{"title":"WMD","description":null,"products":[{"product_id":"wmdevices-acoustic-trauma","title":"WMDevices Acoustic Trauma","description":"\u003cp\u003eThe new \u003cstrong\u003eWMDevices Acoustic Trauma\u003c\/strong\u003e is the ultimate analog distortion machine. Two specially voiced preamps give light break up to full stack overdrive to huge sustaining crunch. Those preamps drive a 3 band boosting parametric EQ to voice your tone in any way. Then, a powerful and transparent noise gate kills the noise caused by incredible gain.\u003c\/p\u003e  \u003cp\u003eThe Acoustic Trauma can produce the most massive sounds from a pedal. It is capable of causing hearing damage due to the high peaking nature of the EQ bands. This is your solution to cut through the mix, or make your fans writhe in pain.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eStomp Switch - This footswitch activates the Acoustic Trauma - the large red LED will light and your face will be pummeled\u003c\/li\u003e \u003cli\u003eCool Preamp - The leftmost preamp is a nice low-medium gain overdrive stage with very smooth clipping - it cleans up well when guitar volume is rolled down\u003c\/li\u003e \u003cli\u003eHot Preamp - This preamp is designed to just get louder and add sustain - it is not designed to clean up, just to rock - you will find that the more you turn the gain up, it will just crunch a little more but the tone doesn't change, it just adds sustain\u003c\/li\u003e \u003cli\u003ePreamp Blend - Use this to blend the dry preamp sounds to the output, bypassing the EQ stages - note that the phase relationships change when analog filters are used, so blending the dry signal may produce out of phase sounds and frequency canceling\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449939226727,"sku":"58313","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-acoustic-trauma_58313_1_a14a34c1-8d05-45ba-8838-75e0c901c5c7.jpg?v=1787091034"},{"product_id":"wmdevices-aperture","title":"WMDevices Aperture","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Aperture\u003c\/strong\u003e is a variable-width bandpass filter with fast and tactile controls.  It is capable of simple filtering, self oscillation FM timbres, nasty acidic squelches, and capturing images of UFOs descending from the heavens on a cold winter’s night.  The concept is a bandpass that ranges from transparent to gnarly, with precision controls that behave under stress, all while being joyful to wreak havoc with.\u003c\/p\u003e  \u003ch3\u003eControls\u003c\/h3\u003e  \u003cp\u003e*LEDs along the top indicate width and position of the filter\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eFrequency: Controls the center frequency of the band\u003c\/li\u003e \u003cli\u003eWidth: Controls the width of the band.\u003c\/li\u003e \u003cli\u003eFreq CV: Attenuverter for the CV input for precise control over the Frequency of the filter.\u003c\/li\u003e \u003cli\u003eHP Res: Controls the amount of resonance on the High Pass side of the filter.\u003c\/li\u003e \u003cli\u003eLP Res: Controls the amount of resonance on the\u003c\/li\u003e \u003cli\u003eLow Pass side of the filter.\u003c\/li\u003e \u003cli\u003eInput Level: Attenuates the input level. Unity at 12 o'clock, total gain of 6 dB\u003c\/li\u003e \u003cli\u003eFeedback: Controls the amount of feedback for  more self oscillation and squelchy behavior.\u003c\/li\u003e \u003cli\u003eDry\/Wet Mix: You know what this means\u003c\/li\u003e \u003cli\u003eWidth CV: Attenuverter for CV control over the width of the filter.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eJacks\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e1V\/ Oct: The aperture’s cutoff frequency will track at 1V\/oct. This is the input for that.\u003c\/li\u003e \u003cli\u003eIn LVL: Input for CV control over the input level attenuation.\u003c\/li\u003e \u003cli\u003eFreq: CV input for control over the cuttoff frequency.\u003c\/li\u003e \u003cli\u003eWidth: CV input for control over the width of the band.\u003c\/li\u003e \u003cli\u003eFDBK: CV input for control over the feedback amount.\u003c\/li\u003e \u003cli\u003eInput: This is where your audio signal you want to filter goes.\u003c\/li\u003e \u003cli\u003eOutput: This is where the filtered audio signal comes out.\u003c\/li\u003e \u003cli\u003eHPCV: CV input for independent control over the cutoff frequency on the high pass side of the filter.\u003c\/li\u003e \u003cli\u003eLPCV: CV input for independent control over the cutoff frequency on the low pass side of the filter.\u003c\/li\u003e \u003cli\u003eHP Res: CV input for control over the resonance on the high pass side of the filter.\u003c\/li\u003e \u003cli\u003eLP Res: CV input for control over the resonance on the low pass side of the filter.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCurrent: +12 V = 120 mA, -12 V = 100 mA\u003c\/li\u003e \u003cli\u003eDepth: 25mm including power\u003c\/li\u003e \u003cli\u003eWidth: 12 HP\u003c\/li\u003e \u003cli\u003eHeight: 3U Eurorack\u003c\/li\u003e \u003cli\u003eInput Gain: -90 dB to +6 dB\u003c\/li\u003e \u003cli\u003eNominal Input: 10V pp\u003c\/li\u003e \u003cli\u003eHPF Cutoff Freq Range: 0.5 Hz to 50 kHz\u003c\/li\u003e \u003cli\u003eLPF Cutoff Freq Range: 0.1 Hz to 25 kHz\u003c\/li\u003e \u003cli\u003ePoles: 8\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942437991,"sku":"58323","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-aperture22_58323_1_a70401c5-8dbe-491f-8d68-76e59bdc8d4d.jpg?v=1787091034"},{"product_id":"wmdevices-arcane-preamp","title":"WMDevices Arcane Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Arcane Preamp\u003c\/strong\u003e is a two channel true bypass pedal. The first channel is a medium gain boost that adds a little bit of sparkle and breaks up into a soft overdrive when hit hard. The right footswitch activates the high gain fuzz channel which is fed by the boost and can provide hot lead tones or maximally crunched fuzz. A three band tone stack allows you to sculpt the fuzz tone into just what you want.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eLeft Stomp - This foot switch bypasses or activates the pedal - the Arcane Preamp is wired true bypass, so it won't affect your tone when disengaged - when engaged the blue LED on the left side will be lit\u003c\/li\u003e \u003cli\u003eRight Stomp - This foot switch selects the channel -the indicator for the channel select is under the fuzz channel tone controls- the LED will be lit when fuzz channel is active\u003c\/li\u003e \u003cli\u003eBoost Gain - The leftmost knob controls the gain of the boost channel -this will add a bit of sparkle and clean gain at medium levels - crank it to get soft clipping and lots of volume\u003c\/li\u003e \u003cli\u003eBoost Level - This controls the output of the boost channel, setting ratios of the gain and level will allow more gain and overdrive without too much level -or medium gain and maxed level for a big clean boost\u003c\/li\u003e \u003cli\u003eFuzz Gain - When the fuzz channel is engaged, it follows the boost channel - this knob takes the output of the boost and adjusts the level going into the fuzz -this channel has a boatload of gain - low to medium levels provide touch sensitive distortion, crank it much past half and it starts to crunch -the fuzz channel can provide killer sounding feedback\u003c\/li\u003e \u003cli\u003eBass, Mids, Treble - The amp style tone stack is broken into three bands - use it to sculpt your fuzz tone the treble control is very sensitive around the middle with a ton of variation in sound\u003c\/li\u003e \u003cli\u003eFuzz Level - Since the tone stack is all passive, the stack feeds a final amplifier which puts out a ton of level - use this to level your fuzz tone with the boost tone or to drive your amp's input stage to hell\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942503527,"sku":"58314","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-arcane-preamp_58314_1_823c13bf-c4ca-4191-bb96-92fb884f67d5.jpg?v=1787091034"},{"product_id":"wmdevices-buffered-mult","title":"WMDevices Buffered Mult","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Buffered Mult\u003c\/strong\u003e is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage. Each channel is normaled to the next channel for a total of nine outputs from one input.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942536295,"sku":"58324","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-buffered22_58324_1_76b501cc-ea55-4063-aa6f-a876637f87ff.jpg?v=1787091034"},{"product_id":"wmdevices-compressor","title":"WMDevices Compressor","description":"\u003cp\u003eDynamics processing is not something typically considered in modular synthesis, especially subtractive patches. With many synthesists doing fully modular feedback patches, percussion and outboard processing with their modulars, compression now has a place in a Eurorack. The \u003cstrong\u003eWMDevices  Compressor\u003c\/strong\u003e is designed to serve all of your normal dynamics processing needs, but it pushes boundaries further. It can subtly calm resonance peaks, or it can add dynamic character to a bass patch. It can also completely crush and distort a patch into a pumping breathing monster.\u003c\/p\u003e  \u003cp\u003eThe WMD Compressor is designed around the THAT 4301 core, a high end dynamics processor. It has been adapted for modular levels, but will work with +4 line level signals as well. It is designed to be transparent, using only ultra low noise opamps, but it also has variable input and output saturation to add some character and distortion.\u003c\/p\u003e  \u003ch3\u003eTheory of Operation\u003c\/h3\u003e  \u003cp\u003eThe WMD Compressor is a feed-forward design where the input signal is analyzed to determine how much compression is necessary. This architecture is powerful and fast and offers plenty of control over the compression control signal.\u003c\/p\u003e  \u003cp\u003eThe signal path is short, consisting of an input gain stage, the compressor VCA stage and then the final output mix stage. The input stage uses a TLE2027 ultra low noise and low offset opamp. The VCA and output mix use OPA1641 low noise high-headroom opamps. The maximum output swing is close to the supply rails at 22Vpp.\u003c\/p\u003e  \u003cp\u003eThe Manual Attack\/Release circuitry is based on principles designed into the Multimode Envelope. It is incredibly fast and can range to a near stop. This allows you to use the envelope as an effect, and use the CV to halt compression if desired. Too fast of both Attack and Release times will introduce distortion as the follower attempts to follow the signal itself rather than the envelope of the signal.\u003c\/p\u003e  \u003cp\u003eThe Side Chain lets you use another signal to control compression of the input. This lets you duck a bass sound for the kick, or duck a mix for voiceover work, or distort a lead when something else is happening. The Side Chain is very useful for adding dynamics to a patch quickly and easily. It also lets you use the Compressor to work in feedback mode, where the Compressor controls the input to a filter, and the output of that filter is run through the side chain; then when resonance starts to distort the signal, the input is dropped down to compensate. This allows for very smooth resonant patches.\u003c\/p\u003e  \u003cp\u003eThe Input and Output Saturation circuits are voiced differently from each other. The input side saturation works with the input gain control to give a very soft clipping. Lots of 2nd order harmonics to warm your signal here. Input saturation will be present on the Dry side of the Mix control as well as be passed through to the follower and the compression core. Output saturation is active on the Compressor's VCA circuit. It can clip much harder than the input side. Output saturation is great for distorting the initial transient from a slower attack, giving the initial hit more harmonics and a punchy timbre.\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput Gain - Sets the input level on the Signal In jack. Range is +-12dB. 12 o’clock is unity gain. This level is normaled to the Side Chain input. Input level is indicated on the red In LED.\u003c\/li\u003e \u003cli\u003eInput Saturation - This knob and control switch determine the amount of input side saturation. The circuit is a soft clipper that begins to clip at +-4 volt peaks. Switch must be up for knob to be enabled.\u003c\/li\u003e \u003cli\u003eThreshold - This sets the input level where compression starts to happen. Its range from -14dB to +24dB covers the modular range. There is a CV input for this control that is added to the knob value. Th+ and Th- LEDs indicate whether the input signal is above or below the compression threshold.\u003c\/li\u003e \u003cli\u003eKnee Switch - This switch determines the threshold break point behavior. Hard knee will start compression at the specified ratio immediately at the break point. Soft knee starts compression slowly over the range of 3dB before the break point.\u003c\/li\u003e \u003cli\u003eRatio - Controls the amount of compression as a function of input level to output level. So, for every dB in level increase past the threshold, you get X level increase in the output. 4:1 ratio means 4dB input to get a 1dB change in output. ∞:1 is a limiter where the input signal is limited to the threshold level.\u003c\/li\u003e \u003cli\u003eDetector Mode Switch - This three position switch selects between RMS, Adaptive and Peak level detection modes. RMS - Ignores fast transients, slower and smoother. Good for un-compressed attack transients. More vintage sounding compression.; Adaptive - Smooth like RMS, but detects fast transients. Good for many types of material. Modern sounding compression.; Peak - Very fast, follows the signal closely. Use with manual A\/R with slower release for good peak limiting.\u003c\/li\u003e \u003cli\u003eA\/R Switch - This switch determines whether the manual Attack and Release knobs are activated, or if the Level Detector automatically controls attack and release times. Switch must be in Manual mode for Attack and Release knobs and CV to be enabled.\u003c\/li\u003e \u003cli\u003eAttack - This knob sets the amount of time taken for the onset of compression. Rotate clockwise for a slower attack. Attack may be affected by the CV input. Attack is measured in Seconds \/ dB.\u003c\/li\u003e \u003cli\u003eRelease - Controls the amount of time to open the compressor after the input signal goes back below the current level of compression. Rotate clockwise for longer release. Release may be affected by the CV input. Release is measured in Seconds \/ dB.