{"title":"Zynaptiq","description":null,"products":[{"product_id":"zynaptiq-unveil-electronic-delivery","title":"Zynaptiq Unveil - Electronic Delivery","description":"\u003cp\u003eRemoving reverb from recordings has always been difficult to impossible. Existing de-reverberation strategies either manipulate signal dynamics, require specific channel formats, are limited to certain signal types, or all of the above. Enter \u003cstrong\u003eZynaptiq UNVEIL\u003c\/strong\u003e.\u003c\/p\u003e  \u003cp\u003eUNVEIL is not an expander or envelope shaper, is not a spectral thresholding processor, does not use phase cancellation techniques or inter-channel correlation analysis, and thus works with any channel count from mono to whichever surround formats your DAW supports, and without changing signal dynamics. To achieve this, it utilizes a model of the human auditory system to discern which parts of the signal are reverb, effectively “listening” to your signal much like a human would. These components are then separated from your signal for processing using MAP technology. From there, reducing the amount of reverb in your recording is as easy as adjusting the value of one of our slick track-ball-esque sliders.\u003c\/p\u003e  \u003cp\u003eConversely, UNVEIL allows increasing the amount of reverb in a recording, too. You can turn a close-miked drum kit into a full-on room-heavy monster, move a sound back in the sound-stage or adapt the amount of reverb on different location recordings to match each other better. Additionally, UNVEIL gives you several parameters that allow manipulating reverb characteristics...like all of it's features, within a mixed signal, in real-time and even using mono source material. No, that's not magic, that's advanced science.\u003c\/p\u003e  \u003cp\u003eUNVEIL's algorithm isn't limited to processing reverb. Actually, it processes any signal components that the human auditory system considers as being of little significance, which includes the parts that many engineers refer to as \"mud\". As a result, UNVEIL allows reducing the level of all the stuff that clouds your signal and masks the detail you work so hard to capture, bringing the key features into focus and, well, unveiling all the inherent detail. And again, you can use the inverse function to add grit and a less up-front character to your recording.\u003c\/p\u003e  \u003cp\u003eExcept for the mathematics under the hood, everything about UNVEIL is simple and easy, results are always just one small step away. That being said, UNVEIL allows adjusting the process in a very wide range. No dumbed-down \"easy-mode\" in sight, just a perfectly stream-lined, no-nonsense GUI that looks as slick as UNVEIL sounds.\u003c\/p\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44449821360231,"sku":"53184","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-unveil_53184_1.jpg?v=1787090562"},{"product_id":"zynaptiq-morph-2-0-electronic-delivery","title":"Zynaptiq Morph 2.0 - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq MORPH Version 2.0\u003c\/strong\u003e is the first \"Zynaptified\" edition to this unique plug-in, originally developed by Prosoniq. A significant upgrade to the original version, MORPH 2 offers exciting new algorithms, a new high-quality formant shifter, a stunning new graphic user interface, support for AAX, AU, RTAS and VST formats on Mac and Windows, and several additional parameters and enhancements. MORPH 2 is a real-time plug-in for structural audio morphing, the sonic equivalent of one object slowly changing it's shape to become a different object - for example, one face becoming another. Super-charged with a selection of 5 different morphing algorithms, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 2 opens up a whole new universe of sounds to explore. Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you're a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings...look no further, MORPH is for you!\u003c\/p\u003e     \u003ch3\u003eWhat's new in MORPH version 2.0:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMORPH is now a Zynaptiq-branded product.\u003c\/li\u003e \u003cli\u003eNow supports AU, AAX Native, RTAS and VST on Mac and Windows.\u003c\/li\u003e \u003cli\u003e2 unique new morphing algorithms, TIGHT and INTERWEAVE.\u003c\/li\u003e \u003cli\u003eIncreased resolution for the original CLASSIC algorithm.\u003c\/li\u003e \u003cli\u003eLow-latency versions of the CLASSIC and INTERWEAVE algorithms.\u003c\/li\u003e \u003cli\u003eNew high-quality Formant-Shift parameter.\u003c\/li\u003e \u003cli\u003eNew Amplitude Sensitivity and Complexity parameters for more detailed control of the morphing process.\u003c\/li\u003e \u003cli\u003eNew seamless control of reverb parameters.\u003c\/li\u003e \u003cli\u003eNew Damping parameter for the reverb section.\u003c\/li\u003e \u003cli\u003eNewly designed GUI with improved ergonomics and a stunning look and feel.\u003c\/li\u003e \u003cli\u003eNow uses PACE EDEN copy protection for machine or iLok2-based authorization.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eMORPH 2 comes as AU, VST, RTAS and AAX Native plug-in for Mac OS X \u0026amp; Windows.\u003c\/p\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44449825587303,"sku":"54769","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-morph2_54769_1_cc41ee1e-34d0-4567-9ec2-1543875558ea.jpg?v=1787090580"},{"product_id":"zynaptiq-unfilter-electronic-delivery","title":"Zynaptiq Unfilter - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptic UNFILTER\u003c\/strong\u003e: is a real-time plug-in that removes filtering effects, such as comb filtering, resonance, or excessive equalization – effectively linearizing the frequency response of a signal automatically. UNFILTER can also apply a detected filter response to another signal, or export it to disk as an impulse response, and can even perform mastering grade adaptive, free-form, and graphic equalization. Whether you're in music production, film post, game audio, broadcast, sound design, forensics, or engineering – UNFILTER makes time-consuming and often impossible tasks as effortless as adjusting one control.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThe UNFILTER features at a glance:\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAutomatically detect and remove resonances, equalization, roll-offs and the effects of comb filtering from musical, location, dialog and surveillance recordings. Apply the measured filter response to other signals to place them in the same \"acoustic world\". Export the measured filter response to or import it from a linear- or minimum-phase impulse response file (WAV). Mastering grade adaptive, free-form and graphic equalization. Extremely steep 96dB\/octave shelving high-pass filter. Output limiter for unsupervised use in batch processing applications. Highly time-efficient workflow and UI\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSet It Straight\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003eUNFILTER automatically detects resonances, EQ or filter effects – essentially any frequency response anomalies that aren't part of the original signal. You can then remove these by simply adjusting one control, leaving the rest of the signal virtually untouched. As a result, previously problematic or unusable recordings can be made to sound good, and good recordings to sound great. In real-time, and with minimal effort, Zynaptiq-style.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMake It So\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003eYou can also apply the measured filter response from one recording to another – placing the two in the same acoustic \"world\". Or you can create room-tone to fill editing gaps, by applying a measured filter response to noise. You can of course also store filter responses to disk as linear- or minimum-phase impulse response files, building a library of \"colors\" to have at your disposal any time. Whether you need to make ADR blend with production dialog, get one guitar snippet to sound like part of another, or create new sounds, UNFILTER makes this task fast and easy.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMore Equal\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003eUNFILTER is also an EQ. Three mastering grade EQs and an excellent high-pass filter, actually. For one, its (un-)filtering engine can function as an adaptive program equalizer that continuously adjusts itself while the audio is playing. This helps maintain a balanced spectrum when working with audio that changes over time, for example when streaming mixed music in broadcast applications. Secondly, UNFILTER sports a free-form EQ with various curve interpolation modes, from super-gentle slopes, through narrow notches, to brickwall steps. Thirdly, we added a streamlined 7-band graphic EQ for good measure. And finally, there’s a super-steep 96dB per octave shelving high-pass filter that removes low frequency rumble so efficiently you’ll forget that there was ever anything down there.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eRocket Science\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003eHow does UNFILTER do all that? Technically, it performs a real-time blind de-convolution, a cutting-edge technology rarely found even in the most advanced of research institutes. Fortunately, we don't do lab coats. This technology allows UNFILTER to take a close look at your audio, estimate what happened to its frequency response, and then create a filter that will undo the process. Sounds like rocket science? That's because it is. But all the technology in the world doesn't matter if it's difficult to operate or doesn't sound good. Well, UNFILTER is a breeze to use, and doesn't just sound good...it sounds amazing.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eLightspeed\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003eThe UNFILTER UI is so fast and easy to use that corrective EQ can often be done within seconds by adjusting just one of our super-slick trackball sliders. And for advanced customization, every single function and control has been engineered with painstaking attention to detail – finely-tuned for optimal workflow and results. Whichever control you move, the right setting is never far away. UNFILTER is not only a life-saver, it is also a time-saver par excellence.\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFormats: UNFILTER is available for a variety of formats.\u003c\/li\u003e \u003cli\u003eOn MacOS X: Apple AudioUnits (32\/64bit), Avid RTAS, Avid AAX Native (32bit), including AudioSuite, Steinberg VST 2.4 (32\/64bit)\u003c\/li\u003e \u003cli\u003eOn Windows: Avid RTAS, Avid AAX Native (32bit), including AudioSuite, Steinberg VST 2.4 (32\/64bit)\u003c\/li\u003e \u003cli\u003eSystem Requirements Mac: Apple Mac computer, OSX 10.6.x or newer, Intel CPU with at least 2 Cores, Apple AU (AudioUnits), Steinberg VST 2.4 or Avid RTAS\/AAX compatible Host software, Internet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003cli\u003eSystem Requirements Windows: Windows XP SP3, Windows Vista or Windows 7, CPU with at least 2 Cores, Steinberg VST 2.4 or Avid RTAS\/AAX compatible Host software, Internet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44449825652839,"sku":"37262","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-unfilter_37262_1_061cea6e-f68b-4910-81fe-1a097dd2fed2.jpg?v=1787090580"},{"product_id":"zynaptiq-adaptiverb-electronic-delivery","title":"Zynaptiq ADAPTIVERB - Electronic Delivery","description":"\u003ch3\u003eHarmonic Tracking Resynthesis Reverb\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eZynaptiq ADAPTIVERB\u003c\/strong\u003e is a revolutionary reflectionsless reverberation plugin. