/li\u003e \u003cli\u003eWeight: 7 kg\u003c\/li\u003e \u003cli\u003e3 year warranty\u003c\/li\u003e \u003c\/ul\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44449991557223,"sku":"60604","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-timbre-1_0b4bae3f-382f-4faa-840d-83ddfd9980c7.jpg?v=1787091234"},{"product_id":"wesaudio-hyperion-500-series-parametric-eq","title":"WesAudio _HYPERION 500 Series Parametric EQ","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio _HYPERION\u003c\/strong\u003e is a fully analog parametric EQ with +24 dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. Its innovative design utilizes 15 VCAs per channel to provide essentially noiseless parameter changes and very musical nature. _HYPERION is next product in NG500 line where total recall is implemented through front panel USB socket or \u003ca href=\"https:\/\/vintageking.com\/wesaudio-titan-500-series-rack-frame\"\u003eTITAN\u003c\/a\u003e chassis.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450229289063,"sku":"97608","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-hyperion_97608_1_102db410-3936-467c-b80c-48e28a7a6df1.jpg?v=1787092223"},{"product_id":"wesaudio-supercarrier-ii-500-series-power-supply-rack","title":"WesAudio Supercarrier II 500 Series Power Supply Rack","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio Supercarrier II 500 Series Power Supply Rack\u003c\/strong\u003e is the second generation of the very popular Supercarrier I – 500 series standardized chassis. It features 11 slots with innovative ISP technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003eISP – Independent Slot Power – is a solution which makes a huge breakthrough in 500 series powering system, allowing for the best accommodation for even most demanding 500 series modules. So what it is all about? The answer is very simple: based on the ISP technology, each slot is individually supplied with linear power, causing each module to work in totally isolated, and independent way. Simply put, it is as though each of 11 modules is working in a separate 500 series frame – without any interference, noise, pops or clicks.  To separate each slot even more, WesAudio has introduced a tantalum cap for each slot to clean the whole frequency spectrum from any other unwanted noise. The chassis itself, is powered by big 100 W toroid external supply.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450261762151,"sku":"99528","price":1049.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-supercarrier-ii-22_99528_1.jpg?v=1787092361"},{"product_id":"wesaudio-prometheus-500-series-eq","title":"WesAudio _PROMETHEUS 500 Series Passive EQ","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio _PROMETHEUS\u003c\/strong\u003e is a fully analog passive EQ with +24 dBu of headroom in a dual-slot 500 Series format chassis. Featuring a Pultec-style warm sound with a lot of innovative improvements its modern approach to design allows instant recall of your classic vibe through very flexible plug-in. Prometheus as all ng500 products, integrates with your DAW environment via front panel USB socket or \u003ca href=\"https:\/\/vintageking.com\/wesaudio-titan-500-series-rack-frame\"\u003e_TITAN\u003c\/a\u003e chassis.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450378448999,"sku":"113857","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-prometheus_113857_1_aafa60df-01ad-4a73-9ddf-11e4e47eceb0.jpg?v=1787092816"},{"product_id":"wesaudio-calypso-audio-interface","title":"WesAudio Calypso 500 Series Audio Interface","description":"\u003cp\u003eThw \u003cstrong\u003eWesAudio _CALYPSO\u003c\/strong\u003e is an audio interface designed to work in 500 series enclosure. It features state of art 8 channels of AD\/DA conversion and perfectly integrates with ng500 chassis – _TITAN, through I.A.C. connector. Besides its very convenient integration with ng500 chassis, it still can be used in standard 500 series enclosure using two DB25 connectors.\u003c\/p\u003e\r\n\u003cp\u003e_CALYPSO as all ng500 units is integrated with VST2\/VST3\/AAX\/AU plug-ins. While using with a _TITAN it allows to manage I.A.C. connector, in other words, it manages input source to each module to be either back XLR “IN” socket, or I.A.C. direct connection to _CALYPSO. This gives You totally recallable solution to route your signal differently based on DAW session. \u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450378481767,"sku":"113858","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-calypso_113858_1.jpg?v=1787092816"},{"product_id":"wesaudio-ngbuscomp-bus-compressor","title":"WesAudio ngBusComp Bus Compressor","description":"\u003cp\u003eFor over 40 years, the stereo bus compressor has been a cornerstone in mixing, often referred to as the “mix bus glue.” WesAudio elevates this classic with \u003cstrong\u003eWesAudio ngBusComp Bus Compressor\u003c\/strong\u003e — a fully analog, dual mono, stereo, and mid-side compressor, featuring digital recall for seamless DAW integration. Experience versatile compression with Carnhill transformers, THD control, and advanced automation, blending analog warmth with cutting-edge digital precision. The ngBusComp offers a fully analog signal path with digital recall, bringing modern control to timeless sound​\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTRUE QUAD VCA THAT 2181\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ngBusComp stands out as a fully analog device, boasting an impressive +24dBu of headroom for superior audio quality. While offering advanced digital control, the compressor maintains an entirely analog signal path, ensuring the renowned VCA compression sound. Equipped with four THAT 2181 VCAs in the signal path and an additional VCA for each channel’s sidechain detector, this design ensures high-performance and precise compression.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eVERSATILE STEREO\/DUAL MONO COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe detectors can be linked or unlinked at any time, enabling true stereo bus compression or dual mono compression as needed for ultimate flexibility. The channels can be linked or unlinked at any time, allowing for independent settings on each channel while still maintaining relative control. When working in Mid-Side mode, each channel can be adjusted individually, but for quick adjustments to the overall balance, engaging the “parameter link” automatically adjusts both channels’ makeup gain while preserving the volume difference.