\u003c\/li\u003e \u003cli\u003eRatio Mode - This switch controls whether the compressor reduces output level as the threshold is crossed (Comp), or increases level by the Ratio as the threshold is crossed (Xpand). Beware that flipping to Xpand will greatly increase the volume at the output. Reduce Makeup Gain before engaging this switch.\u003c\/li\u003e \u003cli\u003eComp LED - This blue LED shows the compression level to give rough feedback as to how much compression is taking place.\u003c\/li\u003e \u003cli\u003eMakeup Gain - This controls the amount of gain at the output stage. Range is -36 dB to +36 dB. Use higher settings to bring the level back up after high compression. If using Xpand mode, set this lower than 0dB to avoid high output levels. There is a CV input to further control the amount of Makeup Gain.\u003c\/li\u003e \u003cli\u003eOutput Saturation - This switch must be enabled for the knob to have an effect. Moderately Hard LED saturation begins at ±6 volt peaks.\u003c\/li\u003e \u003cli\u003eMix - This knob mixes the dry input signal with the wet output signal, allowing for simple parallel compression. Also use it as a way to compare input to output easily. This is the final output to the Signal Output jack. Its level is indicated on the red Out LED.\u003c\/li\u003e \u003cli\u003eSide Chain - This input drives the level detector of the compressor. When nothing is plugged in, the Input signal is normaled through to the detector. This allows you to use the compressor as a ducker or expander with other signals.\u003c\/li\u003e \u003cli\u003eEnvelope Out - This output jack produces the Compressor’s control signal for use in other places in your modular.\u003c\/li\u003e \u003cli\u003eStereo Link - If you have two WMD compressors, you can link them together with an 1\/8” cable on the back. Flipping each Compressor’s Link switch to Stereo will connect the two detectors together for true stereo bus compression. Knobs must be set the same for both channels to truly behave the same, as only the detector information is shared.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942569063,"sku":"58326","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-compressor-1_c3a951e0-5f36-4d27-a250-38db42d2cf4e.jpg?v=1787091035"},{"product_id":"wmdevices-digital-vca","title":"WMDevices Digital VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Digital VCA\u003c\/strong\u003e uses an analog integrator core with digital control over positive and negative slopes. This allows for total control over the envelope shape and logic operation. Since the core is analog, the envelope is smooth and stepless, especially important for slow envelopes.\u003c\/p\u003e  \u003cp\u003eThe nature of the core allows for control over its shape through a feedback mechanism, this design also allows for Voltage Control over each segment and for the entire envelope duration.\u003c\/p\u003e     \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput - This DC coupled input handles control voltages and signals up to 20 Vpp in amplitude\u003c\/li\u003e \u003cli\u003eCV - Insert your control voltage here - designed for 0-5V or 0-8V signals - CV strength will appear on the red LED above this jack - 5 or 8 V produces unity gain on the output - exceeding these voltages or using negative voltage will not damage the device\u003c\/li\u003e \u003cli\u003eUpdate G\/ZCD - This input controls the updating in Gate and ZCD modes - in Gate mode, the rising edge will cause CV to be updated - in ZCD mode, the signal must be at or crossing the 0V potential (ground) for CV to be processed\u003c\/li\u003e \u003cli\u003eOutput - Attenuated signal output\u003c\/li\u003e \u003cli\u003eCV 5 V \/ 8 V Switch - This slide switch controls whether the VCA expects to see 8 Volts or 5 Volts at the upper limit\u003c\/li\u003e \u003cli\u003eInst \/ Gate \/ ZCD Switch - This switch controls the operating mode of the Digital VCA - instant mode continuously updates from the CV input - gate updates on rising edges of the signal on the Update G\/ZCD jack (normaled from the Input) - ZCD mode updates on zero crossings\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942700135,"sku":"58331","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-vca_58331_1_27de8945-55e4-46e6-a56e-928a8dc369c0.jpg?v=1787091034"},{"product_id":"wmdevices-geiger-counter-civilian","title":"WMDevices Geiger Counter Civilian","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Geiger Counter - Civilian Issue\u003c\/strong\u003e is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls. This is for those players who want to dial in a tone quickly and save pedalboard space.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eStomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled - when the GCCI is on, the red LED will be lit\u003c\/li\u003e \u003cli\u003eGain - The gain control provides anywhere from a nice clean tone to a ton of overdrive - use this to hit the Function tables harder or softer to produce different amounts of harmonics\u003c\/li\u003e \u003cli\u003eTone - The tone control can be used to fine tune the harmonic content from the Function tables - use lower settings for fewer upper level harmonics\u003c\/li\u003e \u003cli\u003eVolume - Sets the output volume of the GCCI which can be up to 5 Vpp, enough to really crush your amp's input stage\u003c\/li\u003e \u003cli\u003eFunction - Twisting this knob will cause the number on the display to change - it goes 0 to 9 and A to F - this selects the 16 presets inside the GCCI - push the knob in to activate the Low Fidelity mode for each preset - Low Fidelity mode is indicated by the decimal point on the display\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eEach Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the center. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942634599,"sku":"58315","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-devices-geiger-counter-civilian_58315_1_22883062-beb2-4272-b5c3-35cdab4082ac.jpg?v=1787091035"},{"product_id":"wmdevices-geiger-counter-eurorack","title":"WMDevices Geiger Counter Eurorack","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Geiger Counter Eurorack\u003c\/strong\u003e is WMD's flagship Geiger Counter guitar pedal turned Eurorack module. Added features include direct input to bypass the gain and tone circuits and CV control over every parameter. The Eurorack Geiger Counter is fully DC coupled and will accept audio and CV signals. Run a slow LFO into the direct input, tweak the wave table knob and see what happens!\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cp\u003e The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eGain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.\u003c\/li\u003e \u003cli\u003eTone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.\u003c\/li\u003e \u003cli\u003eTone Enable\/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.\u003c\/li\u003e \u003cli\u003eDirect In\/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.\u003c\/li\u003e \u003cli\u003eSample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy. When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end. The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.\u003c\/li\u003e \u003cli\u003eBit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound. The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds. The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.\u003c\/li\u003e \u003cli\u003eWave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThe display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.\u003c\/p\u003e  \u003cp\u003eThe Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942601831,"sku":"58332","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-geiger22_58332_1_55a5323b-9639-443a-94cc-b00adbf52feb.jpg?v=1787091035"},{"product_id":"wmdevices-geiger-counter-original","title":"WMDevices Geiger Counter Original","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Geiger Counter\u003c\/strong\u003e is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lo-fi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942667367,"sku":"58316","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-geiger-counter_58316_1_ffaec6d2-e54a-4e44-81ed-aabdebba13dd.jpg?v=1787091035"},{"product_id":"wmdevices-geiger-counter-pro","title":"WMDevices Geiger Counter Pro","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Geiger Counter Pro\u003c\/strong\u003e is the final evolution WMD's bit crusher concept. WMD have added many features that were impossible before technology caught up. The Pro edition stays true to the original’s brutality, but refines the user experience, and extends its capabilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe GCP took six years to develop. In 2011 it was designed to have menus and a bunch of features hidden within, but it was clunky and unpleasant to operate. So it was shelved for a while, and in 2014 it was developed again from scratch. This time every feature has been brought to the surface.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942732903,"sku":"58317","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-geiger-counter-pro_58317_1_674b749d-ca1c-4154-a0c2-6c38b26ccd8e.jpg?v=1787091035"},{"product_id":"wmdevices-invert-offset-mkii","title":"WMDevices Invert Offset MKII","description":"\u003cp\u003eThe 6HP \u003cstrong\u003eWMDevices Invert Offset MKII\u003c\/strong\u003e module creates an easy way to modify control voltages for other modules in your system.\u003c\/p\u003e  \u003cp\u003eThe Invert Offset consists of two identical channels. Signal applied to the In jack is vertically offset by the knob, additionally a CV signal may be applied to offset the signal vertically.\u003c\/p\u003e  \u003cp\u003eThe +Out jack puts out a non-inverted signal with the specified offset. The -Out jack puts out an inverted signal with the same offset as the +Out.\u003c\/p\u003e  \u003cp\u003eThe Offset CV input allows you to mix two signals together, Offset will never be inverted, while the signal at the In jack will be inverted based on the selected output.\u003c\/p\u003e  \u003cp\u003eThere is also a sum output (1+2) that takes the non-inverted outputs and adds them together. Also there is a comparator gate output that is on if the channel 1 output is more positive than channel 2.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942765671,"sku":"58333","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-invert-offset-1_64bb0f59-32df-47fe-b1b3-fd6433de8f95.jpg?v=1787091035"},{"product_id":"wmdevices-micro-hadron-collider","title":"WMDevices Micro Hadron Collider","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Micro Hadron Collider\u003c\/strong\u003e is a dual VCF scientifically smashes two electron waves into oblivion at the speed of light, producing an audio frequency Higgs-Boson particle beam of harmonious analog physics equilibrium. Well...not really, but it does some other cool stuff.\u003c\/p\u003e  \u003cp\u003eIn reality, the uHC is a very powerful dual VCF with an integrated mixer to pit the two sides against each other producing complex waveshapes and artfully sculpted timbres. The uHC incorporates versatile audio signal flow with intuitive CV control and normaling, creating a powerful filter without the need for complex patching.\u003c\/p\u003e  \u003cp\u003e The uHC is a dual state-variable VCF with all CV inputs of the first filter normaled to filter 2. The uHC can be used as a 4 pole filter, two independent 2 pole filters, or some combination in between. A voltage controlled mixer blends the two ouputs, providing another dimension of waveshaping. Filter 2 can use one of the following as its input: the output of Filter 1 (series), the input of Filter 1 (parallel) or it's own input (split). Voltage control of Frequency and Resonance is provided for each filter section. Signal paths for audio and CV are shown with arrows to speed up patching.\u003c\/p\u003e  \u003ch3\u003eSignal Flow\u003c\/h3\u003e  \u003cp\u003eKnobs at the top control the offset of the frequency, resonance or mix. CV In jacks at the bottom with attenuators control their respective parameters. The CV inputs from Filter 1 are normaled to Filter 2. So plugging in a cable to Freq 1 will send the same signal to the Freq 2 jack, where it can be used or dialed out by attenuating fully CCW. This allows you to use one signal but control both filters equally, offset, or completely separately.\u003c\/p\u003e  \u003cp\u003eThe 1V\/Oct input is calibrated to produce exactly one octave of change per volt of input. Using the switch on the Filter 2 side will route the 1V\/Oct signal to Filter 2, controlling both simultaneously.\u003c\/p\u003e  \u003cp\u003eFor additional CV controls, a CV Expansion module (5HP) may be attached to the uHC with it's own 14 pin cable. The CV Expansion provides additional Frequency, Resonance, and Mix inputs with attenuators. It also provides linear frequency input for each channel. The jacks are normaled here as well, so you can control both filters with one cable.\u003c\/p\u003e  \u003ch3\u003eFilter Modes\u003c\/h3\u003e  \u003cp\u003eThe uHC is a multimode filter and outputs Low Pass, Band Pass and High Pass filter responses. Additionally Filter 2 has a notch output for elliptic filter responses. The switch just inside each output jack selects the filter mode. If multiple modes are required simultaneously, the Audio Expansion module provides dedicated outputs and a Notch output for Filter 1.\u003c\/p\u003e  \u003cp\u003eUsing series mode and low pass or high pass on Filter 1, the notch output on Filter 2 creates an elliptic response. This leads to sharper cutoff frequency, but with a bounce back at around -40dB. Set the two Freq knobs to ear for the elliptic response. For low-pass elliptic, the 2nd filter will have a slightly higher cut-off frequency than Filter 1. Lower resonances on the 2nd filter tend to produce better results (as the notch will be wider).\u003c\/p\u003e  \u003ch3\u003eThe Mixer\u003c\/h3\u003e  \u003cp\u003eWhat sets the uHC apart from most other VCFs is the integrated voltage controlled mixer. The mixing circuit takes each output and smashes them together creating all different kinds of sounds without loads of extra patching. It can be used to create different and new filter modes -- Wide Notch, Dual Bandpass, etc. Also, for blending separate sounds together using both filters split. Additionally, the mixer can be used without CV to blend just a little bit of high frequency punch with your fatty dub bass sound. The possibilities are endless.