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds perceived depth, harmonic richness, and butter-smooth tails without obscuring the source. Preserving the tonal definition and directness of your mix, it adds size, glue and body – making it perfect for mixing and mastering applications alike.\u003c\/p\u003e  \u003cp\u003ePowered by ray tracing, source separation, and advances in artificial intelligence, ADAPTIVERB automatically adapts to the input audio like a chameleon, blending with your sounds perfectly, and conforming its reverb tail to the tonality of the input or a user defined set of notes. While exceptionally fast to use, its advanced synthesis, cross-filtering and reverb pitch processing functionality provides ambient artists, film composers and sound designers with exciting new creative options for making evolving drones, organic pads, lush ambient sound scapes, and more.\u003c\/p\u003e  \u003ch3\u003ePlug In Lushness\u003c\/h3\u003e  \u003cp\u003eADAPTIVERB was designed to sound beautifully lush and smooth from the ground up. Rather than simulating a realistic room, it focuses on creating depth, harmonic richness, and sustain that sounds so naturally organic it's as if your sounds had more sustain to begin with. Its unique Bionic Sustain Resynthesizer creates reverb free of graininess or noise splashes, and its Ray Tracing engine creates super-dense and perfectly diffuse tails free of any attention-grabbing discrete reflections. Read more about the Bionic Sustain Resynthesizer or the Ray Tracing reverb...\u003c\/p\u003e  \u003ch3\u003eNo Clutter, No Mud, No Dissonance\u003c\/h3\u003e  \u003cp\u003eApplying long reverb tails is a great way to \"carry\" a sound and embed it into a mix. However, the length and amount of reverb you can successfully use for this effect is usually limited. Reverb tends to obscure detail by moving sounds into the background and it can introduce dissonance and tonal clashing when the tail overlaps with a note or chord change. This often results in a cluttered, \"muddy\" mix that lacks directness and tonal definition.\u003c\/p\u003e  \u003cp\u003eADAPTIVERB is always in tune with the input or a user-defined set of pitches, filtering out all unwanted harmonic content from the reverb automatically. Bye bye, mud \u0026amp; clutter – hello, harmonic clarity!\u003c\/p\u003e  \u003ch3\u003eLike a (Bionic) Chameleon\u003c\/h3\u003e  \u003cp\u003eRather than stacking delay\/allpass nodes or convolving the input with an IR (impulse response), ADAPTIVERB employs machine learning, ray tracing and source separation techniques to synthesize a reverb tail that automatically adapts to the audio context in which it is used – like a chameleon.  As a result, reverb timbre can be matched to the source automatically, and the reverb can blend with your sounds so seamlessly that it becomes \"invisible\" with minimal effort – great for adding \"glue\" in mixing and mastering applications without having to adjust roll-offs, frequency dependent decay times or crossover frequencies manually.\u003c\/p\u003e  \u003ch3\u003eSound Design Savvy\u003c\/h3\u003e  \u003cp\u003eADAPTIVERB loves sound design. Add fifth or octave interval harmonics into the reverb using the RICHNESS parameter, create additive synth style timbres using SIMPLIFY, create drones and pads that play without input using FREEZE, or create cross-filtering effects with the Harmonic Contour Filter's HOLD functionality – quickly, easily and at maximum quality. Whether you produce music or design sound for film and games, ADAPTIVERB is for you.\u003c\/p\u003e  \u003ch3\u003ePresets Galore\u003c\/h3\u003e  \u003cp\u003eADAPTIVERB ships with over 400 presets, including basic starting points, music production reverbs, adaptive delays, voice and orchestral colored reverbs, drones, pads, speech-optimized reverbs, cross-filtering presets, robotizers and more. And even this huge number of presets is just scratching the surface of what you can do with ADAPTIVERB!\u003c\/p\u003e  \u003ch3\u003eEasy To Use\u003c\/h3\u003e  \u003cp\u003eLike with all Zynaptiq products, the heavy lifting stays “under the hood” – making your workflow as effortless as possible. With “main” and “fine tune” GUI modes, ADAPTIVERB’s controls are both highly accessible and comprehensive. And with Zynaptiq’s advanced artificial intelligence, ADAPTIVERB can quite literally “drive itself” – saving you valuable time while producing stellar results.\u003c\/p\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450083307623,"sku":"77234","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-adaptiverb_77234_1_22c92d47-e7e8-48c0-96cb-5da668b5ee90.jpg?v=1787091630"},{"product_id":"zynaptic-design-bundle","title":"Zynaptiq Design Bundle - Electronic Delivery","description":"\u003ch3\u003eShape Sound Like Never Before\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eZynaptiq DESIGN Bundle\u003c\/strong\u003e bundles three sound design powerhouses into one indispensable package. Design pads, drones and ambiences, perform cross-filtering, and add pristine, lush reverb that harmonically adapts to your audio with ADAPTIVERB. Combine features of two sources into unheard new hybrid sounds, and create smooth morphing transitions with MORPH 2. Transform your sounds with multi-effects processing ranging from the sublime to the otherworldly and extreme using WORMHOLE. Whether you are a sound designer, music producer, audio artist or film composer, the DESIGN Bundle is for you!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eADAPTIVERB: Harmonic Tracking Resynthesis Reverb\u003c\/li\u003e\r\n\u003cli\u003eMORPH 2: Real-Time Structural Audio Morphing\u003c\/li\u003e\r\n\u003cli\u003eWORMHOLE: Otherworldly Audio Effects Processor\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450206449767,"sku":"95694","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-design-bundle_95694_1_5231edc8-cb90-4058-b074-bf7cfec8a1c1.jpg?v=1787092121"},{"product_id":"zynaptic-wormhole","title":"Zynaptiq Wormhole - Electronic Delivery","description":"\u003ch3\u003eOtherworldy Audio Effects\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom beautifully shimmering detuned guitar widening and glassy ambient octave-shift tails, to surreal ambiences, starship drones, alien, monster, and robot voices — \u003cstrong\u003eZynaptiq WORMHOLE\u003c\/strong\u003e is the new indispensable multi-effects powerhouse for sound designers, music producers and film composers alike. Combining ultra-clean pitch\/frequency shifting, eccentric spectral warping, dual lush reverbs, and unique dry\/wet morphing, WORMHOLE delivers sounds so unearthly you’ll swear they’re from a parallel universe.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eDry-Wet Morphing, a.k.a. FX BLEND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen strongly processing sounds, a simple dry\/wet crossfade often fails to do what you really want to achieve – dialing back the intensity of the effect. Instead, you'll get the impression of two sounds playing at once. This is why where other plugins have a dry-wet control, WORMHOLE has FX BLEND. The FX BLEND module expands on the dry-wet concept by providing multiple algorithms for combining the two streams. In addition to the classic d\/w crossfade, it features two implementations of the unique structural audio morphing technology to morph seamlessly between your input and the effect. This fuses the two – turning them into one single sound in-between – and can \"wrap\" the effect signal into the \"silhouette\" of the source for greater definition aka \"tightness\" than you typically get from heavy processing. The dry-wet morphing also allows for much greater \"realism\" on heavily processed sounds such as monster voices, for myriad hybrid sounds to be explored, and for creating super-smooth transitions where the effect harmonics \"grow out of the source\" in a way you've never heard before.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWARP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWARP performs a unique localized time-domain spectral warping effect, whose flavor lies somewhere between ring- and frequency-modulation, frequency- and formant-shifting, modal resonation, and spectral mapping. WARP sounds mesmerizingly strange and always stays crisp, intelligible, and tight (unless you don't want that, of course). It even includes a mode that introduces discontinuity artifacts to generate grit for all sorts of space-age special effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSHIFT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSHIFT combines ±4 octaves of pitch-shift with ±4 kHz of frequency-shift into one single processing step.\r\nThe PITCH SHIFTER is a unique design that is neither delay\/grain nor FFT\/phase-vocoder based. As a result, it exhibits none of the typical artifacts like grains, flamming, or aliasing, and is very low on pitch-jumping or warbling. It features 4 dedicated algorithm modes: SMOOTH, TIGHT, DETUNE A, and DETUNE B. SMOOTH and TIGHT do exactly what their names imply – shifting up or down by up to 48 semitones. The DETUNE modes shift the left and right channels in opposite directions by ±48 cents for that micro-shifting-chorus-that-is-no-chorus thickening effect. WORMHOLE's PITCH SHIFTER sounds incredibly detailed, organic, and warm.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWORMHOLE's FREQUENCY SHIFTER is extremely clean, sporting around 96dB of carrier\/side-band suppression, greatly enhancing the useful range of effects achievable. Like the PITCH SHIFTER, the FREQUENCY SHIFTER is fully aliasing-free.\r\nThe SHIFT section also features a unique DECAY TIME control. By discarding signal components that exceed an adjustable duration, it declutters and tightens up the sound in a very cool way. And, when shifting up, it greatly reduces the \"ringing\" effect caused by the naturally longer decay times of low frequencies being shifted into the subjectively louder mid-range. It can also be used for special effects like simulating analog communications circuit \"sagging\", or adding timbral \"fluttering\".\u003c\/p\u003e\r\n\r\n\u003ch3\u003eREVERB\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhat's better than a great reverb? Exactly, TWO great reverbs, of course. That's why WORMHOLE's REVERB section features two simple but super-lush sounding random modulated hall type reverbs with shared controls. One is placed before the FX BLEND – giving effects that aren't quite your typical reverb when used with the dry-wet morphing. The other is placed after the FX BLEND. For maximum reverberation flexibility, you can use either one, or both at the same time.