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eFLEXIBLE MID-SIDE COMPRESSION SETTINGS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe compressor offers mid-side operation, allowing you to apply different compression settings to the side channel than to the middle channel, providing greater control over the stereo image. With the compressor, you have the option to choose between electronically balanced or transformer balanced output stages, with precise control over the output PAD for optimal sound shaping.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCARNHILL TRANSFORMER DRIVE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn IRON mode, the makeup gain can be used to drive the transformers, while a dedicated output PAD allows you to attenuate the signal. The PAD, a passive attenuator controlled by a relay cascade, offers up to 15dB of attenuation in 1dB steps for precise level management.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eMIX KNOB: EASY PARALLEL COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the MIX knob, achieving parallel compression is easier than ever. The ngBusComp allows you to automate the MIX setting directly in your DAW. Want to apply more compression during the chorus? It’s simple — just record automation using the touch-sensitive encoder or draw automation lines within your DAW for complete control.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eENHANCED THD CONTROL FOR REFINED ANALOG SATURATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTHD (Total Harmonic Distortion) enables you to saturate your signal with rich analog color. With ngBusComp, you can adjust THD from subtle warmth to prominent saturation using a dedicated knob, allowing for precise control over the distortion effect.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003ePREDEFINED SIDECHAIN FILTERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe sidechain filter functionality allows you to shape the signal before it reaches the compressor’s detector. This includes three high-pass filters at 60, 90, and 150 Hz, along with two specialized tilt filters designed for fine-tuned control.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_7\"\u003eFIVE RATIO SETTINGS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe compressor offers selectable ratio settings, including 1.5:1 and 2:1 for smooth mixbus compression, 4:1 and 10:1 for versatile applications, and an INF mode to aggressively clamp down on transients. The compressor allows you to create custom sidechain signals, giving you independent control over each channel for more precise compression management. Even when using the compressor as a pure analog signal processor, you can seamlessly switch between three memory settings with the simplicity of a button press.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_8\"\u003eUSB OR ETHERNET CONNECTIVITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003engBusComp supports direct USB connection for easy setup, or you can manage it over your local network by simply connecting it to your router via an Ethernet cable. Each channel provides detailed metering for input, output, and gain reduction. Additionally, the analog metering is fully mirrored within the plug-in instance for convenient monitoring.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_9\"\u003eANALOG AUTOMATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEveryone has wanted to adjust device settings based on different song sections, and now it’s possible! Simply draw automation lines in your DAW, and your analog device will follow suit. Plus, you can use the five touch-sensitive encoders to record automation directly into your DAW for seamless control.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450526822503,"sku":"132119","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-buscomp-23_132119_1_44828263-315c-4c53-b409-3ae6ed5ff82d.jpg?v=1787093423"},{"product_id":"wesaudio-ngleveler-16-channel-automation-system","title":"WesAudio ngLEVELER 16-Channel Automation System","description":"\u003cp\u003e\u003cstrong\u003eWesAudio ngLEVELER 16-Channel Automation System\u003c\/strong\u003e is an analog automation system with convenient features for better studio integration. Besides its automation engine it also brings analog saturation per each channel which helps tracks to get more presence in the mix. ngLEVELER doesn’t have any apnea controls, it is either managable via DAW Plug-in, the HUI controller, or both. This approach provides very convenient fader control with true total recall system via DAW plug-in. ngLEVELER was created to become studio centerpiece, and because of its simple analog connectivity it can be used in many applications!\u003c\/p\u003e\r\n\r\n\u003cp\u003engLEVELER is fully compatible with HUI, that means most of its functions are manageable directly from HUI controller. To do so, it is enough to connect HUI controller to PC\/MAC where ngLEVELER is available (so it is either connected to same machine via USB or when Ethernet connection is used, it is in the same network). Advantage of this approach is, that it is not necessary to run any application (DAW plug-in) to control ngLEVELER from your HUI controller, it is enough to log into your operating system and you are good to go.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450526855271,"sku":"132118","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-ngleveler_132118_1.jpg?v=1787093423"},{"product_id":"wesaudio-dione-500-series-stereo-bus-compressor-demo-deal","title":"WesAudio _Dione 500 Series Stereo Bus Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eWes Audio DIONE\u003c\/strong\u003e implements famous bus compressor design made with best components available on the market. The unit is fully compatible with GCon protocol which allows complete parameters management over USB or through open specification 500 series frame – _TITAN. Besides it's vintage and transparent nature, the unit itself implements many modern features which brings extreme flexibility to shape your sound – like parallel compression or configurable harmonic distortion.