\u003c\/p\u003e  \u003cp\u003eThe Mix CV input accepts DC to audio rate signals (and super-sonic) allowing for cool frequency modulation of the mixing signals. Use Square wave with variable duty cycle to make some very interesting wave shapes!\u003c\/p\u003e  \u003cp\u003eFilter 2's input to the Mixer has a phase switch to invert the signal, providing more control over the mix output.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942798439,"sku":"58334","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-micro-hadron-collider-1_eb17e6a8-92ba-42f8-8cb6-c5b8e08b0865.jpg?v=1787091035"},{"product_id":"wmdevices-multimode-envelope","title":"WMDevices Multimode Envelope","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Multimode Envelope\u003c\/strong\u003e is WMD's take on the classic ADSR. It offers expanded controls, multiple logic modes, and voltage control with the expansion module. This is the most powerful envelope ever designed for Eurorack.\u003c\/p\u003e  \u003ch3\u003eTheory of Operation\u003c\/h3\u003e  \u003cp\u003eThe Multimode Envelope uses an analog integrator core with digital control over positive and negative slopes. This allows for total control over the envelope shape and logic operation. Since the core is analog, the envelope is smooth and stepless, especially important for slow envelopes.\u003c\/p\u003e  \u003cp\u003eThe nature of the core allows for control over its shape through a feedback mechanism, this design also allows for Voltage Control over each segment and for the entire envelope duration.\u003c\/p\u003e  \u003cp\u003eThe 8HP Multimode Envelope is small and powerful, easy to integrate into any system that needs a powerful envelope generator. Voltage control was left off so that this envelope can be easily fit into an existing modular system. Add voltage control if desired with the 6HP expansion module.\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAttack Rate - Determines the speed of the attack. At its lowest (CCW) setting, the attack will be around four minutes. Fastest (CW) is 200µS.\u003c\/li\u003e \u003cli\u003eAttack Shape - This affects the rate of attack as the envelope opens. Continuously variable from logarithmic (starts fast and slows) to linear to exponential (starts slowly and speeds up).\u003c\/li\u003e \u003cli\u003eDecay Rate - Determines the speed that the envelope will decay down to the sustain level. This has the same time range as Attack and Release.\u003c\/li\u003e \u003cli\u003eDecay Shape - This control determines the shape of the decay until the sustain level.\u003c\/li\u003e \u003cli\u003eSustain Level - This controls the breakpoint for the decay segment. When this level is reached (0 - 8 volts), the Envelope will transition from decaying to the mode determined by the Mode knob.\u003c\/li\u003e \u003cli\u003eMode - This knob controls the operation of the Multimode Envelope. Modes are listed below. Turn the knob to the desired mode.\u003c\/li\u003e \u003cli\u003eRelease Rate - Determines the speed of the release segment. The release segment is from the sustain level down to 0 volts.\u003c\/li\u003e \u003cli\u003eRelease Shape - This control determines the shape of the release until the 0 volts is reached.\u003c\/li\u003e \u003cli\u003eGate\/Trig - This input starts the envelope. How it is handled is dependent on the active mode. When a gate is present, the Gate LED will be lit.\u003c\/li\u003e \u003cli\u003e0 - 8 V Out - This is the normal envelope output, it produces voltage from 0 to 8 volts.\u003c\/li\u003e \u003cli\u003e±8 V Out \/ ±8 V Out -These outputs give full swing envelopes of 16 Volts peak to peak. The -+8V Out is inverted.\u003c\/li\u003e \u003cli\u003eManual - This button allows for manual triggering or gating of the envelope.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eModes of Operation\u003c\/h3\u003e  \u003cp\u003eFirst, a note about gates and triggers. A gate is an on or off signal that has duration. A trigger is an on or off signal whose duration is ignored.\u003c\/p\u003e  \u003cp\u003eWhen the gate turns on, the envelope will run through the specified segments until the gate is released. If the gate goes off at any time, the envelope will immediately jump to the release segment. Gate modes have the ability to sustain, and are applicable to ADSR and ADSAR.\u003c\/p\u003e  \u003cp\u003eTrigger modes will cause the envelope to run its course every time it is triggered, from start to finish, regardless of the trigger's length. Trigger modes include AR, ADR, and ADAR.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eADSR - This is the classic East Coast envelope shape. Upon a Gate input (key down), the envelope opens, then closes to the sustain level. When the gate is off (key up), the envelope releases to ground. To use as an ASR envelope, turn the Sustain fully CW and Decay will be ignored.\u003c\/li\u003e \u003cli\u003eAR - This is the classic West Coast envelope shape. Upon a trigger input, the envelope opens with the Attack control, peaks, and then falls with the release control. It is triggered instead of gated and will not sustain.\u003c\/li\u003e \u003cli\u003eADR - The ADR is a trigger mode that will not sustain. Instead, at the sustain point, Decay transitions instantly to Release, allowing you to change shapes or speeds in the middle of the falling action.\u003c\/li\u003e \u003cli\u003eADSAR - This gate mode attacks, decays and sustains like a normal ADSR. After the gate is released (key up), the envelope will attack again and then release. This gives you an accent on key up.\u003c\/li\u003e \u003cli\u003eADAR - This trigger mode attacks, then decays until reaching the sustain level, then attacks again and releases.\u003c\/li\u003e \u003cli\u003eADSRst - ADSR Step Through mode runs one segment at a time as triggered. This mode causes sustain after each segment runs. After attack, it will sustain at 8 volts. After decay it will hold at the sustain level. After release, the cycle is finished and 0 volts will be output. Each segment must be complete before another trigger is recognized. This mode requires three triggers per cycle.\u003c\/li\u003e \u003cli\u003eADSARst - This is similar to ADSRst, but with a second attack after the decay. This mode requires four triggers per cycle.\u003c\/li\u003e \u003cli\u003eADRcy - This mode will cycle automatically after release is compete. It can be an AR cycling envelope by setting the sustain level to maximum. Decay will transition to Release at the sustain point. A trigger or gate will reset to the attack segment.\u003c\/li\u003e \u003cli\u003eADARcy - This self cycling mode works just like ADRcy, but will attack again from the sustain point after the decay segment. A trigger or gate will reset to the attack segment.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942831207,"sku":"58335","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-envelope-1_f5c44ca7-bc6d-4775-a76e-9363e995ada9.jpg?v=1787091036"},{"product_id":"wmdevices-multimode-envelope-exp","title":"WMDevices Multimode Envelope EXP","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Multimode Envelope Expansion\u003c\/strong\u003e module introduces a number of useful elements including voltage control, trigger outputs, and behavior control.\u003c\/p\u003e  \u003ch3\u003eExpansion Controls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCV Inputs and Attenuator Knobs - These dedicated CV inputs and bipolar attenuators give massive control over the shape of the envelope by allowing each segment to be CV controlled. Bipolar attenuators allow inversion of the source signal. A 12 o'clock position will yield no change from the control voltage. Spin CW for normal operation, CCW for inverted CV control. Each input is calibrated so when set to maximum CW, one volt will double the rate the segment.\u003c\/li\u003e \u003cli\u003eEOA, EOD, EOS, EOR - These output triggers go off when the respective segment comes to an end. Useful for triggering other modules for complex timings. Standard trigger length is 10mS. This can be trimmed on the back of the module.\u003c\/li\u003e \u003cli\u003eRetrig - This trigger input will cause the envelope to return to the attack segment if the envelope is already in progress. If the envelope is not running (no lights on), retriggers will be ignored.\u003c\/li\u003e \u003cli\u003eHold - Apply a signal to this input to pause\/hold the envelope. Use for stepping the envelope or halting motion during complex patches.\u003c\/li\u003e \u003cli\u003eADR TimeScale - This CV input affects the Attack, Decay and Release segments speed equally. The Multimode Envelope is designed so that this input will make each segment track reasonably close to 1 V\/octave.\u003c\/li\u003e \u003cli\u003eReset on Gate - This switch determines whether the envelope will reset to 0 volts when a new trigger or gate is applied if the output is above 0 volts. It does not affect Retrig.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eConstruction, Power \u0026amp; Warranty\u003c\/h3\u003e  \u003cp\u003eThe Multimode envelope is a hybrid digital and analog envelope generation module.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942863975,"sku":"58336","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-exp_58336_1_52bd3df7-0220-490b-a529-753565948c20.jpg?v=1787091036"},{"product_id":"wmdevices-multimode-vca","title":"WMDevices Multimode VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices MultiMode VCA\u003c\/strong\u003e is designed to be the most versatile amplifier in your modular. Period.\u003c\/p\u003e  \u003cp\u003eThe MMVCA is capable of a number of useful configurations utilizing both VCAs, or as two separate amplifiers. It has plenty of headroom in \"clean\" mode or can be easily overdriven with the soft saturation circuit. You'll want to run everything through the MMVCA.\u003c\/p\u003e  \u003ch3\u003eModes of Operation\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSplit Mode - The MMVCA serves as two separate VCAs in this mode. Set the B CV Source switch to B = B. Plug into both VCAs and use separate CV, or just the CV from the A jack.\u003c\/li\u003e \u003cli\u003eBipolar VCA - This mode requires the use of both A and B channels. Set both the B CV Source and In B Normal switches to B = -A. Plug CV and signal to be polarized into the A side. Monitor from A + B. The output will be inverted through zero at 0V CV.\u003c\/li\u003e \u003cli\u003eCrossfade - Run two inputs to the A and B Jacks. Set the Xfade\/FTZswitch to Xfade when in linear operation. Set the B CV Source switch to B = -A. Control crossfade with the CV A jack. Monitor on A+B Out. Works similarly in Exponential mode.\u003c\/li\u003e \u003cli\u003eFade Through Zero - Both VCAs set to Linear mode. Set the Xfade\/FTZswitch to FTZ. Set the B CV Source switch to B = -A. Control with CV A jack. Monitor on A+B Out. This fades B to silence to A as CV goes positive.\u003c\/li\u003e \u003cli\u003ePan - Run audio into the A jack. Set the In B Normal switch to B = A. Set the Xfade\/FTZ switch to Xfade. Monitor in stereo on both A and B Outputs. CV A will move right to left (B to A) as CV goes positive.\u003c\/li\u003e \u003cli\u003eSpread Pan - Run audio into the A jack. Set the In B Normal switch to B = A. Set the B CV Source switch to B = B . Audio in A, CV in A. Oppose the CV knobs to control response to CV. Use the Bias knobs to set the amount of spread. Monitor in stereo on both A and B Outputs.\u003c\/li\u003e \u003cli\u003eSpread Crossfade - Run audio into both the A and B jacks. Set the In B Normal switch to B = A. Set the B CV Source switch to B = B . Audio in A, CV in A. Oppose the CV knobs to control response to CV. Use the Bias knobs to set the amount of spread. Monitor the A+B.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCV A \u0026amp; CV B - These jacks and bipolar CV attenuators control the CV for each VCA. Set the knob to the center for no CV. Spin CW for normal CV operation, CCW for inverted CV operation. The CV A jack is normaled to the input of the CV B jack. The CV B jack will be disabled by setting B CV Source to -A. Green LEDs on the top right and left sides indicate the strength of the CV signal applied to each VCA.\u003c\/li\u003e \u003cli\u003eIn A \u0026amp; In B - These jacks are for the injection of any signal. They can be DC or AC coupled.\u003c\/li\u003e \u003cli\u003eOut A \u0026amp; Out B - These jacks are the phase matched outputs for each side. These can be DC or AC coupled. The two bicolor LEDs at the top marked A and B will indicate output strength and polarity. Red for negative voltages, and blue for positive.\u003c\/li\u003e \u003cli\u003eOut -A \u0026amp; Out -B - These jacks are inverted outputs for each side. If AC coupled, these jacks are buffered after the DC offset removal. The center bicolor LED at the top marked A+B indicates signal strength and polarity. Red for negative voltage, and blue for positive.\u003c\/li\u003e \u003cli\u003eOut A+B - This is the summed output of both VCAs.\u003c\/li\u003e \u003cli\u003eOut -A+B - This is the summed inverted output of both VCAs.\u003c\/li\u003e \u003cli\u003eBias A \u0026amp; Bias B - These knobs control the ambient amplification of each VCA. In Linear and FTZ modes, set to center will produce no output. In Xfade mode, fully CCW will produce no output.\u003c\/li\u003e \u003cli\u003eLinear \/ Expo Switch - One switch for each channel. Selects the mode of operation for the VCA. Expo mode has a trimmer on the back to set the sensitivity to CV.\u003c\/li\u003e \u003cli\u003eAC \/ DC Switch - This switch introduces capacitors to the inputs and outputs of both channels. AC mode can eliminate the minor DC offset produced by the VCAs. This introduction of capacitors causes a minor rolloff at low frequencies. The -6dB\/octave rolloff begins at roughly 85 Hz. This frequency was selected to eliminate the settling effect of lower cutoff frequencies.\u003c\/li\u003e \u003cli\u003eXfade \/ FTZ Switch - This switch is only operational in Linear mode. It introduces a DC offset to the CV of both channels allowing for smooth crossfades between the two channels. Fade Through Zero mode produces a silent center where both VCAs are simultaneously off at 0 volts CV input.\u003c\/li\u003e \u003cli\u003eSat \/ Clean Switch \u0026amp; Saturation Knob - This switch enables the variable saturation circuit controlled by the knob. When off, the VCAs will hard clip at 20 Vpp. When on and Saturation is fully CCW, the peaks will begin to be rounded off starting at 11 Vpp. The signal can still hard clip at 20 Vpp. Turn Saturation CW and the circuit will compress the waveform more, adding a little bit of nice distortion. Turn Saturation fully CW for thick distorted waveforms with nice round peaks. Fully CW limits the output voltage to roughly 8 Vpp.