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDELAY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLiving in the slot where other plugins have a pre-delay, WORMHOLE's very simple but highly effective DELAY represents an evolution of this concept. In addition to delaying the effect signal, it can delay the dry signal instead...or do both, in opposing directions for the L and R channels. This creates super-wide effects that are still fully balanced around the center of the sound stage. Within seconds. In combination with the pitch shifter's DETUNE modes and the dry-wet morphing (where the DELAY effectively modifies what gets morphed into what), unique sounds ranging from subliminal enhancement to the off-the-hook variety can be created.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRing Modulation\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen an audio signal passes through a ring modulator, two so-called \"side bands\" are generated. These are copies of the input signal, linearly shifted in frequency by the frequency of the modulating oscillator symmetrically in both directions. Here, Zynaptiq used a ring modulator modulator frequency of around 300 Hz, using a sine wave sweeping linearly from 160 Hz to 2900 Hz over a duration of around 2.3 seconds as input (first image). You can clearly see the two side bands in the second illustration (green lines, the red line shows the input signal and is overlaid for illustrational purposes only). As the two side bands are shifted linearly in frequency and harmonics in natural sounds are logarithmically distributed, a \"metallic\" or \"hollow\" unnatural sound is created – which can be used to great effect for processing voice.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFrequency Shifting\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA frequency shifter is essentially a ring modulator where one of the two side bands is suppressed, so that the signal is shifted in one direction only. This makes for an effect that takes up much less space in a mix than what you'd get with ring modulation. In practice, the amount of side-band and carrier suppression achieved varies between designs, in most cases it remains audible. This can be seen in the spectrogram below, where Zynaptiq used a well-known plug-in to shift frequency up by the same approximate 300 Hz as in the ring modulator example above – the lower sideband is somewhat attenuated but still there.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSufficient side-band suppression is, however, critical to achieving high quality frequency shifting and, more importantly, consistently useful results when shifting strongly. With signals that are of higher complexity than a sine-wave, this becomes even more true. Here, Zynaptiq have passed two swept sine-waves through the same well-known 3rd party frequency shifter, shifting down by 500 Hz. As you can see in the second image, the upper side-band is insufficiently suppressed, yielding a rather unclean result. Also note the lower of the two sine-waves appearing inadvertently at the beginning of the sweep, this is due to the signal being shifted to below zero Hz and being \"reflected\" back up, a.k.a. aliasing. Both artifacts are displayed in orange for visibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith three swept sines – which is still a very simple signal compared to, for example, a voice – the problem gets worse. The below spectrograms show three swept sines, as well as the same three sines shifted by +2000 Hz using the same 3rd party algorithm.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFrequency Shifter\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn comparison, WORMHOLE's frequency shifter is free of any aliasing, and has near-perfect side-band suppression, as evidenced by the spectrograms below – note the complete absence of the unwanted sidebands. Basically, the attenuation of the side-bands is so high that they fall outside of the spectrogram's displayed dynamics range. Audio-wise, this translates into a significantly cleaner sound and a much broader range of useful settings.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWARP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWORMHOLE's WARP module behaves somewhat differently. The spectrograms below show the same sine sweep processed with a WARP DEPTH setting of 25%, 50%, 75% and 100%. Note how the structure of the output signal is noticeably more complex than with simple ring modulation or frequency shifting, while at the same time being much more \"tidy\" and sporting a more balanced distribution. The output is also free of any aliasing. Also note how the output components converge around the input signal with rising values for warp, resulting in a very defined, yet strongly processed sounding sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy raising the POLES parameter, this convergence around the original signal's coordinates can be further increased, while at the same time introducing a series of resonance points, which tend to enforce the perception of a specific pitch, and which have sonic characteristics similar to a modal resonator, but with much less time-smearing. The below images illustrate this effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFinally, the TILT parameter applies processing somewhat similar to an unusually designed pitch\/formant shifter – it shifts pronounced spectral features up or down. For simple input material the design of this circuit results in pitch-shift like effects, as can be seen in the below spectrograms, where the signal is rotated vertically (in frequency), while also moving up or down slightly. Note how TILT shows some aliasing coming in from the \"top\". TILT is intentionally designed to create grit for more extreme sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSystem Requirements Mac:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSystem Requirements Windows\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450206482535,"sku":"95693","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-wormhole_95693_1_20d4b63e-e2ee-4adf-ad18-5accd018df96.jpg?v=1787092121"},{"product_id":"zynaptiq-remix-bundle-electronic-delivery","title":"Zynaptiq Remix Bundle - Electronic Delivery","description":"\u003ch3\u003eNew Ways To Interact With Recorded Music\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eZynaptiq Remix Bundle\u003c\/strong\u003e combines three unique and powerful processors into one jaw-dropping suite. Change the harmonies and melodies within instrument recordings, samples, loops, or even mixed music, and suppress individual notes in a mix while perfecting the tuning of the rest – in real-time, at maximum quality, and optionally under control of a MIDI keyboard with PITCHMAP. Create unheard musical elements by morphing between two instruments or rhythms, and create smooth morphing transitions with MORPH 2. Boost or cut the drums in a mix or sample frequency dependently, or add potentially illegal amounts of punch to your drum stems with UNMIX::DRUMS. 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Using advanced source signal separation (a.k.a. de-mixing, unmixing, sound extraction, sound isolation) technology under the hood, Unmix Drums provides frequency dependent drum level control that ranges from up to +18 dB of boost to virtually complete removal – while always sounding great. Whether used on a full mix or on a drum bus, Unmix Drums can be used to shape and enhance the impact of your drums in a unique new way. Sporting an intuitive multi-level GUI, frequency dependent control of key parameters, a sample accurate sub-bass (re)synthesizer, our high-precision analyzer display, M\/S operation and an output limiter, Unmix Drums opens up exciting new options for mastering, music production, sample-based music creation, mash-up artists, remixers and DJs.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eMac Formats:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple AudioUnits (32\/64-bit)\u003c\/li\u003e\r\n\u003cli\u003eAvid RTAS\u003c\/li\u003e\r\n\u003cli\u003eAvid AAX Native including AudioSuite (32\/64-bit)\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4 (32\/64-bit)\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 3 (32\/64-bit)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWindows Formats:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAvid RTAS\u003c\/li\u003e\r\n\u003cli\u003eAvid AAX Native including AudioSuite (32\/64-bit)\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4 (32\/64-bit)\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 3 (32\/64-bit)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eMac Requirements:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWindows Requirements:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450264121447,"sku":"99536","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-unmix-drums_99536_1_911a323b-5605-4cb8-acf2-fc588bb10041.jpg?v=1787092369"},{"product_id":"zynaptiq-zap-ii-bundle-electonic-delivery","title":"Zynaptiq ZAP II Bundle - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eZynaptiq ZAP II Bundle\u003c\/strong\u003e combines all eight of Zynaptiq's AI and source separation based plug-ins into a single, value-packed processing suite. Restore your sound's natural frequency response, remove reverb and masking effects, reduce codec\/denoiser artifacts, and modify pitches within mixed music on the fly. Create unheard new hybrid sounds, drones and morphing transitions, and boost or attenuate drums in mixed music. Add punch to your drum stems, mutate, beautify, cross-filter or polish your sounds, and even add the only ultra-lush, musical reverb that tracks your audio’s harmonics. All in real-time, with a lightning fast workflow, and with award-winning quality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUNVEIL De-Reverberation \u0026amp; Signal Focusing Processor: Boost or suppress reverb in your recordings, and fine-tune overall clarity, with award-winning quality.\u003c\/li\u003e\r\n\u003cli\u003eUNFILTER Adaptive Tonal Contour Linearization: Remove resonances, roll-offs, comb-filtering and solve any other type of EQ problem including mastering applications automatically, with award-winning precision and quality.\u003c\/li\u003e\r\n\u003cli\u003eUNCHIRP Codec Artifact Removal \u0026amp; Transient Retrieval: Restore audio compromised by poor encoding, and add clarity, definition and punch to your recordings.\u003c\/li\u003e\r\n\u003cli\u003ePITCHMAP Re-Write Mixed Music In Real-Time: Change the harmonies and melodies of polyphonic recordings, samples, loops, or even full mixes on the fly, while correcting tuning and suppressing individual sounds based on their pitch at the same time.\u003c\/li\u003e\r\n\u003cli\u003eMORPH 2 Real-Time Structural Audio Morphing: Apply high-end morphing algorithms to two input sounds to create a new one that has features of both – and create a whole universe of new sounds.\u003c\/li\u003e\r\n\u003cli\u003eUNMIX::DRUMS Boost Or Attenuate Drums In Mixed Music: Boost or cut the drums in a mix or sample frequency dependently, or add potentially illegal amounts of punch to your drum stems.\u003c\/li\u003e\r\n\u003cli\u003eADAPTIVERB Harmonic Tracking Resynthesis Reverb: Arguably the most unique reverb, texture synthesizer and cross-filter available.