\u003c\/p\u003e     \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency response: 20Hz-20kHz (0.1dB)\u003c\/li\u003e \u003cli\u003eTHD+N (WET): 0.008% (1kHz,0dBu)\u003c\/li\u003e \u003cli\u003eTHD+N (DRY): 0.004% (1kHz,0dBu)\u003c\/li\u003e \u003cli\u003eInput impedance: 10kohm\u003c\/li\u003e \u003cli\u003eOutput impedance: \u0026lt;100ohm\u003c\/li\u003e \u003cli\u003eMax gain: 21dB\u003c\/li\u003e \u003cli\u003eCrosstalk:\u003c\/li\u003e \u003cli\u003e\u0026lt; -90dB\u003c\/li\u003e \u003cli\u003eAttack: 0.1,0.3,1,3,10,30 (ms)\u003c\/li\u003e \u003cli\u003eRelease: 0.1,0.3,0.6,0.9,1.2,Auto (s)\u003c\/li\u003e \u003cli\u003eRatio: 1.5,2.4.10\u003c\/li\u003e \u003cli\u003eSC Filter: 60,90,150,T1,T2\u003c\/li\u003e \u003cli\u003eTHD (MID switch): 1%\u003c\/li\u003e \u003cli\u003eTHD (HIGH switch): 4%\u003c\/li\u003e \u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e This unit will not work with the Rupert Neve Designs R6 500 Series rack\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450542125159,"sku":"134862","price":929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-dione-500-series-stereo-bus-compressor_53508_1_1_1_d58ea7ef-17f4-4b34-8f98-93b9597c3a10.jpg?v=1787093485"},{"product_id":"wesaudio-prometheus-500-series-eq-demo-deal","title":"WesAudio Prometheus 500 Series EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio Prometheus\u003c\/strong\u003e is a 500 series analog passive dual channel Equalizer with digital recall. It features 3 modes of operation: dual mono, stereo, mid-side, classic Pultec-style sound, beautiful THD saturation and very flexible plug-in control.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450608119911,"sku":"143388","price":1269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-prometheus_113857_1_1_55984fcf-1a6a-49cc-8fcb-4283bb5323e3.jpg?v=1787093741"},{"product_id":"wesaudio-ngbuscomp-bus-compressor-demo-deal","title":"WesAudio ngBusComp Bus Compressor (Demo Deal)","description":"\u003cp\u003eThe legendary sound of the stereo bus compressor has been used on countless recordings for over 40 years. Often recognized as mixbus glue, this particular compression sound has become industry standard. WesAudio have improved this design creating whole new level of versatility with unbelievable modern DAW integration. The \u003cstrong\u003eWesAudio ngBusComp Bus Compressor\u003c\/strong\u003e is a fully analog, dual mono, stereo, mid-side compressor, with digital recall.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first and most important feature ngBusComp is its 100% analog topology with +27 dBu of headroom. Regardless of its digital control, the fully analog signal path provides top VCA compression sound. It includes four THAT 2181 VCA in the signal chain, and one in side chain detector for each channel. ngBusComp detectors can be linked and unlinked anytime allowing true bus compression behavior, as dual mono compression when needed!\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannels can be linked\/unlinked anytime allowing you to have different settings on both channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mid-Side mix can be used separately for each channel, but if you would like to change balance of whole track, you can engage the “parameter link” and the Make Up gain of both channels will be adjusted relatively keeping same volume difference.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMid-Side operation allows you to give your side channel different compression settings than middle channel! With ngBusComp you can select your output stage to be either electronically balanced, or transformer balanced with precise output PAD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn IRON mode it is possible to use Make Up gain to drive the transformers, and special output PAD allow to turn signal down! PAD passive attenuator managed via relay cascade up to 15 dB with 1 dB steps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve. With ngBusComp your MIX setting can be automated in your DAW. Suppose you'd like to push your compressor harder in chorus... there's nothing simpler! Just record an automation using touch sensitive encoder, or draw your automation lines in DAW!\u003c\/p\u003e\r\n\r\n\u003cp\u003engBusComp features proprietary THD implementation with very detailed variable control. Total harmonic distortion allows to saturate your signal with beautiful analog color. For ngBusComp it can be dialed in to be subtle or very apparent thanks to variable control with dedicated knob!\u003c\/p\u003e\r\n\r\n\u003cp\u003engBusComp Side chain filter functionality allows to modify signal going into the compressor’s detector. It includes 3 high-pass filters at 60, 90 and 150 Hz, and 2 tilt filters which are special “curve” designed filters.\u003c\/p\u003e\r\n\r\n\u003cp\u003engBusComp provides selectable ratios of 1.5:1 and 2:1 for gentle mixbus processing, 4:1 and 10:1 for large variety of applications, and INF mode to hit and crash your transients. ngBusComp allows to create custom side chain signal to control each channel of compressor\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven using ngBusComp as pure analog signal processor you can easily switch between three memory settings with a magic of a simple buttons.\u003c\/p\u003e\r\n\r\n\u003cp\u003engBusComp supports direct USB connection, or you can also managed it in your local network, just plug in ethernet cable to your router!\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlong with classic analog compressor you receive most demanded feature in audio industry TOTAL RECALL. Full plug-in control through VST2\/VST3\/AU\/AAX\/AAX DSP makes ngBusComp compatible with most, if not all major DAWs. Total integration with your beloved DAW will change your workflow forever!\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450652946535,"sku":"148621","price":3019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-buscomp_132119_1_1_f59e606e-854b-4c15-975c-8186aa4a37d1.jpg?v=1787093925"},{"product_id":"wesaudio-rhea-500-series-vari-mu-tube-compressor","title":"WesAudio _RHEA 500 Series Vari-Mu Tube Compressor","description":"\u003cp\u003eSince digital footprint became part of the modern age, analog flavor was demanded more than ever. It is hard to imagine more musical and rich sounding compression than vari-mu desgin. This time ng500 line presents _RHEA - most noble of all, where modern age meets vintage, literally. The \u003cstrong\u003eWesAudio _RHEA\u003c\/strong\u003e is true tube compressor, where gain reduction is literally implemented via tube circuit. As vari-mu design is feed backward compression, its behavior is known for amazing musical results! To properly integrate tubes into modern audio levels, just before signal is passed to the tubes, transformers are doing their magic, strongly emphasizing the low-end.