\u003c\/li\u003e \u003cli\u003eB CV Source - Selects whether to look at the B CV jack and attenuator, or to override the input with the inverted CV signal from channel A.\u003c\/li\u003e \u003cli\u003eB In Normal - Selects whether the signal normaled to the B In jack is the straight signal from A, or the inverted signal from A. Use for Bipolar VCA mode.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942896743,"sku":"58337","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-vca-1_815faf0d-ecce-4af9-9dda-caa55c5e010e.jpg?v=1787091036"},{"product_id":"wmdevices-phase-disc-osc-mkii","title":"WMDevices - Phase Disc Osc MKII","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eWMDevices Phase Displacement Oscillator MKII\u003c\/strong\u003e. This hybrid VCO has all the feel of an analog VCO but with the benefits of digital waveshaping. The PDO will easily find a home in your system!\u003c\/p\u003e  \u003cp\u003eThe PDO exists to utilize the phenomenon of Phase Modulation (PM). This allows for the relative phase difference of its outputs to be set or modulated, producing very interesting sounds. The result is similar to Frequency Modulation (FM) but affects the output to a greater degree without affecting the stability of the initial frequency. This is where the \"displacement\" comes in.\u003c\/p\u003e  \u003cp\u003eWhen you use frequency stable phase displacement, you create phase distortion which sounds like wavefolding and is very useful for dynamic textures and powerful sounds.\u003c\/p\u003e  \u003cp\u003ePM has the same benefits of quadrature filters\/sine wave generators and greatly exceeds their capabilities at audio rate modulations. PM is highly useful for for creating metallic and bell tones and very controlled harmonic interactions.\u003c\/p\u003e  \u003cp\u003eBecause PM affects the relative phase and not the frequency of the waveform generated, the PDO can self modulate its PM inputs. This creates complex harmonic signals that seem to vary in frequency but are quite stable.\u003c\/p\u003e  \u003cp\u003ePhase Modulation is also quite powerful when using the PDO as an LFO. Adjusting the relative phase of each output allows for very precise modulation of other modules. Each output can have any of the available waveforms simultaneously. There is a myriad of modulation possible with the PDO!\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe Phase Displacement Oscillator's analog VCO core should feel familiar and intuitive.\u003c\/li\u003e \u003cli\u003e1V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth. Use as LFO reset also.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjusts the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within a 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eFM - Jack for Frequency Modulation. Type is selectable with switch between Exponential and Linear. Linear may be DC or AC coupled with a rear jumper.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePhase Modulation Inputs (Φ)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePhase Inputs (ΦCV) - The PDO has three phase inputs, one for each channel: 2, 3 and 4. These inputs can use any type of signal. Each phase input has an attenuator.\u003c\/li\u003e \u003cli\u003ePhase Offset (Φ) - These controls set the relative phase of each channel, from 0 degrees to + or - 360 degrees (total of 720 degrees). This control is added to the ΦCV input and acts as a bias level control when there is an input.\u003c\/li\u003e \u003cli\u003eGlobal Phase Input (ΦCV234) - This jack sends its signal to each phase input equally, allowing for a single signal to globally control the phase offset of each channel.\u003c\/li\u003e \u003cli\u003eJack \/ Both \/ Mod Switch - This switch controls routing of the CV signals for interfacing with the Triple Bipolar VCA. Jack allows the front panel jack and attenuator through. Mod allows just the input from the TBVCA through. Both sums both signals going into the phase modulation circuitry.\u003c\/li\u003e \u003cli\u003eInv Switch - This is the master invert switch for the sum of the Jack\/Mod\/Both and the Global phase input per channel. It will invert all signals.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eOutputs\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOut1 - Out4 - These are the outputs for each channel, the current level is displayed at the top of the module by a green LED.\u003c\/li\u003e \u003cli\u003eSum Output - This output takes all four of the outputs and sums them together.\u003c\/li\u003e \u003cli\u003eSum Normaled Output - This output takes each output (1-4) that do not have cables inserted and sums them together. Use this if you want to remove an output from the sum.\u003c\/li\u003e \u003cli\u003eStaircase Output (SC Out) - This output jack is the result of the relative phases of the three phase input channels compared to the analog sawtooth waveform. It forms a staircase type output (multiple square waves added together).\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942962279,"sku":"58338","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-phase-dis22_58338_1_52714ee5-0503-41a1-8014-db252cb997d9.jpg?v=1787091036"},{"product_id":"wmdevices-pro-output","title":"WMDevices Pro Output","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Pro Output\u003c\/strong\u003e is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.\u003c\/p\u003e  \u003cp\u003eRail to rail opamps at the input stage allow for headroom above the typical Eurorack levels of 20 Vpp. The Pro Output can handle 23 Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.\u003c\/p\u003e  \u003cp\u003eThe Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cp\u003eInput - The inputs are designed to accept any normal modular level. 10 Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23 Vpp, giving enough headroom for any Eurorack signal.\u003c\/p\u003e  \u003ch3\u003ePhones\/Line\u003c\/h3\u003e  \u003cp\u003eThe headphone driver connects to a 3.5 mm stereo jack, and a 1\/4\" jack for whatever type of headphones you use. It can drive both simultaneously.\u003c\/p\u003e  \u003cp\u003eThe headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.\u003c\/p\u003e  \u003cp\u003eWith the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.\u003c\/p\u003e  \u003ch3\u003eStereo\u003c\/h3\u003e  \u003cp\u003eThe Stereo (-10 dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.\u003c\/p\u003e  \u003ch3\u003e+4dBu Bal\u003c\/h3\u003e  \u003cp\u003eThese two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942929511,"sku":"58339","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-pro-output22_58339_1_e8585bb4-667e-4908-952a-9009b9d329b4.jpg?v=1787091036"},{"product_id":"wmdevices-protostar-filter","title":"WMDevices Protostar Filter","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Protostar\u003c\/strong\u003e is the evolution of the Super FatMan envelope filter with even more pro level features. Built in LFO, 4 filter modes, full CV patch bay, and expression\/CB input, this is the most powerful\/versatile envelope filter on the planet. Also includes an end of chain compressor and dry wet mix for parallel filtering\/compression effects!\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942995047,"sku":"58319","price":389.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-prostar_58319_1_9862f8b8-616c-487e-bad8-7845f0284e60.jpg?v=1787091036"},{"product_id":"wmdevices-quad-anti-aliasing-filter","title":"WMDevices Quad Anti-Aliasing Filter","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Quad Anti-Aliasing Filter\u003c\/strong\u003e (QAAF) was conceptualized as the first expansion for the Phase Displacement Oscillator.\u003c\/p\u003e  \u003cp\u003eIt is designed to eliminate aliasing and stair-step distortion from the Digital to Analog converters. WMD opted to make this a separate module because it is useful by itself as well as coupled with the PDO.\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCV Input - This input is roughly calibrated to 1 v\/octave. It drives a vactrol that will cause the QAAF to open quickly and close slowly.\u003c\/li\u003e \u003cli\u003eFreq Knob - This knob controls the cutoff directly or acts as a bias\/level shift control for the CV input.\u003c\/li\u003e \u003cli\u003eCLK - This jack serves as a clock input or output, directly controlling the filter's frequencies at a ratio of 100:1. A jumper on the back (lower jumper) selects it's mode. Jump for clock output, leave open for clock input.\u003c\/li\u003e \u003cli\u003eInputs 1-4 - Audio Inputs, these are normaled from the expansion header going to the PDO. This normal is broken by plugging into these jacks.\u003c\/li\u003e \u003cli\u003eOutputs 1-4 - These jacks are for each channel's outut.\u003c\/li\u003e \u003cli\u003eMix - This output is a sum of each channel's filtered input.\u003c\/li\u003e \u003cli\u003eFrequency Limit Jumper - This rear jumper (upper set of pins) will limit the low frequency cutoff to about 300 Hz. This will stop the QAAF from producing aliasing noise itself as it's clock frequency will be limited to 30 kHz. Jump for limiting, leave open to disable.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943027815,"sku":"58340","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-quad22_58340_1_ff81bbff-5f20-4130-91be-f86b2db1d7bc.jpg?v=1787091037"},{"product_id":"wmdevices-sequential-switch-matrix","title":"WMDevices Sequential Switch Matrix","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eWMDevices Sequential Switch Matrix\u003c\/strong\u003e: WMD's take on an essential module.\u003c\/p\u003e  \u003cp\u003eFour inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.\u003c\/p\u003e  \u003ch3\u003eConcept\u003c\/h3\u003e  \u003cp\u003eThe Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.\u003c\/p\u003e  \u003ch3\u003eSignal Path\u003c\/h3\u003e  \u003cp\u003eThe signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eInputs 1 - 4: These inputs accept bipolar +-10 V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.\u003c\/li\u003e \u003cli\u003eOutputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.\u003c\/li\u003e \u003cli\u003eComparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10 V gate) for that channel. The blue LED will also be illuminated.\u003c\/li\u003e \u003cli\u003eDAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25 V). 4-2 is the least significant bit (0.020 V). The two columns provide an 8 bit voltage output that is always present.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControl Scheme\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eBUTTONS OPERATION: Black text for tapping buttons. Red text for push and hold functions. Hold time is about one second. The button will begin toggling after being held more than one second.\u003c\/li\u003e \u003cli\u003eRouting Buttons: Tapping the routing buttons will toggle its state. If a button is pushed, it will change for that matrix only. Push and hold has no effect on routing buttons.\u003c\/li\u003e \u003cli\u003eMatrix: The current matrix is displayed on the numerical display. It will read 0-9 then A, B, C, D, E, F to represent the 16 matrices in hexidecimal.\u003c\/li\u003e \u003cli\u003eBank: Tapping the Bank button will change banks. LED off is bank 0. Green is bank 1. Red is bank 2. Orange is bank 3. All settings (except for Rnd Rcl) are stored with each bank.\u003c\/li\u003e \u003cli\u003eSave: Push and hold to save all banks, matrices and modes to the internal non-volatile memory. Powering down without saving will revert to the last saved settings.\u003c\/li\u003e \u003cli\u003eTop: The top matrix will be the reset point when stepping. It is indicated by the decimal point on the Matrix display. Tap the “Top Set” button to set the top to the currently selected matrix. Push and hold (Top Clear) to clear the top, which will step through all 16 matrices.\u003c\/li\u003e \u003cli\u003eCV Limit: When the LED is off, CV acts as an offset that can go beyond the Top. When the LED is Green (tap “CV Limit”), the CV is limited to the top, so the CV will be clipped to the Top Matrix.\u003c\/li\u003e \u003cli\u003eCV Sets Top: Indicated by the LED being red. The CV will set the top matrix. This allows for CV control of the Top matrix, or CV control over the length of the sequence. CV will no longer change matrices in this mode.\u003c\/li\u003e \u003cli\u003eStep Down: When the LED is off, gates and the Step button will step up. When the LED is green, gates and the Step button will step down.\u003c\/li\u003e \u003cli\u003eGate Rnd: Indicated by the LED being red, Gates (only, not the step button) will output a random matrix within the specified Top.\u003c\/li\u003e \u003cli\u003eStep: Tapping will step through the matrices.\u003c\/li\u003e \u003cli\u003eHold\/Slave: Indicated by the LED being red, this mode stops any CV or Gates from incrementing the matrix counter. You can still step through the Matrices with the buttons, as well as change modes.\u003c\/li\u003e \u003cli\u003eIf the Macro Machines Memory Manager is connected through the bus board, the SSM will listen for MIDI Control Changes and any received signals will change matrices. When a signal is received, the SSM will slave completely, and can only change matrices and banks from MIDI Control Change.\u003c\/li\u003e \u003cli\u003eClear Mtx: Tapping this will clear the matrix and any I\/O connections.\u003c\/li\u003e \u003cli\u003eReset: Push and hold to reset the matrix counter to 0. Remember that CV is not part of the counter and can still offset the matrix that is output.\u003c\/li\u003e \u003cli\u003eRnd Mtx: Tapping this will randomize the currently selected matrix.\u003c\/li\u003e \u003cli\u003eRnd Rcl: Push and hold to light the red LED. When lit, the currently selected matrix will be randomized every time it is recalled via CV, Gate\/Step or the Step button. This mode is stored with each matrix.\u003c\/li\u003e \u003cli\u003eCV Input: The CV input is attenuated by the CV Scale knob, and added to the CV Offset control.\u003c\/li\u003e \u003cli\u003eStep Input: This Trigger input will step the matrix counter depending on the modes set by the buttons per bank.\u003c\/li\u003e \u003cli\u003eReset Input: This Trigger input will set the matrix counter to 0 if counting up, to F if counting down.