\u003c\/li\u003e\r\n\u003cli\u003eWORMHOLE Otherworldly Audio Effects Processor: High-quality multi-effects processing ranging from the sublime to the extreme. Creature\/robot voices, sci-fi SFX and drones, or wide, shimmering, glassy ambient guitars with pitch-shifted tails? You got it!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSYSTEM REQUIREMENTS MAC:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSYSTEM REQUIREMENTS WINDOWS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450276474983,"sku":"100837","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-zap-ii-bundle_100837_1_79aa07c9-d9f0-4098-98fb-b2cb197400b9.jpg?v=1787092420"},{"product_id":"zynaptiq-unchirp-electonic-delivery","title":"Zynaptiq Unchirp - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq UNCHIRP\u003c\/strong\u003e is a plug-in for removing the most obnoxious artifacts associated with lossy audio encoding and other FFT based processes, such as spectral de-noising. Reduce musical noise, suppress high frequency chirping (also known as underwater sound, warbling or the tweeties), fix transient smearing, and restore lost high frequencies – UNCHIRP does it all in one go. If you need to salvage poorly encoded music, speech that has gone through a low bit rate uplink, material that has been de-noised too strongly, or footage recorded with consumer mobile devices – or if you simply want to add contour and vibrance to already great sounding recordings – UNCHIRP is your (only) friend.\u003c\/p\u003e  \u003ch3\u003eThe Problem\u003c\/h3\u003e  \u003cp\u003eBoth lossy codecs as well as many of today's DSP processes (like de-noisers) make heavy use of a process called the Fast Fourier Transform (FFT). This method has some major advantages. It also has some major drawbacks, which are the root cause for a variety of artifacts, such as Musical Noise, High Frequency Modulation (a.k.a. Chirping), Transient Smearing, and overall \"blurring\" due to low localization in the time domain. Because of the way human hearing works, these artifacts are very obvious and sound distinctly unnatural. Additionally, lossy codecs and de-noisers often cause a loss of high frequencies, further degrading your audio. UNCHIRP is the medicine for all of these artifact types.\u003c\/p\u003e  \u003ch3\u003eTwo Is More Than One\u003c\/h3\u003e  \u003cp\u003eUNCHIRP identifies the birdies, and applies proprietary processing to make them disappear. It offers two different, simultaneously available algorithms to achieve this, Musical Noise Reduction and Dechirping, each featuring its own technological approach, unique sonic properties and its own breakpoint curve editor for frequency dependent processing.\u003c\/p\u003e  \u003ch3\u003eSnap!\u003c\/h3\u003e  \u003cp\u003eLike the award-winning de-reverberator UNVEIL, UNCHIRP allows bypassing transients for natural sounding results even with extreme settings. But Zynaptiq didn't stop there – they have added frequency dependency to the bypass threshold, and frequency dependent transient attenuation\/boost. The new Transient Synthesis can replace transients compromised by FFT processing such as lossy encoding, or by excessive dynamics processing. Finally, the Sync function synchronizes processing to the signal's transients, adding overall clarity and coherence. These algorithms work equally well for fixing problem material as well as for augmenting already great sounding recordings, adding impact, detail and contour. It's like pulling a curtain aside. Try it, you'll love it.\u003c\/p\u003e  \u003ch3\u003eThe Shining\u003c\/h3\u003e  \u003cp\u003eAnd then, there's Treble Boost, which deals with the fact that low bit rate encoded audio may show a \"dead band\" in the treble range - there's simply a hard-limit to what any given bit rate can capture in terms of frequency. Regular EQ won't help because there's nothing to boost. The Treble Boost circuit offers two ways to recover some of that treble: a psycho-acoustically optimized Enhancer – equalization that is tailored in such a way that it implies frequency content in the dead band to the listener – and an Exciter, which synthesizes new harmonics to \"fill the gap\". These sound so good that you may end up turning to these for your treble processing in general – even with already great sounding signals – to add shine and vibrance to your audio.\u003c\/p\u003e  \u003ch3\u003eSupraluminal\u003c\/h3\u003e  \u003cp\u003eAs time is the most scarce of resources, at Zynaptiq we're obsessed with saving it for you. UNCHIRP sports a variety of workflow features to help you get results faster than light. There's an output limiter to allow for unsupervised batch-processing without overs, an I\/O difference function to quickly hear what exactly you're removing, frequency dependent processing for all key parameters using breakpoint curves with snap-to-zero and copy\/paste functionality, and the preset manager that writes presets that you can then use across all platforms and formats. Start using UNCHIRP and go ahead and book another week of holidays.\u003c\/p\u003e  \u003ch3\u003eMac Requirements:\u003c\/h3\u003e   \u003cp\u003e  \u003c\/p\u003e\u003cul\u003e \u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e \u003cli\u003eIntel CPU with at least 2 Cores; i7 or better recommended.\u003c\/li\u003e \u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e \u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e \u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e \u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eWindows Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eWindows 7 or newer\u003c\/li\u003e \u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.\u003c\/li\u003e \u003cli\u003eSteinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e \u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e \u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e \u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450276507751,"sku":"100839","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-unchirp_100839_1_dd5aeded-8baa-461f-94c6-55bab67a5d4d.jpg?v=1787092421"},{"product_id":"zynaptiq-repair-bundle-electonic-delivery","title":"Zynaptiq Repair Bundle - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eZynaptiq Repair Bundle\u003c\/strong\u003e: all three of Zynaptiq's UN-plug-ins, one UN-dispensable toolkit. Boost or suppress reverb in your music, field or dialog recordings and fine-tune overall clarity – with award-winning quality – using the critically acclaimed UNVEIL. Remove resonances, roll-offs, comb-filtering and solve any EQ problem (including mastering applications) automatically, and with the highest precision and quality available using our award-winning UNFILTER. Restore poorly encoded audio and add clarity, definition and punch to your recordings with UNCHIRP. Whether you are a sound designer, re-recording mixer, mixing engineer, music producer or dialog editor, the REPAIR Bundle will save you massive amounts of time while providing unbeatable results!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUNVEIL: De-Reverberation \u0026amp; Signal Focusing Processor\u003c\/li\u003e\r\n\u003cli\u003eUNFILTER: Adaptive Tonal Contour Linearization\u003c\/li\u003e\r\n\u003cli\u003eUNCHIRP: Codec Artifact Removal \u0026amp; Transient Retrieval\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSYSTEM REQUIREMENTS MAC:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSYSTEM REQUIREMENTS WINDOWS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4, Steinberg VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450276573287,"sku":"100838","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-repair-bundle_100838_1_79d4966b-4838-43fd-973a-508f66e00fc0.jpg?v=1787092421"},{"product_id":"zynaptiq-pitchmap-electonic-delivery","title":"Zynaptiq Pitchmap","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq PITCHMAP\u003c\/strong\u003e is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.\u003c\/p\u003e  \u003ch3\u003eMAP That Pitch\u003c\/h3\u003e  \u003cp\u003eBased on Mixed-Signal Audio Processing technology (MAP), PITCHMAP internally de-mixes the input signal into individual sounds, including their harmonics and transients. This technique is quite literally rocket science, and is done using perceptive modeling and pattern recognition techniques also used in artificial intelligence applications. The separated sounds can then be individually tuning-corrected and mapped to other pitches, a process called Pitch Mapping. MAP also enables PITCHMAP's  simple-to-use, yet very effective functions for suppressing or isolating mix elements. In real-time, of course.\u003c\/p\u003e  \u003ch3\u003eNatural\u003c\/h3\u003e  \u003cp\u003eZynaptiq's MAP process is based on a model of the human perceptive system, including the cochlea and the brain region responsible for interpreting its data. Hence the process is inherently very natural sounding with correct settings and reasonable amounts of pitch modification. The human voice, however, has a very specific sonic topology that is very different from any musical instrument, and human hearing is trained to detect even the most subtle sonic variations in a voice. As a result, processing voice simultaneously with other instruments has been a challenge in the past. To accommodate for this, Zynaptiq have added an extra layer of intelligence that recognizes voice elements and processes them separately - this is called Natural Mode.\u003c\/p\u003e  \u003ch3\u003eElectric \u0026amp; Creative\u003c\/h3\u003e  \u003cp\u003eCertain pitch correction algorithm artifacts have become quite popular. But the MAP process has more sonic options than that.  Zynaptiq added parameters called Purify and Electrify that allow making your sound more or less synthetic sounding, and threw in a polyphonic Portamento option named Glide, for good measure. In combination with the live MIDI function, these parameters can basically turn PITCHMAP into a unique synthesizer allowing some very far out sound design.\u003c\/p\u003e  \u003ch3\u003eNo PhD Required\u003c\/h3\u003e  \u003cp\u003eAlthough the DSP code itself is insanely complex, the process of Mapping Pitch is as simple as playing some notes on a MIDI keyboard or dragging sliders on the super-slick GUI to assign source pitches to target pitches. Or you can let your computer do the pitch mapping by using dedicated macro controls to go from one key\/scale to another with just a couple of clicks. Changing pitches in a mixed signal has never been so intuitive and musical. Instant correction of tuning issues, straight-forward re-harmonization or intricate restructuring of a composition's pitches... the choice is yours, PITCHMAP does the rest.\u003c\/p\u003e  \u003ch3\u003eLightning Fast\u003c\/h3\u003e  \u003cp\u003eTo increase workflow efficiency even more, PITCHMAP includes comprehensive Snapshot functionality. 8 Snapshot slots let you compare multiple settings, adapt the process to different parts of a recording individually and create parameter automation without a headache. Summed up, PITCHMAP gives you near-instant results while at the same time giving you access to every little detail.