\u003c\/p\u003e\r\n\u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve, With _RHEA your MIX setting can be automated in your DAW. Did You ever wanted to push your compressor harder in chorus? Nothing simpler... just record automation using touch sensitive encoder, or draw your automation lines in DAW.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTHUMP\u003c\/h3\u003e\r\n\u003cp\u003e“Thump” or “Thumping” in vari-mu compressors is very specific effect when side chain control voltage gets into the signal. This is caused because of very small tubes imbalance. It may bring to the processed signal some additional low-end artifacts – in fact in many cases this may be a desired effect, as it will strongly emphasize low end content. However, for lower volumes and more gentle source materials, it can start to be audible. All our tubes get through very complex pairing and parameter checks, but some small differences can still cause this effect to happen. In this situation we would strongly encourage to raise the input signal and experiment with attack and release settings.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eINPUT, OUTPUT AND THRESHOLD\u003c\/h3\u003e\r\n\u003cp\u003e_RHEA allows to control the level on the signal going in the tube compression stage (Input), the amount of compression (Threshold), and finally the output of the compressor (Output). Such approach brings the best flexibility to alter the source material. It can be noticed that Threshold can be quite gentle in effect, however if more compression is desired, input knob can be used to this purpose. Please also note that each of those parameters can be automated, so don’t hesitate to change those settings in different sections of the song!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTHD\u003c\/h3\u003e\r\n\u003cp\u003eTHD switch will enable a proprietary circuit which overloads output stage of the compressor. This circuit can be found in most of our units and it brings certain presence to the source material, which can’t be achieve using any other approach.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSTEREO VS MONO\u003c\/h3\u003e\r\n\u003cp\u003e_RHEA is true stereo compressor which means that detector circuits of each channel are working on a summed signal in the side chain circuit. This makes it impossible to work in dual mono mode . However, it is entirely possible to work with only one mono channel at a time, so feel free to process a mono vocal track and have fun!\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450726346855,"sku":"159152","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-rhea_159152_1_3e61be5d-5d5a-4102-b9ea-687fba3fe992.jpg?v=1787094266"},{"product_id":"wesaudio-ngbuscomp-bus-compressor-24-used","title":"WesAudio ngBusComp Bus Compressor #24 (Used)","description":"\u003cp\u003eThe legendary sound of the stereo bus compressor has been used on countless recordings for over 40 years. Often recognized as mixbus glue, this particular compression sound has become industry standard. WesAudio have improved this design creating whole new level of versatility with unbelievable modern DAW integration. The WesAudio ngBusComp Bus Compressor is a fully analog, dual mono, stereo, mid-side compressor, with digital recall.\u003c\/p\u003e\u003cp\u003eThe first and most important feature ngBusComp is its 100% analog topology with +27 dBu of headroom. Regardless of its digital control, the fully analog signal path provides top VCA compression sound. It includes four THAT 2181 VCA in the signal chain, and one in side chain detector for each channel. ngBusComp detectors can be linked and unlinked anytime allowing true bus compression behavior, as dual mono compression when needed!\u003c\/p\u003e\u003cp\u003eChannels can be linked\/unlinked anytime allowing you to have different settings on both channels.\u003c\/p\u003e\u003cp\u003eThe Mid-Side mix can be used separately for each channel, but if you would like to change balance of whole track, you can engage the \"parameter link\" and the Make Up gain of both channels will be adjusted relatively keeping same volume difference.\u003c\/p\u003e\u003cp\u003eMid-Side operation allows you to give your side channel different compression settings than middle channel! With ngBusComp you can select your output stage to be either electronically balanced, or transformer balanced with precise output PAD.\u003c\/p\u003e\u003cp\u003eIn IRON mode it is possible to use Make Up gain to drive the transformers, and special output PAD allow to turn signal down! PAD passive attenuator managed via relay cascade up to 15 dB with 1 dB steps.\u003c\/p\u003e\u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve. With ngBusComp your MIX setting can be automated in your DAW. Suppose you'd like to push your compressor harder in chorus... there's nothing simpler! Just record an automation using touch sensitive encoder, or draw your automation lines in DAW!\u003c\/p\u003e\u003cp\u003engBusComp features proprietary THD implementation with very detailed variable control. Total harmonic distortion allows to saturate your signal with beautiful analog color. For ngBusComp it can be dialed in to be subtle or very apparent thanks to variable control with dedicated knob!\u003c\/p\u003e\u003cp\u003engBusComp Side chain filter functionality allows to modify signal going into the compressor’s detector. It includes 3 high-pass filters at 60, 90 and 150 Hz, and 2 tilt filters which are special \"curve\" designed filters.\u003c\/p\u003e\u003cp\u003engBusComp provides selectable ratios of 1.5:1 and 2:1 for gentle mixbus processing, 4:1 and 10:1 for large variety of applications, and INF mode to hit and crash your transients. ngBusComp allows to create custom side chain signal to control each channel of compressor\u003c\/p\u003e\u003cp\u003eEven using ngBusComp as pure analog signal processor you can easily switch between three memory settings with a magic of a simple buttons.\u003c\/p\u003e\u003cp\u003engBusComp supports direct USB connection, or you can also managed it in your local network, just plug in ethernet cable to your router!\u003c\/p\u003e\u003cp\u003eAlong with classic analog compressor you receive most demanded feature in audio industry TOTAL RECALL. Full plug-in control through VST2\/VST3\/AU\/AAX\/AAX DSP makes ngBusComp compatible with most, if not all major DAWs. Total integration with your beloved DAW will change your workflow forever!