\u003c\/li\u003e \u003cli\u003eStep and Reset are trigger inputs, the rising edge is detected, and the input must fall before another trigger can be detected.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943060583,"sku":"58342","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-matrix222_58342_1_8ad00e05-3624-4533-80a5-5a1c29a9edc6.jpg?v=1787091037"},{"product_id":"wmdevices-sequential-switch-matrix-exp","title":"WMDevices Sequential Switch Matrix EXP","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Sequential Switch Matrix Expand\u003c\/strong\u003e 8 HP module provides extended functionality of the Sequential Switch Matrix.\u003c\/p\u003e \u003ch3\u003eControls\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGate\/Trig: Gate (Green LED lit) provides 10 V outputs for each routing button. It mirrors the routing shown by the SSM LEDs. Trig mode (Red LED lit) will output a trigger when a step (CV, Step\/Gate or Reset) is taken. Pushing a routing button will not change the output thus providing synchronized triggers.\u003c\/li\u003e \u003cli\u003eTrigger Length: CV and knob provide adjustable trigger length.\u003c\/li\u003e \u003cli\u003eRetrig on Step: When on, gates and triggers will retrigger quickly when a step is taken.\u003c\/li\u003e \u003cli\u003eInvert Behavior: When on, routings that are OFF will produce ON triggers or Gates.\u003c\/li\u003e \u003cli\u003eDAC3\/4: Two 4 bit DAC outputs that output a weighted 4 bit voltage between 0 and 5 volts. From routing columns 3 and 4.\u003c\/li\u003e \u003cli\u003eStep: Outputs a trigger for each step, reset or CV change that is made to the SSM.\u003c\/li\u003e \u003cli\u003eInstallation: Connect the 20 pin ribbon cable to the GTExp header on the SSM, and the ToSSM connector on the Expand. Red Stripe Down.\u003c\/li\u003e \u003cli\u003eSpecs: 8 HP. 25 mm Depth. 10 V Gate Outputs. Current consumption is +40 mA, -3 mA. 12 month warranty.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eWidth: SSM 16 HP. Expand 8 HP.\u003c\/li\u003e \u003cli\u003eCurrent consumption: SSM +80 mA\/-32 mA. Expand +40 ma\/-3 mA.\u003c\/li\u003e \u003cli\u003eVoltage Levels: Input range +-10 V. Output range +-10V. Step\/Gate and Reset sense signals at 0.8 V.\u003c\/li\u003e \u003cli\u003eOperating Frequency: Maximum transition frequency is 26kHz. Pushing buttons at high\u003c\/li\u003e \u003cli\u003eclock speeds will slow the response as the buttons are debounced.\u003c\/li\u003e \u003cli\u003eCompare Input: ±10 V. Normaled to 0.5 V.\u003c\/li\u003e \u003cli\u003eDepth: SSM \u0026amp; Expand - 25 mm with connectors\u003c\/li\u003e \u003cli\u003eCompliance: The SSM and Expand are RoHS and CE compliant.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943093351,"sku":"58343","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-exp22_58343_1_2ec9b5fd-b1b9-4ead-baec-076bfe9c904a.jpg?v=1787091037"},{"product_id":"wmdevices-synchrodyne","title":"WMDevices Synchrodyne","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Synchrodyne\u003c\/strong\u003e is a multi part and multi use Eurorack module for the creation and manipulation of audio. Containing several pieces to a traditional synthesizer voice, the Synchrodyne is a powerful addition to any subtractive oriented system. However, it is designed primarily as an experimental sound source\/filter, intended to push the limits of modular synthesis...WMD style.\u003c\/p\u003e  \u003ch3\u003eSynchrodyne Concept\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne is designed as a way to implement a switched capacitor filter (SCF) chip without the use of a microcontroller to run the clock. We developed a fast analog VCO that can drive the SCF with a broad range of frequency control. The problem with this would be that the VCO is then dedicated to only running the filter. So we designed a frequency multiplier based around a Phase Locked Loop IC (PLL) to take the VCO and multiply its frequency up so that the VCO could be used as an audio source, while still controlling the filter. The SCF has a frequency ratio of 50:1 or 100:1 clock frequency to output cutoff frequency. The PLL allows for many ratios of input to output frequencies to be selected, making the VCO a simultaneous audio and control source.\u003c\/p\u003e  \u003cp\u003eThe PLL introduced its own challenges. Taming the PLL to stabilize at high multiplication ratios required us to develop a damping circuit. The Damping and Track Speed controls cause the PLL to have its own sound, sort of a slew limiter and self Frequency Modulation. We wanted the Synchrodyne to distort nicely with audio input, and also to self-oscillate. We added single stage rectifiers to the -12 dB and -24 dB filter outputs for a more aggressive sound. We opted to develop a VCA and wavefolder for the front end of the filter to further expand the palate of distortion and processing of the Synchrodyne. We had more features to add, but space was limited and we didn't want to make an excessively expensive module, so we added two 14pin expansion headers for future development.\u003c\/p\u003e  \u003ch3\u003eVCO Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne's VCO is a traditional Sawtooth Core. It uses very modern parts to achieve the stability and speed necessary for driving the Synchrodyne.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e1V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjust the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within approximately 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eExp FM - This input jack and bipolar attenuator provide exponential FM to the VCO. This input is DC coupled.\u003c\/li\u003e \u003cli\u003eLin FM - This input jack and bipolar attenuator provide linear FM to the VCO. This input can be DC or AC coupled. A jumper on the back enables DC coupling when in place. We recommend AC coupling to prevent frequency shift caused by the bipolar attenuator's offset voltage.\u003c\/li\u003e \u003cli\u003eSaw Output - The Sawtooth output is available here. Its level is approximately +-4.5 volts.\u003c\/li\u003e \u003cli\u003ePulse Output - This output presents the rectangle wave necessary for driving the PLL. It is not a 50% duty cycle square, but approximately 30%\/70% as that provided the best performance for driving PLL.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePLL Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe PLL takes the rectangle wave from the VCO and drives the filter.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCLK Input - The Pulse Output from the VCO is normaled here. Plug in an external clock source to drive the PLL with something else.\u003c\/li\u003e \u003cli\u003eMultiply \u0026amp; Divide Switch Knobs - These rotary switches adjust the frequency of the clock multiplier \u0026amp; divider inside the PLL. Adjust these to set the frequency ratio. Higher multiplcation factors cause the PLL to react slower to changes, especially at low input frequencies.\u003c\/li\u003e \u003cli\u003ePhase Delta Output (ΦΔ) - This output is the result of the multiplication factor. It produces some self PWM as the PLL stabilizes and will equal the input clock frequency if the PLL is locked. This output provides an interesting self modulating audio or clock source.\u003c\/li\u003e \u003cli\u003ePLL Output - This is the output of the PLL stage. It is the input frequency multiplied and divided by the set ratios.\u003c\/li\u003e \u003cli\u003eTrack Speed Knob - This controls the reaction speed of the PLL in trying to keep up with changes to the input frequency. Fully CCW it will introduce lots of glissando in the filter reaction. Fully CW and it will over-track, causing the PLL to respond faster than the input frequency. Overtracking produces bursts of high frequency output and low frequency output.\u003c\/li\u003e \u003cli\u003eDamping Knob - This control reduces the rate of fluctuation while overtracking, damping the overtracking and increasing stability. More damping will be needed as higher ratios of Frequency Multiplication are selected.\u003c\/li\u003e \u003cli\u003eInfluence Input and Knob - This control acts directly with the Track Speed and Damping controls in stabilizing the frequency of the PLL. Use a voltage source to modulate the PLL signal. Very complex modulations are possible by using Influence with the internal VCO and other controls.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe core of the Synchrodyne is a 4 pole (-24 dB\/octave) Switched Capacitor Filter circuit. The 2 pole output is tapped and provides a mellower filter sound. The Synchrodyne will self-oscillate at high resonances on both outputs, however it is more prominent on the 4 Pole output.\u003c\/p\u003e  \u003cp\u003eThe Switched Capacitor Filter topology has a few interesting features. It is a sampled data construct, so at low cutoff frequencies, the filter will produce aliasing noise, similar to the sample rate reduction on the Geiger Counter. This topology is also very stable and accurate, allowing for predictable cutoff frequencies to be selected. Across its entire range (.02 Hz to 16 kHz) the filter will remain within ±0.2% of where it should be.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIn Jack - Insert signal to be filtered here.\u003c\/li\u003e \u003cli\u003eVCA CV Input and Knob - When there is no input to the VCA CV jack, the knob acts as an attenuator for the input signal. Plugging into the VCA CV jack causes the knob to act as an attenuator for the CV signal controlling the input VCA.\u003c\/li\u003e \u003cli\u003eFold Toggle - Flipping this up causes the input VCA to drive a four stage wavefolder. The output of the wavefolder then goes o the filter. The level of the input signal going into the filter from the wave-folder is adjustable with the blue trim-pot on the back of the Synchrodyne. This will be broken out to the expansion.\u003c\/li\u003e \u003cli\u003eResonance Knob - Directly Controls the resonance of the Switched Capacitor Filter.\u003c\/li\u003e \u003cli\u003eResonance CV Input and Attenuator - This input will add to the primary Resonance knob through the attenuator. Use for animating the Filter's resonance.\u003c\/li\u003e \u003cli\u003e100:1 - 50:1 Ratio Toggle - This controls the filter core's frequency ratio. There is one octave of difference between the two settings. At low frequencies, the 50:1 ratio will produce more aliasing\/sampling distortion.\u003c\/li\u003e \u003cli\u003eLowPass \/ BandPass \/ HighPass Toggle - Selects the output mode of both the 2 Pole and 4 Pole outputs.\u003c\/li\u003e \u003cli\u003eFilter Outputs - Jacks for the 2 Pole (-12 dB\/oct) and 4 Pole (-24 dB\/oct) are available. Please note that they are 180 degrees out of phase from each other. Additionally, a single stage wave-folded output is available for both the 2 Pole and 4 Pole outputs. The wave-folded outputs provide another level of sonic depth to experiment with.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943158887,"sku":"58344","price":469.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-syncro22_58344_1_114f5c4a-7250-41e6-a7c1-ce68a59d8bdb.jpg?v=1787091037"},{"product_id":"wmdevices-triple-bipolar-vca","title":"WMDevices Triple Bipolar VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Triple Bipolar VCA\u003c\/strong\u003e is an input side expansion for the Phase Displacement Oscillator. This module provides dedicated inverting\/polarizing\/bipolar amplitude modulating inputs normaled to the Phase Modulation inputs on the PDO.\u003c\/p\u003e  \u003cp\u003eA bipolar VCA is like a normal VCA when operated with positive control voltage. But when using a negative control voltage, the output will swing back through zero amplitude and the output will be inverted. This produces deeper modulation than a normal VCA.\u003c\/p\u003e  \u003cp\u003eThe Triple Bipolar VCA is also designed to be used as a standalone module, it does not require the PDO to operate.\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e+In - This is the normal input for each VCA channel. It drives the inverting side of the Bipolar VCA. These inputs are normaled from outputs on the PDO.\u003c\/li\u003e \u003cli\u003e-In - This is the second input for the VCA channel. Normaled through this jack is the inverted signal from the + Input. Plugging in here converts the channel from a Bipolar VCA to a dual VCA. Negative control voltages will open the - side, and positive control voltages will open the + side. This allows you to use two modulation sources and alternate between them, while still retaining control over amplitude.\u003c\/li\u003e \u003cli\u003eCV - This input jack drives the CV knob. It can handle unipolar or bipolar signals.\u003c\/li\u003e \u003cli\u003eOut - This is the output of each VCA channel. They are normaled to the Phase Modulation inputs on the PDO.\u003c\/li\u003e \u003cli\u003eBias Knob - Sets the manual gain for the VCA. Centered will have a zero output (with 0V control voltage).\u003c\/li\u003e \u003cli\u003eCV Knob - This knob is a bipolar attenuator for the signal applied to the CV jack. Spin clockwise from center for positive CV interactions, counterclockwise to invert the CV.\u003c\/li\u003e \u003cli\u003eMix Out - This output jack mixes the signals from each VCA.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943126119,"sku":"58346","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-triple22_58346_1_e0eee7e6-6305-408b-9718-355ac57f5a22.jpg?v=1787091037"},{"product_id":"wmdevices-synchrodyne-expand","title":"WMDevices Synchrodyne Expand","description":"\u003cp\u003eThis is the \u003cstrong\u003eWMDevices Synchrodyne Expand\u003c\/strong\u003e. WMD figured that if you can grasp the original, you're the type that always wants to go deeper. So lets take this plunge together and attempt to explain what it all means.\u003c\/p\u003e  \u003ch3\u003eSynchrodyne Expand Concept\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne by itself is capable of a great deal, containing several modules in one, prepatched internally to create a vibrant range of sounds. It was difficult to cut many of the control capabilities from the Synchrodyne to keep it within the scope of an analog switched-capacitor filter module. The expand lets us bring many of the little nuances of the Synchrodyne to the patchable world.\u003c\/p\u003e  \u003cp\u003eIt is designed to be powerful and extremely dynamic when minimally patched, but when patch cords start flying around to be open and experimental. You may also use many of the parts of the Synchrodyne and Expand separately in various parts of your patches. The open architecture allows it to do many jobs, even small ones.