\u003c\/p\u003e  \u003ch3\u003eMac Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e \u003cli\u003eIntel CPU with at least 2 Cores; i7 or better recommended.\u003c\/li\u003e \u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e \u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e \u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e \u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eWindows Requirements:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eWindows 7 or newer\u003c\/li\u003e \u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.\u003c\/li\u003e \u003cli\u003eSteinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e \u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e \u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e \u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450276606055,"sku":"100840","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-pitchmap_100840_1_d7b1ec19-ce3e-46a9-8ee3-ca549c3b9f15.jpg?v=1787092421"},{"product_id":"zynaptiq-orange-vocoder-electonic-delivery","title":"Zynaptiq Orange Vocoder - Electronic Delivery","description":"\u003cp\u003eHeard on countless songs in multiple genres worldwide, the \u003cstrong\u003eZynaptiq Orange Vocoder\u003c\/strong\u003e is indeed THE classic software vocoder plug-in. Originally developed by Prosoniq in 1998, ORANGE VOCODER has since evolved through numerous iterations, always staying at the cutting edge right to this day. It has a reputation for being the single most transparent sounding and flexible vocoder plug-in available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eORANGE VOCODER features a built-in 32-voice synthesizer, 8 different vocoder algorithms ranging from analog modeled circuits to far-out digital cross-synthesis modes, filter-bank freezing and reverb, a 10-band graphic EQ, and more...a dream-machine for creating new sounds!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOne Vocoder? How About 8...\u003c\/h3\u003e\r\n\r\n\u003cp\u003eORANGE VOCODER doesn't just give you one great vocoder sound, it gives you eight. Two different 24-band analog emulations give you classic vocoder sounds in linear and minimum phase. The ORANGE VOC 3 and Classic ORANGE algorithms give you the state-of-the-art ORANGE VOCODER algorithm, as well as its digital classic counterpart from the original plug-in from 1998. The unique MR 1st order, MR 2nd order and MR 3rd order Multi-Resolution modes use wavelet transform mathematics to provide frequency dependent time resolution, and sounds ranging from extremely natural to completely synthetic, while Colorize applies the Modulator's phase response in addition to its frequency amplitude data, for a wild cross-synthesis effect.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePlay It Again, Vocoder\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe integrated virtual analog synth features two oscillators with ring-mod and hard-sync. Choose between analog emulation and sampled waveforms, and use the included 4-pole low-pass filter for shaping them. Add a distortion circuit that is so warm sounding that you'll break a sweat, and throw in dual LFOs and an envelope follower and start tweaking. You can play the synth via MIDI, or tell it which notes to play using the on-screen keyboard.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlip That Switch\u003c\/h3\u003e\r\n\r\n\u003cp\u003eORANGE VOCODER is all about flexibility. The vocoder engine's Carrier and Modulator inputs can be sourced from the plug-in input, a side-chain input, and the internal synth, and changing the routing is as simple as clicking one or two switches. Want to swap Carrier and Modulator signals? Hit Flip. Use the synth instead of the side-chain? Click on Synth, done.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIntelligibility\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIntelligibility is key when transforming speech using a vocoder. Which is something that ORANGE VOCODER excels at. Apart from its unique, highly transparent algorithms, it also features a high frequency pass-through circuit as well as voiced\/unvoiced detection. On the other hand, ORANGE VOCODER has several options to make the results more diffuse, or even static – the integrated Filterbank Reverb allows smoothing and blurring the Filterbank modulation, while the Freeze function will capture the current state of the Filterbank and hold it infinitely.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures Galore\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll that said, there's more. ORANGE VOCODER comes with an easy to use Hall Reverb, a three-channel mixer for blending Carrier and Modulator with the Vocoder's output, a stereo widening function aptly called PHAT, a 10-band graphic EQ with analyzer, a random preset generator, and more than 60 factory presets. 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Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plug-in’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSo what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWell, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThat said, the compressor analogy does serve to give you an idea of when to use it and what for.\u003c\/p\u003e\r\n\r\n\u003cp\u003eINTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad\/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eMac Requirements:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores; i7 or better recommended.\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWindows Requirements:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450295316583,"sku":"103158","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-intensify_103158_1_04c2268b-606c-4981-b16d-822e72b863c4.jpg?v=1787092496"},{"product_id":"zynaptiq-master-bundle","title":"Zynaptiq MASTER Bundle - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eZynaptiq MASTER Bundle\u003c\/strong\u003e: AI-powered audio mastering plug-ins for maximum quality with minimum effort. Our award-winning \"smart\" equalizer UNFILTER solves any EQ problems auto-magically (or manually, if preferred), with stunning precision, an incredibly quick workflow, and pristine quality. Carve out the details and character of your audio, add clarity, increase density, and boost loudness without breaking a sweat using INTENSITY. Change the level and punch of drums in a mixed recording or on the drum bus using our source separation based UNMIX::DRUMS. Whether you are a mastering or mixing engineer, music producer or artist, the MASTER Bundle will save you massive amounts of time while providing unbeatable results!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eINTENSITY: Detail | Clarity | Density | Loudness\u003c\/li\u003e\r\n\u003cli\u003eUNFILTER: Adaptive Precision Equalizer\u003c\/li\u003e\r\n\u003cli\u003eUNMIX::DRUMS: Boost Or Attenuate Drums In Mixed Music\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003eIntensity\u003c\/h3\u003e\r\n\r\n\u003cp\u003eZynaptiq INTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plug-in’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSo what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWell, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThat said, the compressor analogy does serve to give you an idea of when to use it and what for.\u003c\/p\u003e\r\n\r\n\u003cp\u003eINTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad\/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003eUnmix::Drums\u003c\/h3\u003e\r\n\r\n\u003cp\u003eZynaptiq Unmix Drums is the world’s first audio plug-in that allows attenuating or boosting drums in mixed music, in real-time. Using advanced source signal separation (a.k.a. de-mixing, unmixing, sound extraction, sound isolation) technology under the hood, Unmix Drums provides frequency dependent drum level control that ranges from up to +18 dB of boost to virtually complete removal – while always sounding great. Whether used on a full mix or on a drum bus, Unmix Drums can be used to shape and enhance the impact of your drums in a unique new way. Sporting an intuitive multi-level GUI, frequency dependent control of key parameters, a sample accurate sub-bass (re)synthesizer, our high-precision analyzer display, M\/S operation and an output limiter, Unmix Drums opens up exciting new options for mastering, music production, sample-based music creation, mash-up artists, remixers and DJs.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003eUnfilter\u003c\/h3\u003e\r\n\r\n\u003cp\u003eZynaptic UNFILTER: is a real-time plug-in that removes filtering effects, such as comb filtering, resonance, or excessive equalization – effectively linearizing the frequency response of a signal automatically. UNFILTER can also apply a detected filter response to another signal, or export it to disk as an impulse response, and can even perform mastering grade adaptive, free-form, and graphic equalization. Whether you're in music production, film post, game audio, broadcast, sound design, forensics, or engineering – UNFILTER makes time-consuming and often impossible tasks as effortless as adjusting one control.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003eMAC REQUIREMENTS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003eOSX 10.8.x or newer\u003c\/li\u003e\r\n\u003cli\u003eIntel CPU with at least 2 Cores; i7 or better recommended.\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWINDOWS REQUIREMENTS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 7 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003c\/li\u003e\r\n\u003cli\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44450449096807,"sku":"111647","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-master-bundle_111647_1_2ed34f61-60d5-415c-9033-f32b10e54622.jpg?v=1787093109"},{"product_id":"zynaptiq-morph-3-audio-manipulation-plug-in-electronic-delivery","title":"Zynaptiq MORPH 3 Audio Manipulation Plug-in - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq MORPH 3 Audio Manipulation Plug-in\u003c\/strong\u003e is a real-time plug-in for audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming another. Super-charged with a selection of up to 11 different morphing algorithms, a style transfer and file playback module, transient bypass options, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 3 opens up a whole new universe of sounds to explore. Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you're a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings - MORPH is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSHAPE-SHIFTER\u003c\/h3\u003e  \u003cp\u003eMORPH takes two input signals, A and B, and creates a new sound or transition that has characteristics of both - like a circle gradually turning into a square. Singing guitars, dogs that speak, or cymbals made out of mains hum - the choices are endless. MORPH computes two separate morphing transitions from A and B simultaneously, one starting out at A and shaping it to become B, the other starting out at B and shaping it to become A. The two sound completely different. Additionally, you can crossfade between the two for even more sonic options. All this is achieved using a single two-dimensional \"X\/Y\" control, and completely in real-time - insert plugin, set up routing, go!