\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450731196519,"sku":"158643","price":2750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-ngbuscomp-bus-compressor-24-used_158643_1_546ad572-382a-44a7-afc4-24ead96007e2.jpg?v=1787094287"},{"product_id":"wesaudio-dione-starlight-limited-edition-stereo-bus-compressor","title":"WesAudio _Dione 500 Series Stereo Bus Compressor - Starlight Limited Edition","description":"\u003cp\u003eThe legendary sound of the _Dione stereo bus compressor has been true companion on countless recordings since 40 years. Often recognized as \"mixbus glue\", this particular compression sound have become industry standard. With the \u003cstrong\u003eWesAudio _Dione Starlight\u003c\/strong\u003e, the fully analog, legendary VCA compressor with digital recall is now available in a limited black faceplate!\u003c\/p\u003e\r\n\u003cp\u003eThe Dione implements famous bus compressor design made with best components available on the market. The unit is fully compatible with GCon protocol which allows complete parameters management over USB or through open specification 500 series frame – _TITAN. Besides it's vintage and transparent nature, the unit itself implements many modern features which brings extreme flexibility to shape your sound – like parallel compression or configurable harmonic distortion.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSPECS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency response: 20 Hz - 20 kHz (0.1 dB)\u003c\/li\u003e\r\n\u003cli\u003eTHD+N (WET): 0.008% (1 kHz, 0 dBu)\u003c\/li\u003e\r\n\u003cli\u003eTHD+N (DRY): 0.004% (1 kHz, 0 dBu)\u003c\/li\u003e\r\n\u003cli\u003eInput impedance: 10 kohm\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: \u0026lt;100 ohm\u003c\/li\u003e\r\n\u003cli\u003eMax gain: 21 dB\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk: \u0026lt;-90 dB\u003c\/li\u003e\r\n\u003cli\u003eAttack: 0.1, 0.3, 1, 3, 10, 30 (ms)\u003c\/li\u003e\r\n\u003cli\u003eRelease: 0.1, 0.3, 0.6, 0.9, 1.2, Auto (s)\u003c\/li\u003e\r\n\u003cli\u003eRatio: 1.5, 2.4.10\u003c\/li\u003e\r\n\u003cli\u003eSC Filter: 60, 90, 150 , T1, T2\u003c\/li\u003e\r\n\u003cli\u003eTHD (MID switch): 1%\u003c\/li\u003e\r\n\u003cli\u003eTHD (HIGH switch): 4%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e This unit will not work with the Rupert Neve Designs R6 500 Series rack.\u003c\/em\u003e\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450751545447,"sku":"159160","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-dione-starlight_159160_1_76db4ff6-aec4-44f7-8740-cd5ead644cdc.jpg?v=1787094377"},{"product_id":"wesaudio-ngbuscomp-bus-compressor-127-used","title":"WesAudio ngBusComp Bus Compressor #127 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio ngBusComp Bus Compressor\u003c\/strong\u003e is a fully analog, dual mono, stereo, mid-side compressor, with digital recall. The legendary sound of the stereo bus compressor has been used on countless recordings for over 40 years. Often recognized as mixbus glue, this particular compression sound has become industry standard. WesAudio have improved this design creating whole new level of versatility with unbelievable modern DAW integration. \u003c\/p\u003e  \u003cp\u003eThe first and most important feature ngBusComp is its 100% analog topology with +27 dBu of headroom. Regardless of its digital control, the fully analog signal path provides top VCA compression sound. It includes four THAT 2181 VCA in the signal chain, and one in side chain detector for each channel. ngBusComp detectors can be linked and unlinked anytime allowing true bus compression behavior, as dual mono compression when needed!\u003c\/p\u003e  \u003cp\u003eChannels can be linked\/unlinked anytime allowing you to have different settings on both channels.\u003c\/p\u003e  \u003cp\u003eThe Mid-Side mix can be used separately for each channel, but if you would like to change balance of whole track, you can engage the “parameter link” and the Make Up gain of both channels will be adjusted relatively keeping same volume difference.\u003c\/p\u003e  \u003cp\u003eMid-Side operation allows you to give your side channel different compression settings than middle channel! With ngBusComp you can select your output stage to be either electronically balanced, or transformer balanced with precise output PAD.\u003c\/p\u003e  \u003cp\u003eIn IRON mode it is possible to use Make Up gain to drive the transformers, and special output PAD allow to turn signal down! PAD passive attenuator managed via relay cascade up to 15 dB with 1 dB steps.\u003c\/p\u003e  \u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve. With ngBusComp your MIX setting can be automated in your DAW. Suppose you'd like to push your compressor harder in chorus... there's nothing simpler! Just record an automation using touch sensitive encoder, or draw your automation lines in DAW!\u003c\/p\u003e  \u003cp\u003engBusComp features proprietary THD implementation with very detailed variable control. Total harmonic distortion allows to saturate your signal with beautiful analog color. 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Thanks to the pure analog path, this device acts like proper analog gear but the digital control gives you exactly the same spectrum of compressor control possibilities as you can find in a digital plugin. The proprietary GCon protocol, which allows to communicate hardware with DAW, makes operating fast and easy to use. 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This gives You totally recallable solution to route your signal differently based on DAW session. \u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44450867937383,"sku":"180223","price":929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-calypso_113858_1_04291082-ba44-400f-b88e-c29958044cec.jpg?v=1787094874"},{"product_id":"wesaudio-hyperion-500-series-parametric-eq-0027-used","title":"WesAudio Hyperion 500 Series Parametric EQ #0027 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio _Hyperion 500 Series Parametric EQ\u003c\/strong\u003e is fully analog parametric EQ with +24 dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. It's innovative design utilizes 18 VCAs per channel to provide noiseless parameter changes and very musical nature. 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WesAudio have improved this design creating whole new level of versatility with unbelievable modern DAW integration. \u003c\/p\u003e  \u003cp\u003eThe first and most important feature ngBusComp is its 100% analog topology with +27 dBu of headroom. Regardless of its digital control, the fully analog signal path provides top VCA compression sound. It includes four THAT 2181 VCA in the signal chain, and one in side chain detector for each channel. ngBusComp detectors can be linked and unlinked anytime allowing true bus compression behavior, as dual mono compression when needed!