\u003c\/p\u003e  \u003ch3\u003eVCO2 \/ PLL2\u003c\/h3\u003e  \u003cp\u003eVCO2 contains an identical saw core oscillator as on the Synchrodyne. The peripherals are slightly different, emphasizing different control points. The PLL frequency multiplier is similar to that on the Synchrodyne with many additional patch points.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e1 V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input. This may be calibrated by the front mounted trim pot between the Coarse and Fine knobs.\u003c\/li\u003e \u003cli\u003ePWM Input \u0026amp; Knob - CV control over the PWM (Pulse Width Modulation) of VCO2. Very powerful for controlling the Filter Core when both VCOs are combined. Control knob provides static PWM amount. It is added to CV signal when CV is applied.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjust the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within approximately 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eExp FM - This input jack provides 1\/3 V\/octave exponential control to the VCO core.\u003c\/li\u003e \u003cli\u003eLin FM - This input provides linear frequency control to the VCO core. It is DC coupled.\u003c\/li\u003e \u003cli\u003eSaw Output - The Sawtooth output is available here. Its level is approximately ±4.5 volts.\u003c\/li\u003e \u003cli\u003ePWM Output - Presents the output of the PWM modulated waveform.\u003c\/li\u003e \u003cli\u003ePLL Input - This input runs into PLL2, it is normaled from the PWM output of the VCO. Use an external VCO to control the PLL by patching here.\u003c\/li\u003e \u003cli\u003ePLL Output - Square wave raw output of the PLL frequency multiplier. This output is in a feedback loop with the VCO2 Multiply control to provide multiplication of the frequency.\u003c\/li\u003e \u003cli\u003ePLL Triangle Output - This output is a hacked triangle wave from the PLL core. It's not a perfect triangle but is close. It's great for softer sounds in the audio range.\u003c\/li\u003e \u003cli\u003ePC OR IN - This input is logical ORed to the phase comparator on the PLL. Applying a clock or gate signal can produce frequency variance, destabilization or total melt down. Very experimental input.\u003c\/li\u003e \u003cli\u003eTrack Speed Control \u0026amp; CV Input - Track speed is part of the PLL Cores self-stabilization of the phase locked loop. More track speed means that the PLL will attempt to track the frequency more accurately and stabilize faster. Tracking too fast can cause total breakdown of the loop and result in some unstable and interesting timbres. LED shows the strength of the track speed.\u003c\/li\u003e \u003cli\u003eDamping Control \u0026amp; CV Input - Damping is the other half of the stabilization circuitry inside the PLL core. Higher damping means that frequency control circuit will resist change more. Use this to tame high Track Speeds. CV input allows for external control of the Damping. LED shows the strength of the Damping circuit.\u003c\/li\u003e \u003cli\u003ePC Out - This is the Phase Comparator's direct output. It is a tri-state output (0V, 5V or high-impedance\/floating). This is normaled to the Track\/Damp circuitry to provide the control signal for the PLL's frequency output. This output is intended to be run through a slew limiter and back into the PLL Ctrl or T\/D In. Though other uses may be found.\u003c\/li\u003e \u003cli\u003eT\/D Input - This is a direct input to the Tracking Damping circuitry. It normally expects a tri-state signal but it can handle other things. Very experimental input.\u003c\/li\u003e \u003cli\u003ePLL Ctrl Input - This input is the direct line to the PLL frequency circuit. Plugging voltages in to this will cause direct control over the PLL and many of the prior circuits will be ignored including Track\/Damp and Multiply. Very experimental and useful for further processing of the Phase Comparator signal.\u003c\/li\u003e \u003cli\u003ePLL DeSync Input - This input is a DC couple short circuit to the PLL. A signal higher than 1V here will kill the PLL requiring it to resynchronize with itself.\u003c\/li\u003e \u003cli\u003ePLL2 Range Switch - This switch changes the maximum range of the PLL by changing the PLL's frequency generation capacitor. Hi provides the full range. Medium and Low provide a much smaller range, limited to audio frequencies. Medium and Low also cause the PLL Triangle Output to sound different.\u003c\/li\u003e \u003cli\u003ePWM\/PLL Switch - This switch determines whether the PWM signal or the PLL signal go to the VCO2 section of the clock select switch.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter Clock Control\u003c\/h3\u003e  \u003cp\u003eThis box in the top left of the Synchrodyne Expand controls the filter clock on the Synchrodyne. There are three possible clock sources for the filter core.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClock Control Switch - This toggle on the far right of the box selects which clock source runs the filter core. Top position lets PLL1 on the Synchrodyne control the clock. Bottom position lets PLL2\/VCO2 control the clock. Middle position combines the clocks and lets them fight each other.\u003c\/li\u003e \u003cli\u003eOR \/ XOR Switch - This toggle switch controls how multiple clock signals are combined. XOR mode combines the clocks in a fairly additive manner. OR mode is more aggressive and gives each clock signal more power to disrupt the other signal.\u003c\/li\u003e \u003cli\u003eClk3 Input - This jack provides an additional input to the Filter core. It is combined in the mode chosen by the OR \/ XOR switch.\u003c\/li\u003e \u003cli\u003eLED - Shows the clock status directly. Much of the time this will be too fast to see.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePLL1 CV Inputs\u003c\/h3\u003e  \u003cp\u003eThis small box contains inputs for Track Speed And Damping for the PLL in the Synchrodyne.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eDamping CV - This input gives CV control to Damping on PLL1. To achieve full damping (fully CW rotation of the knob on PLL1), the Damping Knob on PLL1 must be fully Clockwise. This is because the CV control and knob are in series with each other. This jack is normaled to +5 volts so that it is always at a high damping, allowing the knob OR the CV control to have an effect whether CV is used or not.\u003c\/li\u003e \u003cli\u003eTrack Speed CV - This input provides CV control over Track Speed on PLL1. This CV signal is in parallel with the Track Speed knob on the Synchrodyne. Therefore, minimum track speed is achieved with the knob fully CCW and 0V on the CV input. Maximum track speed may be achieved by the knob OR the CV input being CW or shown 5 volts respectively.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePre Filter Compressor\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne's filter core can produce very dynamic material with high resonance, especially in 4 pole mode. So we added a pre filter compressor to reduce distortion inside the core. The concept here is a feedback compressor that reduces the signal level going into the core based on the level on the core's output. This is a vactrol based compressor.\u003c\/p\u003e  \u003cp\u003eThe signal seen by the compressor is a mix of the VCA\/Fold switch and In2.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCtrl Switch - This switch determines where the compression circuit looks for waveform information. Comp SC looks at the Comp SC In jack. 2P looks at the selected 2 Pole output from the Synchrodyne's panel, and 4P looks at the selected 4 Pole output.\u003c\/li\u003e \u003cli\u003eComp SC In - This input normally sees the signal from the Compressor's output. This lets you compress the signal flowing to the filter core based on another signal. If nothing is plugged in, you have normal compression based on the level of the input signal.\u003c\/li\u003e \u003cli\u003eCompression - This controls the overall amount of compression done to the input waveform. Fully CCW will be no compression. Fully CW will be close to limiting. Amount of compression is indicated on the blue LED.\u003c\/li\u003e \u003cli\u003eBlue Threshold Trim Pot - This trim pot between Ctrl and Comp Attack allows you to change the threshold of compression. Turn up for compression to come on sooner. This is similar to the Compression control and was not necessary to bring out as a full control.\u003c\/li\u003e \u003cli\u003eComp Attack - This sets the attack speed of the Compressor. It works with the Decay speed and has bearing on the overall amount of compression.\u003c\/li\u003e \u003cli\u003eComp Decay - This sets the decay speed of the Compressor. If it is too high and Comp Attack is not high enough, the compressor will not compress.\u003c\/li\u003e \u003cli\u003eComp Out - This output produces the compressed signal for use elsewhere. It is normaled to the Filter Input.\u003c\/li\u003e \u003cli\u003eComp CV Out - This is the CV control envelope signal as an output.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter 2\u003c\/h3\u003e  \u003cp\u003eFilter 2 is a second switched capacitor filter. It is a 4-Pole Low Pass type with an interesting resonance circuit. It resonates 180 degrees out of phase with the input signal. It will happily self resonate and makes a good sine wave oscillator.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClk In - This input provides the high-speed clock to Filter 2. It is normaled from the output of PLL2.\u003c\/li\u003e \u003cli\u003eIn - This is the signal input to the filter. It is normaled from the In 2 jack and attenuator.\u003c\/li\u003e \u003cli\u003eOut - 4-Pole Low Pass output of Filter 2.\u003c\/li\u003e \u003cli\u003eClip Out - Amplified diode rectified output signal from the feedback resonance stage of Filter 2.\u003c\/li\u003e \u003cli\u003eResonance Knob - This controls the amount of resonance. It will self oscillate and this controls the level of oscillation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eOther Inputs \/ Outputs \/ Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFilter In - This input runs directly to the filter core. It bypasses everything on the front end: VCA, Wavefolder, Compressor, In 2.\u003c\/li\u003e \u003cli\u003eIn 2 to Comp - This jack and attenuator provide a second input to the compressor and then to the filter core. It is normaled from the Saw Output of VCO2.\u003c\/li\u003e \u003cli\u003eWF (Wavefolder) Level - This control replaces the blue trimmer on the back of the Synchrodyne giving you direct control over the amplification of the wavefolded signal.\u003c\/li\u003e \u003cli\u003eVCA Out - Direct out of the VCA on the Synchrodyne.\u003c\/li\u003e \u003cli\u003eWF Out - Direct out of the Wavefolder on the Synchrodyne.\u003c\/li\u003e \u003cli\u003e2P - 4P - Subtractive output where 4P output is subtracted from the 2P output. Produces a band-pass sort of sound. Nicer at lower resonances.\u003c\/li\u003e \u003cli\u003e2P Notch - This is the notch output from the 2-pole filter on the Synchrodyne. It is a true notch filter where resonance controls the width of the notch. Higher resonances yield narrower notches.\u003c\/li\u003e \u003cli\u003e4P Notch - This output is not a true notch output. The 2-pole output (HP\/BP\/LP) is filtered by the last 2 poles of the filter internally, and the notch from that is output here. It is more of an elliptic output than a true notch because of this.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943191655,"sku":"58345","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-sync-exp22_58345_1_1df2ec77-128b-4ba8-99a4-bd37f5a8bafa.jpg?v=1787091037"},{"product_id":"wmdevices-utility-parametric-eq","title":"WMDevices Utility Parametric EQ","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Utility Parametric EQ\u003c\/strong\u003e features three bands of EQ with frequency ranges from about 40 Hz to 15 kHz. Each band is an independent bandpass filter with adjustable center frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eStomp Switch - This footswitch activates the EQ - the center LED will be lit when the pedal is engaged\u003c\/li\u003e \u003cli\u003eFreq - This selects the center frequency of the filter - the three frequency ranges are: 31 Hz to 1.6 kHz, 100 Hz to 4.8 kHz, 300 Hz to 16 kHz\u003c\/li\u003e \u003cli\u003eQ - The Quality Factor (Q) gives you control over the sharpness of the filter- turn it up and the filter section becomes resonant and more abrasive - low Q settings sound like a traditional EQ, higher Q adds resonant nodes - the Q ranges from about .1 to around 30.\u003c\/li\u003e \u003cli\u003eLevel - This controls how much cut or boost you have from the band - center it (0) and the band is out of the circuit, turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less - if all three controls are at 0, you should be able to click the pedal on and off and not hear any difference\u003c\/li\u003e \u003cli\u003eOverall Level - This gives a overall cut or boost at the output of the Parametric EQ- like a volume control, but with some gain available\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943224423,"sku":"58320","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-parametric-eq_58320_1_7449f9aa-abad-4597-9146-e31c202f2a10.jpg?v=1787091037"},{"product_id":"wmdevices-triad-module","title":"WMDevices Triad Module","description":"\u003cp\u003eA companion module to the Arpitecht, \u003cstrong\u003eWMDevices Triad\u003c\/strong\u003e sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios.  Triad connects to the back of the Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTriad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eControls:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTriad Knob: Selects the 3-note combination sent via CV - becomes an offset with CV\u003c\/li\u003e\r\n\u003cli\u003eInversion Switch:  Selects which inversion of the chord the Triad will play - set at 0 for use with CV as it will \"take over\"\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450124464231,"sku":"79996","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-triad_79996_1_89247553-3216-4a64-9518-960ea481ccca.jpg?v=1787091795"},{"product_id":"wmdevices-arpitecht-module","title":"WMDevices Arpitecht Module","description":"\u003cp\u003eSimply put, \u003cstrong\u003eWMDevices Arpitecht\u003c\/strong\u003e is a voltage controlled Quantizer and rhythmic arpeggio generator.  As one of our most musical modules to date, Arpitecht is designed to be an inspiring tool for the modular musician.