\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTRANSFER THAT STYLE\u003c\/h3\u003e  \u003cp\u003eNew to MORPH version 3, the MODELER module provides patent-pending style transfer functionality, as well as file playback. In the latter case, just load a file into the module in LOOP mode, press play, and start morphing - no routing setup required for a quick morphing session. But the true power of this module lies in the style transfer function: the loaded file is segmented and analyzed, then the module aims to re-create the plug-in input signal by re-arranging these segments. In other words: the MODELER re-builds your input from sound particles taken from a file you load. Various analysis metrics are available, and MORPH 3 PRO even gives you a multi-zone graphical editor for this mapping.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eA WHOLE NEW UNIVERSE OF SOUNDS, A MULTI-VERSE, ACTUALLY\u003c\/h3\u003e  \u003cp\u003eMORPH 3 features not one but 9 different morphing algorithms, two of which feature zero processing latency. MORPH 3 PRO adds two more algorithms, for a total of 11 different flavors of sound hybridization goodness.And, considering that A-to-B and B-to-A sound different, this number is effectively doubled. Each morphing algorithm has two additional controls that fine-tune its behavior - you'll never run out of unique new sounds.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTRANSIENT BYPASS\u003c\/h3\u003e  \u003cp\u003eNew in MORPH version 3, a transient bypass circuit splits out the transients of the two signals going into the morphing, and adds them back in afterwards - optionally boosting them while you're at it. As a result, the results sound crisp and punchy even when applying the most extreme cross-synthesis processing. MORPH 3 PRO adds a second transient processing algorithm called DETAIL, which focuses on transient details during the body of a sound, ideal for complex signals like ambience and full mixes.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eFORMANTS\u003c\/h3\u003e  \u003cp\u003eMORPH 3 has a new and improved formant shifter, with an extended range of +\/- 24 semitones and a super-pristine sound. The MORPH 2 formant shifter was already great - this one is even better. Whether you use it on voice, drums, instruments or SFX captured in the field - it always sounds natural and focused, preserving all your sound's detail, without introducing any of the granular or \"spectral blurring\" artifacts associated with traditional approaches to formant shifting. If you're reading this, most likely you are a discerning audio connoisseur, and thus most likely you'll fall in love with the MORPH 3 formant shifter the first time you hear it!\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eTO BOLDLY GO...\u003c\/h3\u003e  \u003cp\u003eSo what is this plug-in for? In a nut-shell: creating unheard new sounds and smooth, sonically pleasing transitions that are different from the cookie-cutter crossfade approach. Create creature voices by combining speech with other sounds, apply the features of a drum loop to a sustained pad, transition from one ambience or SFX to another with surreal intermediate stages, or or create hybrid rhythms or instruments.\u003c\/p\u003e    \u003ch3 id=\"toc_7\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMacOS 10.15 Catalina and above\u003c\/li\u003e \u003cli\u003eWindows 10 and above (64-bit only)\u003c\/li\u003e \u003cli\u003eIntel, AMD, or Apple Silicon CPU\u003c\/li\u003e \u003cli\u003eFree iLok account and iLok License Manager\u003c\/li\u003e \u003cli\u003eiLok Machine and iLok USB licensing methods are supported\u003c\/li\u003e \u003cli\u003ePlugin Formats: AAX Native, AU, VST2, and VST3\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451288481895,"sku":"479568","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-morph-3-audio-manipulation-plug-in-electronic-delivery_479568_1.jpg?v=1787096639"},{"product_id":"zynaptiq-morph-3-pro-audio-manipulation-plug-in-electronic-delivery","title":"Zynaptiq MORPH 3 PRO Audio Manipulation Plug-in - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq MORPH 3 PRO Audio Manipulation Plug-in\u003c\/strong\u003e is a real-time plug-in for audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming another. Super-charged with a selection of up to 11 different morphing algorithms, a style transfer and file playback module, transient bypass options, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 3 opens up a whole new universe of sounds to explore. Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you're a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings - MORPH is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSHAPE-SHIFTER\u003c\/h3\u003e  \u003cp\u003eMORPH takes two input signals, A and B, and creates a new sound or transition that has characteristics of both - like a circle gradually turning into a square. Singing guitars, dogs that speak, or cymbals made out of mains hum - the choices are endless. MORPH computes two separate morphing transitions from A and B simultaneously, one starting out at A and shaping it to become B, the other starting out at B and shaping it to become A. The two sound completely different. Additionally, you can crossfade between the two for even more sonic options. All this is achieved using a single two-dimensional \"X\/Y\" control, and completely in real-time - insert plugin, set up routing, go!\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTRANSFER THAT STYLE\u003c\/h3\u003e  \u003cp\u003eNew to MORPH version 3, the MODELER module provides patent-pending style transfer functionality, as well as file playback. In the latter case, just load a file into the module in LOOP mode, press play, and start morphing - no routing setup required for a quick morphing session. But the true power of this module lies in the style transfer function: the loaded file is segmented and analyzed, then the module aims to re-create the plug-in input signal by re-arranging these segments. In other words: the MODELER re-builds your input from sound particles taken from a file you load. Various analysis metrics are available, and MORPH 3 PRO even gives you a multi-zone graphical editor for this mapping.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eA WHOLE NEW UNIVERSE OF SOUNDS, A MULTI-VERSE, ACTUALLY\u003c\/h3\u003e  \u003cp\u003eMORPH 3 features not one but 9 different morphing algorithms, two of which feature zero processing latency. MORPH 3 PRO adds two more algorithms, for a total of 11 different flavors of sound hybridization goodness.And, considering that A-to-B and B-to-A sound different, this number is effectively doubled. Each morphing algorithm has two additional controls that fine-tune its behavior - you'll never run out of unique new sounds.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTRANSIENT BYPASS\u003c\/h3\u003e  \u003cp\u003eNew in MORPH version 3, a transient bypass circuit splits out the transients of the two signals going into the morphing, and adds them back in afterwards - optionally boosting them while you're at it. As a result, the results sound crisp and punchy even when applying the most extreme cross-synthesis processing. MORPH 3 PRO adds a second transient processing algorithm called DETAIL, which focuses on transient details during the body of a sound, ideal for complex signals like ambience and full mixes.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eFORMANTS\u003c\/h3\u003e  \u003cp\u003eMORPH 3 has a new and improved formant shifter, with an extended range of +\/- 24 semitones and a super-pristine sound. The MORPH 2 formant shifter was already great - this one is even better. Whether you use it on voice, drums, instruments or SFX captured in the field - it always sounds natural and focused, preserving all your sound's detail, without introducing any of the granular or \"spectral blurring\" artifacts associated with traditional approaches to formant shifting. If you're reading this, most likely you are a discerning audio connoisseur, and thus most likely you'll fall in love with the MORPH 3 formant shifter the first time you hear it!\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eTO BOLDLY GO...\u003c\/h3\u003e  \u003cp\u003eSo what is this plug-in for? In a nut-shell: creating unheard new sounds and smooth, sonically pleasing transitions that are different from the cookie-cutter crossfade approach. Create creature voices by combining speech with other sounds, apply the features of a drum loop to a sustained pad, transition from one ambience or SFX to another with surreal intermediate stages, or or create hybrid rhythms or instruments.\u003c\/p\u003e    \u003ch3 id=\"toc_7\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMacOS 10.15 Catalina and above\u003c\/li\u003e \u003cli\u003eWindows 10 and above (64-bit only)\u003c\/li\u003e \u003cli\u003eIntel, AMD, or Apple Silicon CPU\u003c\/li\u003e \u003cli\u003eFree iLok account and iLok License Manager\u003c\/li\u003e \u003cli\u003eiLok Machine and iLok USB licensing methods are supported\u003c\/li\u003e \u003cli\u003ePlugin Formats: AAX Native, AU, VST2, and VST3\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451288514663,"sku":"479569","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-morph-3-pro-audio-manipulation-plug-in-electronic-delivery_479569_1.jpg?v=1787096639"},{"product_id":"zynaptiq-create-bundle-with-6-sound-manipulation-plug-ins-electronic-delivery","title":"Zynaptiq CREATE BUNDLE with 6 Sound Manipulation Plug-ins - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eZynaptiq CREATE BUNDLE with 6 Sound Manipulation Plug-ins\u003c\/strong\u003e combines six sound design powerhouses into one indispensable package. Synthesize, cross-filter, transform, vocode, warp, morph, sustain, formant\/pitch\/frequency shift your audio, control pitch polyphonically, colorize your sounds, and add the lushest sounding smart reverb available today. Whether you are a sound designer, music producer, audio artist or film composer, the CREATE Bundle is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHIS BUNDLE INCLUDES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAdaptiverb\u003c\/li\u003e \u003cli\u003eMorph 3 Pro\u003c\/li\u003e \u003cli\u003eOrange Vocoder 4\u003c\/li\u003e \u003cli\u003ePitchmap\u003c\/li\u003e \u003cli\u003ePitchmap Colors\u003c\/li\u003e \u003cli\u003eWormhole\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eADAPTIVERB\u003c\/h3\u003e  \u003cp\u003eADAPTIVERB is a revolutionary reflectionless reverberation plugin. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds perceived depth, harmonic richness, and butter-smooth tails without obscuring the source. Preserving the tonal definition and directness of your mix, it adds size, glue and body – making it perfect for mixing and mastering applications alike. Powered by ray tracing, source separation, and advances in artificial intelligence, ADAPTIVERB automatically adapts to the input audio like a chameleon, blending with your sounds perfectly, and conforming its reverb tail to the tonality of the input or a user defined set of notes. While exceptionally fast to use, its advanced synthesis, cross-filtering and reverb pitch processing functionality provides ambient artists, film composers and sound designers with exciting new creative options for making evolving drones, organic pads, lush ambient sound scapes, and more.