\u003c\/p\u003e  \u003cp\u003eChannels can be linked\/unlinked anytime allowing you to have different settings on both channels.\u003c\/p\u003e  \u003cp\u003eThe Mid-Side mix can be used separately for each channel, but if you would like to change balance of whole track, you can engage the “parameter link” and the Make Up gain of both channels will be adjusted relatively keeping same volume difference.\u003c\/p\u003e  \u003cp\u003eMid-Side operation allows you to give your side channel different compression settings than middle channel! With ngBusComp you can select your output stage to be either electronically balanced, or transformer balanced with precise output PAD.\u003c\/p\u003e  \u003cp\u003eIn IRON mode it is possible to use Make Up gain to drive the transformers, and special output PAD allow to turn signal down! PAD passive attenuator managed via relay cascade up to 15 dB with 1 dB steps.\u003c\/p\u003e  \u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve. With ngBusComp your MIX setting can be automated in your DAW. Suppose you'd like to push your compressor harder in chorus... there's nothing simpler! Just record an automation using touch sensitive encoder, or draw your automation lines in DAW!\u003c\/p\u003e  \u003cp\u003engBusComp features proprietary THD implementation with very detailed variable control. Total harmonic distortion allows to saturate your signal with beautiful analog color. For ngBusComp it can be dialed in to be subtle or very apparent thanks to variable control with dedicated knob!\u003c\/p\u003e  \u003cp\u003engBusComp Side chain filter functionality allows to modify signal going into the compressor’s detector. 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The 76-style FET compressor, in particular, has shaped countless hit records, solidifying its status as a trusted and versatile tool for producers and engineers worldwide. Building on this iconic design, WesAudio introduce the \u003cstrong\u003eWesAudio ng76 FET Compressor\u003c\/strong\u003e — a fully analog FET compressor enhanced with modern versatility, offering seamless DAW integration and digital recall.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e100% ANALOG FET COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eng76 is a 100% analog processing unit with +24dBu of headroom.\r\nDespite its fully digital control, the analog signal path delivers the lightning-fast compression sound known from countless records.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTRUE STEREO OPERATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTwo ng76 mono compressors can be linked via dedicated software. Link compression detectors using special cables (included with stereo-matched pairs) for true stereo compression. Option for dual mono compression with all parameters linked across both units. Any changes made on one unit will be automatically reflected on its paired twin. FET-style compression is known for being lightning-fast, punchy, and aggressive.\r\nThe Mix knob allows for parallel compression, giving you control over how much of that distinct sonic character to dial in. The Mix knob also lets you blend in the saturation mode to add warmth and harmonic distortion.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eTHD – TOTAL HARMONIC DISTORTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTotal Harmonic Distortion (THD) button allows you to dial in additional sonic content with Low or High settings. Fully based on the FET circuit, this design lets you control how saturated your compression becomes.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCARNHILL TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTransformers in audio compressors offer more than just electrical isolation; they contribute a warm, sonic saturation that enhances recordings with a rich, analog character. The ng76 uses Carnhill transformers, which are well known for adding vintage warmth and flavor to the sound, elevating the overall tonal quality in a way that many engineers and producers love.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eSATURATION MODE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ng76 features a special mode where static compression is engaged to create sonics based on the FET circuit. A single knob controls the INPUT and OUTPUT in opposite directions, allowing the unit to function as a saturation box or clipper. The harder you drive the signal into the compression and saturation circuit, the more sonic content and harmonic richness you generate. The ng76 offers both Modern and Vintage modes to accommodate two revisions of the 1176 compressor (F \u0026amp; G): Vintage mode: Uses a transformer-balanced input, providing a more traditional, warm analog sound. Modern mode: Features an electronically balanced input, offering a cleaner and more transparent sound.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eSIDECHAIN EQ SECTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFeatures a sophisticated sidechain circuit EQ with two independent sections: High-pass filter (HPF) at 60Hz, 90Hz, and 150Hz to preserve low-end information during compression. High shelf filter at 2kHz, 5kHz, and 10kHz to tame high frequencies and emphasize high\/mid-range content for more control over the top end. Hardware A\/B Buttons to Compare Two Independent Settings\r\nEven when using the ng76 as a fully analog signal processor, you can effortlessly switch between two parallel settings with the push of a simple button, providing seamless control and flexibility.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eUSB OR ETHERNET CONNECTIVITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ng76 supports direct USB connection for easy setup, or you can manage it over your local network by simply plugging an Ethernet cable into your router, allowing for flexible control and integration.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_7\"\u003eGAIN REDUCTION, INPUT AND OUTPUT METERING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ng76 features the classic Vintage Gain Reduction meter, instantly recognizable for its timeless design. 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Besides its automation engine it also brings analog saturation per each channel which helps tracks to get more presence in the mix. ngLEVELER doesn’t have any apnea controls, it is either managable via DAW Plug-in, the HUI controller, or both. This approach provides very convenient fader control with true total recall system via DAW plug-in. ngLEVELER was created to become studio centerpiece, and because of its simple analog connectivity it can be used in many applications!