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the Arpitecht, you can create intricate melodies that span 8 octaves, imply chord changes, instant acid basslines, evolving generative sequences, and, using the Triad expander, polyphonic chord generation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Arpitecht features 16 scales, each with a unique set of \"note masks\" offering hundreds of note combinations with the ability to dial in via knobs on the front panel or CV. 32 rhythm patterns and 32 slide patterns all with CV control let you feed a static clock into it and get unique, evolving patterns of gates and note changes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Triad expander module (sold separately) allows you to create uniquely voiced chords in the same key underneath your arpeggios.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450124496999,"sku":"79995","price":369.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-arpitecht22_79995_1_3135fc3c-c819-45d4-a223-8540a5cc7e44.jpg?v=1787091795"},{"product_id":"wmd-devices-mscl","title":"WMD Devices MSCL","description":"\u003cp\u003e\u003cstrong\u003eWMD Devices MSCL\u003c\/strong\u003e is a stereo compressor in 4 hp designed for your master bus to help \"glue\" your mix together. Inspired by the DBX \"Over Easy\" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn.  Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450173878375,"sku":"89607","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-devices-mscl22_89607_1_7324862b-ec18-43e5-afc9-5bb7a946756f.jpg?v=1787091984"},{"product_id":"wmd-pm-mutes","title":"WMD PM - Mutes","description":"\u003cp\u003eThe \u003cstrong\u003eWMD PM Mutes\u003c\/strong\u003e is an expander module for the WMD Performance Mixer. This module gives you mute control over each channel of the Performance Mixer including the master Aux Sends and even the two extra stereo channels provided by the PM Channels Expander.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlso adds voltage control over the Aux Send level for the first 4 channels on the Performance Mixer. All action happens on release. The combo button allows you to hold down and select multiple channels to mute upon release.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450193932391,"sku":"95088","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-pm-mutes_95088_1_6bb8d889-df4a-416e-a034-e80ac4a7805a.jpg?v=1787092070"},{"product_id":"wmd-pm-channels","title":"WMD PM - Channels","description":"\u003cp\u003eThe \u003cstrong\u003eWMD PM Channels\u003c\/strong\u003e adds two more stereo channels to the WMD Performance Mixer.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450193965159,"sku":"95087","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-pm-channels22_95087_1_24a61923-92e1-4abc-9823-a8855f2e0622.jpg?v=1787092070"},{"product_id":"wmd-performance-mixer","title":"WMD Performance Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Performance Mixer\u003c\/strong\u003e game changing mixer for live performance within the Eurorack modular synth ecosystem.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Performance Mixer is an 8 channel audio mixer designed specifically for live performance and jam sessions within the modular ecosystem.  With 12 audio inputs for the first 6 channels, and 2 true stereo channels, there is plenty of room for all of your modular signals and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 mono auxiliary sends with dual mono returns, stereo send and return, and another set of stereo mix inputs give you the routing you need to send signals to interesting effects as well as utility uses such as bus compression and master equalizers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTired of not being able to tune oscillators and program sequencers on the fly? Not to worry, the performance mixer also includes a cue mix section so you can monitor your incoming signals in headphones before sending them to the front of house mix.  Just like on a traditional DJ mixer, the cue mix knob determines how much of the cue vs the FOH mix you hear in the phones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo headphone outputs for convenience and teamwork.  Collaborate with friends with out wasting any channels by sending the stereo output of their mixer into the unity gain mix input.  Monitor with the dual headphone outputs and you can both hear the entire mix.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450193997927,"sku":"94719","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-performance-mixer22_94719_1_61d62ddc-a7b2-4d17-b317-504633558669.jpg?v=1787092071"},{"product_id":"wmd-devices-chimera","title":"WMD Devices Chimera","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Chimera\u003c\/strong\u003e, pronounced \"kai-meer-ah\", is WMD's first percussion synthesizer module for Eurorack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFirst, WMD recorded samples of different metallic hits to create the sonic signatures that are called Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains, stompbox enclosures and about 50 Eurorack panels from an order that came damaged from our supplier.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSecond, WMD built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, WMD tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there WMD pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHumanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450194030695,"sku":"95226","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-devices-chimera22_95226_1_e68ba304-3996-43a1-9313-5d2b03008781.jpg?v=1787092071"},{"product_id":"wmd-overseer","title":"WMD Overseer","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Overseer\u003c\/strong\u003e is a stereo filter inspired by those commonly found on DJ mixers and DJ software.  It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo \"Tilt\" function which offsets the filter cutoff frequency across the stereo field creating some dizzying stereo effects.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eCONTROLS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBypass Switch:  Turns the filter on and off, LED will be red when the filter is engaged, toggles on button release\u003c\/li\u003e\r\n\u003cli\u003eFilter Cutoff Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering, no filtering in the middle, becomes offset with CV\u003c\/li\u003e\r\n\u003cli\u003eFilter Cutoff Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal, switched to the right disables the limit allowing you to filter the signal into oblivion\u003c\/li\u003e\r\n\u003cli\u003eResonance knob: Controls the amount of frequency boost at the cutoff point, will not self oscillate, knob becomes offset with CV\u003c\/li\u003e\r\n\u003cli\u003eTilt Knob: In the middle applies no tilt, rotate left or right to off set the offset to the filter cutoff on each side. Knob becomes offset with CV\u003c\/li\u003e\r\n\u003cli\u003eTilt Switch:  Allows you to apply the Tilt function to either or both HP and LP, left for LP, right for HP, center for both\u003c\/li\u003e\r\n\u003cli\u003eHP - LP Knobs: Attenuverters for incoming CV over the filters\u003c\/li\u003e\r\n\u003cli\u003eHP - LP Switch: Switch to the right sends 5V to the  HP - LP knobs and turns them into independent controls for the cutoff frequency of both filters, allowing you to control both filters at the same time with these independent knobs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eJacks:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHP: CV input for the High-Pass filter\u003c\/li\u003e\r\n\u003cli\u003eLP: CV input for the Low-Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eTilt: CV input for the Stereo Tilt function\u003c\/li\u003e\r\n\u003cli\u003eRes: CV input for the Resonance of both filters\u003c\/li\u003e\r\n\u003cli\u003eMaster: CV Input over both of the filters, accepts -5 V to +5 V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450256355431,"sku":"99242","price":319.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-overseer222_99242_1_cf4881a2-35aa-4f8d-b251-cb69aff85e47.jpg?v=1787092340"},{"product_id":"wmd-fracture","title":"WMD Fracture","description":"\u003cp\u003eOriginally inspired by audience applause, hip-hop samples, and classic drum machines, The \u003cstrong\u003eWMD Fracture\u003c\/strong\u003e is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt all starts from proprietary micro-samples recorded specifically for this purpose and ends with an engine built to suit these samples.\r\nUnlike WMD's other percussion module, the Chimera, which uses impulse rich samples as it’s tonal center, Fracture uses single impulse samples like claps, snaps, ping pong balls, opening a beer can, and many more. It then plays a group of similar samples back in a pseudo random order for unique hits. Density, Decay, and Tail affect tone and how “tight” your virtual clappers are to playing together.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. WMD ended up with a module that covers a huge range of timbres beyond claps.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450258124903,"sku":"99278","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-devices-fracture22_99278_1_a74bcb47-0c52-4c29-bd86-bb5ee2c2f997.jpg?v=1787092348"},{"product_id":"wmd-dvca","title":"WMD DVCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMD DVCA\u003c\/strong\u003e is a redux of their classic Digital VCA module, giving it more features while reducing its size and power consumption. The Channel A is now unipolar\/bipolar switchable, allowing use as a bipolar VCA. With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450297315431,"sku":"103839","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-dvca_103839_1_92dffc04-9928-4c27-a755-b2ab639dafba.jpg?v=1787092505"},{"product_id":"wmd-volt","title":"WMD Volt","description":"\u003cp\u003eThe \u003cstrong\u003eWMD VOLT\u003c\/strong\u003e is a precision voltage source and offset generator for Eurorack modular synthesizers.  With it’s 14 V range (-7 V to +7 V), VOLT can be used to calibrate oscillators, filter tracking, or anything that needs a 1 V\/Oct calibration.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVOLT has two buttons.  Push the top to increase the voltage by one volt.  Push the bottom button to decrease the voltage by one volt.  Push both buttons at once to reset the voltage back to a known value.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVOLT has 3 voltage inputs and 3 voltage outputs.  The input signal is summed with the voltage source, generating offsets of 1V or 1 octave at a time.  This means it can be used as a precision octave switch for oscillators that lack the functionality.  Create variation in your sequences with a quick touch of a button.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVOLT’s octave buttons can also be switched via external gates, essentially making it an octave sequencer. One input causes it to go up, and the other causes it to go down.  Two gates at once will reset the voltage back to your set value.  Running basslines and melodies through volt to be sequenced up and down by octaves is a very effective and a fun way to work.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450349154407,"sku":"109914","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-volt_109914_1_34660696-4fc7-445e-8743-df8e7ff5f5cf.jpg?v=1787092695"},{"product_id":"wmd-metron","title":"WMD Metron","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Metron\u003c\/strong\u003e is a 16-channel trigger and gate sequencer for your Eurorack modular system with loads of intuitive functionality, expansion capabilities, and the tools you need to create longer sequences with tons of variation at your fingertips.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450349187175,"sku":"109904","price":749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-metron22_109904_1_ab90c9c6-4f02-419f-88fd-834aec91806f.jpg?v=1787092694"},{"product_id":"wmdevices-crucible","title":"WMDevices Crucible","description":"\u003cp\u003eFeel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of \u003cstrong\u003eWMDevices Crucible\u003c\/strong\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHave you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe engine is exposed to the user through parameters specifically chosen for their sonic resemblance to the \"parameters\" of a real drum kit cymbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the \"bell.\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's \"New Sounds, Maximum Experience\" philosophy.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450429894759,"sku":"119923","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmdevices-crucible_119923_1_445696ba-3c79-41c6-958f-45f9c0f2a4d7.jpg?v=1787093030"},{"product_id":"wmdevices-pm-db25","title":"WMDevices PM - DB25","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices PM - DB25\u003c\/strong\u003e is a proprietary expansion module for the WMD Performance Mixer that allows for direct access to each output, balanced, including channels expand and the main outs. Connect a DB25 snake to your choice of connector on the other end and record\r\neach individual out without destruction from the faders or Mutes. Reference\r\nthe stereo recording while making edits in your DAW or tape machine.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450448703591,"sku":"95089","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-db2522_95089_1_79c7c269-8186-4539-8a5b-d122d8dc9fb2.jpg?v=1787093107"},{"product_id":"wmd-axys-dual-stereo-crossfader","title":"WMD AXYS Dual Stereo Crossfader","description":"\u003cp\u003eStereo patching is becoming more common each day and we here at the shop are performing out a ton. Over the past couple years WMDevices consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. The \u003cstrong\u003eWMD AXYS Dual Stereo Crossfader\u003c\/strong\u003e was born from this need.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEasily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll analogue signal path keeps your tone intact and sounding the way you intended it to.