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eMORPH 3\u003c\/h3\u003e  \u003cp\u003eMORPH 3 is a real-time plug-in for audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming another. Super-charged with a selection of up to 11 different morphing algorithms, a style transfer and file playback module, transient bypass options, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 3 opens up a whole new universe of sounds to explore. Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you're a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings...look no further, MORPH is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eORANGE VOCODER 4\u003c\/h3\u003e  \u003cp\u003eCombining the most comprehensive and best-sounding set of vocoding algorithms available today with laser-like pitch control effects, a powerful synthesizer, audio freezing, a super fun and efficient workflow, and tons more, ORANGE VOCODER 4 is - quite simply - the ultimate vocoder plug-in. When it comes to creating that new vocal sound, making far-out sound effects and organic* robot and creature voices, sculpting colorfully mutated music grooves, or whatever else you can dream up: this creative processing powerhouse is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003ePITCHMAP\u003c\/h3\u003e  \u003cp\u003ePITCHMAP is the world's first plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using their stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003ePITCHMAP COLORS\u003c\/h3\u003e  \u003cp\u003eConform audio to your song's key\/scale, colorize your basses and synths, and turn atonal elements into gloriously resonant harmonic textures with unprecedented ease, quality and fun. Designed in collaboration with music production prodigy Au5, PITCHMAP COLORS fuses their popular pitch-mapping tech with additional transformation features and a user interface stream-lined for creative sound design and real-time performance. Bring COLOR to your sound now!\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eWORMHOLE\u003c\/h3\u003e  \u003cp\u003eFrom beautifully shimmering detuned guitar widening and glassy ambient octave-shift tails, to surreal ambiences, starship drones, alien, monster, and robot voices - WORMHOLE is the new indispensable multi-effects powerhouse for sound designers, music producers and film composers alike. Combining ultra-clean pitch\/frequency shifting, eccentric spectral warping, dual lush reverbs, and unique dry\/wet morphing, WORMHOLE delivers sounds so unearthly you'll swear they're from a parallel universe.\u003c\/p\u003e    \u003ch3 id=\"toc_8\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMacOS 10.15 Catalina and above\u003c\/li\u003e \u003cli\u003eWindows 10 and above (64-bit only)\u003c\/li\u003e \u003cli\u003eIntel, AMD, or Apple Silicon CPU\u003c\/li\u003e \u003cli\u003eFree iLok account and iLok License Manager\u003c\/li\u003e \u003cli\u003eiLok Machine and iLok USB licensing methods are supported\u003c\/li\u003e \u003cli\u003ePlugin Formats: AAX Native, AU, VST2, and VST3\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451288449127,"sku":"479570","price":629.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-create-bundle-with-6-sound-manipulation-plug-ins-electronic-delivery_479570_1.jpg?v=1787096639"},{"product_id":"zynaptiq-orange-vocoder-iv-classic-vocoder-plug-in-electronic-delivery","title":"Zynaptiq ORANGE VOCODER IV Classic Vocoder Plug-in - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq ORANGE VOCODER IV Classic Vocoder Plug-in\u003c\/strong\u003e is combining the most comprehensive and best-sounding set of vocoding algorithms available today with laser-like pitch control effects, a powerful synthesizer, audio freezing, a super fun and efficient workflow, and tons more, Orange Vocoder IV is quite simply, the ultimate vocoder plugin. When it comes to creating that new vocal sound, making far-out sound effects and organic robot and creature voices, sculpting colorfully mutated music grooves, or whatever else you can dream up: this creative processing powerhouse is for you!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT'S UPDATED IN VOCODER IV?\u003c\/h3\u003e  \u003cp\u003eVersion 4 of Orange Vocoder is a massive upgrade from the classic, Prosoniq-branded Orange Vocoder AU 10AE. What's new? Pretty much everything, except of course for the bits you love. Here are some of the highlights:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eGreatly expanded vocoder section, featuring formant shifting, expansion, stereo operation - and a total of 24 unique vocoding algorithms based on techniques including analog modeling, speech modeling, independent component analysis, LPC filtering, wavelet transforms, and more\u003c\/li\u003e \u003cli\u003eCompletely rewritten, high-quality synthesizer section including Unison and Mono Legato operation, thru-zero linear FM, comprehensive modulation options, a preset generator, and more\u003c\/li\u003e \u003cli\u003eUpdated MIDI-controlled pitch quantizer module featuring 5 modes, including the brand-new zero-latency pitch enforcer, with grain morphing and optionally polyphonic operation\u003c\/li\u003e \u003cli\u003eUpdated, streamlined multi-view UI with a super-streamlined workflow, including module sub-presets and smart randomization\u003c\/li\u003e \u003c\/ul\u003e    \u003ch3 id=\"toc_2\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMacOS 10.15 Catalina and above\u003c\/li\u003e \u003cli\u003eWindows 10 and above (64-bit only)\u003c\/li\u003e \u003cli\u003eIntel, AMD, or Apple Silicon CPU\u003c\/li\u003e \u003cli\u003eFree iLok account and iLok License Manager\u003c\/li\u003e \u003cli\u003eiLok Machine and iLok USB licensing methods are supported\u003c\/li\u003e \u003cli\u003ePlugin Formats: AAX Native, AU, VST2, and VST3\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451288547431,"sku":"479563","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-orange-vocoder-iv-classic-vocoder-plug-in-electronic-delivery_479563_1.jpg?v=1787096640"},{"product_id":"zynaptiq-orange-vocoder-nano-simplified-vocoder-plug-in-electronic-delivery","title":"Zynaptiq ORANGE VOCODER NANO Simplified Vocoder Plug-in - Electronic Delivery","description":"\u003cp\u003eAdd pristine vocoder sounds to your projects quickly and easily with \u003cstrong\u003eZynaptiq ORANGE VOCODER NANO Simplified Vocoder Plug-in\u003c\/strong\u003e, the streamlined sibling of their legendary ORANGE VOCODER IV. 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Designed in collaboration with music production prodigy Au5, \u003cstrong\u003eZynaptiq PITCHMAP::COLORS Pitch Manipulation Plug-in\u003c\/strong\u003e fuses their popular pitch-mapping tech with additional transformation features and a user interface stream-lined for creative sound design and real-time performance.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCOLORIZE THAT SOUND\u003c\/h3\u003e  \u003cp\u003eLike its popular sibling, Pitchmap Colors conforms any audio to whatever tonality you want, quickly and easily. However, it does so with a distinctly electronic flavor, geared for sound design. Switch between the somewhat natural sounding SICK, the gloriously resonant NSANE, and the mesmerisingly electric WTF modes with a single click!\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eMAP THOSE PITCHES\u003c\/h3\u003e  \u003cp\u003ePitchmap Colors works by separating the input audio into separate sounds based on their pitch, then shifting each up or down to fit a pitch grid individually. This grid is set up easily using the UI keyboard or a MIDI keyboard - just play the chords you want to shape the tonality of your audio. Turn major into minor, A minor 7 to F# Major, or wobble bass and noise into harmonic content...it's like magic!\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTWEAK THAT SOUND\u003c\/h3\u003e  \u003cp\u003ePITCHMAP::COLORS goes way beyond just pitch-mapping your audio. On top of switching the pitch-mapping algorithm itself between three types of awesome, the plug-in also throws in scale shifting, advanced formant processing and transient bypass functionality, as well as high-pass and low-pass filters. Create unheard harmonic processing in seconds!\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eSCALE SHIFT\u003c\/h3\u003e  \u003cp\u003eThe new SCALE SHIFT parameter makes it easier than ever to sweep through the pitch grid. Find the sweet spot within the scale, or automate SCALE SHIFT as new arrangement technique, with a single, MIDI-controllable parameter.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eFORMANT SHIFT \u0026amp; GAMMA\u003c\/h3\u003e  \u003cp\u003ePitchmap Colors features a powerful formant shifter, for changing the perceived size of the sound and making large pitch shifts more naturalish sounding. Its two octave range has you covered from huge demon voices to hyperactive chipmunks, and a 0.01 semitone resolution provides butter-smooth automations. The formant shifter sports a unique function called Formant Gamma, that exaggerates the formant peaks and troughs. The effect is really cool and hard to describe with words...think of it as a complex, self-modulating filter-oid that creates far-out, organic-sounding mutations that add movement and alien-ness to your mix.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eTRANSIENT BYPASS\u003c\/h3\u003e  \u003cp\u003eThe more extreme sound modes can smoothe out transients in a cool way, but sometimes, you may want that sound while retaining transient detail - enter Pitchmap Color's super-easy-to-use and great sounding Transient Bypass. 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Perfect for producers and sound designers seeking versatile, expressive pitch and vocoder effects with fast, intuitive control and rich creative possibilities.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eZYNAPTIQ PITCHMAP::COLORS\u003c\/h3\u003e  \u003cp\u003eUnlock new dimensions of creative sound design with this powerful duo from Zynaptiq. PITCHMAP::COLORS offers advanced pitch manipulation featuring a unique formant shifter that changes the perceived size of sounds, making large pitch shifts feel natural and expressive. With a two-octave range and ultra-fine 0.01 semitone resolution, it delivers buttery-smooth automations for everything from monstrous demon voices to playful chipmunks. Its innovative Formant Gamma function introduces organic, evolving sonic mutations—complex self-modulating filter-like effects that add rich movement and alien textures to your mix.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eORANGE VOCODER NANO\u003c\/h3\u003e  \u003cp\u003ePaired with ORANGE VOCODER NANO, a streamlined version of the legendary ORANGE VOCODER IV, this bundle lets you effortlessly add pristine vocoder sounds to your productions. ORANGE VOCODER NANO captures the fat, beefy, and crystal-clear character of its big brother with a simplified, cost-effective design. Whether you want smooth, classic vocoder tones or anything in-between, this plug-in delivers buttery smooth clarity and tonal richness.