\u003c\/p\u003e\n\n\u003cp\u003engLEVELER is fully compatible with HUI, that means most of its functions are manageable directly from HUI controller. To do so, it is enough to connect HUI controller to PC\/MAC where ngLEVELER is available (so it is either connected to same machine via USB or when Ethernet connection is used, it is in the same network). 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The \u003cstrong\u003eWesAudio _RHEA\u003c\/strong\u003e is true tube compressor, where gain reduction is literally implemented via tube circuit. As vari-mu design is feed backward compression, its behavior is known for amazing musical results! To properly integrate tubes into modern audio levels, just before signal is passed to the tubes, transformers are doing their magic, strongly emphasizing the low-end.\u003c\/p\u003e\n\u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve, With _RHEA your MIX setting can be automated in your DAW. Did You ever wanted to push your compressor harder in chorus? Nothing simpler... just record automation using touch sensitive encoder, or draw your automation lines in DAW.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTHUMP\u003c\/h3\u003e\n\u003cp\u003e“Thump” or “Thumping” in vari-mu compressors is very specific effect when side chain control voltage gets into the signal. This is caused because of very small tubes imbalance. It may bring to the processed signal some additional low-end artifacts – in fact in many cases this may be a desired effect, as it will strongly emphasize low end content. However, for lower volumes and more gentle source materials, it can start to be audible. All our tubes get through very complex pairing and parameter checks, but some small differences can still cause this effect to happen. In this situation we would strongly encourage to raise the input signal and experiment with attack and release settings.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eINPUT, OUTPUT AND THRESHOLD\u003c\/h3\u003e\n\u003cp\u003e_RHEA allows to control the level on the signal going in the tube compression stage (Input), the amount of compression (Threshold), and finally the output of the compressor (Output). Such approach brings the best flexibility to alter the source material. It can be noticed that Threshold can be quite gentle in effect, however if more compression is desired, input knob can be used to this purpose. Please also note that each of those parameters can be automated, so don’t hesitate to change those settings in different sections of the song!\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHD\u003c\/h3\u003e\n\u003cp\u003eTHD switch will enable a proprietary circuit which overloads output stage of the compressor. This circuit can be found in most of our units and it brings certain presence to the source material, which can’t be achieve using any other approach.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eSTEREO VS MONO\u003c\/h3\u003e\n\u003cp\u003e_RHEA is true stereo compressor which means that detector circuits of each channel are working on a summed signal in the side chain circuit. This makes it impossible to work in dual mono mode . 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The \u003cstrong\u003eWesAudio _RHEA\u003c\/strong\u003e is true tube compressor, where gain reduction is literally implemented via tube circuit. As vari-mu design is feed backward compression, its behavior is known for amazing musical results! To properly integrate tubes into modern audio levels, just before signal is passed to the tubes, transformers are doing their magic, strongly emphasizing the low-end.\u003c\/p\u003e\n\u003cp\u003eWith MIX knob at your disposal, parallel compression has never been simpler to achieve, With _RHEA your MIX setting can be automated in your DAW. Did You ever wanted to push your compressor harder in chorus? Nothing simpler... just record automation using touch sensitive encoder, or draw your automation lines in DAW.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTHUMP\u003c\/h3\u003e\n\u003cp\u003e“Thump” or “Thumping” in vari-mu compressors is very specific effect when side chain control voltage gets into the signal. This is caused because of very small tubes imbalance. It may bring to the processed signal some additional low-end artifacts – in fact in many cases this may be a desired effect, as it will strongly emphasize low end content. However, for lower volumes and more gentle source materials, it can start to be audible. All our tubes get through very complex pairing and parameter checks, but some small differences can still cause this effect to happen. In this situation we would strongly encourage to raise the input signal and experiment with attack and release settings.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eINPUT, OUTPUT AND THRESHOLD\u003c\/h3\u003e\n\u003cp\u003e_RHEA allows to control the level on the signal going in the tube compression stage (Input), the amount of compression (Threshold), and finally the output of the compressor (Output). Such approach brings the best flexibility to alter the source material. 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The Mimas is the world’s first 1176 style compressor with digital control through VST\/AAX plug-in.\u003c\/p\u003e\n\n\u003ch3\u003eSPECIFICATIONS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAttack time: 20us – 800us\u003c\/li\u003e\n\u003cli\u003eRelease time: 50ms – 1100ms\u003c\/li\u003e\n\u003cli\u003eCompression ratio: 4:1; 8:1; 12:1; 20:1; all button mode\u003c\/li\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003eSC High Pass filter – 60, 90, 150 Hz\u003c\/li\u003e\n\u003cli\u003eOutput impedance : 600 Ohms\u003c\/li\u003e\n\u003cli\u003eFreq. response : 20 Hz 20 kHz (± 1 dB)\u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio SNR : \u0026gt;83 dB\u003c\/li\u003e\n\u003cli\u003ePower consumption: 3 W\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44451176775783,"sku":"469842","price":789.