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePower: +12 V = 50 mA; -12 V = 50 mA\u003c\/li\u003e\r\n\u003cli\u003eSize: 6HP\u003c\/li\u003e\r\n\u003cli\u003eDepth: 38 mm\u003c\/li\u003e\r\n\u003cli\u003eCV Input Impedance: 100K\u003c\/li\u003e\r\n\u003cli\u003eAudio Input Impedance: 20k\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: 220 ohm\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450464563303,"sku":"124013","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-axys_124013_1_f51160ce-f4bc-4b45-9b5b-fbd7634e4e70.jpg?v=1787093166"},{"product_id":"wmd-voltera","title":"WMD Voltera Expander Module for METRON","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Voltera\u003c\/strong\u003e is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp.  Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!\u003c\/p\u003e  \u003cp\u003eWith independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.  \u003c\/p\u003e  \u003cp\u003eSequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580365415,"sku":"138736","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-voltera_138736_1_c0d7e56c-5c9f-4e22-adae-359973bad1b0.jpg?v=1787093628"},{"product_id":"wmd-time-warp","title":"WMD Time Warp Pitch Slew Effect Module","description":"\u003cp\u003eThe acid style pitch slew effect has made it to Eurorack in a small easy to use package - the \u003cstrong\u003eWMD Time Warp\u003c\/strong\u003e. You no longer need to dedicate more complicated modules patched in wacky ways to achieve this classic sound. Finally, a dual slew, with the right interface, at the perfect size.  Add some slide and smoothness to your patches on your own accord with Time Warp.\u003c\/p\u003e  \u003cp\u003eTIME WARP is a dual channel, gated slew module with some extra features that make a powerful and versatile addition to any Eurorack Modular Synthesizer System.\u003c\/p\u003e  \u003cp\u003eIts unique, Gated Slew function allows users to add slew to any voltage signal at designated times by sending it a gate signal from a sequencer or similar source.  Switch it up with Invert Logic on the gate input, or use the switch as a real time performance tool for hands-on control over when the slew will take place.\u003c\/p\u003e  \u003cp\u003eWith two modes of symmetry and a full wave rectifier on the input, Time Warp can function as 2 independent Slews, two A\/R Envelopes with tied controls, or even as an envelope follower, taking audio and turning it into a useful envelope signal.  CV control over the Rate of slew! Time warp puts all of that in a compact, 4hp package.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580430951,"sku":"138735","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-time-warp_138735_1_cf9db7d6-f9b7-47f2-b092-c093b840e377.jpg?v=1787093628"},{"product_id":"wmd-sl3kt","title":"WMD SL3KT","description":"\u003cp\u003eThe acid style pitch slew effect has made it to Eurorack in a small easy to use package - the \u003cstrong\u003eWMD Time Warp\u003c\/strong\u003e. You no longer need to dedicate more complicated modules patched in wacky ways to achieve this classic sound. Finally, a dual slew, with the right interface, at the perfect size.  Add some slide and smoothness to your patches on your own accord with Time Warp.\u003c\/p\u003e  \u003cp\u003eTIME WARP is a dual channel, gated slew module with some extra features that make a powerful and versatile addition to any Eurorack Modular Synthesizer System.\u003c\/p\u003e  \u003cp\u003eIts unique, Gated Slew function allows users to add slew to any voltage signal at designated times by sending it a gate signal from a sequencer or similar source.  Switch it up with Invert Logic on the gate input, or use the switch as a real time performance tool for hands-on control over when the slew will take place.\u003c\/p\u003e  \u003cp\u003eWith two modes of symmetry and a full wave rectifier on the input, Time Warp can function as 2 independent Slews, two A\/R Envelopes with tied controls, or even as an envelope follower, taking audio and turning it into a useful envelope signal.  CV control over the Rate of slew! Time warp puts all of that in a compact, 4hp package.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580463719,"sku":"138734","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-sl3kt_138734_1_ee8b1b3d-0554-48ae-9237-fab2cfa4e8a4.jpg?v=1787093628"},{"product_id":"wmd-sclpl","title":"WMD SCLPL EQ\/Morphing Filter Module","description":"\u003cp\u003eThe \u003cstrong\u003eWMD SCLPL\u003c\/strong\u003e (pronounced SCALPEL) is a Stereo 5-band digital EQ and morphing filter module for Eurorack modular synthesizers.  Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.   Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup.  Add 4 SCLPL for 8 channels of EQ in 16HP.  Put a 5th on the Master Bus and you have the ultimate Eurorack mixing setup!\u003c\/p\u003e  \u003cp\u003eA simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be \"morphed\" between seamlessly with CV or the Level knob in Morph Mode.  Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.  Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580496487,"sku":"138733","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-sclpl_138733_1_1383d25a-dca2-4382-988f-8a6884c8c5fb.jpg?v=1787093628"},{"product_id":"wmd-modbox","title":"WMD Modbox Tempo Syncable Modulation Source Module","description":"\u003cp\u003eThe \u003cstrong\u003eWMD Modbox\u003c\/strong\u003e is a tempo syncable modulation source with a three-phase LFO, CV Skewable LFO, Sample and Hold, and White Noise generator.  \u003c\/p\u003e  \u003cp\u003eLFO 1 is a three-phase LFO with independent outputs for each phase which are set at 0, 120, and 240 degrees.  Shape can be switched between Sine, Triangle, and Saw with a push of a button.\u003c\/p\u003e  \u003cp\u003eLFO 2 is a Skewable LFO with three shapes.  The LFO shape can be smoothly changed from a Ramp through Triangle to Saw wave shapes.  The skew shape can be changed with the Skew knob or with CV\u003c\/p\u003e  \u003cp\u003eThe Sample and Hold circuit's clock is normalled to the 2nd LFO but can be clocked externally as well.  The sample and hold samples voltage from and internal white noise source.  There is also an input for an external sample source.  White noise has it's own output as well for use with other modules and applications.\u003c\/p\u003e  \u003cp\u003eBoth LFOs can be synced to an external clock source by holding the wave shape button for different lengths of time.  As they are independent of each other, one can be synced while the other runs free like a gazelle on an African plain.\u003c\/p\u003e  \u003cp\u003eTempo sync calculates the time between incoming clocks and reacts instantly to each new clock pulse.  Each rate knob becomes a multiplier\/divider when sync is engaged.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e3ɸ RATE:  Controls the speed of the Three-Phase LFO.  Acts as a clock Multiplier\/Divider when clock synced with multiplications on the right and divisions to the left.  Divide\/Multiply by up to 16.\u003c\/li\u003e \u003cli\u003eSKEW RATE: Controls the speed of the Skewable LFO. Acts as a clock Multiplier\/Divider when clock synced with multiplications on the right and divisions to the left. Divide\/Multiply by up to 16.\u003c\/li\u003e \u003cli\u003eSKEW SHAPE: Allows the change of wave shapes for the Skewable LFO with a knob.  Becomes an offset with CV.\u003c\/li\u003e \u003cli\u003eWAVE SHAPE BUTTON (tap):  Changes the shape of the 3ɸ LFO.\u003cbr\u003e\n\u003c\/li\u003e \u003cli\u003eWAVE SHAPE BUTTON (hold):  Tempo sync the LFOs to an external clock via the Sync input. When the LED next to a RATE knob is red (may look purple when the blue LED is on), the respective LFO is clock synced.\u003c\/li\u003e \u003cli\u003e3ɸ CV: Controls the speed of the Three-Phase LFO when free-running. Shifts phase forward and backward with respect to the clock when synced.\u003c\/li\u003e \u003cli\u003eSKEW CV: Controls the speed of the Skewable LFO when free-running. Shifts phase forward and backward with respect to the clock when synced.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580529255,"sku":"138738","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-modbox_138738_1_b05b753a-d496-4fb1-b65b-d358202ea682.jpg?v=1787093628"},{"product_id":"wmd-axxent","title":"WMD Axxent METRON Expander Module","description":"\u003cp\u003eThe \u003cstrong\u003eWMD AXXENT\u003c\/strong\u003e is an expander module for the METRON trigger and gate sequencer and adds 16 \"accent\" gate outputs. Each track is specifically tied to METRON tracks, making it a very intuitive addition to any METRON sequencing ecosystem.  \u003c\/p\u003e  \u003cp\u003eUse AXXENT to send signals to additional envelopes, slews, drum accents, and other gate triggered functions.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580594791,"sku":"138732","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-axxent_138732_1_7bdb38c9-1db6-4235-b4b8-28fefcbd4ceb.jpg?v=1787093629"},{"product_id":"wmd-arpitecht-triad-expander","title":"WMD Triad Arpitecht Expander Module","description":"\u003cp\u003eA companion module to Arpitecht, the \u003cstrong\u003eWMD Triad\u003c\/strong\u003e sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by its master.\u003c\/p\u003e\r\n\u003cp\u003eTriad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTriad Knob: Selects the 3-note combination sent via CV. Becomes an offset with CV\u003c\/li\u003e\r\n\u003cli\u003eInversion Switch: Selects which inversion of the chord the Triad will play, set at 0 for use with CV as it will \"take over\"\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_2\"\u003eJACKS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNote 1,2,3: CV outputs for use with 1V\/Oct inputs on 3 oscillators\u003c\/li\u003e\r\n\u003cli\u003eNew: This output sends a trigger each time a new chord is made\/selected\u003c\/li\u003e\r\n\u003cli\u003eInv: CV input for the inversion selection. Accepts 0V to +5V, thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively\u003c\/li\u003e\r\n\u003cli\u003eTriad: CV input for Triad selection. Accepts 0V to +5V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580627559,"sku":"138731","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-triad_138731_1_a03d4d3c-57c8-4bf6-b1fa-0bd3fb30a197.jpg?v=1787093629"},{"product_id":"wmd-4tten","title":"WMD 4TTEN 4-Channel Attenuator\/Offset Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eWMD 4TTEN\u003c\/strong\u003e (pronounced either ATTEN or FOUR-TEN) is a four channel attenuator and offset generator. Use 4TTEN to attenuate any CV or audio signal by running through the ins and outs.  A +5V voltage source is normalled to each input, making it a standalone offset when there is no cable patched into an input. Each channel is completely independent.  \u003c\/p\u003e  \u003cp\u003eEver-so-useful in live performance, we designed this module with 4 sliders for easy maneuverability, visual feedback, and enjoyable to play interface. Make your Eurorack modular synthesizer system more playable with 4TTEN!\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450580660327,"sku":"138730","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-4tten_138730_1.jpg?v=1787093629"},{"product_id":"wmd-c4rbn-4-2-pole-state-variable-filter-module","title":"WMD C4RBN 4\/2-Pole State Variable Filter Module","description":"\u003cp\u003eThe \u003cstrong\u003eWMD C4RBN\u003c\/strong\u003e (pronounced \"Carbon\") is a 4\/2-Pole State Variable Filter with input saturation, output wavefolding, and more. It features a wide range of character from nice and clean filter sounds to screaming, squelchy, acidic mayhem.\u003c\/p\u003e\r\n\u003cp\u003eC4RBN builds on WMD’s history with state-variable filters adding interface refinements and improved warm environment stability for live performance and beyond. A novel input saturation circuit plus the output wavefolder from WMD’s classic SYNCHRODYNE filter pair together to push the timbral flexibility to the next level. C4RBN is the building block to life in your Eurorack.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450598748263,"sku":"141998","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-c4rbn_141998_1_6f888dfa-bb1e-463b-ad99-75ec563b4274.jpg?v=1787093702"},{"product_id":"wmd-osd-or-sum-dif","title":"WMD OSD (OR \/ SUM \/ DIF) Utility Eurorack Module","description":"\u003cp\u003e\u003cstrong\u003eWMD OSD\u003c\/strong\u003e, aka OR SUM DIF, is 3 independent blocks of useful utility in 4HP. OSD is centered around combining voltage in useful ways. Audio, V\/Oct, and control voltage are at home in this utility. OSD offers a fully DC-coupled signal path with precision components to make this happen. High quality, configurability, and compact size ensure OSD will always find its way into your patch.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCombine v\/Oct sequences with precision summing, or enable the precision OR circuit for completely different results\u003c\/li\u003e\r\n\u003cli\u003eMix two envelopes or an envelope and LFO using sum to create large accented voltages or combine with OR to keep the output in the original range\u003c\/li\u003e\r\n\u003cli\u003eCrossfade between audio or control voltage using the potentiometer in block one, setting DIF will invert the signal at the B jack\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eWhat is OR, SUM, and DIF?\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOR - Input voltages are compared and the higher of the two is passed to the output (if A = 4V and B = 8V, the output will be 8V)\u003c\/li\u003e\r\n\u003cli\u003eSUM - Input voltages are added together to create the output voltage (if A= 3V and B=4V, the output will be 7V, this clips at -10V and 10V)\u003c\/li\u003e\r\n\u003cli\u003eDIF - Lower voltage source is subtracted from the higher voltage, producing an output of the difference between the two (if A= 3V and B = 5V, the output will be 2V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_1\"\u003eControls\/Configuration\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBlock 1 - Sum, OR, or Difference of two inputs and effect the mix of the A input to the B input with the Knob, the third input ORs with the result of the A\/B inputs\u003c\/li\u003e\r\n\u003cli\u003eBlock 2 - Sum, OR, or Difference two inputs with a fixed mix of 50%, the third input ORs with the result of the A\/B inputs\u003c\/li\u003e\r\n\u003cli\u003eBlock 3 - 3 input OR, mix gates or CV from three sources for some wild results\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450693415015,"sku":"155931","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-osd_155931_1_d3c1d7c4-2a58-45ec-b6d9-b0cfa48c6bda.jpg?v=1787094129"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/wmdevices.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}