\u003c\/p\u003e  \u003cp\u003eTogether, these tools provide an inspiring palette for pitch manipulation and vocoder effects, perfect for producers and sound designers looking to push their audio into exciting new territories.\u003c\/p\u003e    \u003ch3 id=\"toc_3\"\u003eZYNAPTIQ ORANGE VOCODER NANO FEATURES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFour cutting-edge vocoding algorithms from ORANGE VOCODER IV: Advanced LPC-35 Medium, Online ICA Butter, Speech Model Detailed, and the zero latency Analog Model Live Tight\u003c\/li\u003e \u003cli\u003eFormant shifter with +\/- 12 semitones range\u003c\/li\u003e \u003cli\u003eMonophonic sawtooth synthesizer as carrier, with 24 db low-pass filter, legato glide and vibrato via mod-wheel. Controllable via MIDI or on-screen keyboard\u003c\/li\u003e \u003cli\u003e3-way mixer for input, vocoder and synthesizer\u003c\/li\u003e \u003cli\u003eSuper-subtle chorus effect for sweetening\u003c\/li\u003e \u003cli\u003eSupports AU (Mac only), AAX Native, VST 2.4 and VST 3 on macOS and Windows.\u003c\/li\u003e \u003cli\u003eAwesome sound \u0026amp; lightning fast operation\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_4\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMacOS 10.15 Catalina and above\u003c\/li\u003e \u003cli\u003eWindows 10 and above (64-bit only)\u003c\/li\u003e \u003cli\u003eIntel, AMD, or Apple Silicon CPU\u003c\/li\u003e \u003cli\u003eFree iLok account and iLok License Manager\u003c\/li\u003e \u003cli\u003eiLok Machine and iLok USB licensing methods are supported\u003c\/li\u003e \u003cli\u003ePlugin Formats: AAX Native, AU, VST2, and VST3\u003c\/li\u003e \u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451288645735,"sku":"479567","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-pitchmap-colors-with-orange-vocoder-nano-electronic-delivery_479567_1.jpg?v=1787096640"},{"product_id":"zynaptiq-punch-transient-shaping-plug-in-electronic-delivery","title":"Zynaptiq PUNCH Transient Shaping Plug-in - Electronic Delivery","description":"\u003cp\u003eAdd organic, musical punch and contour to your sounds, tracks, stems or mixes with their mastering-grade, intelligent impact inductor \u003cstrong\u003eZynaptiq PUNCH Transient Shaping Plug-in\u003c\/strong\u003e. Built on their expertise in source separation, signal statistics, frequency domain processing, and filter design, PUNCH adds anything from airy snap to beefy long attack compressor overshoot impact to smooth dynamics contouring to your audio easily, quickly, and with Zynaptiq quality. PUNCH works equally well for individual sounds and complex material like mixed music, even if excessive dynamics processing was applied that would leave traditional transient shapers nothing to go on, and applies its processing to all sound components separately, with up to more than a hundred bands of exquisitely engineered filtering. 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It combines multiple high-quality pitch algorithms, ranging from the classic delay-line design to advanced resynthesis, time-stretching, and state-of-the-art hybrid processing. Use PITCHSHIFT for mono and stereo duties. PITCHSHIFT PRO, which adds more sound design options and supports up to 16 channels of phase-synchronous multi-channel processing for immersive workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you're adding a fifth or octave to a guitar or vocal, adjusting the pitch of a loop to fit your project, making monster voices and alien machinery, or adjusting the pitch of a film mix for frame rate conversion, PITCHSHIFT delivers maximum quality with minimum effort!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eMORE OF EVERYTHING\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePITCHSHIFT isn't just a great pitch-shifter, it is a comprehensive pitch-shifting solution. As every pitch-shifter topology has its own sonic properties and character, and a range of sounds it works for best, Zynaptuq decided to include (pretty much) all of them. With its three different pitch algorithms, PITCHSHIFT gives you a huge range of pitch styles, and PITCHSHIFT PRO adds three more, for ultimate flexibility. PITCHSHIFT features pristine formant correction and shifting, LP\/HP filtering of the wet signal, and per-channel pitch jitter and phase dispersion, and PRO adds resynthesis-based pitch locking, LPC-inspired resonator-excitator pitch processing, retro sampler style cyclic shifting...and a ton more.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eZYNAPTIQ PITCHSHIFT PRO FEATURES:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHYBRID, RESYNTHESIS, and STRETCH pitch algorithms\u003c\/li\u003e\r\n\u003cli\u003e±12 semitones of pitch shift in 1 cent increments\u003c\/li\u003e\r\n\u003cli\u003e±12 semitones of formant shift in 1 cent increments\u003c\/li\u003e\r\n\u003cli\u003eFormant shift can be linked to pitch shift for formant correction\u003c\/li\u003e\r\n\u003cli\u003eOptimizations for SFX, DRUMS, MIXED and SMOOTH signals for the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eControl over overlap factor, window type, and formant strength of the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eControl over transient processing strength for each of the SFX, DRUMS, MIXED and SMOOTH optimizations\u003c\/li\u003e\r\n\u003cli\u003eDry\/wet mix control with LP\/HP filtering for the wet signal path.\u003c\/li\u003e\r\n\u003cli\u003eAll controls can be controlled via MIDI, including the previous\/next preset and load\/save commands\u003c\/li\u003e\r\n\u003cli\u003eScalable vector GUI with zoom\u003c\/li\u003e\r\n\u003cli\u003eOptional double precision processing for the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eUnique DISPERSION parameter for the HYBRID algorithm, which modulates the phase per frequency per channel for effects ranging from a subtle increase in dimensionality to diffused and modulated timbres\u003c\/li\u003e\r\n\u003cli\u003eJITTER parameter for the RESYNTHESIS algorithm, which adds random pitch modulation per channel\u003c\/li\u003e\r\n\u003cli\u003eAdditional CONFORM, GRANULAR, and LPC pitch algorithms\u003c\/li\u003e\r\n\u003cli\u003eRESYNTH and LPC modes for the CONFORM algorithm\u003c\/li\u003e\r\n\u003cli\u003eSMOOTH, TIGHT and CYCLIC modes for the GRANULAR algorithm\u003c\/li\u003e\r\n\u003cli\u003eExtended ±24 semitones formant shift range for the CONFORM and LPC algorithms\u003c\/li\u003e\r\n\u003cli\u003ePhase-synchronous multi-channel support for up to 16 channels\u003c\/li\u003e\r\n\u003cli\u003eDedicated Channel Setup page with bypass, mute and solo per channel\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003emacOS 10.15.x or newer, 64 bit\u003c\/li\u003e\r\n\u003cli\u003eApple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended)\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 3 or Avid AAX Native compatible Host software, processing audio as 32 bit float\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 10 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 3 or Avid AAX compatible 64-bit host software, processing audio as 32 bit float\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451290349671,"sku":"479573","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-pitchshift-pro_479573_1.jpg?v=1787096647"},{"product_id":"zynaptiq-pitchshift-pitch-shifter-plug-in-electronic-delivery","title":"Zynaptiq PITCHSHIFT Pitch Shifter Plug- in - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eZynaptiq PITCHSHIFT\u003c\/strong\u003e is the ultimate pitch-shifting plug-in for music production, sound design and post production. It combines multiple high-quality pitch algorithms, ranging from the classic delay-line design to advanced resynthesis, time-stretching, and state-of-the-art hybrid processing. Use PITCHSHIFT for mono and stereo duties. Whether you're adding a fifth or octave to a guitar or vocal, adjusting the pitch of a loop to fit your project, making monster voices and alien machinery, or adjusting the pitch of a film mix for frame rate conversion, PITCHSHIFT delivers maximum quality with minimum effort!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eMORE OF EVERYTHING\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePITCHSHIFT isn't just a great pitch-shifter, it is a comprehensive pitch-shifting solution. As every pitch-shifter topology has its own sonic properties and character, and a range of sounds it works for best, Zynaptiq decided to include (pretty much) all of them. With its three different pitch algorithms, PITCHSHIFT gives you a huge range of pitch styles. PITCHSHIFT features pristine formant correction and shifting, LP\/HP filtering of the wet signal, and per-channel pitch jitter and phase dispersion.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eZYNAPTIQ PITCHSHIFT FEATURES:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHYBRID, RESYNTHESIS, and STRETCH pitch algorithms\u003c\/li\u003e\r\n\u003cli\u003e±12 semitones of pitch shift in 1 cent increments\u003c\/li\u003e\r\n\u003cli\u003e±12 semitones of formant shift in 1 cent increments\u003c\/li\u003e\r\n\u003cli\u003eFormant shift can be linked to pitch shift for formant correction\u003c\/li\u003e\r\n\u003cli\u003eOptimizations for SFX, DRUMS, MIXED and SMOOTH signals for the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eControl over overlap factor, window type, and formant strength of the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eControl over transient processing strength for each of the SFX, DRUMS, MIXED and SMOOTH optimizations\u003c\/li\u003e\r\n\u003cli\u003eDry\/wet mix control with LP\/HP filtering for the wet signal path.\u003c\/li\u003e\r\n\u003cli\u003eAll controls can be controlled via MIDI, including the previous\/next preset and load\/save commands\u003c\/li\u003e\r\n\u003cli\u003eScalable vector GUI with zoom\u003c\/li\u003e\r\n\u003cli\u003eOptional double precision processing for the HYBRID algorithm\u003c\/li\u003e\r\n\u003cli\u003eUnique DISPERSION parameter for the HYBRID algorithm, which modulates the phase per frequency per channel for effects ranging from a subtle increase in dimensionality to diffused and modulated timbres\u003c\/li\u003e\r\n\u003cli\u003eJITTER parameter for the RESYNTHESIS algorithm, which adds random pitch modulation per channel\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\r\n\u003cli\u003emacOS 10.15.x or newer, 64 bit\u003c\/li\u003e\r\n\u003cli\u003eApple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended)\u003c\/li\u003e\r\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 3 or Avid AAX Native compatible Host software, processing audio as 32 bit float\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWindows 10 or newer\u003c\/li\u003e\r\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended\u003c\/li\u003e\r\n\u003cli\u003eSteinberg VST 3 or Avid AAX compatible 64-bit host software, processing audio as 32 bit float\u003c\/li\u003e\r\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\r\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":44451290382439,"sku":"479574","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/zynaptiq-pitchshift_479574_1.jpg?v=1787096647"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/zynaptiq-software.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}