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-mimas-500-series-compressor_53329_1_60d16974-67eb-4275-a4e8-98b1618069c8.jpg?v=1787096148"},{"product_id":"wesaudio-ngtubecomp-tube-compressor-with-digital-recall-and-automation","title":"WesAudio ngTubeComp Tube Compressor with Digital Recall and Automation","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio ngTubeComp\u003c\/strong\u003e is a two-channel variable-mu tube compressor with digital recall that delivers massive analog tone with the convenience of digital control. It features a dual-output design offering a transformer-balanced \"Iron Pad\" output stage or a cleaner electronically balanced option, premium analog components for lush tonal character, and multiple compression styles including feed-forward and feedbackward compression. A variable THD control and advanced sidechain filters (including high-pass filter and high shelf boost) provide endless tweakability and tonal options. Digital control and seamless DAW integration via USB or Ethernet provide instant recall and real-time automation for hybrid workflows. Whether you slap it on the master bus or record through it live, the WesAudio ngTubeComp delivers musical compression and unmatched versatility.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eDUAL OUTPUT DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a versatile dual-output design, the WesAudio ngTubeComp tube compressor lets you choose between Carnhill transformer-balanced outputs with an Iron Pad for rich, saturated tone, or an electronically balanced path for a cleaner, modern sound.\r\nThe transformer-balanced output injects subtle harmonic enhancement reminiscent of classic vari-mu compressors, while the electronically balanced output preserves transparency and headroom for situations that demand pristine dynamics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePREMIUM ANALOG COMPONENTS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt around six high-grade vacuum tubes and four custom transformers, the WesAudio ngTubeComp tube compressor delivers the signature warmth and weight that only analog circuitry can provide. The vari-mu compressor topology responds dynamically to program material, generating smooth, musical tube compression, while Carnhill transformers and add subtle harmonic richness and softened transients.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMULTIPLE COMPRESSION MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to stereo, dual-mono, and mid-side settings, the WesAudio ngTubeComp tube compressor provides three distinct compression modes: Feed-Back Mode for classic, program-dependent dynamic control; Feed-Forward compression for more precise gain reduction; and an additional Limit Mode for tighter transient control in either topology. Front-panel switches allow quick selection between feed-back, feed-forward, and limit modes, making it easy to audition compression styles and find the best sound for any situation.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCUSTOMIZABLE TOTAL HARMONIC DISTORTION CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA dedicated Total Harmonic Distortion (THD) control allows you to fine-tune the compressor's tube saturation circuit. The adjustable THD control ranges from gentle thickening all the way up to aggressive drive. Capable of delivering a wide range of saturated tones, the variable tube saturation circuit makes the ngTubeComp an extremely versatile dynamics processor.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eADVANCED SIDECHAIN FILTERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis ngTubeComp also features advanced sidechain filters for tone-shaping. Engage the high-pass filter to prevent \"pumping\" in bass-heavy sources such as drums and mix busses, or use the high-shelf boost to clamp down on high frequencies such as cymbals and sibilance in the detector circuit. This type of variable frequency control goes above and beyond other tube compressors, giving you surgical command over your sound at all times.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eINTEGRATED DIGITAL CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIntegrated digital control makes the ngTubeComp a true next-generation tube compressor fit for modern hybrid workflows. USB and Ethernet connectivity allow the compressor to talk to your DAW via the free downloadable plug-in, giving you access to remote control, instant recall, and full parameter automation. In modern studios where digital and analog both have their place, nothing beats an analog compressor with digital recall and automation.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44451190636647,"sku":"472474","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-ngtubecomp_472474_1_a9239372-c538-4960-82cb-1584216affff.jpg?v=1787096208"},{"product_id":"wesaudio-mimas-gemini-500-series-stereo-fet-compressor","title":"WesAudio _MIMAS Gemini 500 Series FET Compressor - Stereo Pair","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio _MIMAS Gemini\u003c\/strong\u003e stereo pair delivers a true stereo compression experience, ensuring precise and consistent performance across both channels. Thanks to Dynamic Link Technology, the sidechain signal levels are dynamically adjusted via a specialized potentiometer, automatically compensating for component tolerances. This ensures perfect alignment between both units, maintaining accurate stereo imaging without unwanted drift.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e1176-STYLE ANALOG COMPRESSOR WITH DIGITAL RECALL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSince 1968, FET-style compression has been a dominant force in countless recordings, remaining one of the most popular processing techniques to this day. Known for its lightning-fast attack and release times, it has become an essential tool for audio engineers. Wes Audio proudly introduces _MIMAS — an ng500 series processor that incorporates the legendary FET design, now enhanced with the highly sought-after feature of digital recall.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCARNHILL TRANSFORMERS AT THE CORE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe most important feature of _MIMAS is its fully balanced analog design (IN\/OUT) with +24 dBu of headroom. Despite offering digital control, the signal path remains entirely analog, delivering the authentic FET compression sound that professionals expect.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eFOUR RATIO SETTINGS AND LEGENDARY ALL BUTTONS IN\u003c\/h3\u003e\r\n\r\n\u003cp\u003e_MIMAS offers selectable classic ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. For those needing a more aggressive compression style, the “All Buttons In” mode is ready to use. 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